Reviews (273)

Frontier justice
TOMBSTONE must rank as one of the best westerns in the post-Peckinpah/Leone era. This is due to many of the traditional elements that made the western genre a uniquely American genre, not to mention the disillusionment that the characters in Peckinpah's and Leone's films felt.

This film focuses on legendary Kansas lawman Wyatt Earp who hopes to stick with retirement from law enforcement by journeying with his brothers (Sam Elliott, Bill Paxton) to the Arizona mining town of Tombstone, along with Wyatt's good friend Doc Holliday (Val Kilmer). The trouble is, however, Tombstone is a practically lawless place. And when a group of outlaws known as the Cowboys begin to turn Tombstone's streets red with the blood of innocent people, the stage is set--not merely for the celebrated gunfight at the O.K. Corral, but the revenge that comes after Paxton is killed and Elliott wounded.

Much has been made of Kilmer's performance as Doc Holliday, and he certainly does a lot with the role. I myself think that the real star is the often underrated Russell, who looks virtually like a dead ringer for Wyatt Earp. So often, Russell's talents were underutilized by filmmakers. Here, he really shows his mettle as an actor. Powers Boothe and Michael Biehn, as the head honchos of the Cowboys, make for incredible heavies; and the legendary Charlton Heston has a cameo as well.

Well directed by George Cosmatos (RAMBO: FIRST BLOOD PART 2), scored by Bruce Broughton, and excellently photographed by William Fraker (BULLITT) on Arizona locations, TOMBSTONE is a must-see western, proof that there is still life in this genre if only Hollywood would return to it more often.

All-Star Western
Tombstone is an excellent western that spares no expense in terms of its starring cast.

The movie begins with the three Earp brothers--Wyatt, played by Kurt Russell; Virgil, played by Sam Elliot; and Morgan, played by Bill Paxton--journeying to a small mining town called Tombstone to, in Wyatt's words, "make our fortune." As an aside, I just want to say that Russell bears an uncanny resemblance to the real Wyatt Earp. If you don't believe me, then do a web search and check it out for yourself.

After crossing paths with a thuggish band of criminals known as "The Cowboys," Virgil decides to become town marshall, with Morgan as his deputy--much to the consternation of Wyatt. As a showdown with The Cowboys looms, Wyatt eventually throws in with them for the legendary Gunfight at the OK Corral.

Without a doubt, my favorite character was the doomed Doc Holliday, played flawlessly by Val Kilmer. Kilmer may have a reputation of being difficult to work with, but he nails the Holliday character and was deserving of an Oscar nomination (which he didn't receive). His smugness, wrapped in a Georgia accent, is truly a joy to behold. He has so many wonderful lines and scenes that they are too numerous to list here. As was historically accurate, Holliday also throws in with the Earps for the OK Corral shootout.

The movie goes on to detail the events after the OK Corral confrontation--including the murder of Morgan and the maiming of Virgil, and Wyatt's subsequent revenge against The Cowboys. Minor plotlines include Wyatt's interest in a stage performer, played by Dana Delaney; and Wyatt's wife's addiction to opium.

The all-star cast includes Michael Biehn as the sadistic Johnny Ringo--a mirror image of Doc Holliday; Powers Boothe, as Curly Bill Brocious, the self-annointed "founder of the feast" known as The Cowboys; Billy Bob Thornton, as the bullying Johnny Tyler; and Charleton Heston, in a cameo as Henry Hooker.

While the film may not be as historically accurate as some accounts, it certainly is enjoyable.

Absolutely riveting account of a well known story
This is probably the best telling of the Wyatt Earp/Doc Holliday saga I have ever seen. I have watched many movies about the legendary fight at the O.K. Corral, but none have been as enthralling as the characters in "Tombstone". Kurt Russell and Val Kilmer are more believable as Wyatt Earp and Doc Holliday than any other actors portraying those characters. The much praised John Ford Classic "My Darling Clementine" while a great movie, was riddled with inaccuracies even to the point of making Doc Holliday a surgeon rather than a dentist. "Tombstone" tried to stay as true to the actual characters as possible and in my opinion more than succeeded. On the heels of the slow, dragging Kevin Costner epic "Wyatt Earp", "Tombstone" is much faster paced and holds the viewers attention with drama, action and breathtaking scenery all the way to the tearjerking end. Well made movie that should hold it's own for a long time to come, I'm definately a fan.

"Not me, I'm in my prime"
Val Kilmers performance as Doc Holliday should have gave him the Oscar for Best Supporting Actor in 1993.It was clearly the best performance to date of his carreer.Hollywood just seems to ignore and dismiss this type of movie. Kilmer steals the show from Kurt Russell,as Wyatt Earp.The powerful cast includes Micheal Biehn as Johnny Ringo, Sam Elliott as Virgil Earp, Stephan Lang as Ike Clanton, as well as Powers Booth, Bill Paxton, Billy Bob Thorton,Michael Rooker, Billy Zane,Jason Priestley, and last but not least, Charlton Heston in a cameo appearance as rancher John Hooker.Again, Kilmer steals the show as Doc Holliday.His performance as a retired dentist that suffers from alcoholism and tuberculosis, is nothing less than masterful, first rate acting. Dennis Quaid played the same character in "Wyatt Earp" that came out about six months later, and this reviewer thinks his performance, while good, was not up to the same standard as Kilmer.There are many "one liners"that everone remembers and have become classic.A definite "must see" western that I would rate in the top five for all-time for this genre.

Who's your Huckleberry?
This is a fun movie. Kurt Russell is dead-on as a wiley Wyatt Earp and Val Kilmer steals every scene he appears in as Doc Holliday. Bill Paxton is good as Wyatt's brother Morgan. Is there anyone that looks better under a cowboy hat than Sam Elliot? He plays brother Virgil Earp. Not so much a true narrative as a series of vignettes featuring the above characters (with the centerpiece Shootout at the OK Corral) the film is nonetheless a very entertaining look at these characters. Powers Boothe is menacingly bad as Curly Bill, the leader of the outlaw Cowboys.

Kilmer's Doc Holliday, in particular, is a load of fun. "I'm your Huckleberry" he taunts Johnny Ringo, and although I have no idea where this saying originated, Kilmer repeats it in this film to entertaining effect. Later on he is asked why he sticks his neck out for Sheriff Earp. "Wyatt Earp is my friend", he replies simply. The other man scoffs "I've got LOTS of friends". "I don't" says Doc.

This is the kind of movie that perpetuates the "Legend of Wyatt Earp", but it's also the kind of movie that grown men still quote liberally with big smiles on their faces more than a decade after it's initial release. ... Read more

Amazon.com

This Western has become a modest cult favorite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of Rambo director George P. Cosmatos, who has yet to make a better film than this. --Jeff Shannon ... Read more

Reviews (273)

Frontier justice
TOMBSTONE must rank as one of the best westerns in the post-Peckinpah/Leone era. This is due to many of the traditional elements that made the western genre a uniquely American genre, not to mention the disillusionment that the characters in Peckinpah's and Leone's films felt.

This film focuses on legendary Kansas lawman Wyatt Earp who hopes to stick with retirement from law enforcement by journeying with his brothers (Sam Elliott, Bill Paxton) to the Arizona mining town of Tombstone, along with Wyatt's good friend Doc Holliday (Val Kilmer). The trouble is, however, Tombstone is a practically lawless place. And when a group of outlaws known as the Cowboys begin to turn Tombstone's streets red with the blood of innocent people, the stage is set--not merely for the celebrated gunfight at the O.K. Corral, but the revenge that comes after Paxton is killed and Elliott wounded.

Much has been made of Kilmer's performance as Doc Holliday, and he certainly does a lot with the role. I myself think that the real star is the often underrated Russell, who looks virtually like a dead ringer for Wyatt Earp. So often, Russell's talents were underutilized by filmmakers. Here, he really shows his mettle as an actor. Powers Boothe and Michael Biehn, as the head honchos of the Cowboys, make for incredible heavies; and the legendary Charlton Heston has a cameo as well.

Well directed by George Cosmatos (RAMBO: FIRST BLOOD PART 2), scored by Bruce Broughton, and excellently photographed by William Fraker (BULLITT) on Arizona locations, TOMBSTONE is a must-see western, proof that there is still life in this genre if only Hollywood would return to it more often.

All-Star Western
Tombstone is an excellent western that spares no expense in terms of its starring cast.

The movie begins with the three Earp brothers--Wyatt, played by Kurt Russell; Virgil, played by Sam Elliot; and Morgan, played by Bill Paxton--journeying to a small mining town called Tombstone to, in Wyatt's words, "make our fortune." As an aside, I just want to say that Russell bears an uncanny resemblance to the real Wyatt Earp. If you don't believe me, then do a web search and check it out for yourself.

After crossing paths with a thuggish band of criminals known as "The Cowboys," Virgil decides to become town marshall, with Morgan as his deputy--much to the consternation of Wyatt. As a showdown with The Cowboys looms, Wyatt eventually throws in with them for the legendary Gunfight at the OK Corral.

Without a doubt, my favorite character was the doomed Doc Holliday, played flawlessly by Val Kilmer. Kilmer may have a reputation of being difficult to work with, but he nails the Holliday character and was deserving of an Oscar nomination (which he didn't receive). His smugness, wrapped in a Georgia accent, is truly a joy to behold. He has so many wonderful lines and scenes that they are too numerous to list here. As was historically accurate, Holliday also throws in with the Earps for the OK Corral shootout.

The movie goes on to detail the events after the OK Corral confrontation--including the murder of Morgan and the maiming of Virgil, and Wyatt's subsequent revenge against The Cowboys. Minor plotlines include Wyatt's interest in a stage performer, played by Dana Delaney; and Wyatt's wife's addiction to opium.

The all-star cast includes Michael Biehn as the sadistic Johnny Ringo--a mirror image of Doc Holliday; Powers Boothe, as Curly Bill Brocious, the self-annointed "founder of the feast" known as The Cowboys; Billy Bob Thornton, as the bullying Johnny Tyler; and Charleton Heston, in a cameo as Henry Hooker.

While the film may not be as historically accurate as some accounts, it certainly is enjoyable.

Absolutely riveting account of a well known story
This is probably the best telling of the Wyatt Earp/Doc Holliday saga I have ever seen. I have watched many movies about the legendary fight at the O.K. Corral, but none have been as enthralling as the characters in "Tombstone". Kurt Russell and Val Kilmer are more believable as Wyatt Earp and Doc Holliday than any other actors portraying those characters. The much praised John Ford Classic "My Darling Clementine" while a great movie, was riddled with inaccuracies even to the point of making Doc Holliday a surgeon rather than a dentist. "Tombstone" tried to stay as true to the actual characters as possible and in my opinion more than succeeded. On the heels of the slow, dragging Kevin Costner epic "Wyatt Earp", "Tombstone" is much faster paced and holds the viewers attention with drama, action and breathtaking scenery all the way to the tearjerking end. Well made movie that should hold it's own for a long time to come, I'm definately a fan.

"Not me, I'm in my prime"
Val Kilmers performance as Doc Holliday should have gave him the Oscar for Best Supporting Actor in 1993.It was clearly the best performance to date of his carreer.Hollywood just seems to ignore and dismiss this type of movie. Kilmer steals the show from Kurt Russell,as Wyatt Earp.The powerful cast includes Micheal Biehn as Johnny Ringo, Sam Elliott as Virgil Earp, Stephan Lang as Ike Clanton, as well as Powers Booth, Bill Paxton, Billy Bob Thorton,Michael Rooker, Billy Zane,Jason Priestley, and last but not least, Charlton Heston in a cameo appearance as rancher John Hooker.Again, Kilmer steals the show as Doc Holliday.His performance as a retired dentist that suffers from alcoholism and tuberculosis, is nothing less than masterful, first rate acting. Dennis Quaid played the same character in "Wyatt Earp" that came out about six months later, and this reviewer thinks his performance, while good, was not up to the same standard as Kilmer.There are many "one liners"that everone remembers and have become classic.A definite "must see" western that I would rate in the top five for all-time for this genre.

Who's your Huckleberry?
This is a fun movie. Kurt Russell is dead-on as a wiley Wyatt Earp and Val Kilmer steals every scene he appears in as Doc Holliday. Bill Paxton is good as Wyatt's brother Morgan. Is there anyone that looks better under a cowboy hat than Sam Elliot? He plays brother Virgil Earp. Not so much a true narrative as a series of vignettes featuring the above characters (with the centerpiece Shootout at the OK Corral) the film is nonetheless a very entertaining look at these characters. Powers Boothe is menacingly bad as Curly Bill, the leader of the outlaw Cowboys.

Kilmer's Doc Holliday, in particular, is a load of fun. "I'm your Huckleberry" he taunts Johnny Ringo, and although I have no idea where this saying originated, Kilmer repeats it in this film to entertaining effect. Later on he is asked why he sticks his neck out for Sheriff Earp. "Wyatt Earp is my friend", he replies simply. The other man scoffs "I've got LOTS of friends". "I don't" says Doc.

This is the kind of movie that perpetuates the "Legend of Wyatt Earp", but it's also the kind of movie that grown men still quote liberally with big smiles on their faces more than a decade after it's initial release. ... Read more

Amazon.com

This generic sex comedy--about a guy who can't decide whether or not tomarry his girlfriend because he's still obsessed with a girl he saw in anairport when he was a teenager--really has only one thing to recommend it:Ryan Reynolds (Coming Soon, Van Wilder). Reynolds plays the maincharacter's horndog friend who becomes convinced he's gay, and while much of hismaterial is of dubious taste and quality, Reynolds has a mixture of ironicdetachment and actor commitment that makes the most of his role. Everyoneelse--Jerry O'Connell (as the obsessed guy), Bridgette L. Wilson (as hisunderstandably frustrated girlfriend), Ron Livingston, Bill Bellamy, and AlyssaMilano--have their moments, but the script doesn't offer them much to work with.When it isn't drowning in clichés about men and women, it's trying way too hardto be "over the top." --Bret Fetzer ... Read more

Reviews (58)

SUPER FAMILY ENTERTAINMENT five stars
He is a hero who is simple a decent person. A hero without super powers or trust funds. A very humane person with a code of decency. A hero who is certainly needed today. It is a film that is needed today. It is a film to watch and enjoy. This movie leaves one with a good feeling. It is not a film to nitpick or compare to others because that would totally miss the reason for escaping into it. A truly wonderful family film, that will live in the memories of those lucky enougn to watch it together. What a great cast! Billy Zane,his penetrating eyes framed by the Phantom' mask, brings the hero to life. Kristy Swanson and Catherine Zeta-Jones are strong,independent women. Veteran actors such as John Capaodice, Al Ruscio, and Samantha Eggar to name a few,lend their considerable expertise to the production. Cary-Hiroyuki Tagawa appearence dominates the screen, generating much excitement. Patrick McGoohan's presence and voice is a outstanding. He is truly an screen legend.

Unfortunely the critics in their wisdom contributed to the short run at the box office office nevertheless the viewers know quality. The Phantom and all he stands for lives in the hearts of those willing to understand.

Ineptly written and directed
The Phantom has one saving grace: Billy Zane. Without this fine actor, the film would have been absolutely horrendous, possibly unwatchable. The simple fact is that The Phantom could have been good entertainment, but it's so poorly written, directed, and acted, I have to wonder why the film was greenlighted in the first place.

Sure, the prospect of an Indiana Jones-type film is a fun idea, but it's nowhere in the vein of the the films in that series; it never generates any thrills or genuine fun. The action sequences are simply too routine and are occasionally terribly choreographed.

As for the script, it's been a while since I've heard dialogue this hackneyed. It makes the recent Mission to Mars look like something written by David Mamet in comparison. The plot's also fairly ridiculous and is done with a touch of camp, but nowhere near enough to at least make the movie so bad it's almost enjoyable to watch. I can't believe Jeffrey Bowman doesn't show any of the creative touches he put in The Last Crusade.

Performances, the less said the better. The only guy who does a fine job is Billy Zane, and though he never always convinces as a superhero, he's charismatic enough to make the experience bearable. Treat Williams as the villain overacts to an extent I would rather not describe. Catherine Zeta Jones also shamelessly hams it up with a cheesy accent; I bet she's taken this film out of her resume. As for Kristy Swanson, I guess we can tell why she won't nowhere. If anything, the movie proves she's not a very capable actress.

Pulp hero
Billy Zane plays the Phantom perfectly. He's not a dark, grim superhero like Batman or a neurotic superhero like Spider-Man. The Phantom loves being a superhero and being the good guy.

This is one of the best adaptions of a comic book (cartoon strip) ever captured on film. This is the type of movie meant for children of all ages. If you're looking for a movie with deep meaning, thought provoking dialogue and lots of introspection, what the heck are you doing watching The Phantom? Go see a different movie. If you're looking for entertainment in the vein of pulp fiction heroes from the Golden Age this is the movie for you.

Nifty live-action comicbook
This is the type of DVD that works best if you watch it on a rainy Saturday morning. I missed "Phantom" when it was released theatrically many years ago and discovered it on DVD. This is an old-fashioned comicstrip/movie serial sort of film that's perhaps too straightforward for most tastes. There's no irony or winking references here, which sets it apart from most other superhero movies. I liked it, but didn't love it, and I can fully understand if it's not to everyone's taste. I suggest you rent it, watch it on a gloomy weekend and see if it doesn't make you feel like a kid again if only for a few minutes.

Great Comic adventure
The Phantom is quite good and the cast is great too. The Phantom was an enjoyable facinating comic, and any fans of the comic book will find no reason not to watch the feature-length movie. This movie is a great action ride adventure and i'm sure you'll love the story. Same charecters and no flaws, this movie is perfect. 8.5/10. ... Read more

Amazon.com

Opposites attract in this conventional but refreshingly unpredictable romantic comedy. New York nightclub designer (Matthew Perry, from television's Friends) is in Las Vegas to supervise the construction of a new project when he meets a fiery Mexican beauty (Salma Hayek). It's lust at first sight, and their one-night stand takes an unexpected turn when she shows up three months later to announce that she's pregnant. They're determined to do right for each other, so they get married in a Vegas chapel with an Elvis impersonator as their witness.Then comes the hard part--trying to figure out if they're actually compatible. The plot complications are mostly familiar, but Perry and Hayek throw some bright sparks as their initial bliss turns to more realistic concerns for family and future. Along the way there's some sharp dialogue and a few good laughs to give this all-too-human comedy an enjoyable spin. --Jeff Shannon ... Read more

Reviews (97)

Desert flavor and so romantic!
If you mix comedy, drama and love with two great actors and a perfect script, what you end up with is a memorable movie. This is a beautiful story, which starts off wrong. Alex Whitman (Matthew Perry) and Isabel Fuentes (Salma Hayek) are destined to meet and when they do, things go in a direction they never imagined.

Isabel brings the drama to this movie. Alex brings the comedy. Their families from different cultures bring in a touch of conflict. The expectations of each family are so typical and set in motion a number of unexpected twists and turns to the plot.

The music in this movie does deserve its own soundtrack. I have looked for it. Even after watching this movie for the third time, I still want a CD. The music sets the mood for the whole movie. The setting at the Hoover Dam is also spectacular as are many of the outdoor scenes in the desert.

Salma Hayek is at her best in this movie, as is Mathew Perry. There is such great chemistry. The signs all definitely point towards them being together. Unfortunately, they both have to deal with relationships they had in the past, annoying relatives and Alex's controlling boss.

This movie shows how love can conquer any situation and cross all barriers. Each time you watch this movie it will affect you differently. When you see Alex holding a baby and Isabel looking across the room at him, you can't help but become Isabel for that brief instant. Alex says so many of the right things, any woman would want to hear. Then, Alex also makes the mistake of not telling Isabel pertinent details which will affect her life, and that is the basis for most of the conflicts.

Matthew Perry and Salma Hayek were the best actors for this movie! It is so romantic, you will want to watch it once every few years. Absolutely a worthwhile investment to purchase the video or DVD. Now, if anyone can find a soundtrack CD, let us all know!!!

!A Man, A Woman And A Chihuahua. Ay caramba!
After seeing "Fools Rush In", I definitely feel the above caption would make for a better title. But, nonetheless, this is one of those romantic love stories with a touch of comedy and a whole lot of drama, like a soap opera, but only better. The plot centers around a consultant of an architectural firm, Alex (Matthew Perry), who, by fate, meets a single Mexican woman named Isabel (Salma Hayek). After spending the night together, Isabel becomes pregnant with Alex's child, but is quite shocked about the news at first, and isn't sure whether or not she wants to continue their relationship. As time progresses, the couple get to know each other better and Isabel introduces Alex to her family, the Fuenteses (including an angry chihuahua named Che, who, at first, displays an intense dislike for Alex, but softens up to him later), and, likewise, Isabel later meets Alex's parents. At first, their parents don't agree with the idea of Alex and Isabel going steady, because of the cultural differences of both families. But what the heck, it all makes for a very interesting, and rather potent, love story. In fact, it is a love story (as mentioned above)! Rather than saying anything further, I suggest you pick up a copy of "Fools Rush In". The chihuahua alone is worth the price of this movie! Approved by the SPCA/American Humane Society and Lover's Anonymous."

Cute, Sweet, thoughful romantic comedy
I thought this was such a cute movie! It shows that sometimes opposites do attract! During one seen, Salma talks to Matthew about their differences and the prejudices that both families have with each other while telling a story. This is something that every body will love, including guys!!

An Excellent Movie
I love this movie. It has become my all-time favorite love story. Very well done!

Charming story but left me with a question.
This is one of the most charming "chick-flicks" because of the sweetness of Salma Hayek's character. Matthew Perry brings the humor. The music is very uplifting. Many of the songs can also be found on a CD called "Ultra-Lounge Volume 5". The two characters start their relationship physically first, then try to fall in love later. Along the way, they question what is meant to be. They encounter each other's families and friends and explore their likes and dislikes and the result is comical and endearing. What I am wondering is for those who are not happily married, does this movie encourage a physical relationship outside of marriage? I have seen the movie but still am not sure. On the surface, it seems like it doesn't. But what would be the end result of watching this - would a person be more or less likely to start a relationship physically? With the ending the way it was, it might make some younger viewers think true love might happen that way and end up leaving them with heartache. I'd like to hear more reviews on this aspect. ... Read more

Reviews (93)

Not enough superlatives for this film
I can't say enough good about this tiny sleeper film. It is a simple story--the loser brother returns to town to his hometown that he ditched after his parents died. He goes to stay with his divorced, uptight sister and her young son. Chaos and conflict ensue due to their differing personality styles.

But the script and direction (both by Ken Lonergan, who appears in the film in the small, very funny role of the priest who Sammy consults) are touching, funny, and thoughtful. This, in my opinion, should have taken the Oscar for best original screenplay (which went to "Traffic"). The Oscar, too, could deservedly have gone to Laura Linney, whose Sammy is a character study in small gestures, well-timed lines and naturalistic acting.

Credit, too, should go to Mark Ruffalo as the brother and the actor (one of the Culkin clan) that plays Sammy's young son.

Touching without being maudlin or sentimental, laugh-out-loud funny, and well crafted in every way. This small movie tells a small, very human story in the very best way--that's the highest praise that I can give. After two hours, you leave wanting to know more about what will happen to these people, and you wish that you knew them. But you do--that's how universal they are.

A must-see.

A touching character drama about a brother and sister
A small movie set in a small town delivers various big elements including top-notch performances from its two leads, extremely effective character development all around and a poignant message dipped with the importance of love, family, relationships and spirituality. This is obviously not a typical Hollywood picture and surely not for everyone, but definitely one to see for anyone who appreciates superior character studies, feels confused, overwhelmed or bored about their own life, and is curious about the familial foundation which supports this entire movie. This isn't a very upbeat film. It does contain a handful of lighter moments, but is basically a movie that feels sort of somber all the way through but doesn't ever really get boring. The force of the writing is the main reason for that, with the superior performances set forth by all, straddling in as a close second. Major kudos go out to Mark Ruffalo, who completely inhabits his role as the loose younger brother with the knack for getting into trouble, as well as Laura Linney, playing the full role of mother, sister, lover and employee to a tee. The excellent rapport between the two leads also makes you glad to be spending some time with them

Natural and ordinary is good
It's a very ordinary movie. But yet, I found myself really enjoying it. And that may have been why I enjoyed it so much. BECAUSE it was ordinary.

The movie is about a brother and sister who are orphaned at a young age, Sammi and Terry. Years later, Terry comes back to the small town they grew up in and where Sammi still lives to ask her for money. A bond between Sammi's son and Terry is born and a rekindling between the brother and sister.

I was glad to be able to watch a movie where the characters were telling the story. I was also glad to watch a movie that focused on the brother-sister relationship because it's something not a lot of movies dwell in these days. I thought the writing and dialouge were fantastic. It felt so natural. But the highest point of this movie was the acting. Laura Linney was great. She was absolute perfect as Sammi. Matthew Broderick and Ken Lonergan were also great. Rory Kulkin is without a doubt the Kulkin Kid that has a real future in Hollywood. But the actor that really stood out for me was Mark Ruffalo. He was amazing as the wayward brother, Terry. He, along with everyone else, never over-acts. It's again ... natural.

And that's the element that appealed to me most. Everything is natural. And maybe to some natural is boring. But to me it was refreshing.

ALEXS CAPSULE MOVIE REVIEWS
Highlights: Great script; quietly effective atmosphere; avoids schmaltz - real emotions will evoke real tears; terrific cast; K. Lonergan's direction is awash with nuance; never hammers its audience with moralizing - cunningly judicious, the film's morals will nevertheless remain in your memory.
Lowpoints: The ending is a tad stretched-out.

Conclusion: It's difficult to pinpoint flaws in this Martin Scorsese-produced little gem, helmed by a Scorsese regular, screenwriter Kenneth Lonergan, who fills his story with so much realism, drama and wit, that it becomes difficult to isolate certain inconsistencies. Fortunately, "You Can Count on Me", which tells a story of a rebel brother named Terry (M. Ruffalo in an ingeniously amenable performance, emanating stubbornness and astuteness), who comes to ask his sister Sammy, a single middle-aged mother (L. Linney), for some cash. They haven't seen each other for a while, and while eventually their character differences preside, what we as the audience are witnessing throughout the film is raw honesty in the astute interactions between Terry, Sammy, and her little son Rudy. Terry as an intense father-figure results in catastrophe, and while Sammy truly loves him, she has to make sure he leaves before devastating Rudy's flow of daily life. L. Linney is magnificent as church-going Sammy who has a spontaneous affair with her boss (M. Broderick). Inspired by her defiant brother's visit, she delves into the affair headfirst, displaying the consequent conflicting emotions with awesome result. Overall, it is one of those singular melodramas that has real emotions, affecting performances, is entertaining, and doesn't have Julia Roberts in it.

Count On Me To Love It
Certainly one of the best (and underrated) dramas of the last years, Kenneth Lonergan`s directorial debut is a subtle, poignant and moving work of art.

A story about the links between two lonely and confuse brothers who reunite after a few years far from each other, "You Can Count On Me" offers what most independent movies do better: in-depth and multi-layered character studies with complex, realistic and appealing relationships. The plot itself is simple, but the excellent and low-key acting (Laura Linney, Mark Ruffalo, Rory Culkin, Matthew Broderick), the witty dialogue, the cozy direction and the adequate score make this a must-see cinematic experience.

A superb family drama that perfectly combines melancholy and comedy (intelligent and heartfelt comedy, not predictable slapstick), this movie is as good as the also great (and very overlooked) "Moonlight Mile", by Brad Silberling, and much better than some overrated average dramas like "Magnolia" or "The Hours", both self-important pieces of filmaking.

"You Can Count On Me" is a pleasant example of "americana", giving an absorbing and interesting portrait of flawed yet likable individuals. One really cares for the characters here, since they are so believable and well-crafted (even if Laura Linney`s character boyfriend`s switches was a bit contrived). Overall, this indie effort works better than expected, providing a very promising debut for Lonergan and one of the best movies of 2000.

Highly Recommended. ... Read more

Amazon.com

Third time is not quite the charm for Eddie Murphy's Axel Foley when he heads for L.A. once again to avenge a friend's murder. This time he's off to the Disneyesque WonderWorld, apparently the most hazardous theme park in America despite an army of shady security agents. John Landis directed Murphy in his first film hit, Trading Places, and would seem a good match for this mix of action and comedy, but his sense of fun only emerges in a few scenes (chubby mechanics do a gymnastic Blues Brothers number to a Diana Ross tune) and his action direction is sloppy and shockingly violent. It seems wrong for the comic tone, and Murphy should have his foul mouth washed out with soap. On the plus side, Bronson Pinchot returns as Serge and all but upstages Murphy in two brief but hilarious scenes. --Sean Axmaker ... Read more

Reviews (27)

Third Time is NOT the Charm
The third installment of the popular "Beverly Hills Cop" series is like a distant relative who comes to stay with you. At first, you're glad to see them and catch up on old times, but they sure wear out their welcome fast. This film reaches that point after about fifteen minutes.

Eddie Murphy is back as Alex Foley, the increasingly improbable fish-out-of-water detective from Detroit. Once again, Axel is doing battle with the law enforcement establishment, the Beverly Hills Police Department, and the Bad Guys who killed his friend. Sound familiar? Even Serge (Bronson Pinchot) is back, in a desperate, painful scene that seems to go on forever.

The direction, by veteran Murphy helmer John Landis, is acceptable, showing Landis' usual flair for pacing and stunts. The screenplay by the usually reliable Steven deSouza, though, is woefully half-baked. It is never clear what the tone of the picture is supposed to be. The action scenes are very off-hand and frequently played for laughs, while the comedy scenes are forced and unfunny. The story never builds the sense of jeopardy and conflict that is essential to a film of this type. It is neither a laugh riot, nor is it even remotely suspenseful. Also, any film that makes Hector Elizondo--one of the best character actors around--look bad has some serious problems.

There are two good things about "Cop III." One is an excellent action sequence set on an amusement park Ferris wheel. That is the only exciting part of the film. The other thing I liked was the series of cameos by a variety of famous film directors (like George Lucas), a typical Landis gag. It at least gives you something to look for in some pretty boring scenes.

Not Bad & Not Good
3rd in the increasingly irrelevant BHC series. Marginally better than BHC2 but that's not saying much since BHC2 was landfill. Funny and clever mostly because Murphy and cast enjoy themselves. They seem to understand this series has run its course and this flick is just for fun. Not brilliant moviemaking but mostly harmless.

Shouldn't have been made
The original Beverly Hills Cop is a classic. The 2nd one was just as good. Both had a perfect blend of action, comedy, and suspense. The fact that they waited to make this 3rd installment so many years later (during Eddie's current streak of terrible movies) should have told everyone making this movie right off the bat that it was a bad idea. John Landis (who usually makes pretty good flicks) took over the directing for this one and let's just say it's not something he should be proud to have on his resume. In a nutshell, this movie is just campy... knee slapper jokes, lame plot, etc. The spirit and integrity of the first two movies is completely lost in this 3rd one. It's a shame too how you go from making two great movies to a third that's not just below par, but stinks to the high heaven.

Should have stopped at two
This movie was just horrible. It takes place in an amusement park for one. The action was weak, the story line was weak, and the ending was just silly. Watch this film at your own risk!!!!!

SOMEHOW IT WORKS....
DESPITE A FEW NEGATIVE REVIEWS OF THIS MOVIE, I ACTUALLY THOUGHT IT WAS A FUN WAY FOR PARAMOUNT TO MAKE FUN OF DISNEY WORLD AND THE OVER-RATED COMPANY THAT IT HAS BECOME. THEY POKE FUN AT THE COMPANY SO MUCH IN THIS MOVIE, THAT I THINK IN IT'S OWN WAY IT WAS SAYING THAT DISNEY IS NOT A REAL MOVIE STUDIO, BUT WE ARE. I AGREE COMPLETELY WITH THAT. ... Read more

Amazon.com

Released to only a handful of theaters in the spring and summer of 1998, Homegrown was neglected by nervous distributors who couldn't figure out how to market a movie about marijuana farmers. As a result, hardly anyone saw this cleverly plotted comedy-thriller about three experienced pot growers in northern California (Billy Bob Thornton, Hank Azaria, and Ryan Phillippe) who guard their valuable outdoor crop against raids by the cops and unwanted competitors. When their mysterious leader is apparently murdered, Thornton assumes the dead man's identity to arrange one last, lucrative bumper-crop deal, but pulling off the scam proves to be a lot harder than they'd anticipated. While the three potheads seek refuge with an old colleague (Kelly Lynch) and routinely sample their goods (which explains the film's theatrical obscurity), Homegrown turns into a taut thriller fueled by equal parts comedy and paranoid tension--an update of The Treasure of the Sierra Madre with marijuana instead of gold! Featuring cameo roles for Jamie Lee Curtis, Ted Danson, and John Lithgow, this entertaining film fell victim to the misguided fear that it promotes drugs and illegal activity. If anything, it promotes interesting characters, catchy dialogue, and a welcomed alternative to mainstream Hollywood comedies. --Jeff Shannon ... Read more

Reviews (113)

A delightful jewel of a movie!
Music from Another Room is such an amazing movie. I must admit, I tuned into it on Cinemax only because I saw that it features Jude Law, who is one of the best actors of his time. I was surprised at the sheer greatness of the movie, and once again stunned by the tremendous talent of Law. The minute it was over, I checked (through my tears) for additional showtimes, and stayed up for 2 hours until I watched it again at midnight. That is how wonderful it was. The Swan family is so enjoyable that I wanted to be part of it myself. The characters in this movie are so richly developed, the filming is great, the storyline is incredible, basically every last detail about this movie is superb. It made me fall in love with Jude Law (the way he looks at Gretchen Mol when he says "it's heads" is breathtaking), it restored my faith that there are men out there as hopelessly romantic as I am, and it truly was (and I HATE this term) "a feel-good movie". Oh, and I don't hate Savage Garden's "Truly, Madly, Deeply" anymore. To anyone who reads this, please pardon my gushing. It must be annoying, but this really is the best film I've seen in...well ever. Kudos to everyone involved in producing this film.

An ensemble cast adds charm to otherwise tepid movie!
"Music from Another Room" is an ideal date movie. It's commercial cute, in the same vein as those Tom Hanks/Meg Ryan movies, but off-beat enough to seem deceptively indie. However, like most date movies, "Movie from Another Room"'s plot is about as predictable as rain in Seattle. The premise of the tale (little boy falls in love with and promises to marry the girl that he helps his father to deliver, only to chance upon her 25 years later when she's involved with another man) is interesting enough, but the expectation of something different falls by the wayside during the course of the movie, as it gets more and more formulaic. The saving grace of "Music from Another Room" is the talent of the film's ecletic and quirky actors. The very charming British actor Jude Law, who plays the lovesick Danny Kowalski, proves quite adept at American comedy and doesn't seem to mind doing borderline slapstick. Gretchen Mol, as Anna Swann, is the perfect object of affection with her '50s-inspired wardrobe and prudish attitude. The rest of the cast includes Jennifer Tilly as Anna's blind and socially inept younger sister; Martha Plimpton as Anna's cynical and world-weary older sister; Brenda Bleythn as the infirmed and sympathetic mother; and Jon Tenney as Anna's stoic and "perfect" fiancee. Overall, "Music from Another Room" is a very likeable film as long as you don't expect too much from it.

unbelievable romance, lame comedy, crowded film
Yikes! I'm quite baffled by the positive reviews here! I really like Jude Law (Gattaca) and thoroughly enjoy romantic comedies, but I found this film so absolutely lame on every level that it was difficult to finish. By the time it was over, my husband and I just looked at each other and said, "Whoa, what was that?!"

First, the movie has a very bizarre framing device: Law's character is asked to help deliver a baby when he is five years old. Aside from the discomfort of seeing a child reach into Brenda Blethyn's womb, the young actor must then look sweetly at the new baby and say "I'm going to marry her." This is not only bizarre, it's creepy-bizarre. Still, I tried to forgive this oddity and get on with the movie. Second, this is a great cast that is SO wasted -- Blethyn, Martha Plimpton, Jennifer Tilly and many others in this large under-utilized cast are given a number of quirks but there are so many subplots that you never get to know any of them, or why they are the way they are. Didn't someone once say, "Quirks do not a character make"? Well, that person was not this screenwriter. You just jump from one goofy but endearing mannerism or device to another. There are enough charcters here to make three romantic comedies but instead we get one overcrowded mess. Third, Jude Law is incredibly talented, but he's miscast here as a young man so in love that he affects his love interest's entire family. Law is more a button-down quiet guy, who might inspire passion but not necessarily of the exuberant, romantic variety. Fourth, the chemistry between Law and Gretchen Mol is nonexistent -- two nice actors who are NOT good together. Fifth, the music is pretty bad, intruding on the film more than accentuating the emotions. Finally, the DVD features are: the movie trailer. Whooppee!

If you want to see a fun romantic comedy that you haven't heard of, check out Happy Accidents. This film is lame despite its great cast, and one wonders why all these talented people signed on to this goofy project.

Add this to your top 10 of great love stories!
This movie is fantastic. It's funny, romantic and, well, fantastic. Not much of a Jude Law fan, I was in love with him by the end of the movie. Jennifer Tilley was not her playing her normal, ditzy role. One of her lines from the movie pretty much sums it up... "Danny's (Jude Law) love for [Anna] is so big, it spilled over and effected us all". This movie will effect you!

Lack of romance disappointing, but good comedy subplots
I bought this film for the same reason most other young women probably did - a love story involving the gorgeous Jude Law! I'd never even heard of this film and only found it after doing a Jude Law search on Amazon. I have just finished watching it and I can sort of understand why it wasn't widely publicised ...

It's an OK film ... a comment which sort of prepares you for how 'memorable' I found it. The film's main love story is that of Danny (Law) and Anna (Gretchen Mol), who first meet when Anna is being born (5 year-old Danny literally lends a hand!). The young Danny declares to the amusement of the adults present that he will marry this little baby one day! After moving to England and growing up there, Danny returns to the States 25 years later only to run into Anna and her family once again. Danny, a 30 year-old tile-maker and incurable romantic, decides it's his fate to end up with Anna, but of course things couldn't be that simple - Anna already has a fiance that everyone likes. There's also a lot of stuff going on in Anna's family which seems to be coming to a head when Danny arrives on the scene - Anna's blind sister is in need of a huge change in her overly-closeted life; her beloved mother is dying; and her arrogant brother is dealing with an unstable wife who likes to confront him regularly with a pistol!

What slightly disappointed me about this film was the fact that the 'main' love story was the least interesting of all (save a couple of cute scenes involving the toss of a coin). The other stories, particularly the one involving Jennifer Tilly as the blind sister, held my attention more. I never grew to like Anna - who seemed cold and boring throughout - and thus found the passionate Danny's sudden love for her too unbelievable. There is barely a meaningful word spoken between the two, and they seem to be two completely ill-matched people - so the instant 'love' was inexplicable. It's either the fault of the script-writers or Mol, but it's a shame that a better portrayal of 'the object of Danny's desire' could've made this a better film.

To end on a positive note, I did enjoy the film more for its frequent comic interludes and some of the supporting cast's performances, particularly Martha Plimpton and Brenda Bletyhn. It's a good film for a free afternoon where you feel like smiling (and gazing at Jude Law!). I just wish it could have concentrated more on developing its main love story than dedicating too much time (and better script-writing) to its sub-plots. ... Read more

Reviews (12)

A great family film !!!
this movie is very good ! i love watching all the t.v. shows with Lassie and i love watching Lassie save poples lives ! i think "Marge and Bob" should get a life.... Tom Guiry is a great actor. and he does a great job playing Matt in the movie. so if you have not seen this movie... I WOULD SEE IT !! its a great movie for all ages !

A Great Family Film
I rented this video for my kids, ages 2 and 8, thinking it was the old-time Lassie flick. Was surprised to hear a comment about "Nintendo" early in the film, and references to skateboarding. But this modern remake is true to the story and my kids were thrilled with the movie, asking to see it again and again and also asking Santa for their own copy.

Great Family Film!!!
Im usually an action comedy movie guy, but I saw this along time ago and I watched it a fews ago.This is a great film for the family and worth buying.

Traditional Family Values
This movie is a refreshing updated version of good old Lassie family movies!! It is predictable in plot, but in a comfortable way. My 3 sons, aged 10 years old-3 1/2 years old, all enjoy this delightful show. It is hard to find a movie with traditional family values that entertains the whole family. A dog-lovers must have DVD!!

Nice Update of the Lassie Story
Very enjoyable update of the classic Lassie film, even if the villain of the piece is so stereotypical it's laughable (he uses guns and chews tobacco, so he must be a bad guy, right?). Gorgeous scenery and the kids aren't goodie-goodies but reasonably real children. Richard Farnsworth is wonderfully warm as the grandfather. ... Read more

Amazon.com

Buying the Cow
This generic sex comedy--about a guy who can't decide whether or not to marry his girlfriend because he's still obsessed with a girl he saw in an airport when he was a teenager--really has only one thing to recommend it: Ryan Reynolds (Coming Soon, Van Wilder). Reynolds plays the main character's horndog friend who becomes convinced he's gay, and while much of his material is of dubious taste and quality, Reynolds has a mixture of ironic detachment and actor commitment that makes the most of his role. Everyone else--Jerry O'Connell (as the obsessed guy), Bridgette L. Wilson (as his understandably frustrated girlfriend), Ron Livingston, Bill Bellamy, and Alyssa Milano--have their moments, but the script doesn't offer them much to work with. When it isn't drowning in clichés about men and women, it's trying way too hard to be "over the top." --Bret Fetzer

Love Stinks
In Love Stinks, Seth (French Stewart from TV's 3rd Rock from the Sun), a sitcom writer-producer, meets Chelsea (Bridgette Wilson, Billy Madison) at his best friend's wedding. He's immediately smitten by her blonde babeness; she's attracted to his income and single status. For the next 45 minutes she tries to get him to commit though a combination of skimpy outfits and wild mood swings. When she finally realizes he's not going to, she turns into a vengeful harpy and tries to make his life hell. This might be funny if you believe that women are manipulative, money hungry, marriage-fixated psychotics--but maybe not. The standard of wit is best expressed in the line, "Drop the probe and step away from my ass," declared by Seth as he's about to receive an unrequested colonic in a spa. It's always wise to be wary of comedies with a comedy writer as the main character, especially when the movie is written and directed by a comedy writer. Writer-director Jeff Franklin previously made two TV movies starring the Olsen Twins; this may have been his attempt to exorcise some relationship gone awry. Love Stinks also features Bill Bellamy (Love Jones, Def Jam's How to Be a Player) and supermodel Tyra Banks. --Bret Fetzer ... Read more

Description

In this sequel willy has rejoined his whale family, or pod, and is living in the pacific northwest seas. Jesse and Willy meet again when an oceanic disaster separates willy, his brother and sister from the rest of their pod. ... Read more

Reviews (13)

Good subject, lousy implementation, worse than the 1st.
I have to ask some of the people who RAVED about this movie if they actually were awake during the whole thing...

The computer generated graphics can not compare to real whales, sorry. I'm a big fan of computer generated images, but not this time.

The story is stretched to levels of disbelief that I didn't believe imaginable.

It's not horrible, but it's not as good as the first movie.

Kids will love it more than adults, that's for sure.

The subject matter is great. I love a good eco/bio movie any day but it could have been done better.

The little bit of budding romance was actually done reasonably well.

Net: I own it, only cuz the wife bought it. I wouldn't have. I've seen it twice, but other than that, it's tough to get through it without laughing. I know, I'm probably much too critical on this one, but hey, sometimes ya just gotta say "YO."

You might want to rent it before you think about buying it.

The Adventure Home Brings It Home!
Sure, everyone is going to make fun of Free Willy 2: The Adventure Home because everyone thinks Willy got home, right? No way! This movie is way rad, better than the original. Although it is a bit predictable (and silly), it has a strong plot, young love, that same 'save the whales' message, the cute Jason James Richter, and real suspense at the end. We learn that an older, girl-crazy Jesse (Richter) has a little brother (Elvis) that must come stay with the Greenwoods (Annie and Glen, Jesse's foster family) after Jesse's biological mom dies. You'll probably remember that in Free Willy Jesse was looking for his mom. Anyway, they all go camping and visit Randolph (the Native American guy that worked at the Whale Park and helped to free Willy). Jesse sees Willy for the first time in years (calling him with the harmonica tune from the original) and meets Nadiene, Randolph's God-daughter. She shares a love of orcas, and all is well until there is a terrible oil spill threatening Willy and his family. But thats not all! Feeling neglected, Elvis runs away but overhears the oil company owner's plans for Willy and his family-to catch and sell them. Then, while Jesse, Elvis and Nadiene are helping the whales to safety, the oil spill catches fire and they are nearly killed.

The acting is a little, well, over-the-top, but it's a great movie. It features another Michael Jackson song and Jesse with his harmonica and guitar. You will dig it, no matter what age. It's my favorite movie and I'm 16! (also check out Free Willy 3: The Rescue)

Better than the original
this is better than the original even though the original is awesome, this one is just has better

Better than the original
I love this one, better than the original.Better story and Better plot.

Good Movie, the first one was sooo much better
its a follow-up. its definatly worth watching. i think the third movie was a bit much but it was nice to see what was happening to jesse. the first one was alot better. it was about the connection between an orphaned boy and whale and how they freed eachother. it was an amazing movie if you exclude the michael jackson video at the beginning but i usually just fast forward through that, no harm done. the second one is a good investment though if you loved the first one. ... Read more

Description

Click on titles below for individual product details. ... Read more