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| 1. Honey, I Shrunk the Kids Director: Joe Johnston | |
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Reviews (26)
This is a very funny comedy, and there are some excellent visual effects, too. Everything from the shrunk kids to riding on a flying bee - there is some truly amazing special effects. The plot is solid and so is the acting. This is one Disney comedy I recommend for every family!
This movie is just GREAT! Even though it's a kids movie, it's great for adults, too. I love to watch this movie with my parents. I especially love Robert Oliveri and Jared Rushton. They did a very good job acting in it. Anybody who wants to enjoy a good movie with the family, watch "Honey, I Shrunk the Kids." You won't regret it!
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| 2. Innerspace Director: Joe Dante | |
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Description Reviews (25)
"Innerspace" is one of the best overall movies from the late 80's. It's a good sci-fi adventure, it's funny, and it has great special effects. Without a doubt, it's one of the most entertaining movies ever made. I recommend everybody to get "Innerspace."
When Dennis Quaid (Tuck) was injected into Martin Short's (Jack) body, the whole sections of film dedicated to this reminded me totally of Osmosis Jones (if you haven't seen it, it will give you a hysterical look at the human body). Before the miniaturising, Tuck comes across as arrogant, and not caring about his girlfriend (played by a very 80s Meg Ryan). But this all changes, and his influence on Jack, also changes him, from an OTT hypochondriac to someone different. One of the funniest scenes is when they both get drunk in Tuck's apartment. There are also some heartbreaking scenes, particularly when Tuck ends up in Lydia's (Meg Ryan) body, and sees something that effectively makes him changes his life as soon (or if) he gets re-enlarged. Most of the middle part of the movie is terrific viewing, and although some parts seem to be overly long, it's great. The ending confused me yet again - but you'll have to watch it for yourself to see what I mean won't you?
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| 3. Meet Wally Sparks Director: Peter Baldwin | |
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Reviews (9)
Also, be warned: this DVD is in the overrated widescreen format. I was one of the very few supporters of the tallscreen format that enjoyed a mild popularity in mid-late April 1996 (only 3 films were shot in this unusual aspect ratio-"The Tall Guy," "Tall Marge," and "Big & Tall"). Needless to say, on my Tall-Screen Television set (60 inches high by 5 inches wide), I have to put up with enormous black bars at the top and bottom of the screen. Nonetheless, this movie tells a great story. I would recommend ordering this item from Amazon (at least for us fat cats who own mailboxes).
A line in the scene with Tony when Wally gets in his cab: Tony: Hey wait till I tell the boys I had you in my cab! Wally: Hey Tony first of all you never had me, and if you did have me it wouldn't be in a cab. Tony: Oh it kills me it kills me
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| 4. Arachnophobia Director: Frank Marshall | |
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Amazon.com Reviews (24)
"Arachnophobia," which, appropriately defines a fear of spiders, presents us with a plotline that pits man again nature, calling attention to the horror movies of the old days while taking its title and creating an immense amount of tension and suspense with unique story twists and some nicely added comic relief. I did find the movie to be predictable in places, but that didn't stop me from having an enormous amount of fun with it. The movie begins in Venezuela, where an expedition into the tropical forests leads to the discovery of a previously unknown species of arachnid. A photographer along for the ride is bitten by the spider and dies of convulsions, yet the cause of death remains unknown to everyone else, and so the body, along with the stowaway spider, is shipped back to his hometown of Canaima, where a new doctor is also moving in. Having moved from San Francisco to begin a practice in the small town, Dr. Ross Jennings, with his wife and two children, is dismayed when he learns that the previous doctor has decided not to retire. Beginning a practice of his own, he starts out with one patient, who is bitten by a deadly spider which was spawned in the barn in the backyard of Jennings' house. This, along with many other deaths, raise questions about the circumstances of the deaths, and as the facts are slowly revealed, the tension becomes increasingly delicious as the arachnids begin taking over the town. The mark of a truly good film is its ability to stay in touch with a certain message in its title in order for it to make sense. "Arachnophobia" is magnificent in its achievement of this goal, taking the minute fear of spiders and turning it into something quite suspenseful. This is done by placing a spider in almost every scene, and centering that specific part of the story around something that has to do with it, or them. One minute we see a lone creature, and the next there are thousands of them crawling across dry grass, up walls, and sometimes, on people. And these aren't the textbook spiders who merely hunt their prey from their spun webs and await some unsuspecting insect to fly into their trap. These arachnids are hunters, out for a taste of any kind of blood they can lay their fangs on. They are fast and unrelenting, vicious and brutal, and altogether extremely scary. The story is a well-spun (pardon the pun) piece of work which presents its elements well. The beginning takes things in stride by introducing us to the characters fluidly, and then slowly builds up to a heightened amount of suspense by placing those characters into extreme situations. We can care for what happens to the characters because we know who they are: Jennings' fear of spiders is presented, which comes into play with his confrontation with the spider. The spider makes a truly marvelous enemy, and Ross Jennings is an equally engrossing hero in the final act. Played by Jeff Daniels, his stand-off with the queen spider is just as good as any modern-day action sequence you'll see. We have a slight idea of what is going to happen, but Daniels' acting not only brings out the immense fear in his character, but keeps us at bay, wanting more until the climax reaches its peak. And to allay some of the tension comes John Goodman as an extremely hilarious exterminator who jumps in to save the day in his own little way. "Arachnophobia" does many different things for me: it certainly makes me think twice before reaching into my popcorn bowl, putting on my shoes or a football helmet. But, it also is a great ride, with lots of thrills and even more chills to please all. Fear will never be the same again!
In true Spielberg-formula fashion, director Frank Marshall (who produced many of Spielberg's works during the 1980's) creates a tense, atmospheric thriller that has enough scares and laughs for two movies. A deadly South American spider is accidentally braught to a small, country town--the spider proceeds to kill of many of the inhabitants and gives birth to hundreds of venomous spawn. Small-town doctor Jeff Daniels, who happens to be horrified of the eight-legged beasts, must conjure up enough strength to save his community, and more importantly his family from the threatening bugs. John Goodman is down-right hilarious as the Rambo-esque terminator, using a splendid script to invoke many laughs throughout the picture. Daniels is equally good as the tormented M.D., running around like a petrified girl scout at the beginning of the film, but ultimately encounters the mother-spider for the showdown of all man vs. spider showdowns. A fun, exciting scare fare that is actually viewable for most of the family due to its fairly low amounts of violence and profanity.
In this case, a species of spider from South America hitches a ride aboard a ship and ends up breeding with the domestic house spiders in the United States and the hatchling spiders start killing residents of a small California town and time is running out to stop the spiders from spreading and breeding with more domestic house spiders and enabling this dangerous species to spread all over the United States. This is a really terrifying and very well thought-out movie of immense proportions. It truly demonstrates why it's a very bad idea to bring 'alien' species to other lands other than their own native habitats. Go and get this movie if you want a scary but fun ride. Arachnophobes though should steer clear. For everyone else, welcome aboard! ... Read more | |
| 5. Dempsey Director: Gus Trikonis | |
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| 6. From The Mixed Up Files of Mrs. Basil E Frankweiler Director: Marcus Cole | |
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Amazon.com Reviews (7)
While doing the research on this film, I discovered that there have actually been two film versions of E. L. Konigsburg's delightful novel, with this one being the more recent. Most reviewers seem to prefer the 1973 version. Maybe they're right. But not having seen it, I have to say I liked this one well enough as a trip down memory lane. Veteran TV director Cole (Beyond the Prairie: The True Story of Laura Ingalls Wilder) directs from Betty Goldberg (Trapper John, M.D.)'s script. Cole casts Lauren Bacall as the mysterious and un-first-named Mrs. Basil, Jean Marie Barnwell (Angie) as Claudia, and Jesse Lee (Bobby of the newer Brady Bunch stuff) as Claudia's brother Jamie. The story, for those of you who have been living under a rock for thirty years: Claudia feels neglected at home and wants to run away. She enlists the help (and money) of younger brother Jamie. The two of them, through a series of minor misadventures, end up hiding in New York's Metropolitan Museum of Art, where Claudia becomes obsessed with a mysterious angel statue that may or may not have been carved by Michelangelo, and she sets about authenticating the piece. Really, it's about what one would expect from a TV movie, in terms of direction, acting, etc. Nothing here that's going to win any awards. But who cares? For those of us who loved the novel, there's enough of it here to jog your memory (and hopefully you won't be too bogged down by the piece of it that mysteriously vanish). *** ½
So, while there are some changes as others have noted, this film still maintains the best elements of the book. I only wish more films adhered to the books from which their story was taken. Also, this story stands up over time. My 9 & 7 year old son & daughter enjoy this story as much as I did and still do.
The basic plot remains the same as the book: Claudia knew that she could never pull off the old-fashioned kind of running away...so she decided not to run FROM somewhere, but TO somewhere. And so, after some careful planning, she and her younger brother, Jamie, escaped. Soon, while exploring the Muesum, they set their minds to solving the mystery of Angel, a statue new to the muesum's collection, rumored to have been created by the ledgendary Michaelangelo. But several minor details were changed. The entire character Saxonburg (although minor) has been deleted from the screenplay. Also, because of this, the way that Claudia and Jamie do eventually get home is different. (In the book, Saxonburg takes them home; here, their parents come and get them.) Also here, Jamie puts in a phone call to Mom and Dad, which sturs things up a bit. This was not done in the novel. An assortment of other things have been changed as well. Lauren Bascall does a nice job as Mrs. Frankwiler, and the rest of the casting is good. But because of the changes from novel to screenplay, I dislike this version. Read the book (of the same name; winner of the Newbery Medal) first. Then try this, just to see how you like it. Also try the film "The Hideaways", another film version of this story. Hopefully it will be better!
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| 7. Memories of Me Director: Henry Winkler | |
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Reviews (4)
Crystal plays the straight man, for the most part (only a few runaway moments), Dr. Abbie Polin, a New York heart surgeon who suffers a coronary while working on some nice lady's heart ("Kansas?"). JoBeth Williams, playing his shikse ladyfriend, Lisa ("Dr. Christian"), goads Abbie into reconciling with the father he'd led her to believe was dead. So Abbie is off to California, where Pop, King as Abe Polin, is "the King of the Extras". Williams' performance is easily overlooked, but she also has one of the best lines in summing up Abbie's aloofness, "You are great in bed, but then you don't know how to hold my hand." And King hasn't often carried a film to this degree ("Just Tell Me What You Want" being another), but he and Crystal are magic together. Some highlights: Abbie's trumpeting. Abbie keeping up with the pink-clad jogger. The history of the courtroom wawlah. The singing impression/telegram. Abe calling for a hora on Olvera Street, with mariachis ("Have a tequila!"). Abbie standing in as Abe's agent, and Abe's casting interview. Abe rehearsing his death scene ("You will notice that the picture is slightly askew."). The DVD transfer is anamorphic but otherwise nothing special. What artifacts and graininess remain aren't distracting. Includes the original full-screen theatrical trailer along with pitches for other MGM releases. A blooper reel, if such could be unearthed for a future repackaging, is for now, alas, sorely missing. Even so, as Abbie says, "This is an interesting collage."
So Memories of Me will always be a memory for me. ... Read more | |
| 8. Malice in Wonderland Director: Gus Trikonis | |
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| 9. Murder 101 Director: Bill Condon | |
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Reviews (11)
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| 10. Flashfire Director: Elliot Silverstein | |
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Reviews (1)
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| 11. Fangs Director: Kelly Sandefur | |
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Reviews (6)
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| 12. The Mogul Director: Danny DeVito | |
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