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The second most-watched miniseries (after Roots) of all time, The Thorn Birds was originally broadcast in 1983 and captivated viewers with its story of a lifelong conflict between the spirit and the flesh. Adapted from the bestselling novel by Colleen McCullough, the production starsRichard Chamberlain as a Catholic priest named Ralph de Bricassart, whoselife in Australia between 1920 and 1962 is one long torment as he pines for his lover, Meggie Carson (Rachel Ward), while seeking advancement in hisclergyman career. The passion and the guilt make for compelling drama, but a stellar cast of supporting players adds muscle to the proceedings: BarbaraStanwyck (who won an Emmy for her work as Meggie's tough grandmother), Jean Simmons, Richard Kiley, Christopher Plummer, Bryan Brown, and MareWinningham. Chamberlain, who was something of the king of the miniseriesform at the time, is very good in the lead, as is the often-underrated Ward. Their affair is indeed irresistible to watch, which proves to be true, too, of the story's thick weave of church politics, forbidden desire, socialchange over decades, and family secrets. --Tom Keogh ... Read more

Reviews (38)

The Thorn Birds: For You Teens and Twenty-Somethings Too!
Are you a college kid or under the age of thirty, like me? If so, let me tell you a little about how this wonderful miniseries has gotten me hooked! I was only one when it came out on ABC over Holy Week 1983. I had some free time over this Summer of 2003, and watched this miniseries in its entirety. At first, before the experience, I did not know what to think. Afterward, I was hooked and bought the whole VHS box set to add to my unique movie collection.

When I came back to school, (a Catholic school mind you) and brought my tapes back, all my friends watched and now everyone of them is in line to get the DVD this Tuesday (Feb 3rd, 2004), including me. I want it for the special interviews with the cast. Like Bryan Brown and Rachel Ward, who are married for 20 years and have three kids. They met on the set and fell in love. Since both of their acting careers are not what they used to be, it will be awesome to see their viewpoints on the show almost twenty-one years after the fact.

Passion, sex, drama and suspense. You'll find it all here. Watch the passion build until the third part where Meggie's and Father Ralph's relationship is consummated. Watch the tragedy and the ectasy they go through. Trust me Gen Y'ers, this will top any Dawson's Creek, 90210, or the O.C. that you've ever seen. Our parents made this the second-rated all time miniseries ever. Find out the reason why.

Heck,..., how can you go wrong?

Tugs at the heart
I just received my Thorn Birds DVD and am so thrilled to be able to watch it on DVD - 487 minutes of viewing in extraordinary color and excellent sound quality! There are 2 discs, with 2 sides to each disc. With all the scenes listed it is so easy to zip back to a particularly favorite scene to watch again.
I always loved this mini-series. The musical score is amazing. The actors are excellent, each one perfectly chosen for their role. The child Sydney Penney who plays the young Meggie does a wonderful job. And of course there are no words to describe the amazing performance by Richard Chamberlain and Rachel Ward, let alone the other lead actors and actresses. This series definitely tugs at your heart strings because there is no way a happy ending will occur. There are so many emotions involved as the characters play out their parts. Anger, sadness, happiness, and even the lustful, selfish desire Mary Carson had for Father Ralph - all combine to make this mini-series that spans a 60 year time line one of the best yet. No wonder it was the winner of 6 Emmy Awards in 1982-83.

Twenty years have passed since I last saw the Thorn Birds on TV, and there were so many things in the series I had forgotten or just did not notice at the time. But now, thankfully, they are all there for me to see once again. My grown children, who were too young at the time, are anxious to watch this DVD as well.
Anybody who ever saw this mini-series waited in breathless anticipation for the romantic love union of Father Ralph and Meggie, and had their heart strings tugged and torn when the two of them had to separate once again. There was so much drama as Dane decided to become a priest, and how Father Ralph did not know Dane was his son. The beautifully haunting melody of the dulcimer in the musical score as yet another family member was carried to be buried at Drogheda caused many tears.
This is just an incredible DVD - one that should be on everybody's collection list. I am thankful to Amazon.com for making it available to me. I will enjoy it for years to come.

HE CREPT INTO MY HEART AND NESTLED IN MY SOUL!
The Thorn Birds is the BEST story ever told, and the BEST movie ever made. It's excellence has ensured its endurance. Excellent music, writing, settings, actors, and production/direction, frame this passionate story of love unattainable, forbidden, forever. Richard Chamberlain gave the performance of his life, developing the role of Father Ralph de Bricassart, a character who creeps into your heart, and nestles in your soul! The outstanding cast was perfection personified, but make no mistake, it was Chamberlain whose outstanding performance solidified the success of this epic and catapulted it into the number one spot of "best films of all time". Being the veteran professional, his best scenes were with fellow veterans, Barbara Stanwick and Christopher Plummer, great actors, chiseling each other performances, like iron sharpening iron. Christopher Plummer was never given his rightful due for the magic he brought to the screen as Ralph's mentor and spiritual advisor. Sydney Penny, was another skilled actress, who was overlooked when the accolades were passed out. She was amazing as the young Meggie, and brought wonderful chemistry to the set, as the soul mate to this lonely and troubled priest. Her love and devotion was deeply needed by a man who gave so much to others, and needed love and validation himself. As she grew up, Ralph realized she was his other half, the completion of himself as a man, but his vows to God, kept him from finding wholeness, and he lived out his life deeply troubled. I sensed this was a difficult project for Richard Chamberlain, who himself, is a soul searching man. I observed a great heaviness in his soul as he developed and created the most complex, but deeply loved character in film history. I got the feeling this role took him to places he had never been before. In turn, he took his audience to places we have never been before, and I am still not sure I want to come back.

Beautiful but Tragic Love Story.....
For all those "romantics" out there this is definitely one film not to miss!!!!! I was transfixed to the screen from start to finish..... it is something I will watch again and again....but only from time to time as it is about 12 hours long. (By the way, excuse the cliches). I saw this as a teenager only once and I have to say the beauty of this film for me hasnt changed at all and it must be a good 15 years!

What is the film about? In short, it is a love story between a woman and a priest spanning over four or five decades. She is denied his love because he chooses God, but for both of them it is an on going battle as he does love her too. As the story unfolds you will see if he stays faithful to the cloth or if she stays loyal to him.....even two decades is a long time to stay committed to anything! Watch it....and you will find out what happens...

The story is passionate and charismatic with a well chosen cast that will linger in your thoughts well after you have watched it. Richard Chamberlain and Rachel Ward are exemplary in their performances but I have to say some of the supporting actors like Barbara Stanwyck, Jean Simmons and Richard Kiley are truly outstanding!

I give this a 5 Star rating and would recommend it to everyone!

Thorn Birds is not like the book.....
it pretty much follows the book faithfully in circumstances but not much in character. Ralph, in the series, is long suffering but in the book he came across as smarmier. And instead of Justine being distant and flippant, she acted more like a spoiled brat. The heart of the book didn't really translate with the mini-series. Ick! ... Read more

Reviews (23)

How do you lose an American journalist in Chile?
Missing begins with journalist Charlie Hormon (played by John Shea) and his wife Beth (Sissy Spacek) spending time in Chile during the coup of 1973. Charlie wants to get the big scoop and although the streets are muddled with dead bodies and tanks, he feels quite safe, and consoles Beth with the line "They can't hurt us, we're Americans."

Needless to say Charlie turns up "Missing" and the majority of the film follows Beth and his father, Ed (Jack Lemmon), on a search for him. During their search Ed finds himself dumbfounded by the corruption and bureaucracy he constantly comes across, not only of the Chilean government but also surprisingly of the one he trusted most, the American government.

One may find this movie slow-moving if you don't really have too much background into the coup or are old-enough to remember some of the Cold War politics of the past. You don't get to know Charlie well enough through the script to really care that he's missing. These factors may add up to a dull movie for some viewers or it could motivate you to learn more. The film rewards every viewer with great acting performances and a cool soundtrack by Vangelis.

MISSING is left-wing propaganda? Not by a long shot!
Based on the true story of Charles Horman,a young American journalist who mysteriously vanished during Chile's 1973 coup and was later found dead, MISSING is an extremely well-constructed political drama--the first American film from Greek director Costa-Gavras (Z, STATE OF SIEGE).

John Shea portrays Charles Horman, who, while covering Chile with a friend (Melanie Mayron), disappears from view, causing his wife (Sissy Spacek) to ask for help from Shea's staunch "my country right or wrong" father Ed (Jack Lemmon). Lemmon openly disapproves of Shea's and Spacek's political views and staunchly supports the preservation of the American way of life. Unfortunately, his rose-colored view of his country slowly but surely come apart as he and Spacek, who are initially at considerable odds, unravel bit by bit important details. As one Chilean informant tells them, Shea disappeared because "he knew too much." He knew that thousands of innocent people were being murdered by the new Chilean government, a staunch right-wing one that ousted a far more Marxist regime led by Salvador Allende.

Eventually, MISSING comes to a point of increased sadness and anger, as Lemmon comes to realize that not only was Shea killed (in the national soccer stadium), but that his own government probably had a hand in doing it. The unfolding tragedy brings Lemmon and Spacek together in the end.

A very poignant and highly dramatic story, with a fine score by Vangelis, MISSING also boasts typically top-of-the-line performances by Lemmon and Spacek, who have never been anything less than watchable. The script by Costa-Gavras and Donald Stewart (the latter of whom would do the adaptations of three Tom Clancy novels in the 1990s), won a richly-deserved Oscar for adapted screenplay (from Thomas Hauser's similarly-titled novel).

As to the previous reviewer's attack on the film as left-wing propaganda, I honorably but strongly disagree with that notion.

The facts have shown that the U.S. government supported the coup against Allende only because he believed in communism, but the regime that came to power then systematically trampled over the basic human rights of its people. And here, it very well may have contributed to the death of a young American--and the U.S. government turned its back on that man! No government anywhere in the world, anti-communist or otherwise, is worth American support if it ignores human rights. THAT is the political arguement clearly at the heart of this excellent 1982 drama.

A MUST HAVE
Thought-provoking,shocking,and brave. As relevant today as it was when it first appeared in the early 1980's. The fact that this movie will most likely not be available outside the U.S. and Canada says a mouthful. There is no way you can walk away from this movie and not be disturbed.

Outrageous, unbelievable and true.
I have looked at the cover of this video many times and then put it down again-not being very interested in South American history. It just so happens that I'm taking a class in South American history (!) and we watched the film this week. If you want to know what a 'military coup' is...this film does an excellent job of illustrating just that. It is absolutely terrifying. And the fact that it was U.S. backed has simply outraged me. Richard Nixon's administration was so corrupt. Henry Kissinger had knowledge of this torture and allowed it to happen. I can understand why he's afraid to leave the country. He could easily be charged with war crimes against humanity. This is not an easy film to watch, but for over a decade, this is how Chile existed.

The Classic Search Theme
Yes, Costa-Gavras couldn't help putting his Leftist beliefs into this film, but to dismiss MISSING as mere propaganda for the Left is to miss the entire point of the movie. Beneath the thin political veneer is the classic theme of people searching for a loved one who is lost. There was John Wayne in THE SEARCHERS (nobody called that propaganda against Native Americans). Then there's Hitchcock's THE MAN WHO KNEW TOO MUCH where parents search for their kidnapped son. More recently, there was THE VANISHING (not the miserable American version--I mean the original French film).

So it is in this movie. Jack Lemmon and Sissy Spacek play the father and wife, respectively, of a young American man who vanishes off the face of the Earth during Chile's most violent uprising. They are an unlikely pair: Lemmon's character, Ed Hormon is a proud conservative American, whereas his daughter-in-law, Beth (Spacek) is a vaguley leftist hippie. However, their search for the missing Charlie, and their love for him, bring them together in almost typical Hollywood fashion. But the relationship is more complex. What saves the film from that two-dimensional Hollywood ending is that they are also brought together by the horror and very real fear of the violent chaos all around them. Each interrogation of witnesses, each visit to the local militia, each stop-over at the stuffed-to-the-windows morgues seem to quench a little more the sparks of hope and belief in their fellow man in their eyes.

I've always loved Jack Lemmon (God, I miss him!) in his brilliant comedies, but never cared for his serious roles (SAVE THE TIGER? Feh!). In MISSING, however, his performance is without flaw. Sissy Spacek delivers her reliable skills to this movie as well. See it.

Rocco Dormarunno, author of THE FIVE POINTS. ... Read more

Amazon.com

Hoo-hah! After seven Oscar nominations for his outstanding work in films such as The Godfather, Serpico, and Dog Day Afternoon, it's ironic that Al Pacino finally won the Oscar for his grandstanding lead performance in this 1992 crowd pleaser. As the blind, blunt, and ultimately benevolent retired Lieutenant Colonel Frank Slade, Pacino is both hammy and compelling, simultaneously subtle and grandly over-the-top when defending his new assistant and prep school student Charlie (Chris O'Donnell) at a disciplinary hearing. While the subplot involving Charlie's prep-school crisis plays like a sequel to Dead Poets Society, Pacino's adventurous escapades in New York City provide comic relief, rich character development, and a memorable supporting role for Gabrielle Anwar as the young woman who accepts the colonel's invitation to dance the tango. Scent of a Woman is a remake of the 1972 Italian film Profumo di donna. In addition to Pacino's award, the picture garnered Oscar nominations for director Martin Brest and for screenwriter Bo Goldman. --Jeff Shannon ... Read more

Reviews (73)

By far my favorite movie
When I first heard of this movie, I had no clue what it was about. My friend and I saw a teaser poster with Al Pacino and Gabrielle Anwar dancing the tango labeled "Scent of a Woman". Putting two and two together, we went into the theater thinking we were watching a love story until the movie started. Whoops. Despite my misgivings in the beginning, I was pleasantly surprised. What I found was a riveting story of mentor-mentee relationship. I love movies that involve the master taking young grasshopper under his wing. Except master is not Mr. Perfect himself. Both the student and the teacher learn from each other's weaknesses. And despite Lt Col Slade's struggle with his misfortunate blinding accident, his Army core values were still in tact. Hard-working and willing to give up a Thanksgiving weekend to look after an embittered retiree, Slade sees an underlying goodness in Chris O'Donnell's fragile, fence-sitting character, Charlie. Like most young men his age, he was susceptible to peer pressure and could easily choose the wrong path as his friends had. Slade is blind but easily sees the temptation to compromise the boy's integrity and future. "This old bat has sharper radar than the Nautilus" Slade tells his young league. He lays all the cards out for Charlie to see, but knew instinctively it was up to the boy to make his own decision. Charlie eventually shows his true colors in the face of adversity. Like a good soldier, he never leaves his commander's side even when the danger is self-inflicting. Character like that is a rarity in anyone and must be preserved! This prompts Slade to reciprocate his support for Charlie who is enrolled in a prestigious school reknowned for producing some of the most important figure heads in America. "Be careful what type of leaders you're making," he warns the school staff. Charlie learns lessons in life that no school could teach him.

Underneath the tough exterior, there was a softer side to Slade. He definitely had a thing for the ladies. Instead of playing up a macho cassanova, "Mac-Daddy" persona predominate in a lot of films today, Slade is quite the charmer and gentlemen. He's cultured, sophisticated, genteel and surprisingly knowledgeable about women's perfume. Hence the film's title. I find that warrior-poet quality incredibly sexy and appealing. You can't resist a man who makes the tango look so easy and doesn't mind getting "all tangled up" with you. A beautiful role played by Pacino earning him a well-deserved oscar which probably was most credited for by his empowering monologue in the end. This is by far his best role in a movie.

Lovely film. Sweet, sad, romantic yet uplifting. This is truly a classic for the ages.

One of This Decade's Best Films
I have probably watched "Scent of A Woman" thirty times. I find it one of those movies that becomes hypnotic a few minutes into it. Al Pacino is absolutely outstanding in the role of Lieutenant Colonel Frank Slade, retired from the U.S. Army. Slade, blinded by a drinking/grenade game he was playing with one of his drinking buddies, is now living as an embittered alcoholic with an adult niece, her husband and two little children. He is an arrogant, angry man used to issuing orders and not displaying very much gratitude or affection.

Charlie Simms, played well by Chris O'Donnell, is a scholarship at a nearby prep school in the same town in New Hampshire where Slade lives. Charlie's trying to earn some money over the Thanksgiving weekend so that he can travel home to his parents in Oregon at the Christmas break.He discovers an ad placed by Slade's niece to care for her blind uncle over the Thanksgiving break so that she can travel with her husband and kids to Albany, New York for Thanksgiving with her in-laws.Charlie answers the ad and the adventure quickly develops.

Slade has his own plans for Thanksgiving. A last big blowout in New York City before killing himself.

He is abusive to Charlie at first and acts as if he is one of his military aides. He doesn't let him in on his plans until it's practically time to leave for New York -- while Charlie had been told by Slade's niece that the weekend would be at her home looking after her uncle.

A beautiful bonding begins as Slade and Simms interact and except for his anger and bitterness, it is obvious that Slade is not particularly handicapped by his blindness as he has developed an extra few "senses" which make him seem remarkable.

The journey to New York is a roller coaster of emotion from comic to touching to almost tragic. When Slade finally decides to kill himself, Charlie manages to save the day -- although it's pretty touch and go keeping you on the edge of your seat throughout.

Charlie has problems of his own. He's not particularly self confident and Slade is tremendously intimidating. Charlie's other problems center around an incident at school which places him at a crossroads -- whether he should rat on some kids at school at the headmaster's own brand of intimidation, or face expulsion.

The movie concludes with an impassioned speech by Colonel Slade on Charlie' behalf before a school-wide assembly being held for a disciplinary committee hearing on the incident Charlie has knowledge of.

Simms remains true to himself and proves himself to show new confidence and an outstanding sense of personal integrity.

Slade has also benefited by his own plans gone awry and his opening a window of care for Charlie as another human being. He emerges as a sign of hope to overcome his bitterness, anger and alcoholism.

An absolutely remarkable film!!!

My Two Scents
Actor Al Pacino has amassed quite a stellar career over the years, filled with strong performances, that make him one of the best at what he does. He skills, magnetism, and range put him at the top of my favorites lists. For 1992's Scent Of A Woman he hits another high point, winning an Oscar, and alowing a relative newcomer to earn his acting chops, working with a master.

Charlie Simms (Chris O'Donnell) is a young scholarship student at an exclusive prep school in New Hampshire who agrees to look after Lt. Col. Frank Slade (Al Pacino), a blind retired army officer, to earn extra money over the Thanksgiving break. Frank is an acid tongued and cynical bully who completely suprises Charlie with his plans for their weekend together. He has bought them tickets to New York, booked a suite at the Waldorf Astoria Hotel and rented a limousine, all to take the Big Apple by storm. Before Charlie realizes what he has gotten into, he is accompanying the colonel around Manhattan as they begin their wild and eye-opening adventures that include a fast-paced test drive in a Ferrari and a tango with a beautiful woman (Gabrielle Anwar). Frank's passion is women; he waxes lyrically on their bodies, scent, and sensuality, and gradually Charlie becomes aware of the sentimental romantic buried deep within the lonely man's heart.

Directed by Martin Brest, the film is nearly pitch perfect, with Pacino commanding the screen. Even though, I know Pacino isn't really blind--he plays the disability very well. By the end, I couldn't imagine another actor, playing it as "real" as he did. I thought O'Donnell was also quite impressive holding his own oppossite Pacino. The script from Bo Goldman has drama, humor and is very organic. The only minor problem I had was the film's very end. A bit predictable if you ask me...

The film deserves to have an upgrade to special edition status. The current DVD has little in the way of extras. I wanted more. There's only a few production notes and cast biographies on the disc. Not even the theatrical trailer made the extras. Until a special edition is a reality, the film is still a must see, even in its current form on DVD.

I'll Show you out of order!
I absolutely love this movie. The first advertisement I saw for this movie was a poster of Al Pacino and Gabriel Anwar doing the tango. My firend I went into the movie theaters eagerly awaiting to see a lovely romantic comedy. But when the first scene started with a boys school and just kept going, we were beginning to wonder if we walked into the right movie.

However, the movie was captivating as soon as Al Pacino came on screen, he obligates Chris O'Donnell to accompany him to the airport and head to New York. You keep wanting to see what happened next in the movie and before you know it, you've just fallen in love with a hopeless manic-depressive and a young kid whose promising future is about to go under because of a compromising situation that swing the wrong way.

Where does loyalty start and integrity ends? Both Pacino and O'Donnell have to come to grips with in some fashion or another. But there is no doubt the bond between the two of them is unbreakable.

Pacino Shines
Scent of a Woman, a 1993 Academy Award Nominee for Best Picture, is about a friendship that builds between two opposite people, the blind retired Lt. Colonel Frank Slade and the prep school student Charlie Simms, during a wild weekend in New York City. Both are coming to a crossroads in their lives. Charlie has to decide whether he will tell on who played a practical joke on the school's headmaster. But his future is lying in midst of it. And Lt. Colonel Frank Slade, once an aide to Former President Lyndon Johnson, now blind, is considering taking his own life. Their friendship grows, and although I don't want to give too much away, I'll say that I was satisfied with the ending.

Al Pacino's performance in this was stellar, and have many others have mentioned, won him his first Best Actor Oscar. Great film which will undoubtedly be enjoyed by many for years to come. ... Read more

Description

After serving in the Korean and Vietnam Wars, Gunnery Sergeant Tom Highway finds himself with a collection of medals and no war to fight. Training a new group of Marines that are more green than mean, Highway complicates matters by attempting to reconcile with his former wife, Aggie. Rekindling the spark in his failed marriage won't be easy with a crisis brewing in Grenada and his pathetic platoon far from ready. ... Read more

Reviews (52)

Heartbreak Ridge
Easily one of my favorite films of all time. From the intro's black and white scenes of the Korean conflict with Don Gibson's "Sea of a Heartbreak" playing, with a dubbed in banjo, in the background to the fade to color present with a battle scared Clint in the drunk tank telling war stories and backing it up with action to prove his point in front of a captive audience. This is a great action and scene packed film. Meant to be taken as tongue in cheek. I look at it as what it might be like if Clint Eastwood did standup comedy. I probably watch this movie 3 times a year. No it's not high art as other reviewers have stated; but who cares. It's a good story, an honest story with some peripheral basis in fact and a lot of patriotism. The story exploits ideals and emotions that most folks over 50 can probably identify with throughout the movie. My 11-year-old son loves the movie. " This is an AK47 assault rifle, the preferred weapon of your enemy and makes a distinct sound when fired at you." This is entertainment at its best.

Clint Eastwood's Marines
Clint Eastwood directed and starred in the lead role of this film about a "salty," battle-hardened career sergeant who whips a platoon of new Marines into shape. Along the way, he attempts to repair his failed marriage and locks horns with the Marine Battalion's Operations Officer.

Eastwood is Gunnery Sergeant Highway, a Korea and Vietnam veteran who won the Medal of Honor and survived a horrific battle in Korea referred to as "Heartbreak Ridge" in the film. He's a warrior on the battlefield, but his aggressive, hard-drinking and "tell-it-like-it-is" personality has cost him promotion and his marriage. Nearing retirement, he receives orders to return to his elite specialty of Force Reconnaissance. Upon arrival, the battalion's operations officer treats Gunny as a washed-up old prima donna and he finds his new platoon comprised of misfits. On the personal side, Gunny's ex-wife still resides locally earning a living as a cocktail waitress.

Tackling his main problem, he commences to breathing fire into his young Marines, turning them into "heart-breakers and life-takers." During his off-time, he tangles with his ex-wife in an attempt to repair their failed marriage. All during this time, he's one step away from being under-mined and kicked out by his nemesis.

The film culminates with their deployment to intervene the crisis on the Island of Grenada (actual operation in 1983), leading the way into combat for the Marine battalion. It is here where the plot unfolds to reveal if Gunny's old-school training methods have worked, if his wife decides to return, and if he'll survive.

Overall, the movie has Eastwood's brand of humor and it's a likeable feature not to be taken too seriously. There are some technical flaws, such as an absence of other officers in the battalion, but this doesn't spoil the movie too much unless you're a proud member of the Marine Corps. Another item about this movie is the use of profanity; it's colorful and there's plenty of it. By rumor, this story was originally written for an Army Ranger battalion, but apparently the Army denied permission to portray their Rangers in this fashion. Whatever the case, it's enjoyable to watch and does touch upon some actual leadership values.

"I'm mean, nasty, and tired"
I can't tell you why this movie is great, if you break it down into individual pieces, it probably wouldn't hold a candle to a bad made-for-TV movie. However, I've watched it dozens of times (and several more on the extra-clear DVD version) and enjoy it thoroughly each.

Eastwood's lines are memorable, if only for their raunchy hilarity. "I eat canstantino wire and piss napalm". Ooh Rah!

A Tribute to Greatness
Heartbreak Ridge is hardly about the military- it's more about greatness and integrity. Clint is assigned to lead a team of rowdy recruits. By demanding greatness from them, Clint is able to transform the group from a bunch of criminals into a well-oiled military team. In doing this, Clint shows the true nature of great leadership. There is also a fair amount of comedy throughout the film, making it enjoyable on multiple levels.

A Great Ride With Clint....To..."Heartbreak Ridge"....
This review refers to "Heartbreak Ridge"...Warner Home Video..DVD edition...

"Heartbreak Ridge" from 1986 is Eastwood's tough guy image personified. He is Gunnery Sgt. Tom "Gunny" Highway. Gunny has seen it all, and done it all. He's a decorated war hero who has survived battle in both Korea and Vietnam.He's tough and gruff and will soon face mandatory retirement.With no war to fight his last assignment is to whip the members of a raw but feisty recon platoon into shape. He's up against an unwilling group,a "follow orders or else"(not exactly his style)type commanding officer, and an ex-wife who's as feisty as the recruits.Both he and his men(and his ex-wife) are put to the test when war breaks out on the Island of Grenada.It was directed by Eastwood, Marsha Mason co-stars and the cast is nicely rounded out by Mario VanPeebles, Moses Gunn, Bo Svenson and the wonderful Eileen Heckart.

This 1986 film looks great on this DVD. Warner has done a nice job with the clarity and colors. The widescreen format lets us in on all the action and the Dolby Dig 5.1 surrounds wonderfully. Lennie Niehaus' fabulous score completes the package.Don't look for much in the way of special features.There are theatrical trailers, some cast film highlights,and subtitles in English, French, Spanish,Portugese and Japanese.It may be viewed in French as well.

If you're a big Eastwood fan, you may want to purchase this in the Eastwood "Hero" 3-pack instead. It also includes "Absolute Power" and "A Perfect World"...You know you'll buy them all anyway and this way will save you some money...check it out!

Thanx...and enjoy.....Laurie ... Read more

Description

Based on Jerzy Kosinski's satirical novel about an illiterate gardener who has lived his entire life behind the walls of a Washington, D.C., house, his only knowledge of the world coming from the TV programs he watches.When his employer and protector dies, he is catapulted into the fast lane of political power. ... Read more

Reviews (120)

Excellent Satire - Incredible Acting from Peter Sellers
This film came out in 1979 and seems to get better every year. It is the bizarre story of a blank slate of a gardner who literally has never been outside of the walls of a single house until he is in his 40s or 50s. The entire view of this man comes from watching television.

The basic story is quite simple. As Chance the gardner is forced to leave the house he has lived in as a child, he is hit by a limosine transporting the wife of a dying plutocrat. Taken to the home of the plutocrat, he eventually meets the rich and powerful of the land (the president included)and is taken to be an oracle of wisdom with his simple statements about gardening and the television he has watched. It is a great satire that just keeps getting better as we rely more and more on soundbites for our information.

The best part of the film is Peter Sellers who plays this absolutely blank, innocent, and slow-witted person with complete aplomb. I remember an interview with Sellers when the movie came out, and he said it was a real struggle to develop an accent that had no roots at all -- a perfect blend of voices heard on television. He plays the movie absolutely straight, the comedy being how people react so seriously to his child-like comments. For example, in a television interview about the economy, people take his comments that "there is always growth in the spring" to mean an end to a recession when he is simply talking about his garden.

This is a unique film with lots and lots of subtle humor (no slapstick ala Clouseau). There are some very funny moments as people react to Peter Sellers, but the humor always comes back to how we choose to see the world. There is no deception of the part of the character of the gardner -- it is everybody else who plays the fool here.

This is a definitely a movie to own and to watch over and over. I know some people who have found it a bit slow, in that very little really happens -- it is almost a comedy of manners. It is a great memorial to Peter Sellers from one of his very last movies.

"I like to watch..."
Peter Sellers is wonderful as the simpleton gardener who in middle age finds himself in the real world for the first time and through a series of coincidences is hailed as a genius with all cures for mankind's problems. As a confidante to a wealthy philantropist, Chance the gardener is introduced to the President of the United States. Paraded through formal dinner parties, invited as talk show guest, and eventually investigated by the CIA, "Chance Gardener" becomes an unprecidented enigma .

A star-studded cast includes a beautiful Shirley MacLaine as the tycoon's wife who is very attracted to the "inexperienced" Chance. Melvyn Douglas took the Best Supproting Actor Oscar (his second) for his role as the dying philantrophist.

The slow moving yet poignant film offers many observations about people and how they are perceived by new acquintances. Peter Sellers' character benefited greatly from his handsome, classy attire when forced out of his home of many years. His simple speech would have been taken as foolish babble, had the man been dressed in rags.

There is a particularly moving scene near the end of the film, when Chance's benefactor is layed to rest. Seemingly disinterested in the ceremony, Chance wanders off, examining nearby plant life, to see what improvements need to be made. The DVD version offers a hilarious set of "bloopers", showing how Sellers can't get through the lines without laughing out loud.

"Being There" is certainly quite a departure from any standard comedy/drama. Not for everyone, but worth a chance!****

Two movies in one!
This is really two different movies. Most viewers will watch the DVD up until the credits start, hit the Stop and Eject buttons and will have seen one, admittedly excellent, story.

BUT... those lucky few who tend to watch the credits to the end...will get a mind-snapping shock! For there's one additional scene burried in the credits, a scene that changes the entire meaning of the movie - and will send you back to chapter 1 to watch the entire film all over again.

And you will then see the SECOND story.

It was THIS movie that has led me to sit in theaters until the end of the credits ever since!

I'm very hungry
My wife and I tend to quote lines from this wonderful movie, much like I do on the golf course with Caddy Shack lines. As Caddy Shack is to golf, Being There is to life: a delightful comedy but with meaning.

Brilliant and haunting.....
This film is like none I have ever seen before. In the past, when I thought of Peter Sellers (who plays lead character "Chance the Gardener"), my mind automatically went to Inspector Clouseau from the Pink Panther series. I thought of the bumbling, clumsy and silly detective in hot persuit of the pink panther jewel. What a terrific change of pace! I really got a sense of Peter Sellers' depth as an actor in this brilliant film. Sellers, Melvyn Douglas, and Shirley Maclaine were all strong leads in this story, along with a great supporting cast.

BEING THERE tells the story of Chance, the Gardener, a simple man who spends his entire life gardening in the backyard of his boss' house, until one day the old man passes away. When a couple of journalists come around to find out more about the former master of the house, Chance is the only one there. The house must close, and for the first time the man must make strides into the big, wide world. This world is like nothing he could have ever imagined outside of the house where he worked. One thing that keeps him tranquil and holds his attention is the television. As Chance says, "I like to watch." (this line is misinterpreted a few times during the course of the movie.) By chance, Chance meets up with Shirley Maclaine the wife of an elderly billionaire. This is just the beginning of an intriguing series of events where Chance--renamed Chauncey Gardner--the simple man who speaks of plants and their growth (the only real knowledge he has about the world) becomes central as wise sage in one of the most intriguing political ventures.

This film has moments of laugh-out-loud comedy, and serious elements as well. (The final scene is chilling.....that is all I am going to say......)
Check it out if you are in the mood for something completely different. In the words of Chauncy, this is definitely a film "I like to watch." ... Read more

Amazon.com

Adapted from a Harold Robbins potboiler, The Betsy offers powerstruggles, incest, adultery, gold digging, and car racing.Laurence Olivier plays a ruthless but fallible auto tycoon with a tortured family historyincluding a weakling son (Paul Rudd), a daughter-in-law he loves too much(Katharine Ross), a resentful grandson (Robert Duvall), and a devotedgreat-granddaughter (Kathleen Beller) to whom he bequeaths most of hisfortune.In the midst of all these family squabbles is racing enthusiastAngelo Perino (a very young Tommy Lee Jones) whom the old man hires to builda revolutionary, ecologically advanced car which will be called The Betsyafter his great-granddaughter. Angelo builds The Betsy (the car), seducesBetsy (the great-granddaughter), and even has a fling with Duvall's mistress,played by the haughty Lesley-Anne Down. In order to boil down Robbins's plot-heavy novel to 125 minutes,some of the connecting tissue has been lost. ButOlivier is a grand old ham and Jones shows early on why he was destined to be a star. Lavishly produced, The Betsy has been formatted for the smallscreen, which doesn't allow us to fully enjoy the elaborate sets.But it's achewy two hours of pulp, nonetheless. --Richard Natale ... Read more

Reviews (6)

One of my top 10 movies....
I love this movie, it's one of my top 10 favorites. It's glitzy and it dazzles me, and it's just the kind of movie that gives me sweet dreams and one you'll love to cozy up with on a Saturday night. It's so very lavish and everything in this movie is just beautiful and huge!! Everything about this movie is on such a grand scale, everything is just so big and gorgeous, the mansion is again just gorgeous, the rooms are perfectly and beautifully decorated and the colors that are used are just dreamy, the flower arrangements are also huge and they sit atop huge fireplaces, this movie is just a feast for the eyes! (I found that I watched it again so that I could rewind and rewind just to feast on the sets!) For the most part, the movie stays pretty close to the storyline of the book, and the book was again a huge and wonderful read, (which I also suggest!) My husband also liked this movie, he liked the actors and the storyline, the cars, the racing and the bird's eye view of the auto industry, and one of his favorite actress is Leslie Ann Downs. The flashbacks made me feel like I had slipped back in time, and oh I also just loved how Betsy got her man, the little swim she took... (she's the same actress who played the little girl on Make Room For Daddy with Danny Thomas--I think?). Lawrence O is in my opinion, very sexy and magnetic and perfect for the part, he's very handsome and even though I had never seen him before in any other movie, whew, what a cutie he is, even for an older man! But I love Robert Duvall and Tommy Lee Jones. And yes, I totally agree with the viewer who said there was no chemistry between any of the actors and that Tommy Lee rushed through his lines like he was in a hurry to get to an audition for Coal Miner's Daughter (I had a good laugh at this!), but still he's young and cute and he does not disappoint. I love movies with good actors, pretty sets, lovely clothes, romance and happy endings and any movie that goes back in time or ia a period piece, gets my vote every single time.

Not a masterpiece but still good
The betsy which is based on a novel by Harold Robbins is not

a very good movie but it is not that bad.I didn't like Olivier's

performance but i think Tommy Lee Jones did great.The love

scenes in the movie are very beautiful and Kathleen Beller is

a very gorgeous actress [Most known for her role as Kirby

andrews in Dynasty] and i adore her love scene with Tommy Lee

Jones.

A So-Bad-It's-Great Classic
There's so much awfulness to love in this movie, a camp classic done as straight as an arrow.

I have a hard time figuring out what's my favorite thing about this movie because there's so much to love -- the total miscasting? Olivier's "Americanish" accent which is frequently slurred? The complete lack of chemistry between any of the principle characters? That "Where's My Paycheck?" look on Katherine Ross' face? The way Tommy Lee Jones spits out his lines so quickly like he needs to leave the set early to go to the Coal Miner's Daughter audition? ... The heavily gauzed-lens flashbacks? The complete implausibility of Harold Robbins' story? Mansions decorated with whicker furniture? Sir Larry's parade of horrendous toupees?

If you miss Dynasty or The Colbys for any of the above reasons, or if you are just a connoisseur of So-Bad-They're-Great movies you can't miss this one. ...

Great Fun in A Grat Pot Boiler
This is a movie with no pretensions. It is about corporate intrigue, family disputes and beautiful bodies. It is an unashamed pot-boiler. It is helped by the fine acting that does not descend into camp. There are many highy capable actors here. No one hams it up for the camera which only makes this glorius bit of cheese all the more fun.

A 3-star movie, 5 stars for Tommy Lee Jones, average to 4
This is a big, gorgeous movie, but can drag at times. Whenever Tommy Lee Jones is on the screen, however, it's fabulous. I remember seeing this movie when it first came out, and wondering why he wasn't in more movies. Some very beautiful and surprisingly explicit nudity showing the actress playing Betsy. I wonder what happened to her? ... Read more

Amazon.com

Using a faulty thriller for his soapbox as an outspoken critic of China, a devout follower of the Dalai Lama, and an influential supporter of Tibetan freedom, Richard Gere resorts to the equivalent of propagandistic drama to deliver a heavy-handed message. In other words, Red Corner relies on a dubious strategy to promote political awareness, but director Jon Avnet appeals to the viewer's outrage with such effective urgency that you're likely to forget you're being shamelessly manipulated. Gere plays a downtrodden TV executive who sells syndicated shows on the global market, and during a business trip to China he finds himself framed for the murder of the sexy daughter of a high Chinese official. Once trapped in a legal system in which his innocence will be all but impossible to prove, Gere must rely on a Chinese-appointed lawyer (played by Bai Ling) who first advises him to plead guilty but gradually grows convinced of foul play.Barely attempting to hide its agenda, Red Corner effectively sets the stage for abundant anti-Chinese sentiment, and to be sure, the movie gains powerful momentum with its tale of justice gone awry. It's a serious-minded, high-intensity courtroom drama with noble intentions ... but did it have to be so conspicuously lacking in subtlety? --Jeff Shannon ... Read more

Reviews (23)

Gere's suffering for his art
In 'Red Corner' Richard Gere plays a lawyer doing business in China. He sleeps with a local lady of questionable morality and next morning wakes to find her dead. Gere is framed for her murder and in China, according to this movie, you're guilty until proven innocent.

Weighing in at just over two hours the film never sags and Director Jon Avnet manages to hold the interest, especially when the lovely Bai Ling is appointed to defend Gere. There is little to make 'Red Corner' more than an average thriller but you could do worse on a cold winter's night than curl up with the DVD and let your brain ignore the plot inconsistencies or the depiction of the Chinese authorities as heartless, murderous villains. Gere grins and bears it all manfully and his suits look good even under extreme pressure but it is Bai Ling who shines in the pedestrian plot. She's alone worth the price of admission.

The DVD features a Director's feature length commentary and a theatrical trailer. The sound is good and the photography excellent. 'Red Corner' - like its unimaginative title - is good enough but it could have been a whole lot better if the screenplay had been a little more edgy and intelligent. Still, if you're not too particular you may enjoy this fairly interesting action packed thriller.

A Good Film, But Not Captivating
Jack Moore (Richard Gere) is in China trying to close the deal on a lucrative TV contract when he meets a beautiful girl at a nightclub. Sparks fly and Jack finds himself spending a wonderful night with her. But when Jack wakes up in the morning it is to the sound of police yelling at him. Jack's beautiful lady is dead and Jack is covered in blood with incriminating evidence all around him that says he is the killer.

Jack is almost positive that he could not have done this, but he can't really remember exactly what happened as he had quite a bit to drink. He turns to the American Embassy for assistance, only to discover that they can do nothing for him. Jack's appointed attorney, Shen Yuelin (Ling Bai), seems completely uninterested in the facts of the case, not even bothering to meet with him before Jack appears in court the first time. Then she insists that Jack plead guilty and hope for leniency. Jack is furious that no one is on his side, not understanding that, in China, you are guilty until proven innocent and that if you plead innocent and are found guilty, you are taken out and shot.

As the court case continues, Jack is fully aware that the whole proceeding is a parody of justice. No one in the courtroom cares what really happened, no one seems interested in finding the real murderer or in hearing his side of the story. Most of the time Jack can't even understand what is going on as his translating system keeps going off. He does discover that the woman he slept with, the woman who was murdered, was the daughter of a General in the Chinese military and that the general is very interested in seeing his daughter's killer brought to justice. If only Jack could convince all of them that they have the wrong man...

Red Corner was a good film, but for being a thriller, I found the thrill a little bit lacking. I found myself restless while I watched the film and started puttering around the house, working on little things and listening to the dialogue instead of watching it. I also thought that the message was a little too heavy-handed at times. Most of the Chinese in the film were shown as stupid or corrupt and that is simply not the case. I wish that Director Jon Arnet could have shown more of the cultural differences to try and explain that you are working with a whole different mentality rather than a group of people who are just mean and cruel. Those points aside, the film did make me very grateful to live in America, where we have many freedoms that we take for granted. The story was a little boring at first, but once all of the pieces started coming together at the end, it caught my interest again and I thought that it had a good ending. With some beautiful scoring by Thomas Newman, decent acting by Richard Gere alongside a luminous Ling Bai, this is a movie for people who enjoy a lot of politics mixed in with a little bit of action.

Politics aside, it's a good film.
After reading some of the negative reviews of this film on amazon.com I felt I had to put my two cents in defending it. First of all I don't think people should get so emotional and excited about it's portrayal of the communist China's regime and judicial system. Yes, maybe the film is prapogandist, maybe Chinese legal system today is not anything like the movie portrays it to be and maybe it was like that at one time in any case, everyone knows corruption and injustice exists more or less everywhere whether it's China, United States, Western Europe and more than likely innocent people have been executed in countries that keep the death penalty whether it's China or the US or wherever. But it's not like Hollywood never made a film that's critical of the American judicial or political system involving corrupt government officials. Clear and Present Danger for example. That's why controversial movies like this help get the message out even if just by motivating people to talk about such isues.

As for the film itself, the acting is medeocre. The musical score is pretty good. The Chinese actress that plays's Gere's atorney performs better than Gere especialy during the final court scene. It's a thought provoking movie and not just eye candy like a lot of the films of today.

POWERFUL AND REMARKABLE !
This movie depicts a man's incredible legal battle under a murder charge against himself.He is calumniated and all the legal procedure is biased.But he's got a puissant attorney though it'd take a long hard struggle for her to acquit her client...

Gere Enlightens..Ling Bai delights
In this 1997 Political Thriller, Richard Gere and Director Jon Avnet(Up Close and Personal/Fried Green Tomatoes)have made a film that brings to light the lack of freedoms given to defendants in the Chineese judicial system.A sytem where a defendant is guilty until proven innocent,where pleading guilty(even if innocent) may prove for a more lenient punishment then defending yourself.

In this gripping eye-opener Gere plays American lawyer Jack Moore trying to close a huge deal with the Chineese Film Ministry. While being wined and dined, he meets and spends the night with a beautiful woman. They drink, have fun, and make love. Moore is shocked to be awakened in the morning by the Police taking him into custody for the girl's violent murder.
He's got her blood all over him, fingerprints all around,and is in her bed. The case is pretty much sealed from that moment on.
To make matters worse, the woman is the daughter of a very important General.Was he framed for this horrific crime? If so, why?

Moore is pretty much left on his own. The American Embassy is no great help to him.(The point is made in the film that if this were a foreigner in our country, in the same situation, we would not want their government interfering either).Then he is assigned an advocate who he has never met, nor discussed the case with. Shen Yeulin(Ling Bai) as well as being young and beautiful, is an intellegent lawyer who knows the ropes of the Chineese legal system. She insists Moore plead guilty to possibly avoid execution. Moore insists that he is innocent, and as he points out the discrepencies of the case to her, she puts her reputation and career on the line and they work together to prove his innocence.

There are many gripping as well as poignant moments,in and out of the courtroom, in the film. Moore escapes at one point running across the rooftops heading for that beautiful American Flag at the Embassy. Shen Yeulin does some secretive investigating on her own, and gets roughed up for her efforts.And of course the beautiful friendship that develops between Moore and Shen Yeulin is heartwarming.

The story is enlightening and thought provoking as well as entertaining. It is beautifully filmed, with a beautiful score by Thomas Newman. Richard Gere makes good use of our own Freedom of Expression, to expose this form of government. He was awarded the Freedom of Expression Award from the Nat'l Board of Review for his efforts.
Ling Bai is stunning in her portrayal of the dissenting Chineese lawyer and reiceved the Best Breakthrough Award from the same board. The film also recieved an award for "Democracy" from the Political Film Society.

The transfer to DVD(MGM) is beautiful. This theatrically released widescreen edition takes in all the action and scenery.The picture is crisp and clear in all scenes, and the colors are vivid. The Sound is in 5.1 surround and the dialouge also clear. Extras include Audio commentary by Avnet which can be played during the film if you choose. There are some production notes, an original theatrical trailer and may be viewed in French.It also comes with a very informative booklet of a behind the scenes look.

If you already know you like this film, you should be happy with this DVD. If you havn't seen it, it's well worth the view.
Check it out.....Laurie ... Read more

Reviews (38)

Good but not Great
Charlie Sheen was not as passionate in this as he was in Platoon, which by the way, was intense. Biehn was decent, but he could've had better writing. The producer was definitely thinking you throw a couple names together, along with some two-bit typical Hollywood writing, and you'll get a blockbuster. That's not the way it works, and it showed. It was, however, good for action and mild gore. As an Military Officer myself, I can say that the scenes of Navy tactics are midly accurate, albeit modified slightly for TV. The action, as said earlier, is pretty good, especially given the era in which it was produced. The plot was pretty ridiculous, not true to life in any aspect. The idea of a SEALs unit operating indepedent and autonomous of the Navy Chain of Command is downright unheard of and the plot offers no consolation to the hackneyed Hollywood writing. Navy SEALs has the repuation for being a "shoot 'em up" movie, with little to offer in any other department. This is pretty much true. There are good gunfights, lots of explosions, bad guys who hit everything but their targets and consequently die, BADLY, but nothing to stimulate the intellectual modern barbarian. Basically, if you like shoot 'em up movies and don't care about too much of a plot, this is for you. If you want to be stimulated, go buy some sappy chick flick.

The Navy SEALs seem pleased with Michael Biehn¿s performance
I love the movie, but readily admit there are parts that could most definitely use some improvement. It does, however, have lots of action, emotional moments, and even comedic relief throughout; making it fun to watch no matter what mood you're in.

I believe the SEALs deserve the utmost respect and was a bit upset that some parts of the movie, a movie bearing their name, didn't seem to do them justice. Though I don't know how your average Navy SEAL feels about the movie itself; they seem to be very pleased with Michael Biehn's (yay!) portrayal as a Navy SEAL. I read an article (I'm not sure if I'm allowed to cite in a review, an internet search should lead you to it though - fan club) that said the SEALs were excited about the prospect of Mr. Biehn being the narrator for the U.S. Navy UDT/SEAL Museum in Florida's new film. The film (I believe, as I haven't had a chance to visit the museum yet) is running continuously, showing the history and evolution of the United States Navy SEALs. Biehn, honored, narrated it for free. The SEALs seem to feel that Michael Biehn's depictions as a SEAL in "Navy SEALs" and "The Rock" were very accurate and well done. This is further evidenced by the fact that after his part in the museum film was completed, he received a special honor from Rear Admiral E.T. Olsen; he was awarded with a plaque and named Honorary Frogman for Life. This is a real honor since the SEALs say that the Admiral has only done this a few times and rarely gives such glowing compliments to anyone.

So, though the movie has it's faults, and what movie doesn't, it's still a good movie. Give it a try and enjoy if for what it is, a movie. If you're a Michael Biehn fan, it's a must see. Also, though Charlie Sheen's portrayal of a SEAL may not, putting it mildly, be the greatest, don't be too harsh a judge; remember, he's just doing the best he can, which is pretty darn good, with the shoddy part he's given.

misinformed viewers
I have read many reviews that have been compared to the "real" SEALs.I would agree, there are some parts about the film that seem unbelievable. However, if you are going to do enough research into the SEAL teams to "know" this movie is unrealistic, here is an idea for you. Research a navy SEAL team called Red Cell. After reading about it, you will agree that this movie is almost exactly to a tee on how that team operated. Keep that in mind next time you watch the film.

I'm no Charlie Sheen fan, but he deserved better than this
1990 wasn't a good year for Charlie Sheen. As if "Navy Seals" wasn't bad enough, he followed it with "The Rookie", another brainless action flick that both he and director/co-star Clint Eastwood would like to forget. But of the two, I'd have to say that "Navy Seals" is worse. Overflowing with cornball dialogue, stupid action scenes and MTV filler (remember that golf-cart chase set to music?), this movie was made for a twelve-year-old. Watch "Black Hawk Down" and see how a real modern war film sould be made.

navy seals
well hmm i was a little skeptical about this movie and was even laughing at it at the beginning but that is just because it is so outdated.. this is an era before everyone had cell phones, and the music is laughable except for a good ted hawkins song. i found the main seals sheen and beihn to not be particularly believable as seals ( they didnt have the builds, and there hair was to pretty boy) however i was impressed with the supporting seals. i liked seeing slider from top gun, and pedro cerrano from major league as beleivable seals, and paxton plays a good sniper. i didnt like the romance with the lebonese reporter and beihn, and couldnt really find out what she did to help the seals. the beirut scene was good with the apc and seal rescue, but i could have done without some of sheens silly antics and overacting by other cast members. the movie is oh so predictable but it is still very entertaining. they do cover a good bit of actual seal techniques from halo's to 12 mile swims to cqb, bu they did not use stealth to the degree that actual seals would. tears of the sun is much better although it is modern so they are not really comparable. watch it though its good enough ... Read more

Amazon.com

Harry S. Truman had a hard row to hoe as the 33rd president and he never enjoyed popularity while in office. Think about what occurred on Truman's watch: the bombing of Hiroshima, a nationwide railroad strike, the rise of the Southern States' Rights Party, integration of the armed forces, the ascendancy of McCarthyism, the early cold war, and finally the Korean Conflict and Truman's decision to fire General MacArthur. Few American presidents have been faced with more difficult and dangerous times than Truman. It wasn't until some 50 years later that Harry Truman, a farmer from Missouri, got his due appreciation in the history books.Truman follows the man from his beginnings as an artillery officer in WWI through his connections with Missouri's Pendergast political machine and onward to Washington.The always-excellent Gary Sinise is a perfect fit for the Truman character, having obviously studied the President's plainspoken Missouri twang and ramrod-straight bearing at great length.Diana Scarwid is also very good as Truman's long-suffering wife Bess; the film studies the relationship between the two in some depth, and also sheds light on the men who surrounded Truman in Washington. Truman's chief failing is that in its effort to detail 40 years of the man's life, certain historical events are given short shrift in order to fit them all in.Nonetheless, Sinise inhabits the character well; the scene where the President ruminates on dining alone in the White House (while Bess is back in Missouri) is a great, understated comment on the loneliness, isolation, and stress of the job. --Jerry Renshaw ... Read more

Reviews (12)

Sinise is Brillant!
I have watched this movie many times and have always felt better for it. I have always had a great respect for President Truman. Mr.Sinise's performance was heart-warming & captivating. He brought the essence of the character to life. The movie transports the viewer to his time and does not let go until the end (which, I found myself wanting to know more of the Trumans, post-White House). Diana Scarwid's portrayal of Bess Truman conveyed that the man who made some very tough calls in a nation's darkest hours had a woman of steel behind him. He made decisions that were unpopular and yet necessary. "War is Hell". Our 33rd President did what he felt was right at the time. He is in my estimation one of the most under-appreciated US Presidents and important historical figures of the 20th Century.

WHO SAYS HISTORY ISN'T INTERESTING!
Film biography is very ticky business. Directors are often tempted to to make their subjects out to be over the top martyrs, or self- importent gods. Frank Pierson avoids that trap in this wonderful look at our 33rd president, Harry S. Truman. The Truman we see here, as brought to us by the always wonderful Gary Sinise, is a very flawed human being. He's not sure of everything, and he makes his share of mistakes. However, he is also an honest, inteligent man, who works hard to help our country, and becomes one of our greatest presidents.Pierson's attempt to make such an honest movie is commendable, as is his wonderful recreation of America in the first half of this century. Rural Missouri in the 1920's and Washington D.C. in the 1940's are brought to us effortlessly. It is a delight to see such informative and interesting portrayals of great men like Harry Truman coming out in recent years. It is importent that we as Americans know about the great men who have served our country, and what better a way then through the movies?

Gary Sinise does it again!
This DVD stars Gary Sinise as Harry S. Truman and covers his life from when he is a farmer, through marrying Bess, up until the time he leaves the White House. Gary is terrific as usual and when he gets going as the older Truman on the campaign trail, he is dynamic. Also stars Diana Scarwid as Bess, who is usually in campy movies such as playing Christina Crawford in Mommie Dearest, but she is also very endearing as Mrs. Truman. There are some very cute points, especially when the Truman's move into the White House, the "first house they have ever had alone" and Mrs. Truman comments about how dirty it is! Not to be missed! One minor flaw - there are NO special features on this DVD.

One Small Complaint...
The wardrobe researchers should have paid more attention to the military uniforms worn by the real-life personages herein portrayed, particularly Gens. Marshall and MacArthur. Aside from that, this is an interesting movie condensation that should prompt viewers into reading more biographical information about Harry Truman. He and Sam Rayburn appear to have been the last two honest and honorable Democrats who ever drew breath.

excellent
this movie was a great portrayal of a man who was a good leader thru difficult times,it seems like the presidents before and after had a difficult time, but not like harry truman. his decission to fire general macarthur, was probably
the worst decision he made, but generally his difficult decisions were for the best interest of the people he served ... Read more

Description

ONLY ONE MAN EVER DARED TO STAND ALONE.From Mario Puzo, the best-selling author of "The Godfather," comes the riveting saga of the life, loves and dreams of the infamous Sicilian bandit, Salvatore Giuliano.Filmed entirely on location in Sicily, THE SICILIAN stars Terence Stamp ("Wall Street") and Christopher Lambert ("Greystoke: The Legend of Tarzan") in a powerful portrayal of Salvatore Giuliano, a man whose dream became a legend. World War II is finally over, and a war-torn world is at rest.But for Sicily, who dreams of independence from Rome's oppresive, ironhanded regime, the struggle has just begun.Three powers have always ruled the island - the Church, the Landowners and the Mafia - until Salvatore Giuliano pronounced himself the fourth. Determined that Sicily shall gain its freedom, Giuliano and his "brothers" rob and ransom the rich, cold-bloodedly murdering all who dare to defy or betray them.As Giuliano proudly redistributes his newfound wealth among the peasants, Don Masino, the head of the Sicilian Mafia, declares that Giuliano must be stopped - at any cost.Now it's a fight for survival, as the bloodiest manhunt in Italian history sweeps the countryside in search of the notorious outlaw, Giuliano. ... Read more

Reviews (15)

One of the great 1980s films, unseen until now.
I'm thrilled that the complete version of Michael Cimino's masterpiece is FINALLY going to be available in the United States! I caught this in Paris during its first week in October of 1987 and was floored by the movie. Brilliantly literate screenplay by the uncredited Gore Vidal, with Terrance Stamp as Vidal's stnad-in. Elegant mise-en-scene and a tight dramatic arc that I wouldn't have thought Cimino capable of. (I'm one of the minority that hated "The Deer Hunter" but thouht "Heaven's Gate" was brilliant.) When I got back to the United States I was shocked to find out "The Sicilian" had been released in a version cut by 25 minutes and was roundly trashed as incoherent. The rumor was also out that when Fox demanded that Cimino deliver a 120 minute version, he deliberately cut it to make no sense thinking that the studio would then have no choice but to release his complete film. But they released the deliberately sabotaged version instead. Anybody know the truth about this? Anyway, this is one of the great American-produced films of the 1980s -- if you love Scorsese and Visconti,and want something both passionate and cerebral, political and exciting, you must see this.

DVD lies about format size. WAS filmed in Widescreen
THIS REVIEW IS ON THE DVD, NOT ABOUT THE MOVIE ITSELF.The movie in my opinion was better than the critics gave it. I enjoyed it for a slow-paced mafia movie in the obscure Cimino style.THE DVD though, FOR THOSE WIDESCREEN LOVERS OUT THERE, STATES (on the back cover) that it "IS PRESENTED IN THE FORMAT IN WHICH THE FILM WAS SHOT OF 1:33:1. STANDARD "old fashion TV" FORMAT. I believe this is most deffintaly a lie.Why do I say this? Because, just a week ago it was on the High Definition Channel--INHD Channel, and they showed it in a TRUE ASPECT RATIO of WIDESCREEN 2:35:1, Cinnmascope. There is noway they could've shown the movie in that format if Ciminio had it filmed in standard format, AS STATED ON THE BACK COVER OF THE DVD.SO, THE DVD IS PRESENTED IN STANDARD FORMAT, while in reality IT WAS FILMED IN WIDESCREEN.SO, I give the DVD 2 stars just for decent picture quality & mediocre sound. The people who released this DVD version of the movie I believe lies when they state it was filmed in standard format when IT WAS FILMED IN WIDESCREEN.Maybe someday another company will release the orginal Widescreen version - THE WAY IT WAS SHOWN IN THEATRES.I was fortunate enough to tape it on the high def channel and get my copy of the movie in it's ORGINAL WIDESCREEN FORMAT.

Garbage, I wish there was zero Stars
Don't waste your money on this.It is not worth seeing. It is an insult to the movie going public.I threw mine into the Garbage

Just try to sit through this...
Absolutely some of the worst acting and story continuity I have ever seen. Christopher Lambert is not the only bad actor here - Joss Ackland as Don Masino and Barbara Sukowa as the Duchess are not much better. The dialogue can be so hard to follow, and the film jumps around so much, that towards the end of the movie you can barely (if at all) understand what's going on. Instead of spending more time on the "why" and "how" of Giuliano's campaign for Sicilian revolution, this film wastes time on smaller, less important scenes. One in particular, where Giuliano is robbing the Duchess of her jewels, and ends up frolicking in bed with her, is absolutely excruciating to watch - the acting and dialogue is that bad. Don't waste 2 1/2 hours of your life on this.

Sadly, no option for zero stars
What a terrible movie and a waste of talent. Trying to be another Godfather flick, but falling way short. There is some nice cinematography and a musical score that starts out promising but ends up being grating. The worst and most insurmountable problem is, naturally, Christopher Lambert. He can't act, doesn't look or sound Italian (let alone Sicilian) and is too old for the part (Guliano is supposed to be very young -- everyone comments on this -- and is compared to Alexander the Great, while Lambert is clearly in his mid-thirties). A OK enough actor for action films, he is way out of his depth here. Also, the always excellent John Turturro makes him look awful feeble. What power-that-be in the casting department decided on Lambert as the lead and NOT Turturro -- who looks and is of Italian ancestry? There is some kind of interesting story here about the modern history of Sicily after WWII, and the struggle between the church, government, rich landowners, poor peasants and communists...but darned if I could make out what it was. It was buried under a barrage of odd accents -- some American, some "fake" Italian, some generic "European" -- and dialogue that stinks. I hung on to the dogged end of this long (uncut version) flick, but I was wasting my time. It didn't improve or get any clearer. A movie to be avoided. ... Read more

Reviews (4)

Affecting Drama From Anthony Drazan
Is the wish for love greater than the need to hate? An interesting question posed by, and the complexity of which is examined in this film about the effects of the decisions we make during the course of our lives, and how those decisions ultimately affect our families and loved ones. Based on the semi-autobiographical novel by Sheila Ballantyne, "Imaginary Crimes," directed by Anthony Drazan, stars Harvey Keitel as a widowed father raising two young daughters in 1950s Oregon. Ray Weiler (Keitel) is no role model for fathers, however. In fact, in the words of the author, "Never has a man less equipped for parenthood tried so hard." And failed, she should have added. Ray is not a "bad" man, per se, but he's a dreamer and a schemer, following one deal of a lifetime after another that, up until the day she died, kept Valery (Kelly Lynch) and their daughters, Sonya (Fairuza Balk) and Greta (Elisabeth Moss) living in a one room basement apartment. To the very end, Valery was always a "technicality" away from what she wanted most: A home of her own. And when she died, that dream apparently died with her. Ray's dreams, however, continued; as did the dark clouds his lifestyle cast over the Weilers, beneath which they were forced to live every day without hope or respite. A dreary life, indeed, for two young girls with nowhere to turn.

Told through the reminiscences of Sonya (with Balk providing effective voice-over narration), the story unfolds with the help of flashbacks which reflect the turmoil of young Sonya and Greta's lives with Ray. The sequences involving Valery are especially poignant, and presented with such care and subtly that it enables you to feel and share her every disappointment-- and there were many. You also share her joy at winning a simple raffle at the neighborhood movie theater, where she would escape with Sonya every Wednesday night. And when Sonya points out the fact that her mother cried at every film, no matter what it was, it says volumes about Valery's state of mind and the despair and unhappiness with which she lived, yet masked so convincingly in front of Sonya. It's also easy to understand the bond between the sisters, formed as a means of steeling themselves against the unconscionable neglect of their father. Though not physically abusive, the pain he inflicted on his daughters psychologically was immeasurable. Yet they stood by him; perhaps because they had nowhere else to go and no one to whom they could turn.

Filmed on location in Oregon, the film has a wistful, almost dreamlike quality that successfully reflects the era it depicts, as well as the overall mood of the story, aided in no small part by the atmosphere director Drazan creates. He renders a touching sense of injustice that keeps the viewer acutely aware of the helpless and seemingly inescapable situation in which the girls are forced to remain, and he makes the girls so readily accessible that it is easy to emphasize with them. And it makes you realize that even as big as the world is, everybody lives within their own little part, and it's different for every individual. The world of your next door neighbor may not resemble the world in which you live in any way, shape or form; and because of that, need often goes undetected and want thrives.

As Ray, Harvey Keitel is outstanding, giving a restrained and understated performance that allows you to like him and hate him at the same time. This is a complex character that Keitel develops extremely well, showing you the schemer and the con-man, but also giving you something of an indication of what lies beneath. This is a man capable of disciplined introspection, yet too selfish to do what he must know is the right thing by his family. He's a man who is past believing in himself, but has actually fallen victim to his own con and is unable to let loose of his irresponsible dreams. It's a strong performance, through which he paints the picture of a desperate man, who has no idea of just how desperate he is until it's too late. And the saddest thing about it is the effect it has on Sonya and Greta.

Giving an affecting performance, as well, is the young Fairuza Balk, whose dark beauty and intensity make her perfect for the role of Sonya. She has such expressive eyes that they veritably serve as a window into the soul of her character, which nevertheless seems to emerge from a very private place, and one that gives it definition. Like Keitel, Balk's performance is rather restrained, which gives even more power to her already mesmerizing screen presence. She makes you understand how her circumstances have affected her, which she subtly conveys in the way she relates to those around her, including Greta. There's a sense of the exceptional about Balk, who in an industry filled with young actors seemingly just off the production line, remains unique and has served herself and her career well by exploring some diverse characters in such films as "American History X," "Things To do In Denver When You're Dead," "The Waterboy" and possibly her most definitive role, as that of the young witch in "The Craft." Sonya is one of her more down-to-earth characters, and she delivers her quite well.

The supporting cast includes Vincent D'Onofrio (Mr. Webster), Diane Baker (Abigail Tate), Chris Penn (Jarvis), Amber Benson (Margaret), Annette O'Toole (Ginny) and Seymour Cassel (Eddie). Thought provoking and emotionally involving, "Imaginary Crimes" will take you to a dark place, and it's one that may be all too familiar to some who see this film. This is no happily-ever-after fairy tale, but a very real look at some hard facts about the world in which we live and the people who surround us, and the necessity of reaching out to those who just may be in need.

Imaginary Movie
Even a great actor like Harvey Keitel cannot save this film. Mr. Keitel does the best with what they give him which is almost nothing. Keitel is the patriarch of a family that suffers through his continuous schemes to make money, most of them centered around non-existant mining operation swindals. If you're going to make a movie about con games then at least tell us something about them - that might make a movie interesting! If Keitel's unconventional attempts to earn a living are meant as a backdrop for a story about family relationships, fine, give us inter-personal drama, but we don't get that either. This film drags along and is simply forgetable and regretable. Nothing happens in this film - NOTHING.

Willie Loman with daughters
This is a great movie. I'm amazed that it got made and done so well. First kudos go to Sheila Ballantyne who wrote the novel. A story like this cannot be made up in committee or by hiring the hottest screen writer in town. It has to be lived. There's no question that Ballantyne lived it. And then it has to be understood in the light of love before it can be shared with us. And she did that.

Second kudos go to Tony Drazan who directed and interpreted. It can be seen that he loved the story and he wanted it to be beautiful, and he made it so. He picked the dearest, sweetest girls to play the parts of Sonya and Greta at various ages. And he had to have the right man for their father, a flawed man, like all of us, a man doing the best he can, a man with values that don't really work, a man who lost his young wife to cancer and was left to raise his two daughters alone, a man like Arthur Miller's Willie Loman who had big dreams never realized, a man neither hero nor villain; in short a man who had to be played with delicacy and without maudlin sentiment. Harvey Keitel fit the part, that of a schemer and a dreamer and a self-deluded hustling con man, and did a fantastic, flawless job.

Fairuza Balk, who played Sonya was wonderful, and Elizabeth Moss as Greta was adorable beyond expression, and so b