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If you have the slightest interest in the phenomenon called Rudolph Valentino, this terrific disc is absolutely the place to start. The screen's great male sex god of the 1920s had a mammoth success with The Sheik, a slice of desert romance both exciting and completely absurd. Valentino plays a dashing "sheik of Araby" who rather forcefully romances an adventure-minded English lady (Agnes Ayres); if the story creaks with Victorian storytelling conventions, it also works. Five years later Valentino returned to the sands with his final film, The Son of the Sheik, playing both his original role and the sheik's impetuous boy. More madness here, and a wild saber duel on horseback at night reminds us they don't make movies like this any more. Valentino's faux-exotic allure may seem curious to modern viewers, but squint hard and you can imagine the frenzy caused by the sultry eyes and rapacious grin. --Robert Horton ... Read more

Reviews (12)

I LOVE Valentino! Sheik lover here!
I've always been "in love" with the "older" male movie stars, those who are no longer around. I am twenty-seven years old but I love such actors as Tyrone Powers, Clark Gable, Laurence Olivier, to name a few.Now added to my favorite men is Rudolph Valentino! I've heard of him and how he was a sex symbol of his time, the silent film era. Curious, I bought this DVD, "The Sheik/The Son of the Sheik" At first I thought the story corny, and the music was more like elevator music. I really thought I couldn't go through with a silent film. Then...BOOM! I see Rudolph Valentino, his eyes, his face....I got shivers watching him. I didn't need to hear his voice, although I wish I could! He is sooooo sexy and soooo...I don't know what to call it, I guess he's just got "IT"! Sex appeal?
The rest of the characters were all a blur to me. Valentino's looks and expressions did not need words! His eyes "speak". Those bedroom eyes!
In both movies, he is your typical alpha male. He kind of reminded me of Yul Brynner (who by the way, is another babe!)in "The King of Siam".
As for the quality of the movie, I'd say it's pretty darn good! I think they did a good job for an "old" movie. It's not how a movie looks "now" to us, but just keep in mind that it's a 1921 movie.

here's your chance to see what all the fuss was about
Rudolph Valentino made only five films, but he was idolized by millions of women the world over. Here in a fun double-bill, are The Shiek, which made him a household word, and his last film The Son of the Sheik. Each revolves around a romance between a beautiful young girl and Valentino's sultry man of the desert. There are lovely shots of horses running across the sands, delicious eyebrow raises from the sheik, and such memorable reader cards as: "The night was young at the Cafe Maure. Not a knife had been thrown---so far."

The prints are very nice, though The Sheik is heavily tinted and runs 86 minutes instead of the 80 minutes it should. The music tracks are alright, using a small orchestra, with an alternative updated track available for the second film; I was disappointed because I had seen The Sheik on television several years ago and the accompanying synthesizer track was remarkably beautiful -- but that is not on this disc.

Three shorts are included: "Rudolph Valentino and His 88 American Beauties", in which the star judges a beauty contest (1923, 13 minutes); "The Sheik's Physique", in which the star takes a nap in his swimsuit (not dated, 3 minutes); and the Pathe News coverage of Valentino's funeral (1926, 4 minutes).

If you are interested in silent films or in Valentino, this is a terrific package.

Rating the movie-NOT THE DVD QUALITY
I am so glad that I bought this movie on the basis of reading other reviews. To watch Valentino for the first time is quite impressive. Most people would not think of watching a silent movie and I was one of them until now. With his facial expressions, he does not need to talk. Since viewing this, I have ordered all the rest of them, Do yourself a favor and watch at least the son of the sheik which is the better of the two. And now on to the DVD Quality. It stinks. I don't know where everyone says it a great transfer. A great transfer would look like the latest Criterion --Beauty and the Beast. Anyone with a big screen digital tv watching this will think any reviewer that says the dvd quality is good has a screw loose. It needs to be restored one frame at a time. But that would require a company willing to spend a lot of money and a long time to do. We can only hope---------

No One Does It Better
There is absolutely no one past or present who does to women on screen what Rudolph Valentino does. He is the ultimate lover. Just watch his hands. Gentlemen of today! Take lessons! This DVD is a very high quality restoration with a beautiful musical score. Although the charismatic Valentino dominates every scene in which he appears, I also enjoyed performances by Agnes Ayres and the beautiful Vilma Banky (She was called the Hungarian Rhapsody for good reason!). Beautiful costumes and sets make for magical viewing of times gone by.

Ahmed, I love you!!
My goodness - How I wish I'd been around in 1920's Hollywood!! - This is a wonderful look back at Rudolph Valentino's two Sheik movies (the second in which he plays his former self, as well as his own son - check out the funny splicing effects!!) - as well as extras of his 88 beauties pageant tour, "The Sheiks Physique" (Rowr!!), and sadly, an account of his funeral. It's been 80 years, and still there is as yet no one who has risen to the ranks of Rudolph Valentino. He is as unique today as he was in the 1920's - and equally alluring. This is a must-have DVD for silent film fans, Valentino fans, and anyone interested in seeing beauty personified!! ... Read more

Reviews (8)

Bravo, Valentino!
The quality of this film (or at least the version I purchased) did not seem to be to the standards of other Valentino films (picture seemed grainy and the speed seemed much faster), but I still rate it among one of the best. Like one review wrote, it does lack the style of the later Tyrone Power remake; however, Power comes nowhere close to Valentino's brooding, sensual portrayal of Juan Gallardo, and Nita Naldi was much more convincing as the witchy Dona Sol than Rita Hayworth, and plays the range of emotions (from begging Gallardo to love her to coldly reacting to his death)extremely well. This 1922 version captures the spirit of the bullfight remarkably well in spite of the limitations of silent film-making, and seemed incredibly authentic.

Now - about Valentino. I was puzzled at the over-emphasized eyebrows and wish the make-up artists had not found it necessary to use the effect, as Valentino would have projected a Spanish image easily with his natural dramatic looks alone. But, either way, he is intensely sexy, powerful, brooding, smoldering and hypnotic as usual. I enjoyed his portrayal of the youth Juan, especially his tenderness toward his mother. His transition from youth to adult matador was natural and believable. The scene in which Dona Sol begs him to love her and proclaims that she longs for him to "beat" her with his "strong" hands was highly erotic and was packed with a sexual tension that can't be matched by anyone other than Valentino and his leading ladies. I may be biased, because I am crazy about any vehicle which showcases Rudolph Valentino; however, this film carries its own and I thoroughly enjoyed it from beginning to end. Once again, Valentino has captured my heart, and I recommend this film to all lovers of romance.

What I think....
I think this is the best film Valentino ever did! His acting in the romantic scenes lacks the over the top feel that the loves scenes in "The Sheik" have. He brings a sincere, believeable quality to the character. Also, something that the reviews here seem to miss is the comedic moments in the film. In the scene when the black Moor servant offers to light Valentino's cigarette... the look on his face is priceless! Having the video of this film as well I noticed several scenes on the DVD edition that were missing from the VHS edition.
The DVD edition also includes a wonderfully funny piece of Will Rogers' "Blood And Sand" spoof.

CREEPY VAL BROODS AGAIN
Rudolph Valentino blazed on the silent screen with a weird, smoldering sensuality that seems kind of laughable when seen in stills or clips.

Not so in "BLOOD AND SAND," his most celebrated role. Rarely seen today, this classic silent in a new digital transfer from a 35mm archive negative does justice to the enigmatic Valentino's portrayal of Juan Gallardo, a young Spaniard who achieves his boyhood dream of becoming a famous matador only to fall under the malefic charms of mysterious Dona Sol (Nita Naldi).

The compilation, exotic stereo music score is performed by the acclaimed Mont Alto Motion Picture orchestra. The disc comes with a wealth of supplemental features including a filmed introduction by Orson Welles, a great parody starring Will Rogers, footage from Valentino's funeral and more. Brooding and hypnotic and funky. No one smolders like Valentino. Was he gay or just pleasant?

One of Valentino's best!
I recently bought this movie and loved it. I disagree with Maltin's comments - the seduction scenes are a lot of fun and really make the movie, whereas the bullfighting sequences are less impressive - though Valentino does look great in his matador's costume! What really struck me was the sensitivity in Valentino's performance and the overt sensual quality he possesses that just lights up the screen. Nita Naldi plays her role as the 'the vamp' very well and her scenes with Valentino are great (they played together again in 'Cobra'). Of course, the movie is wildly dated - it's 80 years old! But it holds up well as a piece of entertainment, and fans of silent movies should enjoy it. And if you're a fan of Valentino then you're going to love him in this - he looks stunning and gives one of his finest performances, and according to what I've read it was one of his personal favourite parts to play.

Bravo!
Another of Rudolph Valentino's cinematic triumphs. He stars as a bullfighter who is torn between two women. It's a very good film and the bullfighting scenes are very interesting to watch. Great performances by Valentino, Lila Lee and Nita Naldi make this a good film. ... Read more

Description

The legendary silent screen lover Rudolph Valentino as a passionate Count. Beleaguered by women in his native land, a promiscuous Italian Count, Rodrigo Torriani (Valentino) escapes to New York to work for an elegant antiques dealer. The ambitious young man cannot suppress the Don Giovanni within himself and is soon embroiled in a new series of romantic entanglements--until his best friend's new wife captures him in her Cobra-like gaze. Now, he will sacrifice all for one woman. ... Read more

Reviews (4)

Thoroughly entertaining!
Everyone else has already said it, but I have to say it as well: this film should not be overlooked when discussing Rudolph Valentino, nor a high-quality silent drama in general, for that matter. I simply cannot fault this film in any aspect: visually beautiful with perfectly-suited, lovely classical violin music, and perhaps the most emotionally-rivetting acting performance by Valentino I have seen. I fully agree with the reviewer who was captivated by Valentino's expressions; not only could you clearly SEE every emotion, but I, for one, could FEEL it, and therefore I found this drama a particularly emotional experience. It is perhaps deceptively simple on the surface, yet when you stop to think about the story, you find a deeper and a meaningful morale, namely friendship versus love - the casanova with a conscience. A wonderful viewing experience and really recommended!

Fascinating Rudolph Valentino Drama
Rudolph Valentino even in the almost eighty years since his death still elicits frenzied discussion from fans all over the world and in this talk frequent mention is made of such Valentino classics as "The Four Horsemen of the Apocalypse", "The Sheik", and "Blood and Sand". Often overlooked is his contemporary drama "Cobra", which I feel displays some of Valentino's most restrained and pleasing work as an actor. Made in the last full year of Rudolph Valentino's life before his tragic early death and totally overshadowed by his highly successful last film "The Son of the Sheik", "Cobra" has a poignant charm about it and shows a more mature Rudy on screen that many people dont know. Rather fittingly in its story it deals with such issues as regret, wasted youth and character redemption which partially had elements drawn from Valentino's real existence at this final stage in his life.

The story of "Cobra", is a simple one and tells the saga of Count Roderigo Torriani (Valentino) a dissolute young Italian aristocrat who spends his life running from one casual love affair to another. The opening scene sees Roderigo dogging the unwelcome wrath of the father of his latest "conquest". In the mix up over being mistaken for Roderigo, Jack Dorning (Casson Ferguson) an American Antique Auctioneer not only saves Roderigo from a all out thrashing but sees potential in the young noblemen and offers him a position with his Antique firm in New York. Travelling to America Roderigo soon finds himself in more hot water with the females and in particular Jack's vampish wife Elise (Nita Naldi). Caught in the snake-like grasp of Elise's cunning Roderigo finds himself for the first time worrying over a moral dilemma of hurting Jack who he loves like a brother. After a moment of temptation Roderigo leaves Elise in the hotel room where the planned seduction was about to take place only to find the next day that Elise has died in a hotel fire and that he was only one of many she brought there for her personal pleasure. Leaving New York for a time Roderigo returns to find that Jack not only was aware of Elise's planned seduction of him , but that he has also partnered with the firm's lovely secretary Mary (Gertrude Olmstead) who Roderigo had also been strongly attracted to for her sincere loving manner. Rather than spoil Jack's happiness a second time Roderigo for the first time in his life shows his developing maturity by spurning Mary's affection and sailing for France to leave Jack and Mary to find happiness together.

"Cobra", has a very sad and touching approach in its storytelling. The ending of the story which I wont reveal the details of for those who haven't seen it yet is very touching and one of the few times when Valentino succeeds in being an object of sympathy on screen. The general level of performances here are wonderful and it remains a mystery why this Valentino performance is not so well known or respected as his more famous great lover roles. Certainly in the beginning his Roderigo is a hopeless lady killer but the reformation of his character as the story progresses shows elements to Rudolph Valentino's acting not revealed before. He is in turn shallow and flighty in the opening sequences and superbly morose and downcast in the final scenes and you can see that alot of thought has gone into developing a logical character progression through the running of the story. Never could Valentino's work in "Cobra", be dismissed as the "nostril flairing, bulbous eyes acting" he was so often accused of practising. I feel it is one of his finest performances. Nita Naldi is very effective as the man eating Elise and her vampish seduction of an almost reluctant Valentino is superbly staged and Naldi earns her place among the 1920's screen vamps. Casson Ferguson and Gertrude Olmstead as Jack and Mary respectively are also good performers in their roles and Ferguson in particular is excellent in his scenes where he learns the truth of his wife's indiscretions. Beautifully filmed in subtle tones of black and white, Kino have done a wonderful job on restoring the print of "Cobra" just as they did when releasing Rudolph Valentino's next and final film "Son of the Sheik". The film also benefits from the expensive look provided by Willian Cameron Menzies elaborate sets and from the first work on screen by the renowned Adrian of later MGM fame who designed the spectacular costumes for the ladies in the story. Of particular note is the elaborate gown worn by Nita Naldi in her great seduction scene of Valentino which is all black with sparkly sequins on it, most fetching indeed.

"Cobra", is a viewing experience to treasure and shows silent movie acting at its most polished and sincere. Rudolph Valentino is wonderful to watch in this less well known performance and it is tragic to think of his death so soon after this film was released. It is he that makes the film an essential part of any silent film lovers collection and one can see that all the interest and affection which is still held for him is entirely justified. Enjoy Rudolph Valentino in his second last film, the stylish "Cobra".

A rare treat
This film is a perfect example of why silent films have to be REALLY WATCHED without any distractions. On first viewing, I was not paying full attention and I missed a lot. This movie deserves full attention....to gestures, expressions, mannerisms.
While Rudy may not be quite as physically devastating as in his costumed roles, his acting is the showcase here. And, this makes him even more attractive as a real person. You can feel what he is thinking and going through and he draws you into the story (which is basically a morality tale). And, what he is thinking and going through (even the comedy bits) appear very genuine and--it is the best word--heartfelt. In the scene where he is being tempted to kiss his best friend's wife, just watch the emotion passing across his face....WOW. The rest of the characters are well-cast and the sets and costumes (in one of famous designer, Adrian's, first movies) are fun to see in themselves. But, it is the magic of Rudolph Valentino that makes this movie a rare treat.

A true discovery
Several virtues make this atypical Valentino vehicle a true find for silent cinema buffs, Valentino buffs, cinematography buffs, design buffs, and especially those who appreciate restoration for video. Few nitrate-era movies have enjoyed the luck of perfect original-negative preservation plus the intelligence of perfect fidelity in the video transfer. This release is at the opposite end of the spectrum from the "fractured flickers" syndrome, and is a rare indication of the technical and artistic heights gained by Hollywood's silent golden age. For "Cobra," William Cameron Menzies (fresh from Fairbanks' "Thief of Bagdad") created a family of four spacious and picturesque Mediterranean-style sets plus what may be the first art deco set in any movie--a huge and stunning nightclub set that's on screen for less than five minutes. ("Cobra" was released the same year as the Paris exposition that introduced art deco.) Unfortunately, a third of the movie is spent in other, bland sets. Cinematography ranges from intensely picturesque (undoubtedly as conceived and created by the production designer Menzies) to inept. The potentially magnificent look is undermined greatly by mediocre, sometimes awkward or apathetic, direction. Could it be that the budget was quickly consumed and shortcuts were instituted halfway through the production? For once, Valentino (in real life an Italian immigrant gigolo) plays an Italian immigrant gigolo, here named Rodrigo (strangely similar to "Rudolfo"). The character is deliciously ambiguous and has none of the cliches associated with the Valentino image. The performance is probably Valentino's most subtle, detailed and heartfelt. Because of the paralells with the real Valentino and because this was his first independent production, with deatailed and complex characterization, I think the portrayal had strong personal overtones for the actor-producer. All the more interesting because "Cobra" is almost universally dismissed by biographers and film historians as a minor, throwaway project. The narrative begins as a comedy (Rodrigo is a destitute aristocrat in Italy, is a gigolo--the world's worst gigolo) but as he finds true friendship with an American antiques dealer Jack, moves in with him in New York, and gets caught up in a golddigger's (Nita Naldi) machinations, the story ends up a grim soap opera. The confused screenplay is far more interesting in what it suggests than what it delivers. The male characters are richly non-stereotyped, but the women are, alas, either whores or madonnas to the point of a misogynistic tone throughout. The new chamber-orchestral score is appropriate and improves on some of the movie's inconsistency. For variety, I like to play some Respighi selections while viewing. Both for its weaknesses and for its remarkable, outstanding strengths, "Cobra" deserves to be highly recommended. ... Read more

Reviews (11)

Good film!
This is another good film Rudolph Valentino fans will surely enjoy. In this film he plays a dual role, that of father and son. There is romance, action and a little bit of comedy in the scene where the young sheik tries to hide the cute Vilma Banky from his strict father. Agnes Ayres reprises her role from the 1921 film as Lady Diana Mayo. While this is a good film, I am partial to the 1921 "Sheik" film that started it all. Watch them both and decide for yourself! That's the best thing to do, as they are both worth owning for the talented and handsome Rudolph Valentino.

The Magic of Rudolph Valentino . . . . . .
I am a huge Rudolph Valentino fan. I have been a collector for many years, collecting old Photoplay magazines, photos, tins, postcards, etc. I, also, have most of his films on tape. That is, the films that are still existing today. All the other so called great lovers are measured by Rudy's standards. No one, past or present can compare to the Latin Lover. Now - onto the movie.

Son of the Sheik was Valentino's last film before his untimely death at 31. This film is incredible. Rudy plays both the son and the formidable sheik in this, his last film. He falls in love with a dancing girl, Yasmin, played by Vilma Banky. They fall in love until he is captured and tortured. Believing Yasmin to be responsible, he escapes and extracts his own form of revenge. The tent scene where he has Yasmin at his mercy was incredibly sensuous. You KNEW what Ahmed was planning to do to the beautiful Yasmin. She knew it, too, but was powerless to stop him. No matter how much pleading and begging she did, he drove her mercilessly to his bed. One word - WOW! True love prevails, though, and all is saved.

Some might find a silent movie to be a bit corny but not I. There is something enchanting - magical about watching Rudy. He is without a doubt, the most graceful man captured on film. No ONE walks or dances the way Rudy does. He is poetry in motion. I could watch him for hours . . .

He was blessed with a sinful handsomeness and those eyes . . . They were almost hypnotic in their intensity. It is soooooo easy to see why the women in the 1920's were filled with hysteria for this Latin Lover. After all of these years has passed, his appeal shines forth in this, his final film. There will never be another Rudolph Valentino. He simply graced the screen with his presence and changed everyday life into something magical. While watching him weave his magic, we forgot our troubles if only for a little.

*There is only one regret the world must have had when Rudy died. His voice was never recorded. His singing was but nothing of him "speaking". There has been much speculation over his voice and the transition from silent films to talkie films. Would he have made such a successful transition where others had failed? I believe he would have. But we will never know for sure.*

A true legend of the silent screen ...
"Not east of Suez but south of Algiers" ... with these intertitles abounds one of the greatest legends of the Hollywood that is no more. When one thinks of those times one remembers The Wizard Of Oz, Casablanca ... and those
scenes between Rudolph Valentino and Vilma Banky in a tent under
the desert sun.
Made in 1926 for United Artists, directed by master director
George Fitzmaurice and destined to even beat the 1921 original
"The Sheik" at the box office, this sequel to the former Valentino classic is in many ways the better of the two films.
Rudolph Valentino has never looked better than in this film, which would ultimately be his last, and Hungarian born Vilma
Banky outshines the original heroine Agnes Ayres from the "The Sheik" as well, together making these film the ultimate love story of the silent film age. Agnes Ayres however also appears in this film as the Sheik`s mother as a tribute to Valentino (his father is played by Rudy as well in a double role). But the movie has more assets to it. It is also more handsomely produced than "The Sheik", it has a far more glossy look with its` bigger budget and excellent art direction (by William Cameron Menzies of "Gone With The Wind"-fame), a slightly better script and it exposes far better the enormous acting range of Rudolph Valentino, who is still seen today only as the great Latin Lover (despite for example also being a great drama actor or comedian). The big difference might also líe in the fact that "The Sheik" was a typical product of the studio system and "The Son Of The Sheik" was made far more independently. The other interesting fact is that when this movie was made the silent film style had changed greatly since 1921, making the former film look far more primitive. And it is no wonder that all the famous scenes by which Rudolph Valentino is still judged today emerge from this movie, while the other Valentino films (even "The Sheik") are mostly forgotten today - this movie has its place as a sort of silent screen pop icon (and probably the only silent film most people have heard of in their lifetime today - I remember that as a child I only knew one silent film actor - Rudy, courtesy of this film). This
is also probably the curse of this film. It overshadowed all of his work so much and even made the critical judgment of "The Son Of The Sheik" nearly impossible. In fact it is an entertaining piece of Hollywood fairytale, packed with action and romance, exotic escapism and a great climax when Rudolph Valentino frees his love interest Banky from a band of robbers and rides with her into the endless desert ... and right into movie eternity. Truly a film of these ages, even not hampered by its dated plotline and some outrageous "silent film acting".

A note about the video quality: after being available for two decades only on bad quality tapes, KINO on Video now has released the first really good print of this film. Though not as beautiful as some of their other films or a Kevin Brownlow restoration, this version is multi-tinted and has an appropiate organ score that enhances many of the scenes. Only some of the reels seem a bit washed out, but at least you have now the chance to get a good quality video tape from Rudy`s most famous film.

VALENTINO'S FINEST FILM.
Like many classic movie buffs, I often wondered what all the fuss about Rudolph Valention a.k.a. "The Great Lover" was about. The answer lies in watching this mesmorizing film! Really a tongue-cheek examination of his own bigger-than-life personna, the actor magnificently portrays the double role of father and son. As Ahmed, the son, Rudy falls in love with the Hungarian Vilma Banky (as Yasmin), a beautiful dancer. Ahmed later holds the beguiling young woman responsible when he is captured and held for by her roguish father's thieves. When Ahmed's father, the Shiek, intervenes, it is discovered that Yasmin is innocent of betrayal and after some heavy derring-do, there is a happy ending. This fast-paced film from 1926 has lost none of it's charm with the passage of time and proves over and over again that Valentino was without question the least understood and most maligned of all of Hollywood's great stars. He was indeed an enigmatic presence in this film. The photography is ethereal, and the desert looks more enchanting here than in any film, and the chases, rescues and stunts are still wonderful to watch. Valentino would die prematurely at the age of 31 of peritonitis 26 August, 1926. For a great companion piece, watch Valentino's great 1921 hit THE FOUR HORSEMEN OF THE APOCALYPSE.

Mesmerising !
On the strength of reading other reviews I held off buying the double DVD..The Sheik/Son of the Sheik and elected to buy KINO's version of Son of the Sheik and I have to say I am not disappointed.The quality of the picture far exceeded my expectations;the clarity is sharp and sound is equally good.Silent films have to rely heavily on emotion and the different moods portrayed by Valentino are startling, Vilma Banky holds her own but it is Valentino's movie; the down side is there are no extras bar chapter listing,it would have been nice but in truth I am not too bothered.I hope KINO issue an equally if not better DVD of The Sheik, look forward to it. ... Read more

Description

The 13 Family Classic Movies features hours of family entertainment digitally re-mastered on three double-sided DVDs.Begin a library of classic feature films with stars like Janet Gaynor, Carole Lombard, Jessica Dragonette, ShirleyTemple, Danny Kaye, Buster Keaton, The East Side Kids, Louis Hayward, Charles Laughton, Mickey Rooney, Rudolph Valentino, Dennis O’Keefe, and Kirk Douglas. Including features: A Star is Born,The Racketeer,Gulliver’s Travels (Animated),Managed Money,The Inspector General,The Paleface,That Gang of Mine,Son of Monte Cristo, Captain Kidd,The Little Fauntleroy,The Eagle,The Great Dan Patch &My Dear Secretary. ... Read more

Description

Set in the Imperial Court of 18th-century Russia, "The Eagle" is a dashing and romantic adventure in which Rudolph Valentino gives what many consider to be his finest screen performance. Here is a role tailor-made for the legendary Valentino--that of Vladimir, the handsome young Cossack guardsman who is banished after rejecting the amorous advances of Catherine the Great (stunningly portrayed by Louise Dresser) and becomes the "Black Eagle," a Russian Robin Hood dedicated to robbing the rich and giving to the down-trodden peasants. ... Read more

Reviews (10)

Great Movie, So-So DVD
This is my favorite Valentino movie. It allows him to use his natural talent as a comedian while still fulfilling what his audience expected of his as "the great lover".
Valentino plays Vladimir, a young Cossack officer who spurns the advances of Catherine the Great. (An amusing reversal especially when viewed along with the Sheik movies) Unfortunately, Vladimir's father wirtes to him begging him to get the Czarina's help. He has been swindled by a friend and is dying. Vladimir can do nothing but go home and watch his father die a broken man. He vows vengeance against Karilla, who betrayed his father, and becomes a sort of Russian Zorro called the Black Eagle.
Another unfortunate twist, Karilla has a daughter and since she is played by the lovely Vilma Banky you can guess what happens. Vladimir is smitten and is now stuck between loyalty to his father and band of followers and his love for her. Banky guesses who Vladimir really is right away (in spite of his disguises) and tries to get him to spare her father. Of course, Vladimir will have none of it and it looks like trouble until Vladimir is caught by the soldiers of the revengeful Catherine.
What happens next? Watch and see!

Valentino handles his swashbuckler duties with an airy charm. (A shame he never played the Scarlet Pimpernel!) His scenes with Louise Dresser's Catherine are particularly good. She is trying to charm him, he is trying to find a polite way out. Dresser thoroughly deserved her Oscar nod and it's too bad that Valentino was not given one as well. The rest of the supporting cast is also very good, Vilma Banky plays her usual role, the nice girl with a temper, and has an obvious chemistry with Valentino.

That said, this DVD, while ok, is not the greatest. The print quality is so-so and points. Bit of dust and lint got in the way of the transfer and can be distracting. The score is pipe organ. There are no extras besides scene selection. All in all, not an improvement on the VHS releases but you may as well buy it if you have an all DVD collection.

Check out this movie to watch the Valentino legend yourself but don't expect too much from the DVD.

A breezy silent romp
This movie is a light action/romance/comedy which manages to balance all of the elements well. If you have never seen a silent movie, this is a marvelous place to start.

Valentino's preformance is charming as a "nice kid" who, after his father's death, becomes an outlaw. Matters are complicated by the fact that he has rebuffed the advances of Czarina Catherine the Great earlier in the movie. Matters become more complicated when he falls in love with his enemies sweet daughter. Matters become complicated still more when he takes a post as her French tutor in order to exact hsi revenge on her father.

While all of the comedy is excellent, the throw away bits are the best such as when Valentino is about to give Vilma Banky a ring but then it gets stuck on his finger or when he adds a few zeros to the reward offered for his capture on a wanted poster.

Wonderful, would recommend to anyone interested in classics and silent cinema.

Could We Have The Old Version, Please?
If you don't have a copy of Valentino's most engaging silent, "The Eagle", in your collection, you should certainly have this, but you should know that it is far - very far - from the best version that has been available. This edition is sourced from the Killiam Collection, and is evidently from a 16mm reduction print that saw long use and little care. Contrast and detail are poor, to say the least. There is a sad, tired musical accompaniment that is best turned off, frankly.

What's awful about all this is that this same company, Image Entertainment, once offered a far superior version. Its 1989 laserdisc edition was based on a clean 35mm print from the Rohauer Collection that had excellent contrast and detail. The score was a magnificently well-suited one by Carl Davis; it went so well with the film that once you've had a viewing with Davis's compositions, seeing "The Eagle" with any other score is unthinkable.

"The Eagle" is indispensable to a collection of silents, but this edition is not a patch on what Image itself has offered in the past. It is to be hoped that the company can clear whatever obstacles are keeping it from offering a DVD release of what was one of the best silent-film offerings on laserdisc.

Two stars out of five- I'm docking two for the ghastly print, two for the wretched score that takes the place of Davis's work, and adding one back to be charitable, because this movie is one of Valentino's best, and you should have it, even in a version as shabby as this.

Good Movie - Poor transfer
This is not a review of the movie - other than to say it has been one of my favorite silents for over 20 years. This DVD, by Image from the Killiam Collection, seems to be from a somewhat deteriorated positive print of the movie accompanied by a rather mundane organ music tract. Image themselves, released a Laserdisc copy from the Rohauer Collection with full orchestra music in 1989 that was far superior. Hopefully they will be able to re-master that on for release on DVD in the future.

"The Eagle" on DVD -- wonderful film but poor print
"The Eagle" is probably silent screen star Rudolph Valentino's best film. A delightful romantic swashbuckler set in the 18th century Russia (although costume-wise it looks 19th and early 20th century), it is full of action, romance, and also plenty of humor. Valentino is a lieutenant in the czarina's army who becomes a sort of Russian Zorro in order to avenge his father's murder by a neighboring landowner who had stolen his land. His plans for revenge go awry when he falls in love with the charming and lovely daughter of his enemy played by Vilma Banky, who would be reteamed with Valentino in his final film, "The Son of the Sheik." "The Eagle" was directed by Clarence Brown who went on to direct Greta Garbo, and made a number of classic sound films including "National Velvet."

"The Eagle" as a film deserves 5 stars but I can only give this new DVD print 3 stars. Unfortunately, the poor picture quality of this DVD is from the Killiam Collection and is released by Image Entertainment. It has an organ score which I found to be so-so.

...The only real plus here with this DVD is there are chapter titles so you can jump to your favorite scenes. There are no other extras here. ... Read more

Description

Rudolph Valentino was the first male sexual icon of the modern media world. For five years, from 1921 until 1926, other men watched with envy as Valentino, the quintessential Latin screen lover, made legions of women swoon over the mere thought of his gaze and his embrace. This documentary covers the career of Valentino from his youth as a failed military academy student to his arrival in Hollywood in 1917 and his emergence in 1921 as American cinema's first great lover. The remaining five years of his life are represented by his work in screen classics from The Four Horsemen of the Apocalypse to The Eagle and The Son of the Sheik, including outtakes from his films. 71 minutes. ... Read more

Description

The silent screen's greatest lover in an early performance. "The Married Virgin" is one of the first films featuring Rudolph Valentino, who would soon star in "The Four Horsemen of the Apocalypse" and "The Sheik," establishing him as a silent era screen icon in 1921. Valentino plays Count Roberto di Fraccini, a fortune hunter having an affair with the wife of a wealthy older businessman while trying to finagle a large sum of money from the family by any means necessary. Valentino's striking appearance and the strength of his performance foreshadow the superstar he would soon become. ... Read more

Description

The story of The Love Goddesses is itself a history of sex in the movies beginning with America still in the shadow of the Victorian era and the movie heroine bound by the same conventions as any young lady of society. This brilliant documentary chronicles the massive changes in women's film sexuality from the beginnings of the motion picture at the turn of the century to the newfound frankness of the 1960s with clips of more than 100 actresses. ... Read more

Reviews (3)

An okay DVD
This DVD is dated. It looked as if it was made no later that 1960. Poor picture quality, and they could've featured more love goddesses.

DVD just like the video
While most DVDs add something special to the disc, this one has nothing new to add. Both the video and DVD have some entertaining clips of Theda Bara, Marlene Dietrich, Clara Bow, Pola Negri, Ingrid Bergman, Marilyn Monroe and others, but, unfortunately, the cuts between the Love Goddesses are obvious, as if the producers have done a quick job of putting all the actresses on a list and then splicing from one actress to another, without rhyme or reason. That's a shame because the subject is interesting. Still, if you love to watch some fascinating footage and will forgive the sudden shifts from one actress to another, you will enjoy "The Love Goddesses."

Celebrating the Love Goddesses of the Silver Screen!
This film, produced in 1965, is a wonderful collage of the many kinds of vamps, starlets, love goddesses, girls-next-door and sirens that have graced the silver screen since the turn of the century. See Theda Bara, Pola Negri, Lillian Gish, Gloria Swanson, Greta Garbo, Marlene Dietrich, Elizabeth Taylor, Ginger Rogers, Rita Hayworth and even the child star Shirley Temple put their own indelible brand of love on the screen. It examines how, over the course of sixty years, women's sexuality has evolved, and played itself out in different arenas in film. While some of the film clips are a little iffy, it is exceptionally well made. A pure joy to own if you are an admirer of any of the actresses presented, interested in women's studies, pre-code Hollywood or the history of sexuality in film. ... Read more