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| 1. To Wong Foo, Thanks for Everything! Julie Newmar Director: Beeban Kidron | |
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Reviews (74)
All during the summer, in seeing previews, I was worried about To Wong Foo... being an American version or rip-off of Priscilla: Queen Of The Desert. Trust me, there are a lot of similarities; however To Wong Foo... stands on its own as an enjoyable movie experience. In the audience I sat in, there was laughter and applause throughout and I found myself laughing and applauding along. (I hadn't expected to.) Patrick Swayze is Vida Boheme, a drag queen from Bala Cynwyd, PA living in New York City. Bala Cynwyd is pivotal in his story. So is Noxeema Jackson (Wesley Snipes). Boheme and Jackson are friends competing against Chi Chi Rodriguez (John Leguizamo) and others for "Drag Queen of the Year". Well, as luck would have it, Boheme and Jackson tie for the honors and both win an all-expense paid trip to Hollywood. Well, Boheme is a queen with a heart. She can't stand to see Chi Chi, who lives in the same building, so upset about not winning the crown; so, Vida bullies Noxeema into trading their paid-for airline tickets for a car and, together, the three set off to drive cross-country. Shades of Boys On The Side. Early on, the trio is stopped in the middle of nowhere by a county sheriff (Chris Penn in a hoot of a role). What happens next brings more remembrances of Boys On The Side. Eventually, our fun-loving "females" end up in Snydersville, a small hamlet where everyone seems to have a problem and our girls have a solution for every single one of them. Despite this manipulation, To Wong Foo... delights at every turn. It's laugh-out-loud funny and not at all subtle. Normally, that would be a criticism, but in this case, it turns out to be a refreshing change of pace. Of course, all of the elements in the story come together for a schmaltzy conclusion. But, that's OK. You'll get all wrapped up in it anyway, just like I did. (Boy, was I surprised.) [Originally written 10 September 1995]
In essence, the movie deals with the healing of "broken people." (For other such films, see such gems as "Batteries Not Included" and "Fried Green Tomatoes.") The unlikely angels? The three drag queens. The situation? Their car breaks down in a red-neck hamlet. Unlikely hijinks and dangerous confrontations lead to a satisfying conclusion. And Julie Newmar was never better!
But then you saw the movie ... The three men do excellent jobs, Wesley Snipes in particular a total surprise in his role as Noxeema Jackson, drag queen with Attitude. Swayze, as Vida Boheme, is the "lady" of the trio who can get down and dirty when she has to -- and Leguziamo as Chi Chi Rodriguez is nothing short of perfection. The plot is simple: At New York's Drag Queen of the Year contest, Noxeema and Vida tie for the crown. The title comes with a free airline ticket to Los Angeles, to compete in the Drag Queen of America competition, and the two "girls" couldn't be more excited. But then they meet little Latin Chi Chi Rodriguez, whose drag queen self-esteem was not at all helped by losing this competition. Vida, the kind of person who always believes in helping those less fortunate, talks a VERY disgruntled Noxeema into selling their plane tickets ... and using the money instead to buy a cheap car and drive to the L.A. contest. The night of the win, Vida spots an autographed photo of Miss Julie Newmar on the wall of the reataurant they are dining in, and reads the inscription: "To Wong Foo, Thanks for Everything! Julie Newmar". For those not in the know ... for years actress/model Julie Newmar, best known for her role at Catwoman on the tv series "Batman," has had rumors floating around saying that she's a drag queen in real life -- not a woman. She's just too statuesque, her face too strong on bone structure, to be a real woman! When Vida sees the framed autographed photo on the wall, she takes this as a sign that the three of them will be blessed on their quest. She also takes the photograph. Halfway 'cross country, in Nebraska, the threesome is stopped by a racist sheriff who notices their tail light is out. Taking Vide back toward his car, he comes onto her, thinking she is a real woman. When he reaches under her dress and learns the truth, Vida tries to break free ... and knocks the sheriff to the ground, where he conks his head. They drive off quickly, before he can come to and REALLY do them all some damage. Soon after, their old Cadillac breaks down, and Chi Chi hitchhikes them all a ride into Snydersville, a town that makes Mayberry look like New York City. Tiny and hick and populated with small-town minds as well, Snydersville seems to be the LAST place three drag queens would want to get stranded (if they want to live, that is), but when these three are stalled there for the weekend, until they get their car repaired, they decide to make the best of it by making over the town's women, addding some spark to a Strawberry Social - and, in general, bringing tons of color to an otherwise drab existence. But little do they know that Sheriff Dollard (Chris Penn) - who is less than thrilled by being knocked unconscious by a "boy in a dress," is out to find them ... The movie is uneven in spots - the scenes in the town go from hysterical to being too stage - but overall whenever Snipes or Swayze or Leguizamo are on-screen, you could never be bored. Funny and with some VERY sharp one-liners, the movie comes close (especially in the end) to turning sappy with its "why can't we all just get along" mind-set -- but never quite pushes that envelope. The three leads are EXCELLENT, and backed beautifully by a great supporting cast the includes Stockard Channig, Melinda Dillon, Chris Penn, Jason London - even "Alias" star Michael Vartan. Ru Paul and Robin Williams add both class and style to brief cameos ... as does the one and only Miss Julie Newmar herself. Stylish and funny and just corny enough to work, this comedy is anything but a drag ...
Though arguably not as well made as "The Adventures Priscilla, Queen of the Desert", "To Wong Foo, Thanks for Everything! Julie Newmar" is still a very entertaining and engaging film that is sufficiently different from the former to not be redundant. Cameo appearances in the film include Julie Newmar, Robin Williams (as John Jacob Jingleheimer Schmidt), RuPaul (as Miss Rachel Tensions) and Naomi Campbell. Memorable scenes in the film include the restaurant, the used car lot, Vida seeing her mother (Margaret H. Flynn), Chi-Chi earning rites of passage, Sheriff Dollard, Noxeema's interactions with townsfolk, the clothing store, the beauty parlor and the closing scenes. Patrick Swawye received a Golden Globe nomination for Best Actor in a Comedy/Musical, and John Leguizamo received a Golden Globe nomination for Best Supporting Actor in the Comedy/Musical. Sadly, Wesley Snipes did not receive a nomination for his excellent performance. Overall, I rate the film with 4 out of 5 stars. After watching the deleted scenes on the DVD, I concluded that they were best left deleted. ... Read more | |
| 2. The Mists of Avalon Director: Uli Edel | |
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Amazon.com Reviews (175)
It's a tale full of the raw power of medieval England, where a belief in nature and natural spirits was vying with the approach of Christianity. It tells not only of women and men's different views of the world, but of love triangles, Christianity ousting the 'old ways', and a changing of culture. The TNT miniseries version stars Anjelica Huston, Julianna Margulies, and Joan Allen in the girl-power production. Huston is the magestic matriarch of Viviane, the Lady of the Lake, who in most stories is just the giver-of-the-sword to Arthur. Here she's the protector of Avalon, the center of the old power, one that is being replaced slowly by the bells of Christianity. They in fact share the same physical space, but only those with the power to believe can cross into Avalon. Margulies is Morgaine, Arthur's half-sister. They share a mother, but Arthur is born when Uther Pendragon lusts after Morgaine's mother Igraine and through deception beds her. Igraine and Viviane are sisters, but while Viviane defends the old ways, Igraine turns to the new (Christianity). The third sister, Morgause, is jealous of the other two and causes quite a bit of trouble. This was always a favorite book of mine, so I was very curious how they would bring it on screen. The locations were gorgeous - it was shot in Czechoslovakia and has the primitive wildness that medieval England would have had. The costumes were also gorgeous, and the actors and actresses were top notch. I really enjoyed the relationship Morgaine has later in her life. I do understand that certain of the themes are sensitive to a TV viewing audience. After all, Arthur and his half-sister Morgaine sleep together (not realizing they're related) when they're teenagers, and she bears a son from this union. Also, Arthur and Lancelot were attracted to each other in the book. These layers of sexuality added another dimension to the story, but they were a bit too risque for many viewers. The story was altered to change the way a lot of this was presented. Also, the scene where Morgaine and Gueneviere first meet was supposed to contrast the beautiful-blonde-Christian vs the small-dark-pagan - at least that's how Morgaine saw it. Because the book is told from Morgaine's point of view, it's not always the reality, of course, but her impression of it. But in the miniseries they stripped away a lot of the dialogue so you loose some of that sense. And then, near the end, it slips completely away, and where at the end of the book I'm thrilled to have gone on the journey, with the miniseries I wonder just exactly was the spot where they went wrong. I think the key is to watch it and think of it as a way to get people to read the book. It's really enjoyable as a good movie to watch, and if it gets more people to read the book, that's fine by me!
The movie was far better than any of the other Arthur films I have watched. It surpasses Merlin in terms of believability, Camelot in terms of maturity, and almost equals Excalibur. Julienna Marguiles portrays a very convincing Morgaine. The whole story is told from her point of view, and indeed it was a gorgeous retelling. For once, we are given the refreshing view that Morganne was humane, and good. We are given new explanations for the incest between Arthur and Morganne, as well as the blackness of Mordred's character, which is now blamed on Morganne's aunt, Morgause. What intrigued me about the movie was the portrayal of the Pagan and Christian society, and most interestingly, about how the Pagan goddess still lives on as the Virgin Mary (I still find that interesting, although I don't quite agree with it). Certain things, like having Excalibur return to the goddess and fading off into the silhoette of the Christian cross puzzles me a little to what the symbolic meaning behind it implies. This intermingling of both religions - the link established wasn't as clear as it should have been. Beautiful performances from Anjelica Huston (The Lady of the Lake), and Joan Allen (Morgause). I didn't really think that Samantha Mathis was suitable to play Guinevere (she didn't really look the part, nor act the part)... and Michael Vartan surprisingly pulled off the part of Lancelot well (Franco Nero is by far one of the most atrocious Lancelots ever). Hans Matheson (Mordred), a relatively new actor, does a better job here than what he did in Les Miserables. A good cast, and a good movie. I found it a little controversial, and at times slightly disturbing, but it keeps the mystery and intrigue surrounding Avalon as palpable as ever.
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| 3. It Had to Be You Director: Steven Feder | |
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Reviews (17)
I looked it up here on Amazon after renting it, thinking I should have looked here first because it would probably have lots of negative comments. While it does have some, I was surprised to find some positive comments as well, so I thought I should add my opinion to help warn others away from this movie. I should also add that I am not a movie snob. I have enjoyed many a brainless romantic comedy. But this brainless romantic comedy is completely unenjoyable.
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| 4. Never Been Kissed Director: Raja Gosnell | |
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Reviews (208)
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| 5. One Hour Photo (Widescreen Edition) Director: Mark Romanek | |
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Reviews (264)
Williams plays Sy Parrish, a photo developer at a Savmart (a department store similar to ...) who takes special pride in the prints he produces. To him, developing is an underappreciated art form. His life revolves around his job, and for good reason, he has no real life to speak of outside of his work. He was never married, has no real friends or relations, and we learn very little about his past. What we know of his present situation is bleak and depressing. But Sy has taken a special liking to a suburban family, with a successful husband, a pretty wife, and a beautiful son. Domestic bliss personified. He, in his lonely state, becomes obsessed with the family, and longs for something he can never have. This pushes him to the brink of near insanity. I will not give away any more than I already have, but I will say that the ending lets down the whole movie. The movie begins as a fascinating character study, and ends as a hollywood cliche (a diet version, if you will). While the creppiness and the quality of the acting keeps "One Hour Photo" entertaining, you feel unsatasfied in the end. Similar to movies like "Silence of the Lambs" and "Henry: Portrait of a Serial Killer", the characters are more interesting before the go over the edge. The movie is the perfect starring vehicle for Williams, who is proving that his move from comedy to drama in his later years is indeed a good idea. The script, while meandering at times, is smartly written and doesn't turn the movie into a Hannibal-type affair. Williams is a lonely man who seeks love and attention, and only finds it out of his reality and in the photos he develops. He nailed the character perfectly. While it's not Oscar material, it is definitely worth checking out. Most people will love Robin Williams's darker side, while others will like the unique story.
I thought the coloring of each scene was interesting. The majority of the movie is done is white and "cold" colors. They definitely invoke a sociopathic feeling. Of course, at the Yorkin house (the one place that Sy really wants to be) there is a warm yellow-ish tone. It definitely sets the mood. The movie is not as suspenseful as it is promoted to be. It's got a good premise, but the writing is lacking. I think that it would've been better with a little more development of certain parts. Luckily, the talented cast makes up for what is lacking, and that's why I give it 4 stars.
In this case, the idea is that someone could be quietly "stalking" you without ever coming near you. Through a series of photos, a seemingly harmless man has come to know too much about a certain family. How did he get these photos? He develops them at the local photo lab. How many times have you given someone vacation photos or wedding photos? The idea that someone, through all of these photos, knows where you have been, where you live, even what the inside of your house looks like, is what makes this such a creepy film. As far as casting, Robin Williams portrays the quickly-unravelling developer with perfection. He has just the right amount of madness to make it totally believable. Overall, this is a movie that will get under your skin.
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| 6. The Next Best Thing Director: John Schlesinger | |
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You have to wacth it if you don't and buy it if you haven't.
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| 7. One Hour Photo (Full Screen Edition) Director: Mark Romanek | |
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Reviews (264)
In a sense the entire movie is an indictment of our society and the alienation it causes in keeping to ourselves. When the Yorkin's child feels bad for Cy the photo guy his parents reassure him that he is loved. Later they are shocked or irritated when he remembers who they are. Even telling their son not to "Talk to strangers".
Mark Romanek's second feature film (following 1985 indie Static), One Hour Photo was released to almost universal accolades, then found itself skunked at the Oscars. Critics around the country expressed confusion and outrage. Everyone wanted to know why. One Hour Photo is the story of Seymour Parrish (Robin Williams), a clerk at the local superstore who develops photographs. He has developed an unhealthy obsession with the Yorkin family: father Will (Michael Vartan of the TV series Alias), mother Nina (Connie Nielsen of Gladiator), and son Jake (Dylan Smith, seen more recently in Pirates of the Caribbean). Therein lies the problem: laid out like that, you can see exactly where this is going. And while it's a good stalker tale, it never rises above just being a stalker tale. Even when Parrish is trying to do the right thing by the family, the scenes (and the emotions within them) could be from any of twenty other stalker movies. We've seen it all before, and while the production quality and the acting is certainly above the caliber of your average Lifetime Original Movie, the underlying plot, theme, and message are right in the zone. Williams, like all gifted comic actors, does have the chops to play the psychotic, and shows them here well. But in order to truly shine, he'll need better material; his two forays into it so far (the other being Chris Nolan's execrable remake of Insomnia) have been hampered by bad script choice. In fact, it seems everyone in involved with this film, from Romanek right down to steadicam operator Elizabeth Ziegler (the last name in the credits), is capable of better. There are huge amounts of potential from every direction in this film; they just never manage to coalesce. That said, as I inferred above, as an example of the stalker-film genre, it's not bad by any means. All the main performances are credible, with the arguable exception of Gary Cole, who plays Parrish's boss. He's a bit two 'I'm the evil upper management guy' two-dimensional. The pacing is a little uneven, but once the ball gets rolling, it works well enough. It's worth a rental, but not the awards so many people called for. *** ... Read more | |
| 8. The Myth of Fingerprints Director: Bart Freundlich | |
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If you're a fan of any of the actors, this movie should be worthwhile viewing as the performances are all top notch and the direction is wonderful in places, but I was left feeling something lacking in the overall structure of the film and its writing.
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| 9. The Curve Director: Dan Rosen | |
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Amazon.com Reviews (38)
Lillard is exceptional as the canniving lead, especially when the extent of his scheme becomes apparent to the guy he plots with. Twist after twist follows this but unlike something like 'Wild Things', the movie manages to pull them off well. In particular the last scene is very gripping indeed, and it's not without a good dollop of black humour. If this is never quite as scary as 'Jeepers Creepers' or as consistently witty as 'Scream', it is still a real original in the horror field and is genuinely intelligent.
The movie is based on a urban legend that is prevalent on college campuses. The story goes that many colleges have a policy that if your roomate commits suicide, you get all A's. Ok its absurd, but it provides a good backdrop for the movie. Scream's diamond in the rough performer, Matthew Lillard, once again provides a high strung element to the movie. Felicity's Keri Russell does a good job playing both the good girl(first half of the movie) and the bad(last half). The movies two main characters are college students. One of course is the ambitious,pre law type(Played by Michael Vartan. The other(played by Lillard) is the crazy(a bit psychotic), no-care-in-the-world type. However the two students soon hatch a plan to get rid of their obnoxious roomate(played by Randall Batinkoff). The plan? To throw him from a cliff and make it appear he commited suicide. Why? In this strange alter universe where College deans care, to recieve straight A's. In the meantime the two begin to go head to head. Lillard's character seducing his roomates girlfriend, and the poor girlfriend of the suicidal roomate killing herself. The battle heats up as the two begin fingering each other to the police with subtle suggestions to the police. As the net tightens, Vartan's character makes his final showdown with Lillard's character at the scene of the first suicide. However a few surprises will be for all those involved. So typical good guy vs bad guy with good guy winning in the end? Not quite. The final plot twist reverses the roles showing the sinister side of many of the "good guys". In typical good suspense movie fashion, the given is no longer a given. To tell the plot twist would totally ruin it. But its a rather good one. The plot twist alone is worth watching the movie. What you are left with is a pretty good movie. Not a outstanding one. But a good watch that will surprise ya.
It is the painful reality of the American moviegoer that in any year more than one film is released on the same subject, the better film will never fail to either be completely eclipsed, publicity-wise, by the worse film (the good, but nothing great, The Lost Boys overshadowing one of the best modern American films, Near Dark), or the better film will simply not be widely released. Such was the case in 1998 with the horrifically bad Dead Man on Campus and its clever companion The Curve. The latter debuted at the Sundance Film Festival eight months before the release of the former, then disappeared until a video release almost eighteen months later. More's the pity for those who subjected themselves to the MTV-Films-produced monstrosity that was Dead Man on Campus. Both films center around the same idea-the urban legend that if a collegiate's roommate commits suicide, that collegiate will be granted a 4.0 grade point average for the semester. (Both were, in fact, inspired by the same event-a monologue on a standup comedy show on MTV, which is presented in voiceover at the beginning of The Curve.) Dead Man on Campus played the idea for laughs. The Curve, on the other hand, took the idea and turned it into one of the most intriguing pieces to come out of the new film noir movement. The film centers around five college seniors. Rand (Randall Batinkoff, of Christy fame), Tim (Matthew "Shaggy" Lillard), and Chris (Michael Vartan, most recently seen in One Hour Photo) are roommates; Rand and Chris are also dating roommates Natalie (Tamara Craig Thomas of Odyssey 5) and Emma (Keri Russell, back when she still had great hair). Chris and Tim's grades have both dropped over the semester, and Tim suggests the inevitable: the two of them conspire to kill Rand, whom no one's fond of anyway, and make it look like a suicide. The plot twists, turns, and hairpins from there, becoming that rarest of film birds, an impossibly complex maze that remains easy to follow until the last few minutes (and a few moments of reflection after the movie is over will put everything into place that happens during the climax and denoument). Many of the reviews I could drum up about the obscure little gem focused on the performance of Matthew Lillard as the borderline psychotic Tim, but to me it was Vartan who truly stood out in this high-powered cast (which also includes such B-level stalwarts as Dana Delany and Henry Strozier). Rare is the role that requires an actor to play the kind of apathetic confusion one often finds in bad slasher films; here we get a chance to see that done right, it's actually workable. Chris, likeably confused throughout, is the perfect foil to Lillard's manic Tim, and the two create an atmosphere of friendship concealing a barely suppressed violence towards one another that gives the film an electricity it needed to stay on track throughout. Obscure, but well worth tracking down for folks who like their mystery with more twists and turns than a Jane Russell Playtex ad. ****
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| 10. Sand Director: Matt Palmieri | |
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Description Reviews (12)
The only redeeming quality (and hence the only reason I rated it 2 stars instead of 1) was Denis Leary. While I don't care for him much as an actor or person, he did a fine job in what was otherwise a horrible film. Michael Vartan, the main character (also from Never Been Kissed and ABC's "Alias") was simply OK, but nothing he or Leary could do could resurrect this movie. I put this on the level of "Eye of the Beholder"--star power with star suckage. Here's a mental note to myself next time--stay away from "dramas" that costar Jon Lovitz & Emilio Estevez. Blockbuster, I want my $3.99 back.
-It doesn't make any sense. Why are is the family there? Why are some of the family more stupid and irritating than others (besides the main one)? How the hell did those two guys die? -The acting in the movie was overall very bad. Maybe a D. The only people saving the movie (hahaha) was Dennis Leary and Michael Vartan. Leary actually had some character and Vartan had character during the first half of the film and in the second half of the film he seemed liked he was making a cameo every ten minutes. He totally diappears in the movie. -What are with the cameos? Jon Lovitz and Julie Delpy? Yeah, they were useless. Where they intended to be comic relief? Well, they weren't funny. And, he's the best cameo yet. Emilio Estevez who was front dvd case and starring status. He appears for so little of the movie that we dont even know what he is supposed to be. A beach bum? No idea. -The characters were quite an embarassment. Seriously, the only character with a brain were Wurher (the character, not her acting), Vartan, and Leary. -There seems to be missing scenes scattered about. How did their couples relationship occur? How did the baddies die? What are they doing in town? Why is this movie so dumb? -I paid 10 bucks to watch this. Blockbuster owes me 20. double for bothering to watch the movie.
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| 11. The Pallbearer Director: Matt Reeves | |
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Some people might quickly dismiss this movie as a Graduate wannabe. There's some truth to that. The Pallbearer is quite derivative of the Graduate; it's a play on the young man, older woman, younger woman triangle, and it certainly doesn't have the Graduate's silkiness--or it's wise intelligence. There's nothing in the Pallbearer that matches the uneasy end where Dustin Hoffman and Katherine Ross nervously sit at the back of the bus with this quietly panicky, "What now?" look on their faces. But it does have some well-orchestrated moments, including a brunch from hell, and some genuine, quirky characters. I'd give it a chance; it's worth watching. And if you can stomach David Schwimmer, you might really like it.
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| 12. Never Been Kissed Director: Raja Gosnell | |
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| 13. Prime Time Murder Director: Michael DeLuise | |
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Frank and Jack discover a serial killer... "The Downtown Skid Row Slasher". They track the killer through the urban sprawl of L.A., only to realize that their story is chasing them...they're about to become the target...they're about to become the news. Starring: Tim Thomerson . Anthony Finetti and Sally Kirkland ... Read more | |
| 14. Next Best Thing Director: John Schlesinger | |
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| 15. Touch Me Director: H. Gordon Boos | |
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Amazon.com Reviews (8)
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| 16. One Hour Photo & Donnie Darko (Widescreen Edition) Director: Mark Romanek | |
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