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| 1. Crocodile Dundee Director: Peter Faiman | |
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Reviews (29)
Before long, Mr. Dundee is making friends in The Big Apple without really meaning to. I guess you could consider "Crocodile Dundee" a romantic comedy, but it's also a lot like an adventure movie. Parts of the movie are hilarious such as what Mr. Dundee does when he suspects that someone who is dressed up like a woman isn't really a woman and when he scares some hunters away by making them think that the animal they're hunting is shooting at them. "Crocodile Dundee" is a fun movie to watch and it's interesting to see how Mr. Dundee is going to survive in the big city when all he's ever known is life in a small part in Australia. I recommend anybody who likes classic movies to get "Crocodile Dundee."
The premise is that New York City reporter Sue Charlton (Linda Kozlowski) goes Down Under to interview the colorful crocodile poacher who lives out in the outback. He shows her the lay of the land and does a few impressive things, including saving her life, and turns out to be as colorful as anyone could hope. She then decides to bring him back to NYC and unleash him on the unsuspecting population. The New York sequence is where all of the good bits in the film come and Hogan's easy charm and sense of comic timing makes almost all of the bits work. It is hard not to like Mick Dundee and it is not surprising that a romance pops up between him and the reporter. The only problem is that the on-screen chemistry between the two leads is the weakest part of the film. Yes, I know that Hogan divorced his wife and that in 1990 he married Kozlowski, but whatever was happening off-camera did not translate onto the screen, which is not unusual: just think about "Bennifer." It can be done, if you are Spencer Tracy and Katharine Hepburn, but all of the warmth and charm in the Hogan and Kozlowski pairing is on his side of the equation. The result is that the final scene of the film is rather unsatisfying, even with the incessant drumming music reminding us this is dramatic. We are supposed to be caught up in Mick and Sue, but it is the two guys on the subway platform who steal the scene. Still, "Crocodile Dundee" is an entertaining film about a big kid in a bid city (with a big knife) whose reputation would be slightly more enhanced if it had not spawned a couple of sequels, which deluted the charm of the original. Going back to the outback or putting Mick Dundee in Los Angeles instead of New York is enjoyable, but it is just more of the same and there is never quite as good the second time around. ... Read more | |
| 2. Turner and Hooch Director: Roger Spottiswoode | |
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Reviews (26)
I have seen this movie a hundred or so times and I keep wishing that the movie just mind end a little different. Please Mr. Director....there has to be an alternate ending. Can't wait for a sequel.
I want to buy this DVD, but I can't see if there is a commentary or any extras.
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| 3. Die Hard (Five Star Collection) Director: John McTiernan | |
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Reviews (189)
You, the viewer, can examine and re-examine, review and re-edit bits and pieces of the film in the editor's workshop section. Believe me, you've never seen anything like this before. Besides being fun to have the power over what you're manipulating, an added appreciation for the craft of editing is easily achieved. The entire screenplay is also on the second disk, word for word as it originally was handed to the actors. This allows the views to see how the script evolved in the hands of those who made the film. The usual outtakes, bloopers, and deleted scenes are here (fairly standard nowadays), too. Commentary and behind the scenes words from those who were there are also here for your enjoyment. The best appreciated bonus is the amazing clarity of the digital transfer. Cinematographer Jan de Bont's dark and moody work is seen sharper and clearer than anything which could have been put on a silver screen in any cinema house. The full-bodied sound is spectrually sharp and defined. This is how all film experiences should be. If you're tired of DVDs which are little more than "theatrical trailer, feature, and scene selection" (and SOOOOO many are just that), then get your hands on this special set right away and see what the DVD experience is all about. For those who don't yet own DVD, this would be the perfect excuse to invest in a player. My only warning would be to not expect all these fabulous goodies on every DVD you buy--for now. I know this set is going to revolutionize the way companies package and "re-package" their upcoming DVD releases.
John McClane (Bruce Willis) is a New York police officer who has arrived in Los Angeles for Christmas. His wife (Bonnie Bedelia) has accepted a vice-president position with Nakatomi Corporation. While McClane is attending a Christmas party at his wife's new office building, a group of terrorists led by Hans Gruber (Alan Rickman) seize the high-rise so that they may steal millions of dollars in negotiable bonds. McClane takes it upon himself to defeat the terrorists and free the hostages they have taken. "Die Hard" does introduce some novel aspects to the genre - it's a nice change of pace to see an everyman hero instead of the typical secret agent or military super-soldier at the center of an action film, it's nice to see an action hero with a sensitive side, and it's also nice to see a villain with a degree of sophistication. But "Die Hard" intermixes these elements with so many loud explosions and gunfights that one becomes numb after awhile. Throw in too many supporting characters who are deficient in the intelligence department and one inexcusable resurrection at the end, and all you're left with is a film that is great to look at but nothing more. Willis more than proves he can play an action hero and Bedelia adds a welcome degree of charm to the proceedings. Yet, "Die Hard" turns out to be only a smidgen better than its action contemporaries from the period and that is not enough to make it something special.
"Die Hard" is, quite simply, as good as an action film can be. Just what makes this movie so different from all the other generic rip-offs out there? "Die Hard" has just the right blend of witty, intelligent writing (yet still not forgetting the profanity), exquisite acting, intense plot twists, and just the right amount of bloody killing. And to top it off, all of this expertly directed at break-neck speed by John McTiernan. This DVD gives the film a cleaner, newer look, keeping it looking fresh and exciting for the digital era. The sharper picture and sound maybe even add a little something. After "Die Hard", every action movie was just a wanna-be. They try to mimic what "Die Hard" managed, but never even come close. (This group of films even include the two sequels the film spawned.) If you're looking for something fun, intense, intelligent, action-packed, and maybe even a little graphic, look no further than the legendary "Die Hard".
Fresh of his success with the popular television series "Moonlighting", Bruce Willis takes his stab at the motion picture business with full force. "Die Hard" works on many levels--mainly as an action flick with a powerful leading star that adds a touch of normalcy and humor--but it also discusses more important views such as the criticism of the culturization of Japanese technology that was taking place at the time as well as the horrific, ongoing threat of terrorism. It s a film that shows just how vulnerable any business or workplace really is to a terrible force but also how one man can stand up to the challenge and ultimately make a difference. John McClane (Willis) is a New York City cop who travels to the Los Angeles area to reconcile with his seperated wife (Bonnie Bedalia) and family, who left him to pursue a lucrative job with a Japanese financial industry skyscraper. While participating in a Christmas Eve party, the building is overtaken by German terrorists who want to use the hostage Japanese executives to break into the company safe. McClane watches as the head terrorist (played brilliantly by Alan Rickman) blows the brains out of the Japenese CEO realizes that the game is on. With the help of a gun-shy cop (Reginald Vel Johnson--yes, that's right--Mr. Winslow from "Family Matters") and to the annoyance of police chief Paul Gleason, McClane runs around like a chicken with its head cut off attempting to save the hostages. While on the explosive one-man war, Bruce Willis plays McClane in a very believable, humorous fashion--which is the quintessential reason for the film being one of the best of its kind. "Die Hard" is a non-stop frenzy of excellent action sequences, a superb and witty screenplay written by Jeb Stuart and Steven D. de Souza (adapted from the Roderick Thorp novel), and top-notch, edge-of-your-seat direction from McTiernan. The Five Star Collection DVD features a deleted scene and some excellent commentary from cast and crew. One of the best action films of the 1980's. A superb roller-coaster ride of thrills. ... Read more | |
| 4. Die Hard Director: John McTiernan | |
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| 5. Wolfen Director: Michael Wadleigh | |
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Amazon.com Reviews (25)
This is an ambitious bill to fill, and "Wolfen" doesn't quite manage to pull it off. You can appreciate Wadleigh's goals, but he often trips over trying to do too much. The political grandstanding makes for a thoughtful horror movie, but it also slows the film down and overbalances it. Sometimes, you just want action and scares, and "Wolfen" frequently drags. It would have rocked at ninety-minutes, but at nearly two hours, it goes on for too long. The open moves rapidly, and the ending delivers the right amount of apocalyptic violence you expect, but in the center the spaces between the wolf attacks start feeling longer and longer. Some of various elements never fit together, and a few plot points just left on the ground. The mystery surrounding the creatures is, however, appropriate -- sometimes it's better for a horror film to avoid spelling out everything for you. Where "Wolfen" works best is in Wadleigh's superb visual style and the realistic performances. The use of a polarization effect and a steadicam to represent the wolves' POV is quite stunning and eerie. Wadleigh also expertly films New York City and its run-down slums. The film absolutely breathes with a battered, decayed atmosphere. Wadleigh really goes all out with unusual visua; approaches, and it gives the film a polished and inventive feel. Albert Finney and Diane Venora are both good in their roles; Finney especially projects a wonderful world-weariness that matches the setting around him. The film thankfully doesn't load him down with excess psychological baggage. We don't need to have his troubles explained to us; we can SEE them in the world in which he lives. Edward James Olmos is also memorable as a Native American who draws Finney's suspicions early in the movie. Gregory Hines, however, is too exaggerated in his semi-comic role (the only comedy in the film) of the coroner working with Finney. The movie also has an excellent early score from James Horner (composer of "Titanic" and "Aliens"). The DVD has an extremely good transfer, which is surprising considering the film's age. The print looks almost pristine and is gorgeously formatted in widescreen. Warner Bros. usually doesn't put this much effort into back catalog movies like this. The Dolby Surround Stereo is adequate (I occasionally noticed some synch problems) and a bit low in volume. The extras are skimpy: the trailer, a page listing the cast and crew, and a few screens of text on the history of werewolf movies. (An earlier edition advertised audio commentary on the back of the snap case, but this was a misprint.) "Wolfen" is worth a look for horror fans, or people who want some social commentary and intelligence with their thrills. If you can make it through the slower sections, you'll find it a rewarding viewing experience.
Dave W
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| 6. Die Hard 2 - Die Harder (Special Edition) Director: Renny Harlin | |
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Reviews (66)
Before you know he is neck deep in trouble with an army of mercenaries, led by Colonel Stewart (William Sadler), who are hell-bent on setting free a corrupt South American General/Drug Baron (Franco Nero). There are more bad guys than before. And more suspension of disbelief is required. There are so many plot holes and illogical moments that the film almost drowns in its own absurdity. But there is enough action and stunts to cancel it out and distract our attention. Though they not presented in a breathtaking or memorable way. It's all too generic and a bit mean-spirited. No audience nowadays would be satisfied with it so prepare yourself for 80's violence. William Sadler and Franco Nero lack the callous efficiency of Alan Rickman. And a hero can only be measured by his nemesis. But most of the time McClane is just capping off nameless mercs. How boring. Tho this should not be blamed on Sadler, he has a threatening and intense presence and as he has proved himself in movies like Trespass and Demon Knight. Too bad his character here is so badly written and underdeveloped. I'm sorry but blowing up 250 people off-screen to show how evil you are just won't cut it. This was Renny Harlin's second movie of 1990 (the other was Ford Fairlain) and it is without a doubt the movie that made him a certified action director. It was a tough, and huge, movie to pull off. He just pulled it off with no particular charm. Though he does a wonderful job of capturing the look and feel of an East Coast winter. The wide-open snowfields and ice-covered runways will definitely make you feel chilly. Although this is another problem. The first Die Hard worked entirely within the space of Nakatomi Plaza. It was claustrophobic and almost plausible. The scale and scope of Die Hard 2 is too big for its own good. Similar to the problems of ID4, the staples of reality are ripped out with ignorance and over-confidence. The bulk of the film is nothing but one dumb action scene after another. It doesn't make for coherent viewing. Die Hard 2 is a definite lag in between both of McTiernan's very strong outings. By today's standards it seems dated and very 90's. Which is a shame considering the original and 'With A Vengeance' are, in a way, 'timeless'. It's movies like this that inspired 'Last Action Hero'. Filmed in Panavision, the 2.35:1 anamorphic picture is superb looking with true blacks (a lot of this film is set at night) and nice fleshtones. Fire effects and colors look beautifully orange and overall the quality is top notch aside from a few instances of minor pixelation. The gunshots are loud and ferocious in both the Dolby Digital and DTS tracks. All explosions and every punch and kick are rendered with amazing clarity. Some of the surrounds tend to stick to mono but the plane crash in the middle of the movie will convince it is actually happening in your living room. Dialogue scenes tend to stick to the front speaker and the musical score by Michael Kamen is well recorded and is sure to excite. Renny Harlin's commentary is much more interesting that John McTiernan's fatigued and labored effort on the first movie. Harlin talks about the characters more and how he prefers his movies to be in terms of motivation and why characters should smoke only if it is necessary. Among other things. Such as how many of the effects he did then, in many different ways, would be so much quicker and easier to do today in Digital CGI. The Featurette was made for Fox TV back in 1990 and it is a bit better than the usual, self-congratulatory nonsense that bogs down most featurettes. But it still can't resist talking about how 'great' the movie is. Tho thanks to this extra we now know that most of the snow in the movie is shredded soap. A second, 4-minute, Featurette is basically an extended trailer. There are a few deleted scenes that are not that interesting and it's easy to see why they were cut from the film. Although the alternate scene on how McClane gets to the Annex Skywalk (The Boiler Room) is quite cool. The interview with Renny Harlin and the Villain's Profile are promotional titbits in which they discuss how to direct a high-concept sequel and how to be an evil bad guy. Behind the scenes and storyboards focuses on 2 scenes. The first is 'Breaking the Ice' and the second is 'Chaos on the Conveyor Belt'. The storyboard and film comparison is for the 'Skywalk Ambush' sequence. Visual effects breakdowns explore, in great length and tedious, repetitive slo-mo, the Ejector seat scene and the Airport Runway. These are basically green-screen evolutions. The other model effects scenes broken down are 'Chopper', 'Airplane Models' and 'Wing Fight'.
Certainly DIE HARD 2 is not as good as the original. It lacks the first film's grittiness and claustrophobic atmosphere (but of course a loss of the latter was expected when the scriptwriters expanded the playing field to an entire airport as opposed to one floor of a highrise); its villain is no match for DIE HARD's subtly chilling Hans Gruber; and director Renny Harlin disappointingly favors action over those little human touches that so distinguished the original, insteading favoring more action. (Besides, couldn't the screenwriters have come up with a more creative plot than simply recycling the general structure of the original? But hey, this is a Hollywood product, where it's best not to take too many chances in the quest to cash-in on a big success, which DIE HARD certainly was.) All that being said, the action sequences are undeniably thrilling---the action of the second half, particularly, moves so quickly from one great setpiece to another that the momentum never lets up 'til the very end---and Bruce Willis is just as good as he was in the original, proving that he will always be John McClane in my mind. All in all, DIE HARD 2 is arguably even MORE entertaining viscerally than DIE HARD. In short, DIE HARD will forever be a genre classic, but DIE HARD 2 is a worthy sequel when it comes to pure action---and when you are talking about action movies, isn't the action what's really important anyway?
I'm a huge fan of the series. I've seen them all plenty of times, and this one stands out for me. I'm not the only one, either; Ebert also claims this to be the greatest Die Hard. You've heard the same complaints about this movie a thousand times, I'm sure of it. But what tends to be left out is the amazing special effects, the truely die hard enemies, and the perfectly directed action scenes. This was directed by a different director than the other two blockbusters. Die Hard 2 also made the most money at the box offices. It really is the best!
The characterizations are not as well fleshed-out as in the others. The action scenes become predictable and less exciting as the movie progresses. I had to laugh at one of the BIGGEST continuity flaws I've ever witnessed in a big-budget movie: the plane that crashes is forced to the ground by lack of fuel. Why, then, does it explode in a HUGE fireball if it's out of gas? Somebody screwed up. ... Read more | |
| 7. Posse Director: Mario Van Peebles | |
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Reviews (10)
The film is interesting. However, the movie relies heavily upon typical Western cliches which dampen some of the it's uniqueness. Nevertheless, the film does raise awareness about all the black cowboys and settlers that were so instrumental in taming the West that most people don't even know existed. An educational film that is quite entertaining to watch.
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| 8. Die Hard 2 - Die Harder Director: Renny Harlin | |
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Amazon.com Reviews (74)
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| 9. When Hell Freezes Over, I'll Skate (Broadway Theatre Archive) Director: Emile Ardolino, Vinnette Carroll | |
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Description | |
| 10. Die Hard (Double Digipack) Director: John McTiernan | |
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Reviews (189)
You, the viewer, can examine and re-examine, review and re-edit bits and pieces of the film in the editor's workshop section. Believe me, you've never seen anything like this before. Besides being fun to have the power over what you're manipulating, an added appreciation for the craft of editing is easily achieved. The entire screenplay is also on the second disk, word for word as it originally was handed to the actors. This allows the views to see how the script evolved in the hands of those who made the film. The usual outtakes, bloopers, and deleted scenes are here (fairly standard nowadays), too. Commentary and behind the scenes words from those who were there are also here for your enjoyment. The best appreciated bonus is the amazing clarity of the digital transfer. Cinematographer Jan de Bont's dark and moody work is seen sharper and clearer than anything which could have been put on a silver screen in any cinema house. The full-bodied sound is spectrually sharp and defined. This is how all film experiences should be. If you're tired of DVDs which are little more than "theatrical trailer, feature, and scene selection" (and SOOOOO many are just that), then get your hands on this special set right away and see what the DVD experience is all about. For those who don't yet own DVD, this would be the perfect excuse to invest in a player. My only warning would be to not expect all these fabulous goodies on every DVD you buy--for now. I know this set is going to revolutionize the way companies package and "re-package" their upcoming DVD releases.
John McClane (Bruce Willis) is a New York police officer who has arrived in Los Angeles for Christmas. His wife (Bonnie Bedelia) has accepted a vice-president position with Nakatomi Corporation. While McClane is attending a Christmas party at his wife's new office building, a group of terrorists led by Hans Gruber (Alan Rickman) seize the high-rise so that they may steal millions of dollars in negotiable bonds. McClane takes it upon himself to defeat the terrorists and free the hostages they have taken. "Die Hard" does introduce some novel aspects to the genre - it's a nice change of pace to see an everyman hero instead of the typical secret agent or military super-soldier at the center of an action film, it's nice to see an action hero with a sensitive side, and it's also nice to see a villain with a degree of sophistication. But "Die Hard" intermixes these elements with so many loud explosions and gunfights that one becomes numb after awhile. Throw in too many supporting characters who are deficient in the intelligence department and one inexcusable resurrection at the end, and all you're left with is a film that is great to look at but nothing more. Willis more than proves he can play an action hero and Bedelia adds a welcome degree of charm to the proceedings. Yet, "Die Hard" turns out to be only a smidgen better than its action contemporaries from the period and that is not enough to make it something special.
"Die Hard" is, quite simply, as good as an action film can be. Just what makes this movie so different from all the other generic rip-offs out there? "Die Hard" has just the right blend of witty, intelligent writing (yet still not forgetting the profanity), exquisite acting, intense plot twists, and just the right amount of bloody killing. And to top it off, all of this expertly directed at break-neck speed by John McTiernan. This DVD gives the film a cleaner, newer look, keeping it looking fresh and exciting for the digital era. The sharper picture and sound maybe even add a little something. After "Die Hard", every action movie was just a wanna-be. They try to mimic what "Die Hard" managed, but never even come close. (This group of films even include the two sequels the film spawned.) If you're looking for something fun, intense, intelligent, action-packed, and maybe even a little graphic, look no further than the legendary "Die Hard".
Fresh of his success with the popular television series "Moonlighting", Bruce Willis takes his stab at the motion picture business with full force. "Die Hard" works on many levels--mainly as an action flick with a powerful leading star that adds a touch of normalcy and humor--but it also discusses more important views such as the criticism of the culturization of Japanese technology that was taking place at the time as well as the horrific, ongoing threat of terrorism. It s a film that shows just how vulnerable any business or workplace really is to a terrible force but also how one man can stand up to the challenge and ultimately make a difference. John McClane (Willis) is a New York City cop who travels to the Los Angeles area to reconcile with his seperated wife (Bonnie Bedalia) and family, who left him to pursue a lucrative job with a Japanese financial industry skyscraper. While participating in a Christmas Eve party, the building is overtaken by German terrorists who want to use the hostage Japanese executives to break into the company safe. McClane watches as the head terrorist (played brilliantly by Alan Rickman) blows the brains out of the Japenese CEO realizes that the game is on. With the help of a gun-shy cop (Reginald Vel Johnson--yes, that's right--Mr. Winslow from "Family Matters") and to the annoyance of police chief Paul Gleason, McClane runs around like a chicken with its head cut off attempting to save the hostages. While on the explosive one-man war, Bruce Willis plays McClane in a very believable, humorous fashion--which is the quintessential reason for the film being one of the best of its kind. "Die Hard" is a non-stop frenzy of excellent action sequences, a superb and witty screenplay written by Jeb Stuart and Steven D. de Souza (adapted from the Roderick Thorp novel), and top-notch, edge-of-your-seat direction from McTiernan. The Five Star Collection DVD features a deleted scene and some excellent commentary from cast and crew. One of the best action films of the 1980's. A superb roller-coaster ride of thrills. ... Read more | |
| 11. Deadly Pursuits Director: Félix Enríquez Alcalá | |
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| 12. Die Hard Director: John McTiernan | |
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Amazon.com essential video Reviews (189)
You, the viewer, can examine and re-examine, review and re-edit bits and pieces of the film in the editor's workshop section. Believe me, you've never seen anything like this before. Besides being fun to have the power over what you're manipulating, an added appreciation for the craft of editing is easily achieved. The entire screenplay is also on the second disk, word for word as it originally was handed to the actors. This allows the views to see how the script evolved in the hands of those who made the film. The usual outtakes, bloopers, and deleted scenes are here (fairly standard nowadays), too. Commentary and behind the scenes words from those who were there are also here for your enjoyment. The best appreciated bonus is the amazing clarity of the digital transfer. Cinematographer Jan de Bont's dark and moody work is seen sharper and clearer than anything which could have been put on a silver screen in any cinema house. The full-bodied sound is spectrually sharp and defined. This is how all film experiences should be. If you're tired of DVDs which are little more than "theatrical trailer, feature, and scene selection" (and SOOOOO many are just that), then get your hands on this special set right away and see what the DVD experience is all about. For those who don't yet own DVD, this would be the perfect excuse to invest in a player. My only warning would be to not expect all these fabulous goodies on every DVD you buy--for now. I know this set is going to revolutionize the way companies package and "re-package" their upcoming DVD releases.
John McClane (Bruce Willis) is a New York police officer who has arrived in Los Angeles for Christmas. His wife (Bonnie Bedelia) has accepted a vice-president position with Nakatomi Corporation. While McClane is attending a Christmas party at his wife's new office building, a group of terrorists led by Hans Gruber (Alan Rickman) seize the high-rise so that they may steal millions of dollars in negotiable bonds. McClane takes it upon himself to defeat the terrorists and free the hostages they have taken. "Die Hard" does introduce some novel aspects to the genre - it's a nice change of pace to see an everyman hero instead of the typical secret agent or military super-soldier at the center of an action film, it's nice to see an action hero with a sensitive side, and it's also nice to see a villain with a degree of sophistication. But "Die Hard" intermixes these elements with so many loud explosions and gunfights that one becomes numb after awhile. Throw in too many supporting characters who are deficient in the intelligence department and one inexcusable resurrection at the end, and all you're left with is a film that is great to look at but nothing more. Willis more than proves he can play an action hero and Bedelia adds a welcome degree of charm to the proceedings. Yet, "Die Hard" turns out to be only a smidgen better than its action contemporaries from the period and that is not enough to make it something special.
"Die Hard" is, quite simply, as good as an action film can be. Just what makes this movie so different from all the other generic rip-offs out there? "Die Hard" has just the right blend of witty, intelligent writing (yet still not forgetting the profanity), exquisite acting, intense plot twists, and just the right amount of bloody killing. And to top it off, all of this expertly directed at break-neck speed by John McTiernan. This DVD gives the film a cleaner, newer look, keeping it looking fresh and exciting for the digital era. The sharper picture and sound maybe even add a little something. After "Die Hard", every action movie was just a wanna-be. They try to mimic what "Die Hard" managed, but never even come close. (This group of films even include the two sequels the film spawned.) If you're looking for something fun, intense, intelligent, action-packed, and maybe even a little graphic, look no further than the legendary "Die Hard".
Fresh of his success with the popular television series "Moonlighting", Bruce Willis takes his stab at the motion picture business with full force. "Die Hard" works on many levels--mainly as an action flick with a powerful leading star that adds a touch of normalcy and humor--but it also discusses more important views such as the criticism of the culturization of Japanese technology that was taking place at the time as well as the horrific, ongoing threat of terrorism. It s a film that shows just how vulnerable any business or workplace really is to a terrible force but also how one man can stand up to the challenge and ultimately make a difference. John McClane (Willis) is a New York City cop who travels to the Los Angeles area to reconcile with his seperated wife (Bonnie Bedalia) and family, who left him to pursue a lucrative job with a Japanese financial industry skyscraper. While participating in a Christmas Eve party, the building is overtaken by German terrorists who want to use the hostage Japanese executives to break into the company safe. McClane watches as the head terrorist (played brilliantly by Alan Rickman) blows the brains out of the Japenese CEO realizes that the game is on. With the help of a gun-shy cop (Reginald Vel Johnson--yes, that's right--Mr. Winslow from "Family Matters") and to the annoyance of police chief Paul Gleason, McClane runs around like a chicken with its head cut off attempting to save the hostages. While on the explosive one-man war, Bruce Willis plays McClane in a very believable, humorous fashion--which is the quintessential reason for the film being one of the best of its kind. "Die Hard" is a non-stop frenzy of excellent action sequences, a superb and witty screenplay written by Jeb Stuart and Steven D. de Souza (adapted from the Roderick Thorp novel), and top-notch, edge-of-your-seat direction from McTiernan. The Five Star Collection DVD features a deleted scene and some excellent commentary from cast and crew. One of the best action films of the 1980's. A superb roller-coaster ride of thrills. ... Read more | |
| 13. Family Matters Director: Mark Linn-Baker, Jeffrey Ganz, Kelly Sandefur, Peter Baldwin, John Tracy (II), Gary Menteer, Gerren Keith, Joel Zwick, James O'Keefe, John Bowab, Jason Bateman, Richard Correll, Gregg Heschong | |
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Reviews (6)
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| 14. Die Hard 2 Director: Renny Harlin | |
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Amazon.com Reviews (66)
Before you know he is neck deep in trouble with an army of mercenaries, led by Colonel Stewart (William Sadler), who are hell-bent on setting free a corrupt South American General/Drug Baron (Franco Nero). There are more bad guys than before. And more suspension of disbelief is required. There are so many plot holes and illogical moments that the film almost drowns in its own absurdity. But there is enough action and stunts to cancel it out and distract our attention. Though they not presented in a breathtaking or memorable way. It's all too generic and a bit mean-spirited. No audience nowadays would be satisfied with it so prepare yourself for 80's violence. William Sadler and Franco Nero lack the callous efficiency of Alan Rickman. And a hero can only be measured by his nemesis. But most of the time McClane is just capping off nameless mercs. How boring. Tho this should not be blamed on Sadler, he has a threatening and intense presence and as he has proved himself in movies like Trespass and Demon Knight. Too bad his character here is so badly written and underdeveloped. I'm sorry but blowing up 250 people off-screen to show how evil you are just won't cut it. This was Renny Harlin's second movie of 1990 (the other was Ford Fairlain) and it is without a doubt the movie that made him a certified action director. It was a tough, and huge, movie to pull off. He just pulled it off with no particular charm. Though he does a wonderful job of capturing the look and feel of an East Coast winter. The wide-open snowfields and ice-covered runways will definitely make you feel chilly. Although this is another problem. The first Die Hard worked entirely within the space of Nakatomi Plaza. It was claustrophobic and almost plausible. The scale and scope of Die Hard 2 is too big for its own good. Similar to the problems of ID4, the staples of reality are ripped out with ignorance and over-confidence. The bulk of the film is nothing but one dumb action scene after another. It doesn't make for coherent viewing. Die Hard 2 is a definite lag in between both of McTiernan's very strong outings. By today's standards it seems dated and very 90's. Which is a shame considering the original and 'With A Vengeance' are, in a way, 'timeless'. It's movies like this that inspired 'Last Action Hero'. Filmed in Panavision, the 2.35:1 anamorphic picture is superb looking with true blacks (a lot of this film is set at night) and nice fleshtones. Fire effects and colors look beautifully orange and overall the quality is top notch aside from a few instances of minor pixelation. The gunshots are loud and ferocious in both the Dolby Digital and DTS tracks. All explosions and every punch and kick are rendered with amazing clarity. Some of the surrounds tend to stick to mono but the plane crash in the middle of the movie will convince it is actually happening in your living room. Dialogue scenes tend to stick to the front speaker and the musical score by Michael Kamen is well recorded and is sure to excite. Renny Harlin's commentary is much more interesting that John McTiernan's fatigued and labored effort on the first movie. Harlin talks about the characters more and how he prefers his movies to be in terms of motivation and why characters should smoke only if it is necessary. Among other things. Such as how many of the effects he did then, in many different ways, would be so much quicker and easier to do today in Digital CGI. The Featurette was made for Fox TV back in 1990 and it is a bit better than the usual, self-congratulatory nonsense that bogs down most featurettes. But it still can't resist talking about how 'great' the movie is. Tho thanks to this extra we now know that most of the snow in the movie is shredded soap. A second, 4-minute, Featurette is basically an extended trailer. There are a few deleted scenes that are not that interesting and it's easy to see why they were cut from the film. Although the alternate scene on how McClane gets to the Annex Skywalk (The Boiler Room) is quite cool. The interview with Renny Harlin and the Villain's Profile are promotional titbits in which they discuss how to direct a high-concept sequel and how to be an evil bad guy. Behind the scenes and storyboards focuses on 2 scenes. The first is 'Breaking the Ice' and the second is 'Chaos on the Conveyor Belt'. The storyboard and film comparison is for the 'Skywalk Ambush' sequence. Visual effects breakdowns explore, in great length and tedious, repetitive slo-mo, the Ejector seat scene and the Airport Runway. These are basically green-screen evolutions. The other model effects scenes broken down are 'Chopper', 'Airplane Models' and 'Wing Fight'.
Certainly DIE HARD 2 is not as good as the original. It lacks the first film's grittiness and claustrophobic atmosphere (but of course a loss of the latter was expected when the scriptwriters expanded the playing field to an entire airport as opposed to one floor of a highrise); its villain is no match for DIE HARD's subtly chilling Hans Gruber; and director Renny Harlin disappointingly favors action over those little human touches that so distinguished the original, insteading favoring more action. (Besides, couldn't the screenwriters have come up with a more creative plot than simply recycling the general structure of the original? But hey, this is a Hollywood product, where it's best not to take too many chances in the quest to cash-in on a big success, which DIE HARD certainly was.) All that being said, the action sequences are undeniably thrilling---the action of the second half, particularly, moves so quickly from one great setpiece to another that the momentum never lets up 'til the very end---and Bruce Willis is just as good as he was in the original, proving that he will always be John McClane in my mind. All in all, DIE HARD 2 is arguably even MORE entertaining viscerally than DIE HARD. In short, DIE HARD will forever be a genre classic, but DIE HARD 2 is a worthy sequel when it comes to pure action---and when you are talking about action movies, isn't the action what's really important anyway?
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