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| 1. Conspiracy Director: Frank Pierson | |
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Reviews (49)
"Conspiracy" goes beyond the recreation of this infamous meeting for the 1984 documentary "The Wannsee Conference," both of which are based upon the lone surviving record of the gather of 15 Nazi officers head by General Reinhard Heydrich (Kenneth Branagh). Included in the group are Lt. Colonel Adolf Eichmann (Stanley Tucci) and Dr. Wilhelm Stuckart, Interior Ministry (Colin Firth), and within an hour they come up with their solution to the "Jewish question." However, this is a sense in "Conspiracy" that they are not so much debating what it to be done but being asked to sign on to the plan that Heydrich is revealing directly and indirectly throughout the meeting in his quest for "unanimity." This time around the horror is in the details, as these men try to come up with the most efficient way of killing and disposing of that many people while one guy does the math. Given that we know what is going to happen what stands out are not those who cannot wait to start the killing as much as those who have "reservations." Stuckart, who wrote the Nuremberg codes, is aghast at what these new policies will mean for the rule of law in Nazi Germany, as the courts are filled with divorce cases separating Jewish and Aryan spouses. However, Struckart makes it clear he hates Jews as much as the next person at that table. Then there is Dr. Wilhelm Kritzinger (David Threlfall), Permanent Secretary of the Reich Chancellery, who obviously has misgivings on moral grounds, but ultimately can offer no more obstacle than a story, which serves as the final statement on the proceedings when related by Heydrich to Eichmann after the meeting. The end of the film, where we are informed as to what happened to the participants, is particularly interesting. I was surprised how few of these 15 Nazis were actually executed for war crime. Several of them would die during the war while others would be imprisoned, but a surprising number were released for lack of evidence. I was also interested to find out exactly who failed to destroy their copy of the minutes, although there is nothing particularly insightful about the revalation beyond satisfying my curiosity. In terms of Holocaust films "Conspiracy" a footnote to the mass exterminations, but of interest for what it provide in terms of rare insights into what the Nazi bureaucracy was actually thinking as it launched the "Final Solution."
Any movie where we watch people talking for 90 minutes stands or falls on acting quality. Kenneth Branagh, as Heydrich, is excellent - the texture of his role is slick and darkly pleasant. The other actors are efficient. The made-for-TV nature of the movie does become apparent in its low-budget production, but this kind of movie does not necessarily need a lot of fluff. Watching nazi officers and officials discussing whenever half-Jews should be made infertile or killed is not an inherently desirable experience. But there are many things in life that are undesirable, but must be confronted.
I believe that the film was either filmed on location or at a place that was very much similar to the Wannsee House. I had the opportunity to travel there this past summer with a group of teachers. I was struck by how much the movie prepared me to think about the house and it's importance in the creation and implementation of the "Final Solution". If you are thinking of showing it to students, you may need to explain to them how the conference was conducted and give them some background -- it has lots of dialogue and plenty of "under currents" that can be hard to follow if you are not familiar with the "power plays" that were going on at that table....lots of ego at that table. It is important to remember that many of these individuals were sent by the "major players" in the Nazi regime to attend the conference. By not attending the conference himself, Hitler and his administrative members could claim "plausable deniability" (so they thought) if anything were to go wrong with the plan. It is hard to believe that this beautiful house that is located on beautifully-decorated ground and of of a spectacular lake could have played such a major role in WWII. Chilling!
From an historical perspective i found the following very interesting: Hitler based his party structure on a chaos theory in that he had simple overlapping functions, so that his subordinates would always be engaged in in-fighting, instead of challenging him. It worked remarkably well. Here, in motion, the director shows the in-fighting, but on this part of domestic policy (internal to the Reich, at any rate) the decision was swift and unanimous, Heydrich alone held the power. Utterly intriguing. What may make this more interesting for anyone, might be to read Hannah Arendt's account of Eichmann's trial in Jerusalem, which is published by Penguin.
The fate of eleven million European Jews was decided over a meal by several higher ups in the German government (although not Hitler). Led by Reinhard Heydrich (played brilliantly, as usual, by Kenneth Branagh) and his aide (play brilliantly, also as usual, by Stanley Tucci) as they explain the plan. They explain it so simply, as if they're building a house, and in a very intellegent manner. In fact, it has to be explained at some point in the conversation that "deportation" is just a fancy word for murder. Many of those present do not agree with the methods, but not because they have sympathy for the Jews. One somber delegate thinks the Jews should be removed from common society, but that murder is too extreme. Another delegate objects to the plan...but only because he feels the procedures Heydrich draws up will contradict his already enforced anti-semite laws. In the end, it is revealed how it will be accomplished: by none other than the gas chambers of the concentration camps. Like movies such as "My Dinner With Andre" or "12 Angry Men" this movie takes a storyline built entirely on dialogue and proves it can be fascinating. These are characters that joke about sterilizing a whole race as if the Jews were animals, and the lack of music through out the whole thing (except for the ending narration) adds a good level of realism. I found myself watching this movie three times after I had rented it to closely study how the different characters interacted and treated this serious issue. If you are interested in World War II, German history, the Holocaust, or you just like drama, then you will enjoy this movie. Some may not be able to watch it because of the subject matter, but it is definately worth your time. These are not propoganda style Nazis, nor are they charicatures of Hitler, but they are just ordinary people. ... Read more | |
| 2. The Cherry Orchard Director: Michael Cacoyannis | |
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| 3. Cleopatra Director: Franc Roddam | |
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Reviews (76)
The truth is that Cleopatra in reality was, no doubt, an unscrupulous, and scheming woman, and if anything the casting of the lovely Leonora, in her very sensually charged portrayal of this role, makes me more sympathetic to her character. Timothy Dalton as always, was his grand self and added the required force to the role of Julius Caesar, and Billy Zane knew how to do a great Mark Anthony. I thought some particularly memorable scenes are where Cleopatra shows some skill with weapons in defending herself from would-be-assassins, the portrayal of the Roman Senate, the rally after Caesar's assasination where Mark Anthony swears revenge against Caesar's murderers and enflames the crowd against Brutus , Cassius and company , and the recreation of Alexandria. And a nice role played by Kassandra Voyagis as Cleopatra's short lived sister Arsinoe. I was sad to see her go like that, and it certainly showed Cleopatra's cruel side.
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| 4. Judas Director: Charles Robert Carner | |
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| 5. Dangerous Lady Director: John Woods (II) | |
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Reviews (3)
This miniseries had everything a quality production should have: good cinematography, an excellent script, fully-drawn three-dimensional characters, and a fine slate of actors. Pay particular attention to Jason Isaacs as Michael "Mickey" Ryan. Mr. Isaacs, and the movie, were outstanding.
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| 6. Robin Hood Director: John Irvin | |
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Reviews (27)
This Bergin-Irving "unknown" version was released a few months before the Costner version. Sadly, it aired only on television for fear of competing with the star-filled, "event" film. And yet, this smaller film is vastly superior to the big-budget Costner "epic" on every single level. This is a somewhat different version of the legend than what you saw with Costner and Disney. The political background to this tale matters: the uneasiness between the two peoples of England. It involves the Saxons, who had held power for centuries, and the more recent arrival and comeuppance of the French-based Normans. Basically, the Normans are now taking power in England and they're not being too nice to the displaced Saxons. Early in the film we meet two noblemen who are friends: Baron Daguerre (played superbly by Jeroen Krabbe of "The Fugitive") as the Norman lord of the local province and Sir Robert Hode, a Saxon landowner. Soon, however, Daguerre's aide-de-camp, the brutal knight Sir Miles Falconey (Jurgen Prochnow in another great performance) gets into a tiff with Hode. Hode openly rebels against his former friend (Daguerre) and what follows is a neat retelling of the Robin Hood legend - replete with cross-dressing Uma Thurman as Maid Marian. This film is beautifully scripted and wonderfully shot. The costumes, acting, and sets feel gritty and authentic. In other words, this is not a Hollywood production. It is simply a great film that nobody saw. I am ecstatic that is coming to DVD.
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| 7. Cleopatra Director: Franc Roddam | |
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Amazon.com The tale of Cleopatra has hit the screen in many guises, but none have succeeded as well as Cecil B. DeMille's 1934 film. Here, director Franc Roddam tries once again to tell the story of the exotic queen who won the hearts of both Julius Caesar (Timothy Dalton) and Antony, while reigning over a troubled country. But how do you tell such an epic in a mere 140 minutes? Obviously, much is left out, making this film more worthwhile as a pleasant diversion than a real history lesson. The sets are quite remarkable for a TV movie, but unfortunately, the acting and dialogue leave something to be desired. Cleopatra comes across as a bratty child rather than an intelligent and manipulative seductress. Surely this tremendous queen had more going on in her life than her romances with Romans, but you wouldn't know it from this movie. Zane is the best part of the film, although his constant do-good boyishness can grate. Dalton is adequate as Caesar, although he seems to have a hard time taking the role seriously. Yet, for all its flaws, the action moves swiftly and while the battle scenes may leave you cringing with embarrassment for the director, the rest of this carefully staged piece is beautiful to look at. If you really want to know about the Queen of the Nile, though, you may be better off with A&E's Biography: Cleopatra or the Intimate Portrait: Cleopatra. --Jenny Brown Reviews (76)
The truth is that Cleopatra in reality was, no doubt, an unscrupulous, and scheming woman, and if anything the casting of the lovely Leonora, in her very sensually charged portrayal of this role, makes me more sympathetic to her character. Timothy Dalton as always, was his grand self and added the required force to the role of Julius Caesar, and Billy Zane knew how to do a great Mark Anthony. I thought some particularly memorable scenes are where Cleopatra shows some skill with weapons in defending herself from would-be-assassins, the portrayal of the Roman Senate, the rally after Caesar's assasination where Mark Anthony swears revenge against Caesar's murderers and enflames the crowd against Brutus , Cassius and company , and the recreation of Alexandria. And a nice role played by Kassandra Voyagis as Cleopatra's short lived sister Arsinoe. I was sad to see her go like that, and it certainly showed Cleopatra's cruel side.
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| 8. Wilderness Director: Ben Bolt (II) | |
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