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| 1. Uncle Buck Director: John Hughes | |
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Reviews (54)
This is a comical story and adult guardians and the difficulty of growing up. If you have scene the chopped-up verion on TV, you haven't seen the whole of John Candy. I particularly missed the golf-lessons with Bug. Look for great performaces by Laurie Metcalf ( Jacky, the sister from ROSEANNE the series), Jean Louisa Kelly, Gaby Hoffmann, Macaulay Culkin ( from Home Alone. He's about 4 or 5 in this), Amy Madigan, Elaine Bromka, and Jay Underwood.
I give this movie only 4 stars despite its appeal to me due to the fact that I give only movies that overly hilarious from beginning to end a 5 star rating. Uncle Buck though does have a few parts that are without comic relief, but that doesn't stop the story or that particular part of the movie from being entertaining. Its still a great family comedy classic.
Cast: John Candy ... Buck Russell Jane Vickerilla ... Teacher #1 Devon Odessa ... Additional Voices The Russell's have to go to Indianapolis because Cindy's (Elaine Bromka) father has had a heart attack. They can't find anyone to watch their three children while they are gone except batchelor uncle Buck (John Candy), Bob's brother (Garrett M. Brown). The little kid's, Maisy and Miles (Gaby Hoffman and Macaulay Culkin) are no great problem, with the exception of the teenage girl, Tia, (Jean Louisa Kelly), who is a pouting, angry, snotty, rebellious little jerk. She treats her mother disrespectfully, is self-centered, and carries that attitude on to Buck, who is trying to do the right things by the kids, In other words, she is playing the part of an ordinary 15-year-old who has never been properly disciplined by her parents. This was a great movie. I particularly enjoyed the parts where Buck was threatening Tia's boyfriend, Bug (Jay Underwood), who has dishonorable designs on the girl. Buck's threatening attitude was delicious, and my appreciation no doubt reflects my own dislike of teenaged boys, the same feelings as any man who has had teenaged daughters to raise. Namely: that they should all be imprisoned until they are at least 40-years-old and rendered eunuchs, and the girls' fathers need to be well armed at all times with shotguns, and the boys in question should be left with absolutely no doubt as to the fathers' willingness--even eagerness--to use them with the intent to emasculate the culprits who dare to even think about touching their daughter. Joseph (Joe) Pierre
The cast includes Mac Culkin as Miles, Gaby Hoffman as Maisy, Amy Madigan as Buck's girlfriend, Chanice Kobolowski, & Laurie Metcalf (Roseanne's sister, Jackie) as the crazy neighbor lady, Marcie Dahlgren-Frost. Also billed in small parts are Anna Chlumsky (My Girl), Patricia Arquette, and Devon Odessa (My So-Called Life). This film is totally hilarious but also has those wonderful John Candy touching/sentimental moments. A wonderful family film that can be watched over and over again! Happy Watching! ... Read more | |
| 2. Reason to Believe Director: Douglas Tirola | |
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Reviews (3)
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| 3. The Boy Who Could Fly Director: Nick Castle | |
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Description Reviews (27)
Fred Savage adds just the right comic element, to soften the darker aspect of the movie. And then, there's the fantasy element. At first, I was disturbed by the sheer fantasy that isn't revealed until the climax of the film. It just seemed as to realistic a film to have such an ending. And yet, I found it somehow refreshing, and yet it's the fantasy which in spite of the title, just didn't come off for me, and that's the only reason for my not feeling that it deserves five stars. All in all, though, this is a movie to watch and to enjoy. There's just enough real life sense of tragedy in the young people's background here to keep it from being overly sweet.
It's completely fiction and almost science fiction but it works. Jay Underwood plays a boy orphaned because of plane accident. He becomes a recluse and a mute. Then his new neighbor a young girl who is also his age befriends him. Convinced she can help him she makes an effort to communicate with him. He is a social misfit, however, he has one gift and talent that he keeps hidden well - he can fly. A great premise and some good special wire effects (perfected because of the Superman films) the film is very simple but it has a sweet and warm chocolaty center. Bruce Broughton did a wonderful score for the film. Special note: If you go to see a movie at the Hollywood's El Capitan - it is the score from this film that you hear as they open the curtains to view each movie. It is a wonderful score and cue that goes well with the film. Not on DVD yet, but if it ever does - I hope it has extras. Nick Castle (The Last Starfighter) did well on this one!
The magical ending of this great movie will surely leave you with goosebumps and exhilarate you. Milly: We're all a little like Eric. Maybe we can't soar off into the clouds. But somewhere, deep inside, we can all fly. Also in the movie are Fred Savage from "The Wonder Years," who plays Milly's small brother, and Mindy Cohn from "The Facts of Life," who plays Milly's neighborhood friend. Highly recommended. A great family movie.
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| 4. Dancing in September Director: Reggie Rock Bythewood | |
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Description Reviews (5)
There are many themes in the movie, but it seems the underlying theme that carries through the whole film is the power of television and the people behind it. The movie is pot-holed with interludes where people in the television industry share their comments and thoughts on the lives of the characters and the power of TV, (but don't worry, unlike many movies I can think of, this does not jar the flow of the movie, which is quite an accomplishment). One woman says (and no, this isn't an exact quote) that if a commercial can convince you that a certain ant-acid is the solution to your pain, or that one insurance company is the solution to your debt problems, then it can certainly convince someone that violence is the answer, can't it? This has been a long debated topic since the beginning of television, and Nicole Ari Parker squares off with Isaiah Washington over this very issue during the course of the movie, while trying to juggle their intertwining professions, relationsips, and ultimately, the morals that both bring them together and put them at odds. This movie shows the depth and evolution of a person superbly, portraying the effect television, power, money, love, hate, confusion, controversy and rejection have on a persons heart, soul, and life. The movie started out much as I expected it to, a reasonably interesting light hearted film centering on three main characters; Isaiah Washington, who plays an ambitious african-american with dreams of being an influential power in the television industry. Nicole Ari Parker plays a strong headed and strong willed african-american woman (as usual), but in this movie, she brings an extra element of magic to the character she gets type-casted into so often. There's a genuine emotion about her performance in this movie that feels real. Maybe it's because this is a topic that really does effect her, after all, she is an actress. Last, but not least, you have Vicellous Reon Shannon, who plays a confused youth caught up with the drama and baggage of a young daughter, an angry girlfriend, and her volatile gang-banger boyfriend. Shannon's character goes through the most phases of evolution, going from depressed and down on his luck, to fame in a second, to arrogance, to everything falling to pieces, and finally to the moment of truth, where everything that has piled up on his nerves and emotions climbs to a feverish climax, bringing every character in the movie to a confrontation of their own lives and decisions. Without Shannon's character, you wouldn't have a movie. The GREATEST feature of this movie, however, is that every character starts off relatively innocent and ambitious with strong-standing morals and visions for their life. Determined to stand their ground against the arrogant, greedy and emotionally blind executives in the TV industry who try to conform and supress their ideas, they find themselves slowly crushed, melted and molded to what the industry wants them to be, spurred inexorably into the fires by their own aspirations. What's so great about this, is that 3/4's of the way through the movie, each character in the movie has evolved into the one person whom they hated in the beginning of the story. Nicole Ari Parker becomes the self-absorbed screen writer, unable to hear the voice of other, perhaps wiser people. Isaiah Washington, who arguably had the lowest standards to begin with, becomes the dis-loyal father whom he's hated for so many years by abandoning Nicole Ari Parker's character in her moment of need. Last, but not least, Shannon's character ends up drawn back to his old image of gangsta, a man of the streets, and evolves consequently into the image of his baby-mother's volatile boyfriend whom he's been so opposed to since the beginning of the film. Finally, each character finding themselves at a point in their lives they swore they would never be at, they are all faced with several life-changing decisions, and in a climax that will you leave you utterly breathless, fall back to ground-zero, each character in a different way, forced to take a look back on their life and what effects their decisions may have had on their peers, friends, and relationships. "Dancing in September" is a sombre, accurate and moving character study that is sadly under-recognized as well as under-appreciated. "Dancing in September" is filled with hidden meanings, subliminal messages, and out-right confrontations of multiple issues our society refuses to face today. This is a film that will make you think, something the television and movie-making industry lacks now-a-days, and something that more movies need.
She pitches her own television series to a start-up television network. George Washington (Isaiah Washington), an ambitious executive at the network, sees Tommy's show as a way up the corporate ladder and champions the project. Tommy's (called "Just Us") is on the network's fall line-up after some "creative tweaking." Another reason to check out this movie is for Vicellous Reon Shannon's performance as James or "Semaj." His character is going through some emotional changes, and he is trying to make good with the mother of his child played by Melinda Williams (Soul Food Series). This movie is really excellent, and it's one you really should see. It's powerful without beating you on the head. You will get the message easily.
The film tells the story of Tommy Crawford (Nicole Ari Parker of TV's "Soul Food"), a staff writer on a television sitcom. When she dares speak her mind at a story meeting, the executive producer's fragile ego is bruised and Tommy abruptly gets the axe. Fortunately, all is not lost. Tommy pitches her own television series to a start-up television network (not unlike the WB or UPN). George Washington (Isaiah Washington), an ambitious executive at the network, sees Tommy's show as a way up the corporate ladder and champions the project. Before you know it, the series (called "Just Us") is on the network's fall line-up and a special bond develops between Tommy and George. Through it all, Tommy is forced to navigate through the politics of network television. As the saying goes, "Be careful of what you ask for, because you might get it." Isaiah Washington gives one of his best performances to date in DANCING IN SEPTEMBER. Unlike the Damon Wayans character in Spike Lee's similarly themed, BAMBOOZLED, George is believeable throughout the film. Although you may not always like George, his character is very consistent. Unlike, BAMBOOZLED, the story stays true to form, although there's a subplot that throws the film's equilibrium off slightly when it turns violent. One of the real highlights among the cast is Nicole Ari Parker's performance. She is fantastic in this film. Made before she signed on do to "Soul Food" for Showtime, it was her first starring role (not counting the fine featurette MUTE LOVE). Her dramatic range is quite impressive. In short, she brings a depth and intelligence to her character that is rarely seen in younger actors of today. Another reason to check out this movie is for Vicellous Reon Shannon's performance as James or "Semaj." He plays a street vendor that is cast in Tommy's series. Some of his scenes with Parker and with her "Soul Food" co-star, Malinda Williams are among the strongest in the film. For those who liked BAMBOOZLED, they should love this film. In many ways it is more effective in showing how television networks will do almost anything in their neverending pursuit of ratings. One of the reasons for this is probably the fact that Bythewood worked for many years as a writer for network television. He doesn't need to show actors in blackface to make his point, like Spike Lee did in his film. Also, actor for actor, the performances are much better in DANCING IN SEPTEMBER and more believeable than BAMBOOZLED. Even actors in relatively small roles get to shine. One that immediately comes to mind is that of Jenifer Lewis, who plays a character in Tommy's series. Other than what has been already mentioned, one warning about the film is that it is an insider's view of television. This might not appeal to some viewers that do not have a connection with "the business." It may seem foreign to them. Hopefully, viewers will look past that and just enjoy the film. In short, DANCING IN SEPTEMBER is a solid directorial debut for Reggie Rock Bythewood. It has quality acting, drama and something important to say about the world. Hopefully, we'll be seeing more from Bythewood and his fine ensemble in the near future. Last but not least, kudos go out to HBO for allowing audiences to see this very worthwhile film. Combined with Showtime, the Independent Film Channel, Black Starz! and the Sundance Channel, cable seems to be the place where intelligent films get their place to shine. ... Read more | |
| 5. Road To Redemption Director: Robert Vernon (II) | |
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Reviews (11)
Road to Redemption tells of a young couple Amanda Tucker (the lovely Julie Condra) and Alan Fischer (Jay Underwood) who are sick of struggling along financially so "borrow" some money from Amanda's boss who also happens to be a Mob boss, along with the money comes racing tips for some fixed races so off they go to the racing track. All does not go to plan and Amanda finds herself having to leave town to track down her Grandfather Nathan (Pat Hingle) in order to hit him up for some cash so she can pay back her boss. There are some excellent performances put in by the lead actors as well as the supporting mobsters Tony Longo as Vincent the enforcer is very amusing as it Wes Studi as Frank Lightfoot. There are some real funny set pieces in this film and some of it reminded me of the also excellent Dumb and Dumber (minus the crudeness). Road to Redemption is a family friendly comedy with real heart. It's extremely amusing and a joy to watch. It also very moving and touching as well as Amanda gets to know her Grandfather and learns about what is most important in life. I recommend it whole-heartily for anyone needing a good laugh and it's refreshingly free from smut, foul language and jokes made in bad taste. Enjoy this film and thanks for reading.
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| 6. Promised Land Director: Michael Hoffman | |
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Description Reviews (4)
The actors are all very young. The film stars a very young Keifer Sutherland (Danny) and Meg Ryan (Bev) as a rather unlikely couple. The real 'star' of the film, the one who gets top billing, is Jason Gedrick (Hancock), whose career has been rather less prominent than Sutherland's or Ryan's. Tracy Jo Pollan (Mary) also stars in one of her few starring film roles. Pollan is now much better known through her marriage to Michael J. Fox. The plot is a rather simple one. Four characters -- a high school basketball star (Hancock), a cheerleader (Mary), a dropout (Danny), his wife from a western state (Bev)-- all get tangled together in a final blow-up in the small hometown. The film opens during the all-important last moments of a basketball game. Of course, our guys win; the basketball star announces he's leaving for college, and the dropout announces he's leaving town. The cheerleader is left behind, but has hopes of her own. Fast-forward two years. The basketball star is back home, working as a policeman. We slowly discover during the course of the film that he didn't make it as a college basketball star, and couldn't stay in college any other way. Mary, meanwhile, has gone off to another college, but has come home for the Christmas holiday, and as Hancock tries to rekindle old feelings, probably largely derived from hoping to recapture feelings of past glory, she feels pressured. Danny, in the meanwhile, has gone out west and married Bev, a strange and wild woman. We learn that Danny has spent time in jail, and has never had a steady job or stable life. We don't learn as much about Bev through her speech, but can assume as much is true for her through her behaviour. Danny and Bev marry is a bizarre Las Vegas wedding ...and begin the long trek back home so she can be introduced to the family for Christmas (something that takes Bev by surprise). Danny comes home and, in the course of various strange happenings, ends up with Bev in a convenience-store robbery. Hancock is the officer called to the scene, and ends up shooting Danny dead. There are many unrealistic parts to the plot. Few high school jock stars are as likely to be friendly toward the dropouts as Hancock is toward Danny, for instance. When Danny returns home and goes to a bar, his friends wave hello, calling out 'Hi, Senator!' Apparently, Senator was his mock-ironic nickname in high school. One of his friends asks if he has become a senator yet; I hope that small-town folk aren't this unaware of the ways of political reality! However, many of the emotions and situations ring true. Hancock's frustration with having reached the pinnacle of his life's glory at age 18 are very present; Mary's resistance at being drawn back into that life, yet still being attracted to Hancock is understandable. Bev is a strange character overall. She possibly represents the wildness that was lacking in the sombre (read - boring) small town environment. 'In a small town like that, you only get to make about one mistake.' Danny says this to Bev, and that is a real insight. Small towns are the same the world over -- those who don't leave remember everything for generations. The production quality of the film is fairly good, but as one of the earliest of the Sundance productions, it lacked a budget for the final, Hollywood polish. The director, Michael Hoffman, does not have an extensive filmography, but has directed such diverse films as Soapdish, Restoration, and A Midsummer Night's Dream. A little editing. The acting is good, but not great. The script is sometimes lacking, but passing fair. The characters are people who begin to spark an interest, but are ultimately unsustainable. Had there not been the emotional and violent ending (very uncharacteristic for the town, one imagines), there would be little memorable. This is a slice of American life in the middle; not the top, nothing glitzy or glamourous here, but not the bottom either. A very different view of high school and college-age years than typical Hollywood fare -- hopes have been dashed, if there were hopes at all, and the future stretches out in front, but as a rather bleak picture of sameness. The film does not have a happy ending. Perhaps even without the shooting at the end, there would not have been a happy ending. Does one want a fast death in a blaze of glory, or a slow death by mediocrity? Sometimes that seems like the only two options for many people, and not just those in small towns. Ultimately, there is no Promised Land here. It is something these characters aren't permitted to enter, because it has been defined beyond their abilities to attain. This film is largely overlooked, and has many points in which improvement can be made. Ultimately, it hangs together adequately, but not superbly, and perhaps that is ultimately its downfall.
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| 7. The Legend of the Candy Cane Director: John Schmidt (II) | |
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Amazon.com Reviews (2)
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| 8. The Girls Room Director: Irene Turner | |
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| 9. Afterglow Director: Alan Rudolph | |
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Written and Directed by Alan Rudolph (Mortal Thought, Breakfest of Champions) shows a Strong Dramatic Comedy about Love and Redemption. Julie Christine gives a Strong Role gives the film:Best Asset. Grade:A.
The plot mechanics of what follows would be farcical if it weren't for the pace. In the yuppie's lavish house (similar to the one Al Pacino called "post-modernistic bull#*%^" in Heat), Lucky goes to build the frustated housewife nursery for the phantom infant. Given their respective marital status, an affair, especially in film with jazz dominating the soundtrack, is mandatory. By sheer coincidence, or by the writer's desire for contrast, Jeffrey and Marrianne meet. Suicidal he maybe, but as his well complemented secretary would attest, he does have an attraction, albeit non-sexual, to older women. This is their first exchange: Phyllis: I noticed your wedding ring. Jeffrey: Its removable. Phyllis: Does your wife know that? Jeffrey: If we find her, we'll tell her. Rudolph is so fond of such rhythmical gesticulation of dialogue that instead of the above standing out, it could be a random selection from his script. The whole thing is written this way, hence defeating any dramatic aspirations the film might have had; if these people talk like this ALL the time, then what planet are they from? This is that part where I'm supposed to say why I thought the picture is not what it might have been. It is true that the actors, with the exception of the Oscar nominated Christi, struggle to create anything special under the director's pretense; Miller is fun in role that is virtually opposite to his Sick Boy in Trainspotting, but the character is one note. Boyle brings nothing new to frivolity and neurosis. And Nolte is just Nolte. But if you were familiar with the films of Alan Rudolph you'd know that he hasn't failed here. Afterglow is, probably, exactly what he wanted it to be. A small scale drama with a slightly skewed sense of reality. He is the patron saint of the slightly off-key film (his underrated 1990 murder mystery Mortal Thoughts was realistic only because every other murder mystery was not). So Afterglow is no surprise, just another part of the man's repertoire. The only thing that might make Rudolph's oak-lined, smokey, booze drenched creation worth visiting is a jewel of performance by Julie Christi. She is able to sell Rudolph's silly non-jokes, as when she calls her husband Lucky Mann (which is his real name, ho ho), without letting on if she is loving, mocking, hurt or disgusted by him. She is the enigmatic, fascinating mystery the rest of the film only thinks it is.
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| 10. Possums Director: J. Max Burnett | |
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| 11. Sleepstalker Director: Turi Meyer | |
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This is a fun addition to my collection.
The film is about a young boy named Griffen, who sees his parents killed by serial killer who calls himself the Sandman. Seventeen years later, Griffen has grown up to be a talented journalist. He feels pure relief when he finds out that the killer who murdered his parents is being executed. But what Griffen doesn't know is the Sandman performed this black magic ritual that will resurrect him into a horrific creature made of sand that can change his shape at will. The execution is performed and the sand-like killer/creature is resurrected and he sets out to end Griffen's life. Like I said, this is not quite original but it is an excellent film and it will make you have every light on in your house.
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| 12. And the Beat Goes On - The Sonny and Cher Story Director: David Burton Morris | |
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| 13. Desert Bloom Director: Eugene Corr | |
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| 14. Stalker Director: Marc S. Grenier | |
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| 15. Possums Director: J. Max Burnett | |
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| 16. Stalked Director: Douglas Jackson | |
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