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| 1. Submerged Director: Anthony Hickox | |
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Description Reviews (1)
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| 2. Exit Wounds Director: Andrzej Bartkowiak | |
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Amazon.com Reviews (108)
So whilst all his is happening Latrell Walker (DMX) sets up another meeting with Montini to buy up alot of drugs only Latrell doesn't appear to be who he says he is. When Orin catches up with the help of his new partner George (Isaiah Washington) and Henry he learns that there are some dirty cops up to no good and he seems to be the right guy to stop them. The action scenes and stunts were terrific and I really expected something to happen between Mulcahy and Orin, but watch the movie and find out why nothing happens. Terrific all around, I wonder if they are thinking of a sequel... The title of the movie has absolutely NOTHING to do with the film and the DVD is worth the buy instead of the vhs to see the Making of and an interview with Anthony Anderson.
Once again, he plays a character that starts investigating things that he's never really been assigned too, and no one can stop him sticking his nose in, cos he's so threatening. He looks like a big softie, quite literally. Teamed up with a cop who can't decide whether he's good or bad - and is the first to befriend him in the new precinct - is really predictable. What is the good thing about this movie? (Apart from DMX obviously) That a lot of the characters are from Cradle 2 The Grave - but without Steven Seagal. You've got DMX (he was better in Cradle 2 The Grave), Anthony Anderson, Tom Arnold, and probably a couple of others. The whole story is about good cops/bad cops. And which one DMX fits into, is never really explained. (Although he's not a cop) You can never decide whether he's on the good side or the bad side. The extras are pretty sparse on the DVD. You've got a behind the scenes tour thing with Anthony Anderson, a trailer (whoopee!), and a music video. The music video was quite impressive and surprising! DMX has 'covered' (and when I say covered, I mean sings the chorus, and then raps right the way through it) "Ain't No Sunshine", originally done by Bill Withers, and infamously known in the Notting Hill movie. While it's a good version, it's not really DMX to be covering or sampling such a song, that's so well known in another movie. The same as at the end of Cradle 2 The Grave, Tom Arnold and Anthony Anderson, have this little scene all to themselves, which is apparently ad-libbed. (Whatever). However, it's not as funny as their scene in Cradle 2 The Grave, and gets tedious after a while. So I've given this movie a pretty good rating, haven't I? So I've now seen two Steven Seagal movies, and I own one of them. D'ya think I can get a break? I own one, that's enough for me!
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| 3. Out of Reach Director: Po-Chih Leong | |
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| 4. Under Siege 2: Dark Territory Director: Geoff Murphy | |
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Amazon.com Reviews (44)
It doesn't really make that much sense to watch a sequel, when you haven't seen the original, so lets not go there. The first thing I thought about this movie was that it had similarities to True Lies. In True Lies, it was Arnie-baby trying to rescue his daughter (Eliza Dushku) from the hands of an evil tyrant. In Under Seige 2, it's Steven Seagal trying to rescue his niece (Katharine Heigl). But apparently, it's just a coincidence that these two films are similar. Eric Bogosian didn't really come across as your typical bad guy, which I thought was quite good. He looks like a wimp, one of those guys who sits staring at his computer, day in, day out. And the mop-top of curly hair just added to the whole effect. Steven Seagal doesn't seem your typical action hero either. He doesn't seem to have the muscles that Arnie flexes constantly, nor does he have the drop dead gorgeous looks. (I'm not saying that Arnie's drop dead gorgeous, I'm just - oh never mind) Maybe he would appeal to me more if he cut off that silly ponytail (give me a pair of scissors, I'll do it gladly) and toned up a bit. And he's so deadpan! Imagine someone Botoxed up to the eyeballs, and you'll have Steven Seagal. He shows no emotion either in any of his scenes, and manages to break guys necks left, right and centre quite convincingly. In that way, he's good as the good guy. He gets rid of the bad guys, each time in a different way - although he does break three guys necks. He does set a couple of people on fire. What I also noticed is that at the end, like True Lies, when the girl originally hated her dad/uncle, she's now all over him like a rash. It's a shame that Peter Greene - aptly named "Mercenary #1" - has to die in this movie (one of the three who gets their neck broken). He always seems to play the bad guy, and whereas he is quite nice looking, it must be his looks that make him bad guy material. Overall, it was an OK film, if not a little long between action scenes. Thankfully, none of it follows on from the first, so it's not like you're watching a sequel that you have to have seen the first, to understand the second. But unlike some people, I won't be going all out, and buying the Steven Seagal doll (sorry, it's NOT an action figure). When a film get released, it can sometimes have "action figures" to accompany the movie. So why was there never one to accompany The Matrix? I want to play with Keanu :) Shame it's all plastic, au naturel is so much better.
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| 5. The Glimmer Man Director: John Gray | |
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Amazon.com Reviews (17)
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| 6. Under Siege Director: Andrew Davis | |
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Amazon.com Reviews (51)
The story is quite simple: Steven Seagal is a cook on a military ship that is transporting missiles. He has several other helpers and friends but there is one person he hates: Gary Busey. They always get into fights for no absolute reason. Anyway, the army men and guards call for concerts and entertainment but they have made one mistake: the music company they picked are not musicians and singers, they are international terrorists led by Jones. Busey finally reveals himself as a terrorists and helps take off some guards. Soon, these terrorists brutally kill all the guards and the captain. Holding over 160 people hostage, the villains demand money and say that if the government makes one attempt to stop them, they will use the missiles on the ship to shoot them down and bomb the U.S.A! But between the midst of all that, we see that Steven Seagal has not been captured......and now it's up to him to save everyone! What, of course, follows is a gigantic barrage of guns, guts, blood, knives, bombs, grenades, martial arts, and a little nudity. If you are a real action fan, I recommend this. I hope to see the second but I heard it wasn't so good. A good film would be Above the Law, in which Seagal and Davis work for the first time. That film also features Sharon Stone and Pam Grier. I suggest you go rent this to see if you like it but trust me: IT IS BLOODY! Rated R for strong violence, language, and very very very brief nudity.
Some people, of course, don't mind occasional no-brainer entertainment like this. Believe me, I enjoy the occasional brainless action film, just as long as it has an involving plot, entertaining characters, and good action scenes. UNDER SIEGE only half-delivers---its plot never truly involved me; the main bad guys (Tommy Lee Jones and Gary Busey) are a lot more entertaining than its hero; and the action scenes, for the most part, are just average (except for that marvelous knife fight at the end). In short, UNDER SIEGE is a pretty stupid movie, and if you're looking for truly great, even intelligent action entertainment, you would do best to look elsewhere. Heck, even this film's sequel, UNDER SIEGE 2, is slightly more entertaining than this! Skip it.
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| 7. Above the Law Director: Andrew Davis | |
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Reviews (24)
Nico Toscani's Sicilian background adds to the color of the drama. There are even hints of his family background being not too far removed from the wiseguys. I mentioned Nico being macho. I'd like to qualify this by saying that he's not devoid of charm and his role is less one-dimentional than one would expect. The tough-guy persona is just a facade for an individual with strong convictions and a democratic political outlook. Equally competent is Nico's partner, Delores Jackson, played candidly by the veteran Pam Grier. The main villain, the pure evil CIA doctor Zagon, is played by the veteran villain actor Henry Silva. Don't expect any critics' choice awards for this movie, because the script does have its share of cliches. Seagal plays a cop who is on to something very big, defies higher authority and, as expected, is taken off the case - like in so many other cop movies of the genre. The outcome is predictable. You know that good is going to triumph over evil in this movie. Despite it's predictability, the plot is fresh and to a great extent realistic. Most importantly it's entertaining. There are surprisingly bold political statements made in this movie about the dubious role played by the CIA in the affairs of many a third world country. These statements are not too far fetched and must never be underplayed when you consider the "blowback" - CIA jargon for repercussions - being felt to this day. There are far too few movies being made these days that hold the government accountable. Unfortunately it's usually the ordinary citizen who becomes the indirect victim to the follies of an agency whose modus operandii includes criminal conduct and whose agents operate "Above the Law". The impressive and ship-shape Seagal in this movie inspires you to ditch your six-pack of beer for a six-pack of Gatorade. He inspires you to reach into your closet for your old karate uniform or gym gear and to whip yourself back into physical and mental shape. Too bad Seagal has physically floundered since then. He does have the potential to stay there. One would hope that he would take his cues from Eastwood and Bronson, both of whose careers have had them stay in shape and play lead roles well into their sixties and seventies.
Steven Seagal is best known for his action movies, in particular the parts where he does his hand to hand thing. In his case, he's an aikido expert, and that's hard to explain. Most martial arts movies talk about Kung Fu and Tae Kwan Do where people punch and kick and you can generally tell what's going on. Aikido, on the other hand, is about redirecting an opponent, making him basically want to fall down. In the movie, it looks a lot like a bad guy rushes as Seagal, he touches them with his little finger and then they decide to throw themselves in the air in ways you thought were impossible. The moves take, oh, about two seconds to perform, with Seagal's part being only about 2 microseconds. If you want to watch Seagal in classic aikido action, be prepared to pause, slow motion and rewind. It's amazing looking and absolutley bizzare (since being marveled by the movie, i have gone out and studied aikido, and it seems even more impressive, although realistic, now) The movie's about an ex-CIA officer turned Chicago cop (and, in my opinion, an extremely unlikeable one; that macho Italian family man thing to me just looks like a dull-witted bully control freak). He runs into some old CIA friends from 'nam who are doing naughty things This movie has a plot, and a darn good one at that. It's a very, very interesting movie, much unlike, say, all the big budget movies he did after this one. While his later movies are bad jokes, new age mantras and B-movies, this one is really, really good. There are only a realistic number of fight scenes (gosh, i wish there were more, but that would have changed it from a drama to an action film, which this really isn't), but they are wonderful Bottom line, this movie is awesome. i don't know if Seagal wrote and directed the later films he did (he was close to a one man production company on this one), but i wish he'd turn down those big budget formula films he's been doing and go back to doing the realistic, semi-autobiographical films like this one. He's mostly considered a joke now, but when this movie came out, when he was Seagal the writer and not Seagal the action hero, he was revered, and for good reason
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| 8. Fire Down Below Director: Félix Enríquez Alcalá | |
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| 9. Marked for Death Director: Dwight H. Little | |
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Reviews (33)
It is Seagal at his brutal best. As the Editorial Review says, he plays a disillusioned former DEA agent, who comes back home), to find his neighborhood being ravaged by a group of Jamaicans and their drug trade. Seagal cleans it up the situation as only he could: blasting a handful of the bad guys away with pistol and shotgun, and beating the rest savagely. This movie, like his premier "Above the Law", has some of his technically most proficient Aikido, particularly after he crashes his car into a department store and then takes on about four adversaries in a randori, or challenge of one defender against multiple attackers. Of course, it would not be some shattering news to reveal here that in the end, Seagal prevails over the leader of this drug posse, nicknamed Screwface (the name comes from a Bob Marley song). They fight with swords, bottles, and ultimately hands. But the climactic fight is equally brutal as it is final. It was not nominated in the "Best Movie" category. It is not particularly thought provoking. But what it is is an action movie. And as that, it is worth the price of admission.
Seagal plays a cop taking on some scary Jamaican drug lords. They're into voodoo or something, Seagal gets his Mustang wrecked, and before the end, a lot of arms and wrists are going to be snapped like so many twigs. What has happened to Seagal? In this movie his fight scenes are pretty good. They had perfected the Seagal film formula by this point and would follow it with the equally brutal Out for Justice. This was before the filmmakers had to extensively doctor the fight scenes with camera tricks like fast motion and telephoto lenses in order to disguise the fact that Seagal had become old, fat, and completely out of shape. Seagal's last few films have gone straight to DVD and they are absolutely appalling, yes, even for a Seagal film. Marked for Death is a actually good for what it is. Compare it to something like Ticker or Out for a Kill and see how the mighty have fallen. Seagal's IHOP excesses have destroyed him. Watch Marked for Death to see him in all of his bullying, macho glory. ... Read more | |
| 10. The Patriot Director: Dean Semler | |
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Description Reviews (46)
There's almost no subtlety in this film, even when it's really called for. No plot twist comes off as inventive or even interesting, and many outcomes are very easily guessed. There was one moment of anticipation that turned out opposite from how you'd expect, but even that was just sort of cheesy. Character development is pretty much limited to identifying which stereotype a person falls into (disgruntled idealist, concerned doctor, wise native, etc), so that without plot or characters, action is left as the selling point of the film. The action's almost non-existant, and very sporadic. It more or less consists of Seagal occasionally needing to distract a person, grab their gun, and knock them unconscious. And finally, the film's dramatic scenes are poorly done, as they're either really standard and not very forceful at all, or they're done in a strange way that minimizes their effect (for example a potentially thought-provoking scene at the end that's just sort of done in a sappy way). Poorly made. ... Read more | |
| 11. Into the Sun Director: mink | |
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| 12. Half Past Dead Director: Don Michael Paul | |
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Amazon.com Reviews (56)
Seagal is Sasha Petrosevitch, an undercover FBI agent, working to gain the confidence of Nick, a big time car thief, played by rapper Ja Rule. After a confrontation with the FBI, both men are incarcerated on Alcatraz. Bruce Weitz (Hill Street Blues) is Lester McKenna, a prisoner who has stolen and hidden 20 million in gold bullion. On death row, he is about to be executed, when the prison is invaded by the "49ers", a group of criminals who want McKenna to reveal the gold's location. Morris Chestnut is Donnie Johnson (49er One), the group's charismatic and ruthless leader. His second in command is 49er Six, played with style and panache, by the explosive and sexy Nia Peeples. Johnson's plans need to be adjusted, when the inmates get involved. Actor/Writer/Director Don Michael Paul provides an informative commentary that stresses and details, the trials and tribulations of bringing this low budget production to the screen. Paul's screenplay was originally written years before, but was shelved because of similarity to Jerry Bruckheimer's film, "The Rock". Rewritten to incorporate modern elements of hip-hop culture, Paul explains that his goal was to produce a fast paced film, with a stylized music video vibe. His big screen directorial debut was filmed primarily in Berlin, shortly after the 9/11 incident. Despite the monetary difficulties, the film delivers some decent action scenes, with enough of a plot to hold things together. Rated PG-13, it contains massive amounts of gunfire and violence, punctuated by a rap and metal soundtrack. Ja Rule's performance is quirky, and he does a passable job in his action scenes. Morris Chestnut makes an eloquent and intelligent villain. Linda Thorson, as a Supreme Court Judge, and Bruce Weitz, are not bad. Supporting characters played by Claudia Christian, Tony Plana, and the rapper Kurupt, are less developed and more one-dimensional. Nia Peeples is a suprisingly impressive bad girl. Costumed in a tight black outfit, her look combines elements from The Crow, and The Matrix. Peeples looks great carrying a gun, and performs most of her own fight scenes. Her background as a dancer is put to good use, as her flashy fighting style primarily features kicking and jumping, bringing an edge to the proceedings. As for Steven Seagal, this film, like Exit Wounds, seeks to build some ties with hip-hop culture. His character is troubled, reflective, and a bit restrained, taking the back seat at times to others. He doesn't engage in much hand to hand, and editing makes his fight scenes flow. Those looking for old school Steven, may be disappointed, but the reality is that time catches up with all of us. Nonetheless, Seagal carries the film, making it an enjoyable and entertaining escape for action film aficionados.
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| 13. The Steven Seagal Collection (Above the Law/Hard to Kill/Under Siege/Under Siege 2) | |
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| 14. Hard to Kill Director: Bruce Malmuth | |
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| 15. On Deadly Ground Director: Steven Seagal | |
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Description Reviews (43)
"On Deadly Ground" does have a plot, but not that great of one and that's really where the movie suffers. If it would've had a better storyline, it could've been a great movie. The action and fighting sequences in the movie are well done. It also has good special effects. The scenery in the movie is another good thing about it with the snowcapped mountains all through the movie. All in all, "On Deadly Ground" does have some mildly entertaining action sequences, but overall it's just an average movie. I'd recommend getting other Steven Seagal movies such as either one of the "Under Siege" movies before I'd recommend getting this one.
What really singles out ON DEADLY GROUND is that a real actor, in this case Michael Caine, appears in the film. Here's a new debate for everyone: which check made Michael Caine feel the most "dirty": ON DEADLY GROUND or JAWS: THE REVENGE? The one truly inspired moment of this film comes at the very end. After decimating an army of thugs and blowing up an Alaskan oil refinery that resembles an earthbound version of the Death Star, Seagal appears at a press conference to lecture us ON SAVING THE ENVIRONMENT! No kidding. He single-handedly destroys our 49th state and then warns us about the threat of pollution. If you really want to see an impassioned anti-pollution film featuring a hero of limitid acting range, then seek out GODZILLA VS. THE SMOG MONSTER. The Big G was onto the environment message years before Seagal started polluting the screen.
Seagal starred in some quick but competent cop on a mission flicks in the late 80s and early 90s. Then something happened. He got power, and he decided he wanted to make a statement. This is rarely a good idea for actors, specifically action movie stars with ponytails. In this one, Seagal is fighting the evil oil industry. A massive oil company is up to some shananagins in Alaska, and it's up to Seagal as an EPA agent (with a shadowy background) to stop these injustices. Seagal's solution to the violence and environmentally unsound practices of the company is to kill a number of people and then cause more environmental damage by blowing up a pricey oil rig. The company is headed by none other than Michael Caine, who is sporting oil-black hair and some ridiculous rubber-face makeup. Caine makes the film worthwhile for those who are morbid enough to watch a fine actor's most shameless hour. I believe, most of the time, that bad movies are not born but made. Seagal may feel that the oil industry is shafting the people, and he is likely right, but the form his statement takes is ludicrous even if he doesn't realize it. Actually, Seagal probably believes he's making an important statement and serious film (while satisfynig fans) and this sincerity is what makes it all the more laughable. The film is appalling in most respects, but it offers the violence you came to see. Seagal was just plain fat by this point (though he would, in fact, get fatter) but it doesn't stop him from dispatching all level of minion from Caine. Seagal finally lost it when he made a speech during the finale that denounced the practices of the oil industry. Honestly, the guy might be sincere, and he actually has valid points (there is doubtlessly shady business happening with respects to oil in the world) but his forum is questionable. The plot has many holes, the victims have holes, Seagal is fat, there is a spiritual angle that exploits typical conceptions of Eskimos and Native Americans and Michael Caine is priceless. Simply a must for the bad movie addict, this is astonishingly not even close to Seagal's worse. Now that is a real achievement.
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| 16. Executive Decision Director: Stuart Baird | |
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Up until then, "ED" is content to be a generic, enjoyable yet eventually forgettable action movie involving airplanes and "reel bad arabs" (Hey, I didn't make that up - some guy wrote a book about stereotyping arabs, and somebody else recommended that instead of this flick, as if the audience of one and the other's readership overlap that much). This flick came out in March - not quite the time when people are lining up at the box office. Though not a bad movie, it somehow manages to approach what we all love as the "so bad, we love it" category. Something funny happens midway through though - you realize that you're watching a parody (probably unintentional, but why spoil the fun?) with plenty of violence, but still one that isn't quite right enough to take seriously. Steven Seagal plays the intrepid head of the special forces, but he's dispatched early on, leaving his team to shoulder the task of ending the flying seige. You really know something's wrong when, while describing the plan, Seagal suddenly but calmly tells the military brass and the political heads involved that what he really wants is Kurt Russel's character (tuxedo and all) to come along for the trip. The script suggests he's laughing inside at Russell who'll have to face these bloodthirsty terrorists alone, but he's more likely laughing at us. The flick lards it up further in its choice of miscas | |