Reviews (42)

An excellent movie, of it's own era.
I suspect that the reason so many ... customer reviews of On the Beach are negative is that the expectations of today's audiences, particularly younger audiences, are entirely different from when this movie was released, in 1959.

The movie is based quite closely on Neville Shute's excellent novel, with just a few differences. The rather strange denial of impending death, shown by most of the characters in the book, has been wisely omitted from the movie. The scientist, John Osborne, has had his name changed to Julian in the film, and is given more depth, beautifully played by Fred Astaire.

I think today's movie goers have difficulty relating to this movie because it is not an action movie and it is not a science fiction movie. Yes, it deals with the last survivors of a nuclear war as they await their own deaths. But the genre of science fiction films requires that the heroes and/or heroines confront the Problem and conquer it, whether that Problem be giant ants, invading Martians, or mutant carnivorous plants. In On the Beach, it is made plain from the beginning of both the book and the movie that there will be no triumph or escape. Instead, the theme is the maintaining of human decency and integrity in the face of imminent death. This is not the sort of stuff for young audiences raised on Bruce Lee movies.

I think it is important, too, that today's young movie-goers watch this movie with the idea firmly in mind that people in 1959 believed that they might very well be the last generation of human beings, before a nuclear holocaust wiped us all out. I was nineteen when I first saw the film, just after its release to theaters and long before the advent of VHS and home video. It was powerful stuff back then, and I don't think there's any doubt that it was an important element in the nuclear disarmament movement.

I highly recommend this movie. The acting and direction are excellent, and it deals with powerful themes. But keep in mind that you'll be watching a film from another era, when books and movies were deliberately slower paced and the depth of characterization was considered to be much more important than fast paced action.

Brilliant Human Story
To me, the poignance of On The Beach lies not in it's anti-nuclear war message, which mercifully was proved wrong by events in the real world (Julian's speech railing against the idea that nuclear weapons could keep the peace is the one dated part of the film. It's now evident that the reason why there never was another ground war horror on the order of WWI and WWII was *because* of the atomic bomb) but in it's human elements, and exploring how people react to the reality that life is fast coming to an end for all of them. In this instance, a nuclear war is simply a convenient duex ex machina to see how ordinary people react to the trauma facing them. There are fine performances all around, but to me the real strength of the movie is Ava Gardner's touching performance as Moira Davidson. Indeed, there is an almost eerie autobiograhic quality to it since Gardner had many things in common with her character.

I think sooner or later, people will look back on "On The Beach" and realize that it's timelessness lies in it's exploration of the human condition and not it's political statements which in my opinion are no longer relevant to the real world.

Worth viewing, even if not realistic
On the Beach fails the realism test in two ways: scientifically and behaviorally. The first is forgivable; 40+ years ago, there was less understanding of what nuclear war would do the planet. But the second aspect -- human behavior -- is where the story fails. The idea that people would get up, wash and shave and dress, go to their jobs, peacefully obtain their rations of food and so on, with a cloud of certain death getting closer every day... it just doesn't ring true. Looting, pillaging, murder, and general anarchy seem much more likely.
Nevertheless, the movie -- while very melancholy (or depressing, as many reviewers have said), is worth watching. (Especially, as some have noted, for Astaire's performance).

the ultimate Cold War film
This is the film that for me captures the terror I felt as a child, growing up at the height of the Cold War; it is bleak and intense, with scenes that are forever etched in my mind. It's one of the great films of that era ("Seven Days in May" and "Fail Safe" are others) that I can watch repeatedly, and their power and impact are never diminished.
Based on Nevil Shute's best seller, and brilliantly directed by Stanley Kramer, the use of sound effects combined with Ernest Gold's Oscar nominated score is very effective. Sometimes the simplest noise set against complete silence is ominous, and gives the feeling of the desolation of empty cities.
As time runs out, people try to avoid the "morbid discussion" of what awaits them, and some make the most of those precious days, weeks and months, like the elderly scientist Julian (in an exceptional performance by Fred Astaire), who completes his dream of being a race car driver.

Both strong and tender, Gregory Peck is fabulous as Dwight Towers, the commander of a submarine, who has trouble accepting that he is alive, while his family are victims of the "monstrous war". The woman who falls in love with him is Ava Gardner, who has spent far too much time being consoled by a bottle of brandy. The plot is filled out by Anthony Perkins and Donna Anderson, a young couple facing the fact that their baby has no future.
In the late 50s and early 60s, the scenario in this film was all too real; we face other dangers now, but there was something truly chilling about those Cold War years, and this film vividly brings back the memory of them. Total running time is 134 minutes.

The end of the world as we know it...
An unforgettable movie that is as important and as powerful today as when it was first released.

Shute took his title from a stanza from T S Eliot's The Hollow Men:-

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river...

The tumid (swollen) river is metaphorical, as is the beach, given that Eliot's bleak, desolate landscape is a spiritual one, as in his classic work, The Wasteland.

Shute's movie is utterly compelling all the way through, partly due to the subject matter, helped along by a stunning cast, and very capable production and direction.

The scene in which the Sub arrives in the US to check on the erratic morse signal was actually shot in Australia, as they could not obtain permission to film it in the US.

There was a very creditable 2000 Showtime version with Rachel Ward and Armand Assante, which was truer to the book, although set closer to present time, but the Peck version is still the definitive one.

You cannot top this movie for dramatic content, brilliantly delivered by Peck, Gardner, Perkins and Astaire above all.

Yes, this could still happen, and yes, nuclear deterrence may well have worked so far, but I always remember a line from Bob Dylan's "If God's On Our Side", which goes...

If God's on our side,
He'll stop the next war...

Maybe he did.

Peace y'all. ... Read more

Reviews (46)

Can't say enough about this exciting sci-fi flick.
This was the first of 7 films that Roy Ward Baker directed for Hammer. I also feel that it was possibly Hammer's finest moment. I have seen this movie at least 5 times and I still love it. This is a remake of a British television series entitled Quatermass and the Pit. The same writer was used on the film and much of the same dialogue is used. And maybe Hammer has some other moments as equally fine as this, but this is such a good movie.

While digging a new subway tunnel underneath London, a large, metallic object is discovered. Different experts are brought in and the official story from the military is that it is an experimental type of bomb from from the Germans from WW II that didn't work. Others aren't so sure, including Professor Quatermass (Andrew Keir).

A little bit of detective work by Professor Quatermass and his assistant Barbara Judd (Barbara Shelley) turns up that the area of London that the object was discovered at, Hobbs Lane, has had a history of strange phenomena going back centuries. In fact the name Hobbs as it turns out, is actually a medieval name for the Devil.

Quatermass proposes that the object is an alien craft that has been buried for centuries, if not millennia, despite the military's insistence that it is a German dud. And soon after the discovery of the object, workers start dying or start having psychotic episodes with visions of seeing aliens that look like insects (kind of like a cross between a praying mantis and a grasshopper actually). The military is trying every tool they can to drill into the object, but to no effect. A cover finally opens up and all hell starts breaking loose around Hobbs Lane. Winds are blowing and people are being driven mad by the visions they are seeing. There is also a giant apparition of an alien that appears in the sky above Hobbs Lane. The Professor figures out a way to bring the power in the spaceship to a halt by running a giant electrified crane into the apparition and save London.

If you have ever seen Lifeforce (1985), you'll notice the endings are somewhat similar. There are winds swirling around London with debris flying everywhere and sirens going off and some terrific noise all around. People are running through the streets either out of their minds or trying to get away from the madness. And one lone figure knows how to put a stop to all of it.

I hope my description of the movie doesn't turn you off, because despite the goofy sounding story it really is a well done movie. All of the principle actors do an outstanding job, especially Barbara Shelley and Andrew Kier. The first time I saw this movie on TV in the late 70's it was under the title 5 Million Years to Earth. It was probably 10 years before I saw the movie again on TV, and I was so excited to be seeing it again. Fortunately for all of us, Anchor Bay has released this movie on dvd in 1998. What is included on the disk is a commentary by director Roy Ward Baker and a World of Hammer episode entitled "Sci-Fi". I have only ever seen one copy in dvd stores and of course I bought it. So I know it is not a very common title to have in stock at most outlets. I highly recommend buying this for your permanent movie collection.

Brother, can you spare a Quatermass?
Quatermass and the Pit (1968) is the third in the Quatermass series, beginning with The Quatermass Xperiment (1955), and followed by Quatermass 2 (1957), all written by Nigel Kneale, and is certainly one of the better Hammer Studios releases. (That's a whole lot of Quatermass...)

The film starts out with an interesting find during the renovation of an underground subway station in the English town of Hobb's End. Seems the workers found some ancient skeletal remains, early primate man it appears, prompting the work to stop, allowing for Dr. Mathew Roney (James Donald), his assistant Barbara Judd (Barbara Shelley, yowsa, yowsa) and a group of anthropologists to catalogue this remarkable discovery. The situation soon turns from fantastic to frightening, as part of a large, metal object is uncovered, leading some to believe it may be an unexploded German bomb from the last world war. Professor Bernard Quatermass (Andrew Kier), a physicist and rocket scientist, along with Colonel Breen (Julian Glover, who later appeared in Indiana Jones and the Last Crusade) and the military soon arrive to deal with the situation, but further digging reveals the large object not to be a remnant of a past war. Turns out, it's not even an object of this Earth, as various attempts to penetrate the hull prove fruitless, as the object is of a material not recognizable to anyone. Not only that, but a secret compartment reveals child-sized inhabitants of a bug-like nature. As the scientists, the military, and the government grapple with this incredible find and all its' possible implications, the dissention amongst the parties involved begins, as not only of the origin of the object, and how best to disseminate information to the questioning public.

After Barbara, with the flaming red hair and beckoning green eyes (sorry...I got a little carried away) uncovers information about past odd happenings in the Hobb's End area, Professor Quatermass develops some interesting theories about the possibility of alien intervention in human development and reasons why. This opens a whole new can of worms, and to say Colonel Breen and various high-ranking government officials were less than receptive to these theories is putting it lightly. There position, akin to an ostrich putting its' head in the sand, is that the object and anything within was all a part of some German propaganda during the past war, designed to sow confusion and fear. This turns out not to be true, as everyone learns later. More scientific investigation reveals some truly interesting, and somewhat terrifying details. In the end, the terror becomes a reality, and the stuff really hits the fan as the object turns out to be much more than anyone had expected or could have conceived.

To me, this is an excellent example of a true science fiction film. The story is thick with rich, creamy flavor as elements are revealed, tying in not only with the present, but also the past. The conclusion to the story is satisfying, but one is left with any number of questions that may never be answered, due to the plot intricacies developed through the film. I really liked the portrayal of the powers that be in that they weren't trying to cover up some big secret, but just unwilling to face certain facts for fear that this information would have repercussions beyond the imagination, and most would probably not be able to even begin to wrap their minds around the possibilities presented with the alien object. There is a real depth to this movie, one that keeps drawing you deeper and deeper, heaping implications on top of implications, giving this viewer the sense that his mind was actually being blown. The whole affair was very intelligent and well put together, leading up to a very exciting climax. I would recommend this to any fan of true science fiction, as it exemplifies what can be achieved when all the pieces come together. This would certainly be the career highlight of capable director Roy Ward Baker, who also directed such films as Scars of Dracula (1970), Asylum (1972), And Now the Screaming Starts (1973), and The Monster Club (1980). James Donald (Dr. Mathew Roney) also appeared prominently the classic WWII film The Great Escape (1963). Andrew Kier (Prof. Quatermass) appeared in other Hammer films like Dracula: Prince of Darkness (1966), along with costar Barbara Shelley, and also the less than stellar The Viking Queen (1967).

The wide screen print on the disc looks very good, with only very minor signs of wear in a couple of places, and special features, which are on the flipside of the disc, include US and UK theatrical trailers, TV spots, a feature length commentary track by director Roy Ward Baker and writer Nigel Kneale, and a World of Hammer episode entitled 'Sci-Fi'. If you're in the mood for an intelligent and highly entertaining science fiction film, you won't be disappointed in Quatermass and the Pit.

Cookieman108

This third movie is probably the best one to get
I saw this film as a child on television many times and I guess I should admit to some bias here as it had a lasting effect on me.

I bought the movie on the strength of that feeling and it didn't disappoint me to see it again as an adult.
Although I bought all three movies, this is my favourite Quatermass movie because the acting is so much better than the first two films.

Andrew Keir is the best and most sympathetic Quatermass in my opinion and the supporting cast, particularly James Donald (the real hero) and Barbara Shelley help raise the overall quality of the film.
Credit must also go to the author Nigel Kneale who has some terrific ideas and a real feel for science fiction. He also researches his subject well so his stories generally contain 'believable' science( the odd plant man not withstanding).

The way he weaves the old tales of goblins and devil folklore into the story is impressive and original, making the sudden discovery of these creatures less far-fetched and ultimately quite courageous for it's time, considering the heresy at the heart of the story, that we owe our existence and evolution to clever insectoid martians!

The special effects are good considering the lack of technology available at the time and the story kicks along at a cracking pace. Be warned though, you may well be repeating lines in the pub like ....they were leaping and jumping!!! for days afterwards with a bug-eyed expression on your face.

Or is that just me? (I'll get my coat.........)

I would say you if you like science fiction films you won't feel let down if you buy this movie. It's a movie worthy of the title 'classic'and I think stands up pretty well against today's efforts.

WE ARE NOT ALONE
THIS ONE OF THE BEST HAMMER PICTURES,THE STORY IS FILLED WITH SUSPENSE AND GREAT SPECIAL EFFECTS FOR THAT TIME.THE ACTING IS FIRST RATE AND THE END OF MOVIE WILL GIVE UP YOU CHILLS.

EXCELLENT HAMMER SCI-FI THRILLER....
Workers in a London underground railway station unearth humanoid skeletons---setting off excitement among the scientific and anthropological experts. But then a stranger object is found and the military gets involved, believing it to be a bomb. It turns out to be a spacecraft. Col.Breen (Julian Glover) explains it all away as a German craft left over from WWII. Dr.Roney (James Donald) and his assistant Barbara Judd (Barbara Shelley) are skeptical due to the skeletons but the estimable physicist Prof.Quatermass (Andrew Keir) thinks there's a more otherworldly explanation. There are legends and superstitions around the railway station area of hauntings and "goblins" that are too well documented to be ignored. Then strange vibrations begin to eminate from the spacecraft and the remains of the hideous crew are discovered. Breen and his superiors go into complete denial of extraterrestrial visitation while Roney, Barbara and Quatermass bond together to explore things further. And the results are horrifying. Superior Martian lifeforms that resemble giant locusts came to earth in these ships and took back with them ape-like early human beings to mutate with in an attempt to cleanse their own race...then returned with them to earth to repopulate on our planet as Mars was no longer capable of supporting life. Thus, we are descended from this unspeakable union! What's more, this arthropodic race of Martians were evil---capable of creating such powerful telekinetic energy that could create havoc and destroy as well as control the minds of lesser beings. When the ship vibrates to life, sending telekinetic energy every which way, all hell breaks loose. This is an incredible, intelligent sci-fi/horror story with a matchless cast delivering expert performances. A truly superior Hammer film. Excellent color, claustrophobic atmosphere and modest but remarkable special effects with top-notch direction from Roy Ward Baker make this a collector's item for any sci-fi/horror/Hammer fan. Excellent DVD treatment from Anchor Bay as well. Highly recommended all around. ... Read more

Description

In this continuation of Disney’s TREASURE ISLAND,Robert Newton reprises the role of Long John Silver that he made so famous. So set sail with this swashbuckling pirate classic and discover a cinematic treasure that will take you places far beyond the high seas! ... Read more

Description

An Englishman and two Australians are sent to North Africa to fight side-by-side in the major battles that help Australia capture Tobruk. The Germans with hordes of tanks and infantry are defeated in some of the most incredible battles of World War II. ... Read more

Reviews (1)

Documentary My Dear Rat
First I would like to say the transfer from film to DVD is only mediocre. Some of the dark battle scenes in the original go completely black on DVD. This movie starts out like a documentary in Australia with the commentator talking about the Australian cattle ranchers. From time to time through out the movie it goes back to a documentary style. This bored me to the point that I fast forwarded it to the point they go off to war. The rest of the movie moves at a decent pace and the acting isn't to bad. Peter Finch is in it and turns in a fair performance. However; there are a couple scenes where the commanders are planning their battle tactics that are very stiff. Overall the movie just doesn't make it in my library of those WWII movies to own. If you are really into Australia's war movies you may find this more redeeming than I did. I'm giving my DVD to a charity. ... Read more