Reviews (182)

Cameron Crowe's Masterpiece
I don't know if it's just me, but writer/director Cameron Crowe always seems to hit the mark. Whether it be his first effort at writing a Script (Fast Times at Ridgemont High), his second directorial effort (Singles), and the absolutely fabulous Jerry Maguire and this year's sure fire Best Picture, Almost Famous.

Unlike most films, which begin with a screenplay, producer, James L. Brooks asked Cameron Crowe to write the story in prose first. The result was a 90-page novella that became the outline for the film, and from which Crowe wrote the final screenplay.

This movie stars John Cusack (who must have been about 19) as Lloyd Dobler, an eternal optimist who seeks to capture the heart of Diane Court (Ione Skye). He surprises just about everyone-including himself-when she returns the sentiment. But Diane's over possessive, divorced Dad (John Mahoney) doesn't approve and it's going to take more than just the power of love to conquer all.

This is my favourite movie by Cameron Crowe. As with all his movies, the dialogue is true to life and flows. Every aspect of this film borders on unbelievable brilliance. John Cusack is terrific as Lloyd Dobler, the sweetest guy in the whole world. He's one of those guys that girls would love to have, but one of those guys that guys would love to be. The situations are true to life situations teens would absolutely be put in (I love watching Lloyd make his first phone call to Diane -- it reminded me of me) Ione Skye is also great as the object of Lloyd's affection torn between her love for her father and her love for Lloyd.

Besides being Cameron Crowe's best film, this movie also sports the greatest love scene of all time (I won't ruin it for those who haven't seen it), and can give inspiration to any guy who has ever wanted a girl as much as Lloyd. Guaranteed though, after seeing this particular scene, be prepared to fall in love with Peter Gabriel's Song "In Your Eyes".

If you haven't read through all of this (if you got bored, I don't blame you), just read this last paragraph. This is a terrific movie. One that you can watch over and over again without getting tired of it. If you haven't seen it, you are indeed missing out. Roger Ebert declared it one of the best films of the year in 1989.

- "We just don't want to see you get hurt" "I wanna get hurt"

John Cusack's 2nd Best Movie of All Time
There is no denying that "Say Anything" is quite simply one of the best films of all time!

HOWEVER...John Cusack's best role will always be that of Walter Gibson in "The Sure Thing".... which needs to be released on DVD IMMEDIATELY.

"Say Anything" is a different film than "The Sure Thing." It is in a class all by itself. It is quite simply marvelous, poignant and forever endearing. It deserves so much more than 5 starts! 10 stars for this beautiful film.

What can be said about this film that hasn't already been said? It is the perfect love story. Lloyd meets girl. Lloyd falls in love with girl. Girl's father objects to Lloyd. Lloyd loses girl. Lloyd wins her back. True love reigns.

This DVD is PACKED. Worth every cent you will pay should you wish to own a classic gem. There is commentary by director Cameron Crowe, John Cusack, & Ione Skye!! (Right there, worth the price!) There are so many behind the scenes stories and anecdotes to be listened to here. There are theatrical and television trailers, 10 deleted scenes, 13 extended scenes & 5 alternate scenes with commentary!! What more could you want?!

DO NOT miss out on owning this DVD. If you've by some chance never seen "Say Anything" do yourself a favor and do so right away! You're truly missing out.

SPOILER FOR THOSE WHO MAY NOT HAVE SEEN IT.... No matter how many times I have seen this masterpiece, I still get choked up when Lloyd tells Diane, "You've just described every success story." And then we wait for the "ding" along with them.

And then... the "ding." CUT TO BLACK. (Gets me every time.)

I love this movie. Absolutely love it.

SOMEWHAT SIMPLISTIC BUT CHARMING TEEN ROMANCE DRAMA..
Whether it is young John Cusack's skittering sense of comic timing, Yione Skye's riveting beauty (no idea why she hasn't been in other known films!), or the sweet but memorably amusing moments littered throughout this film, there is something very charming about this candypop romance from the 80s.

A dorky but confident guy falls head over heels in love with the school's super brainy girl. Things happen, ups and downs ensue, all leading to an ending that is so satisfying, so overwhelmingly right, that immediately we fall back into step.

My minor grouse with the story was how conveniently the solid parental characterization of the girl's father turns out to be such a snake. One wonders if teenagers may not pick up from this the tired and rather sad message that parents are not to be trusted, no matter how sincere.

But that doesn't detract Say Anything from being a hot recommendation from me, particularly if you have a thing for lovey-dovey light dramas. It generally maintains an intelligent and realistic contour, which is more than one can say for most romantic comedies being made today.

A Modern Romance Classic
It's so pertinent for our times. I think almost anyone can relate something similar in their lives to the scenes in this movie. That's why it's so appealing. In a world where not every guy gets the girl, this is the stuff of dreams...and for a little while, somebody out there who is watching it gets to live that dream.

Teen Charmer
A teen movie of the late 80's, I found this charmer, "Say Anything." John Cusak is the quirky misfit teen in love with the unattainable. The unattainable is the senior class brain, Ione Skye. Ione has a wonderful smile, which she uses to disarm. Her acting skills are limited however, so Cusak's antics move the story to the opposites-attract finale. John Mahoney, the dad in "Frazer" on TV, plays Ione's businessman, father in deep soup with the IRS. He wants her to go to England on a scholarship. She is wooed, charmed, and then makes it with shiftless Cusak. I must say that Mahoney is believable in a complicated character, both loving father and a secret embezzler. Ordinarily in these teen operas, parents are total dotes. There is the obligatory teen beer-bash, but this one is fairly realistic with kids that actually like each other, as opposed to bashes where kids are trying to be too cool. Nice little date flick for teens. ... Read more

Reviews (240)

A tribute to man's failings!
I approached this movie with a certain trepedation. As a great fan of the Nick Hornby novel, I was somewhat concerned about the Americanisation of the novel.

How could I ever have doubted John Cusack and co!! The point is made well by Stephen Frears in his interview; moving the movie to Chicargo highlights the fact that its themes are universal.

We are taken inside the mind of Rob(John Cusack), a thirtysomething record store owner, undergoing a mini mid-life crisis. His girlfriend has left him for the new-age hippie neighbour (Tim Robbins). In an effort to understand why this has happened he takes the advice of "The Boss" and contacts his "all-time top five break-ups" to try to determine why they broke up with him.

Rob is not the perfect hero and his flaws are clearly shown to us. It is this which allows the viewer to identify with Rob in a way which certainly I have done with very few movie characters. He's a good guy who does stupid things, hurts the people he loves, acts selfishly but is ultimately likeable.

Rob's journey of self discovery is always anchored by his obsession with music and this music gives us a further insight into the mind of the main character.

Special mention must be made of the deleted scenes on the DVD version. A couple of these are particularly fine and would have added to the narrative. I can only think that there was a particularly vicious editing process to cut ten minutes off the running time.

The cast is truely outstanding, a real ensemble piece with particularly fine performances from Jack Black and Todd Luiso as Rob's stereotypical record shop snob employees ("I can't fire them. I hired them three days a week but they starting coming every day. That was three years ago!) Some of the scenes in the music shop are painfully funny.

But ultimatly it's Cusacks movie. He truly is one of the most talented actors in mainstream cinema today.

Besides any movie that can namecheck Belle & Sebastian and The Beta Band and features a cameo from Bruce Springsteen deserves an extra star!

Watch it twice. At least.
It's hard to explain to someone who hasn't seen High Fidelity, or even someone who's just seen it once, how incredibly good it is. Take first the phenomenal John Cusack, who seems to make any film he appears in twice as watchable. Is there a more underrated leading man in this decade? I doubt it.

Then take into account the amazing support, knowns and unknowns - Cusack's sister Joan, Tim Robbins, Jack Black, etc. - even Zeta-Jones isn't half bad. Consider too the script, which is surprisingly faithful to Nick Hornby's (very good) book, and gives equal measure to comic and tragic relief.

Fianlly, the soundtrack. Can there be any greater song to sum up Rob Thomas (John Cusack's) final revelation after the film ends than Stevie Wonder's I Believe? No. High Fidelity is the complete package - funny, touching, well-acted, scripted, directed, scored for, and unbelievably true to life.

And for all those sad Englishmen writing in to complain that the movie should have been set in Britian - get real. I thank you.

Possessions and obsessions
This is a movie about men, their possessions and how they order them. For Rob, it's all about pop music and women. Nothing else, besides the odd film, matters to him. And it's pretty much the same for his two male colleagues at the record shop, who exist at opposite ends of the forcefulness spectrum. They form a self-selected elite who look down on the musical taste of nearly everyone they meet.

But actually their hyper-critical views are pretty close to the mark. It's great to hear someone else noticing and lamenting the 1980s decline of Stevie Wonder, for example. One might criticise author Hornby for selecting Rob's dream job as record producer in the punk era (1976-79) when he could have chosen, say, late 1960s Beach Boys / Beatles psychedelia. But you can never find someone with the identical taste as your own. Strangely, the music is not particularly central to this movie, in the sense that it probably generated fewer album sales for featured artists like Marvin Gaye than say 'The Big Chill'.

The structure of the movie takes a little getting used to. The first time you see it can be a disappointment -- there's no upbeat climactic ending, unless you count the improbable, rather obviously tacked-on, disco/concert by Sonic Death Metal, or whatever they happened to be called at the time. John Cusack's frequent chats to camera seem altogether natural (except when he's sauntering backwards and forwards on some wooden bridge-cum-platform in downtown Chicago).

What I like about this film is that, from a male viewpoint, it rings true so often. Men do behave treacherously, and the behaviour often looks worse at first sight. I like the fact that the actress who played Laura wasn't stunningly attractive. Even Lisa Bonet didn't seem particularly beautiful in the movie. (But yes, that really is Catherine Zeta-Jones discreetly stripping off in a role just before she became famous enough to warrant a major Hollywood film credit.)

This is not the perfect movie, but it contains a message about the male psyche that I hadn't extracted from any other movie, and that revelation in itself is sufficiently uplifting to distract from the artificial attempt by the film to uplift via the back-together-again concert/disco scenario.

Maudlin Navel Gazing to a Great Soundtrack
Ah yes. Another quirky offbeat romantic comedy from quirky offbeat romantic cynic John Cusack. Life sucks but he wouldn't miss it for the world. Give John Cusack credit. He was 34 when he made this. His character is a guy in his late 20's who has the emotional maturity of a teenager and Cusack pulls it off effortlessly. Cusack's character, Rob, isn't a jerk. He's a manchild. He doesn't mean to be a selfish obsessive boob; he just lacks the normal range of human adult emotions. Imagine the teenager Cusack played in Better Off Dead. Now imagine that teenager ten years later and working as the owner of a independent music store. He's a music snob and puts in long hours at the store but he still has time to ruin promising relationships with childish antics, talk to the screen and stalk former girlfriends while chasing after the next soon to be ex girlfriend. High Fidelty is the unofficial sequel to Better Off Dead. Instead of weird parents and goofy fantasy sequences, we get weird coworkers and morbid sexually and violently charged fantasy sequences involving Tim Robbins. I won't compliment the soundtrack except to say any movie about music had better have a damn good soundtrack and High Fidelity does its job.

There's a little Rob Gordon in all of us
After working on my college radio station as a DJ, entertainment news anchor, and Human Resource director, I was told by my friends that I should check this film out as I reminded them a lot of John Cusack's character in it. They were right. I too have had my share of bad relationships and can easily tell you the stories of how it went from "Hello" to "Goodbye" in less than 5 minutes. I have worked in music retail for 2 and a half years and I am also incredibly anal about my own collection of music and every song I can recognize played on the radio I can tell people what it is, who the artists is, what album it appeared on, and whether it is a radio edit, extended version, or remix.

That being said, when I first saw this movie I didn't quite understand many of the points. So I watched it again and realized "My god, I AM Rob Gordon!" Within a month, I purchased the DVD of High Fidelity and the book by Nick Hornby which was incredible. I highly recommend this film to all guys who have had their share of hard-not-to-forget relationships, radio DJs, music retail workers, and lovers of music of all types because the soundtrack, to quote Jack Black "kicks fu**ing a**".

The DVD is great to own. It presents the film in clear colorful matted Widescreen (1.85:1), offers 9 Deleted scenes that appeared in the original screenplay as well as the original novel, short mini conversations with actor John Cusack & director Stephen Frears, and the original theatrical trailer for the film.

Without a doubt, this is a MUST-HAVE for people who love music, have been in tough relationships, and enjoy writing Top 5 Lists.

"Good luck...goodbye...thanks, boss."-Rob Gordon (John Cusack) ... Read more

Amazon.com

The key players in the radical movement known as the Weather Underground are skillfully brought to life in this Oscar-nominated documentary. The Weathermen were born of sixties protest, but took their scheme to overthrow the U.S. government to especially violent extremes. Never a well-populated movement, the Underground petered out as its leaders aged during the seventies; by decade's end, weary of hiding, most of them had turned themselves over to the authorities. That journey, by which a fire-breathing revolutionary such as Bernadine Dohrn became a (still fiery) gray-haired wife and mother, is an intriguing one. This film, rich in period footage (and some unnecessary sensationalism) captures the era somewhat broadly. But the present-day interviews with the participants, contrasted with their radical selves, provides an exceptionally detailed look inside the organization itself. It's not a nostalgic look back, and the overall mood is sobering rather than celebratory. Lili Taylor provides the narration. --Robert Horton ... Read more

Reviews (24)

Insightful look at American 60s radicals
In some ways, the group known as the Weather Underground (originally the Weathermen, an offshoot of Students for a Democratic Society) were more a symbol of 1960s radical idealism than a real revolutionary movement. Although they planted many bombs during a decade-long period, they never did anything that seriously threatened the government or power structure. Their goal, of course, was to spark a mass movement and inspire others to follow their example, but they remained essentially marginalized. The film, The Weather Underground does a good job at letting members of this group explain their motives and, in some cases, misgivings about their foray into revolution. Directors Bill Siegel and Sam Green seem to be sympathetic with the movement, and most of the material is told from the point of view of members. Leaders of the group Bernardine Dohrn and Bill Ayers have retained their radical views and are anything but apologetic about their past actions.

Most members of the group, despite the bombings, were committed to not harming people. This brings up a rather blatant omission in the film -Kathy Boudin, perhaps the group's most notorious member (for her participation in a robbery where a man was killed) is not mentioned at all. This was an unfortunate decision, apparently done to portray the Weathermen as essentially nonviolent. To leave out such a well known chapter in the group's history leaves a gaping hole. Still, the parts that are included are fascinating and give a glimpse into the idealism and naivete of these leftist radicals.

In retrospect, it is (at least from one perspective) a little sad to see how little long term effect the 1960s counterculture had on society. It seems that they were no match for the propaganda machine of the government and mass media. This film, of course, employs propaganda methods of its own, as when brutal footage from the Vietnam war is shown. Propaganda it may be, but it does serve to almost trivialize the violence committed by the Weathermen compared with that perpetrated by the government it was opposing. The other side to this argument is that the fact that these radicals are still alive and that a film like this has been allowed to be made is proof that America is not as oppressive as some would have us believe. Yet, this is only true to some extent; as the film explains, the FBI made a concerted (and mainly illegal) effort to destroy radical movements. There is also evidence that the government murdered members of the Black Panthers.

How you react to The Weather Underground depends on your political and cultural perspective. Regardless of this, this film is a compelling study of a radical group and gives us a glimpse into their world.

Nominated and should have taken the Oscar
Looks like McNamara won again with his anti-war doc. film. The insight and proggressive beliefs that the Weather Underground stayed true to act as a legitamite foundation for the liberated America we live in. If you are enticed by politics but are sick of corruption in America check out this film about a group derived from the SDS that took its war with the government to an extreme that had to be recognized. I never knew they busted Timmothy Leary out of jail and attacked symbols of American injustice without using murder (the tool those in power use to stress their point) don't think you've seen a film like this before, it left me energized with a tendency toward learning about political struggles of today! Who'd think a gen-Xer could look at a film about revolutionairy soldiers of the past and wonder what he could do today to maintain the liberation sparked by students from the 60's. A must have for any leftist, documentary fan, or anyone interested about the origins and movements of the "New Left"

Not Bias
Weather Underground doesn not seemed to be a bias look at the organization. It doesnt say their actions were good, they let the people speak for themselves. An interesting film on US history.

An excellent historical treatment
I am absolutely opposed to violence as a form of protest so the Weather Underground was not a group I agreed with, yet, one could agrue that they did play a role in the Vietnam protest era so this film is a good review of that.

The film is well done. I feel the Todd Gitlin, Mark Rudd and Brian Flannagan were the more realistic people on this DVD. Clearly they had come to see that the Weather Underground's methods were not ultimately the most effective and said so. They also saw the orgies as self indulgent and stupid.

In the end, all would truly admire a man of peaceful protest like the late David Dellinger for his methods as his were better than their methods.

This film should be seen as a great period piece. It should also be seen to affirm that violence wasn't the answer then and it isn't in Iraq now.

This is an educationally significant film that should be seen by all who are interested in the 60's.

Spoiled Brats
Where do I sign up for the FBI? And if a few rules are broken - shock! - to break these guys up, so be it. And if they use their rich connections to get out of jail time... the system can't be that bad, right? Most rich kids backback through Europe, and these guys went to Cuba and came back to blow up buildings... before going back to booshy comforts. If Hoover had went over the top to nail these guys, I'd have looked the other way. They are very, very, ugly. ... Read more

Reviews (76)

The queen of diaries
I've studied Anne Frank for a long time but this is what started me to take an interist in Anne Frank. The movie starts from where the nazis take over amsterdam to where otto finds the diary. I never thought that there was so much more to her story then what I already knew. Hannah Taylor Gordon looks exactly like Anne, they couldn't have gotten a better actor if they tried, not to mention someone who writes just like her. Jessica manley did a great job as Margot bu she was kinda of short to be Margot, and hopefully, Margot would have changed her mind about moving to palistien after all the suicide explosions they've been doing to the isralis lately. Ben kingsley looked exactly like otto frank and if I didn't know it was him, I'd say it was Otto Frank. Brenda Blythen loked alot like Mrs. Van Pels and was funny too. Joachim Krol looked a little like r. van pels except the real Mr. v.p. looked alot older. Jan niklas looked a little like Mr. Pfeffer but like Mr. v.p. Mr. p looked alot older. Lili Taylor looked kinda like Miep and sounded austrian just like the real Miep. Rob Das looked alot like Jan gies and was real good at his part. Tatjuna blacher looked a little like Edith and was bossy with anne just like anne discribed her in her diary. It was such a touching movie and I recommend this to anyone who's a big fan of anne frank.

Anne Frank A Truly Touching Miniseries
Anne Frank: The Whole Story is a movie that goes beyond what almost all Holocaust stories do. It is touching to the human spirit and how Anne's soul never gave up until the very end. Hannah Taylor Gordon, who was in Jakob the Liar, turns in a superb performance as the Anne Frank. She is able to show us how Anne reacted to everyday life and the inevitable death of her sister, Margot. Ben Kingsley is amazing as Otto Frank, a quiet subdued man who loved his family and was the only one to survive.
The most extraordinary part of this miniseries is the fact that the story keeps on going after they are taking to the Nazi concentration camp. We are seeing the unthinkable horrors and how fortunate we are to have not been a Jew prisoner in that camp. The pain and suffering of Anne and Margot is so well brought up that we feel sorry for these girls with dreams of the future. It is no wonder that this earned an Emmy nomination.

Superb - only the English language detracts from the realism
I wholeheartedly agree with the majority of reviewers that this is the best account of Anne's life ever made - and one of the best holocaust movies ever made as well.

The acting is top-notch and Hannah Taylor Gordon is a real find -it is amazing how she is able to bring Anne's character to life.

The only thing that could theoretically be improved upon is to do the movie in the language(s) used in the real events - that is, mostly Dutch. As a Dutchman, I may seem prejudiced in favour of my own language but that's not it.

Dutch movies that portray 'international' events or persons almost always use the appropriate language(s) even if that results in a multilingual movie. To me, the story becomes less believable if Dutch and German characters are speaking English to each other, or if they have an unconvincing accent.
The same thing bugged me when I watched "The Discovery Of Heaven", which is also mostly set in the Netherlands.

Anyway, this is all hypothetical because: a) I see that a movie in Dutch would probably not be competitive internationally so it could never be made with a similar budget; and b) that would mean that the great cast used in this movie wouldn't have been in it.

So I'm not really complaining; even if some aspect could theoretically be improved upon (at least according to my personal taste and preferences), it remains, in practice, one of the best ever made in its genre, and a must see for anyone seriously interested in that horrible episode in human history.

Anne Frank - The whole story is wonderful!!!!!
Just like the book in all the ways it explains all the details. This is as close to the book as you can get. The book was just like I visualised it on the DVD. Its a must see!!!!

Great movie!
This movie really put things into perspective. It was very moving and entertaining. I enjoyed it and this movie inspired me to do some reserch on the holocaust and anne frank, and through the movie and the research i have learned a great deal more of this horrible period of time. I enjoyed it and i think many more people will too. ... Read more

Reviews (92)

All in all, pretty lousy
Only the most die-hard Tim Roth fans will want to sit through this whole movie. Too bad the last two segments (I think they're the last two, anyway) are the only ones even remotely worth watching; that means you have to sit through the first two to get to them. Thank God for fast-forward!
The one with Madonna in it is about witches, and the only thing you can say about it is that it makes witches look like the most boring possible subject matter in the universe. Plus it stars Madonna. 'Nuff said.
Then there's one about a wife and her husband, with one of them tied to a chair or something. This one was so bad, I can't even remember anything else about it. And I only watched it three days ago! What does that tell you?
Thankfully, just when you're begging for someone to shut it off, along comes the third segment, a hilarious little film about two naughty children and the bellhop (Roth, who appears in each segment) who is bribed to keep an eye on them. When the source of the mysterious odor in the room is discovered, Roth's reaction almost justifies the whole movie's existence. I was still laughing hours later.
The last segment, by spoiled Hollywood wonderchild Quentin Tarantino, is okay. It has his trademark crackling dialogue (of course), and Q.T. has some fun with his own image. But too bad the entire segment itself is just one long, sick, unfunny joke.
Making this movie was not a very good idea, and the results were predictably foul. Even the always-enjoyable Roth seems out of place and you kind of feel sorry for him. But at least the "Misbehavers" segment, all by itself, redeems the experience. Almost.

Definitely not for everyone
If you are a hardcore Tarrantino fan, you'll probably like this. If you are a reserved, serious person, you probably won't. Pretty simple huh? Maybe not...

I'll break it down room by room. The first room is sort of just to give us the happy "Ted scored" feeling. Sometimes I'd really rather fast forward through this, as the script is sort of silly in this room. But overall, I've seen a lot worse, and remember, we're not taking this film seriously right?

The second room is the mistaken identity room that really shows off Tim Roth's ability to act. I have read other reviews that say he is horrible in this. I disagree completely. You can see every emotion the character feels pass across his face, which makes it very humorous. Jennifer Beals does a good job in this section, but like a lot of dialogue in Tarrantino films, you get the strict, rigid scripted feeling. In other words, the actors spit out this long line of gibberish that noone would really say in real life. People have to take the time to come up with these types of speeches.

The third room is probably the best, if not a little bit disturbing. I think everyone did a good job in this section, especially Tim Roth when he was aggravated by the children.

The fourth room seems to be plagued by bad acting. In my opinion, only Willis and Roth do a good job. Tarrantino is frightfully bad in his dialogue, and that scripted feeling comes back stronger than ever. Meanwhile, you'd be hard pressed to believe that anyone besides Willis is drunk. I think it was a bad case of overacting on the part of the others. Overall, its still worth watching, and the movie is great if for no other reason than Tim Roth (who is terrific in everything he is in -- See The Muskateer, as his acting is the only thing making the movie worthwhile).

Pulp Fiction(downtoned) + Kill Bill(downtoned)=Four Rooms
i love this movie i thought it was quite enjoyable.Tim Roth cracks me up when i watched this(his performance reminded me a lot of charlie chaplin) especially when he just walks and talks its quite strange but it was a great movie that i think any tarintino viewer would enjoy.

Not bad, and stop blaming Madonna!
With 4 directors and a cast of over 20 actors {all talented}, this movie was bound to flop. Antonio Banderez makes a great appearance and Madonna and Quentin Terentino {and} Bruce Willis were good too. The script seems confusing, the directors all have completely different views and styles, so it's confusing. But it is still funny, the bellhopper was excellent, really funny guy. Madonna, who was only in the first fifteen minutes, was blamed for the badness of the movie, stop hating just because she's one of the only people in this movie who don't cuss up a storm and stay fresh and to the point! And as for Quentin, it was a nice cameo, but you're a lot better behind the camera...

rather keep your good money
The more this Tarantino guy attempts to be sophisticated, the worse he fails. This inexplicably overrated, clumsy effort is even worse than Pulp Fiction. Packed with violence and poor taste, it sticks out like a sore thumb for its total lack of talent, humour, ideas. The film equivalent of a crapburger with 200 chili peppers (expired, too), it lets the amazingly childish ego of its director transpire from its every pore. And I don't tolerate such yobbo in my private living room. ... Read more

Reviews (120)

Rocky meets Rockne
Attention all cynics...

I'm bored with the Rocky story and all its progeny. I can't stand strained Jerry Goldsmith musical scoring. I'm not even really a football fan, and don't 'get' the whole Notre Dame mystique. And I've always thought Sean Astin to be the dullest of actors. So why, then, does the climax of 'Rudy' consistently set my tear ducts flowing, and produce a lump in my throat the size of a football?

Because it just throws obstacle after obstacle at this kid. Because it is all so improbable, and true. Because we see a series of stoic, hardened men (including characters played by Ned Beatty, Robert Prosky, Jason Miller, Chelcie Ross, and especially Charles S. Dutton -- all great) turned into enthusiastic innocents by this one boy. Because it just takes so damn long to get to the conclusion, that all that emotion has to go somewhere, doesn't it? And because Sean Astin actually does a credible job making you believe that his short, pudgy, untalented, unathletic, dyslexic yet determined Rudy could pull the whole thing off. This is not a great movie, but it does accomplish its goal. It does move you.

Also, check out the pre-"Swingers" Vince Vaughn and (an enormous) Jon Favreau.

The only football movie for your collection
"Rudy" is uplifting in its own sappy, goofy way, and it's impossible not to cheer. It's the true story of Daniel "Rudy" Ruettiger, an unremarkable student and football player from 1970s working-class Chicago with the very remarkable dream of playing football for the University of Notre Dame. He overcomes everything you can think of--poverty, doubtful parents, bad grades, friend's death, height deficiency, girlfriends, learning disability--to accomplish his goal, and believe it or not, the movie is every bit as inspiring as it claims to be.

The ending is predictable (with the truth being stretched by more than those few seconds) but doesn't detract from his struggle to land in the House that Rock built. Its charm comes from a great ensemble cast that delivers solid performances throughout. Sean Astin does well as the pint-size player, allowing his character to be more than the typical wholesome underdog. Rudy's frustrations with his family, school, and football all resonate clearly on screen, in effect making his triumph all the more powerful. Ned Beatty as the father powers the familial tensions that drive Rudy to succeed while Jon Favreau's D-Bob, Rudy's loyal bud, lends a gentle touch of humor. His two mentors, played by Charles Dutton and Robert Prosky, add strong doses of determination and prayer, respectively. Director David Anspaugh wisely capitalizes on Notre Dame's beautiful campus by using the scenery to frame the luckless student's persistence and desire. A moving score by Jerry Goldsmith coupled with Notre Dame chants and fight songs balance the emotional visuals.

There are many elements that will appeal to an audience of any age including relationships within the family, overcoming obstacles, self-motivation, etc. As an ND student, I admit my bias, but in fairness to the movie, "Rudy" will capture your heart; be assured, this film survives multiple viewings.

Generally Irresistible But Occasionally Manipulative
My Four Star rating reflects both overall enjoyment while seeing the film (Five Stars) and occasional irritation with director Anspaugh's manipulative strategies insofar as emotions are concerned (Three Stars). The dramatic impact of Rudy Ruettiger's struggles to suit up for, if not play in a Notre Dame football game is diminished by such manipulation. That said, Sean Astin is wholly credible as Rudy. Other noteworthy performances are provided by Ned Beatty (Rudy's father, Daniel), Charles S. Dutton (Fortune), Robert Prosky (Father Cavenaugh), Jon Favreau (D-Bob), Lili Taylor (Sherry), and Scott Benjaminson (Frank). Both the "Real Rudy" and the "Reel Rudy" faced two significant barriers to being admitted to Notre Dame and then playing in a varsity football game: weak grades and diminutive size. Eventually, through tenacious study while enrolled at nearby Holy Cross College, both Rudys are finally admitted to Notre Dame; through rigorous training, both then became fit enough to be selected to play on the practice (i.e. fodder) squad. And finally, both play (the "Real Rudy" for 27 seconds) in the last home game against Georgia Tech in 1975.

Others have their own reasons for liking this film so much. Here are three of mine. First, the casting of Astin in the lead role. His performance is endearing, to be sure, but also convincing. Hence my discomfort with Anspaugh's use of gimmicks when none is necessary. Second, the exteriors shot on the Notre Dame campus which is especially lovely during each of the four seasons. I really did feel as if I were tagging along with Rudy as he attends classes, works for Fortune as a member of the stadium's groundskeeping crew, and then participates in especially brutal team practices. Third and finally, I enjoyed observing what seems to be a totally authentic respect for Rudy among the team's starters both on offense and defense. That respect was earned day in and day out, brutal practice after brutal practice, as Rudy and his battered companions helped to prepare the team for its next game. It is worth noting that Rudy Ruettiger was the only player ever to be carried off the field at Notre Dame stadium. The filmmakers recreated the scene with real fans during a break in the 1992 Boston College game. Some 60,000 fans stood and cheered as actor Sean Astin was carried off the field.

Those who enjoyed this film should also check out The Natural (1984), Hoosiers (1986), Babe (1995), Remember the Titans (2000), and Miracle (2004).
___________________________________________________________________________________

Those who are curious about the "real" and "reel" Rudy Ruettiger are encouraged to visit http://www.chasingthefrog.com/reelfaces/rudy.php. Here are brief excerpts:

Q: Was the groundskeeper played by Charles S. Dutton a real character?

A: Rudy answered no to this question himself during an interview with the Pigskin Post by saying the following, "He was a composite, but that was reality. And that's what happened in my life...all through my life. I would encounter people like that and they would help me get through the tough times through their wisdom and their encouragement."

Q: Was there actually a priest who helped Rudy get into Holy Cross Junior College?

A: In the same Pigskin Post interview as above, Rudy replied to this question by saying, "There were several who played important roles, but, again, you can't develop them all in one two-hour movie."

Q: Did Rudy really sleep in the maintenance room of the football stadium?

A: Rudy actually slept in a room in the basketball arena. The school had the room there for someone to stay during off-hours for insurance reasons.

Q: Was coach Dan Devine really that cold-hearted against dressing Rudy for the last home game of Rudy's college career?

A: In Devine's autobiography, Simply Devine, he writes that it was his idea to dress Rudy for the final game of his college career and also to play him. Devine says that the screenwriter, Angelo Pizzo, told him that the plot would only work if Devine became the heavy. He agreed in order to help out Rudy, someone whom he calls a friend. "I didn't realize I would be such a heavy," he writes.

Drivel!
Woo hoo! So he wanted to play football for Notre Lame, and he waited and tried really really hard and he cried about it and he walked on to the team and he cried some more. Whoopdee freakin doo! A lot of people want to play college football really bad, but that doesn't mean we make a movie about all of them! Typical job of everyone sucking up to the Domers. Save your money and buy a copy of a movie with a plot that requires more than 6 seconds of rational thought.

A thoroughly enjoyable crowd pleaser
I have seen critics dismissed this movie as highly predictable and manipulative. And they are probably right. But it doesn't mean it can't be a highly enjoyable film. You can't help feel happy for the guy when predictably he achieves his dream.

The film score by Jerry Goldsmith is simply outstanding too. And Sean Astin, as usual, is terrific as Rudy. ... Read more

Description

The work of two great American artists merge in Short Cuts, maverick director Robert Altman’s kaleidoscopic adaptation of the stories of renowned author Raymond Carver. Epic in scale yet meticulously observed, the film interweaves the stories of twenty-two characters struggling to find solace and meaning in contemporaryLos Angeles. The extraordinary ensemble cast includes Tim Robbins, Julianne Moore, Robert Downey, Jr., Jack Lemmon, and Jennifer Jason Leigh—all giving fearless performances in one of Altman’s most compassionate creations. ... Read more

Reviews (38)

Loved it!
I saw this movie when it first came out and found it SO engrossing! While long, the film keeps your attention the whole time, and I thought every plot line was totally intriguing. I recently saw "Magnolia" and felt disappointed that it wasn't as good as "Short Cuts", although the potential was there. Jennifer Jason Leigh's character sticks in my mind, particularly when she's doing phone sex while diapering her baby! It was absurdly dark scenes like that which made me think Altman had a great knack for observing human nature. I thought the whole cast was excellent and I loved the way the stories intertwined. To the reviewer who thought the earthquake was out of place, I think they misunderstood the whole device as a way of tying everyone together - 'we're all in the same boat' so to speak. I left feeling better about this whacky, often tragic world we live in. It makes you think a lot about how we relate to those around us, whether we ever meet the people we interact with on a daily basis or not. Brilliant!

okay
Minus the critical acclaim, buzz, influence over films like Magnolia, Short Cuts, on its own, is a mediocre movie. Despite the best efforts of around a dozen talented actors and a director who obviously knows his stuff, Robert Altman, this movie is an exercise in redundancy and misery. Many of the stories fail to make a worthy case as to why they need to be told in a movie.

However, Short Cuts has a few scenes so brilliant and affecting that they are worth the rental (or purchase price) alone.

The intersecting storylines tell a story about a group of fishermen who discover a dead body, a grieving family (Andie MacDowell), a married couple with skeletons in the closet (Julianne Moore and Matthew Modine) a drunkard and his waitress girlfriend (Tom Waits and Lily Tomlin), a depressed cellist (Lori Singer) a philandering cop with a wife and family back home (Tim Robbins and Madeleine Stowe) and a sketchy make-up artist and his girlfriend (Robert Downey Jr. and Lily Taylor).

The incredible number of stories and stars may seem mind-boggling, but it's the least of the film's problems. In fact the strong acting and richness of the collective stories are the film's high point.

All the actors are great in one way or another, but Julianne Moore's performance is stunning. Jack Lemmon is similarly incredible. These two have to be seen to be believed.

However, with so many stories, all of them won't measure up to high quality. Short Cuts main problem is that a whole lot don't measure up.

By the way, there's a lot of nudity in this film, profanity, sex, and overall depressing material.

AN ACRID BUT INTRIGUING BANQUET OF CLIPS FROM EVERYDAY LIVES
Altman's singature classic with twenty two characters and ten nearly distinct tales. Imagine the ingenuity required to interweave all of that into a seamless whole, but Altman manages the feat deliciously.

While the individual threads may coax discussion, it is their blending that enables a variety of perspectives. Most of them are poignant, for instance the life of a pool cleaner and his wife who vocalizes orgasms on the phone in her job as a tele-sex worker while changing her kids' diapers. Or the life of a couple whose son has been in a tragic accident that brings their lives to an abrupt halt. Etc.

Be warned, many of these vignettes, while very tautly scripted and cleverly screenplayed, remain "unresolved," which may not work for some viewers. Personally I feel that films like this are more genuine reflections of the world in which we live: people often don't change, questions are frequently left unanswered, and unbecoming things do happen every day.

It's a pure pleasure to find a movie that weaves such a deep and intelligent tapestry of human lives, with all their idiosynchratic travails and triumphs. An absolute gem for you to own, not just rent.

why is 'short cuts' not out on DVD?
the greatest masterpiece of the '90s is STILL not out on DVD. filmmaking like this doesn't come along often enough.

Altman's finest hour? (or 3 and a half)
I think this ties nashville as his greatest work. i was blown away and cannot wait to own the DVD. 3 plus hours just fly by with excellent performances all around, and wonderful music courtesy of annie ross, the ow note quintet and all other contributors. ... Read more

Reviews (50)

DARN GOOD MOVIE!!!!!!!!
He's the gentleman who did such a superb performance in Detroit Rock City, now in this movie he plays an aspiring photographer who's work includes everything from a pic of his sexy girl friend, (played by the ravishing Christina Ricci) to photos of the food cooked on the grill where he works. His art evolves around his life in a lower middle class neighborhood in Baltimore Maryland.
Then one day, Pecker (yes that's his name in the movie) holds an exhibit of his work in the grill. Just so happens an expert in photographic art is there and she buys one of the photos then inquires about having him come to New York and exhibit his work there.
Pecker goes to NY, and his exhibit is a success, bringing him instant fame, as well as many of the people he has photographed. But fame has its price, especially when many of the town folk turn against him for making their lives a public display. Lives are transformed, and at the first, in a bad way. His sugar hyper sister is put on medication by Social Services, which puts her in a zombie state, his girlfriend is hounded by "excited" men to the point to where even where she works isn't safe due to pervs who drop in to "display" their activities, and others experience different types of changes. But as the movie proceeds, lives become better for the town folk, as Pecker does another exhibit and exploits the exploiters.
Instead of his hometown people, Pecker shows off photos of the photograph collectors and photographers and others from NY. Now its their turn to learn what its like to have their lives put out for the public to see. In this movie people learn that success has its price, but when you learn how to handle it, it can be a sweet thing.
This film is a mild comedy, with superb dialogue. Actually, the dialogue is inventive, and shows a unique skill. It is also wonderfully cast, with each actor and actress filling his or her role perfectly. Not a cornball movie by a long shot. Sort of fits into the Woody Allen style of Comedy. From time to time it has some strong language, but not overtly, and adult situations.

Relax and enjoy this quirky, special movie
If you keep looking for Divine in every new John Waters film you will surely be disappointed. Divine is gone and cannot be replaced, so why not just relax and enjoy this special little film, with all of it's quirky Baltimore characters and its mild "poking fun at" art and intellectuals. I highly recommend this film. If you miss having something to feel intellectually superior about, you can always see "The Blair Witch Project". If you want to have some fun, see "Pecker"

A must-see for photographers
There's a deeper understanding for this movie from photographers, especially pro-level amateurs who keep a day job to support themselves. Almost anyone familiar with the so-called "art scene" will also find many poignant moments. There's a lot of visual and verbal innuendos, so it's great viewing the second and third time around. John Waters fans will love it.

If we are normal?
If you like Waters, you will like this film. As for the guy who said you won't like this if your "Normal", What is normal again? You? Sorry sir, you have a disorder known as solipsism, where you think the universe actually revolves around your conciousness and "normal" is defined by you. Wake up dude. Normal is relative to perception, a concept you obviously can't grasp. I think this is why you don't like this movie, you couldn't apply it to your "normal" life, which is life where you don't have to think, just process information with mouth hanging open.

If you can think for yourself, watch this film, if you are a slack jawed, drooling fool, find something "Normal".

If you're normal, you'll hate it
Pecker's been out for 5 years and it has a whopping 46 reviews (you're about to read the 47th. That tells you something: The maker of this movie has a following, and the following is WEIRD.

The movie isn't funny. Not even a little. The acting seems deliberately awful (maybe it's a movie that makes fun of people who act. God only knows). The background music seems deliberately awful. I normally don't notice background music in a movie (except a thriller), but this one you notice, because the music is obnoxious and distracts the already unbelievably stupid scenes.

Who cares. Look. "Adult Film" actors put forth a better job of acting. Every single scene leaves you wondering if you should turn off the movie. And guess what? I didn't make it through. I kept waiting for it to get better, and it never did. After a half hour, off it went.

Seriously, if you're not familiar with John Waters, don't buy it. If you're stubborn and you're thinking of renting it, get a backup movie just in case you found it as horrible as I did.

And remember: If you're normal and into normal movies, you definitely will hate this movie. Maybe if you like totally weird movies that make absolutely no sense and the whole point of the movie is to showcase horrible acting, then it's your cup of tea. It's not slapstick comedy. It's just stupid. ... Read more

Reviews (40)

Must-have for Julia fans
If you love Julia Roberts, you will LOVE "Mystic Pizza". If you're a fairly new Julia fan, you may have never even heard of this film becuase it's pre-"Pretty Woman" and "Steel Magnolias", which in itself is fun. Julia is at the ripe old age of about 20 in this flick, and it's great to see her talents at a raw, fresh stage. She also plays a sort of complex charachter in this film - Daisy, a young girl who is stuck at a turning point in life and isn't sure which way to turn. While both of the other girls seem to have something to live for (Jo-Jo has Bill, and Kat has her future career at Yale studying Astronomy), Daisy, as she points out in a rather touching scene, only has her six-pack of beer and her smile. (Which, as everyone knows, turned out to be the most loved smile in Hollywood). It's a fun movie for not just Julia fans, but young women in general. It's a must-see for any Julia fan and a great flick for a night with your girlfriends and some popcorn.

A Pretty Woman type movie
This is a definite must have for fans of Julia Roberts. It is one of those movies that makes you feel good after watching it. It is about 3 girls growing up in a small new england town. One is supposed to be getting married, another is just struggling to live life, find a job and hopefully a rich husband and the other is getting ready to head off to college. Julia Roberts is one of these charachters and plays the older sister to one of the other charachters that I mentioned. It is the story of a typical summer that they spend together before one gets married, the other off to college, etc. All 3 of them work in a pizza place in a town called Mystic. It is a fun movie and if you like Pretty Woman, you will love this also. I have watched it probably 25 times. It's a "eat popcorn, chill out/hang out, nothing else going on" kind of movie. It is fun!

Yeah, it is a chick flick, and yeah, you will love it
A 1989 Julia Robert film. She's one of 3 girls who work at a pizza parlor in Mystic, Connecticut, and each has her own set of guy troubles. Julia, the living-on-the-wild-side, sort-of-slutty townie falls for the slumming rich kid who comes to town; her sister (brainy, headed to Yale on scholarship) falls for a married man; the other one is in love with a big galoot of a local fisherman but just can't make up her mind to commit to marriage. And the fat-momma owner of the pizza place years for the day when the snobbish food critic will show up and sample her wares.
Order a pizza, pop the lid off a Pale Ale, kick of your shoes, and sit back for a kick-ass of a movie. It's great.

A Girl Movie
This is definately a girl movie because it is all about the lives of 3 girls around 20 or so. I loved the fun they had together. They partied and danced, laughed and played tricks on each other and the guys they were involved with. Robert's character had alot of bravado and spirit. Taylor's was cute and funny, sweet and without anger. Gish's was sensitive and smart. She held back more when the other 2 partied or got crazy. I loved the town of Mystic, Ct. You know there really is a Mystic Pizza. I looked it up and they really have good pizza. It can be ordered frozen through air mail and some stores actually sell it in the eastern states. It sounds absolutely wonderful. My favorite would be the Seafood Delight, with clams and scallops. They even vouch to have the mysterious sauce. The film was based on this tiny restaurant. It has expanded and there are now two. I would like to go to Mystic, it seems like such a neat place to visit.

Lisa Nary

Delicious entertainment
There's a line from American Pie in which one of the young guys declares, "Women are like fine wine. They just get better with age." So true. All of the women in this movie are living proof of that, especially Annabeth Gish, who went from being merely girl-next-door pretty in Mystic Pizza, to the mature goddess we have seen on the X-Files.

Mystic Pizza is very much an ensemble movie, with no one person standing out above the rest. A very strong female cast is counterpointed by some solid male performances, such as that of the always superb Vince D'Onofrio - also check out The Cell, with Jennifer Lopez.

Beautifully filmed in Conn. New England, the movie is also a visual delight, and captures the reassuring simplicity of life in an Atlantic fishing community. I love Nova Scotia and Maine for the same reason. The original Mystic Pizza restaurant is still going strong and their website is well worth a visit.

All in all, a very sweet movie about real people and real family situations, and it remains one of my favorite movies of all time. I literally never tire of this modern classic. My only quibble is that the last spoken line is disturbingly unimaginative and anti-climactic. After crafting such a superb screenplay, the writers just seemed to run out of inspiration at the last hurdle. As Mr. Spock would say, "Fascinating." ... Read more

Reviews (16)

An Offbeat Popcorn Movie
Gaudi Afternoon is based on the book by Barbara Wilson and for the most part stays pretty faithful to the characterizations created in the book. This isn't your ordinary Hollywood mystery involving guns, violence, and car chases. It's more about the people. Because this movie was so well cast, we come to like and care about the characters fairly quickly. Judy Davis, especially shines as the sexually repressed translator, Cassandra Reilly. Davis does some amazing acting with her eyes, breathing, and facial expressions. Almost as good is Marcia Gay Harden who has most of the best lines in the movie (and the juciest role, too). The supporting characters played by Lili Taylor (indie movie queen) and Juliette Lewis are also very good. The Spanish location is almost a character, too, lending the film its noir and intrigue.

The plot revolves around frustrated translator Cassandra Reilly, who finds herself blocking over her latest project, and the mysterious woman named Frankie Stevens who rescues her from her dreary life at the moment. Frankie comes to Cassandra to ask for her translation assistance in locating her ex-husband, Ben. From this basic plot point, the rest of the story unfolds at a comfortable clip.

Though most of the movie is just plain entertaining, it does try a little too hard at times to make some points about unconventional families. At these moments the movie gets sappy and seems just a bit too earnest. Thankfully these times are limited. Minor plot details seem a tad unrealistic and at times some of the characters, especially the ones played by Taylor and Lewis, devolve into stereotypes and charicatures, probably because they're not as well-developed as the two leads.

But, for the most part this is a fun, quirky, and offbeat movie. Pop yourself some popcorn and sit on a cozy couch to watch it and be entertained.

Gender Bending fun
I had the opportunity to watch Gaudi Afternoon on DVD and wondered why such a terrific, entertaining and colorful film had not yet been released theatrically. The mostly female cast is excellent, particularly Judy Davis and Marcia Gay Harden. The plot twists are clever and the Barcalona locations made me yearn for my favorite tapas bar. I also though that the timely theme of "alternative families" was dealt with in a light-hearted, but touching manner.
If you are tired of predictable movies with predictable characters -- check this one out!

This has a plot like early Almodovar, sans the frantic....
...stilleto heeled Frankie puts out a butt thrown out of the apartment window of Cassandra, ex-Kalamazoo-an, translator cum novelist living in the pre modern splendor which we currently know as Barcelona. Frankie's from the States, she does not speak the language, but she's gotta find her man, Ben, right away. Would Cassandra agree to asking around in the local language and sniff out Ben's location? There's a grand in it off the top, two grand if the party is located...plus expenses. At first Cassandra balks, but one evening while trying to focus, the prattle of family and kids has her fed up and she voices her complaint to the landlady who, by the way, reminds her she's two months due on the rent--who, by the way, is also mother of the offending children. The land lady cuts Cassandra's light out, so she's forced to find the stillettoed one's number to take up on the job. Cassandra does a couple of days worth of snooping, take a few pictures and Viola! She's found the dude. It was the SF jacket that gives it away! And this is the beginning of her entire headache with the couple. Gaudi Afternoon is a very funny movie with several unexpected twists and turns. Marcia must've gotten tired of the jokes about her name, so...you get the Frankie construct. Lili reconstructs her Solanus, but softens the touch. We get to see how beautiful Barcleona is and finally the film veiwer begins to realise that this is a strange, but sweetly touching film. If you haven't seen this, see it. The ideas in this film may come very close to offending you, but watch it, anyway. It works out nicely in the end and you will enjoy it.

beautiful scenery, interesting story
This movie shows some beautiful shots of Barcelona, where translator Cassandra (Judy Davis) is currently living. She moves around the globe for three months at a time, and that's how she likes it.

Around this time, Frankie (played by Marcia Gay Harden), a friend of a friend, finds her and asks her to find out if someone lives in a certain building. She's not a private eye, but the offer of US$3000 is pretty good. Soon, Cassandra -- who only wants to be left alone -- gets caught up in a web of a weird thrown-together "family" with a whole lot of issues. She wants out, but she wants the money more.

I liked that Cassandra (Davis) was mercenary -- why shouldn't a woman want money without getting emotionally involved? She also refused to be drawn into everyone's self-made drama. She was smart and ironic. See this film for her, as well as Harden playing a man playing a woman.

Original, fresh, fun Friday night fare
Though Barbara Wilson's novel by the same name casts the characters a bit differently than the film does, this cinematic exploration of gender and sexuality is really entertainting. When I try to explain it to my hip and theory-wise friends they roll their eyes at all of the plot twists, but they don't seem so hokey as you watch. And the opening credit sequence of this film is stunning--absolutely stunning. There are all of these gorgeous stained-glass-like images which fold and melt into one another; almost the way the identity of some of the characters evolves and shifts during the course of the film. We have the usual independent film suspects in the cast--notably Marcia Gay Harden and Lili Taylor--but oddly it doesn't just feel like yet another little indie film that could. The actors do a wonderful job of seducing us as much as each other, and Judy Davis' performance is much more nuanced than perhaps the film even asks for--which makes it especially delicious. And the landscape of Barcelona is truly fabulous. From the first frame to the last frame, you'll be entranced and engaged and surprised. ... Read more

Reviews (17)

The whole is worth less than the sum of its parts
Whilst Prêt A Porter might be taken as a sly dig at the Paris fashion industry, its appeal is probably limited to those it satirises, that is the designers, models, buyers, journalists, and other hangers-on.

Someone close to the world of these famous designers with their peculiar costumes and logos might get every one of the jokes, references, and even know that some of the real-life people the characters are based on.

The problem is that this world is an exclusive one. Whilst This Is Spinal Tap and The Blues Brothers satirised an industry and an art form known to many, the Paris fashion scene is available only a select few. For an object lesson in how to spoof the fashion business without alienating the general public, see Absolutely Fabulous.

The impressive roster of actors in the film (Sophia Loren, Lauren Bacall, Richard Grant, and Julia Roberts to name but four) and the directorial talents of Robert Altman are really wasted on a movie that is of such limited appeal.

Not Classic Altman But Far From Awful
Most critics harped on this movie's lack of "depth" when it originally came out. My question is, how would a comedy with "depth" about the fashion industry play? I'm sure it would be much more unwatchable than the witty display Altman puts on here. Yes, there's too many characters and yes, Altman glides over everything without much development but he directs with a sense a fun and keeps the whole thing smooth and amusing. He's much less judgmental about the fashion industry than a director in his seventies might be: in a movie fillled with star performers and designers, everyone is depicted and even photographed is a very democratic manner even if they're all made out to be slightly ridiculous. Only Sophia Loren is really given the "star" treatment in her appearances and even that is done mainly as parody (she begins the movie in a frumpy bathrobe and glasses-who else but Altman would have the nerve to commit such a breach? ) It's arguable that the movie is a little trite-but then so is the fashion industry. I think people were disappointed in this movie primarilybecause Altman didn't stage a fashion show, he only covers one. Altman does here what he's always done well: shown off the farcial elements of American social and political institutions. As for Leonard Maltin, I'm sure his mind is numb after a lifetime of overpraising movies much worse than this one.

A wonderful evocation of Parisian fashionistas
This is one of my favourite films.

Many of the critics of this movie missed the point. This movie is not about plot or characters. Robert Altman does what movies are for; he takes us to another place.

What Altman does is give us a vivid impression of the incestuous whirl of the fashion world. His world is populated by both real designers (as ever spotting them is half the fun). and wonderful performances such as Richard E. Grant as a male Vivienne Westwood.

The movie also effectively transports us to Paris. And yes, Paris really is covered in "Dog Poop" (they were Paris jokes, not Poop jokes).

I think that many of the jokes about Paris, may have gone over the heads of US movie critics who have not set foot outside LA and New York.

One of the reviews of this movie described the fashion shows as "pointless". They were pointless in the same way a Monet is pointless; they were in the movie because they are beautiful.

To summarise, if you love Paris and you love fashion, you will love this. The closing credits of a montage of Issey Miyake and other fashion shows set to Grace Jones' "La Vie En Rose" is worth the price of admission alone.

As Inspector Clouseau might've said, "eet ees a bheumb"
You know you're in trouble when the camera pulls in for a lingering close-up of dog poop. Then we see someone step in the poop. Hardy-har-har, Bob Altman, are we supposed to split our sides laffin' at this here real sophisticated-like "comedy"?

An earlier reviewer asked if anyone knew why Danny Aiello ends up in drag. Well, I'll tell you why. Altman needed someone to utterly humiliate, and poor Aiello (a wonderful actor savagely mistreated here) gets saddled with the, um, "honors." As do Forest Whitaker and Linda Hunt.

In fact, trashing actors known for their sensitive portrayals in other (and better) films is the closest thing that Ready to Wear has to a plot. The degrading scene between Hunt and Stephen Rea left me feeling contaminated. If the editor Hunt portrays had been a glamorpuss type, then the bit about getting on her knees and pricking her fingers on rose thorns that Rea tosses at her might have been barely amusing. But Linda Hunt is so delicate that you feel protective of her; the physical contrast between her and the strapping Mr. Rea makes this sequence play like an excerpt from a training film for joining the Nazi party. It's disgusting. In its own repellent way, it's nearly as horrific as the dreaded coke bottle in the face nightmare from Altman's The Long Goodbye.

The only performers who transcend this deeply unfunny unforgivable fiasco are Anouk Aimee and Julia Roberts. Aimee alone is treated with dignity; she brings a real poignancy to her role as a successful businesswoman who's being sold up the river. Bob does his best to desecrate Julia but she outfoxes him with her devastating smile. Although her role isn't much, she manages to keep her footing as almost everyone else gets lost in the mudslide.

Or is dog poop??

Not What I hoped for.
I really had hoped this movie would be better. There really wasn't too much of a plot. There certainly are cute elements.
As always Tim Robbins and Julia Roberts were adorable. Otherwise
I can't really say a whole lot for the movie--Sorry:( ... Read more

Description

Four young Marines compete to see who can find the homliest date. ... Read more

Reviews (39)

A Beautiful, True to life story
This movie was directed by Nancy Savoca, a woman who did much with low budgets. Here she gets her first fairly large budget (but still not much by Hollywood Standards) and she gives us a wonderful story. Set on the Eve of the Kennedy Assasination, when most people thought Vietnam was a minor annoyance that would be quickly solved, Sgt. Eddie Birdlace(River Phoenix) and his pals have landed in San Francisco. Birdlace has to find the ugliest date he can to Bring to the "Dogfight". The Dogfight is a party where Marines bring their "dates", and the one with the ugliest date wins. This seemed believeable to me because of the time the movie was set in (1963). Birdlace settles on Rose Fenney, played to perfection by Lily Taylor. I wont delve too much more into the story, but the love that devlops between Fenney and Birdlace is something to behold. Birdlace ships out and returns to a very different San Francisco in 1967. This movie was barely released, and I cant understand why. It was an excellent one. The soundtrack was superb, but I cant seem to find it anywhere.

DOGFIGHT - The ultimate love story!
Dogfight is a simple story set in a complex time(early '60's/ Vietnam War time). River Phoenix and Lili Taylor are both phenomenal in this low budget film directed by Nancy Savoca. It is set in 1963 San Francisco, four Marines are out on the town for thier last night of fun before shipping out to Okinawa. They have arranged a "dogfight", a contest where the Marine with the ugliest "date" wins. Little did Eddie Birdlace(Phoenix) know, he would find true love in Rose Tinney(Taylor), his "date" for the contest. This movie is the most realistic, touching, and darkly humorous love story I've ever seen. I saw it for the first time several years ago and fell in love with it. Phoenix gives his best performance, next to My Own Private Idaho, in this film, and Taylor hers next to I Shot Andy Warhol. This film also has a great soundtrack, lots of folk music not normally used in early '60's period films, though it must be out of print because I can't seem to find it anywhere. This film didn't see a wide release and is fairly hard to find in rental stores, but it is well worth your time and money to get it. If you like the everyday, run-of-the-mill, romance films, you will love this extraordinary one. It's fresh and new, not like the more commercial films of this genera. It is definately a must have for River Phoenix or Lili Taylor fans.

One of the Best Films Ever!!!
I saw this movie for the first time about a year ago and i just fell in love with it. It is a love story set in the Veitnam war era that has, as with all great love stories, love, unknown futures and an uncertain outcome. If you want a change from all of those stupid "new age teen romances" movies then I would definatly recommend this movie. It really does diserve the 5 star rating!

Takes Your Breath Away
This film is one of my favorites. I have enjoyed a lot of River's roles but none like the lovesick marine he plays in Dogfight. He and Lili Taylor have excellent chemistry that makes this the perfect date film.

The film starts with Eddie Birdlace AKA Birdlegs ( Phoenix ) reminiscing about the night before he left for the Vietnam war. We learn about his three marine friends who help him form the Four B's. The last night before they leave they embark on a traditional girl hunt called " Dogfight ". The object is to find the ugliest woman you can find and bring her to the marine's dance so she can be judged on. If your date is the ugliest, you win money. Sounds cruel? Well it is. Anyway, Eddie finds quiet, innocent slightly plump and unique-looking Rose ( Lili Taylor ) at her mother's diner. He's attracted to her singing more than her figure. He ropes her into accepting his invitation to the dogfight. Seeing how Rose doesn't have many dates she jumps at the chance to be with the handsome marine. At the dance Rose learns of the horrible reason Eddie invited her. Eddie makes it his mission of the night to apologize. By this time he really likes her. She allows him to take her for a night on the town in which the two fall hopelessly in love. They end the night very romantically and Eddie leaves to hook up with the other B's so they can leave for the war.

This movie is one of the most touching I have ever seen. It drug out many emotions. I was angry at how cruel Eddie could be, but at the same time I felt sorry for him. I realized he didn't know any better. The turning point was how Rose was able to show him that his faults may not have been visible as hers, but were actually worse. The acting was wonderful. Lili and River did a great job and they fit the parts beautifully. Taylor is always a breath of fresh air and is one of the most underrated film stars. This is another movie that saddens River fans because unfortunately he is no longer with us. Dogfight was River's best film in my opinion. It's a love story that tugs at your heart and opens your eyes. It's a film for everyone to enjoy. And for the record, Lili Taylor is prettier than most. The sad thing about this film is that " dogfights " are real. But this movie allows the culprits to see how their victims feel. Lili Taylor is a true winner in this one. Enjoy.

great movie
Lily Taylor is great in this movie. Captures San Francisco of another era. ... Read more

Amazon.com

Live from Baghdad tells the story of how CNN became the only newsagency to cover the first Gulf War from within Baghdad. Michael Keatonstars as CNN executive producer Robert Wiener, who took a small news teaminto the Iraq capital after the invasion of Kuwait. Along with producerIngrid Formanek (Helena Bonham Carter), Wiener jousted with teams fromother networks, fought with antiquated equipment, and wrestled with Iraqiattempts to control information--in particular with an informationminister named Naji (the outstanding David Suchet). After numeroussetbacks, Wiener's team triumphed when they had the only connection frominside Baghdad as the American forces began dropping bombs. Though aTV-movie about TV news coverage is a bit incestuous, Live fromBaghdad makes for compelling viewing; the script and direction aretaut, performances are excellent all around, and the perspective on thewar is multilayered. --Bret Fetzer ... Read more

Reviews (13)

Pretty good movie, but...
I liked this movie because I'm a news junkie and a fledgling journalist myself, but I also liked it because of the acting by the various leads. Micheal Keaton has refined the manic energy of his more extreme roles to portray go-getting CNN producer Robert Wiener. You'd never think that Helena Bonham-Carter is British, I had no idea she was this good an actress. David Suchet as the Iraqi official who heads the Ministry of Information is superb also. The rest of the cast likewise deserves a big hand.

The question is whether or not the story is accurate or if the filmakers have taken "liberties." I tend to think that author and scriptwriter Wiener has given himself a small pat on the back in his portrayal of himself. In the movie he starts off as a hotshot relentlessly pursuing his agenda. When he inadvertantly puts the life of an oil worker in danger he finds himself questioning his journalistic ethics as well as his own morality. Ultimately his motives are noble and he is absolved of any wrongdoing. So what's the real story? Is this realism or idealization? I'd say it's some of both. In what proportions it is hard to say exactly. I'll give the movie the benefit of the doubt.

Great Movie !!
What a film! It is so great to see a movie that can not only entertain, but also educate. And it was great to see Michael Keaton doing what he does best, after so much time. It brings to life what was going on over there. I was 15 when I was watching The Gulf War on TV... It was scary, but at that age I didn't understand. I'm glad to learn the truth in history, especially from movies. I felt the same about the movie "Thirteen Days". Keep bringing those movies that teach us our own history. Robert Wiener and Mick Jackson, you did a great job in telling the story from this perspective.

Would have been interesting if it was true
Sadly, this docudrama is built around the infamous 'incubator' story, which was later found to be US and Kuwaiti propaganda. The movie never admits this. I suppose if it had, a lot of the motivation for the movie characters would be lost. It's a pity that the filmmakers decided not to plumb the real depths that surrounded the events that the movie covers, for if they had, there would be a really gripping story of media manipulation (i.e. not only manipulation by Iraq). Sadly, the filmmakers either ignore the more subtle manipulati