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| 1. Spy Kids 3-D - Game Over Director: Robert Rodriguez | |
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Reviews (127)
The movie was made just to show off effects - and they were poorly done - don't bother with this movie! - Exit - before it's too late!
Also, I quite enjoyed the first Spy Kids. It was original, pure story telling, imaginative, different, and had a message that I really appreciated (family is the most important thing in the world). The second one followed this theme a bit, but seemed more interested in special effects, advanced gadgetry, and bitter rivalry. But in the end, it was family that mattered. Then there is the third movie. Okay, let's bring up the fact that this was done in 3D. First of all, this gave me a headache and I had to keep taking off my glasses to rest my eyes. One time, this unfortunately woke up my wife who was using my arm as a pillow. In the end, this was a major eye strain. I've seen better 3D, primarily at Disneyland. The technology exists, why not use it? Another problem with 3D is that the director focused too much on it. It seems to me that the director focused more on what he thought would look good in 3D and not what would make a good story. As far as character development goes, the story starts off with Juni feeling betrayed by the OSS and not wanting to be part of the organization. The only thing that brings him "back" (temporarily) is his kidnapped sister. I thought that this was a good sub-plot, but unfortunately it fizzled away as soon as Juni entered the video game. But in the end, I found myself having problems identifying with the characters or finding them believable. Then there is plot. Oh my!! I'm only limited to 1,000 words so I won't get started because there wouldn't be any end to it. But I'll say this again, Rodriquez seemed more interested in what would make a good effect, not a good story. And then the story. There are so many questions. For instance, who is the programmer of this game because it seemed that the OSS had the ability to reprogram the game at will, especially when they feel they needed to sabotage Juni and Carmen's mission. Why couldn't have they used this more often, or why couldn't they have used this ability to save Carmen or to destroy the game in the first place. The first two movies focused on the importance of family. But while Carmen is having her brain fried by a computer, family is nowhere to be found. The father is working on past experiments (he apparently didn't learn much from the first movie regarding the type of experiment) and the mother is... who knows where. Where was everybody??!!? They didn't show up until the end of the movie. Which brings me to the end of the movie. I just sat there with my jaw opened wondering, "What the heck is the point of this scene?" as every past character from the other movies appeared as superheros coming in on flying shoes, flying pigs, flying wheelchairs. Come on, these are spies and old criminals not punished for their crimes, not the Justice League of America. The last scene was horrific and made absolutely no sense. Even less sense than the two minutes Elijah Wood appeared as the Deceiver. For a deceiver, he was't too convincing since he got kicked out of the game before he could do any harm. The only reason I gave one extra star was that there appeared, at the end of the movie, a scene where my son might learn something. The power of forgiving others. However, it was really brief and probably went over most kids' heads. I would not suggest taking your children to this movie, or seeing it yourself (though my wife did have a nice nap). The original is the only one worth watching, in my opinion. This one is just mind-numbing stupidity. ... Read more | |
| 2. The Truman Show Director: Peter Weir | |
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Amazon.com essential video Reviews (401)
The plot of this movie is simple enough-Jim Carey plays a young man whose entire life has been entertainment for the rest of the world. He dares to reach beyond the giant bubble which is his universe to see what's out there, only to be foiled. Of particular note is the scene toward the end of the film where Truman reaches the end of the dome shaped studio and is told by Christoph (Ed Harris) about his world. This stands out as one of the most magical scenes in an extraordinary motion picture. I realize that this movie isn't for everyone (my wife, for one, didn't particularly like it), but Carey's performance alone justifies the purchase of this video. He displays a vulnerability and childlike fascination that is unlike anything I've ever seen. A very good supporting cast includes the shamefully overlooked Ed Harris, as well as Laura Linney. "The Truman Show" is one of the most brilliant and overlooked motion pictures ever made. The ersatz "Ed TV", which followed a similar plot, doesn't begin to approach the craftsmanship of "The Truman Show". Hopefully, the Academy will make up for their slight of Jim Carey with "Man on the Moon, which appears to be his second acting tour de force.
But in this case Truman does not it. The awful outside world has made him into an item of fun, a person used for the amusement of others. Are we all watchers or maybe in a way all Trumans? Trying to get out if this spectacle called life? Deep, great, wonderfullly acted and a seminal movie.
Jim Carrey gives what is still his best performance to date. And the screenplay gives you a great deal to think about. Watch this and "Pleasantville" back to back and notice the theological similarities. The Truman Show is definitely one of the best movies of the decade. And I think years from now, when people really begin to appreciate the depth of the screenplay, they will come to recognize it as the masterpiece that it is. ... Read more | |
| 3. Spy Kids 2: The Island of Lost Dreams Director: Robert Rodriguez | |
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Reviews (76)
THE STORY: Carmen and Juni Cortez (Alexa Vega and Daryl Sabara) are back in a bigger and wilder adventure than before. This time the Cortez siblings are locked in a dead heat to get to the bottom of a mystery concealed by a remote and mysterious island before a rival team of Spy Kids beat them to the punch. THE COOL THINGS: The "Island of Lost Dreams" expands upon the Spy Kids world tenfold as we are introduced to the entire Spy Kids organization including its hierarchies and ultra-cool weapons. The "monsters" in this installment are also more formidable looking (mutated/spliced animals) as compared to the comical mutated humans from the first movie. We also get introduced to the extended Cortez family tree as Ingrid's parents gain a supporting role. In all, seeing the competing Spy Kids and the newer and cooler weapons made this movie more enjoyable. BEST SCENES: 1. The Monster Duel 2. Popstars Carmen and Juni!!! (HILARIOUS!!!) 3. Battle at OSS THE VERDICT: Spy Kids was generally regarded as a good, solid movie not only for kids and families, but anyone in general. It was fun, entertaining and all around enjoyable. Summed in a nutshell, Spy Kids 2: Island of Lost Dreams is even better!!! Highly Recommended
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| 4. Romancing the Stone Director: Robert Zemeckis | |
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Reviews (40)
Essentially this is a vehicle for Douglas as rough and ready Jack Colton, and Turner to show her versatility as Joan Wilder, the novelist who sheds her loner image and eventually becomes a heroine. Danny DeVito crops up as a slimy rival to the duo's quest, but his part is overplayed and underwritten. The story as it is revolves around Wilder going to Columbia to rescue her kidnapped sister. This leads her into a journey of adventure to recover a fabled jewel with adventurer Colton. An almost sinister kidnapping becomes a farcical adventure comedy: I found the switching in tone of this movie at times confusing, and at other times far too blunt. Whilst ROMANCING THE STONE is not a movie that will leave any lasting impression on you, it is passable as entertainment - saved as it is by the one thing that causes it so many problems: the reliance on the Turner-Douglas on-screen relationship to carry it through.
*uses pliers to remove tongue from cheek* Romancing the Stone jumped in to ride the wave of adventure movie semi-fanaticism spawned by the Indiana Jones movies, but gave us a more comedic villain in Danny DeVito; a less indomitable and less scrupulous hero in Michael Douglas; more pratfalls, and a stronger, less nice, more sultry heroine in Kathleen Turner. There are several things that make this a five-star adventure movie. The action and the pace are great; there is a moderately complex plot; the special effects, while less than what you see in an Indy movie, are well-done; the music is rousing, and the scenery/setting is gorgeous. But, what I see as setting this film apart is the same factor I've noticed in most of my favorite films: the actors appear to be having the times of their lives playing their parts to the utmost. They seem to be enjoying being their absolute most in their parts, and their enthusiatic spills off the screen and flows through the room. If you are a fan of adventure movies, you should see this one.
This movie also stars Danny Devito (this team- Turner, Douglas and Da Vito would later make War Of The Roses which was a darker comedy about a nightmare divorce). Danny DeVito is hilarious as he is a shlemiel. The location was shot in South America, specifically Columbia, and the lush scenes of photographic landscapes - jungles, rivers, waterfalls, rapids and villages, make this a very engaging adventure story. Kathleen Turner and Michael Douglas are really great together and it is the real salvation of the movie. For Turner's character, her life becomes an adventure and a romance as any of the novels she has written. Highly enjoyable, very comedic and never aging, this movie is a welcome fill for any space in your DVD collection. On DVD, it's even better. Greater color and sound, picture quality and bonus feature such as insight on the film, the actors and commentary.
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| 5. Keeping the Faith Director: Edward Norton | |
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Reviews (132)
I loved this film - in every single way. Definitely, definitely, DEFINITELY recommend this movie to anyone who enjoys comedy, to anyone who enjoys drama, to anyone who enjoys romance, to anyone who enjoys in-depth characterization, to anyone who enjoys a good escapist flick. Loved, loved, loved this movie. ;-)
edward norton really hits it out of the park portraying the priest who loses his heart but not his vocation to elfman. the characters have believable personalities that mesh well, and the fine touch of norton's directorial debut is obvious. this is one movie you will enjoy seeing several times, we certainly did.
This movie is about three friends, a Priest(norton) and a RABBI (STiLLER) who meet up when they're adults with old friend (elfman) BOth find her very attractive, but Norton (priest) has to be celebit, while Stiller (rabbi) needs to find a wife. This is an emotional, yet VERY FUNNY story about two friends fighting over another for love and affection. It made me laugh, cry, and cheer! A crowd pleasing movie that is now one of my favorites of all time. Please see it!
'keeping the faith' had me howling with laughter. i liked this one even better than that wedding movie with hugh grant. absolutely slamming dialog is what kept this one so very good. this movie was as close to perfect as i can imagine something in this genre gets, i was completely sucked in. it is making me wonder if perhaps this is a type of film that i can actually look forward to enjoying on a regular basis. it had a complete lack of irony that i found very refreshing. it was *real*, which is probably the highest complement i could pay a romantic comedy. the relationship between the two male stars is very true to life - even though movie dialog makes people say in one sentence what it usually takes ten minutes for real guys to say - this was completely believable. much of the authenticity streams, i imagine, from a level of jewish cultural exposition previously unseen on the big screen. not even my old bud michael benben got quite this deep. the shiksa question is always played for a joke in film, and even though this was lightly done, the weight of stiller's decision worked very well. of all stiller's work (not that i have been a study) this one makes him shine without the complicated pretense with which i had previously associated him and that short babe, garafolo.
Back to the movie: humorous, entertaining portrayal of the friendship between a rabbi and a priest, and the girl from grade school who walks back into their lives more than a decade later. What ensues is a love triangle and some semi-serious semi-humorous dealing with issues like religion, family, and love. Edward Norton's directing is straightforward, but he coaxes a lot out of the script. The performances by Norton, Stiller, and Elfman are great and the product is a warm feel-good romantic comedy. I enjoyed this movie more than most other movies I saw this summer, and would definitely see it again. ... Read more | |
| 6. Cinderella II - Dreams Come True Director: John Kafka | |
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Description Reviews (132)
Mr. Eisner? Did you really view this project before allowing the Disney name on it? I simply cannot believe you did. Peter Pan 2 was well done, Little Mermaid 2 was well done, Lady and Tramp 2 was well done, but this movie, a sequel to a timeless classic, is end to end mush. The animation is second rate; especially Cinderella although the wicked stepmother is excellent. The plot is nonexistent. The music is uninspiring. About 20 minutes into the movie, my daughter, who by-the-way owns ever single princess item available from bed sheets to headboard to wallpaper to every DVD and doll and clothes..., took the remote and turned it off herself! I turned it back on and we struggled through the rest of the movie. Mr. Eisner, for goodness sakes, if you are going to put out trash at least make sure does not involve one of the very classics that made you the success you are today.
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| 7. Legally Blonde Director: Robert Luketic | |
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Reviews (482)
Though ably directed and acted by a supporting cast including Luke Wilson and a chihuahua, 5 star storyline it is not. This movie is for fun, not for keeps. Yet, as weak as the foundation may be in Legally Blonde, I found myself smiling at the antics of Elle Woods (Reese W.), a grown up version of Alicia Silverstone's Clueless character. The sorority depictions were frightenly parallel to the one's I recall in college, which only made the stereotype more humourous. And Elle's college entrance video submitted to the Harvard Admission Committee makes the film almost worthwhile on its own. Men, be not afraid to rent this film with your girlfriend, wife, or boyfriend. Whatever your fancy, Legally Blonde has enough tom-foolery of the collegiate level to keep you laughing. Women, you will only solidify your stature as the significant other who can pick out a movie even your Marine Corp. boytoy will enjoy.
It's a thin plot, and the tacked criminal trial added at the end seems an excuse to keep a lame idea going, but it works because, like Elle, the script has an endless reservoir of pluck and manages some cute tricks of its own. The dim homilies guiding Elle's sorority lifestyle are bound by a fierce sense of loyalty (people who exercise can't kill people - the endorphins make them too happy), one that the script remains true to. In the end, Elle wins her case because of her loyalty to an accused killer and former sorority sister, one that you'd never think twice about doubting. Neither seem to deserve the attention or loyalty, but manage to win the case anyway. See it if only for Reese Witherspoon.
This movie is carried by a strong cast: Reese Witherspoon, Selma Blair, Stifler's Mom from American Pie, Ali Larter, Thomas Andrews from Titanic, and many more! My faves out of the cast have to be Ali Larter and Stifler's Mom! They stole the movie out from underneath Reese Witherspoon. What is amazing about this movie, is the sheer amount of time spent on Reese's hair (which looks suspiciously like extensions). Throughout the movie, she has a mere 40 different hairstyles, which sometimes feels like a different hairstyle for each scene of the movie. Reese also wears a lot of different clothes for each scene, a lot of them with something pink in them, which she all got to KEEP after this was finished shooting! Free clothes, alright for some! Once again, Selma Blair comes across as a bit of an ice queen in her role as Vivian, but you'll be glad to hear, the ice melts before the end of the movie! What didn't I see coming in this movie? What Victor Garber's character really turns out to be. And trust me, he's not as nice in this, as he was in Titanic. There is a sequel too, which I'm sure I'll manage to get my hands on eventually. And Stifler's Mom comes back for that too! That's how good her role is! But this is basically a feel good movie, which shows you don't need to change for anybody.
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| 8. George of the Jungle Director: Sam Weisman | |
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Amazon.com Reviews (76)
The movie stars Brendan Fraser who plays the title role, George of the Jungle. He is not really musculer but I guess neither was the original character. This film is like Dudley Do Right, but this is MUCH, MUCH better! If you are stuck having to pick which of the two to watch, see this w-a-y before you see Dudley Do Right. The film is about George of the Jungle, he looks for love in a girl named Ursilla, a woman from America and George just can not understand why he starts having all of these feelings for another person. His mate. John Clease does an OK job of playing the voice for the character An Ape Named Ape. Ape is George's mentor and guide through his life until he leaves the "Heart of the Jungle." This is an over all good film, GREAT for kids. If I was a little youger when this film came out, I would of loved it. If you liked this movie I would suggest the following movies, Dudley Do Right also starring Brendan Fraser, 101 Dalamations both the original and the remake and a host of others. Hoped I helped, Have a good one! Ryan
Meanwhile, two poachers in the jungle run across Ape the talking ape and manage to capture him. So this brings George and Ursula back to the jungle so George can save his best friend. So stupid that it's hilarious, but I'm sorry, I can never take Brenden Fraser seriously again.
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| 9. She's Having a Baby Director: John Hughes | |
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The DVD: It is 16:9 Anamorphic Widescreen, with 5.1 Dolby sound. I would rank the picture quality a Solid 4 and the sound a 5. Unfortunatly no extras, a Trailer. (Would have loved to hear a Bacon/McGovern or John Hughes commentary!) If you are a fan, don't hesitate picking up this DVD.(Plastic Keepcase)
This movie's true bonus, though, is an early look at Alec Baldwin. I read somewhere that Barbra Streisand, way back long ago when she was in her prime, maintained two complete wardrobes -- one for when she was thin ("What's Up Doc?") and one for when she was chubby ("Hello Dolly!"). "She's Having A Baby" is definitely from young Alec Baldwin's thin days, when he displayed tremendous potential for being a handsome leading man of the cinema. Alec, however, never had to maintain two wardrobes as his film career progressed -- he simply bought larger clothes for each new movie, packing on a little more for "Glengarry Glen Ross" and then really porking up for "Pearl Harbor," and in all likelihood giving away his thin clothes because he certainly didn't need them any more. Soon, Alec will be able to play "Big Daddy" in a remake of "Cat On A Hot Tin Roof."
Christie's 3 or 4 sentence explination of why she won't cheat on her husband contains more truth than I have ever seen in a movie about why you don't cheat on your mate. Many marriages would not end in divorce if the people in them understood what Christy demonstrates in this film. This is a movie which I feel does a near-perfect job of conveying what is really important in life. I think every married couple should see it. This video could be better marriage therapy than counseling. While there are a few corny jokes in the movie, they don't get in the way of what is really trying to be conveyed: That when you find that one special person, you hold on and never let go. That there is more satisfaction than many people imagine in an 'ordinary life,' and that true love really is worth it. The most wonderful romance movie I have ever seen.
As for the movie itself, I think it's wonderful. A sweet and honest interpretation of growing up into adulthood and living with the decisions that you make. Since Kevin Bacon plays a writer named Jefforson (Jake) Briggs, we get to view his imagination thru certain scenes when he's sort of daydreaming, that come across very comically (like the lawnmower ballet). My favorite is when Kristi (Elizabeth McGovern) tells him "I stopped taking the pill three months ago", to which he sits up and starts screaming, imagining himself on a fastmoving traincar in a straitjacket, crashing into a brick wall. If those visuals don't explain his anxiety I don't know what would. That's the fun of the movie. Everyone's talking about the wonderful Soundtrack that is out of print. This is because it was owned by I.R.S. Records and they went out of business many years ago and no one has bothered to pick up the rights to reissue it. I feel lucky, since I bought it on cassette and CD back in the early 90s. But if you really want to find one I suggest you try an online auction house such as ebay. They always have copies of the soundtrack to sell. I always feel cheated when I buy a Paramount DVD because they are so expensive and usually only have a trailer as a bonus. Luckily I got this one dirt cheap at an auction, but even so they should'nt be charging us an arm and a leg for "movie only" DVDs when other studios (like Warner Bros.) sell "Special Edition" DVDs at cheaper prices. If you feel the same way as me I hope you'll write to Paramount and share your disappointment. I hope these remarks were helpful. ... Read more | |
| 10. One Fine Day Director: Michael Hoffman | |
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The character portrayed by Michelle Pfeiffer is a typical modern woman, who obviously has the good side of her, but takes care to hide it deep enough for no one to discover. Independent to the point of absurd, a "control-freak", as her movie partner calls her, attractive, thirtyish, working all the time, and divorced, super-peeved about men - yes, she is indeed an adequate portrait of a modern American woman. Clooney on the other hand is a nonchalant, also divorced man who is not as modern as one might expect. In this highly improbably light comedy, these two different people find the way to each other's hearts. The hostile kevlar suit each of them wears falls off, or rather - dissolves, and of course... they lived happily ever after. "Almost", as Bob Reiner might add.
All of that changed after seeing this movie. I hadn't even been looking for it. I was just channel surfing one Saturday afternoon and caught it by accident. However, the other 99 times I've watched the movie have been quite on purpose, thank you! Granted, it's not the most intricate of plots, but it is very well acted by 4 gifted professionals. Clooney and Pfeiffer as the single parents are quite believable and endearing, and the 2 kids are very skilled, even at their young ages. The movie has some of that Cary Grant/Jimmy Stewart sort of charm and the approach/avoidance of the developing love affair between the two parents is engaging. By the time George Clooney finally plants a kiss on Michelle Pfeiffer's lips, my toes were curling! If you want a movie that will leave you with a little smile on your face, you can't go wrong with this one.
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| 11. The Jewel of the Nile Director: Lewis Teague | |
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This time the adventure takes place in North Africa where Turner is invited to accompany a wealthy Arab to his own country. She soon finds herself caught in another big mess in a very strange land. Naturally Douglas has to rescue her as he did before in ROMANCING THE STONE. Danny DeVito's best scene comes near the beginning of the film when he suddenly emerges from a barrel on a dock with a rapid-fire description of his experiences in a Columbian jail. On balance JEWEL OF THE NILE is an entertaining movie but it does not quite recapture the magic of ROMANCING THE STONE.
It feels very much like a sequel, as in, "This all worked the first time, so let's do it again." The result is a somewhat formulaic and predictable film, with less magic. Without it's predecessor, viewers would be confused about what was going on with the characters. But, without it's predecessor, it would have stood out more. Or, it might have flopped. A definite case of sequelitis, but a much milder case than the awful "Jurassic Park: The Lost World" which completely went awry, in my opinion. All that said, "Jewel of the Nile" is still an above-average, fast-paced action/adventure film with enough of a plot and enough good acting to make it worth watching. It has an exotic setting, a good, if not memorable, musical score, and plenty of action. "Romancing the Stone" is a keeper; this one is a good rental (or to buy a used one cheap). ... Read more | |
| 12. To Die For Director: Gus Van Sant | |
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Amazon.com essential video Reviews (44)
Of particular note is Joaquin Phoenix's portrayal of Jimmy Emmet, the typical high school metal head loser who becomes obsessed with Kidman's evil character, Suzanne Stone-Maretto. Phoenix is a gifted actor with a wide pallet to choose from. Contrast this performance with the job he does of playing The Abbe in Quills. It makes his role in To Die For all the stronger. Allison Folland is also a standout in her debut performance as Jimmy's pathetic friend Lydia Mertz. Together with Casey Affleck as Russel, the three unwittingly become assassins for the callous Mrs. Stone. The story is built up very effectively, and as a viewer there is never any doubt that these three "dorky" kids will pull the murder off. Also magnificent and lending strong supporting roles are Dan Hedaya and Illeana Douglas who play Larry Maretto's father and sister, respectively. The part of Larry is played with near perfect un-bravado by Matt Dillon, who does so without his usual pomp and bluster. Basically, Larry is the perfect everyman trying to do right by his new wife and family [....]Hedaya is perfectly cast and uses his natural menacing qualities quite well. My favorite though, is Janice Moretto, Larry's sister played by Douglas, who is the only character who sees Suzanne for what she really is. The dancing on the grave ice-skating bit at the end is also really well done. Douglas doesn't fall once. Hats off to Van Sant for a creating a satirical masterpiece that contains enough side elements to hold the viewers attention through more than one viewing. For instance, what exactly is Suzanne's relationship with her father? Also, the fact that Janice is most likely gay and this might be why she understands Suzanne so well. Cudos as well to the director for the style he employed, blurring the line between film and documentary. Some people have argued to me that To Die For contains too many cuts and flashbacks and consequently the viewer has a difficult time following the action. I do not find that to be true. Quite the opposite, I find the film to be compelling. Even after at least five viewings, To Die For firmly holds my attention throughout.
See this movie for all the humor of "Dying Young" coupled with the social commentary of a SpongeBob episode. ... Read more | |
| 13. Happy Accidents Director: Brad Anderson (II) | |
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Amazon.com Reviews (30)
Child-like Sam Deed (Vincent D'Onofrio) "back travels" from the year 2460 to prevent an unhappy accident from befalling serial romantic Ruby Weaver (Marisa Tomei). Ms. Tomei brings a novel appeal - call it whiny eroticism - to Ruby's too-caring bachelorette. But Mr. D'Onofrio's Sam, afflicted with time-travel jet lag and repeatedly caught in the lies his secret mission demands, comes off as more pathological than quirky, unappealing even by Ruby's low standards. Their chemistry peaks early, and Sam is reduced to spouting the hackneyed pseudo-science of time travel fiction while Ruby frets about her taste in men. Fortunately, a great supporting cast adds texture, led by Nadia Dajani as Ruby's SJF best friend, and Ruby's therapist (Holland Taylor), a wise comic voice with a few surprises of her own. These small delights, rather than its central characters or plot, make HAPPY ACCIDENTS worthy of the name.
Vincent D'onofrio plays Sam, a man from the future (Dubuque, Iowa on the Atlantic Coast to be specific) who after some tragic events in the future has broken the time-space continuum and traveled back some 400 years to find his one true love Ruby, whose picture he found in a curio shop. After a "chance encounter" in a park in NYC where they strike up a conversation and Sam entertains her, he seeks to find where she lives to return a book that she has forgotten on the park bench. The love-shy Ruby, who has had her share of "losers" in the past, is aloof when he approaches her but all the same curious of who this strange man is. To skip giving away any of the plot-line and formation, they begin a romantic relationship. But as the eccentric time-traveller starts to display odd and suspicious physical and personality traits, the neurotic Ruby begins to think that he is playing her for a fool. She confides finally in a therapist and after many see-saw episodes between the couple she believes that she must leave him. To keep her love he slowly uncovers the truth about who he really is. From this the main thrust of the movie becomes encapsuled in a simple futuristic ideal: Cheeseman's Emotional Energy Theory, which holds that if you can concentrate enough emotional energy on a particular moment in time you can alter the past and create a new future. Thus Sam has come back to save Ruby and himself from their tragic lots in life. The strange sci-fi aspect of this romantic comedy is what fuels it to excellence and keeps it from becoming the prototypical toothy-actor "loser" meets the Hollywood starlett "princess" which normally plagues the genre. D'onofrio, though sometimes an over-actor, is always believable and sincere in his performances unlike a Tom Cruise or Harrison Ford, who no matter what they do, we are cognizant of the fact that they are mega-stars playing a part. Sam is real and likeable and thus the storyline becomes engrossing and brilliantly devised. Marisa Tomei, who I have never really thought twice about, is equally supportive and performs well and to the extreme which obliterates anything hackneyed or cliched about the film. A must have movie.
(One word of warning: if you ever do get a chance to see this in the movie theaters, don't. Nothing will kill the magic of the film's ending faster than having some lamebrain behind you wailing to his/her date: "But I don't UNDERSTAND -- what did she see in that photograph, anyway?"
Sam and Ruby run cross paths and immediately know they have met before. She says déjà vu; he says time travel. And as they get to know each other he comes clean about being from the year 2472 and she figures out where he is really from. Checking out the pictures in his wallet really help tie the movie together and is a nice added touch to most "K-Pax" type "are you or aren't you" movies. | |
| 14. Just Write Director: Andrew Gallerani | |
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