Reviews (105)

The Pivitol Battle of the Pacific War
In June, 1942, the United States uncovered Japanese plans to invade the island of Midway, located only 1100 miles from the Hawaiian islands. This fine film brings this great battle to life.

An all-star cast, including Charlton Heston (Capt. Matt Garth), Henry Fonda (Admiral Chester Nimitz), Glenn Ford (Admiral Raymond Spruance), Hal Holbrook (Commander Joseph Rochefort) and Robert Webber (Admiral Frank Jack Fletcher) turn in fine performances as the men who would ultimately win the battle and turn the tide against the Japanese. The Japanese actors do a fine job as well portraying such officers as Admiral Yamamoto and Admiral Nagumo.

The battle scenes, especially the American dive and torpedo attacks against the Japanese fleet, are excellent. Real battle footage is also included, and if you watch close enough, you may even see some scenes from "Tora Tora Tora" in the footage.

One part of the film that I didn't care very much for was the love relationship between Matt Garth's son Tom and a Japanese/American girl. I felt that this was unnecessary and didn't really contribute anything to the movie. Overall, however, I thought this was an excellent film. The battle scenes are top notch, and the attention paid to historical fact is evident throughout the film, right down to Joe Rochefort's smoking jacket and bedroom slippers.

I've seen this movie several times on VHS, but this was the first time I saw it on DVD. The widescreen format made me feel like I was in the theater. I highly recommend this fine war film. Watch this film and experience the turning of the tide in the Pacific.

Poor sound, over-edited
Midway as originally filmed is one of the great movies of all time. This DVD is not.

Problem #1: I have one of the best sound systems you can buy. The sound goes up and down and up and down on this DVD. You have to hold on to the remote just to be able to stay in the room with it because some combat footage is too loud, and other dramatic discussions are too low in volume.

Problem #2: My wife grew to hate this move somewhere around 1990 because on the veteran related holidays, a good 4+ hours were lost to watching this movie. Others claim that the original was over 5 hours. I'm very disappointed with the 2+ hour version. I want to see it all.

The manufacturer needs to do something to get us the complete movie. They won't, though, becuase they have to redo the sound for the DVD, and that's expensive.

One of the better historical WWII movies

A good friend of mine (and a contemporary) rode in the backseat of a dive bomber at the battle of midway. He's dead now, like three quarters of the men who fought in World War Two. Can you imagine riding backwards in a dive while the people below are doing their best to kill you? Unless you've been there, probably not.

This is, historically, one of the most accurate portrayals of the war. One critic complained that "the writing was weak. There was no suspense at all in the film." Perhaps there'd have been enough suspense if he'd been there, like Bill. But Bill survived the battle and died of old age, so I can't ask him about whether he felt any suspense, although we talked a lot about the battle of Midway.

In the film, they used top notch actors. For "Bull" Halsey they used Mitchum. Not a look alike, but of course Bull's dead, too, and Mitchum did a good job. Heston, of course, represented a fictional character (Matt Garth), but virtually all of the names of people in the film were real men who fought a real battle, and it was the turning point of the war. After Midway, we took a lot of lumps, but they were on the run from that point on.

Of course Hollywood took some liberties, and since they used a lot of actual combat shots, some of the aircraft used were out of place (F6F "Hellcats" for F4F "Wildcats" several times, and the ditching scene where Ensign George Gay went in showed a "Hellcat" instead of the TBD Douglas torpedo bomber that he actually flew. And the shot of the "Hellcat" being torn apart on the carrier's island was well-known footage from the technicolor documentary, The Fighting Lady, which was shot on the old Enterprise during battle, with narration by Lt. Robert Montgomery (qv). Garth's (Heston's) fictional son was supposed to be flying it in the film, but it was an actual crash on board the "Big E", in an actual battle. "Hellcats" (F6F) were Grumman fighter planes (the big brother of the "Wildcat" (F4F) which was obsolescent when the war started, but in use at the Battle of Midway--as was the old Brewster "Buffalo") and the F6F never saw combat until late 1943 (on my birthday, as a matter of fact.) The battle of Midway was in June of 1942, six months after Pearl Harbor.

It helps when you know a little history. For instance, Ensign George Gay actually did ride out the battle in the water, after he ditched, and was debriefed personally by the commander-in-chief, pacific fleet (CINCPAC), Admiral Chester Nimitz. He was the only survivor of his torpedo squadron, VT-8 (torpedo squadron 8).

Altogether, when you see this picture, you are watching history (as near as Hollywood will ever get to it), and many of the people who died to entertain today's movie audiences are named in the movie.

So, try to overlook the lack of a plot, at least in the battle sequences. History wrote them, not Hollywood script writers.

Joseph (Joe) Pierre, USN (Ret)

author of Handguns and Freedom...their care and maintenance
and other books

All-Star Cast. Ultimate invasion of Midway Island.
This story is set in June 1942, six months after the Pearl Harbor attack on December 7, 1941. Includes the all-star cast of: Charlton Heston, Henry Fonda, James Coburn, Glenn Ford, Hal Holbrook, Toshiro Mifune, Robert Mitchum, Cliff Robertson, Robert Wagner, Ed Nelson, Monte Markham, David Macklin, Christopher George, Robert Webber, Kevin Dobson, Edward Albert, Pat Morita, Dabney Coleman, Erik Estrada, Tom Selleck, Robert Ito, Steve Kanaly, Kip Niven, Clint Ritchie (ABC serial "One Life To Live"), Frank Parker (NBC serial "Days Of Our Lives"). The main cast can be seen acting with stock footage from THIRTY SECONDS OVER TOKYO and some old Japanese war films. However, some actual wartime footage of the real combat is incorporated into this film. The actual war footage was filmed in color by navy photographers and by the cameras mounted on fighter planes in 1942.
Filmed in the same manner as EARTHQUAKE (1974) and ROLLERCOASTER (1977) and in "Sensurround". "Sensurround" was a new sound system set up for specific films only that would make the sounds in the film seem realistic to you. The sound was balanced and came at you all around. You would hear the sound of an earthquake, riding a rollercoaster or being in the middle of a battle. Very few films were made in "Sensurround" and was only a gimmick in the 1970's. Small theaters benefited the most. Nowadays, we have sound systems in our own modern homes that come at us from behind and the sides. Disneyland rides use a sound system similar to "Sensurround".
A special television version runs four hours with commercials. It includes new scenes NOT shown on video or in the theatres. It includes new scenes with an additional cast NOT seen in the original version, Susan Sullivan, Richard Sanders, Noel Conlon, Don Dolan, Richard Sarradet, Alec Smight, Miiko Taka and William Wellman Jr. The extended tv version includes a Charlton Heston-Susan Sullivan romance and the scenes of the Coral Sea battle is played out. At the end of the television extended version, Susan Sullivan and Christine Kukobo are both shown waiting at dockside.
I think this film was meant to be a tribute to those Americans who served.

Just slightly over-edited
Our USMC squad went to the 'World Premier' at Luneta Theatre, Manila, Philippines. Midway WAS a Full-length FEATURE movie-then. It was near 5 hours long. Our sixes burned from seating.
>These days the once good, and quite long Midway has been edited-down from it's feature film status, a 5, to the new 2+ hour typical 'Hollyweird' shortened edition, a true waste of unreplaceable WWII Pacific footage, though actually faked. According to The NAVY, there were NO USN photojournalists with color motion-picture cameras at or near Midway, and actual Naval Aviators names were changed, and most colorized motion picture photography was filmed at The Battle For Leyte Gulf.
>Some carrier shots depict the ESSEX-class carriers designed POST Midway, and produced in 1943. "Universal" left-out several hours of video footage. Midway should be near 4-5 hours. ... Read more

Reviews (352)

Not As Good As The First Two
The first Austin Powers movie was hilarious. The second movie basically recycled the same jokes, but I laughed anyway, probably because I was reminded at how good the first movie was. It was comedy by association. I'm sorry, but I can't give this third movie, Goldmember, the same sort of pity laugh. There were a few mild chuckles here and there, but it doesn't even come close to reaching the bar set by its two predecessors.

I'd tell you about the plot of the movie, but I couldn't remember what it was even when I walked out of the theater. Beyonce Knowles did a solid acting job, but it was fairly easy to tell that she was acting in her first movie. Unlike Elizabeth Hurley and Heather Graham in the previous movies, Beyonce doesn't serve as Austin's love interest, so there isn't any of the playing hard-to-get that viewers found so funny in the first two. She's strictly business, which isn't very funny. There's also a new character added to this movie called Goldmember. He's a disco-dancing rollerskater who peels off and eats pieces of his own dry skin. Disgusting? Yes. Funny? No. And, of course, there's Dr. Evil, Fat Bastard, Mini-Me, and all the rest of the usual supporting cast. They each have their funny moments, but not many.

I know several screen writers, and they all say that every scene in a movie is supposed to mean something. In this case, every scene should either provide some sort of comedy or advance the plot of the story. There were several scenes in the movie that didn't do either of these. They were just there holding the movie and its audience in limbo. Everyone in Hollywood is under pressure to meet deadlines and cut costs, and it was very evident that this pressure played a major part in the making of this movie. I'm sure the movie studio knew that people were going to see this movie regardless of quality just because the previous movies were successful, so there was no incentive to make a good movie.

I have to admit that I'm a big Austin Powers fan, and if they make a fourth movie I'll definitely go see it no matter how good or bad it is. Unfortunately, there are alot of other people just like me, and the movie studios know it.

Beyonce can really work it out!
I was so excited to see Beyonce as Foxxy Cleopatra. The movie is extremely funny! The opening scene was extremely funny! The dialogue, the casting and the usual Austin Power pranks are really enjoyable. The movie is basically a trip back in time- a modern day type past? Myers is back but this time he's actually funny. Maybe Knowles helped his performance? Probably! Knowles is the latest in the series, we've loved Liz Hurley, loved Graham, now it's time for Beyonce. The enjoyable part was the usual the dirty jokes, the pranks, and the overacted cast! But you'd probably only enjoy this if you enjoyed the others in the series. If you thought the others were fake and unrealistic, you'd probably hate this! The feature is hilarious!

After quite a lot of years Myers finally once again meets Dr. Evil. Teaming up with the unexplained Goldmember, Dr. Evil comes up with a time-traveling plan to take over the earth, one that includes the capturing of Nigel Powers, Austin's darling dad. In 1975, Myers meets his lovely Foxxy Cleopatra (Beyonce) who plays a sexy detective. It's up to Foxxy and Austin to save the day and to stop Dr. Evil from his evil plans. The movie is great!

Written by Myers himself, the movie is yet another creative weird James Bond movie. The soundtrack includes Beyonce's solo performance in "work it out" as well as two songs written by Myers! Myers was eager to make the third film in the series interesting and just as funny, and he has succeeded! Way to go Myers and Knowles!

----Ahmed Mashhood

Same Old, Same Old...
I won't hesitate a second longer - 'Goldmember' was terrible. The first sequel,' The Spy Who Shagged Me', was bad enough but this really stretches the franchise way too far and over the top.

I would have thought that the writers would have come up with some new material but no, its still the same 'Yeeeah Baby' and 'Very Shagadelic' one liners which bring down this films' credibility even more. It's only saving grace are the vast amount of cameos near the beginning, from then on; its trash. The overused 'mole' joke really gets on your nerves after a while and is just another blatant lack of fresh ideas for this third instalment. Even the appearance of Destiny's Child beauty Beyonce Knowles isn't enough to keep you interested. For real comedy, just stick to the first film.

Funnier Than #2
I found this movie to be more entertaining than the 2nd installment so in that sense it was an improvement, however I would like to know why Beyonce was cast in this film? She is atractive, yes, but so is a good portion of Hollywood women and believe it or not-- Black Hollywood women if that is what their aim was. But alas, I have chalked it up to some good dealing with through her management and tried to look beyond her role at the overall movie. It was decent and I did laugh enough to say it is worth renting. Owning the DVD, on the other hand, is for those who want the deleted scenes which they did a god job of packaging.

Just as Funny as the Other Two Austin Powers Movies
I like all of the Movies in The Austin Powers movie trilogy and Austen Powers - in Goldmember didn't disappoint me at all. Yeah sure, they copied some of the gags from the first two movies but they were still funny and I think Mike Myers was great as always as Austin Powers and Dr. Evil and the rest of the cast was pretty good too, Michael Caine and Seth Green were great and Beyonce Knowles was good too. I have watched this movie two times and each time I watched it on DVD in widescreen and I highly recommend the widescreen because it allows you to see the whole movie while the Fullscreen DVD is just an edited pan & scan with the sides cropped. ... Read more

Amazon.com essential video

Disaster movies used to work because there was little certaintyas to who would survive. Not so in this film, really an amalgam of twooriginal stories, about a group of well-to-do celebrants at the top floor of askyscraper. Cheapo electrical wiring and bad construction managementcause an enormousblaze at the lower floors, steadily rising to consume the revelers. Newman'san architect, McQueen a firefighter, and Fred Astaire a kind oldgentleman, for which he was Oscar-nominated. O.J. Simpson plays asecurity guard who rescues acat. Now that's a disaster. --Keith Simanton ... Read more

Reviews (68)

No doubt, BEST DISASTER MOVIE EVER!
Firstly, this movie deserves praise for Faye Dunaway's dress that she wears throughout the entire film. But movies shouldn't all be beautiful women in provocative clothing, this movie has it all. Produced by Irwin Allen, who produced "The Poseidon Adventure" before this movie. Allen bested himself in this flick.

The story is relatively simple; the world's highest skyscraper catches on fire. There is a large party on the top floor, and we watch as people fight for survival as the fire creeps towards them. Only Steve McQueen playing a streetwise firehouse captain, and Paul Newman acting as the tower's architect can stop the fire before everyone inside dies. As I was re-watching this film I couldn't help but think of the similar situation faced by many in the 9-11 attack. Their result was not as positive.

throughout the film there are too many people, too many relationships, and too much death to keep track of everything. However, the important people to watch are Fred Astaire, Faye Dunaway, Paul Newman, and Steve McQueen. This is the only real weakness to the film.

Also, for a film that is approaching 30 years old the special effects are still good, and that will make this a good film for a long time. The images of the tower burning, the fires, and the stunts are superb.

At times, the acting in this film can seem a bit stiff. That's early on, however after the first 20 minutes of the film everyone seems to find their place in the film. One of the notable performances is done by O.J. Simpson, who plays as a senior security guard. The interplay between McQueen and Newman is also well done, especially since there was a good chance of major dorkdom in the architect of the "perfect" building versus the blue-collar fireman plotline.

Some may complain that the movie is slow, and maybe by modern "immediate gratification" standards it is, I say that the tension builds, you care about the characters, many of which, and are left at the end of your seat. And I was watching the thing on a computer; imagine what a decent entertainment system will do.

This definitely is an "essential" film.

An epic disaster film! Not to be missed!
I remember first seeing this movie at a very early age. As a child, I loved this movie for it's spectacularity. As an adult (sort of), I love it for the acting performances of it's marvelous cast.

This is a disaster movie. During the seventies this type of movie was extremely popular, with timeless hits such as "The Poseidon Adventure" and "Airport".
Disaster films seemed to have lost their appeal during the eighties but recent hits like "Armageddon" and "Titanic" show that this type of movie is still very popular and here to stay.

In San Francisco, the tallest building in the world, "The Glass Tower" has finally been completed. An awesome superstructure and the new icon of the city.
On the night of the dedication ceremony on the 130th floor a seemingly harmless fire erupts fifty floors below the partying crowd. When the situation grows out of control their pleasant happening turns into a nightmare struggle for survival.

With some of the best actors of that time (Paul Newman, Steve McQueen, William Holden, Faye Dunaway and Fred Astaire to name a few), true drama and an absolutely convincing inferno this movie deservedly took the world by storm!

Got a Match?
Somebody once asked James Garner's character on "The Rockford Files" TV show if there was nothing he wouldn't do for money. He wouldn't kill for it and he wouldn't marry for it, he said, other than that he was pretty much open to suggestions. Paul Newman and Steve McQueen must have been open to suggestions when they ok'd this turkey, and I wish they had said no. The world's tallest skyscraper is burning due to shoddy construction work, and architect Newman and fireman McQueen would like to put it out before the entire cast is incinerated. On top of the building are a million gallons of water in reserve Newman forgot about in all the excitement. Why this 2500 ton weight hasn't gone crashing into the basement we are not informed but the daring duo manage to blow up the tanks and there's your happy ending. O J Simpson rescues a cat and Fred Astaire, after a lifetime of giving the American movies some of their greatest moments, was awarded an Oscar for enduring this production.

A better film than is often assumed
More than 10 years ago, Roger Ebert and the late Gene Siskel did a special edition of their program that examined "The Early '70s: The Last Golden Age of American Film." It was a great show, with a look at each nominee for the Best Picture Oscar for the years 1970-1974, and then which film Siskel and Ebert would have chosen as the winner.

When the duo got to 1974, and a split screen revealed the five Best Picture nominees for that year, Ebert expressed some amusement at "The Towering Inferno's" nomination, when compared with the others ("Chinatown," "The Conversation," "Lenny" and the winner, "The Godfather Part II."). But while it was not the best film in a truly great year for the medium, "Inferno" did deserve to be considered one of the best.

This is polished, professional filmmaking. It was not intended to be a scathing expose of construction politics, or an actor's showcase. "The Towering Inferno" never tries to be anything more than an action spectacular, pure and simple, and on that level, it has few equals.

The film has been criticized for being almost gleeful in its depiction of various deaths, but I'm not sure what those critics would have had directors John Guillermin and Irwin Allen do. The story is about a giant skyscraper on fire, which means that the primary dangers involved are burning, falling, smoke inhalation and being buried under tons of debris. All of these are horrific, and "Inferno" conveys that horror.

The movie takes on a different hue than the Irwin Allen film it's inevitably compared to, "The Poseidon Adventure," the minute Steve McQueen arrives at the scene as the San Francisco Fire Dept.'s battalion chief, O'Hallorhan. Unlike "Poseidon," in which a small band of ship passengers follows a layman toward safety, the "Inferno" disaster is going to be taken on by a competent, experienced professional, leading other professionals. McQueen conveys an authority that anchors the film.

None of the acting struck me as truly bad, even in action-oriented scenes that called for broad playing. Aside from McQueen, my favorite performances were those of Susan Flannery and Jennifer Jones. Flannery makes the most of a small but memorable part as Robert Wagner's love interest, while Jones, looking very good for a woman of 55, plays the kind, heroic love of Fred Astaire's con man character.

Fred Koenekamp's cinematography received a well-deserved Academy Award, as did L.B. Abbott's special effects. The song "We May Never Love Like This Again," sung by Maureen McGovern, also won an Oscar, though I found it to be forgettable. "The Poseidon Adventure's" similar "The Morning After" is much better (which will certainly be faint praise to some).

John Williams' Oscar-nominated score would have been a perfectly reasonable choice as the winner, though Jerry Goldsmith's evocation of film noir classics for "Chinatown" was probably the year's best. Carmine Coppola and Nino Rota wound up winning for "The Godfather Part II."

Williams is in majestic form here. The main title is appropriately busy and exciting, the love themes for the Paul Newman/Faye Dunaway and Astaire/Jones duos are poignant, and the finale is one of the masterpieces of the art. This is a justifiably a favorite score among film music buffs, and Williams' greatest triumph, in my opinion, until "Star Wars" in 1977.

"The Towering Inferno" is a must for action film fans, and the finest representation of the "disaster film" genre.

The Glass Tower - tallest building in the world... on fire.
After a long vacation, away from the hectic city life, Doug Roberts (Paul Newman) returns to San Francisco in order to participate in the opening of his newest architectural wonder, The Glass Tower - tallest building in the world. The seemingly perfect skyscraper has one big flaw as James Duncan's (William Holden) son-in-law has received kick backs to ignore Doug's requests on the top-of-the-line electrical circuitry. The installed electrical circuits cannot handle the electrical use of the Glass Tower and on the opening night a fire begins on the 81st floor, which Fire Chief Michael O'Hallorhan's (Steve McQueen) men try to get under control while the opening party is taking place on the 135th floor. Towering Inferno has an immensely talented cast (e.g., Faye Dunaway, Fred Astaire, Richard Chamberlain and many more), however, the cast cannot enhance the cinematic experience. Overall the film is hurt by the many scenes that go on ceaselessly as the director attempts to create suspense through tedious climbing and rescue scenes. This occurs through occasional lapses in realism in the film, such as the ending, prevent the audience from receiving a top notch suspenseful drama. Instead the audience is left with an epic rescue mission that seems endless, and leaves the audience with a barely acceptable cinematic experience. ... Read more

Amazon.com

"I put the grrr in swinger, baby!" a deliciously randy Austin Powers coos near the beginning of The Spy Who Shagged Me, and if the imagination of Austin creator Mike Myers seems to have sagged a bit, his energy surely hasn't. This friendly, go-for-broke sequel to 1997's Austin Powers: International Man of Mystery finds our man Austin heading back to the '60s to keep perennial nemesis Dr. Evil (Myers again) from blowing up the world--and, more importantly, to get back his mojo, that man-juice that turns Austin into irresistible catnip for women, especially American spygirl Felicity Shagwell (a pretty but vacant Heather Graham). The plot may be irreverent and illogical, the jokes may be bad (with characters named Ivana Humpalot and Robin Swallows, née Spitz), and the scenes may run on too long, but it's all delivered sunnily and with tongue firmly in cheek.

Myers's true triumph, though, is his turn as the neurotic Dr. Evil, who tends to spout the right cultural reference at exactly the wrong time (referring to his moon base as a "Death Star" with Moon Units Alpha and Zappa--in 1969). Myers teams Dr. Evil with a diminutive clone, Mini-Me (Verne J. Troyer),who soon replaces slacker son Scott Evil (Seth Green) as the apple of the doctor's eye; Myers and Troyer work magic in what could plausibly be one of the year's most affecting (and hysterically funny) love stories. Despite a stellar supporting cast--including a sly Rob Lowe as Robert Wagner's younger self and Mindy Sterling as the forbidding Frau Farbissina--it's basically Myers's show, and he pulls a hat trick by playing a third character, the obese and disgusting Scottish assassin Fat Bastard. Many viewers will reel in disgust at Mr. Bastard's repulsive antics and the scatological bent Myers indulges in, including one showstopper involving coffee and--shudder--a stool sample. Still, Myers's good humor and dead-on cultural references win the day; Austin is one spy who proves he can still shag like a minx. --Mark Englehart ... Read more

Reviews (426)

An funny sequel(Which it`s has alot of [Sick] Humor).
After Austin Powers (Mike Myers) has discover his wife is a Femmebot. Dr. Evil (Also Myers) has come back to Earth to try to make peace with his son (Seth Green) but Dr. Evil`s Partner (Mindy Sterling) has made a small clone of Dr. Evil named Mini-Me (Verne Troyer). Dr. Evil has created a time machine to go in the pass to Steal Austin Mojo! When Austin know his Mojo is gone, he goes back in the Pass to get back his Mojo, while he`s teamed up with attractive blonde (Heather Graham), who is a Spy.

Directed by Jay Roach (Meet the Parents, Mystery-Alaska) has made a entertaining fantasy comedy mixed the Spoof gerne. Verne Troyer steals the show, when he`s on screen. One of the highest grossing films of 1999. DVD`s has an sharp anamorphic Widescreen (2.35:1) transfer and a strong Dolby Digital 5.1 Surround Sound. DVD Extras are:an running commentary track by Director, Actor and Co-Screenwriter of the film. Deleted Scenes, Outtakes, Behind the Scenes featurette and More. This is not as clever than the Original but it`s still a very funny film. Super 35. Grade:B+.

Not my kind of comedy, I guess
When I was a kid, I was always badgering my parents to tell me about movie stars who were famous before I was born. One day I saw a W. C. Fields comedy called Never Give a Sucker an Even Break. I asked Mom and Dad about this funny looking man with the weird voice. My questions triggered an argument, because Mom thought Fields was one of the funniest men ever to light up the screen, while Dad felt he was obnoxious, crude and certainly not amusing. When I got older, I understood that humor is a very personal issue. Tell a joke to two different people, and it may be that one rolls on the floor laughing, while the other turns stoned-faced. Mike Myers as Austin Powers is a fine example. You either love the character, or you hate him.

A few years ago, Austin Powers: International Man of Mystery was a fairly big hit. On video, it acquired cult status. Before Austin Powers: The Spy Who Shagged Me even opened last summer, it was assured of being a blockbuster. It did nearly four times the business the original did. Another sequel is inevitable.

There are moments that are genuinely funny in the movie, but these are largely like burst of sunshine on a mostly cloudy day. Mike Myers plays three characters - Austin Powers, his nemesis Dr. Evil, and a grotesquely fat Scotsman called Fat Bastard. He is at his best as Dr. Evil, a mean man who is bent on taking over the world, apparently because it's the only thing he can do well. Evil made me laugh. The scene in which he tells his whiny, disrespectful son to shut up is almost a classic. I liked Evil's interactions with his clone, a three foot tall replica of himself called Mini-Me. As for Austin Powers himself, he is a skit character who wears thin in a whole movie. Powers is a parody of the 60s mod man. Fat Bastard is not at all funny, and it is this character who carries the bathroom humor so far that the movie itself often deserves to be flushed down the toilet. I have been known to laugh at gross-out jokes, but the ones built around this character are over the edge. Some are just plain mean-spirited.

Heather Graham as Felicity Shagwell, the spy the movie's title refers to, is decidedly pleasing to look at. To quote another critic, the only thing flat about her is her acting. Michael York, Rob Lowe and Robert Wagner waste their time in their parts. The money was just too good to turn down, and they have been around too long to worry about their resumes.

I haven't said much about the plot, because there's little to say. Dr. Evil goes back in time to steal Austin's "mojo". The rest of the movie involves his attempts to get said item back.

At its best, this Austin Powers is a fond spoof of the spy genre, which has been around since Sean Connery was the first James Bond in 1964's Dr. No. At its worst, it wouldn't even bring a laugh in a locker room or a redneck bar.

Very shagadelic baby!
Now this is a great movie. Although the jokes are recycled there are some new jokes as well. For example Fat Bastard and Mini Me make their debut here and the jokes about that rocket are almost genius. I say while this isnt as good as the first one it is still a grand movie and anyone who likes good comedy should own it.PS- Goldmember sucked.

Good sequel
In 1997, Austin Powers: International Man Of Mystery became more popular a film than anyone could have ever imagined. There was no denying that the film was an instant spy spoof classic, so it's not surprising that a sequel got released two years later. How does the second installment in the series, Austin Powers - The Spy Who Shagged Me - measure up? Read on for my review.

BASIC PLOT:
Dr. Evil has returned from space and has used a time machine to travel back to the sixties. Once there, he meets up with his henchmen from the past, and begins work on a fortress on the moon - where he will put a giant laser he can use to hold the world hostage. Of course, Austin Powers isn't going to stand for this (once again, Mike Myers plays both hero and villain. Myers also plays Dr. Evil's newest henchman, Fat B*stard.) Austin travels back to the sixties to pursue Dr. Evil, and once there, meets an American secret agent who he falls for. The two join forces and set out to stop Dr. Evil's plan from being successful.

FILM OPINIONS:
This film wasn't as good as the first one, but it was still excellent nonetheless. I was a bit disappointed to see time travel introduced into the series, as it is often the plot device that can ruin a perfectly good series. Although it doesn't ruin the series, it creates a ton of plot holes here (of course, since this is a comedy film, it's not THAT important.) Although the film is just as funny as the first one was, this one seems less polished. It's obvious that the film makers just made up most of these ideas as they went along, and that they probably had no plans for a sequel initially (the Vanessa scene in the beginning demonstrates this well.) Despite some serious plot problems, this ends up being a good film. And you've gotta love all the Star Wars references (these were probably due to Episode I also being released in 1999.)

DVD:
After the subpar DVD release of the first film, I was worried that New Line would mess up the second film. Fortunately, they ended up getting it right this time. You get nearly twenty minutes worth of deleted scenes on here, and unlike the first film's deleted scenes, these ones are worth watching. You also get music videos of the songs that were made for the film, including Madonna's Beautiful Stranger and Lenny Kravitz's cover of the Guess Who classic, American Woman. The behind the scenes footage is a nice touch as well, and the commentary track is WAY better than that of the first film. All in all, a good DVD release.

OVERALL:
Overall this movie isn't as good as the first film was, but it's still an excellent film, and if you want to laugh, I strongly recommend checking it out. All of the Austin Powers films are comedy masterpieces, and the second installment in the series demonstrates that well.

Hilarious
All truth be told, the only reason I orginally bought this movie was because Steve Wilkos was in it.

I didn't see the first movie, so I really wasn't sure what to expect from this one. However, I quickly found out that previous knowledge of what happens in the first movie isn't needed to enjoy the second one.

Basic plot: Austin Powers is trying to save the world and meets some chick along the way that helps him.

The movie opens with Austin and Vanessa on their honeymoon. Their marital bliss soon shattered when Austin realizes Vanessa is a fem-bot sent by Dr. Evil to kill him.

Since the robot didn't work, Dr. Evil steals Austin's mojo!

The rest of the movie is Austin and Felicity (Heather Graham) trying to get Austin's mojo back and stop Dr. Evil from going through with the Alan Parsons Project, which will slam an asteriod into the Earth while Dr. Evil and his crew are safe in outer space.

There is a lot of sexual humor that isn't appropriate for younger audiences. It is definitely a PG-13 film. ... Read more

Amazon.com

If you don't think Austin Powers is one of the funniest movies of the 1990s, maybe you should be packed into a cryogenic time-chamber and sent back to the decade whence you came.Perhaps it was the 1960s--the shag-a-delic decade when London hipster Austin Powers scored with gorgeous chicks as a fashion photographer by day, crime-fighting international man of mystery by night. Yeah, baby, yeah! But when Powers's arch nemesis, Dr. Evil, puts himself into a deep-freeze and travels via time-machine to the late 1990s, Powers must follow him and foil Evil's nefarious scheme of global domination. Mike Myers plays dual roles as Powers and Dr. Evil, with Elizabeth Hurley as his present-day sidekick and karate- kicking paramour. A hilarious spoof of '60s spy movies, this colorful comedy actually gets funnier with successive viewings, making it a perfect home video for gloomy days and randy nights. Oh, behave! --Jeff Shannon ... Read more

Reviews (451)

This Is My Kind Of Happeing And It Freaks Me Out
That's a qoute from Mike Myers in Ausitn Powers: International Man Of Mystery. I must say it's the funniest most clever comedy I've ever seen. Much better than Casino Royale. Myers plays the swinging secret agent of the 60's Austin Powers who is a groovy sexy fashion photographer by night and international man of mystery by night. He after his arch nemisis Dr. Evil also played by Myers, an uptight square out to take over the world. Dr. Evil freeze himself up in outerspace in 1967. Austin offers to freeze himself in case Dr. Evil ever returns. Thirty years later, in 1997 Dr. Evil was back and they must get Ausitn unfreeze Austin so he can stop Dr. Evil's sinister plan of world domination. Incredibly funny flick, even funnier if you've seen the James Bond series. Myers duo roles are both hilarious in their own way. The Movie also stars Elizabeth Hurley, Robert Wagner, Mimi Rogers and Carrie Fisher. Austin Powers is a must see for all ages. It's shagnificent baby, yeah!

Hilarious, influential movie gains little from DVD
I should note here that people who have not read many of my reviews might be insulted at the rating. I never give a DVD release of an outstanding movie more than three stars unless buying the DVD gets you significantly more than just seeing the matinee. In other words, the special features are worth two stars.

"Austin Powers: International Man of Mystery" catapulted Mike Myers onto the Hollywood A-list from the "former Saturday Night Liver trying to make it" list. Taking a broadside at James Bond lore and adding Myers own inherent goofiness along with a tragic period in fashion history gives Austin Powers, a British secret agent/fashion photographer/music star. Unlike James Bond, Austin is extremely goofy, bespectacled, possessed of wretched teeth, and bad at any game. Of course, he still gets the girl. His nemesis: the frequently funnier Dr. Evil, an obvious copy of Bond villain Blofeld. Dr. Evil's marginal competence provides an ongoing source of laughs.

The plot (as it were) centers around a bit of cryogenic time travel so that Austin is displaced out of his time, providing a (pleasantly) surprisingly small number of fish-out-of-water gags. The movie's real drive comes from the unique cast of secondary characters: Seth Green's Scott Evil, Mindy Sterling's Frau Farbissiner, Robert Wagner's Number Two, and the unforgettable Alotta Fagina (figure out who THAT is a parody of). Elizabeth Hurley is also in the movie, and seems to be a pretty good sport. While this movie would ultimately be outshone by its first sequel, it remains an influential and often-referenced work.

The DVD is a mediocre package. The commentary track is a dead air-rich bore, (I think Mike Myers and Jay Roach were new at this gig. The track on the sequel is much better) and the deleted scenes are better than average, which is to say mediocre. Most deleted scenes should stay so. Additionally, the transfer quality on these scenes is terrible.

AUSTIN POWERS THE FIRST TWO
VERY VERY VERY FUNNY, BUT WOULD LOVE TO HAVE IT IN FULL SCREEN VERSION.

Yeah, Baby
Austin Powers is one of the funniest characters to ever grace the screen. The spy spoof movie series is fantastic and it all started with this hit movie.

Austin Powers is pretty simple to follow. Dr.Evil(Myers)has escaped from his cyro-genetics and is now in the 1990's. He has plans for world domination and his evil empire is doing great since he was frozen 30 years ago. The world can't let Dr. Evil rule it, so Austin Powers(Myers) Englands greatest secret agent is unfrozen from his cryo state and sent to stop Dr.Evil. He is not alone as he has the beautiful Vannessa(Hurley) there to help him bring down Dr. Evil.

Mike Myers is a comic genius. Very few people in the world can match his comic intelligence. This movie is fantastic. Myers wrote the perfect script with this movie and it's hilarious. You have to love how much this movie spoofs spy movies.

When you think spy movies you think James Bond. The spoof of Bond in this movie is done to perfection. From the costumes, music, characters, it is all there. Other spy movies are spoofed in this as well like Our Man Flint. If you love spy movies you have to appreciate this movie and the way it pokes of fun of them.

I liked Elizabeth Hurley in the movie. She is absolutely gorgeous in the movie and this role works for her. She is to often a miscast in her moives and her sex appeal is suppose to carry her. It's not much different in this, but she fits the characters personality and this is the best role she has ever played.

I love all the cameos in this movie. Like all the great movies with former SNL cast members this movie is jammed full of cameos of Hollywood stars. You have Will Ferrell, Ceri Oteri, Rob Lowe, Carrie Fisher, and Tom Arnold to name a few. I get a kick out of it everytime I watch this, because I almost always see something new.

The DVD extras are good. There are some alternate endings and deleted scenes. There is commentary from Myers. The special features are decent.

This is a great movie. It's comedey at it's best and it has all the elements of the genre. It's one of the best ever made. If you love comedies you have to pick this one up and the same if you like spy movies. If you haven't seen this go get out from the rock you've been living under and prepare yourself for a good time.

Satire of all 'swings' Sixties
It would be worthless for me to repeat what other reviewers have said here before me, as regards the fun spoofy plot and the thoroughly enjoyable crass humor. I'll add that it's a bit of a classic, great fun especially if you already know Blow Up, early 007 movies, and A Hard Day's Night.

I just want to mention that the VHS issue has on it several extras... alternate endings and deleted scenes (including one of the excised Rob Lowe scenes, although not the one in which Lowe is shown as a henchman inside Dr. Evil's lair... Asian audiences got to see that version).

Good, silly fun, but too much sexual content for kids under 13. ... Read more

Reviews (79)

A life worth remembering
Rob Cohen's DRAGON THE BRUCE LEE STORY is the best film that Bruce Lee never made. Though Cohen recounts the man's life in some kind of chronological order, he doesn't simply "tell it like it was", preferring instead to visualise Lee's major achievements in terms of his philosophy and beliefs. Therefore, alongside the development of Lee's martial arts techniques (demonstrated in a series of increasingly fluid fight sequences) and his relationship with his wife and children, Lee's inner demons are personified by way of a spectral Ming warrior who seems to intrude on his everyday reality, prior to claiming him forever in 1973 at the age of 32. Perhaps the film's major triumph is the fortuitous casting of Jason Scott Lee in the title role, giving the performance of a lifetime under what must have been hugely difficult circumstances, and he dominates a fine cast of supporting players, including newcomers Lauren Holly and Sterling Macer, and veterans Robert Wagner, Michael Learned and Nancy Kwan. Universal's region 1 DVD is a replica of their 'Signature Collection' laserdisc, and is probably the last word on this exceptional film. Presented in glorious Panavision widescreen (though not, alas, anamorphically - the disc's only real flaw), the images are solid and colorful, and Randy Edelman's evocative music score is well-served by the Dolby Digital soundtrack. There's a wealth of extras, too, including the obligatory (but very welcome!) trailers, production notes, star profiles, and an eye-opening director's commentary which manages to bridge the difficult gap between education and entertainment. The "Making of" documentary could have been longer and more detailed, I suppose, and it took me ages to figure out that the storyboards and photo-gallery sections could only be manipulated using the chapter-skip function on my remote control, but the disc is otherwise an essential purchase for anyone even remotely interested in the subject matter. All in all, a worthy tribute to the enduring legacy of a remarkable man.

Well Meaning, But Too Over the Top
This well-meaning but flawed film purports to be about the life and times of Bruce Lee, the intense, talented actor and martial artist who died tragically all too young. There is dispute over the biographical truth of the film, which is really neither here nor there, as the film seems far less interested in delving into Lee's biography than it does walking a strange line between drama and melodrama. Though he doesn't much resemble the real-life Bruce Lee, star Jason Scott Lee tries hard to capture the actor's raw power and charisma, with mixed results. He's best in the film's quieter moments, when the sincerity of his face gives the film much-needed grounding, and worst when his frenetic facial expressions and frequent shouting border on camp. But this probably isn't Lee's fault, as the film itself drifts in and out of wanting to be taken seriously and wanting to be a pseudo-chopsocky matinee, all to an often-syrupy music score. Co-star Lauren Holly is believable as Lee's caucasian wife, who struggles with him against racism that comes from so many in society--even her own mother. It is here that the film works best, illustrating the humiliation and degradation of anti-Asian racism that Lee, who simply wants to be recognized as the American he is, endures from fellow Americans, even after achieving his fame. A particularly clever--and dead-on accurate--scene reveals the isolation and thoughtless prejudice that Asian Americans frequently face: amidst a crowd of whites roaring with laughter, Lee quietly suffers Mickey Rooney's grotesque yellowface characterization in the critically-acclaimed "Breakfast at Tiffany's." Had the film focused more on meaningful emotional pyrotechnics like these, rather than the frequent, goofy interplay between Lee and a symbolic Mongol warrior, it might have captured the essence of the man instead of his onscreen persona. Like "Boogie Nights," it would have risen above the obvious exploitive qualities of its subject matter.

Inspiring
"Dragon" is an epic depicting the life of Bruce Lee. In my opinion, it is one of the most entertaining biopics of recent times. It follows the life of Bruce Lee from his childhood in Hong Kong to right before his death. The DVD version is particularly interesting because it comes with a few interviews that really shed light on Bruce Lee the man. This movie doesn't just focus on his martial arts, but it also shows his life as a family man, and an American. I found his struggle against racism to be the most moving point in this movie. Prior to Bruce Lee, the roles of Asians in Hollywood were restricted to laundrymen, villians, and caricatures. Through his effort and self-confidence, Bruce was able to make Asians into Hollywood heros. Suddenly Asia was cool.

Jason Scott Lee does a great job of portraying Bruce Lee and it's a shame that we can't see more of him these days. You can really feel the power of his performance on the screen. If you have any interest in Bruce Lee, you have to check out this film. It's sure to inspire you to reach for your own impossible dreams.

"Dragon" REVIEW
Biographical pic of martial arts legend Bruce Lee (inspired by a novel written by his widow) is as intruiging as it is exciting. The film follows Lee from his arrival in the United States to showcase his transformation from a shy bus boy to an international movie icon. Along the way, we learn about Bruce's decision to bring Jeet Kun Doe to the Western civilization despite heavy objection from his peers. "Dragon" is also treated as a love story as director Rob Cohen shows us the origins of Bruce's romance with wife Linda. While Cohen uses a great deal of artistic license in telling the "true story" of Bruce Lee, it certainly makes for one hell of an impressive movie. Randy Edelman's first-rate musical score is the icing on the cake.

Not a documentary, just a great movie!!!!
Director Rob Cohen intended this movie to be an entertaining and thought-provoking homage to Bruce Lee and his wife Linda, not a historical re-enactment. As such, the movie only follows the outlines of the real Bruce and Linda Lee story. And the movie is definitely as much about Linda as it is about Bruce. It is as stirring a love story as any other put onto the big screen in recent times.

For all those hyper-Bruce Lee fans who have panned this movie, I have just one thing to tell you - watch the DVD version with the Director's Commentary turned on. You might learn a thing or two about the real Bruce Lee story. Yes, Rob Cohen's commentary track is worth it all by itself to get this DVD, because he discusses many of the changes made in the movie from the real story, and explains why he made the changes. He doesn't have time to explain everything, but he covers a lot (e.g., the deletion of Seattle from the storyline came about because the Univ. of Washington pissed him off with their refusal to allow him to film on campus, so he just scratched out the entire city and changed it to San Francisco). Along the way, he throws in a number of little historical gems, pointing out things in the movie that might have been put in for dramatic effect but in fact really did happen (e.g., Linda's mother making the comment to her about "having yellow babies" - Linda's mother, who was still alive, actually signed a release to allow herself to be portrayed this way).

Anyway, here's why this movie is great:

1. It is one of the first of the few major Hollywood movies ever made that depict an interracial love story of a Chinese/Caucasian couple where the Chinese person in the story is a MAN. Even today, Hollywood still seems to be much more comfortable with putting cute Chinese women matched with Caucasian leading men onto the big screen.

2. The movie really emphasizes the racial discrimination aspect of the Bruce Lee story, for example, bringing out to the general public the real story behind how David Carradine got the TV show "Kung Fu" (Carradine became very defensive about this part of his acting resume after this movie came out). Cohen dwells on this racism aspect more so than either Linda or Bruce Lee ever did in real life. Most likely, they preferred to ignore the racism and rise above it rather than draw attention to it. It's great that themes like this finally get explored in movies.

3. Jason Scott Lee is terrific. He's bigger and buffer than the real Bruce Lee (who at 5' 7" was shorter than my teenage daughter) And he's a better actor. And no, he's not as quick as the real Bruce Lee, but few people ever were, and for somebody not trained in the martial arts, he sure did a great job of faking it. Unfortunately, since this movie, Jason seems to have undergone a Bruce Lee experience of his own - after making a few more major movies, his career has started to fade from the big screen as more "authentic" and bankable (in the Asian market anyway) Chinese actors such as Jet Li, Jackie Chan and Chow Yun Fat take over Hollywood's slot for Asian leading men.

4. The soundtrack by Randy Edelman is terrific (if somewhat repetitious). One of the most beautiful parts of the movie was the scene where Jason Scott Lee and Lauren Holly go through their balletic kung-fu excercises in perfect unison to Edelman's stirring score.

5. Lauren Holly is terrific. She too is a Hollywood improvement on the original. For one thing, in the movie, although she cuts her hair short after marriage, just like the real Linda Lee, her hair never takes on the 60's - era puffed bun look of the original Linda Lee (geez, was there ever a more horrible hairstyle than the puffed bun). For another, her role is much more aggressive and pro-active, more of a proto-feminist from the 90's. The ending of this movie makes it seem as if she was close to leaving Bruce Lee to return to the U.S., whereas the real truth was that Bruce Lee at the time was already traveling back and forth to the U.S. as well as all over the world, and it would have been far more likely that he would have been the one to spin out of her orbit as he scaled the heights of international superstardom.

This is not just a movie about Bruce Lee, it is a great and moving love story. Listen to Director Rob Cohen again as he talks about the final scene in this movie, when Jason Scott Lee gives a good-bye kiss to Lauren Holly and then climbs up the stairs to the Han Island movie set:

"When I look at this scene, no matter how many times, I still get choked up.... Part of it is that how much these people loved each other. Part of it was how beautiful they were together, and what a stand they made for their time. Part of it is that, as he's finishing this film, he's finishing his life, and we know it and he doesn't.....I wanted to give the homage of his fellow martial artists to the great image, the great work, the great place in history of Bruce Lee....to see him again, mythically, legendarily, above and eternal, in motion, never stopping, always kinetic, and always with us." ... Read more

Reviews (13)

Grand old-fashioned Cinemascope entertainment
20th Century Fox Home Entertainment released this DVD on May 11, 2004. For anyone who's a fan of the Cinemascope era of the studio, this DVD is a must have. The movie itself is a silly contrivence of the time, based on a popular comic strip, as the illustrations during the main titles show, but it's all well-mounted with excellent photography and a Franz Waxman score that's a prime example of how a composer can really elevate the atmosphere and pace of a movie. The depiction of the era of the story is cardboard, with everyone and nearly everything looking too pretty and well-manicured -- no grubby surfs are anywhere to be seen, and even the comicbook Vikings are too clean -- but it's fun at its own level, even if today the movie's pace is a bit slow. My only complaint is that top-billed star James Mason isn't in more of it. The actor and his character are far more interesting to watch than the story's protagonist and the stiff, young Robert Wagner sporting a silly wig!

Fox has done a decent job of restoration on this 1954 Technicolor film. While the look is dated and the film stock is more grainy than we're used to today, the majority of it looks remarkably good. I suspect much of it was newly struck from the black and white color separation masters, but the frequent lap desolves have the second generation look of excessive grain and poorer color fidelity. There's one bad anomaly in the transfer at 24min.15sec., a 15 second shot that looks to be third generation. It's soft, grainy and blocked-up. Except for a couple rear projection shots elsewhere in the movie, nothing else in the transfer looks this bad. Otherwise this is a fine looking 16X9 anamorphic DVD of a vintage Cinemascope film.

Originally this movie was presented in some theatres in 1954 in 4-track magnetic stereo. Here, what survives of the stereo tracks is presented in Dolby Digital 2.0 (not 5.1 as stated in another review here). I'd have preferred if Fox had gone to the efforts of doing a proper 4.0 transfer, but the stereo still sounds good, with the directional dialogue of the era intact, though it can be a bit distracting when left and right speakers are too far from the screen (in theatres the speakers would of course be behind the screen). I found I had to raise the dB level of my rear surrounds to +10 in order to bring out the ambient sound of the film, mostly reserved to the music, but at 1:27min.21sec., when pig fat is used to light fires during the siege of the castle, the mono surround did come alive with fire noise and that was fun.

I'm only giving this DVD three stars because Fox didn't have enough faith (and they may be right) in this library title's marketability to include a commentary track by star Wagner, or a least some feature on the film's production history, and because the sound wasn't remixed for 4.0, but if you're a fan of such films I highly recommend this DVD.

A Viking prince joins the Knights of the Round Table
The Sunday comic strip character gets the CinemaScope treatment and is an entertaining film with plenty of marquee names to attract more than passing interest. The movie holds up quite well 50 years after its release and tells the story of a Viking prince who seeks to overthrow an imposter who has seized the throne of Scandia from his father and return it to King Aguar. Robert Wagner is perfect as the determined and resourceful "Val", as the smitten Aleta [Janet Leigh] calls him, Sterling Hayden is fine as Sir Gawain, the stern but dedicated mentor to the "Viking knave", and the excellent James Mason's suave, polished and calculating Sir Brack has dark, sinister shadings. The film has plenty of action and derring-do, romance, jousting matches at a tournament, palace intrigue, a large-scale battle at the castle in Scandia and an excellent fight with broadswords between Valiant and the Black Knight at the end of the movie. Excellent color photography, realistic sets, beautiful scenery and Franz Waxman's brooding score round out a first-rate film production.

Fun Americanized Arthuruan Adventure!
"Prince Valiant" is a fun, colorful adventure yarn from 1950's Hollywood. It isn't very faithful to the tone or style of Hal Foster's groundbreaking and beautiful comic strip but is far above the average swords'n'armor pic of the era.

Lacking the style of Curtiz's swashbucklers, the solid scripting of Thorpe's "Ivanhoe" or the visual panache of his stunning tribute to the Brandywine illustrators, "Knights of the Roundtable", "Prince Valiant" packs in lots of well executed, wide-screen action, terrific set pieces, wonderful costumes and attractive landscapes.

Done with a straight American accent (apart from James Mason's stage-villain turn as the traitorous Sir Brock) it often reminds one of George Lucas's "Star Wars".

I've shown this to alot of kids & they all love it. Presented in its original 2.35.1 aspect ratio from a really clean print, it looks remarkably good considering it's a B-picture from half a century ago.

Oh, it also stars the wonderful Donald Crisp ("National Velvet", "How Green Was My Valley"). Overall, a steal for the sell-through price. Enjoy!

I'm eleven again
As soon as I began this DVD, I found myself setting in the massive RKO Keith's theater in Downtown Dayton, Ohio. The reason I purchased the disk was for that reason. I am 100% satisfied for in that department.

The film score by Franz Waxman is perfection. It is dramatic and fun. As an adult, I wish that the transfer had been in Dolby 5.1.

The performances are appropriate for this film except for Mr. Mason who does no wrong.

I would like to add that the sword fight at the end of the film is of equal to the excitement found in the final duel in Scaramouche.

SWORDS AND SASHES - AND LOVE THAT HAIR CUT!
Director, Henry Hathaway's film version of cartoonist, Hal Foster's Scandinavian hero, "Prince Valiant" is one of those over-blown, wacky-tacky epics that is impossible to take seriously, but so much fun to watch. Robert Wagner is the rather effeminate looking title character who takes Camelot by storm. Determined to regain his own throne, Valiant uncovers the treachery of the Black Knight (James Mason, in a toss away role) and challenges him. Of course, there's also time for love with bombshell, Princess Aleta (Janet Leigh - who quite often found herself squeezed into a corset during her 1950s film tenure.) The film veers between comic book pulp and self-conscious seriousness, but Hathaway's direction ensures that neither become the vice to sink his epic. Brian Aherne (as a credible King Arthur)and Sterling Hayden (a not so credible, Sir Gawain) costar.
THE TRANSFER: Pretty good. Colors are generally bold, vibrant and well balanced. Flesh tones seem a bit pasty but that's in keeping with early Cinemascope/Eastman color dye transfers. Shadow, contrast and black levels are generally solid. Rear projection photography is more obvious than it should be. Pixelization and edge enhancement are present but do not terribly distract. The audio is 5.1, delivering a nice spread in the music tracks. Dialogue is not natural sounding, but again, this was usually to be expected for the vintage of the film.
EXTRAS: Sorry. Nothing but the film.
BOTTOM LINE: This prince is worth a second glance, but its not quite as glamorous as, say "Scaramouche" so much as it belongs as the bottom half of a double bill at your old-time drive in. ... Read more

Amazon.com

Although it was never known for strict authenticity, the elegant 1953 production of Titanic holds just as much fascination as A Night to Remember and James Cameron's 1997 blockbuster. Its original screenplay deservedly won an Oscar® for its brilliant, dramatically involving creation of fictional characters--primarily a strained couple on the verge of divorce (Clifton Webb, Barbara Stanwyck)--whose lives are forever altered on that fateful morning of April 15, 1912. Director Jean Negulesco focuses on this human drama, lending a personal touch to the luxury liner's fatal collision with an iceberg; if the scale-model disaster (complete with motorized miniature lifeboat rowers) looks quaint by modern special-effects standards, it still captures the emotional impact of Titanic's ultimate fate. While Titanic's sinking is inaccurately depicted (here the ship is damaged on the port side, and sinks in one piece), the Webb/Stanwyck relationship is handled with sophistication, style, and well-earned redemption. As would happen with Cameron's Titanic 44 years later, fiction proved a perfect vehicle for tragic factual history. --Jeff Shannon ... Read more

Reviews (27)

Best of the Titanic movies!
I don't remember when I saw this the first time,But I much prefer it to its highly hyped 1997 successor. I rented the video the other night and still sniffled at the end. I would imagine most viewers don't know that it won an Oscar.(For best screenplay,I think.) My mother was just thrilled with the very young Robert Wagner. Does anyone know what happened to Audrey Dalton??? One of the best "minor" characters had to be Richard Basehart as the defrocked priest. and wasn't that Edmund Purdom(uncredited) as "Mr Lightoller? Barabara Stanwyck and Clifton Webb were excellent too. Characters much more clearly drawn than in the 1997 version. Class distinction is not as hokey as Jack and Rose. Was Thelma Ritter supposed to be "Molly Brown"? I think the effect of the film in black and white works very well(NO COLORIZATION PLEASE!)

OSCAR should have been aboard THIS ship......
One of my all-time 10 favorite movies (along with ALL ABOUT EVE, GONE WITH THE WIND, AUNTIE MAME, Jane Wyman's THE BLUE VEIL, Garland's A STAR IS BORN, CABARET, Lana Turner's career highlight in MADAME X, 1939's THE WOMEN, and 1953's SO BIG) THIS is the only version of TITANIC anyone should want to keep in their collection of classics. This is the one that should have been an Academy Award champion.....and it is a sin that Clifton Webb and Barbara Stanwyck not only didn't win 1953 Oscars, but were not even nominated. Ditto the wonderful performance of the greatest supporting actress in movie history, Thelma Ritter, as the indomitable Unsinkable Molly Brown. I will never forget the hysteria in Barbara Stanwyck's voice as she screamed "Norman! Norman!" when she realized her young son had slipped out of their life-boat to remain with his dad as the ship sank.....nor the tears in Clifton Webb's eyes when he told the boy what pride he felt for him as the end drew near. Please, don't anyone tell me there was an ounce of reality in the blockbuster, phony '97 version.....This simple black & white movie told the REAL story of the very rich and the very poor suddenly equalized in the face of disaster. And I dare you not to smile as millionaire John Jacob Astor reassures his young, pregnant, second wife with the immortal words "My dear, God himself could not sink THIS ship"......and I defy you not to cry when old Mrs. Strauss refuses to board a life-boat, saying "I've been with Mr. Strauss for more than fifty years....I don't intend to leave him now." This is a classic. This is THE classic. And these people, brilliantly portrayed by brilliant actors, become the ones who were really aboard the TITANIC in 1912.

Literary License Keeps Movie Afloat
We know the ship is going to sink, and we can read the committee reports, history books, and other sources to find out the details of what happened in 1912. This movie presents an innovative plot line that keeps our attention. Importantly, the film also preserves the essential truth of the Titanic disaster: 1,500 people died needlessly on account of arrogance and overconfidence.

THe Best Titanic Film Ever
Aside from the great acting, the special effects, music and staging are supurb. It is much more believable than the most famous Titanic movie and will be remembered long after any others. Buy it and Enjoy

Titanic with heart
I remember crying over this film as a kid, and sitting absolutely unmoved during James Cameron's feelingless epic. True, "A Night To Remember" is more accurate, but if you're one of those people who want to count the windows on the promenade deck, buy a documentary. Unlike some reviewers who can't possibly understand the character's actions during the sinking, it is about dignity and courage, something missing from other depictions of the story. The cast are flawless, and the story of a shallow family's realization of meaning brought about through tragedy is age-old and timeless. ... Read more

Reviews (2)

Changed Lives
Never say movies do not affect children's lives, for bad or the good. This one set many of us on the path to becoming U. S. Navy Frogmen then SEALs.I will treasure this DVD.

John Carl Roat
Class-29, UDT-21, UDT-11 SEAL Team 1

Thanks god!
This is a collector item. One piece of the Golden Era (50s and 60s). Great cast and plot.Richard Widmark,Dana Andrews, Jeffrey Hunter, Robert Wagner, the guys are all there. Fantastic underwater scenes. I was longing to see the DVD. Simply great! Hope "The Red Skies of Montana" and "White Feather" are coming next. ... Read more

Reviews (203)

Neve Campbell steals the show
Wild things is an easy movie to love. It tells the story of a Blue-Bay highschool teacher ( Dillon ) who is been accused for rape by two of his female students , spoiled rich kid Kelly ( Richards ) and drug-addict basketcase Suzie ( Campbell ) . Did he really do it ? The script provides more than just a yes-or-no answer during the one and a half hour the movie lasts . It includes a little more than a few plot twists and manages to constantly suprise us and turn things around. In addition to all that this is an extremelly well-made film , surely one of the sexiest movies you'll ever get the chance to see.The love scenes are simply sensational , steamy yet never cheap.All the members of the cast deliver some good perfomances but eventually it's the two girls who stand out. There's a first-class chemistry between Campbell and Richards . Campbell gives her best perfomance yet as confused freak Suzie.She totally crashes her next-girl image and prooves she's capable of playing many different kinds of characters with equally good results.It's actually weird that after that role she disappeared from the spotlight when one might have excpected that then was the time where her star would rise even higher.Denise Richards is really charming as Kelly Van Ryan too.She's one more person i hope i'll be seeing more in movies in years to come.Also great are many of the supporting roles.Bill Murrey , Daphne-Rubin Vega , Theressa Russel and Robert Wagner have all been smartly casted in roles they seem to fit perfectly with their physique . Director McNaughton knows how to handle all the above and achieves to make a movie you won't feel bored with for even a second.Let yourself free to enjoy the guilty pleasures of this film which combines crime , corruption and sexuallity so succesfully you'll have to see it twice to believe it.

This movie left me saying WOW
Wild Things is one of the most draw dropping movies I've ever seen. It had so many twists and turns I had to see it again to believe what I had seen earlier and had just seen again.

Matt Dillon plays a high school counsler at a high school in South Florida. He is well respected and loved by the students. He is really loved by his student played by Denise Richards. She likes to him to a very dangerous point. She later accuses of him of rape to the local cop played by Kevin Bacon along with another student played by Neve Campbell. Matt's character is hated by the community and he hires a lawyer played by Bill Murray to defend him. However, the movie turns into a story of sex, murder, and betrayl that like I said earlier will leave you saying "WOW" and have you watching it again.

Denise Richards is absolutely crazy in this movie. I couldn't believe this was the sweet innocent girl I had seen in Starship Troopers. Denise, Matt, and Neve shoot a soft porn in the movie when they do a three some. I couldn't believe it. I think this is the best acting Denise has done in her young carear. She is a beautiful woman and I love her to death. Most guys become a fan of her from watching this.

Kevin Bacon has a nice role in the film. It's one of the better performances of his carear. I hate his character in the movie. He plays a huge role in the film though, and Bacon liked this movie so much he helped produce it.

This is a different kind of role for Matt Dillon in the beginning of the movie. However, by the end he won't disappoint his loyal fans as he returns to the kind of character he typically plays.

I liked Wild Things. It's an insane sexual thriller. If nudity is not your thing I would not get this movie. Nevertheless if you want to see a movie with a ton and twists and turns this is it. Men will really like Denise in the movie. But like I said this movie will leave you saying "WOW" and will have you watching at again.

Keeps you guessing
...that's for sure! This movie really does keep you guessing until the very end. Just when you think you have it all figured out, you don't and are very far from the truth. It has so many twists in the plot that you really do have to pay close attention to it the first time you watch it or you will miss something vital to understanding the ending. I liked it mainly because I thought I had it figured out but when the end came I was totally wrong. I enjoy movies that are unpredictable, which this one most definitely is. The movie is cast well. It includes Matt Dillon, Neve Campbell, Kevin Bacon, Denise Richards, and even Bill Murrey. I think as far as casting goes the actors were prefct for the parts. Matt and Kevin play somewhat bad guys, which don't they usually. Neve Campbell plays a strange girl from the wrong side of the tracks and just nails the part. I like this movie and would recommend it to those that like a good ending and maybe some of you that want to see Neve Campbell making out with Denise Richards. Not my favorite part, but I know many guys would enjoy that scene.

Best Movie Ever!
This is one of the greatest movies ever made. Its has a mixture of fighting,cat fighting,drowning,betrayl,lieing,decieving, and just everything that makes a movie good. I would reccomend this movie to anyone.

Trash of the Gods!
"Wild Things" is a gloriously lurid and decadent little gem of a movie. I love movies that respect the intelligence of the audience while pandering to their base desires (most studio releases skip that first part), and "Wild Things" fits the bill perfectly.

The plot is - well, the plot is twisted, in every sense of the word. The story that seems to be unfolding ends at the halfway point of the movie - and then the real story begins. And in a technique I've never seen before, it continues through the ending credits, as director McNaughton gleefully fills in the holes.

"Wild Things" offers great, juicy turns from Neve Campbell, Denise Richards, Matt Dillon, Kevin Bacon, Theresa Russell, and especially Bill Murray as a hilariously corrupt small-time lawyer. Along the way we get lots of steamy, lurid peek-a-boo sex and nudity (which is so gratuitous it inspires genuine laughter), violence, and characters motivated by nothing more than pure greed. Put 'em together in the Everglades, and you have one hot movie.

I generally don't like movies that mess with the audience by hiding information, and then springing it on them later as a "twist." But twists work beautifully if the character is just as befuddled by them as the audience. Since "Wild Things" offers nothing but characters who think they have secrets and alliances but are actually only pawns in a game, every twist is justified.

This new "unrated" version incorporates scenes that aren't necessary, but are joyful anyway. If you have the original cut and you've got the money to throw around, go for it. If you haven't seen it, well, it's probably not for anyone. But if the thought of a wicked little Hitchcockian melodrama, dripping with sex and humor and directed with a wink, appeals to you, you can't go wrong with "Wild Things." ... Read more

Description

In this epic mini-series based on Jules Verne's novel, Englishman Phileas Fogg (Pierce Brosnan) prides himself on his clockwork discipline. Fogg is so confident of his ability to beat the clock that he bets a small fortune with members of the Reform Club that he can use modern transportation methods to circle the globe in 80 days! With servant Jean Passepartout (Eric Idle), Fogg soon finds himself crossing war-torn Paris, traversing the jungles of India and Burma, and dueling with Jesse James on the American prairie! And if that weren't complicated enough, Fogg is the prime suspect in a London bank robbery, and Detective Wilbur Fix (Peter Ustinov) is pursuing Fogg and Passepartout, in hopes of returning Fogg to England to be arrested-and to collect the reward money!

The voyage even brings an unforeseen responsibility when Fogg rescues the beautiful Princess Aouda (Julia Nickson) and she arouses long-dormant feelings in Fogg's bachelor heart. Can Fogg acknowledge those feelings? Will he win the bet? Will he give Fix the slip? The ending is one you don't want to miss! ... Read more

Reviews (10)

A Great Entertainment
This is a charming and wonderful journey to watch. I enjoyed it a great deal, but be warned... this is NOT a family movie. Today's youth with short attention spans who like blood and monsters won't understand this one. Save it for the adults. Its well written, well acted and simply great fun.

journey with lots of obsticales
I saw this movie last summer on tv. When I started watching it I had no idea that it was as long as it is, otherwise I probably wouldn't have watched it, what would have been a mistake. Then this movie is wonderful. The only reason I can see that some people might not like it is, that it doesn't use all this high technology, full of action and sex scenes that we are used to now a days, when watching a movie. For me it is a welcome change and I enjoyed it, but everyone has their own opinion and is entitled to it.
Another thing I like about this movie is all the build in obstacles Pierce Brosnan has to go through on his quest. Often, it seems to me, that once he got out of one problem, he faces another one, what creates suspence on whether he will reach his goal or not. Also I highly appreciate the differente cultures portrayed in it.

Lost a lot of fun!!!
I watched the same film in VHS few years ago.
It was very impressive and had a lot of fun.
But after I got this DVD, it really disappointed me!!

A lot of scenes have been REMOVED: just like the chapter in China, Japan and India.And that part(saving the princess) has gone also.

If this is a miniseries, I guess they really didn`t have an idea about when and where to cut it!!!

Excellent movie however DVD lacks quality
This is an excellent movie which aired as an mini movie in 1989. The movie has a nice flow and the characters are quite vivid. Around the world imagery is quite colorful. It was a delight to watch it again. Unfortunately, the DVD quality resembles that of VHS. It was a poor quality transfer for a DVD considering that this movie was shot using Panavision equipment.

Wonderful family movie
I think this is a perfect movie to watch when you have several hours to spend relaxing. It's very long but you don't have to watch it all in one sitting. You'll want to get back to it as soon as possible though because it keeps you wanting more!
I divided it up into two evenings. This is one movie you can watch with your grandmother or with children around and not be embarrassed. I think it's a great family movie. And the picture was fine. I used to have the VHS copy and this DVD was much better quality. ... Read more

Reviews (3)

One of my favorite old movies finally in DVD format!
This has been one of my favorite movies for over twenty five years.Scene after scene, there's something to watch for.What I've always loved about this movie is the great, wrenching dialogue.And watching a young Robert Wagner isn't too difficult either.

But now, on DVD, I feel as though I am seeing the movie for the first time (or at least the second time!)The quality of this DVD is impressive.I also own a DVD version from a few years back that came from China, with Chinese subtitles.Comparing the two on my 55" tv is like comparing a digital picture taken with a 2 megapixel camera to a digital picture taken with an 8 megapixel camera.The quality of this Twentieth Century Fox DVD is outstanding for such an old movie.The picture is very clear, the color saturation is deep and rich, the sound is great.I've noticed nuances about the picture, and the background scenery, that I never noticed before.

This edition also features both a widescreen and a full frame version of the movie, on a double sided disc.I don't think there were any special features, but I am happy to have this excellent version of my favorite old film.