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| 1. My Family Director: Gregory Nava | |
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Description Reviews (29)
What makes this movie so good is that the director, Gregory Nava, captures the nuances that many Mexican-Americans can relate to. 'Crossing the Bridges,' as Edward James Olmos explains, is something that the patriarch of the family must do when he goes to work on the other side of downtown LA. What's so strange is that many people continue to cross those bridges every day of their lives (literally and figuratively). Little things like this as well as Chucho's pride in having the best creased pants, the mother's passion for her 'novelas,' and Jimmy Smits' hard personality really give this movie a feeling of familiarity. I also like the fact that Memo goes to UCLA. The casting is good, and it's weird to see Jennifer Lopez in small roles like this before her rise to stardom. While the movie may not identically reflect the experiences of every Mexican-American, it will be hard not to see some parallels.
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| 2. Mi Vida Loca (My Crazy Life) Director: Allison Anders | |
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Reviews (23)
Be careful watching any movie supposedly based on fact. Mi Vida Loca doesn't tell the whole story, but the movie is well-made and fun to watch.
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| 3. Next Friday (New Line Platinum Series) Director: Steve Carr (III) | |
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Amazon.com Reviews (100)
In this one, Craig (Ice Cube) is going to his Uncle Elroy's for a little while. After a few days of hanging out and doing whatever with his cousin Dae Dae (Mike Epps), Craig signs for a special delivery and the letter states that his Uncle Elroy owes a lot of money because of a delinquent property tax payment and now his Uncle will lose his house if they can't get the money. So now Craig and Dae Dae have to fund the money so they don't lose the house, dodge their next door neighbors the Joker brothers that want to take it to them, Dae Dae has to dodge his ex-girlfriend and her destructive sister and the word is out that Debo has broken out of prison and he's looking for Craig. It's another great, kick back and laugh out loud comedy. Like I said before, just because Chris Tucker isn't in this one doesn't mean that it's bad. I thought it was pretty funny and Epps really doesn't replace Tucker. In my opinion, Epps just adds a new character to the mix and Cube and Epps are funny as hell together. Plus this one has a lot more laughs. Granted yes, most of the comedy circles around the pot smoking but the parts that don't are really funny. Just remember, if you want to check out NEXT FRIDAY you have to check out FRIDAY first or you'll miss some jokes and there will be holes in the plot as well. Check out these 2 great titles and when it comes to DVD and Video check out FRIDAY AFTER NEXT.
Friday ... it really set the standards to what goes on now in our community. It told people "dont be ashamed if you do it". This second movie was without a doubt just as funny as the first one. Yes, Chris Tucker is not in it but they covered it up well in the movie. The whole plot of the movie is that Craig has to get away from his neighbor---hood because of Deebo. He went to jail but rumors circulated that he was planning an escape. Craig's Father decides he's going to move in with Uncle Elroy and his cousin Day-Day. His uncle had won the lotto so he moved into what they called a "White neighborhood". Trouble occurs naturally. Ya'll just gotta buy it. If you haven't done so already, buy part 3 (Friday After Next) aswell. Holla At Cha Boi
"Next Friday" has Craig moving out to the 'burbs when he learns that the neighborhood bully, Deebo (Lister) has escaped from prison and is looking for him. The suburbs prove to be just as much trouble as he has to deal with the Latino thugs who live next door, a trigger-happy record store owner, and his cousin's obsessive ex-girlfriend. When it turns out that his uncle has just 24 hours to come up with some money to cover some unpaid taxes on the house, Cube devises a plan that has him, his cousin, Day-Day (Epps), and their token white friend (the late Justin Pierce) breaking into the next door neighbor's house. "Next Friday" is a decent follow-up but the loss of co-writer DJ Pooh and star Chris Tucker is a lot to get over. Epps puts in a humorous comedic performance but he's no Tucker. The new characters are hit and miss. Amy Hill's Asian neighbor is a weak and tired sterotype-driven character. If you can't tell that Hill isn't Korean by looking at her, her awful attempt at an accent will give it away. Jacob Vargas as the loud-mouthed Latio neighbor is entertaining though they seemed to have run out of material for him in some areas. Sticky Fingaz is hilarious as Tyrone, Deebo's prison sidekick and Lisa Rodriguez is easy on the eyes as Cube's love interest. While it's not on the same level as the original, "Next Friday" has more than a few laughs. Cube and Epps have pretty good chemistry and the suburban backdrop makes for a nice change of pace for an urban comedy (it's certainly done more effectively than on Fox's "Red And Meth"). The DVD presentation has a lot of cool extra features including an alternate ending, the Mike Epps audition tape, and an audio commentary by director Steve Carr.
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| 4. Get Shorty Director: Barry Sonnenfeld | |
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Amazon.com Reviews (49)
Every character and performance hits all the right notes, starting with John Travolta's right-on portrayal of Palmer, a loan shark who has tired of the mob business and would like to try his hand at a REAL mob business: the movies. Palmer isn't a bad guy; he's just all business, which certain characters (especially Ray Bones) should have figured out early on. But they don't, and we get to see Chili eliminate his enemies one by one through sheer guile and smarts. In particular, his payback on Bones is an absolute classic. One of the film's truly great pleasures is watching great actors like Gene Hackman and Danny DeVito try to play Chili. Hackman's performance gets him a very unwelcome audience with Bones ("I heard you shot the guy four times in the chest and once in the foot"), while DeVito's simply doesn't work, and by the end of the movie Chili is looking to "get" someone other than "shorty". Also look for James Gandolfini in his best pre-Tony Soprano role as an ex-stuntman.
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| 5. Selena Director: Gregory Nava | |
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Reviews (166)
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| 6. Traffic Director: Steven Soderbergh | |
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Reviews (505)
Soderbergh's direction is excellent. The scenes in Mexico just LOOK hot because of that grainy yellow tinting. And living in San Antonio, near the border, I can certify that yes, that's genuinely how it feels down here. Often. The lack of steadycam shots gives it a "newsreel" feel to it. It will draw you in if you let it. Now onto the characters. My favorite was Del Toro's. I just think the guy can act and he shows it to you here. His character faces the trials of loyalty, friendship and ultimately the choices between doing good and doing for yourself. Catherine Zeta Jones character was also captivating in her descent into the drug game. The characters I least liked involved the Michael Douglas storyline. While they were genuine and somewhat interesting, I found myself waiting for their scenes to end so that I could get back to the more intriguing developments. Also, I'm not quite ready to buy how easily it wrapped up near the end. A hint of optimism is good, but that was a little too much sunshine after a mostly cloudy set up. Overall, it's a good film, and Soderbergh's Oscar for direction isn't a bad choice (though I still think it probably took more skill for Ang Lee to make people FLY). Watch it for the characters and the perspective on the drug "war."
TRAFFIC bases around the installation of a new drug czar, superbly played by Michael Douglas. How can he fight a war on drugs when his daughter is a user? This is the question the character seems plagued by throughout the film. This makes for interesting discussion. Meanwhile, two Mexican police officers are swept into helping ward off cartels in Tijuana. Benecio Del Toro is excellent in the role. There are other plots which call for wonderful performances from the likes of Don Cheadle, Catherine Zeta-Jones, and Albert Finney. All in all, this film is well scripted and acted. TRAFFIC, like any film, has flaws. It is tedious at certain points, sometimes the language is too excessive, and it seems to offer a negative message to youth. However, for its few flaws, it is still a wonderfully crafted and shot film. It was lauded because of that fact. If you need a great film to watch, I urge you to buy TRAFFIC today!
The themes of the movie are so apparent that they become oppressive. A previous reviewer encapsulated the film with the phrase: Drugs R bad, and while I can appreciate a noble premise like this, the way Soderbergh badgers the audience with the futility of the "war on drugs" and the affect that drugs have on addicts is devoid of tact and feels contrived to the point of nausea. The characters are not well-developed either. Their actions are completely obvious. While this is not usually a just complaint about a movie, the lack of intrigue in the plot, the often cheesy dialogue, and the general lack of subtlety makes for an obnoxiously assuming film. It comes across not only snobbish to the layperson, but boring to the average movie-goer. This movie really drags. This is an in-escapable fact. There were too many trifling scenes in this movie. But that's just how it rubbed me. Although, I can see how many a pseudo-intellectual film buff could trick himself into gushing about how thought-provoking and "original" this film was, I can also see how many critics and sincere film-goers would like it as well. The message is certainly an important point of discussion regardless of how you feel on the issue, and the conclusions leave much to be debated (although, not about the film) My main point is this: Unless you're interested in grinding your way through a movie with a plot that can be summarized in the political/humanitarian issue of the film, it's not worth seeing. If you're interested in drug-related issues, do yourself a favor and simply walk, don't run to your nearest bookstore and sift through the myriad of books on the matter. Heck, why not (since you're online anyway) look through one of the lists here at Amazon.com?!
It's fast moving and engaging, but something is missing from this film. Big names like Zeta Jones and Douglas aren't enough to make the film great. If you really want to see a film that tackles the subject really well but in a different light, may I suggest "Requiem for a Dream". The devastation of drugs is well told in this film. ... Read more | |
| 7. Flight of the Phoenix (Widescreen Edition) Director: John Moore | |
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Amazon.com Reviews (81)
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| 8. Romy and Michele's High School Reunion Director: David Mirkin | |
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Reviews (127)
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| 9. Truth Be Told Director: Jeff Byrd | |
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| 10. The Principal Director: Christopher Cain | |
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Reviews (5)
Rick realizes that it won't be easy cleaning up this school with almost all of the students against them, including Duncan and his gang. Rick creates a whole team of secuity guards to stop the selling of drugs on school grounds, gambling, fighting, and stealing. Duncan realizes that this new "Principal" isn't going to go away. So he and his gang brutally beat him up to teach him a lesson. To Rick, THIS MEANS WAR! Now Rick has set his mind on getting rid of Duncan and his gang. The two start battling back and forth including a high-speed chase and threats until Duncan screams at Latimer, "You come here tomorrow, you're going home in a body bag." The BATTLE HAS BEGUN! Will Rick be able to get rid of Duncan and create a school out of Brandell? Can the Principal do it? Buy the principal and James Belushi will show what a Principal is all about.
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| 11. Ernest Goes to Camp Director: John R. Cherry III | |
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Description Reviews (16)
[Go up to someone and ask:] I guess you had to be there... Anyway. I love this movie. If you love stupid/funny/retarded people doing/saying stupid/funny/retarded things. you'll love this movie!!! P.S. Jim Varney, We hardly knew ye.
Unlike the other Varney films, Varney sticks to playing Ernest. Ernest works at a summer camp for boys as a maintenance man. He longs to be a camp counselor, but the director feels he isn't qualified. However, when the camp participates in a "Second Chance" program for delinquint boys and no one else seems to be able to handle them, Ernest is given the job of being their counselor. At first the gang finds him annoying and a push-over, but over time they come to respect him and realize all he has done for them. The climax of the movie erupts when a nearby mining company threatens to takeover the camp after duping the Native American chief who owned the land. Ernest won't stand by and see the camp destroyed and with the help from his boys they take on the mining company. The movie is full of dumb humor that kids are sure to enjoy. I remember laughing hysterically when I originally saw this film in the theatre. My tastes have changed since then, but after watching the movie again on DVD, I still enjoyed it for what it was: a big, dumb movie with an awful lot of heart. The movie is a great family movie because it contains no foul language or sexual innduendo and very little violence. It's also a joy to watch because it illustrates the comic genius of Jim Varney back in his prime. Plus, it has the only film I know of that includes turtle paratroopers. Happy viewing! ... Read more | |
| 12. Traffic - Criterion Collection Director: Steven Soderbergh | |
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Description Reviews (505)
Soderbergh's direction is excellent. The scenes in Mexico just LOOK hot because of that grainy yellow tinting. And living in San Antonio, near the border, I can certify that yes, that's genuinely how it feels down here. Often. The lack of steadycam shots gives it a "newsreel" feel to it. It will draw you in if you let it. Now onto the characters. My favorite was Del Toro's. I just think the guy can act and he shows it to you here. His character faces the trials of loyalty, friendship and ultimately the choices between doing good and doing for yourself. Catherine Zeta Jones character was also captivating in her descent into the drug game. The characters I least liked involved the Michael Douglas storyline. While they were genuine and somewhat interesting, I found myself waiting for their scenes to end so that I could get back to the more intriguing developments. Also, I'm not quite ready to buy how easily it wrapped up near the end. A hint of optimism is good, but that was a little too much sunshine after a mostly cloudy set up. Overall, it's a good film, and Soderbergh's Oscar for direction isn't a bad choice (though I still think it probably took more skill for Ang Lee to make people FLY). Watch it for the characters and the perspective on the drug "war."
TRAFFIC bases around the installation of a new drug czar, superbly played by Michael Douglas. How can he fight a war on drugs when his daughter is a user? This is the question the character seems plagued by throughout the film. This makes for interesting discussion. Meanwhile, two Mexican police officers are swept into helping ward off cartels in Tijuana. Benecio Del Toro is excellent in the role. There are other plots which call for wonderful performances from the likes of Don Cheadle, Catherine Zeta-Jones, and Albert Finney. All in all, this film is well scripted and acted. TRAFFIC, like any film, has flaws. It is tedious at certain points, sometimes the language is too excessive, and it seems to offer a negative message to youth. However, for its few flaws, it is still a wonderfully crafted and shot film. It was lauded because of that fact. If you need a great film to watch, I urge you to buy TRAFFIC today!
The themes of the movie are so apparent that they become oppressive. A previous reviewer encapsulated the film with the phrase: Drugs R bad, and while I can appreciate a noble premise like this, the way Soderbergh badgers the audience with the futility of the "war on drugs" and the affect that drugs have on addicts is devoid of tact and feels contrived to the point of nausea. The characters are not well-developed either. Their actions are completely obvious. While this is not usually a just complaint about a movie, the lack of intrigue in the plot, the often cheesy dialogue, and the general lack of subtlety makes for an obnoxiously assuming film. It comes across not only snobbish to the layperson, but boring to the average movie-goer. This movie really drags. This is an in-escapable fact. There were too many trifling scenes in this movie. But that's just how it rubbed me. Although, I can see how many a pseudo-intellectual film buff could trick himself into gushing about how thought-provoking and "original" this film was, I can also see how many critics and sincere film-goers would like it as well. The message is certainly an important point of discussion regardless of how you feel on the issue, and the conclusions leave much to be debated (although, not about the film) My main point is this: Unless you're interested in grinding your way through a movie with a plot that can be summarized in the political/humanitarian issue of the film, it's not worth seeing. If you're interested in drug-related issues, do yourself a favor and simply walk, don't run to your nearest bookstore and sift through the myriad of books on the matter. Heck, why not (since you're online anyway) look through one of the lists here at Amazon.com?!
It's fast moving and engaging, but something is missing from this film. Big names like Zeta Jones and Douglas aren't enough to make the film great. If you really want to see a film that tackles the subject really well but in a different light, may I suggest "Requiem for a Dream". The devastation of drugs is well told in this film. ... Read more | |
| 13. Get Shorty (Special Edition) Director: Barry Sonnenfeld | |
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| 14. Flight of the Phoenix (Full Screen Edition) Director: John Moore | |
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Amazon.com Reviews (81)
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| 15. Selena: Greatest Hits Director: Gregory Nava | |
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Description Reviews (2)
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