Description

Conagher is both a hard-riding actioner and a character-driven look at Western life. Katharine Ross plays Evie Teale, widowed after coming West and forced to prove her mettle in many ways. Sam Elliott plays Conagher, a cowhand who, when not tracking rustlers, drifts in andout of Evie's life. Something about that frontier woman keeps drawing him back. But can Evie ever keep him from drifting out again? ... Read more

Reviews (21)

MR. AND MRS. ELLIOTT SHINE IN L'AMOUR CLASSIC
While Sam Elliott has become (along with, perhaps, Tom Selleck) the personification of the Louis L'Amour screen hero, it's especially nice in CONAGHER to see him opposite one of the first ladies of western cinema, Katherine Ross.It's especially nice when one remembers that Ms. Ross is also Mrs. Elliott in real life.

The two provide a power-packed performance in bring Louis L'Amour's classic western tale to life.CONAGHER is the story of an honorable cowhand who almost single-handedly takes on a gang of marauders bent on doing all the damage they can to everyone they meet. Yes, a classic battle of good against evil ensues but it's done sincerely and lacks some of the schmaltz that surfaces in similar western sagas.

Add to Elliott and Ross an all-star western cast including Dub and Buck Taylor, Barry Corbin and Ken Curtis and you have an enduring western classic.Great to finally have this one on DVD!

THE HORSEMAN

Top Notch Western!
Outside of the Duke's "Big Jake", Conagher is my favorite western as it is done right. The country is beautiful and Sam Elliot and his beautiful wife Katherine Ross made this movie out of deep respect for Louie L'Amour. This film captures the loney life of ranchers and cowboys in the old west. This is also the last picture that Ken Curtis (Festus from Gunsmoke) ever made.
As mentioned in another review, the line "It's a hard country kid" is probably THE classic line of all cowboy movies.

One strange thing concerning the ending though, in the book Conagher finds the remains of Mr. Teal, along with the gold he was taking to buy cattle, and on the outside of the Conagher VHS box there is a picture of Conagher looking at the bones of Mr. Teal, but this scene never made the movie? That would have give more closure but I guess it was cut to fit in to a TNT time slot.

Conagher-The Best
I happen to like all of Sam Elliott's movies, but this one is the best he has ever done!

Louis Alford

"You couldn't hurt Conagher with an axe."

Format: Color
Studio: Warner Home Video
Video Release Date: May 11, 1994

Cast:

Sam Elliott
Katherine Ross
Gavin O'Herlihy
Daniel Quinn
Barry Corbin
Ken Curtis
Cody Braun
Anndi McAfee

Conagher was written by Louis L'Amour (Lamoore) about life in the West around the end of the 19th century, with trouble with the Indians, rustlers, and a widow woman (Katherine Ross) tryimg to raise her children on a hard scrabble farm.Conagher comes to their aid.

L'Amour was a student of Western history.He understood the common man, having worked as a cowboy, circus roustabout, merchant seaman, boxer and served in the U.S.Navy.He was also a prolific writer of Western fiction, among other things.

This is not the first L'Amour story that Elliott has played in.He also performed as Tell Sackett in The Sacketts, which was an amalgamation of several of Louis's stories in that series on that family.

This story of Conagher was one of his good stories, which you will find typical of L'Amour's writing...good entertainment.

Joseph (Joe) Pierre

author of Handguns and Freedom...their care and maintenance
and other books

A lover of Western American history
Only a few westerns have become true favorites of mine over the last 40 years. Conagher ranks with the best of them. Why? The movie was not filmed in a movie lot specially made for movies, like Universal Studios or Old Tucson. But rather, you could say it was filmed 'on location' in a rugged, true-to-life environment that honestly represents what it was really like in the Old West. The Teal cabin and the surrounding country, the ranch of Seaborn Tay, the town - all have that authentic realism that lend excellence to the movie. Often in the film the lighting in certain scenes appears lacking as compared to other films in the genre. But actually, this is what gives the film a special feel, a special ring of realism. It's because you feel as though you are really there as a bystander, watching this drama play out right in front of you in the same way it would appear in real life. The direction of the film by Rebaldo Villalobos is superb and the performances by the actors are absolutely memorable. The musical score couldn't have been better because the selections chosen for the soundtrack apply perfectly and leave an indelible impression on the viewer. I don't know what Sam Elliot would think about this, but I believe this film is his best, most memorable performance of his career, bar-none. His rendition of Conn Conagher imprints Sam Elliot on my mind for all time - he IS Conagher. I don't think he has played characters in any of his other films that have struck me the way that Conn Conagher has in this one. But this is not to detract from the other performers in the film: Catherine Ross, Gavin O'Herlihy, Daniel Quinn, Barry Corbin, Ken Curtis, Cody Braun, Anndi McAfee, and the rest - they've all portrayed believable characters that make for a very enjoyable, memorable film that you will want to watch again and again over the years because it brings something special to the heart. Don't pass up the opportunity to see Conagher if you haven't seen it yet - you'll never regret it. ... Read more

Reviews (139)

Peckinpah's ode to the closing of the American West.....
It would be impossible for film fans to have a conversation about controversial movies throughout the years, and for the epic western, "The Wild Bunch" not to get a solid mention.

Since I first saw this film over twenty years ago, I have owned numerous versions on VHS and laser disc, and it is particularly satisfying to finally have the restored directors version, with the accompanying documentary "The Wild Bunch : An album in montage" available on DVD in true widescreen format.

Sam Peckinpah's blood and thunder tale of outlaws on the Texas/Mexican border with their own set of unique morals has been such a dynamic influence on many directors and future films since it's release way back in 1969. But what sets "The Wild Bunch" apart from it's many imitators is it's deep, almost mythical storytelling, the complex moral nature of the characters peopling the tale and the gritty passion & energy that Peckinpah infused into the entire production. William Holden and Ernest Borgnine are simply tremendous as Pike & Dutch, the leaders of the Bunch...each man with his own individuality. Ben Johnson & Warren Oates portray the crazy Gorch Brothers, Jaime Sanchez is the arrogant and fiercely partiotic Mexican, Angel...and Edmond O'Brien is the grizzly, old timer Sykes.

Additionally, Peckinpah's film features Emilio Fernandez as the bloated, evil dictator Mapache...Albert Dekker as the manipulative and remorseless railroad man, Harrigan....and Robert Ryan putting in another one of his strong performances as the ex-gang member turned reluctant bounty hunter, Deke Thornton. And a Peckinpah movie almost wouldn't be complete without the appearance of LQ Jones and Strother Martin as a pair of filthy, grave robbing bounty hunters out for the reward on the heads of the Wild Bunch.

The Wild Bunch pulls no punches in it's tale of desperado's who they themselves are desperately running out of time...as Holden reflects in the film "We've got to start thinking beyond our guns...those days are closing fast". Whilst "The Wild Bunch" is most notorious for it's two bloody shootouts that book end the film's 144 minute running time...there is so much excitement, passion, adventure and personal conflict within the movie that can be found upon each repeated viewing of this stunning work.

A film that can be treasured and enjoyed by any true film fan....The Wild Bunch will be continually looked upon as one of the most important contributions to American cinema.

Director's cut not needed, but great moments still abundant
The Wild Bunch is, without a doubt, one of the greatest westerns that has ever been thought up, but it is also quite controversial. The romantic view of the Old West is shattered in this 1969 film; no sign of John Wayne anywhere, and most of the cliches found in a typical western are nonexistant(not that I dislike typical western movies, they're actually quite entertaining). Sam Peckinpah, a master of improvisation, creates an unforgettable movie that is not only responsible for redefining cinematic violence, but also carries with it an engrossing story of friendship, betrayal, and the dying west. I didn't feel a Director's cut was needed for this film though, because the original version moved at such a lightning-fast pace. The restored scenes may interest some viewers, but I just wasn't interested. That is probably why I don't own this version of the movie. I'd prefer that other Sam Peckinpah flicks be restored, preferrably Major Dundee. Besides that, the DVD still captures all the explosive action and catchy dialogue. I particularly enjoyed the presentation of the credits, and Jerry Fielding's music adds to the realistic atmosphere, and that's not a bad thing. If you're looking for a great action flick with a plot, The Wild Bunch is a winner for a weekend rental, but RENT this version before you buy it.

One of the best westerns of all-time
The Wild Bunch-Restored Director's Cut is one of the best westerns ever made and also one of the best movies ever. In 1913 during the Mexican Revolution, times are changing as the Old West disappears into oblivion. After a botched robbery in the town of Starbuck, the Wild Bunch, a gang of aging outlaws must decide what their next move is. The remaining members of the gang decide to head south into Mexico where their services may be needed. The bunch robs a gun shipment for a Mexican general, hoping this will be their last job. At the same time, a posse is hunting them down with a former gang member at the posse's head. While this movie is most well known for its violence, it is ultimately a story about honor among men in a changing time. Knowing that the world they knew is changing, the bunch has to try and survive as their end closes in. Nonetheless, director Sam Peckinpah knows how to construct an action sequence. The Battle of Bloody Porch is a balletic, slow-motion, masterpiece of blood and guts as the Wild Bunch meets their end. Just as good is their final march through the streets knowing what awaits them. One of the best westerns, if not the best, ever made and highly recommended.

What makes this movie special, along with the groundbreaking filmmaking of Sam Peckinpah, is the cast. The whole cast gives excellent performances. William Holden stars as Pike Bishop, the leader of the Wild Bunch who knows time is running out for the bunch. His right hand man, Dutch Engstrom, is played by Ernest Borgnine in a perfect part for him. Robert Ryan plays Deke Thornton, a former member of the Wild Bunch and the unwilling leader of the posses following the gang. The rest of the gang includes Edmond O'Brien as Freddie Sykes, Warren Oates and Ben Johnson as brothers Lyle and Tector Gorch, and Jaime Sanchez as Angel. Emilio Fernandez plays Mapache, the Mexican general who pays the bunch to steal a shipment of guns. Strother Martin and L.Q. Jones are great as Coffer and TC, members of the posse. What is surprising about these characters is that as despicable as they are, they are still likable. The Restored Director's Cut DVD includes about ten minutes cut from the original version, a theatrical trailer, production notes, an excellent making of documentary, "The Wild Bunch: An Album in Montage", and a great-looking widescreen presentation. For a great western with incredible gunfights, a terrific cast, and a great story, check out the truly classic western, The Wild Bunch!

NOT ONE OF YOUR GRANDPA'S WESTERNS.
"The Wild Bunch" is not the typical western that tells the story of a bunch of good ol' cowboys versus the mean ol' Indians, this movie goes beyond the cliches of the earlier westerns, so in some way "The Wild Bunch" resembles more to a Spaghetti Western than a John Wayne-versus-the-indians western.

Sam Peckinpah took two steps forward the use of violence in the movies, he show the world how to use violence in a movie to produce visual art. Of course, some might complain about the cruel scenes in "The Wild Bunch", but open minded people know that the violence in the movies is not even close to the cruelty of the real world violence, plus, the violence in a movie can produce visual art if it's used in the right way, like Sam Peckinpah or Sergio Leone did in their movies.

"The Wild Bunch" has an excellent cast: the always efficient William Holden and Ernest Borgnine plus a great supporting cast that includes names like Robert Ryan, Warren Oates and Emilio Fernández. Also, the director Sam Peckinpah gave importance to each character, and that contributed to form a solid story. The cinematography is spectacular, "The Wild Bunch" has a lot of impressive camera angles that show the cruelty of the bullets and explosions, and the movie has some of the most impressive scenes ever put to film.

"The Wild Bunch" is in a very selected group of westerns. That list includes movies like "High Noon". "The Searchers", "Stagecoach", "The Good, The Bad And The Ugly" and "Once Upon A Time In The West", among few others. That list includes the best westerns, and "The Wild Bunch" belongs in the list.

A Grand Finale to the Old West - An American Classic
This is simply a rich, masterful, nostalgic story of the Old West, in all of its fading glory.

The charaters too, are fading in their own time - pursued relentlessly by forces reshaping the country, lives and landscape they ravaged, shared, and loved.

A long-in-the-tooth band of outlaws set out on one last job - to lighten the rich railroad barons of a few sacks of gold. Doublecross meets disaster and they're thrown back on their heels in a narrow escape. Then on to Mexico to trade a stolen shipment of rifles, stolen from under the government's nose, to a Mexican general who is a ruthless hombre in his own right.

Good guys and bad guys change roles and the moral lines of right and wrong shift beneath their feet as they make a last stand for honor among men.

This is a fun, exciting, warm movie which is excellent in every respect. Beautifully filmed, extraordinarily acted, and a terrific story, wonderfully told.

Five stars for a truly American Classic. ... Read more

Reviews (27)

"A Bad Little Girl Named Melba Niles"
Poker is the setting and the power of corruption is the theme of The Cincinnati Kid.The two protagonists in the poker match are The Kid (Eric Stoner, played by Steve McQueen) and The Man Himself (Lancey Howard, played by Edward G. Robinson); youthful, exuberant, but inexperienced and innocent challenger vs. the accomplished, dedicated, wise yet dessicated champion.

The primary vector of corruption is Melba Niles (played by Ann-Margret) in a remarkable role.At the outset her husband (The Shooter, played by Karl Malden) complains that she cheats at everything as she puts together a jigsaw puzzle by trimming the wrong pieces with manicure scissors. Her influence despoils everything it touches:Shooter's "reputation is the one of the few stable things in a world of crumbling values" at the start of the movie; he's the only dealer everyone can trust.By the end of the movie his reputation is in tatters, giving "an occasional helpful card" to The Kid at the whim of Slade (Rip Torn) who threatens to expose Melba's past.The portrayal of Shooter's descent is well done; Melba laughs and mocks as he wrestles with his conscience ("I'll only help him if he really needs it.He might not need any help at all.").

In an early scene Christian (The Kid's girl, played by Tuesday Weld) and Melba go to the movies.As Christian describes the movie to the Kid, she is puzzled that people in the movie "valued their lives more than their honor".The Kid explains (as to a naive child): "Well, yeah.What good is honor if you are dead?"At some level the movie "The Cincinnati Kid" seems to ask the obverse question "What good is your life if you don't have your honor?"

Later, Melba asks the Kid (with Christian present) about the upcoming game with Lancey; Christian didn't know about this major event in the Kid's life and she goes home to her parents feeling hurt, thinking that she doesn't have The Kid's confidence, that he doesn't even tell her about it.The Kid ends up thinking that maybe she doesn't love him anymore.

During Christian's absence Melba tries to seduce the Kid, and at first the Kid can resist her, recognizing Melba's corrupting influence and not wanting to cuckold his friend The Shooter.But because of the confluence of circumstances (Shooter's dishonesty and Christian's indifference) he succumbs to her.As you might expect, the Kid pays a heavy price for this weakness.

Other attractions are the snappy dialog, and the final showdown between the Kid and the Man is a classic scene not to be missed.

this is one of my favorites!
every time this movie comes on TCM, i have to look at it. the stud poker scenes are intense. Steve McQueen and Edward G. are suberb. i just love it! and the title song sung by the Great Ray Charles is a treat. i just love it. Worth ordering and adding to my collection.

I miss about the few seconds on New Orleans Jass
Please, please please release a DVD. Sometimes this great
movie is still shown in German TV, but too seldom. And I'm
hungry for the few moments of New Orleans Jazz (perhaps Geo Lewis?). 4stars of because there is no DVD

The arrogance disciple against the experience master!
This is a cult film all the way and certainly one of my favorite issues of Norman Jewison. Few times before or since this picture have ever been such adrenaline confrontation and dramatic tension in any card game .
Edward G. Robinson is the old master and Mc Queen the young man , capable to conquer the world just in one gamble . In the middle of the great depression this movie has had too many similar works through the years, but this is the definitive to date .
The supreme Goddess of the middle sixties Ann Margret and the masterful hand of Jewison makes of it a fundamental CD for your personal collection.

Don't waste your gambling money on this stinker
There is a reason this film (and I use that term loosely) has not been released on DVD.. I am a huge Steve McQeen fan, but this is a terrible movie... Poor Ann-Margaret..no wonder she never really was taken seriously as an actress.. This movie reminded me more a musical, without the music.. (Think "Showboat").. cheesey lines, uneven editing, hey the list goes on and on.. I know, the current poker craze has everyone jumping on anything having to do with the game.. but save your money.. this movie stinks.. ... Read more

Amazon.com essential video

At one point in the filming of this flawed epic, actor Charlton Heston (in the title role) got so mad at director Sam Peckinpah that he charged him on horseback with a cavalry sword and Peckinpah had to escape into the air on the camera crane. Yet Heston offered to give up his salary to get the studio to let Peckinpah finish the film. As it turned out, this story--of a headstrong Army professional who goes slightly crazy chasing a band of Apaches while shepherding a group of Confederate prisoners--was taken away from Peckinpah in the editing room and recut, so that much of the character development was eliminated from the crucial central section of the film. Still, it offers solid outings by Heston and Richard Harris (as his prisoner) and gives a hint of things to come in Peckinpah's next film, The Wild Bunch. --Marshall Fine ... Read more

Reviews (21)

Viva Dundee-EXTENDED to a point.
Finally, some missing footage from Bloody Sam's flawed masterpiece is coming out. The web news and ads promise 12-15 minutes restored which should help with the major continuity of the film. Having loved this movie for over 30 years and read everything possible on the "butchery" of it, I can offer the following cut footage information;

1. The longest cut was noted in a critical film analysis book I found in the U. of Toronto library. The scene is supposedly 10-12 minutes long and shows the Cavalry detachment at the farm dancing and celebrating with the Rustis (?) family. The Apaches attack, the massacre ensues (and is shown in detail),Trooper Ryan escapes, and the wounded Lieutenant (Brannon ?) is strung up under the slow fire, which is exactly where the movie STARTS in the cut version. The Critical Film Analysis book claimed that the sudio refused to accept that a film could run almost 15 minutes with no major character introduction and then kill off the characters before the main character (Dundee) even appears!

2. Peckinpah's original directors release was to be 152 minutes and this cut at the beginning accounts for approximately 10-12 minutes.If the new Restored release adds about 15 minutes we should get to see about what Sam had intended, better continuity, including the despair/decay of Dundee in the Mexican village, the double back of the Apaches in the hills and the extended knife fight between Potts/Gomez, along with the truth behind Riago (the Apache scout, who is supposedly a traitor). The restored version will apparently not include the Farm massacre scene.

3. The recent book, Bloody Sam, mentions the many cuts and mentions an even longer version. What is known is that Sam edited the film from a 220 minute time, down to 185 minutes and finally under studio pressure (but still acceptable to Sam) of 152 min. What was eventually released was the chopped 123 minute version that made a mess of this great movie. Though the relevance of the Farm massacre scene can be questioned, its savage aspects were intended to show how viscious Sierra Chariba was and why he needed to be hunted down.

As it was many years ago that I read of the Farm massacre scene I cannot say for certain if it was part of Sam's 152 or 185 minute versions except that it did exist and was one of the cuts. Any and all restoration is welcome and I am eagerly waiting for the DVD release, which will contain both the original release and the extended version.

Extended Version= Must See Peckinpah western
Major Dundee is a Sam Peckinpah western that has always been known for what it "could have been."Now, forty years after its initial release, a new extended version of Peckinpah's movie is being released with over 12 minutes of footage reinserted.After a cavalry troop is massacred by renegade Apaches in late 1864, Major Amos Dundee decides to put a troop together and pursue the renegades who have kidnapped three children.Dundee puts together a command of Confederate prisoners, African American soldiers, cowboys, thieves, and misfits and leads the troop into Mexico pursuing the Apaches while also tangling with French lancers.With the footage added back into the movie, many storylines are resolved that initially went unexplained, like the fate of Apache scout Riago or the sudden appearance of Dundee's beard.Along with the new footage is a new musical score by Christopher Caliendos which is more moodier/appropriate for a Peckinpah western than the Danielle Amfitheatrof score for the original 1965 release.It is somewhat disappointing that all the lost footage may never be seen, but this Extended Version helps to make a very good movie into a great movie.If you can see it in theatres, take the chance because this movie was meant to be seen on the big screen.

Charlton Heston stars in the title role as Major Amos Dundee, an obsessed officer stationed at a Union prison camp who sees an opportunity for redemption by capturing Apache chief Sierra Chariba.Richard Harris matches Heston step for step, and steals many scenes, as Captain Ben Tyreen, a Confederate officer and ex-friend of Dundee who was betrayed by Amos at his court martial hearing.The dialogue between Heston and Harris drives much of the movie.Jim Hutton and James Coburn are excellent in supporting roles as Lt. Graham, a bumbling artillery officer assigned to the cavalry, and Sam Potts, Dundee's one-armed scout.Senta Berger is good in a smaller part as Theresa, a woman who sparks the interest of Dundee and Tyreen.The great supporting cast full of Peckinpah regulars includes Michael Anderson JR, Mario Adorf, Brock Peters, Warren Oates, LQ Jones, Slim Pickens, Dub Taylor, Ben Johnson, and RG Armstrong.

The Extended Version DVD will feature the added 12 minutes of footage and new score by Caliendos along with widescreen presentation.I haven't seen anything official about included extras, but there is supposedly going to be an option to listen to the original Amfitheatrof score instead of the new one.Regardless of the features, the Extended Version DVD should be a must-have for fans of this Peckinpah masterpiece.Don't miss Major Dundee!

A True Peckinpah Classic!
I am so looking forward to this release of the uncut version.
What additions will it have? Does it show the attack on the ranch at the begining of the film?
Does it show what happens to Realgo the scout?
Will the do it up right with trailers to, the making of..., the Riding For A Fall documentary?
Will they show some class and have L.Q. Jones introduce it?
This is going to be a fantastic hit.
I am looking forward to adding it to my collection!
Amazon says it will be released August 30th. I just found out it is being released this month!
Will it take until August for Amazon to get it? Just curious.
Whatever the case, do get this one!!!

Major Dundee is a GREAT WesternMovie
This movie was great when I first saw it on VHs.. Its been years since I saw this classic film. I am not sure but I believe this is the first western that the end is not your regular happy endings. It is a movie that really has goodcharacterizations, and some of the best action scenes put on film..It was a clever idea of pitting a ragtag group of misfits against the superiority of the French army who at the time were one of the best armies in the world.. I highly recomemnd this movie itsone of the best westerns made..

Viva Dundee!
This is another one of those films which I could only faintly recall from childhood.Recently I was fortunate to view a limited run of this firm in its new revised format.Having also seen the older version recently I am able to compare and contrast both versions of this interesting film.The biggest change noted in the revised edition is the music.A new score has been created and this completely changes the mood of the entire movie.The old score was a quirky, sardonic affair with the opening credits leading off with Mitch Miller's sing along gang!A big difference from the symphonic version we have here.If you are one of those people who don't notice movie music that much, try viewing the same film twice with two different scores!The music can make a big difference in how a movie feels to its viewer.We certainly have that here.

In addition to the score, about 13 minutes of footage has been restored.Dundee was one of those films that was butchered on the editing floor, so much so that there has been a lively debate about this ever since it was released back in the 1960s.Apparently almost an hour was cut out, and while 13 minutes does not seem a lot in comparison it can make a difference.Some of the restored scenes include showing the Confederates being captured as they try to escpae in the beginning, as well as showing Heston involved with the Mexican woman before the Austrian lady returns to see how he has recovered from his wound.Small stuff, but it can add up.

The background for this film is Heston (Dundee) putting together a scratch Troop of cavalry to pursue a renegade group of raiding Apaches.His unlikely command includes Confederate POWS, Blacks, and assorted riff-raff.The Rebels are commanded by Captain Tyreen (Richard Harris) an embittered rival of Dundee from before the Civil War.The tension between these two is what makes the movie.But there are many other edgy touches that take this out of the ordinary Western genre.The tensions between the two officers are mirrowed by their men, and it is a miracle that this divided command can accomplish anything at all.In fact, nothing like this could have functioned in reality! What makes this more than just another Western flick is the fact that Dundee's command has to fight two battles at once: One against the Apache, and the other against the French in Mexico.

This film has some interesting historical background.During the American Civil War Louis Napolean III decided to exploit the events taking place in North America by installing Maximillian Von Hapsburg (an Austrian archduke) as a French Puppet ruler in Mexico.In preceeding years Mexico had run up significant debts to various European powers and this was used as pretext to intervene.Dundee's command, after destroying the Apaches mustcontend with the pursueing French.We have a classic cavalry action in which the European and American styles of cavalry fighting are shown for this period.Dundee's boys have Henry repeating rifles which gives them a massive firepower advantage over the French Lancers.They also have a small horse drawn piece of light artillery.The French Lancers are shown to be a bit cloddish in this film, in reality American cavalry in this period was little more than mounted infantry.Dundee and co. hack and shot their way throw a troop of French Lancers at the Rio Grande losing about 3/4 of their men in the process! Its total fiction, but a great finale! This skirmish is well worth the wait, there is some exciting cavalry saber and pistol action here.This is one the few films that deals with the French intervention in Mexico, although Vera Cruz and Juarez also cover this subject.

Overall, Major Dundee is a pretty great film.It was good before, but is now even better.The film does digress sometimes, and wanders astray, but the atmosphere and tension between Heston and Harris always bring it back.Some reviwers have made comparisons to the Viet Nam War, since the film came out during that time.I fail to see any analogy here!Just because the film came out around 1965 does not mean that it is social commentary on Nam! Can we as Americans ever get over this!This film is not about Nam, its about action and adventure on the Mexican border during the American Civil War.Period! The acting and production value are great.Fans of Peckenpah, Heston and Harris should love it.This is also not your typical Western which is what makes it interesting as well.Viva Dundee! ... Read more

Reviews (73)

The original Natural Born Killers!
Rarely has a film been as widely influential as director Arthur Penn's crime spree masterpiece. Single-handedly spawning the psychotic-lovers-on-the-run sub-genre (Badlands; Natural Born Killers; True Romance; SFW etc.) and simultaneously breaking the envelope in its frank, realistic depiction of violence - see this movie for a pre-Wild Bunch usage of exploding blood satchets in an equally elegiac gunshot death sequence - Bonnie and Clyde decisively consigned all vestiges of 50's Hollywood to the scrapheap of the 60s and signaled the start of the most creative, daring and satisfying decade in Hollywood history, the Seventies. Warren Beatty and Faye Dunaway are at the peak of their powers as actors and pop culture icons and blister across the screen with their volatile, unpredictable and ill-fated relationship. One of the first movies to be decidedly anti-Establishment, its jaundiced view of family, town, country and violent confrontation with authority and tradition is obviously not for the Norman Rockwell crowd, although the authenticity of time and place is impeccable. With gorgeous golden rural landscapes, gorgeous golden Faye Dunaway and some of the best costume design ever put to screen, this is one film you need to have on DVD. Even the best VHS version is too grainy to do this movie aesthetic justice. An essential for collectors of crime movies and those interested in historically significant movies. But it also works on the simplest level as well: a well-paced exciting story, skillfully and violently told.

"We rob banks!"
Criminals became a whole lot more glamorous with the release of Arthur Penn's "Bonnie and Clyde." They were now slim and fit and not hunchbacked or overweight. They had beautiful faces that were not marred by scars or eye-patches. This was Warren Beatty and Faye Dunaway looking their best and being as bad as they could.

Clyde Barrow (Beatty) rescues Bonnie Parker (Dunaway) from her uneventful life back home and promptly plunges her into a life of crime. In a country where despair has become a way of life thanks to the Depression, the bank robbers become heroes to the common folk who have been victimized by the instruments of capitalism. Relying on their wits and a touch of good fortune, the young lovers evade the law while basking in their newfound fame but their luck eventually runs out and they meet their end in a hail of bullets.

"Bonnie and Clyde" is infamous for introducing a new level of graphic violence to cinema by way of its final shoot-out. However, that one aspect of the film tends to overshadow its other accomplishments. The moral ambiguity running throughout the film distinctly separated it from the "white-hats-and-black-hats" characterizations of past Hollywood heroes and villains. This problematic approach to morality was a byproduct of the upheaval society itself was undergoing in the late-Sixties as it was discovering how difficult it was to distinguish between the good guys and the bad guys in the real world. The film also went to great pains to appear as realistic as possible. Difficult themes in film were often satirized or exaggerated to soften its impact on the audience, but Penn created such an authentic feel to "Bonnie and Clyde" that the line between fantasy and reality became uncomfortably blurred. Throw in solid supporting work by Estelle Parsons, Gene Hackman, Michael J. Pollard, and Gene Wilder to complement the film's other aforementioned accomplishments and what you have is milestone work whose impact on the medium has been far-reaching.

More Hollywood garbage
Hollywood has a track record of turning vile, murdering cowards and criminals into folk heroes. This piece of trash is among the winners. What a load of pure hogwash. When it first came out, the critics went into ecstasy about the sexual message all through the movie, using handguns as a phallic symbol. More Freudian dribble!!! The police are the villians here while the gang are the heroes. (The scene with Denver Pyle playing Texas Ranger Frank Hamer sneaking up on the bloodthirty duo is pure bilge. If the real Capt. Hamer had had his way, B&C's crimewave wouldn't have lasted any length of time.) The real Bonnie Parker was absolute trash. She blew a policeman's head off point blank with a sawed off shotgun! And she's a HEROINE ? More like she was on HEROIN. If you think this is a "Robin Hood" tale of robbing from the rich and giving to the poor, you live in a fantasy world. The small businesses that Barrow and Parker robbed were "mom and pop" stores. And the poor certainly didn't benefit. The only redeeming part of this film is seeing these two thugs riddled by gunfire by the law. A fitting end.

We Rob Banks!
To me, the best film of 1967 (above the other landmark film of that year, The Graduate), and one of the most startling films ever made. I think that the "modern era" of moviemaking begins with Bonnie and Clyde." It's really about a "family" of bankrobbers who owe much of their success to the press; the newspapers make it seem as if they intend to terrorize every small town that has a bank to begin with. And so the Barrow gang becomes legendary during the depression, and heroes to some because they are against the government that is taking so much away from the "little people." Although much praised, "Bonnie and Clyde" was controversial in its day, partly because of the considerable bloodshed and partly because audiences felt bad for the two criminals. As one character says, "they're just a bunch of kids!" This is one of the rare films in which the violence punctuates the story--it makes the viewing experience more powerful. Because of it, one watches much of the film in a state of apprehension.

Natural born killers
Trust Hollywood to turn two common criminals into two American folk heroes. Clyde Barrow and Bonnie Parker were two small-town young people drifting aimlessly during the Great Depression of the 1930's; she's bored out of her gourd, and he's a felon who had killed fourteen men by the time he met his end at the ripe old age of twenty-four. They meet, fall sort of in love, and embark on a petty crime spree. At first it's all good-humored fun; they steal a couple of cars, hold up a couple of stores, and in a moment of hilarious insanity, Clyde attempts to rob a bank that went bust a week before, much to the amusement of the banker and Bonnie, who's collapsing with laughter over the steering wheel. But then a storekeeper takes offense at Clyde attempting to hold him up, and is pistol-whipped by Clyde in his frantic efforts to escape. Once the batterer storekeeper ID's Clyde's photo to the cops, things turn serious.

As Clyde's posse expands to include a lowlife neer-do-well named C.W. Moss and Clyde's brother Buck and his sister-in-law Blanche, their crimes get bolder and the violence spirals out of control. A bank robbery in broad daylight (while C.W. manages to get their getaway far stuck in a too-tight parking space) goes off almost without a hitch; but when Clyde shoots a pursuing cop in the face and his head explodes all over their back windshield, the fun stuff is over. They're wanted criminals being chased from Arkansas to Oklahoma and back to Louisiana. As their notoriety spreads, so does their audacity. In one of the funniest scenes in the film, they capture a sheriff who was about to sneak up on them and handcuff him while Clyde snaps pictures of Bonnie holding a gun on him. But their fame comes at a terrible price; they're wanted outcasts, alienated even from their own. When Clyde meets Bonnie's mother and tells her they'd like to live within three miles of her, Mrs. Parker tells her daughter, "You try to live three miles from me, and you won't live long, honey."

From the scene where Buck expires in a hail of police bullets to the slow dance on the killing ground in Louisiana, the film takes on a somber tone in stark comparison to the lighthearted opening sequences. Once the cascading violence has turned brutal, the movie becomes darker and more foreboding as well. But as bad as they are, we can't help but like them. Maybe that's the difference between Hollywood and real life. One wonders how many people who came across Bonnie and Clyde actually liked this pair?

The tension between Bonnie and Clyde helps keep the movie on edge. Arthur Penn's superb direction, assisted by knockout performances from the cast, helps keep the movie on a razor edge balanced between laughter and revulsion. Warren Beatty was never better than in his title role as Clyde Barrow, and Faye Dunaway makes a perfect Bonnie to his Clyde. Michael J. Pollard is winning as the doofus C.W. Moss and Gene Hackman is wonderful as Buck, torn between his loyalty to his brother and his love for his ditzy wife. But Estelle Parsons, as that ditzy wife, almost runs off with the film; her hysterics during the shootout between Clyde's gang and the cops has the viewers in equal hysterics rolling in the aisles. The cinematography is great; we feel all the heat, dust, and emptiness of Depression-era America, and the foot-stompin' banjo music by Flatts and Scruggs helps anchor the movie to its time and place. "Bonnie and Clyde" has become an American classic, one of the best films to come out of the 1960's. ... Read more

Amazon.com

Long before Henry Fonda played an irascible patriarch in On Golden Pond, he played an equally crusty family man in this warmly rustic, 1963 drama Spencer's Mountain, based on an Earl Hamner Jr. novel that later inspired the television seriesThe Waltons. Fonda plays Clay Spencer, a fiercely independent, hard-drinking, foul-mouthed Wyoming laborer who believes in God but rejects (to his tiny community's consternation) organized religion. Scraping together enough money to build a new house for his wife (Maureen O'Hara) and nine children, Spencer runs into an obstacle to both his plans and family pride when his college-bound son (James MacArthur) romances the daughter of Spencer's boss. Director Delmer Daves whips up a kind of morose schmaltz out of the earnest material, but it's Fonda's grit and heartland integrity that carry the day and establish some self-effacing wit. Some nice features here, including interviews with Fonda and a short documentary, "Spencer's Mountain: Grand Teton Premiere." --Tom Keogh ... Read more

Reviews (5)

Good Adaptation of the Hamner Novel With One Exception
Before THE WALTONS, Earl Hamner Jr. wrote a novel called
SPENCER'S MOUNTAIN, a fictionalized version of his childhood
in the Blue Ridge Mountains of Virginia. The film version of
his novel is in general excellent--Henry Fonda is a standout
as tough-but-loving Clay Spencer--but I always thought
James MacArthur was too old to be playing Clay-Boy, and he's
certainly NOT the charming but gawky red-headed kid described
in the novel! Richard Thomas was also older than the John-Boy

character he portrayed on the television series, but he
was made to look like a gawky teenager where MacArthur never
does. (Incidentally, the family on TV is known as the Waltons
rather than the Spencers because after the movie was made
the studio owned the rights to the name "Spencer" so Hamner
had to change it for TV.)

My big quibble with this movie, and the reason I won't rate
it higher, is the character of Claris. In the novel she's a
bold, precocious, but ultimately nice girl--in the movie she
just comes off as a slut. The actress slithers and oozes like
some sort of Lolita-clone.

INSPIRED "THE WALTON'S"
Fonda plays the larger-than-life patriarch of 9 (with O'Hara as his wife) who's inherited the Wyoming mountain land claimed by his father. Fonda's dream is to build a new house large enough to contain his brood, but something always gets in his way. Sentimental family fare based on a novel by Earl Hamner, Jr.

Classic Delmer Daves production
"Spencer's Mountain" , written by Earl Hamner, Jr. of "The Walton's" wrote this script in the 1950s and it shows. Like many of the Delmer Daves movies of this era, this film combines a Max Steiner score, great cinematography and a heart-tugging story from a more innocent America. This is a great movie to get lost in, enjoy, and have a good cry. I sit back and re-live this film at least once a year.

A great family video
I loved this movie--Henry Fonda is wonderful as the hard-working, loving, commonsense father of nine children. Maureen O'Hara plays his wife and does a great job as a woman of faith who is constantly being challenged by the struggles of raising a large family with little income. It gives a beautiful portrait of a close-knit family whose members sacrifice freely for one another. A great family movie.

This is a funny, heartwrenching movie
This is such a beautifully made film. It made me laugh (really hard), then had me on the verge of tears. This is a true look at rual America in the 40's (or was it the 30's). And for a movie made 40 years ago, it has some pretty smart dialogue. Spencer's son has this "loose" girlfreind who's always getting the poor guy in trouble. "Wannna get the dictionary and look up all the dirty words?" she asks the son while she tries (unsuccessfully) to seduce him in the town library. Don't get me wrong there is nothing vulgar about this film. It really is a family classic. Hnery Fonda is in peak form here. A REAL look at family life. ... Read more

Reviews (38)

Nero!!...Brutus!!....Stop that making that noise in there!!!
The Rescuers is one of my all-time favorite Disney films to watch. I saw this movie when I was 6 years old and now that I'm 21, I still love this movie.
The story begins when a little girl named Penny is kidnapped by a evil woman named Madame Medusa who forces Penny to search and find a large diamond called the Devil's Eye, thats hidden in a underground cove called Devils Bayou. Penny, however, manages to send messages in bottles to get help from the outside, and the R.A.S. Rescue Aid Society, the secret organization that's composed of mice from around the world answer Penny's call for help and they send two mice Bernard, who's the janitor, and a agent from Hungray named Miss Bianca. The only way to get to Devil's Bayou is the Albatross Air Service that's ran by Orville, a bumbling, wise-cracking albatross who's the pilot, flight annoucer, and the plane.
When they do get to Devil's Bayou, Bernard and Bianca witness a escape attempt made by Penny, who get snatched by Medusa's two bumbling pet alligators, Nero and Brutus.
My favorite scene is where Nero and Brutus are trying to catch Bernard and Bianca when they're trapped in a pipe organ, and while Nero is playing the organ, Brutus trys to catch them when the air comes up through the pipes.
If you want a good family classic to watch, give The Rescuers a try, I love it.

I didn't know
I didn't know that Disney was planning are releasing this movie on dvd, until today. And I watched this movie tonight. I had a vhs copy of this movie around. And I think this was the first Disney movie to have a sequel, and this movie was out about 13 years, before the sequel to this movie was made. It tells a story about 2 mice, 1 a janitor and the other a lady on a mission to save a young girl named Penny that was kidnapped from an orphanage. As the movie opened, Penny (Michelle Stacey) drops a bottle that is a cry for help, and the bottle finds its way to New York, where a couple of mice discovers it, and the Recure Aid Soceity calls to order, a meeting. A janitor mouse named Bernard (Bob Newhart) brings ladder (that is really a comb), cames the comb, and goes inside, manges to get the message out of the bottle, but keeps falling back to the bottom of the bottle. The message is all watered out, and a mouse named Miss Bianca (Eva Gabor) manges to make out some of the message, including Penny's name. Miss Bianca decides to ask to take the misiion, even though Bernarnd doesn't think it is a good idea for Miss Bianca to go alone. So the chairmouse, decides for Miss Bianca to selct a co-agent to go with her, and she has a lot of vanletters, which makes it hard for her to chose, and she picks Bertand.

Theatre Gem
I remember my parents taking me to see this gem of a film in the theatre. I was captivated by the cute girl Penny and the two mean gators. This film was a fun Disney film. It seemed weird when they released "Resuers Down Under" WAY before this one?!?!? But now you can complete or expand your Disney collection with this piece of Disney Gold!

Cool film!
Although this film doesn't particularly follow the same story line as the forgotten Margery Sharp classic, I have to admit that the film is better in it's own way. To start, in the book, the rescuers, janitor Bernard, Lady Miss Bianca and sailor mouse Nils go into the Black Castle to rescue a Norweian poet, but this is just some no-one who you really don't get to know that well, since he comes at the end of the book and barely even speaks, you can't feel for the character, however, Penny is filled with charming personality, and you learn to love her as you watch the film. Nils was a very charming little mouse in the book, too bad he wasn't in Disney's film. Then Madame Medusa is a great villain compared to the boring jailers and gate keepers in the book, since they do nothing to stop the young poet from scaping. In Disney's film, Madame Medusa has held Panny captive for months because she needs her to find the world's largest diamond, and the rescuers are flying into a journey to her rescue. Lovable film, pretty disappointing DVD, hopefully Disney will give us another, better edition.

There unconfirmed rumors that a new sequel, The Rescuers III: Journey to the Black Castle is in the works, and this time, little cute Nils would be joining us, I would loooove to see that!

R-E-S-C-U-E, Rescue Aid Society....
When a young girl's plea for help it found via bottle in the ocean, Miss Bianca of the Rescue Aid Society, along with her partner Bernard, go on an action packed adventure to rescue her.

Young Penny had disappeared from Morningside Orphange one day and no one has seen her since. With a tip from the Orphange's wise old cat, the two mice track down a pawn shop run by Madame Medusa. She is the one, along with her goofy sidekick Snoops, who kidnapped Penny and is holding her hostage deep in the bayou on a rundown Riverboat. Time after time Penny attempted to escape, only to be tracked down and brought back to her prison by Medusa's two pet crocodiles. The only reason Medusa is holding Penny hostage is because Penny is the only person small enough to fit down into the cave where Medusa's greatest desire, the Devil's Eye diamond, is at.

With the help of Miss Bianca, Bernard and some of the swamp's resident critters, Penny manages to bring Medusa her coveted diamond, outsmart her crocodiles and escape back to the orphanage and, ultimitly, unite Penny with the family she so yearned for.

A touching tale. I can see why this is considered a classic! ... Read more

Reviews (37)

Frank Capra + Moss Hart & George Kauffman = ??
A fine Frank Capra comedy featuring Jimmy Stewart at his most boyish and gangly, and Jean Arthur as the girl of his dreams. It's a comedy of mismatched lovers: Stewart plays the son of a cold-hearted business tycoon (Edward Arnold) who looks forward to the coming world war as a way to make a killing on the stock market. In the path of Dad's capitalistic machinations lies a family of carefree bohemian kooks, whose open, life-affirming attitude holds together the neighborhood where Arnold hopes to build his next munitions factory. And guess what? Surprise...!! Jean Arthur's character also just happens to be the object of his son's affections. Into this "Dharma & Greg"-like scenario, add Lionel Barrymore as her saintly, eccentric father, who was once a businessman but then dropped out and now spends his days smiling at life, following his passions, and encouraging others to do the same.

In all honesty, although the film is charming, it isn't Capra's best work -- adapted from a stage play by George Kauffman and Moss Hart, it shouts out its kookiness, and has the feel of an off-Broadway production gone awry. The scenes that are meant to show how wacky her family is often play out too broadly, with shouting and grand gestures and a flurry of chaotic action -- dancing, xylophone playing, cooking, painting, newspaper rustling, fireworks going off -- and all of it happening at once. It's too obvious and dramatically weak... Plus, Stewart really hasn't found his feet yet as a star actor. On the other hand, both Barrymore and Arnold give delightfully strong performances, and Jean Arthur is *always* easy on the eyes. Even when slightly muddled, Capra is still better than practically anything coming out comedywise from Hollywood today. A charming 'Thirties comedy.

Classic Capra Comedy!
The rich young son of an esteemed banker (Jimmy Stewart) falls in love with his secretary (Jean Arthur). His family disapproves, but graciously agree to meet with his girlfriend's family. Jean Arthur wishes to plan the meeting as an elegant dinner with her family's eccentricities somewhat constrained. When her boyfriend and his parents show up on the wrong day, all hell breaks loose. Jean Arthur's wise grandfather and patriarch of the family (Lionel Barrymore) helps sets things aright with his harmonica and a little sound advice. This hilarious classic pits an eccentric middle class family against their snobbish upper-crust potential in-laws. You'll roll on the floor laughing at Stewart's "scream" scene, the Russian ballet teacher, the jail-cell and courtroom sequence and more. One of Frank Capra's best!

Great film, Poor DVD
First of all, this film is great, and deserves to be owned by any classic movie fan. It has some of the greatest stars that have ever been on-screen, together! This is easily a favourite of mine, with Jimmy Stewart, Jean Arthur, Lionel Barrymore AND Frank Capra, you cant go wrong with watching this.

This film easily deserves the 5 stars, but I take one away because of this very disappointing release from Columbia on DVD. Many of Columbia's releases of classic movies on DVD have been poor ('Awful Truth' comes straight to mind) while others have great releases ('It Happened One Night' for an example).

I will start with the picture quality. It is full of scratching, throughout the film, and in all honesty, it does kind of look like a video. Still, saying this, it is actually watchable, but what a poor effort.

Now for the sound. Ok, this is the real problem. The sound is really quite bad. It is full of hissing, and becomes annoying. Its listenable, but oh, they could have done a lot better here.

The extras. Well, there isnt much to say really, is there? There are nothing for you on this disc.

This DVD is worth getting, but I only say this because of the film itself. What a poor release for such a wonderful film. Hopefully, Columbia will re-release this soon, with a better print, better sound, and some decent extras. If only this could have been more like their release of Capra's other classic, 'It Happened One Night'.

Dont avoid this DVD, but just dont expect much.

PLEASE NOTE: Since I am in England, I own the Region 2 release. It appears to be no different to this Region 1 release though.

very good movie
I'm playing a character in the play that this movie is based on, and so I watched this DVD to get a hint of what it could look like. First, the story is excellent! Do what you want in life; don't work your whole life doing something you hate! That is basically the Sycamore family's philosophy. But when the younger daughter in this household falls in love with the son of the wealthy Kirby family, trouble brews, landing the Kirbys and Sycamores both in jail! In the end, Kirby Sr. learns that maybe the Sycamores have something and gives the young couple his blessing, leaving everybody happy. The play is a little different from the movie, but with the addition of a simple harmonica, the movie is able to give the viewer a wonderful feeling in the end and reinforces the fact that everyone should do what makes him or her happy in life! I will say that the quality of the movie is not the greatest at times, but that's to be expected since it is an older movie. Other than that, it's great!

Warm & Wonderful
This is a gem of a movie. It's all madness & mayhem on the surface, and warm & cozy underneath. Like most of Frank Capra's movies, this is a morality play. The filmaker continues his favorite theme, downplaying the materalistic and embracing the things that really matter, love, both romantic & platonic, friends & family. This type of material might be a preachy bore in the hands of a person less skilled than Frank Capra, but he makes it work. Not only does it work, but the movie is hilarious. The cast is excellent, starring Lionel Barrymore, I would say at his best, but I never saw anything he was in where he wasn't great. Jimmy Stewart plays one of his nice guys here to the max & is terrific also. The rest of the cast is excellent as well. I especially loved the "mad Russian" played by Mischa Auer. Eddie Anderson steals every scene he's in whether he's speaking or not.
All in all, it's a fine ensemble cast, everyone is very good. Do yourself a favor, if you have an opportunity to see this, please do! ... Read more

Amazon.com essential video

Inspired by the 1960s TV series that starred James Garner in the title role, this lightweight Western from 1994 proved to be a surprising box-office hit. Well, maybe not such a big surprise, since it's from the star and director of the Lethal Weapon movies, and operates with a similar combination of mainstream plotting and easygoing humor. Mel Gibson stars as card-playing gunslinger Brett Maverick, who meets up with wily gambler Annabelle Bransford (Jodie Foster) and a marshal named Zane Cooper (James Garner, trading his old role to Gibson) on his way to the World Series of poker in St. Louis. Maverick's trying to raise the $5,000 needed to join the high-stakes contest, but that's easier said than done due to a lot of unscrupulous competition and a twisting plot of tricks and deceptions. It's all played for laughs and action, so the movie never wears out its welcome, despite a running time that could've used a good trimming. It's also fun to see the rapport between Gibson and Garner, as if the present and former Mavericks were a kind of surrogate son and father, bonded by their mutual skill in charming and conning their way through tight spots. Director Richard Donner also pays tribute to old Westerns by casting veterans of the genre in cameo roles (including Bert Remsen, Dub Taylor, and Denver Pyle), and Gibson's Lethal Weapon costar Danny Glover pops in for a surprise appearance. None of this really adds up to much since the movie makes no pretense about taking itself seriously, but that's precisely why audiences found it so entertaining. --Jeff Shannon ... Read more

Reviews (39)

Almost A Delight
Like so many other movies based on popular TV shows, this one seems to fall a little short, somehow. The cast is fine, although Mel Gibson is a little more intense as Bret Maverick than James Garner was. Garner had a laid-back quality that suited the role well. Putting Garner in this movie was a nice touch, by the way, and he and Jodie Foster are delightful. Gibson is fine, too, just .. different. Of course, the slightly different feel doesn't matter much unless you remember the show, which isn't the case for many contemporary viewers. More to the point, perhaps, the TV Maverick was a western spoof. It was done tongue-in-cheek and relied on humor. The movie attempts the same feel, but the gags are rather ordinary and the plot, while it has some interesting twists in it, is slow to develop. Taken as a whole, "Maverick" comes across as a fun movie, but there isn't much in it to lift above the ordinary. It's too bad they haven't tried making another, though. After all, the first "Star Trek" movie wasn't great, either. I rate "Maverick" 3+ stars. There are funnier western comedies out there and, unless you're a fan, you might want to see this before buying it.

How The West Was Fun!!!
'Maverick' is by far the best western movie ever! Fast paced, action packed, suspenseful, and funny (very funny), Maverick keeps you on your toes and leaves you screaming for more!

Mel Gibson kicks butt (literally) as Bret Maverick, a handsome, slick and roguish card player trying to win enough money to enter the biggest card game of the year. While trying to win some dough, he meets the scheming thief, Annabelle Bransworth (played by Jodie Foster). I love Jodie Foster in this movie, I never knew she was such a comedian!

'Maverick' is a witty, charming, and hilarous western comedy. A must-see.

ALL ROUND ENTERTAINMENT
Mel Gibson's Maverick is somewhat goofy but charming, sly, and fairly humorous.

A number of excellent cameos provide some comic relief, especially Danny Glover near the beginning of the movie. The biggest surprise for me was Jodie Foster, who, in an impressively rare comedic role, thankfully discards her repetoire of facial tics for a much more natural performance here.

The plot is kept pretty simple until near the end -- and the end has a great twist, which I won't divulge. Suffice it to say that your time will be well spent.

Recommended rental for sure, but also consider buying this excellent DVD because this comedy does well with repeat viewing.

Another widescreen review
PICTURE QUALITY = 4-SOUND QUALITY = 5+The overall picture quality is pleasant and satisfying. Color is nice but pxilazation is very present in the begining of movie. Improves as movie goes on. This being a very senic movie I was not completly happy but still satisfied. Could've been a bit sharper and remastered from high definition but wasnt.The sound quality in Dolby was awesome. Not in Dolby Digital but on a system with Pro Logic II it souded great if not better than most non-digital dolby surround. All surround sounds are present and really stood out. The soundtrack is placed perfectly and surrounds the room. Very happpy with this DVD sound quality.THE MOVIE - *note spolier. The movie was excellent in all entertainment areas if your looking for a FUN Western movie. Comedy, action, stunts, scenery, and many great actors. Everything you would want in a "fun" western film in the old fashioned tradition. Light on violence and good enough for the whole family.*Spoiler - The best (and my favorite) thing about this movie is the fact that James Garner still plays as Maverick even though the audience doesn't know it. Watching it over and knowing that Mel Gibson is playing his role as "the son of Maverick" and James Garner is still the orginal character he played in the past makes this a great movie to watch over and over.My overall review is that it is worth buying and I'd give it 5 stars if the picture was just a touch better. Don't be fooled though, I have a large projection widescreen tv with a progressive component DVD player so I see almost any grain there is if any is present. Overall this DVD was satisfying enough to make me happy I bought it. On any other tv it will display a perfect picture. Sound quality is great on a home theatre sound system.This is a movie that should be made on a Superbit DVD.

Good film. Good Fun.
You don't need to know a thing about the old TV show to enjoy this comedic gem. There are several plot twists that will keep you interested from start to finish. Couple that with a great script and an excellent cast and you've got the winning formula from which this movie was built upon.

P.S: Watch closely for a hilarious Danny Glover cameo! ... Read more

Reviews (17)

CLINT Does it Again!
Clint Eastwood portrays a robber ( John Thunderbolt Doherty ) who takes on a side-kick played by Jeff Bridges (Lightfoot ). There is money to be found in an old church. Trouble is, the church has been moved. Also: Geoffrey Lewis ( Goody ) and Gary Busey (Curly) and Catherine Bach (Melody). There is action in this film. But, I wouldn't consider it an action film. It is more of road chase with subtle dramatic elements. Great film. ***Note, we had no problems playing this DVD on our JVC DVD player.

Clint Eastwood And Jeff Bridges Make One Heck Of A Pair!
Released in 1974, "Thunderbolt And Lightfoot" starring Clint Eastwood, Jeff Bridges, George Kennedy and a host of other actors, is one of those movies that will have you glued to your seat (or couch) for the entire movie. Eastwood plays a bank robber named "Thunderbolt" and Bridges plays "Lightfoot" a young drifter. The beginning of the movie has Eastwood (who is giving a sermon in a small church) running from an old ex-con buddy and literally bumps into Lightfoot, driving a stolen white '73 Pontiac Trans-Am. The two of them are followed by yet another ex-con named Red Leary (played by George Kennedy) and his sidekick named Eddy Goody (played by Geoffery Lewis)who wants to get even with Thunderbolt for hiding some stolen cash from a heist that Leary and he had done years ago. Both Leary and Thunderbolt settle their differences and together the four end up planning on robbing the Montana Armory again the second time around. Who would ever suspect Leary And Thunderbolt? The movie is full of car chases and laughs (ex. Jeff Bridges is a riot dressed in drag in one scene) and the ending is quite a surprise. An all around excellent movie which has finally made it's way onto dvd. Recommended!

Eastwood's most underrated film!
In 1974, director Michael Cimino, who had helped write the script for MAGNUM FORCE, made his debut as director for THUNDERBOLT AND LIGHTFOOT. The result is a surprised combination of action, suspense, and comedy. Clint Eastwood plays John Doherty, a bank robber who is hiding from other members of his gang who think he ran away with the loot,(it is actually hidden behind a blackboard in a schoolhouse). After nearly being gunned down in his own church, Doherty takes off across a wheatfield, and literally runs into drifter Jeff Bridges,(Lightfoot) , who has just stolen a Pontiac. After getting Doherty out of trouble, the two begin a friendship that involves hookers, stealing cars, and running from Doherty's enemies.

George Kennedy plays Red Leary, a member of Doherty's gang who eventually catches up with him. Geoffery Lewis plays Goody, Leary's sidekick. After cornering Doherty,(nicknamed Thunderbolt) and Lightfoot, Doherty convinces them that the money is gone, although he is unaware the schoolhouse had been moved. They all then decide to rub off the same bank because no one would suspect them of doing it again. The plans leading up to it are funny. I always liked the part where Kennedy tells off the snotty kid while they are planning their route in the ice cream truck. Bridges dresses in drag to fool the security guard. When the whole operation is done, the police still catch up with them, and all hell breaks loose.

Still, Thunderbolt and Lightfoot escape and find the money stashed behind the moved schoolhouse on the side of the road. They then buy an expensive convertible and light victory cigars. What happens next is very sad, although I won't give that away. The movie is highlighted by beautiful Montana scenery and long quiet periods with no music, creating a relaxing and peacful setting that will please any action buff. Cimino was obviously off to a good start, and he would win an Oscar for DEER HUNTER 4 years later. This is the most underrated movie of Eastwood's career, and it shows him on the other side of the law and doing a very good job of it.

A rousing action film that is also supremely funny
Before he destroyed his career with the excess of Heaven's Gate, Michael Cimino, the screenwriter of Eastwood's second Dirty Hary flick Magunum Force, created this wonderful caper flick, Thunderbolt and Lightfoot, under the discipline of producer and star Clint Eastwood. The cast is excellent, with Jeff Bridges first rate in his Oscar nominated role as Lightfoot, and Oscar winner George Kennedy and Eastwood regular Geoffrey Lewis (father of Juliette) both very memorable as Red and Goody.

The scene of Red and Goodie in the ice cream cart confronted with an obnoxious lad is a classic in cinema.

The climax of this film is superb. A definite MUST SEE for all Eastwood fans!

Auspicious debut for Cimino...
Buddy films are always fun, and this is no different. The exotic American locales of Idaho are every bit as unique as the Bolivian settings in "Butch Cassidy". As in "Butch Cassidy", the script (by Cimino) is character-driven, and you'll find yourself cheering on the bad guys. Jeff Bridges Oscar nomination (Supporting) surprised a lot of people, but it was most deserved. His role was really equal to Eastwood as far as importance (and screen time). Eastwood was, well, Eastwood. That's not a bad thing. I always thought he was underrated. The DVD transfer is excellent, with a wide 2.35:1 letterbox that shows off some of our country's best scenery. There's action, humor and great chemistry between our buddy-heroes. George Kennedy is about as nasty as they come, though he somewhat copied his nasty performance in "Charade" (10 years earlier). The most interesting thing about this film is that it is the debut of "wunderkind" Cimino. The strength of his work on this film allowed him to create his masterpiece, "The Deer Hunter". No doubt the man has vision and talent. Too bad he over-indulged himself in the dismal "Heaven's Gate" and ruined a studio with his excesses. ("Heaven's Gate" really wasn't that bad, except for the first hour). I think of "Thunderbolt & Lightfoot" as an up-dated version of "Butch Cassidy". Though the music wasn't as frivolous and the script not as taut, there are definite comparisons. Not bad. Check it out. ... Read more

Reviews (58)

Hiliarous movie!
This movie is incredibly funny! It's a movie that pulls no punches, and will hit you square onto your funny bone. Kurt Russell's best role, starring as Rudy Russo, a used car salesmen who's ambition is to run for congress. Rudy works for a guy named Luke Fuchs, who owns the used car lot. His brother, Roy Fuchs, owns another lot directly across the highway. There's one thing Rudy must do before going to the Capitol Building - he first must protect the used car lot he works at before Roy claims the property, which would ultimately be used as part of a new new highway, which would increase business for Roy's lot. Roy will stop at nothing, even murdering his own brother! The script is amazing, the plot is original, and you'll finally know the schemes a used car salesman will employ to get you to buy a total klunker. Toby the dog is a riot! The dog, alone, had me rolling on the floor. Jack Warden puts on a great, great dual-performance as the rival brothers. 'Lenny' and 'Squiggy' from "Laverne & Shirley" star as friends of Rudy's. Al Lewis, the beloved 'Grandpa' from "The Munsters", stars as a mean, tobacco chewing judge. If you are into great movies, don't rent this one... *BUY IT* as part of your video collection!

Buckle up for a great ride down a cheap highway
"Used Cars" is the mother, or ugly stepmother, of great American bathroom humor. Long before the politically-correct craze of "Forrest Gump," director and co-writer Robert Zemeckis spit up "Used Cars" with a little help from executive producer Steven Speilberg. Not quite sweet enough for 'Gump-isms,' "Used Cars" explores the seedy world of the car lot and the stereotypical husslers running the joint. With gags that include strippers atop automobiles, reeling a customer across a busy city street with $20 hooked to a fishing line and a commercial jammed during a presidential address, "Used Cars" rips apart middle America to the tune of 50,000 laughs per second. Kurt Russell shines as the cheeseball in charge in one of his first post-Disney era films. Russell gets plenty of support from an ensemble cast that includes Gerrit Graham, Frank McRae, Joe Flaherty, Deborah Harmon and David L. Lander and Michael McKean (better known in the early 80s as Lennie and Squiggy). However, the real salesman is veteran actor Jack Warden who easily handles a dual role of twin brothers with competing car lots. Although not likely to appear on Zemeckis's or Speilberg's Oscar-winning resumes, "Used Cars" is hilarious, sharp and clever. I consider this vehicle one of the greatest comedic rides ever made. Trust me.

A gut busting classic!
BEHOLD! PERHAPS THE GREATEST COMEDY EVER MADE,USED CARS IS A MUST HAVE ON DVD.I DONT UNDERSTAND WHY THE BONUS FEATURES ARE NOT LISTED ABOVE SO HERE THEY GO:VINTAGE ADVERTISING GALLERY,AUDIO COMMENTARY:ZEMECKIS,GALE,RUSSELL, OUTTAKES,RADIO @ TV PROMOS,PRODUCTION NOTES AND A COOL THING FOR TRUE FANS OF RUSSELL,A TV AD FOR THE ACTUAL CAR LOT,WITH THE REAL OWNER INTRODUCING RUSSELL WHO THEN GIVES A SALES PITCH FOR A CAR ON THE LOT!

one of my favorite movies
"well i don't wanna look inside". "ohhh, just get in the motherf_ckin car". i lose it everytime that part comes on. this movie is such a riot. if you havent seen it, check it out.

Hilarious Movie - Great DVD
Where do I start? "Used Cars" is one of those "movies for guys who love movies". I have watched it who knows how many times, but I still get a kick out of certain scenes almost 25 years later. But there is an added bonus now if you buy the DVD, an hilarious commentary track with director Bob Zemeckis and actor Kurt Russell along with Bob Gale, who co-wrote the screenplay with Zemeckis.

The movie features Russell as Rudy Russo, a used car salesman with absolutely no morals (OK, most used car salesman don't have morals, but Russo takes it to another level). Jack Warden takes on dual roles as twin brothers trying to win the battle of used car lots at the same corner. Garret Graham plays Russell's sidekick Jeff who tries to help Rudy move the cars through illegal television commercials, which are absolutely hilarious. Other performances of note are those of Deborah Harmon, the daughter of one of the twins who wins Rudy's heart, Joe Flaherty from Second City as an unscrupulous lawyer and Michael McKean and David Lander (of Lenny and Squiggy fame) as techno wizards who assists Russell and Graham in their illegal activities.

All of the above are great, but the two who steal this movie are Frank McRae, who plays Jim the Mechanic and Toby the Beagle. McRae may say less than 200 words in the whole movie, but he may have the highest laughter to words ratio in movie history. Toby pulls off some funny stunts as well and is a memorable dog in movie history as well.

The movie is great and the DVD commentary of the three principal parties is hysterically funny. I think the three must have stopped at the local brewpub before the taping and slammed a few because they are giddy, but they let you in on on some interesting facts about the movie. There are also some outtakes as well as a real used car lot commercial that Russell shot in Arizona in Russo character.

Rent it or buy it, you won't be sorry. As Rudy Russo would say "Trust Me!" ... Read more

Reviews (92)

Evil Has a New Home
Who's up for a truly creepy haunted house thriller? In 1976, director Dan Curtis, Dark Shadows (1966) and Trilogy of Terror (1975) brought to life a wonderfully scary movie that scarred quite a few younger viewers at the time and still has the power to evoke strong remembrances when mentioned.

Burnt Offerings (1976) stars Karen Black, Oliver Reed, Bette Davis, and Burgess Meredith. City dwellers Marian (Black) and Ben (Reed) Rolf find the deal of a lifetime in a fabulous, secluded country estate, and soon settle in, along with their son and old auntie (Davis). A deal too good to be true? Why yes, it is, as strange things start happening, but not so strange as to send up serious warning flags that would cause most any of us to flee.

What was so great about this movie was the way the director took his time in ratcheting up the suspense for the viewer. Changes to the various characters were introduced in such as way as to seem subtle, and not highly alarming. Soon some of the characters do catch on, but by then, it's too late. I thought Reed was really great in this movie, a man haunted by a past demon amplified through the house, who manages to keep a fairly level head throughout. Another wonderful character in the movie is the house itself. Dunsmuir Estate is the setting for most of the movie, actually coming to life through skillful directing and some very creepy music. This is an actual home, located in Oakland, California.

The movie runs just under two hours, but the time will seem to go by quickly as you will find yourself gorilla glued to the screen, waiting in anticipation as to what happens next. There is a noticeable lack of blood, as the scares are more of the psychological kind. This seems to be a tactic used not so much these days, as visceral sells, but I do enjoy when the violence can be implied, rather than shown. I find my imagination is able to come up with plenty of scary images given the right fuel. The main problem I had with the movie was the picture. The movie on the disc appears in that sort of diffused style common in the 70's, where everything seems to have a slight fuzz on it, a haze throughout the picture. I did get used to it after awhile, but it was a little annoying. I don't seem to recall it being like this when I first saw the movie so long ago, but oh well. Another problem, a minor one, was some of the audio was unclear, as it seemed the audio levels were uneven at times. There are English subtitles, and I made use of them.

As far as special features go, there is a commentary track by director Curtis, Karen Black and Co-writer William F. Nolan and an original theatrical trailer which I would avoid watching until after watching the film as it gave too much away, in my opinion. I will tall you this, the end truly a climatic one, and well worth the wait. If you liked Burnt Offerings, I would highly recommend the 1963 Robert Wise film, The Haunting.

Cookieman108

Disappointing Transfer
Burnt Offerings: I remember watching this classic flick when I was 10 or 11 years old in 1977. It was on NBC yearly for awhile. With memories of this movie coming back to me as I read the many reviews of this film on Amazon, I couldn't wait to see a DVD transfer of one of my favorite scary flicks.

I remember vividly the look in Oliver Reed's eyes when he was approaching his son David in the pool scene. That was one of the best elements of this movie: the actors' e