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| 1. The Wanderers Director: Philip Kaufman | |
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Description Reviews (26)
What makes the movie all the more interesting is the way it goes behind the scenes into the home lives and the hopes, fears and dreams of some of the gang members. We see Joey's artistic talents put down by his fearsome, aggressive father...we see Turkey struggle with his own identity within the different gangs...and we see Richie forced to take responsibility for his actions near the film's conclusion. Backing the movie up, is a dynamite soundtrack containing some top numbers including "Stand by Me", "Runaraound Sue", "Soldier Boy" & of course "The Wanderer" !! A movie that has charm & talent, and stands up to repeated viewings with ease...if you haven't seen it already....catch up with "The Wanderers" soon !!
this historical aspect on what gang life may have been like i also boight the soundtrack album and now have it
All the characters in "The Wanderers" are very human and believable, some performances are slightly better than others, but overall all the cast is uniformly well in their roles. Definitely "The Wanderers" is a very recommendable movie, the characters, the situations and the script (based in a Richard Price's book) are very good. This is an enjoyable movie from beginning to end.
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| 2. Wiseguy - Between the Mob and a Hard Place Arc (Season 3, Part 1) | |
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| 3. Wiseguy - Mel Profitt Arc (Season 1 Part 2) | |
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Amazon.com TV audiences in 1988 had never seen such a twisted sibling relationship, and there's plenty of eccentric chemistry between Spacey and then-newcomer Severance, who later developed a loyal male following as a B-movie sexpot. Completing their triangle of terror is Russ, playing Lococco as a tormented Vietnam vet with a massive chip on his shoulder, luring Vinnie into a life of luxury and lethal behavior, thus complicating matters considerably for Vinnie's covert handlers McPike (Jonathan Banks) and Lifeguard (Jim Byrnes), who grow increasingly worried as Vinnie gains Mel Profitt's hard-won trust. The quality of these 12 episodes remains consistently high as the Profitts reach "psychotic critical mass," leading to Mafia connections and a new direction for Vinnie's loving mother (well-played by Elsa Raven). Through it all, Wahl (who proves himself a man of few words in a sparse one-episode commentary) maintains his strong presence as a leading man, generously allowing Spacey's rising star to shine. Wiseguy still had some highlights in its future, but the "Mel Profitt" arc represents the series at its best. --Jeff Shannon Reviews (14)
Somewhere along the way, only Roger seems to be quite sane and able to distance himself, but even that will be tested as his past going all the way to Vietnam is dragged into a military plot to throw over the leadership of a small island. It keeps you guessing, the acting and writing is Telly at it's best. With super performances by all, along with the droll Jonathan Banks as Vinnie's immediate boss, this is one that bears repeat viewing. But then so do all the WiseGuy arcs...cannot wait for the Winston Newquay Arc with the magnificent Tim Curry!! Bring them on already!!!
I also think that people should know that this is not straight crime drama, it is more like the story of Vinny so we follow him along but aren't bored by the more formula parts of the tales of an FBI agent. This show never takes the "law and order" type formula of crime, arrest, trial, jail, and the good guys aren't always good but they aren't bad in the more cliche' ways I have seen in other dramas. Everyone in this show is a human first and agent, crime boss, etc second.
I caught about three or four episodes of the "Sonny Steelgrave" arc of this show just channel surfing and noticed how intense and gritty the acting was. I watched for about four episodes. THEN the Mel Profitt arc started, and it was a roller coaster ride from then on! Spacey chews the scenery like a piranha as the paranoid, charismatic and reputedly brilliant Mel Profitt, an enfant terrible of organized crime who runs his empire of weapons-trading and illegal drugs with the help of his sister, Susan, played by the gorgeous and talented Joan Severance. Stephen J. Cannell must have been on one of those legendary rolls that writers, specifically TV, movie and sci-fi writers, get on sometime, becaue he has everything covered here....humor, pathos, psychoses, sociopathology, charisma, situations, and a VERY good sense of governmental corruption. Sadly, he never equalled his work on "Wiseguy" again, and never got the same quality of cast for any of his other projects on TV. "Wiseguy" was one of a kind. Kevin Spacey's take on Profitt is unlike any protrayal of a crime boss you've ever seen...he parlayed him as self-educated, witty, playful, unpredictable and moody, and it was done perfectly! As the unassuming Vinnie Terranova, Ken Wahl is very unsuspicious in his role as an FBI mole, in this case, perhaps developing too much of an affection for his targets, Mel and Susan, (a major fault of his in the other arcs as well). He is especially enarmored of Susan, who is truly good-looking, as in supermodel, and much saner than her squirrelly brother. She also seems to be attracted to _him_. As a mole for the OCB faction of the FBI, he takes quite a bit of guff from Mel, who scares the bejeebers out of him in one scene early in the arc where he plays Russian roullette with Vinnie over his sister's attraction to him. It is hinted, throughout the arc, that there is an unnaturally close relationship between Mel and his sister. Vinnie and Mel actually become best buds eventually, despite this, believe it or not. The odd thing about this whole arc is that Vinnie was actually supposed to investigate another major player in the piece, a Roger Lococo, played by William Russ, who eventually led him TO Mel and Susan. Severance handles herself beautifully throughout, but really shines when Mel finally dies "A Viking's Death" near the end of the arc, and she is left alone to run his vast organization. Susan mentally collapses when Russ' character, the scheming Roger Lococo, another government mole (CIA) sucked in too deep, leads her to believe that Mel might still be alive. She deludes herself into thinking that she and Vinnie are going to have a baby, complicating Terranova's mission when she can't communicate with FBI officials and has to be committed. Severance, unfortunately, like too many talented ladies in my long list of gems, had a career that went nowhere after "Wiseguy". She essentially became window dressing for a few totally mediocre films and was cast as social director in a lame revival of "The Love Boat". In the "easter egg" interview on the 4th disc of the DVD set, she also, apparently, has bleached her hair blond recently. CHEZ INFAMIE!! She looks like one of Charlie's Angels with that towheaded mess! Please, Joan, go back to brunette!! Roger Lococo, I might add, worships the ground Mel walked on, a very bad thing when you're supposed to be investigating somebody for the government. If there is any character anywhere near as unpredictable or dangerous as Spacey's Mel Profitt in this arc, it's definitely Russ' Roger Lococo. William Russ, oddly enough, ended up playing a sitcom dad for six years on a show called "Boy Meets World" after his run on "Wiseguy", but here, he gives Spacey his only real acting competition, though everybody's good. Jonathan Banks plays Vinny's ascerbic immediate boss, Frank McPike. Jim Byrnes, a man who has a knack for being in interesting TV shows, (he was also in the "Highlander" series later on,) plays Vinnie's mole's mole, "Uncle Mike". People like Clyde Kusatsu and Franklyn Seales are also in this arc, to good effect. Kusatsu plays one of Vinnie and Frank's colleagues and Seales is very good as a hot-tempered associate of Mel's who turns on him. Through it all, the acting, music, writing and production values are pure top notch CBS....cinematography is typically good CBS dramatic, with saturated colors and excellent scene composition. An urban sophistication no other network has been able to duplicate is apparent as well, and NO OTHER NETWORK had anything during this period in the eighties to equal it: not "L.A. Law", not "Twin Peaks", NOTHING was ever like the Mel Profitt arc of "Wiseguy"! I became a fan of this show from the moment I saw the first Profitt episode to the last series episode with Wahl in it. Unfortunately, they tried to foist another actor on us in place of Ken Wahl in the last two or three episodes of the fourth season, and it just didn't work, and "Wiseguy" was history. Damned shame, too. The same thing happened to "Moonlighting" and "The Equalizer", the only shows even close to being in its class. After the Mel Profitt arc, there were arcs starring Jerry Lewis as a 7th Ave. garment manufacturer. Ron Silver played his hotheaded son. Paul Winfield, Patti D'Urbanville and Tim Curry were feuding record producers and Robert Davi was a REAL "wiseguy". None of these arcs were as gripping and entertaining as the Mel Profitt arc of this show. I might go so far as to say that even the revered Sonny Steelgrave arc wasn't as good! Honest! If you appreciate good television crime drama and terrific acting, you could do MUCH worse than buy this entertaining arc of one of the best crime shows ever on television... "Only the toes knows..." ... Read more | |
| 4. The Favor Director: Donald Petrie | |
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Reviews (3)
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| 5. Wiseguy - The Complete First Season: Part 1 and Part 2 Director: Kim Manners, Les Sheldon, Roy Campanella II, Peter D. Marshall, Aaron Lipstadt, Neill Fearnley, Larry Shaw, Colin Bucksey, Bill Corcoran, Gus Trikonis, James A. Contner, Jan Eliasberg, Ron Rapiel, William A. Fraker, Charles Correll, Mario Van Peebles, Mario Azzopardi, Tucker Gates, Matthew Meshekoff, Jorge Montesi | |
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Amazon.com Season 1, Part 1--the first of six Wiseguy DVD sets--includes the entire nine-episode arc (plus pilot) in which Vinnie infiltrates the New Jersey mob family of Sonny Steelgrave, a silk-suited kingpin played by Ray Sharkey in his finest TV role. Their brotherly relationship poses a moral dilemma for Vinnie (giving the arc its dramatic core and primary source of suspense), and Wiseguy earned its reputation as a well-written series that favored character-driven tension while providing the requisite pulp fiction (i.e. occasional murder and mayhem) that kept viewers and advertisers happy. While the DVD packaging gives bogus equal billing to Annette Bening (who appears here in one pivotal episode), her pre-stardom appearance is indicative of the show's consistently high standards in writing, casting, and stylish direction. The styles may be dated (including poodle-puff hairdos for women, including Bening), but there's not a weak episode in the bunch, including the stand-alone shows (involving domestic crises for McPike and Burroughs) that allowed character growth beyond the story-arc structure. After the intense "Sonny Steelgrave" arc of first-season episodes, the producers of Wiseguy faced the challenge of topping themselves, and they did it by casting a relatively unknown New York stage actor named Kevin Spacey, who proceeded to chew up the scenery as only a future Oscar®-winner could. But Spacey's not the only reason for the giddy success of the "Mel Profitt" arc, which finds OCB agent Vinnie Terranova (Ken Wahl) teaming up with sociopathic assassin Roger Lococco (William Russ) in an effort to infiltrate the global drugs-and-guns empire of the Proffitt siblings Mel (Spacey), a "manic-depressive genius with acute paranoia," and his codependent sister Susan (Joan Severance), who keeps her incestuously devoted brother happy by injecting home-brewed narcotics between his toes (hence giving Spacey his trademark line, "Only the toes knows!"). TV audiences in 1988 had never seen such a twisted sibling relationship, and there's plenty of eccentric chemistry between Spacey and then-newcomer Severance, who later developed a loyal male following as a B-movie sexpot. Completing their triangle of terror is Russ, playing Lococco as a tormented Vietnam vet with a massive chip on his shoulder, luring Vinnie into a life of luxury and lethal behavior, thus complicating matters considerably for Vinnie's covert handlers McPike (Jonathan Banks) and Lifeguard (Jim Byrnes), who grow increasingly worried as Vinnie gains Mel Profitt's hard-won trust. The quality of these 12 episodes remains consistently high as the Profitts reach "psychotic critical mass," leading to Mafia connections and a new direction for Vinnie's loving mother (well-played by Elsa Raven). Through it all, Wahl (who proves himself a man of few words in a sparse one-episode commentary) maintains his strong presence as a leading man, generously allowing Spacey's rising star to shine. Wiseguy still had some highlights in its future, but the "Mel Profitt" arc represents the series at its best. --Jeff Shannon Reviews (1)
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| 6. Fort Apache, the Bronx Director: Daniel Petrie | |
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Amazon.com Reviews (8)
A script, acting and directing job that adds up to on excellent movie.
Having said that, Pamela Grier was much better than I remembered her being. Her ... hooker with a razorblade smile defined my opinions on females for a long time to come.
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| 7. Wiseguy - Sonny Steelgrave and the Mob Arc (Season 1 Part 1) | |
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Amazon.com Season 1, Part 1--the first of six Wiseguy DVD sets--includes the entire nine-episode arc (plus pilot) in which Vinnie infiltrates the New Jersey mob family of Sonny Steelgrave, a silk-suited kingpin played by Ray Sharkey in his finest TV role. Their brotherly relationship poses a moral dilemma for Vinnie (giving the arc its dramatic core and primary source of suspense), and Wiseguy earned its reputation as a well-written series that favored character-driven tension while providing the requisite pulp fiction (i.e. occasional murder and mayhem) that kept viewers and advertisers happy. While the DVD packaging gives bogus equal billing to Annette Bening (who appears here in one pivotal episode), her pre-stardom appearance is indicative of the show's consistently high standards in writing, casting, and stylish direction. The styles may be dated (including poodle-puff hairdos for women, including Bening), but there's not a weak episode in the bunch, including the stand-alone shows (involving domestic crises for McPike and Burroughs) that allowed character growth beyond the story-arc structure. It's all good, apart from a dispensable gag reel and commentaries by Wahl (on his two favorite episodes), who says little of interest between long gaps of silence. (He promises more on later DVDs, so Wiseguy devotees are advised to keep listening. Next up: the "Mel Profitt" arc, with guest star Kevin Spacey.) --Jeff Shannon Reviews (40)
Unfortunately, this DVD appears to have been produced as cheaply as possible. Each episode is one chapter, so pressing the next button on the remote takes you back to the menu. The original soundtrack is gone. The memorable scene with Sonny and Vinnie in the bar in 'No One Gets Out of Here Alive' does not have the same impact with generic elevator music as it did with 'Nights in White Satin.' The first 3 disks contain all 11 episodes of the Steelgrave Arc. There is audio commentary by Ken Whal for 2 episodes 'The Marriage of Heaven and Hell' and 'No One Gets Out of Here Alive'. The commentary has long gaps of silence, but is worth listening to for hard core fans of the show. The 4th disk has interviews with writer/producer Stephen J. Cannell and actor Johnathan Banks, 2 episodes completely unrelated to the Steelgrave Arc, and a gag reel. The episodes are 'People Do It All the Time' which focuses on Uncle Mike's relationship with his pregnant daughter, and 'Meet Mike McPike' which focuses on Frank's relationship with his ailing father. The gag reel was about 7 minutes and had a couple of funny scenes, but the majority of it was actors screwing up or forgetting their lines and then saying the f-word. The 4th disk seemed like they were just throwing stuff together to fill up space. 5 stars for the show. 1 star for the DVD.
Like other reviewers here, I was waiting for "Nights in White Satin" in the last episode, and until I checked here, I was wondering if perhaps I remembered it wrong. Well, it's a relief to find out my memory hasn't deteroriated yet. However, it's a shame that music rights issues still cause so many problems. I wouldn't be too quick to blame the Moody Blues, or any other artist. Very often the artists have nothing to do with these decisions. Also, the producers very likely wanted to include the original songs, but the licensing demands may have made the cost of production prohibitive...yes? In the last few years, especially since DVD was introduced, film and TV productions routinely negotiate the music rights at the time of production, so that it doesn't become an issue in future video releases. Since this wasn't a practice in earlier days, we unfortunately get stuck with compromises like this one. Frankly, I always thought the use of "Nights in White Satin" was somewhat bizarre and incongruous, since it's such a romantic piece... but that's doubtless why I remember the original scene so well. I guess I'm lucky that's the only change that I notice (it is pretty glaring). From what I've read it's not the creative people (like Stephen Cannell or the Moody Blues) who put up these roadblocks. There are plenty of greedy "suits" who control the rights, and a director or producer may not be able to say "boo" to them. (They're probably the kind of people Sonny Steelgrave hangs out with...) For me it's worth it to have these shows in my collection. It's fun to revisit the days when a story "arc" was something new (it's become the rule today). The writing and acting are first-rate, and as for the music... well, the original theme is still catchy!
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| 8. Jinxed Director: Don Siegel, Sam Peckinpah | |
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| 9. The Gladiator Director: Abel Ferrara | |
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| 10. Gladiator | |
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| 11. Desperate Men | |
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| 12. Wiseguy - Mel Profit | |
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| 13. Wiseguy - Mel Profit | |
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| 14. Wiseguy - Mel Profit | |
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| 15. Wiseguy - Mel Profit | |
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