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| 1. Daredevil (Widescreen Edition) Director: Mark Steven Johnson | |
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Reviews (551)
Still, it is not without its flaws, and if it weren't for some very unique traits I would rate this film as only mediocre. But what works here works exceptionally well. Beginning with the traditional origin story of Daredevil (Ben Affleck), a blind superhero whose remaining senses are greatly heightened, the movie shows how he became a vengeful vigilante who kills the bad guys rather then turning them in to face a potentially corrupt court system (Daredevil's alter ego Matt Murdock is a lawyer by day). This world is mean, and so is its superhero. But he wrestles with his conscious and wonders if he is a bad guy too. In this comic book world, people die. Including those you don't expect to. In other words, it more accurately depicts real life while still in a superhero world. One particular unique thing about the film is how it illustrates Daredevil's radar sense. The vibrations he picks up are shown in a fantastic visual effect that has to be one of the best film realizations of a superpower in history. From the origin scene when he goes blind to a wonderful scene with Elecktra in the rain where he first "sees" what she looks like from the drops of rain on her face, the technique is used for characterization and "film moments," and never just to show off a cool special effect. Unfortunately, the movie isn't perfect. There isn't enough development of Elecktra and Daredevil's relationship, and bad guy Kingpin (Michael Clark Duncan) doesn't have enough screentime to villainify his presence. All the characters could have benefited from further characterization as well. But this is a comic book movie, after all, and in the end what matters most is how much fun it was. And Daredevil is a blast.
At the age of 12, young Matt Murdock (Scott Terra) is left blinded by dangerous chemicals, while running away from a the scene of a crime, in Hell's Kitchen New York. Soon after, he realizes that the same chemicals that took his sight, have somehow enhanced his remaining senses and made him superhuman. As Matt grows up. he vows to use his powers to fight crime and bring order to Hell's Kitchen...Now an adult Matt (Ben Affleck) is a defense lawyer by day and the masked Daredevil by night...Our hero is being hunted by a ruthless assassin named Bullseye (Colin Farrell), who was hired by the Kingpin of Crime (Michael Clarke Duncan) to take him out. Things get even worse for Matt as the woman he loves, Elektra Natchios (Jennifer Garner), blames his alter ego for a devasting loss. Written and directed by Mark Steven Johnson, the film serves the character's origins pretty well, in other words, it stays true to the original comic book.. The film boasts some cool action sequences and solid effects. I especially liked the way in which Daredevil used his power and how that was shown on screen. Since many of the stunts in the movie were staged by the team that handled the Matrix. I was never bored or put off by what I saw there. As usual actors Jon Favreau, playing Matt's pal Frank Nelson, and Joe Pantoliano, as New York Post reporter Ben Urich provide the film some comic relief. Cameo watchers will notice creator Stan Lee and a famous comic book fan turned film director in the film as well. While the film does have its good points, I found the casting of the film troublesome, and in the end, that's why I only rate this film 2 and a half to three stars. When it comes right down to it, in order for a super hero film to work, it has to be well cast. Without a solid cast to breathe life into the characters, the best special effects can't do it alone. Take the villians. Colin Farrell (can you say over exposed), Hollywood's latest rebel, with his raspy portrayal of Bullseye, come sacross as having a bad case of laryngitis, instead of posing any threat. I also thought the nature of the Kingpin character was lost because other than the film's finale-MCD really had little to do in the film-even though sequels are a certainty, the role was all too brief. Therefore I felt any bald actor could have played the role.As for Affleck, he was just kind of just there, like so many of his roles, he seems to be on cruise control. He did Ok I guess. But at the same time he didn't WOW me either. As good as Garner may be at kicking butt, I didn't think she
Lets get the mistakes out of the way first. 1.There was not enough time spent with the Kingpin, we should have gotten his back story as well. [he was white in the comics, but Mr. Duncan did a good job. 2.some moments wee very cheesy. [see foryourself] 3.And finally.....that's it. The film was actually better then I thought it would be, I mean after the Hulk came out I thought Marvel was slippin. I now see that I should have seen this in theatures. I can just imagine what it would have looked and sounded like on the big screen.
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| 2. Daredevil (Director's Cut) Director: Mark Steven Johnson | |
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Reviews (551)
Still, it is not without its flaws, and if it weren't for some very unique traits I would rate this film as only mediocre. But what works here works exceptionally well. Beginning with the traditional origin story of Daredevil (Ben Affleck), a blind superhero whose remaining senses are greatly heightened, the movie shows how he became a vengeful vigilante who kills the bad guys rather then turning them in to face a potentially corrupt court system (Daredevil's alter ego Matt Murdock is a lawyer by day). This world is mean, and so is its superhero. But he wrestles with his conscious and wonders if he is a bad guy too. In this comic book world, people die. Including those you don't expect to. In other words, it more accurately depicts real life while still in a superhero world. One particular unique thing about the film is how it illustrates Daredevil's radar sense. The vibrations he picks up are shown in a fantastic visual effect that has to be one of the best film realizations of a superpower in history. From the origin scene when he goes blind to a wonderful scene with Elecktra in the rain where he first "sees" what she looks like from the drops of rain on her face, the technique is used for characterization and "film moments," and never just to show off a cool special effect. Unfortunately, the movie isn't perfect. There isn't enough development of Elecktra and Daredevil's relationship, and bad guy Kingpin (Michael Clark Duncan) doesn't have enough screentime to villainify his presence. All the characters could have benefited from further characterization as well. But this is a comic book movie, after all, and in the end what matters most is how much fun it was. And Daredevil is a blast.
At the age of 12, young Matt Murdock (Scott Terra) is left blinded by dangerous chemicals, while running away from a the scene of a crime, in Hell's Kitchen New York. Soon after, he realizes that the same chemicals that took his sight, have somehow enhanced his remaining senses and made him superhuman. As Matt grows up. he vows to use his powers to fight crime and bring order to Hell's Kitchen...Now an adult Matt (Ben Affleck) is a defense lawyer by day and the masked Daredevil by night...Our hero is being hunted by a ruthless assassin named Bullseye (Colin Farrell), who was hired by the Kingpin of Crime (Michael Clarke Duncan) to take him out. Things get even worse for Matt as the woman he loves, Elektra Natchios (Jennifer Garner), blames his alter ego for a devasting loss. Written and directed by Mark Steven Johnson, the film serves the character's origins pretty well, in other words, it stays true to the original comic book.. The film boasts some cool action sequences and solid effects. I especially liked the way in which Daredevil used his power and how that was shown on screen. Since many of the stunts in the movie were staged by the team that handled the Matrix. I was never bored or put off by what I saw there. As usual actors Jon Favreau, playing Matt's pal Frank Nelson, and Joe Pantoliano, as New York Post reporter Ben Urich provide the film some comic relief. Cameo watchers will notice creator Stan Lee and a famous comic book fan turned film director in the film as well. While the film does have its good points, I found the casting of the film troublesome, and in the end, that's why I only rate this film 2 and a half to three stars. When it comes right down to it, in order for a super hero film to work, it has to be well cast. Without a solid cast to breathe life into the characters, the best special effects can't do it alone. Take the villians. Colin Farrell (can you say over exposed), Hollywood's latest rebel, with his raspy portrayal of Bullseye, come sacross as having a bad case of laryngitis, instead of posing any threat. I also thought the nature of the Kingpin character was lost because other than the film's finale-MCD really had little to do in the film-even though sequels are a certainty, the role was all too brief. Therefore I felt any bald actor could have played the role.As for Affleck, he was just kind of just there, like so many of his roles, he seems to be on cruise control. He did Ok I guess. But at the same time he didn't WOW me either. As good as Garner may be at kicking butt, I didn't think she
Lets get the mistakes out of the way first. 1.There was not enough time spent with the Kingpin, we should have gotten his back story as well. [he was white in the comics, but Mr. Duncan did a good job. 2.some moments wee very cheesy. [see foryourself] 3.And finally.....that's it. The film was actually better then I thought it would be, I mean after the Hulk came out I thought Marvel was slippin. I now see that I should have seen this in theatures. I can just imagine what it would have looked and sounded like on the big screen.
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| 3. Daredevil (Full Screen Edition) Director: Mark Steven Johnson | |
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Reviews (551)
Still, it is not without its flaws, and if it weren't for some very unique traits I would rate this film as only mediocre. But what works here works exceptionally well. Beginning with the traditional origin story of Daredevil (Ben Affleck), a blind superhero whose remaining senses are greatly heightened, the movie shows how he became a vengeful vigilante who kills the bad guys rather then turning them in to face a potentially corrupt court system (Daredevil's alter ego Matt Murdock is a lawyer by day). This world is mean, and so is its superhero. But he wrestles with his conscious and wonders if he is a bad guy too. In this comic book world, people die. Including those you don't expect to. In other words, it more accurately depicts real life while still in a superhero world. One particular unique thing about the film is how it illustrates Daredevil's radar sense. The vibrations he picks up are shown in a fantastic visual effect that has to be one of the best film realizations of a superpower in history. From the origin scene when he goes blind to a wonderful scene with Elecktra in the rain where he first "sees" what she looks like from the drops of rain on her face, the technique is used for characterization and "film moments," and never just to show off a cool special effect. Unfortunately, the movie isn't perfect. There isn't enough development of Elecktra and Daredevil's relationship, and bad guy Kingpin (Michael Clark Duncan) doesn't have enough screentime to villainify his presence. All the characters could have benefited from further characterization as well. But this is a comic book movie, after all, and in the end what matters most is how much fun it was. And Daredevil is a blast.
At the age of 12, young Matt Murdock (Scott Terra) is left blinded by dangerous chemicals, while running away from a the scene of a crime, in Hell's Kitchen New York. Soon after, he realizes that the same chemicals that took his sight, have somehow enhanced his remaining senses and made him superhuman. As Matt grows up. he vows to use his powers to fight crime and bring order to Hell's Kitchen...Now an adult Matt (Ben Affleck) is a defense lawyer by day and the masked Daredevil by night...Our hero is being hunted by a ruthless assassin named Bullseye (Colin Farrell), who was hired by the Kingpin of Crime (Michael Clarke Duncan) to take him out. Things get even worse for Matt as the woman he loves, Elektra Natchios (Jennifer Garner), blames his alter ego for a devasting loss. Written and directed by Mark Steven Johnson, the film serves the character's origins pretty well, in other words, it stays true to the original comic book.. The film boasts some cool action sequences and solid effects. I especially liked the way in which Daredevil used his power and how that was shown on screen. Since many of the stunts in the movie were staged by the team that handled the Matrix. I was never bored or put off by what I saw there. As usual actors Jon Favreau, playing Matt's pal Frank Nelson, and Joe Pantoliano, as New York Post reporter Ben Urich provide the film some comic relief. Cameo watchers will notice creator Stan Lee and a famous comic book fan turned film director in the film as well. While the film does have its good points, I found the casting of the film troublesome, and in the end, that's why I only rate this film 2 and a half to three stars. When it comes right down to it, in order for a super hero film to work, it has to be well cast. Without a solid cast to breathe life into the characters, the best special effects can't do it alone. Take the villians. Colin Farrell (can you say over exposed), Hollywood's latest rebel, with his raspy portrayal of Bullseye, come sacross as having a bad case of laryngitis, instead of posing any threat. I also thought the nature of the Kingpin character was lost because other than the film's finale-MCD really had little to do in the film-even though sequels are a certainty, the role was all too brief. Therefore I felt any bald actor could have played the role.As for Affleck, he was just kind of just there, like so many of his roles, he seems to be on cruise control. He did Ok I guess. But at the same time he didn't WOW me either. As good as Garner may be at kicking butt, I didn't think she
Lets get the mistakes out of the way first. 1.There was not enough time spent with the Kingpin, we should have gotten his back story as well. [he was white in the comics, but Mr. Duncan did a good job. 2.some moments wee very cheesy. [see foryourself] 3.And finally.....that's it. The film was actually better then I thought it would be, I mean after the Hulk came out I thought Marvel was slippin. I now see that I should have seen this in theatures. I can just imagine what it would have looked and sounded like on the big screen.
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| 4. The Corruptor (New Line Platinum Series) Director: James Foley | |
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Amazon.com Part Serpico and part Hard Boiled, this film seems at first to be a major departure from director James Foley's previous work. However, Foley has frequently revealed a keen eye and understanding for emotionally complex relationships, especially between teacher and pupil (Glengarry Glen Ross) or father and son (At Close Range). This movie is no different. In fact, Foley's meticulous attention to the relationship between the wise, morally burdened Chen, and the naïve, innocent Wallace morphs this otherwise tedious plot into a thoroughly enjoyable experience. Hats off to Chow Yun-Fat and Mark Wahlberg, whose sympathetic chemistry creates an authentic and deeply personal connection, a factor that proves crucial to the film's poignant, disturbing finale. --Jeremy Storey Reviews (42)
The Corrupter is Chow Yun Fat's second American film. He is perfectly cast as a shady New York City cop in China town. Mark Walhberg is also very good as his new partner. Another good performance was by Brian Cox as Walhberg's father. The film has some great action parts. The film also does a great job contrasting Chinese and US culture. On many levels its a great film about cultural diffusion. However, despite some great cultural exchanges, good actions scenes, and great acting the film in my opinion was not very good. Its too long and by the last 20 minutes the story is dragging and dragging. I wanted to like this film very much, but the story itself and its collapse into boredom at the end sank this film for me. This was a good effort but it failed to cross the finish line. It is worth a rental, but not too buy. You will not want to watch this film more than once. Again, I really wanted to like this film and wish I could have.
Anyway, this movie definitely exceeded my expectations. Great direction, but most of all great performances from Chow-Yun Fat and Mark Wahlberg. Wahlberg's relationship with his father was fairly cliched, yet it still came across as believable. The various moral predicaments of the two cops were just as interesting and well-done as the fight scenes. There is one major chase scene, which I found silly after a while, since it gave the impression that there were absolutely no other police cars within ten miles of some maniac with an Uzi blowing away civilians. But that is a nothing criticism. Really, the only sore spot was the FBI goonish guy, who was both tiresome and one-dimensional in comparison with the other characters. But on the main, an excellent action-thriller. Chow-Yun Fat wasn't limited by John Woo's formula this time around, and his chops definitel show as a result.
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| 5. The 6th Man Director: Randall Miller | |
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Description Reviews (20)
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| 6. Houseguest Director: Randall Miller | |
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Description Reviews (20)
It's about a man named Kevin Franklin (Sinbad), who owes money to a couple of loansharks. After threatening to kill Derek, he runs to an airport desperately trying to find a way to make it out of their alive, and happens to hear Gary Phil Hartman describing to his kids what his long-lost friend Derek Bond looks like, as they stand there waiting for him. Conveniently, Kevin happens to fit the description perfectly, and jumps up, taking on Derek Bond's identity. One of my favorite things about Sinbad comedy is that he is able to be extremely funny without being provocative. He doesn't rely in sex to sell, which is quite different from most comedians these days. If you read the back of the movie, you may think, "Wow, this sounds like it has a lot of potential to be funny. But does it?" And to sum it up in one word: YES! Not too slap-stick, not to talky, just perfect. Give it a shot!
I don't see why "Houseguest" isn't a lot more popular than it is, it's one of the funniest movies I've ever seen without a doubt, and I've seen a lot of great comedy movies. Sinbad provides most of the laughs with his crazy antics. I couldn't quit laughing at the part when Sinbad washes his hands with novacaine and he finds out that his hands are real numb while he's pretending to be a dentist. But that's far from being the only hilarious part of the movie. "Houseguest" is hilarious all the way from when he first becomes the houseguest at the beginning of the movie all the way to the song that talks about food in the credits after the movie. I recommend "Houseguest" to anybody who likes hilarious movies. Whether you like Sinbad or not, you should be able to enjoy this movie a lot.
The acting was pretty good. There are several scenes in the movie in which Hartman's character is having a row with his wife--and that I could not watch without a heightened sense of realism and an almost grotesque and somewhat sickening dark feeling, in light of what would happen to Phil Hartman in real life not long after the movie was released. Anyway, Sinbad and Hartman made the movie fun. And I certainly enjoyed the fast pace. The Italian gangsters the movie portrays may appear flat, stereotypical, and silly, but that's not necessarily a bad thing in the context of the whole movie. The gangsters are a prop, a background, they were not meant to be these grand characters. They are simply there so that Sinbad could run away from were he was and end up in Hartman's family. It is a comedy, after all, and it calls for comical characters, not grand characters; for exaggeration and misunderstanding, not for hard core realism and clarity. I definitely recommend Houseguest. ... Read more | |
| 7. Maximum Risk Director: Ringo Lam | |
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Reviews (19)
"Maximum Risk" is an extremely violent movie with a very high body count. I lost track of the dead early on. While the plot is as thin as always (Russian mafia, twin brother, beautiful girl), Ringo Lam pumps it up with some nifty car chases (if you like that sort of thing) and provides the viewer with one heck of a ride as we step over the bodies. This is non-stop action from the get-go, and the fight scenes (yes, there are many) are hard-hitting and brutal, yet believable (almost a first). For those that like Van Damme, this movie should be high on your list. For the rest of us, well, it is violent and even mean-spirited, but I ended up enjoying the ride, and the credit must go to director Lam. Between 1 and 10, "Maximum Risk" gets a solid 6.
As with most action movies, this one features a hero (Van Damme) who has to kick some butt, aided by a beautiful girl (Natasha Henstridge). The movie starts off with a pretty good car chase, followed by lots of scenes with guns firing and martial arts sequences. The plot isn't extensive -- Van Damme's character's twin brother is killed and he now assumes his twin's identity, only to be hounded by the Russian mafia and corrupt FBI agents. I've only seen the VHS version, so unfortunately I can't comment on the DVD sound and video quality. Nevertheless, this is a good standard action flick -- in my opinion, Van Damme's best movie (or at least it rivals Bloodsport), and I recommend it for any action movie fan.
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| 8. Drowning Mona Director: Nick Gomez | |
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Reviews (79)
Directed by Nick Gomez (Illtown, Laws of Gravity, New Jersey Drive) made a Clever Off-Beat Black Comedy that was a Box Office Disapointment in the Winter of 2000. It's also One of the Most Underrated Comedies in Years. DeVito, who is also One of the Executive Producers in the film, He gives a good-hearted performance in the movie. Affleck is also good as the nervous fiance to the chief's, who might have been involved with Mona's Death. The lighlight of the film is the highly good comedic cast. The Canadian DVD has an sharp Pan & Scan (1.33:1) transfer and an good-Dolby Stereo 2.0 Surround Sound. While the Canadian DVD has no extras. While the American DVD is Presented in an anamorphic Widescreen (1.85:1) Presentation with Dolby Digital 5.1 Surround Sound. DVD Extras are a Trailer, Director's Commentary and Deleted Scenes with/without Commentary. This Misunderstood Comedy is a Forgetten Gem, don't miss it. Will Farrell has a Cameo in the film. Written by Peter Steinfeld (Analyze That, Be Cool). Grade:A-.
My husband and I hadn't expected much from this film because the trailers were so cryptic and we personally aren't too into Bette Midler, but from the first to last scene we were in stitches. Example: Neve Campbell's character freaks out when her fiance (played by Casey Affleck) tells her he killed Mona. As she storms off, saying that now she has to deal with her fiance being a murderer while taking care of wedding plans, he weakly calls after her, "We need milk." Another example: Mona's two sons go to her gravestone and see that the inscription says, "Demoted mother, wife, and dressmaker." One guy looks at the other and says, "I didn't know mom was a dressmaker," and the other says, "Me neither." Although I'm sure I'm killing the humor by trying to relay it without context, comic timing, or nonverbal communication, this is the kind of humor that you'll find in "Drowning Mona." If you're offended by this kind of thing, don't bother. Everyone in the town hated Mona, so a lot of the jokes center on her death. And I've gotta' respond to reviewers who didn't see the point of the Yugos' omnipresence, even though it sort of detracts from the funniness. As a plot device, it's necessary precisely because Yugos were such cheap and unsafe cars that Mona's brakes could possibly have failed due to manufacturer error. If everyone had been driving Porches, there wouldn't have been any mystery at all. Also, you can't help but laugh when every character in the movie jumps in a colorful little bumper car, which sometimes needs a running start, to get around.
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| 9. Gun Shy Director: Eric Blakeney | |
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Amazon.com Reviews (30)
The film is about a DEA agent, named Charlie Mayo, who narrowly avoided death in a previous assignment. He wants out of the DEA, but the agency has other ideas. Against his wishes, he takes an assignment in New York, convinced that he will die at any moment. Along the way, he meets a psychiatrist, a therapy group, a nurse in a proctologist's office, and a few bad guys. Liam Neeson delivers a fine performance as the DEA agent that wants out any way he can. Sandra Bullock is his love interest, the nurse that uses gardening, humor and sex as alternative treatment to the proctologist's pills. There are several running gags and a few bits of bathroom humor, but the strength of the film is in the characters and their interactions. Some of the finest moments of the film take place during the group's sessions -- many of those scenes are gems. For my taste, Sandra Bullock was underused. I felt that the scenes between her and Liam Neeson could have been fleshed out more and more added. Probably the best scenes with the two are: 1. The rooftop seduction, with the toy skip loader and garden hose; 2. The bedroom scene when the two lovers are parting (for what Charlie thinks is the last time). The film isn't over the top; there aren't long sections of action and violence; there aren't long scenes of skin and sex; instead this is a little story of a man fumbling through life the best way he can.
Whether looking inside the heads of these intense characters entertaining and constantly full of surprises. It's a unique movie, and it goes it's own way. I'm surprised at This isn't the kind of comedy that makes you roar out loud - The opening tune was a tip off of the kind of fun to come,
Liam Neeson plays Charlie, whose last assignment with the DEA went south badly, resulting in his partner being killed and him being literally tied up on a large platter of watermelon, but is rescued before he is executed. The very opening scene of this movie is a kick, with Charlie sitting pants-less on the bathroom floor of an airport, talking to himself and reliving his arguments with his boss and the execution of his partner; complete with a hilarious fantasy of the bad guys doing ballet leaps as they are shot, surrealistic and funny, choreographed along with the tune "Blue Skies For Everyone". Charlie meets a psychiatrist on the airplane, and decides to see him. Dr. Bleckner talks Charlie into joining his group therapy session, where Charlie unloads the stresses of his job, to the astonishment of the group. He also talks Charlie into seeing a gastroenterologist, and prescribes some sedatives for him to take before his big meeting with the drug mob. Charlie teams up with Fidel and Estuvio, two Columbians who are bringing in the drugs, and a meeting is arranged with Fulvio Nesstra (Oliver Platt) and his money man Jason Cane (Andrew Lauer). Fulvio is a frustrated gangster, following along in the family business and trying to please his father-in-law, when what he really wants to do is just be able to grow a good tomato. The meeting is hilarious, with Charlie falling asleep from the drugs while talking with Fulvio, and Fulvio shooting Estuvio in the jewels. Charlie goes to the gastroenterologist and meet nurse Judy Tipp (Sandra Bullock) who tells him that he needs to get his life under control or he will s*** himself to death. This is probably one of the best scenes in the movie, the enema scene done to the tune of "Man's World" while Nurse Tipp chats away. Charlie and Judy strike up a romance, the chattering Judy giving Charlie the new perspective on life that he needed. Charlie is trying to get through this assignment and nail the drug ring, while Fulvio is trying to get through the deal to make a name for himself, and they strike up an unusual friendship. Things go from bad to worse, as Charlie reveals more and more of his job to his counseling group, becomes more involved with Judy, and goes deeper and deeper into the dealings with Fulvio and the columbians. This is a not-to-be-missed movie; it is well cast and well acted, with a fresh and unique storyline not even comparable to Analyze This or the other movie competitors. I would go so far to say that Gun Shy is far superior to the competing movies that pushed it into the video stores so quickly, more full of life and humor even with its black undertone. The surprise twist at the end will leave you laughing for a long time, I didn't even see it coming and it was the perfect top off for this excellent dark comedy. My advice? Go out and buy this movie. Enjoy!
What was extremely disappointing too, was Oliver Platt. I normally love him in films - but normally any film I've seen him in, he's been playing a comedy role. Not in this. I think he was supposed to be the bad guy in this, and it totally didn't suit him. He's great as the comedy guy, the guy making you laugh. Sandra has a very small role in this, but she also produces. She's produced a couple of other films hasn't she? Two Weeks Notice, Murder by Numbers, Miss Congeniality, and Hope Floats. And I liked only half of those. The first two were absolute rubbish. Some people should only be allowed to do certain things, and certainly shouldn't think they can try their hand at everything. I don't know whether I'm just cynical about relationships at the moment, but the whole relationship between Sandra & Liam Neeson's character just didn't ring true with me. They say people can fall in love with someone they meet in the strangest places, but would you really fall in love with someone who performed an enema on you?! It just didn't seem right. I'm sorry to give this film such a low rating, but obviously I watched a completely different film from the rest of you. I doubt I'll watch it again. The enema scene was just too weird.
Oliver Platt is one of my favorite actors, and he does not disapoint in this movie. This is definitely a charactor driven movie, with a lot of conversations and not much action, but the action was well placed and hilarious. There are also small nuances that really develop the charactors further such as when Oliver Platt's charator, Fulvio, spends the night cleaning his kitchen. I found it both warm-hearted and funny and the statement it makes about some peoples need to get out of the rat race of their lives and relax really spoke to me! To the Ocean View! A word to Sandra Bullock fans - she has a very small part in this film and is only in a few scenes, although she is wonderful as always. ... Read more | |
| 10. Last Outlaw Director: Geoff Murphy | |
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Reviews (8)
Rourke's makeup and costumes are almost laughable. The stupid mustache, the big, floppy hat, and ten layers of clothes in the hot summer plains are ridiculous! The makeup and costume guys should be selling used cars. Second, the final scene was ludicrously short, bloodless, and unbelievable, especially given the bloody action that proceeded it. Someone please explain to the man who directed this film about the velocity and deadliness of small handguns. Still, it's worth watching just for Rourke and Mulroney. Rourke is THE quintessential bad guy, and he plays it to the hilt, here. Muldoney is always good, no matter what role he plays. The supporting cast is great, too, so it's not a complete wash-out!
What a great idea. Reading the back of the video box, I thought this would really play with your mind. Then I watched the movie... Mickey Rourke, thanks to his facial hair scheme and boxer's eyes, looks like an Old West version of Fu Manchu. His southern accent is constantly dubbed in, since he mutters through this more than Marlon Brando in "The Godfather." Rourke plays the robbery gang's leader left for dead as a psychotic. It takes the rest of the posse forever to discover this fact as he gets most of them killed. There are no smart scenes where the posse does not know he is a robber, like I thought there might be. Instead, after killing the marshall and the bank president, he is made head of the posse, since the other posse members are too stupid to see his murderous ways. Dermot Mulroney, who has never been good in a film, is good here. He plays the second in command a little to sensitively, but he is a likeable hero. Ted Levine is also good as a shoot now, ask later moron who is with the gang. The robbers are nothing more than stereotypes. Mulroney is the good guy. Levine is dumb. John C. McGinley is the coward. Keith David, because he is black, practices voodoo and is convinced Rourke is a ghost. Steve Buscemi is the dreamer, who is talking about his little home on the beach in Mexico he hopes to have one day right before having his head blown off by Rourke. Loomis (the character's name) is the injured guy they will eventually sacrifice. Rourke is psychotic just because. The posse's marshall is a he-man who is killed way too early. The bank president is nerdy and bespectacled, and also killed in an outlandish way. The constant blood and shootings are exhausting. The whole film is just a bunch of guys riding around in the desert getting shot. The opening bank robbery, reminiscent of "The Wild Bunch," is handled well enough, but screenwriter Eric Red never gives us any characters, just warm bodies full of blood. Why does this robbery go wrong after 29 went right? Why does Rourke pick this robbery to go mental and get "killed" by his own men? How did the posse know the bank was going to be robbed? After the opening credits, you feel like you just walked into the middle of the film, not the beginning. These professional bank robbers and cold blooded posse members also spend most of the film fighting amongst themselves, and bickering in a way that made me think of my son's daycare class. The final mistake here is having Mulroney narrate the film. Since Eric Red is no Billy Wilder, Mulroney obviously lives through the film, meaning he probably defeats Rourke in the finale. I sat through 90 minutes of bloodshed to witness a showdown that I had already figured out in the first ten minutes. While not an utter failure, "The Last Outlaw" does not have enough going for it to be recommended. This was rated (R) for physical violence, strong gun violence, strong gore, strong profanity, and sexual references. ... Read more | |
| 11. Metro Director: Thomas Carter (II) | |
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Reviews (13)
Basically, a "This Time It's Personal!" thriller about a hostage negotiator who turns homicide detective -- breaking all the ...uh...rules, pissing off his boss, etc. -- when his partner is killed by a master jewel thief (Michael Wincott). There is a hint of something interesting (maybe in an earlier draft of the script?) when the jewel thief is initially introduced as a kind of gentleman crook,a mild-mannered jazz buff and for about five minutes you think that maybe something clever and sophisticated will develop here. But the thief quickly metamorphized into a psychotic killer who stages his theft as an ordinary smash-and-grab event with lots of carnage and hostages taken. (Think about how STUPID this is, to draw this kind of attention to your crime and how it just about ensures you will not make a clean getaway and that the police will pursue you endlessly.) After the thief is captured, he makes an improbable escape and goes after Murphy's beautiful girlfriend, although there is not the slightest way he could have known who Murphy was dating, let alone where she lived. A dumb, silly plot device and one that has been used and used and used, especially on TV, so it's REALLY tired in a big budget film. Similarly, hints that Murphy's character has a gambling problem and money problems are presented and then disappear as if they also belonged to earlier (and better) drafts of the script. Trust me, you will forget this one even before your VCR finishes rewinding. A COMPLETE waste of an otherwise talented cast. You won't miss missing this one.
Second, I paid about half of what Amazon is selling this movie for so I don't feel cheated at all. I bought this for little more than the price of a rental so I went in with few expectations. With Eddie Murphy in it I figured I wasn't taking much of a chance. I was glad to see I was right. Their are several other recognizable people in the cast. Picture and sound quality was excellent. The directing, sets, and music are all as good as you will see in most movies. I imagine if it had just a little better story with more Murphy comedic antics it might have been a hit. This is pretty much a serious role. I bought it thinking I would probably watch it once and give it away, but I ended up sticking it on my shelf for future reviewings.
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| 12. Crazy in Alabama Director: Antonio Banderas | |
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Reviews (23)
This is a very likeable film about a flaky woman and her family in 60's Alabama. Lucille (Melanie Griffith) is fleeing her small town because she just killed her husband and cut off his head. She left the body in her freezer and decided to take the head with her as she embarks on her new career in Hollywood. This is actually two stories. The first is Lucille's escapades and the second follows her young nephew Peejoe back home, who finds himself in the middle of a civil rights incident involving the death of a young black man who refuses to leave an all white swimming pool. Both stories are well done, but disparate. This is my first criticism of the Mark Childress screenplay based on his own novel. This story can't make up its mind whether it is a farce (the Lucille story) or a serious drama about civil rights in the 1960's. It succeeds in both regards, but putting the two together takes impact and credibility away from the serious civil rights story, which in my mind was the better element. My second criticism was the ending. Lucille is tried and convicted of the first degree murder of her husband and is sentenced to 20 years, (suspended) and five years of therapy, then set free. Although this panders shamelessly to the feel good audience, and Lucille was a lovable character, films like this send the wrong message to the masses regarding justice and accountability. The message is that if you are likeable, flaky and a victim, the rule of law doesn't have to apply to you. I feel that the | |