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Be Cool takes its own advice: It's slick, Hollywood entertainment that kills two amusing hours with relative ease and comfort. Better than leftovers but not as tasty as a full-course meal, this sequel to 1995's hit comedy Get Shorty (and based on Elmore Leonard's 1999 sequel novel) finds former loan shark Chili Palmer (John Travolta) itching to get out of the movie business, so he hooks up with a newly widowed music executive (Uma Thurman) to launch the career of an up-'n-coming Beyoncé-like singer (newcomer Christina Milian). A mock-black manager (Vince Vaughn), his sleazy boss (Harvey Keitel), and an upscale gangsta-rap executive (Cedric the Entertainer) all have a competing stake in the fast-rising pop diva's future, and this sets the plot rolling in a fun but rather hand-me-down fashion that lacks the savvy panache of Get Shorty but still provides plenty of lightweight humor. The Rock and Outkast's André Benjamin provide the best laughs in supporting roles that effortlessly relieve the movie from the symptoms of sequelitis. --Jeff Shannon ... Read more

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How's this for impressive trivia: Dodgeball faced off against The Terminal in opening-weekend competition, and 29-year-old writer-director Rawson Marshall Thurber aced Steven Spielberg by a score of $30 to $18.7 in box-office millions. That's no mean feat for a newcomer, but Thurber's lowbrow script and rapid-fire direction--along with a sublime cast of screen comedians--proved to be just what moviegoers were ravenous for: a consistently hilarious, patently formulaic romp in which the underdog owner of Average Joe's Gym (Vince Vaughan) faces foreclosure unless he can raise $50,000 in 30 days. The solution: A dodgeball tournament offering $50K to the winners, in which Vaughan and his nerdy clientele team up against the preening, abhorrently narcissistic owner (Ben Stiller) of Globo Gym, who's threatening a buy-out. That's it for story; any 5-year-old could follow it with brainpower to spare. But Thurber, Vaughan, Stiller, and their well-cast costars (including Stiller's off-screen wife, Christine Taylor) keep the big laughs coming for 96 nonsensical minutes. With spot-on cameos by champion bicyclist Lance Armstrong, David Hasselhoff, Hank Azaria, Chuck Norris, and William Shatner, and a crudely amusing coda for those who watch past the credits, Dodgeball is no masterpiece, but you can bet Spielberg was unexpectedly humbled by its popular appeal. --Jeff Shannon ... Read more

Reviews (38)

I Didn't Stop Laughing
I just finished seeing Dodgeball, and I'll say that this is definitely the quirkiest movie that Ben Stiller has made since Zoolander. It's totally off the wall, and it succeeds as one of his funniest comedies.

The things that make this movie great are, primarily, the cast of characters. Stiller himself does a fantastic job as the owner of a massive chain of gymnasiums that is trying to put Vince Vaughn's gym out of business. Ben Still has some very funny lines, and I was definitely reminded of his Zoolander character. He was equally confused, though with much more testosterone. Sort of like what you'd expect Derek Zoolander to behave like if he started popping tons of steroids.

Vince Vaughn was probably my favorite in the movie, coming across as the protagonist who's basically a disorganized, fun-loving guy with a small gym that caters to the "less popular" in society. He has very funny lines, and constantly made me laugh when he was verbally sparring with Ben Stiller's character.

The cast of the gym known as "Average Joes" is just as funny, and many of the best lines come from them. Also, Rip Torn is perfect as a one-time dodgeball champion turned coach who prefers to teach his team to avoid being hit by throwing wrenches at them. The training sequences he puts them through are priceless, as is the eventual dodgeball tournament itself (sponsored by ESPN 8, The Ocho, which specializes in offbeat sports like squirrels water skiing).

Stiller's wife is also in this movie, once again playing the quick-witted professional who eventually falls for the main character and helps him to outwit the evil Globo Gym.

Is it predictable? Totally. Is it formula? No question. But is it fun? Absolutely. In fact, it's almost worth it to watch it twice just for the cameos (David Hasselhoff, Lance Armstrong, William Shatner and Chuck Norris are just a few that come to mind). One final thing, though. This movie is laced with some very adult humor, and it's definitely not for kids (language, many sexual references, and a fairly blatant lesbian scene at the very end). In my mind, the movie suffered for these. Enough to cause me to remove one star.

So if you're seeking something to watch that won't make you think a lot, and will also keep you laughing out loud, this is a great choice. Bottom line is that if you liked 'Zoolander', you'll like this movie. And I loved Zoolander.

Funniest Movie of the Year! Who would have thought?
I just got back from seeing "Dodgeball" at the theater and it was way better than I expected. I thought it would be funny and was even surprised to see most critics giving a crude comedy like this good reviews, so I decided to go see it. I am usually not a huge Ben Stiller fan, because most of the time he plays the same sort of lame character (much like Adam Sandler), but not here my friends. Dwight Goodman is one of his best characters yet and he plays him so over the top you can't help but be amused. Vince Vaughn is good as the straight man, but the real star of the movie (other than Stiller) is Rip Torn as the old and crazy coach called Patches. He steals almost every scene he is in and hopefully there will be an unrated Dvd coming out which will add in even more of his raunchy lines. If you want to think, go elsewhere. If you want to have a fun time and laugh (...), catch "Dodgeball" now.

Sorry about the confusion
this is a truly great movie. granted, it is not very pansohic, but nonetheless, it is quite hilarious and the absurdity of it all will leave you gyrating upon the floor of the cinema.

"Here at Globo-gym, we're better than you! AND WE KNOW IT!"
I really enjoyed this movie. The randomness of it was great. I had high expectations, and it was still good. Much better than Spider-man 2! I was cracking up from beginning to end. I haven't seen a movie this funny since Kung-Pow! "F****** Chuck Norris!" If you've seen the movie, you know, right?

Surprisingly funny
I say "surprisingly" but actually I waited to see this movie, because I really had little interest in it until I read all the positive reviews. But sometimes even that doesn't mean the movie is good, but I took a chance, not so much for Stiller but for Vaughn and Justin Long and I heard the Jason Bateman-Gary Cole commentary was pretty funny. Well, I was happy.
The plot is pretty thin. Average Joe's needs $50,000 so he can keep his gym, which is right next to GloboGym, a huge gym run by Stiller. Stephen Root suggests a Dodgeball tournament where the grand prize is: $50,000. And so begins the movie.
The worst thing about Dodgeball is that it takes too long to get to the dodgeball and sometimes goes too slowly. The best thing about Dodgeball is that it's short and once we get to the competition it's pretty funny. And I like how it makes fun of itself at the ending, with the "Deus Ex Machina" treasure.
It doesn't have any wit, nor social commentary (two things my local newspaper complained about) but it does have a dry, random sense of humor (well, if you don't count all the crotch-enlargement jokes). I don't really like Ben Stiller but he's good here, not playing his neurotic type but not as annoying as he was in Zoolander (terrible movie, except for Will Ferrell). Rip Torn is kind of the heart of the "first half" of the movie, then sure enough, "The Ocho" takes over. No, it's not as good as Fred Willard (and the other guy) from Best in Show, but it's great. I've concluded that Jason Bateman is an underused comedic actor: first Arrested Development (great show) now this.
Another thing against this movie is that the laughs don't really come from the story or the major characters. They come from cameos (Walker, Texas Ranger!) and improbable things happen. Vince Vaughn is great as the straight man (the closest thing to one in this movie) and Stephen Root has his share of laughs but the other characters don't do much. Justin Long is playing a timid teenager (can the guy play anything else) and the pirate guy is sort of funny except he doesn't do much. Dodgeball is pretty silly and funny but not as good as Anchorman, I thought. It's harmless though but still way better than anything else Ben Stiller has done. ... Read more

Reviews (198)

College Life without the Education
Luke Wilson, Vince Vaughn and Will Ferrell give college a second try in the raucous comedy "Old School". A rowdy party for their depressed friend Mitch (Luke Wilson) becomes the talk of the local college campus and gives them the chance to relive their wild college lives. Soon, Mitch, Frank "The Tank" (Will Ferrell) and Beanie (Vince Vaughn) form their own unorthodox fraternity whom crazy antics draw the attention of no-nonsense Dean Pritcher (Jeremy Piven). From director Todd Phillips (Road Trip), "Old School" is a hilarious comic romp but its no "Animal House". This wild comedy is good-natured fun with a great comic cast and off-beat humor. Luke Wilson and Vince Vaughn are quite funny but it's Will Ferrell who delivers the movie's most outrageous laughs. The cast also includes Juliette Lewis, Elisha Cuthbert, Leah Remini and Sean William Scott.

If you enjoyed this funny comedy in theaters then "Old School" Unrated Edition is a recommended DVD purchase. Except for some slight nudity in the opening menu, there isn't much difference between the unrated and rated editions of "Old School". The movie is presented in 2.35:1 anamorphic widescreen format. The DVD contains a fine picture quality with good sharpness. The 5.1 Dolby Digital and DTS sound options are quite clear and often engaging. The DVD features an audio commentary by cast members and director Todd Phillips, deleted scenes, a hilarious "Inside the Actors Studio" spoof and a short behind-the-scenes featurette. Overall, "Old School" Unrated Edition scores a "B-".

Sort of an Animal House 25th anniversary tribute.
"Old School" brings back the fun and irreverence of the days of "Animal House" that so few movies seem willing to revisit. Comedy these days seems built around 'paint-by-numbers' formulas or 'let's see how much we can gross people out' shock characteristics. Current releases like "Boat Trip" and "Bringing Down the House" fall in the former category while any movie involving Tom Green or the Farrelly Brothers falls into the latter category. In "Old School", it's refreshing to see a movie that takes a 'devil may care' attitude with its plot and characters while also have the common sense to push the envelope where appropriate without ever crossing the line (following "Animal House's" lead).

In "Old School", Mitch (played by Luke Wilson) is depressed after a breakup with his longtime girlfriend. He moves into a new house near the local college campus and his two best friends, Beanie (Vince Vaughn) and Frank 'the Tank' (Will Ferrell) decide to cheer him up by using his new house to throw a wild 'freedom' party. In a party complete with nubile co-eds, binge drinking, and a performance by Snoop Dogg, the party becomes legendary and draws the ire of the college dean, who just happens to be some nerd that Mitch, Beanie, and Frank tormented in high school. He attempts to take the house from Mitch by claiming it can only be used for campus-related events. This sparks Beanie's imagination to create the most unorthodox fraternity in existence to circumvent the dean's ruling. From there, "Old School" engages in the type of 'us against the administration' hi-jinx that made "Animal House" such a riot.

Will Ferrell gives a performance worthy of John Belushi with his Bluto-esque take as Frank the Tank, whose relapse back into his college days fractures his brand new marriage. Yet, it doesn't seem to affect Frank too too much. Ferrell, as witnessed by his years on Saturday Night Live, is one of the more gifted physical comedians performing today. He has the lunacy of a Jim Carrey without any of the pretentiousness or self-importance that seems to plague Carrey. Vince Vaughn gives another winning performance as a typical, sleazy salesman type who remains just enough on the side of respectability that you still like the guy. It's classic Vaughn. Luke Wilson's performance isn't quite as memorable, but his lovable-loser demeanor fits the role of Mitch perfectly. There are a number of other supporting characters that, while barely more than one-dimensional, make this film a winner (Blue, the 80-year fraternity pledge is a personal favorite).

With world events becoming more somber and depressing and with movies becoming increasingly disappointing, it's quite a relief a no-frills good time can be had at a theater. "Old School" lets the audience feel that kind of relief.

Absolutely worth every penny, HILARIOUS!
I woun't ramble on too much, but I will say this movie is the best I have seen in a while. It's over the top funny, each of the 3 guys (Vaughn, Wilson and Ferrell) make it that much better. It's one of those movies you can watch over and over again and NEVER grow tired of it. Worth every penny, it's definately a 5-star movie in my book.<br /> <br /> ~

makes Animal House seem like Tolstoy
THIS DRIVEL LEFT ME WANTING LESS. DISGUSTING! WITHOUT MERIT!

"Hey Merisa It's Frank Ricard"
The Funniest movie of 2003. This slapstick party comedy starring the King of comedy William Ferrel and also starring Lucas Wilson and Vincent Vaughn. The three men who relive their college years when they start a faternity. This film is laugh out loud hilarious. It's the Animal House of the 21st century. it's Ferrel's funniest act since Jay and Silent Bob and Saturday Night Live. The Best scene is Will Ferrel streaking " come on snoop, snoopaloop bring your green hat". This film will be a classic comedy some day. If you want screwball,slapstick comedy. or if you saw Anchorman first. You'll love Old School. It's a hell of a good parade of party animals. "Blue your my boy" ... Read more

Reviews (179)

You mean you haven't SEEN Swingers?!!
Have you ever been afraid to talk to a member of the opposite sex? Have you ever been nervous about your career or future? Have you ever just wanted a drink to wash it all away? Then check out this film, which centers around two best buds: Vince Vaughn's Trent, the smooth-talking L.A. ladies' man and Jon Favreau's Mike, the broken-hearted nice-guy.

Mike, six months out of a serious long-term relationship and not making any progress in the recovery process, is a struggling comedian/actor in Los Angeles and he's hating it. The savior of his sanity is Trent, who likes to think of himself as a big brother type mentor to the girl-shy Mike. They and their friends eek out an existence in day jobs, trying to score acting gigs. At night, they hit the swingin' 1990's L.A. lounge scene--with a stint in VEGAS, BABY, VEGAS! as well.

Trent's glassy smooth player schtick will make women giggle with delight and make the guys high five while Mike's romantic misadventure will make everyone cringe as he sulks over his loss, wallows in self-pity, and gets shot down when he does try to move on. If you want to laugh, if you want to care about a movie character, and if you want to be inspired by HOW MONEY YOU ARE, then GET THIS MOVIE!

TOP 10 REASONS TO WATCH THIS MOVIE
Swingers could be a hip movie, a Guys movie, great-sagacious-advice movie, a warm-amusing movie, this-is-what-friendship-is-about movie, or simply one of the most facetious for-a-lark flicks of the 90s. But whatever tag you wish to stick on it, this honest, low-budget humdinger from Liman is very very "money"!

Top 10 reasons to get your hands on this movie now:

(1) It's fast-paced, well edited (not one wasted scene) and frequently laugh-out-loud funny. If you hear people dismiss this as an inconsequential narrative about a "bunch of losers trying to get laid", I'm afraid they just have not watched the entire movie. I am not into the "Spy who shagged me" genre of humor, but this movie will truly grow on you.

(2) It'll ring a bell with almost anyone, particularly guys. Mike -- a crestfallen loverboy (Jon Favreau) is in the throes of a breakup, and his confidence has hit rock bottom. (Sidenote: Favreau is a very ordinary looking guy, which in fact imho is the power of his character.) Under the aegis of his friend Trent (Vince Vaughn, in top form, a lot better than his controlled acting in, gulp, The Psycho) Mike re-learns how to get back up on his feet and take reins of his life/emotions again. While this happens, we are treated to a bunch of every-day faux pas that we all can identify with in a blink. Interested yet?

(3) The boys' camaraderie is infectious. If you watch this movie with friends -- and this indeed is the best way to watch it! -- you'll know what I mean. This has to be one of the most honest portrayals of relationships between friends -- both the lover and the platonic variety.

(4) Call me weird but I loved the sound track, a delectable blend of underground jazz and triphop.

(5) Some of the "get back on your feet" dialogue for Mike is truly marvellous, and makes for better, more down-to-earth, more inspiring advice about life and relationships than Dr. Ruth and Oprah put together.

(6) An interesting look at the Los Angeles we never see in films, the underground life of the struggling actors and writers and less glamorous people, not living in Malibu opulence as seen in other weaker films.

(7) Some great Sega Genesis NHL ice-hockey "footage" (to use a dignified term) and an unusual preview of seeing Gretzky's head knocked.

(8) This is to men what "Sex and the City" is to women. (Ok, SATC has had a lot more time than Swingers to entice us with the workings of the Modern Woman, but you get the idea)

(9) A wide assortment of one-liners for you to conveniently plagiarize from. Not seen in a single movie since Roxanne with Steve Martin.

(10) Oh, and it's so laid back, its horizontal. No spiffy visual FX, no crash boom bang, no cheap frills. But still a high handsome homerun.

Required Viewing.

Lame
To borrow a "witty" line from the movie, this movie is so NOT money. Tries to be too hip, too cool, too indy. People don't act this way.

Shallow and less than exciting. I know some people want to go buy this movie and watch it like 50 times or something, but not me.

Mickey 's the Winner.....
Very funny movie, basic concept of the movie lots of friends who are actors just party. You follow the guys around town and hanging out drinking but there also more drama about getting over an EX.
Just watch the scene where Vince Vaughn and the guys are have a meal after a heavy night of drinking. Haaa it was very "Saturday Night Liveish".... It is a dry pan comedy,it has many classic lines in the movie and Heather Graham is in it. What more can I say..
Very under rated movie but tons of fun.

Men`s Night
This hip, somewhat witty movie about two guys living the LA nightlife is amusing and clever at parts bue as a whole it`s not too convincing. John Favreau and Vince Vaughn play two twentysomethings friends who move to LA in order to get a life and find a girl. One of them (John Favreau) is still struggling to forget his ex-girlfriend while trying to face new situations, meet new people and avoid a depression. Director Doug Liman presents a stylish, mildly entertaining movie with fine acting, good dialogue and some funny scenes, yet this isn`t quite enough and still seems like an empty, shallow picture. The plot is almost nonexistant, even if the mid-nineties zeitgeist is well captured.

"Swingers" is nothing more than an average guy flick, quotable enough and with its share of hipness, yet not too memmorable or captivating. It`s watchable and all, but it lacks a point. There are better movies of its genre around ("About a Boy", "High Fidelity" or, for something edgier and more original, "Fight Club"). ... Read more

Reviews (240)

The Lost World
This sequel to the 1993 blockbuster is good as sequels go but isn't a great movie. Jeff Goldblum gives a good performance as Dr. Ian Malcolm and Julianne Moore contributes too. The screenplay based on the novel by Michael Crichton is poorly done but has a few funny lines. The cinematography is good and captures the horror very well, and the production design is very frightening. The soundwork is very good, but the editing by veteran Michael Kahn (Close Encounters, Raiders of the Lost Ark, E.T.) is not very well done, you can hardly digest what is happening. John Williams contributes a rousing yet ominous score. One thing that keeps this movie moving are the incredible Oscar nominated special effects done masterfully by the great Dennis Muren and Stan Winston. The basic plot is that John Hammond, the creator of Jurassic Park, has an island where dinosaurs roam freely but must send Malcolm along with his girlfriend and two other companions to photograph the dinosaurs so Ingen will be kept from disturbing the dinosaurs. Overall, fairly well done, suspenseful, but fails to capture the awe, greatness, and wonder that the original possessed. There is also a Jurassic Park 3 coming out. I can't wait.

Dinosaurs Galore
Recently I was able to catch Spielberg's The Lost World. I say Spielberg because other than the title it bears no resemblance to the book. This is not necessarily a bad thing. While a lousy interpretation of the book it is still a good film.

Jeff Goldblum is hired (by a man who is dead in the book) to study the ecosystems on InGen's Site B where dinosaurs have been flourishing. Only the fact that his girlfriend is in danger gets Goldblum to go. No sooner does he arrive and try and convince her to leave than a massive InGen expedition shows up to hunt and capture dinosaurs.

InGen's plans for capturing dinosaurs goes awry when Goldblum and friends release the dinosaurs during a satellite-linked board meeting. InGen plans to open a dinosaur park facility at the San Diego zoo. During the chaos every radio in the camp manages to get trampled. The survivors must now find a way off of the island. Unfortunately most of them are killed in a brief attack by velociraptors while in tall grass.

The few survivors of the second expedition manage to capture a T-Rex and ready it for shipping to the states. Goldblum and friends escape by helicopter.

In San Diego the T-Rex manages to escape and go rampaging through the city. Goldblum must lure the T-Rex back onto the freighter that brought it to the States. In the end a huge navy escort follows the freighter back to the island while Mr. Hammond implores to public to leave the dinosaurs alone; they deserve it.

Some people definitely had fun making this movie. There were scenes from classic and not-so-classic movies including King Kong, Godzilla, Carnosaur 3 (CARNOSAUR was the book Crichton got the idea for JURASSIC PARK from) and others. Two scenes I particularly enjoyed were a crowd of screaming Japanese looking over their shoulders while running in terror and a little boy who wakes his parents to tell them that there is a dinosaur in the back yard.

It was reported that a paleontologist made sure that the dinosaurs acted as current scientific beliefs say they should. Hah! The Stegosaurs were the size of apatosaurs. Something, possibly the escaped triceratops, managed to knock a hummer airborne so that ir reached an altitude of at least a hundred feet and an amazing distance. Velociraptors can now leap three stories up and forty yards out. The tyrannosaur can run right through building walls without slowing down. Fun? Yes. Realistic? No way. Needless to say if the dinosaurs acted this way in the first movie then no one would have escaped.

Still, it was a very fun film that I recommend to any dinosaur lover who can stand to see people pulled apart by huge carnivores sharing a tidbit. The Lost World (the third film by that name) should be available on video and day now.

Steven Plays Around A Bit...
Actually, LWJP is just Steven Spielberg having some fun. It's an obvious tribute to movies like King Kong, Godzilla, and even the original 1925 version of The Lost World. It's a non-stop SFX extravaganza that is more dessert than a nourishing meal. Jeff Goldblum returns as Ian Malcolm. He is not bad in his role, though he does wear thin. Julianne Moore is beautiful as always, and pulls off her "concerned scientist" part with ease. The T-rex is back, with his mate and offspring. The Raptors terrorize, managing to kill off many slimy hunters and Ingen drones. Not a bad sequel, considering that most sequels are pure rubbish anyway. I enjoyed the T-rex running rampant in LA. I only wish it had had more time to cause hysteria and chaos! A nice binge-eating trip down Hollywood Blvd would've been cool! Oh well. Watch with brain on pause...

It's Lost All Right
"Jurassic Park" could be forgiven the lack of story and character development because it was artfully crafted to be a thrill ride. This sequel, also inspired by Michael Chrichton's book, departs more from the story and fully flops into the B-movie category.

Jeff Goldblum is back visiting the dinosaurs, along with several other characters from the previous movie. This time our scientists are observing the behavior of the dinosaurs, trying to learn as much as possible, a very scientist-like activity. However, greed plays a part once again as a team of big-game hunters come to the island to attempt to capture an array of dinosaurs for a dinosaur zoo in an attempt for Ingen to recoup some of its substantial investment in the dinosaurs.

All appears to be going well for everyone except the dinosaurs until the scientists decide to play environmentalists and release all the dinosaurs from their cages. The dinosaurs go on a rampage (ever seen a rampaging triceratops?), destroying the camp of the hunters. Even then our scientists would have been okay had they not decided to help a baby tyrannosaurus. The parents track down the baby with predictably bad results for the humans.

Now scientists and big game hunters alike are on the run from the tyrannosaurs, and in the process of escaping they encounter our old friends the raptors, still intelligent, still agile, and still very hungry.

Eventually some of the characters escape, and the tyrannosaurus and its baby are captured so that they can be taken to California. Something unexplained happens on the ship and the only thing left are the tyrannosaurs and a hand trying keeping a cargo bay door closed. Remove the hand and a miniature Godzilla roams the streets of San Diego.

The first Jurassic Park movie had plot holes that you were able to ignore in favor of the cool special effects and the action. This time the plot holes are bigger than the movie. Real scientists do not behave as Dr. Sarah Harding (Julianne Moore) does in this movie. As Dr. Ian Malcolm (Jeff Goldblum) advises her, "Do not interact," a basic rule of scientific observation. Interacting is for Green Peace and the Sierra Club, not for real scientists.

Our hunters blunder about in a manner that is guaranteed to get them killed. They run when they should walk. They walk when they should stay put. The actions of the supposed scientists continually put everyone into danger. When you remove the bullets from a gun, and the gun is later used to attempt to protect you, the result is predictable. The plot holes continue in allowing the tyrannosaur escape.

Added to the plot holes are moments of humor that further spin this movie into the realm of low-budget monster movies. The scene with the dog in a San Diego suburb was completely unnecessary. Of course, by that point I was beyond disappointed with the movie.

This movie does have a few good points, all based on action scenes, but the plot holes outweigh the good portions and the mistakes and silly behavior make this movie difficult to watch. I give this movie three stars because the special effects continued to be good, the only redeeming feature of this movie.

Okay, not as good as the first
This movie was okay. The first one is so much better, but this one is still not bad. I thought it was awesome when the T-Rex attacked a city! I still bought it because I love the movies. See it if you like the first, but don't expect it to be better.

MPAA: PG-13
Running Time: 129 minutes
Year released: 1997 ... Read more

Reviews (76)

Stiller & Wilson can't save this lame, tame & stale flick
"Starsky & Hutch" should be the final chapter in the Ben Stiller/Luke Wilson buddy picture collection. They've worked every angle of the pairing that pits the neurotic, six-cups-of-coffee Stiller persona (Starsky) against the "What, me think?" Wilson persona (Mike "Hutch" Hutchinson). By the close of director Todd Phillips' third consecutive financially-successful-yet-uneven comedy - think Ivan Reitman meets P.T. Anderson - even Stiller and Wilson seem sick of each other; the movie is stolen with or without their permission by Snoop Dogg (as Huggy Bear) and Will Ferrell (as an imprisoned gay biker with a dragon fetish.)

The script, co-penned by Phillips and writing partner Scot Armstrong ("Road Trip" and "Old School") installs a mustached Jewish businessman, Reese Feldman, as the drug villain, played by Vince Vaughn straightaway, without humor. He shoots a guy in the movie's opening scene, blows up Hutch's shack in another. Feldman's discovery: a hybrid cocaine undetectable by German Shepherds and crime labs - watch for an inside joke about "new" and "old" coke - which plays a role in an extended sequence where Starsky mistakes it for sugar.

Phillips and Armstrong poke a bit of fun at the 70s - the original TV show emerges mostly unscathed - by parodying disco, cheerleaders in the Farrah Fawcett hair, the pimp culture, punctuated by Snoop Dogg - but they generally rely on Stiller and Wilson to goof off one another. It's debatable whether their chemistry has ever been that good - "The Royal Tanenbaums" wisely kept them apart - but here they struggle in dead air. For Stiller it could be fatigue - seven films in calendar year plus a regular spot on "Curb Your Enthusiasm" - and for Wilson, it could be the epiphany that there are more roles out there than the shaggy, shambling fool.

"Starsky & Hutch" seems strangely lobotomized. A scene, for example, that features Starsky and Hutch interrogating a topless cheerleader (Molly Sims) might have earned an R rating shot from the front, but at least we would have been spared a viewing of the skeletal Sims' alien spine. Robbed of their ability to rip off "Porky's" by Hollywood bean counters looking for a franchise, Phillips and Armstrong fall back on the PG-13 comedy standbys - casual drug use, slightly loose women, homophobia, and two household names and a handful of cameos ( Snoop Dogg, Jason Bateman, Chris Penn). It's not unlike one of those failed Saturday Night Live comedies: too tame in one scene, too lame in another, stale most of the time.

Yup, just not that funny.
Worth a chuckle if on TV late at night, but that's about it. Not a huge let down, but you expect more. Just not "zany" as it wants to be. The DVD extras are fairly lame as well, as most DVD supplements are becoming. If you really want it... buy it used from some rental outlet.

A TOTAL DUD
Could they have picked any 2 worse actors in america?...Ben Stiller isnt funny at all...EVER and neither is Owen Wilson but yet they both try so hard. These two losers are a joke and this movie sucks. I only gave this stupid sh*t one star because I had to and simply because a lower rate isnt available, BUT it should be. Dont watch this movie these two arent funny and Snoop Dogg man I like ya my man but do us all a favor and just stick to the rap game. Acting isnt your thing nor was it ever

ONE OF THE BEST MOVIE EVER
STARSKY AND HUTCH IS A VERY GOOD MOVIE. LOL FUNNY.I THINK IT WAS COLL TO HAVE SNOOP DOG PLAY HUGGY BEAR.I WOULD GIVE THIS MOVIE 5 STARS BECAUSE IT'S A GOOD MOVIE FOR ANY BODY.(BUY THIS MOVIE)

eh...
It has its moments. Problem is, they are kind of few and far between. This movie is right along the same lines as something like Joe Dirt - it's something to watch when you have nothing else to watch. Also, the retro 70's thing is getting a little old. ... Read more

Reviews (198)

College Life without the Education
Luke Wilson, Vince Vaughn and Will Ferrell give college a second try in the raucous comedy "Old School". A rowdy party for their depressed friend Mitch (Luke Wilson) becomes the talk of the local college campus and gives them the chance to relive their wild college lives. Soon, Mitch, Frank "The Tank" (Will Ferrell) and Beanie (Vince Vaughn) form their own unorthodox fraternity whom crazy antics draw the attention of no-nonsense Dean Pritcher (Jeremy Piven). From director Todd Phillips (Road Trip), "Old School" is a hilarious comic romp but its no "Animal House". This wild comedy is good-natured fun with a great comic cast and off-beat humor. Luke Wilson and Vince Vaughn are quite funny but it's Will Ferrell who delivers the movie's most outrageous laughs. The cast also includes Juliette Lewis, Elisha Cuthbert, Leah Remini and Sean William Scott.

If you enjoyed this funny comedy in theaters then "Old School" Unrated Edition is a recommended DVD purchase. Except for some slight nudity in the opening menu, there isn't much difference between the unrated and rated editions of "Old School". The movie is presented in 2.35:1 anamorphic widescreen format. The DVD contains a fine picture quality with good sharpness. The 5.1 Dolby Digital and DTS sound options are quite clear and often engaging. The DVD features an audio commentary by cast members and director Todd Phillips, deleted scenes, a hilarious "Inside the Actors Studio" spoof and a short behind-the-scenes featurette. Overall, "Old School" Unrated Edition scores a "B-".

Sort of an Animal House 25th anniversary tribute.
"Old School" brings back the fun and irreverence of the days of "Animal House" that so few movies seem willing to revisit. Comedy these days seems built around 'paint-by-numbers' formulas or 'let's see how much we can gross people out' shock characteristics. Current releases like "Boat Trip" and "Bringing Down the House" fall in the former category while any movie involving Tom Green or the Farrelly Brothers falls into the latter category. In "Old School", it's refreshing to see a movie that takes a 'devil may care' attitude with its plot and characters while also have the common sense to push the envelope where appropriate without ever crossing the line (following "Animal House's" lead).

In "Old School", Mitch (played by Luke Wilson) is depressed after a breakup with his longtime girlfriend. He moves into a new house near the local college campus and his two best friends, Beanie (Vince Vaughn) and Frank 'the Tank' (Will Ferrell) decide to cheer him up by using his new house to throw a wild 'freedom' party. In a party complete with nubile co-eds, binge drinking, and a performance by Snoop Dogg, the party becomes legendary and draws the ire of the college dean, who just happens to be some nerd that Mitch, Beanie, and Frank tormented in high school. He attempts to take the house from Mitch by claiming it can only be used for campus-related events. This sparks Beanie's imagination to create the most unorthodox fraternity in existence to circumvent the dean's ruling. From there, "Old School" engages in the type of 'us against the administration' hi-jinx that made "Animal House" such a riot.

Will Ferrell gives a performance worthy of John Belushi with his Bluto-esque take as Frank the Tank, whose relapse back into his college days fractures his brand new marriage. Yet, it doesn't seem to affect Frank too too much. Ferrell, as witnessed by his years on Saturday Night Live, is one of the more gifted physical comedians performing today. He has the lunacy of a Jim Carrey without any of the pretentiousness or self-importance that seems to plague Carrey. Vince Vaughn gives another winning performance as a typical, sleazy salesman type who remains just enough on the side of respectability that you still like the guy. It's classic Vaughn. Luke Wilson's performance isn't quite as memorable, but his lovable-loser demeanor fits the role of Mitch perfectly. There are a number of other supporting characters that, while barely more than one-dimensional, make this film a winner (Blue, the 80-year fraternity pledge is a personal favorite).

With world events becoming more somber and depressing and with movies becoming increasingly disappointing, it's quite a relief a no-frills good time can be had at a theater. "Old School" lets the audience feel that kind of relief.

Absolutely worth every penny, HILARIOUS!
I woun't ramble on too much, but I will say this movie is the best I have seen in a while. It's over the top funny, each of the 3 guys (Vaughn, Wilson and Ferrell) make it that much better. It's one of those movies you can watch over and over again and NEVER grow tired of it. Worth every penny, it's definately a 5-star movie in my book.<br /> <br /> ~

makes Animal House seem like Tolstoy
THIS DRIVEL LEFT ME WANTING LESS. DISGUSTING! WITHOUT MERIT!

"Hey Merisa It's Frank Ricard"
The Funniest movie of 2003. This slapstick party comedy starring the King of comedy William Ferrel and also starring Lucas Wilson and Vincent Vaughn. The three men who relive their college years when they start a faternity. This film is laugh out loud hilarious. It's the Animal House of the 21st century. it's Ferrel's funniest act since Jay and Silent Bob and Saturday Night Live. The Best scene is Will Ferrel streaking " come on snoop, snoopaloop bring your green hat". This film will be a classic comedy some day. If you want screwball,slapstick comedy. or if you saw Anchorman first. You'll love Old School. It's a hell of a good parade of party animals. "Blue your my boy" ... Read more

Reviews (39)

Surprise! It's Good!
A dark comedy that starts off with a bang -- literally. The beginning is well-written, for it sets the pace for the rest of the movie. It pulls you in and makes you wonder what's going to happen next. A few minutes into the film, however, it starts to show traits of some pointless independent movie. Luckily, it picks up when Janeane Garofalo, the dry and sarcastic FBI agent, steps in. Joaquin Phoenix, whose brilliance as an actor is becoming more evident with every progressive film, turns in a commendable performance. Vince Vaughn provides great comic relief as your stereotypical, insane cowboy. The rest of the cast is also brilliant, however subtle their roles are. Although not perfect, this film has a way of staying with you, with its quirky and fun soundtrack, offbeat performances, fast-paced and intricately woven plot, and desolate country setting. Give this movie a try and you will be pleasantly surprised.

A haunting, dark comedy...
Clay Birdwell (Joaquim Phoenix) is a small-town guy who hates his ho-hum small-town life. In one afternoon all that changes. His best friend Earl (Gregory Sporleder) confronts him, while out target shooting, that he knows Clay's been involved with his wife (Georgina Cates). Earl commits suicide in an attempt to frame Clay for his murder...and with Clay's cover-up of that act, a chain of other terrible killings is sparked, as a charming, cowboy, serial killer, Lester Long (Vince Vaughn) senses an opportunity.

Dead bodies start turning up in "Big Sky Country" (Montana) and, unfortunately all of them, right under Clay's nose. Soon, the FBI turns up as well. Janeane Garofalo is great as the skeptical and sarcastic investigating agent.

This is a very well done dark comedy with a great cast - Vaughn is excellent, so are Garofalo and Joaquim Phoenix. Some great side characters are played by Scott Wilson (Sheriff Mooney), Vince Vieluf (Deputy Barney) and Phil Morris as the silent and brooding agent Reynard. A real keeper.

When Joaquin was the lesser of two Phoenixes
Maybe I was smoking something when commercials for this flick first came out, but I thought it was marketed as a comedy. This is not a comedy. Unless you want to call it a "black comedy" which basically means violence and murder and sex for no reason is funny or absurd. I didn't like this movie at all. None of the characters are likable and the story is unbelievable. This isn't a sleeper, a cult movie, or an art movie. Its just a bad movie. If you want to see an "exploration of violence" type movie, go watch Kalifornia instead. You have been warned.

Funny and Chilling...
Janeane Garofalo is so great in this role, as are all the other actors. I would definately recommend this movie. It has a few slow moments but it has a great plot and a wonderful cast that more than make up for them.

Okay, nothing Like 'WHOA"
... I saw ... they rated it in the top ten movies for the year it was releases, and I saw on here it had nice reviews... The plot sounded nice too. When I saw it, it was almost making me sleep, after finishing the movie, I was like, why did I see this movie. The cast was fantastic, especially Vince Vaughn. The music, enjoyment, and the plot was all pretty much [garbage]. ... ... Read more

Reviews (76)

Stiller & Wilson can't save this lame, tame & stale flick
"Starsky & Hutch" should be the final chapter in the Ben Stiller/Luke Wilson buddy picture collection. They've worked every angle of the pairing that pits the neurotic, six-cups-of-coffee Stiller persona (Starsky) against the "What, me think?" Wilson persona (Mike "Hutch" Hutchinson). By the close of director Todd Phillips' third consecutive financially-successful-yet-uneven comedy - think Ivan Reitman meets P.T. Anderson - even Stiller and Wilson seem sick of each other; the movie is stolen with or without their permission by Snoop Dogg (as Huggy Bear) and Will Ferrell (as an imprisoned gay biker with a dragon fetish.)

The script, co-penned by Phillips and writing partner Scot Armstrong ("Road Trip" and "Old School") installs a mustached Jewish businessman, Reese Feldman, as the drug villain, played by Vince Vaughn straightaway, without humor. He shoots a guy in the movie's opening scene, blows up Hutch's shack in another. Feldman's discovery: a hybrid cocaine undetectable by German Shepherds and crime labs - watch for an inside joke about "new" and "old" coke - which plays a role in an extended sequence where Starsky mistakes it for sugar.

Phillips and Armstrong poke a bit of fun at the 70s - the original TV show emerges mostly unscathed - by parodying disco, cheerleaders in the Farrah Fawcett hair, the pimp culture, punctuated by Snoop Dogg - but they generally rely on Stiller and Wilson to goof off one another. It's debatable whether their chemistry has ever been that good - "The Royal Tanenbaums" wisely kept them apart - but here they struggle in dead air. For Stiller it could be fatigue - seven films in calendar year plus a regular spot on "Curb Your Enthusiasm" - and for Wilson, it could be the epiphany that there are more roles out there than the shaggy, shambling fool.

"Starsky & Hutch" seems strangely lobotomized. A scene, for example, that features Starsky and Hutch interrogating a topless cheerleader (Molly Sims) might have earned an R rating shot from the front, but at least we would have been spared a viewing of the skeletal Sims' alien spine. Robbed of their ability to rip off "Porky's" by Hollywood bean counters looking for a franchise, Phillips and Armstrong fall back on the PG-13 comedy standbys - casual drug use, slightly loose women, homophobia, and two household names and a handful of cameos ( Snoop Dogg, Jason Bateman, Chris Penn). It's not unlike one of those failed Saturday Night Live comedies: too tame in one scene, too lame in another, stale most of the time.

Yup, just not that funny.
Worth a chuckle if on TV late at night, but that's about it. Not a huge let down, but you expect more. Just not "zany" as it wants to be. The DVD extras are fairly lame as well, as most DVD supplements are becoming. If you really want it... buy it used from some rental outlet.

A TOTAL DUD
Could they have picked any 2 worse actors in america?...Ben Stiller isnt funny at all...EVER and neither is Owen Wilson but yet they both try so hard. These two losers are a joke and this movie sucks. I only gave this stupid sh*t one star because I had to and simply because a lower rate isnt available, BUT it should be. Dont watch this movie these two arent funny and Snoop Dogg man I like ya my man but do us all a favor and just stick to the rap game. Acting isnt your thing nor was it ever

ONE OF THE BEST MOVIE EVER
STARSKY AND HUTCH IS A VERY GOOD MOVIE. LOL FUNNY.I THINK IT WAS COLL TO HAVE SNOOP DOG PLAY HUGGY BEAR.I WOULD GIVE THIS MOVIE 5 STARS BECAUSE IT'S A GOOD MOVIE FOR ANY BODY.(BUY THIS MOVIE)

eh...
It has its moments. Problem is, they are kind of few and far between. This movie is right along the same lines as something like Joe Dirt - it's something to watch when you have nothing else to watch. Also, the retro 70's thing is getting a little old. ... Read more

Reviews (38)

I Didn't Stop Laughing
I just finished seeing Dodgeball, and I'll say that this is definitely the quirkiest movie that Ben Stiller has made since Zoolander. It's totally off the wall, and it succeeds as one of his funniest comedies.

The things that make this movie great are, primarily, the cast of characters. Stiller himself does a fantastic job as the owner of a massive chain of gymnasiums that is trying to put Vince Vaughn's gym out of business. Ben Still has some very funny lines, and I was definitely reminded of his Zoolander character. He was equally confused, though with much more testosterone. Sort of like what you'd expect Derek Zoolander to behave like if he started popping tons of steroids.

Vince Vaughn was probably my favorite in the movie, coming across as the protagonist who's basically a disorganized, fun-loving guy with a small gym that caters to the "less popular" in society. He has very funny lines, and constantly made me laugh when he was verbally sparring with Ben Stiller's character.

The cast of the gym known as "Average Joes" is just as funny, and many of the best lines come from them. Also, Rip Torn is perfect as a one-time dodgeball champion turned coach who prefers to teach his team to avoid being hit by throwing wrenches at them. The training sequences he puts them through are priceless, as is the eventual dodgeball tournament itself (sponsored by ESPN 8, The Ocho, which specializes in offbeat sports like squirrels water skiing).

Stiller's wife is also in this movie, once again playing the quick-witted professional who eventually falls for the main character and helps him to outwit the evil Globo Gym.

Is it predictable? Totally. Is it formula? No question. But is it fun? Absolutely. In fact, it's almost worth it to watch it twice just for the cameos (David Hasselhoff, Lance Armstrong, William Shatner and Chuck Norris are just a few that come to mind). One final thing, though. This movie is laced with some very adult humor, and it's definitely not for kids (language, many sexual references, and a fairly blatant lesbian scene at the very end). In my mind, the movie suffered for these. Enough to cause me to remove one star.

So if you're seeking something to watch that won't make you think a lot, and will also keep you laughing out loud, this is a great choice. Bottom line is that if you liked 'Zoolander', you'll like this movie. And I loved Zoolander.

Funniest Movie of the Year! Who would have thought?
I just got back from seeing "Dodgeball" at the theater and it was way better than I expected. I thought it would be funny and was even surprised to see most critics giving a crude comedy like this good reviews, so I decided to go see it. I am usually not a huge Ben Stiller fan, because most of the time he plays the same sort of lame character (much like Adam Sandler), but not here my friends. Dwight Goodman is one of his best characters yet and he plays him so over the top you can't help but be amused. Vince Vaughn is good as the straight man, but the real star of the movie (other than Stiller) is Rip Torn as the old and crazy coach called Patches. He steals almost every scene he is in and hopefully there will be an unrated Dvd coming out which will add in even more of his raunchy lines. If you want to think, go elsewhere. If you want to have a fun time and laugh (...), catch "Dodgeball" now.

Sorry about the confusion
this is a truly great movie. granted, it is not very pansohic, but nonetheless, it is quite hilarious and the absurdity of it all will leave you gyrating upon the floor of the cinema.

"Here at Globo-gym, we're better than you! AND WE KNOW IT!"
I really enjoyed this movie. The randomness of it was great. I had high expectations, and it was still good. Much better than Spider-man 2! I was cracking up from beginning to end. I haven't seen a movie this funny since Kung-Pow! "F****** Chuck Norris!" If you've seen the movie, you know, right?

Surprisingly funny
I say "surprisingly" but actually I waited to see this movie, because I really had little interest in it until I read all the positive reviews. But sometimes even that doesn't mean the movie is good, but I took a chance, not so much for Stiller but for Vaughn and Justin Long and I heard the Jason Bateman-Gary Cole commentary was pretty funny. Well, I was happy.
The plot is pretty thin. Average Joe's needs $50,000 so he can keep his gym, which is right next to GloboGym, a huge gym run by Stiller. Stephen Root suggests a Dodgeball tournament where the grand prize is: $50,000. And so begins the movie.
The worst thing about Dodgeball is that it takes too long to get to the dodgeball and sometimes goes too slowly. The best thing about Dodgeball is that it's short and once we get to the competition it's pretty funny. And I like how it makes fun of itself at the ending, with the "Deus Ex Machina" treasure.
It doesn't have any wit, nor social commentary (two things my local newspaper complained about) but it does have a dry, random sense of humor (well, if you don't count all the crotch-enlargement jokes). I don't really like Ben Stiller but he's good here, not playing his neurotic type but not as annoying as he was in Zoolander (terrible movie, except for Will Ferrell). Rip Torn is kind of the heart of the "first half" of the movie, then sure enough, "The Ocho" takes over. No, it's not as good as Fred Willard (and the other guy) from Best in Show, but it's great. I've concluded that Jason Bateman is an underused comedic actor: first Arrested Development (great show) now this.
Another thing against this movie is that the laughs don't really come from the story or the major characters. They come from cameos (Walker, Texas Ranger!) and improbable things happen. Vince Vaughn is great as the straight man (the closest thing to one in this movie) and Stephen Root has his share of laughs but the other characters don't do much. Justin Long is playing a timid teenager (can the guy play anything else) and the pirate guy is sort of funny except he doesn't do much. Dodgeball is pretty silly and funny but not as good as Anchorman, I thought. It's harmless though but still way better than anything else Ben Stiller has done. ... Read more

Reviews (76)

Falls Short....
A mob movie for non-mobsters, this film involves two amateurs sent to NYC to do a money 'drop'. Written and Directed by Jon Farveau (Swingers) and also strarring Vince Vaughn, Peter Falk and Famke Janssen. Things get complicated when Vaughn's character flaws 'kick in' and piss everybody off. The best part of the film is Vaughn. Athough Farveau and the rest of the cast play their parts well, Vaughn is right on target. You can't help but want to bound and gag him all through the film. Production value is good but there isn't anything particular that would shoot this film through the top. It's a well written story and decently acted. Made is entertaining for those who like 'fish out of water' pictures.

Vaughn is hilarious
this is about Bobby(Jon Favreau) and he is a wanna be boxer who also does construction work..so is his friend Ricky(Vince Vaughn)..Bobby has a girlfriend who is a stripper named Jessica(a sexy Famke Janssen)....Favreau and Vaughn are assigned a job by Max(Peter Falk)...so he sends the 2 away with the help of Ruis(SEan Combs), his right hand man (Faison Love) and a limo driver(Vincent Pastore)....very funny due to teh chemistry of Favreau and Vaughn...bringing their Swingers chemistry to the picture..especially Vaughn..he gets all the highlights..beeping the stewardess on the plane...annoying Falk and Combs..and the chuckie cheese part at the end...very good and worth it if your fans of the Swingers cast

Not a forgone conclusion
I assumed that just because I loved "Swingers" I would love "Made." Not so. And don't believe the reviews you read telling you that if you like one you'll like the other.

"Made" is John Farvreau's attempt at a crime film, not exactly a spoof on one. The only spoof aspect of it is Ricky, played by Vince Vaughn. Otherwise it seems like a pretty straightforward, somewhat realistic crime movie.

Bobby (Favreau) and Ricky are amateur boxers, pretty bad ones at that, who end up doing a job for their boss (played by Peter Falk) which takes them from their native LA to New York. There they meet Ruiz who is, believe it or not, played by P. Diddy. They bumble their way through the operation, finally returning to LA where Bobby wraps things up with his girlfriend and her child.

The main problem to me was Vince Vaughn. His character (Ricky) has absolutely no redeeming qualities. He is one of the most irritating, idiotic, annoying characters I've ever seen portrayed on film. The character he played in "Swingers" was similar - a loud-mouth know-it-all - but he had some redeeming qualities. He obviously cared about his friends, he did know when to draw the line, he wasn't all talk - women did like him, etc. In "Made" none of these qualities exist. He's just the self-centered loud-mouth who doesn't know when to quit and seems intent on getting himself and everyone around him killed.

While this is funny at times, it ends up just getting old and almost uncomfortable to watch. It's not entirely fair to compare this movie to "Swingers," but that seems unavoidable and its only saving grace. I don't think this movie would have had any success at all were it not for its predecessor, because it's just not that fun watching Vince Vaughn be an idiot in this one because there's nothing to redeem him. I'd say rent it before buying to make sure you like it - don't assume you'll like it because you liked "Swingers." They are two totally different films.

I Liked The Movie But It Is Not For Everyone
Jon Favreau and Vince Vaughn don't make your standard cookie-cutter type movies like a Clint Eastwood. The movie, "Made", will not be enjoyed by everyone and it will never gross 200 million. It's an off-beat, quirky kind of movie about two friends hired by a 'wise guy' to do some funny business. Vince Vaughn plays Ricky, an eccentric screw-up that can't keep his mouth shut. Jon Favreau's character, Bobby is a boxer who is in love with a prostitute. She has a wonderful little girl who becomes attached to Bobby. He takes this job with Ricky in order to score some cash so he can secure his girl friend's future and get her off of prostitution. Ricky's over-the-top behavior almost screws up the 'drop' but he pulls off a surprise. The movie is funny, interesting and entertaining. However, it's is not as good as the one that made Jon Favreau and Vince Vaughn famous, i.e. "Swingers". As a big fan of Favreau and Vaughn my opinion is biased. I loved this movie but it is not for everyone!

not my favorite
i like vince vaughn and jon favreau, which makes this hard to do. i'll try to be objective in pointing out the strong points and the weak points, but we'll see. the first thing i have to say is that this is the first movie i've watched in a long, long time that i almost turned off in the middle. i understand that vaughn's character is supposed to be a total irritating moron, but after a while i could hardly bare it. there didn't seem to be many (if any) funny parts in my opinion, and i also thought the plot was rather weak. however, i thought that the acting was pretty good. it would be hard for me to believe that anyone could do an annoying person better than vaughn did in this film. and puffy got ripped on plenty in the reviews i saw, but in my opinion, he did pretty well. i'm not sure he was terribly convincing, but he certainly didn't embarrass himself. the ending was more bearable than most of the movie, but it seemed out of place. overall, this is my recommendation: i think most people will not like this movie, so i think you should avoid it (especially if you don't like irritating, dumb-head characters). however, if you really like vaughn and favreau AND aren't too turned off by a character that does some ridiculously dumb things, then maybe it's worth seeing for you. ... Read more

Reviews (62)

Hand Dipped Glazed Liver Dumpling
I agree that this movie was very well made and emotionally packed, but I felt there was a point that many people missed. The well expressed and obvious themes were definetly about self-asessment and morals, but I think something that the movie makers and definetly the actors wanted people to think about was the media's relentless pursuit of a story and their blunt exploitation. There might have been a slightly exaggerated instance in this movie for cinematic effect, which was expressed well, but there are many all too real examples in real life that I think maybe if the media were non-existant the repetitiveness of actions or conclutions of events might have been dramatically altered. A few examples come easily to mind; paparazzi, school shootings, trial coverages, every "top story" on the news. It all has something, if not everything to do with the media. There was a well written case in this movie. I felt some of the actors pushed a little too hard to deliver their lines, and the attraction of Vince Vaughn and Anne Heche's characters was unimaginable, but it's all a matter of circumstance and I certainly couldn't have done better myself. Joaquin Phoenix delivered the stand out performance, convincingly portraying an isolated, insane captive. I loved the gritty, disgusted feeling I was left with in the end which is something you can't always expect from the hollywood backwash plaguing theaters. Life doesn't always turn out good, and sometimes a movie with that sort of expression is a nice change of pace. I recommend this movie if you are looking for something to center on and that is very thought provoking.

Hauntingly Good....Where was Oscar?
How such a quality film could pass unnoticed by critics and audiences is beyond my comprehension. Before seeing this film by chance one night on a movie channel, I had only a vague and nebulous recollection of this film, something along the lines of, "I remember Anne Heche in the trailer...some dramatic music going on, I think, and set in Malaysia or Thailand." Admittedly, I did not expect to be affected by the film; rather, I expected an average drama that I would forget about even before I went to bed. However, this film has made me think twice about discounting films so quickly.

I will not summarise the film, as many reviewers here have already done so, but I will add my two cents to recommend such an extraordinary piece of work that illustrates Hollywood's ability to still churn out quality films (albeit without the pomp and circumstance of a typical $100 million budget studio film).

The first thing I noticed was the performance given by Anne Heche (Beth), Vince Vaughn (Sheriff), and Joaquin Phoenix (Lewis). Deep emotion was infused in the most simple lines exchanged between two characters, be it at a construction site or a dingy New York apartment. The film goes straight to the point. We are given but some short glimpses of a vivacious and happy Lewis before we are thrown into the moral dilemma - will Sheriff go back to save his friend's life? It seems unlikely that audiences would sympathise with Lewis, as we, the audience, and Sheriff barely know Lewis. The fact that we do sympathise deeply with Lewis clearly demonstrates Phoenix's exceptional acting skills. Also, Heche and Vaughn, although ultimately involved in a relationship (which I deemed to be necessary), make every scene and word believable. As the movie begins we all wonder why Beth, the desperate lawyer, is so dedicated to Lewis. I did not expect my wonder to be appeased, but it was. I won't spoil the surprise.

Quite telling that I haven't forgotten about this film since I first saw it, as I have watched many films without being at all impressed or touched. There are several touching scenes throughout the film, but I will point out the most astounding:

* Lewis's taped outpouring while in the Malaysian prison. Whilst begging Sheriff to return to Malaysia, Lewis is also stating his own guilt for asking, incredibly trying to be humble about asking for his life.

* Lewis' digression in the prison, his stream of consciousness speech that is perhaps my most favourite scene in the entire movie. Joaquin Phoenix, although his own worst critic who always sees flaws in his performances, cannot possibly not see the beauty in his acting, especially in this scene. Give Joaquin his Oscar statuette now!

* Spoiler, so I won't go into detail. But it's the ending. Enough said.

If you want big explosives, vapid lines like "it's time to meet your doom," or big sequences of impressive special effects, you will not get them here; for, this is a film that thrives purely from the strength of the actors, the quality of the script, and the remarkable scenes. This is not to say this is a film for the few people who dig boring dramas, and this is by no means an art house film. It is to say, however, that this is a film filled with touches of humour, intense drama, romance, and moral crossroads. If I had to sum this film up in one word, it would be "haunting."

Vaughn and Pheonix make this one a masterpiece
nailbiting drama about three men who go to Malaysia and then 2 go back, a year later Phenoix is sent into a prison and Vaughn and his buddie along with Heche go back...though there's a catach...in saving Pehonix's life from prison..one of Pheonix's friends must replace him. hard decisions meets good acting..Vaughn and Phenix are superb..Heche is right up there as well, but its Vaughn and Pehonix at the end where Vaughn watches his friend get hanged....its too much of a good movie for me..brilliant and nicely directed..the movier hits

Thought-provoking
I was right about my intuitions about this film. I thought it would be good, and it was great. It is one of those films that is very convincing in its ability to make you feel everything the characters are going through as they make burden-laden ethical decisions in their lives.
Vince Vaughn's character Sheriff is easy to hate at first as the cocky, selfish guy, but his transformation is both very believable and very moving. If you need to see a movie about courage and doing the right thing in spite of the terrible consequences, this is the one.
Unlike a majority of the other reviewers, I thought the love story between Heche and Vaughn was an asset to the film. What they have with each other at the end leaves you feeling that although the ending turns out tragic, you still feel good about how things stand.

AN INVENTIVE AND PROFOUND MODERN DAY MORALITY TALE...
This is a wonderfully creative movie, with top-notch directing and award caliber performances by a talented cast. The premise is a fairly simple one. Three young men, Sheriff (Vincent Vaughn), Tony (David Conrad), and Louis (Joaquin Phoenix), who previously didn't know one another, team up in Malaysia and party hearty. They have fun drinking, smoking hashish, and picking up girls. Sheriff and Tony head back to the states, leaving Louis behind, as he has a wildlife conservation idea involving orangutans that he wishes to pursue while in Malaysia. Before they go, Sheriff makes it a point to leave his dope stash in the house in which Louis is remaining. Later, the police come to search the premises on a matter unrelated to the dope stash. When they find it, however, they arrest Louis, who literally has been left holding the bag.

Two years later, Anne Heche enters the picture as a lawyer, ostensibly working on behalf of her client, Louis. She seeks out Sheriff and Tony with a proposition. It seems that while Sheriff and Tony have been getting on with their lives, Louis has been rotting in a Malaysian prison for the past two years and living in sheer terror. You see, Louis is scheduled to be executed in eight days as a drug dealer, as the amount of dope that had been left behind and discovered by the police was just over a threshold amount that would classify it as being for distribution, rather than for personal use. The only hope Louis has of staying alive is if Sheriff and Tony go back to Malaysia to take responsibility for their part in this and serve three years each. If only one returns, then the sole returnee faces six years. Will it be all for one and one for all? Will Louis live to personally thank his friends? Watch the movie and find out.

Vince Vaughn as Sheriff gives a compelling performance. Playing the quintessential Everyman, he struggles with his moral obligation. It is strictly a moral one, as legally he can just sit by and do nothing. Tony, too, undergoes some soul searching. They finally both come to the same conclusion, or do they? The dilemma that they face is an excruciatingly personal one. The movie builds up to a level of suspense that is totally unexpected. There are enough twists and turns to keep you guessing. Meanwhile, Joaquin Phoenix, one of the finest young actors of his generation, gives a performance that will haunt the viewer for days. Anne Heche also give a noteworthy performance, intense and relentless in her quest to save what life Louis has left. Jada Pinkett also gives a strong performance as a news reporter who is interested in the story. Her interjection into the movie brings into the forefront the issue of the responsibility of the press. When you see this movie, you will understand what this means.

This film is excellent on all fronts. The only weakness was an unnecessary subplot, which involved a blossoming romance between Sheriff and the character played by Anne Heche. Were it not for this digression, I would have given the movie five stars. It is an otherwise profoundly moving film that deserves to be seen. ... Read more

Reviews (240)

The Lost World
This sequel to the 1993 blockbuster is good as sequels go but isn't a great movie. Jeff Goldblum gives a good performance as Dr. Ian Malcolm and Julianne Moore contributes too. The screenplay based on the novel by Michael Crichton is poorly done but has a few funny lines. The cinematography is good and captures the horror very well, and the production design is very frightening. The soundwork is very good, but the editing by veteran Michael Kahn (Close Encounters, Raiders of the Lost Ark, E.T.) is not very well done, you can hardly digest what is happening. John Williams contributes a rousing yet ominous score. One thing that keeps this movie moving are the incredible Oscar nominated special effects done masterfully by the great Dennis Muren and Stan Winston. The basic plot is that John Hammond, the creator of Jurassic Park, has an island where dinosaurs roam freely but must send Malcolm along with his girlfriend and two other companions to photograph the dinosaurs so Ingen will be kept from disturbing the dinosaurs. Overall, fairly well done, suspenseful, but fails to capture the awe, greatness, and wonder that the original possessed. There is also a Jurassic Park 3 coming out. I can't wait.

Dinosaurs Galore
Recently I was able to catch Spielberg's The Lost World. I say Spielberg because other than the title it bears no resemblance to the book. This is not necessarily a bad thing. While a lousy interpretation of the book it is still a good film.

Jeff Goldblum is hired (by a man who is dead in the book) to study the ecosystems on InGen's Site B where dinosaurs have been flourishing. Only the fact that his girlfriend is in danger gets Goldblum to go. No sooner does he arrive and try and convince her to leave than a massive InGen expedition shows up to hunt and capture dinosaurs.

InGen's plans for capturing dinosaurs goes awry when Goldblum and friends release the dinosaurs during a satellite-linked board meeting. InGen plans to open a dinosaur park facility at the San Diego zoo. During the chaos every radio in the camp manages to get trampled. The survivors must now find a way off of the island. Unfortunately most of them are killed in a brief attack by velociraptors while in tall grass.

The few survivors of the second expedition manage to capture a T-Rex and ready it for shipping to the states. Goldblum and friends escape by helicopter.

In San Diego the T-Rex manages to escape and go rampaging through the city. Goldblum must lure the T-Rex back onto the freighter that brought it to the States. In the end a huge navy escort follows the freighter back to the island while Mr. Hammond implores to public to leave the dinosaurs alone; they deserve it.

Some people definitely had fun making this movie. There were scenes from classic and not-so-classic movies including King Kong, Godzilla, Carnosaur 3 (CARNOSAUR was the book Crichton got the idea for JURASSIC PARK from) and others. Two scenes I particularly enjoyed were a crowd of screaming Japanese looking over their shoulders while running in terror and a little boy who wakes his parents to tell them that there is a dinosaur in the back yard.

It was reported that a paleontologist made sure that the dinosaurs acted as current scientific beliefs say they should. Hah! The Stegosaurs were the size of apatosaurs. Something, possibly the escaped triceratops, managed to knock a hummer airborne so that ir reached an altitude of at least a hundred feet and an amazing distance. Velociraptors can now leap three stories up and forty yards out. The tyrannosaur can run right through building walls without slowing down. Fun? Yes. Realistic? No way. Needless to say if the dinosaurs acted this way in the first movie then no one would have escaped.

Still, it was a very fun film that I recommend to any dinosaur lover who can stand to see people pulled apart by huge carnivores sharing a tidbit. The Lost World (the third film by that name) should be available on video and day now.

Steven Plays Around A Bit...
Actually, LWJP is just Steven Spielberg having some fun. It's an obvious tribute to movies like King Kong, Godzilla, and even the original 1925 version of The Lost World. It's a non-stop SFX extravaganza that is more dessert than a nourishing meal. Jeff Goldblum returns as Ian Malcolm. He is not bad in his role, though he does wear thin. Julianne Moore is beautiful as always, and pulls off her "concerned scientist" part with ease. The T-rex is back, with his mate and offspring. The Raptors terrorize, managing to kill off many slimy hunters and Ingen drones. Not a bad sequel, considering that most sequels are pure rubbish anyway. I enjoyed the T-rex running rampant in LA. I only wish it had had more time to cause hysteria and chaos! A nice binge-eating trip down Hollywood Blvd would've been cool! Oh well. Watch with brain on pause...

It's Lost All Right
"Jurassic Park" could be forgiven the lack of story and character development because it was artfully crafted to be a thrill ride. This sequel, also inspired by Michael Chrichton's book, departs more from the story and fully flops into the B-movie category.

Jeff Goldblum is back visiting the dinosaurs, along with several other characters from the previous movie. This time our scientists are observing the behavior of the dinosaurs, trying to learn as much as possible, a very scientist-like activity. However, greed plays a part once again as a team of big-game hunters come to the island to attempt to capture an array of dinosaurs for a dinosaur zoo in an attempt for Ingen to recoup some of its substantial investment in the dinosaurs.

All appears to be going well for everyone except the dinosaurs until the scientists decide to play environmentalists and release all the dinosaurs from their cages. The dinosaurs go on a rampage (ever seen a rampaging triceratops?), destroying the camp of the hunters. Even then our scientists would have been okay had they not decided to help a baby tyrannosaurus. The parents track down the baby with predictably bad results for the humans.

Now scientists and big game hunters alike are on the run from the tyrannosaurs, and in the process of escaping they encounter our old friends the raptors, still intelligent, still agile, and still very hungry.

Eventually some of the characters escape, and the tyrannosaurus and its baby are captured so that they can be taken to California. Something unexplained happens on the ship and the only thing left are the tyrannosaurs and a hand trying keeping a cargo bay door closed. Remove the hand and a miniature Godzilla roams the streets of San Diego.

The first Jurassic Park movie had plot holes that you were able to ignore in favor of the cool special effects and the action. This time the plot holes are bigger than the movie. Real scientists do not behave as Dr. Sarah Harding (Julianne Moore) does in this movie. As Dr. Ian Malcolm (Jeff Goldblum) advises her, "Do not interact," a basic rule of scientific observation. Interacting is for Green Peace and the Sierra Club, not for real scientists.

Our hunters blunder about in a manner that is guaranteed to get them killed. They run when they should walk. They walk when they should stay put. The actions of the supposed scientists continually put everyone into danger. When you remove the bullets from a gun, and the gun is later used to attempt to protect you, the result is predictable. The plot holes continue in allowing the tyrannosaur escape.

Added to the plot holes are moments of humor that further spin this movie into the realm of low-budget monster movies. The scene with the dog in a San Diego suburb was completely unnecessary. Of course, by that point I was beyond disappointed with the movie.

This movie does have a few good points, all based on action scenes, but the plot holes outweigh the good portions and the mistakes and silly behavior make this movie difficult to watch. I give this movie three stars because the special effects continued to be good, the only redeeming feature of this movie.

Okay, not as good as the first
This movie was okay. The first one is so much better, but this one is still not bad. I thought it was awesome when the T-Rex attacked a city! I still bought it because I love the movies. See it if you like the first, but don't expect it to be better.

MPAA: PG-13
Running Time: 129 minutes
Year released: 1997 ... Read more