Description

In this final installment, Apu is forced to abandon his education. His future looks bleak until he marries an abandoned bride, beginning a new life as a husband and a father. Written and directed by award-winning filmmaker Satyajit Ray. Named 1960’s Best Foreign Film by the National Board of Review. ... Read more

Reviews (13)

Satyajit Ray concludes the his beautiful Apu Trilogy
Having lost his sister and his parents in the first two installments of "The Apu Trilogy," I made the mistake of thinking there was no one left for Apurba Roy (Soumitra Chatterjee) to lose, but Satyajit Ray proves in Apur Sansar ("The World of Apu") that such expectations are foolishness. At that start of this 1960 film Apu has left school before graduation, dreams about being a writer, and is three months behind in his rent, which forces him to sell some of his beloved books. Then Pulu (Swapan Mukherjee), an old college friend, convinces Apu to attend a village wedding. When the groom turns out to have gone insane because of the fasting and meditation in preparation for the wedding, Apu's friend suggests he become the groom so that the wedding can continue and the family's honor maintained. At first Apu dismisses the idea out of hand, but then relents because he does not want the young woman to be cursed forever, and gets married to the beautiful Aparna (14-year-old Sharmila Tagore).

The middle of the film shows the happy time when Apu and Aparna get to know each other and fall in love. Two people who were complete strangers become incredibly close as we see a simple romance that rings true in a way few in cinema ever have before or since. However, after all of the suffering and hard times we have endured to this point in the trilogy it is hard to believe that Apu has finally found happiness, and indeed tragedy follows. We are suddenly confronted with the sense that we have come full circle and that once again our hopes in this story have come down to the fate of one small boy.

Even after three films Ray's genius is in using the camera to show character. What is memorable in these films are always the moments, and not the dialogue. It is the look that characters give each other than communicates much more than the words. For those who would complain that they do like to watch foreign film because it involved reading subtitles, these films should not be a problem. Ultimately it is the cinematography of Subrata Mitra and music of Ravi Shankar that are the chief mediums of communication (the only other time I have been struck this much by a similar combination was in "Road to Perdition," where the late cinematographer Conrad L. Hall won his final Oscar and Thomas Newman was nominated).

Although "The World of Apu" can stand on its own, you would be foolish not to go back and start with "Pather Panchali" ("Song of the Road") and "Aparajito" ("The Unvanquished"). Satyajit Ray is one of the greatest directors of the world, whose impact on the film industry in India was monumental, and deservedly so. When you are working out the short list of "foreign" directors with whom you need to become familiar Ray is right there with Akira Kurosawa and Ingmar Bergman.

A true portrait of LIFE
Satyajit Ray is just perfect in this 1959 classic and the last of Apu Trilogy.

Leaving his disturbing past,Apu is now working in Calcutta.He is now alone in the world- no strings attached.He dreams to be a writer,he plays flute in his time off and he thinks he is different from any other young man-Apu lives in his dreams.He never ever wants to "settle down"-he hates that kind of a life.One day his friend Pulu comes in to his den and invited him to his sister's marriage.By some beautiful twist of fate,the groom turns out to be eccentric and Apu lands up marrying the bride(Aparna).They start a new life back in Calcutta.

Ray paints the young and funful lovelife of Apu and Aparna with some eternally beautiful scenes.Camera tells more than spoken words in this part of the movie.Apu assures Aparna on the way back from a movie show that he would dedicate the book he is working upon to Apana.

Now comes the inevitable-Aparna dies in her native place giving birth to their son Kajal.Apu couldnot believe this news--how could this happen to him again and again?He leaves Calcutta forgetting Kajal(to Apu,Kajal's existence would mean Aparna is nowhere now) although the manuscript was with him.

Apu did not want to "settle down"--now his life has been unsettled by fate-the whole world is now meaningless to him.
Now,far away from Calcutta,he roams about here and there, aimlessly,searching for peace of mind.One day in a forest,he seems to have got some meaning of his life and throws all the pages of the manuscript on air that he was still carrying and decides to lead a different life by taking up a job in coal mine.Pulu enters here once again here and Apu has to swallow a lot about his lack of responsibility towards his son.

On the other front,in Aparna's native place,the 6-year-old boy Kajal's world is strikingly different from any other boy's world of his age-while he believes his father is very strong ,very big and stays in Calcutta although he has never seen him-and he does not belive these guys who are telling that his father would never come back.But,one day his father really comes back--just to show up his "responsibilty" and not to take his son back as he's an alien to him. But,seeing Kajal's life has become a hell without a "father's presence" -Apu,perhaps for the first time in his life makes a conscious and mature decision of taking his son back with him.

The ending scene of the movie is a celebration of life--as Apu is seen laughing again and Kajal,on top of his father's shoulder,too is laughing and Kajal's eyes show the lovely dreams which reminds us of child Apu himself.The life goes on instead of ups and downs.

Apu Faces the Realities of Existence and Finds Love
In Pather Panchali and Aparajito we watch Apu grow into manhood all while he seems to be very unaware of the exotic Indian women swirling about him in all their beauty. This contributes to the subtle humor when he finds himself in a situation where he must save a family's honor.

Apu's ancestral family home has been destroyed; he has lost his sister, father and mother and is now living alone next to a noisy railway. As he faces the realities of existence, he spends his time reading, playing a wooden flute and occasionally looking for work. His job prospects are disheartening at best. His optimism is reminiscent of his father's attitude to life and he is also becoming a writer. His beauty and artistic carefree spirit is always in danger of being funneled into a life of quiet desperation.

After reuniting with his childhood friend Pulu (Swapan Mukherjee), Apu attends a wedding in which he ends up having to make decisions that changes the entire course of his life. Aparna (Sharmila Tagore) and Apu fall in love and yet can we hope that Apu has found true happiness? All hopes are soon dashed as the unthinkable occurs.

As Apu dreams of publishing his own novel, his life plays out a story of impending doom. The scene where he lifts a child from a location close to a railroad is a foreshadowing of an event that soon takes place in his own life. Finally life throws him a challenge he is not willing to face. It takes times for Apu to process the tragedy in his life and finally he is overwhelmed by grief.

Although this movie is filled with tragedy, there are moments of humor. Apu's casual defiance when he turns on the lights amused me because I'm always turning on lights and my husband is always turning them off. You will find yourself laughing at various moments throughout the Apu Trilogy.

The World of Apu is best watched after viewing Pather Panchali and Aparajito. After watching all three movies I tried to sleep for a few hours and awoke with words racing through my mind. The Apu Trilogy immerses your mind in a world of contemplation and I could not help thinking that Apu was on some journey towards enlightenment. Through his suffering he learned more than he could have ever learned through a life of leisure. Throughout Apu's life he continues to show an almost undaunted optimism and in the end he exchanges the fantasy for the reality.

~TheRebeccaReview.com

Essential
The DVD release contains no extra features; the print quality is good; the movie is remarkable. Too bad Criterion didn't get the Apu Trilogy, but it is essential for film collectors nonetheless.

a criminal treatment of a classic film
i'm questioning whether they did anything at all but take the existing vhs edition and simply transfer it to dvd. compared to the vhs edition, one can still find the same scratches and grainy picture quality, the same sub-par sound, and the same embarrassingly inaccurate subtitle translations.

regardless of anything and everything, however, one should walk the desert and cross the seven seas to see this movie. 'the world of apu' is a complex study of the artist, the role of economic conditions on the artist's life, and a commentary on india's traditional marriage system. and yet, with all these topical distinctions, the movie rarely fails to do anything but touch the heart - in light or in break - in the most primitive and simple way possible.

to put things into perspective, this movie encapsulates the most beloved director, actor, actress, and musician of the bengali speaking world in 1959. and in 2003, it is one of the most beloved movies of anyone and in anywhere in the world.

'the world of apu' is not only my personal favorite of the apu trilogy, but along with the stars, the moon, and the air that i breathe - it is one of my favorite things in the world.

criterion, are you out there? ... Read more

Reviews (19)

"Home is Where the Heart is"
I've been a fan of Mira Nair's "Mississippi Masala" since seeing it's original theatrical release in the early '90s. I was very dissapointed, when for a good period of time it was out of print.Now to my great surprise and delight the movie has been released to DVD."Mississippi Masala" is a wonderful comedy/drama about coming of age, race relations and ruminations of home and the heart.Director, Mira Nair has deftly told the story of a transplanted Indian family, who has uneasily settled in rural Mississippi.We learn (in a series of backflashes) how the family had to sadly leave their native country of Uganda, under a mass expulsion ordered by dictator,General Idi Amin in the early '70s. The family's father, Jaye (well played by Roshan Seth) loses everything including his property, his best friend, his country and his self respect.Fast forward eighteen years later. The immigrant family's daughter, Mina (Sarita Choudury) has grown into a beautiful young women and is the 'Masala' of the film's title (a hot & spicey mixture of exotic ingrediants). Through a series of comical incidents she meets and falls in love with an pesonable, African American man named Demitrious (Denzel Washington), who runs his own carpet cleaning business.Sparks fly as the area's two minority communities (African-American & Indian) react with both hostlity and humor to the lover's interacial romance.This is a story about discovering one's place in life. About finding out where you belong and being with the one you love. Eventually the main characters learn the lesson that "home is where the heart is".This is wonderful moving film that touches both the heart and the funnybone.I highly recommend it!

BACK WHEN MIRA NAIR WAS STILL A TRUE FILMMAKER
What a brilliant piece of low-key, realistic movie making, from the days when Mira Nair was making in your face movies such as Salaam Bombay and Mississipi Masala.

The first thing admirable about it is Nair's ability to merge three cultures (Uganda, India, & Southern American) into an enchanting love story. An Indian family of a man, his wife and their young daughter Mina are expelled from Uganda under the reign of dictator Amin. The family eventually moves to the U.S. When Mina grows up she finds herself caught in a curious cultural twist and considers herself a mix "masala". She later falls in love with a black carpet cleaner (played immaculately by Denzil) only to stir up a hornet's nest in her family, culture and community.

The movie is from 1992, so the mild racism undercurrent may be a bit tired but wasn't when it came out, in fact most of the ironies (e.g., both the lovers are "colored" in different shades) are shown in a light-hearted and dignified manner.

The movie has a clutch of hilarious moments as well, which make it an all round fun movie to watch. Both the protagonists, Denzil as the southern man and Sarita Chaudhari as the Indian woman, are actually quite likeable characters and you end up caring about both of them.

A very wholesome treat to watch!

Love this film
I love this film. I saw this film when I was a young. My aunt had free tickets to the first showing at the Ritz, in Philly (The Ritz only shows movies that are not well known, such as independent films, documentaries, etc.) This movie stayed in my mind and now I own it on DVD. It is excellent. I loved Denzel in it and Charles S. Dutton is funny also. If you are a Denzel fan, you must have this one in your collection.

magnificent film!
If you aren't familiar with Mira Nair, the brilliant Indian filmmaker who has brought us magnificent (and more recent films) like Monsoon Wedding, this is a great introduction to her genius. I happen to be a Denzel Washington fan, and wanted to see his earlier work, which led me to rent this film.

It is set in the South, and is centered on Meena (Sarita Chudhury), an young, ethnically-Indian, Ugandan national who immigrated to the Southern United States with her parents after the uprising of Idi Amin (Ugandan president) who decided that the way to rid the nation of the "Asian problem" was to expel them from the country to begin with. She settles in the States, cleaning hotel bathrooms with her Mum, and living with her parents as a 24 year old woman. Demetrius (Denzel Washington) is a young African-American man who cleans carpets and helps support his family and stays out of trouble. What initially starts out as a "rebound" relationship turns into something more--which upsets both sets of families. Though, Meena and Demetrius are outcast in a White culture, there are still divisions between their races that are reinforced by their parents and relatives. It also is an interesting juxtaposition of Meena's family and their experiences with Black Ugandans (ethnic Indians as the ultimate "untouchables" in the African nation), and how Indians in the U.S. South are viewed in comparison with African-Americans who endured White racism, and, before that, slavery and great oppression for many years.

The acting is beautiful in this film, and the love story of the interracial couple is engaging, funny, and touching. For Mira Nair buffs---she makes an appearance in the wedding scene, early on, as one of the gossipy guests! Hint: She has short black hair.......
Don't miss this beautiful, heartfelt and thoughtful film.

A Singular, Lasting, and Still Necessary Achievement
What a wonderful film. Kudos to Mira Nair, all of the actors and crewpeople, the producers, and the extras. This little gem of a film has not only stood the test of time, but is quietly growing in stature. Certainly one of the better efforts in Denzel Washington's body of work.

Other commentators have noted how good of job Nair does in making this film a "Masala" at many levels. Everything from the story, to the actors, the sets, the lighting and much else besides communicates and celebrates the vibrancy of life and of culture. Another sometimes overlooked aspect of the film's appeal is that this story is emblematic; we all KNOW and can relate to these characters, because we sense that they are based on real people.

This is a dignified story, told with passion and humor and spice. In short, this film is exactly what the title says it is. In short it's a wonderful slice of life.

Job well done. ... Read more

Reviews (2)

Good Movie; Incomplete movie on DVD
This is one of my favourite movie by Gulzar. Great performances by Sanjeev Kumar, Waheeda Rehman, Shabana Azmi and others.

But the DVD is completely an insult to the movie as it does not contain the entire movie. The DVD has a running time of 112 minutes where the movie is over 2.5 hours long. missing almost half the movie.

This DVD would have been must keep if it was complete! alas

One of the best classical film of the 80's era
Although this film when one watches seem to be a boring one specially for those viewers who have been keeping themselves uptodate by watching all the films released in the 90s uptill now because majority of them are all very very bad in terms of it's songs or the story. There may be two or three films in the 90's which a true collector might give considerations but the All time classics like Namkeen will always be a film which one would wish to watch again and again and will not get bored. Also the cast is not too much in terms of counting but Waheeda Rehman, Shabana Azmi and Sanjeev Kumar they have given their ultimate performances.

A must to keep film. ... Read more