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| 1. Summer Magic Director: James Neilson | |
![]() | Asin: B00005JMVV Catlog: DVD Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (24)
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| 2. Beach Blanket Bingo Director: William Asher | |
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Reviews (22)
Director William Asher had Roger Corman's Poe movie cinematographer Floyd Crosby on this film, making it the best looking of the series. The color is rich, the compositions dynamic and the camera more mobile than usual, giving the film a greater sense of excitement. Finally, series composer Les Baxter also had a bigger hand in writing and arranging the songs this time around, and they are much better than usual for this series -- the title tune is a standout. If you have a taste for American-International's Beach Party pictures, this is the best, and if you've never seen one before, this is the one to start with... Loads of fun!
In this sequel, Dee Dee (Annette Funicello) and Frankie (Frankie Avalon) decide to take skydiving lessons from the hard-nosed pilot John Ashley and the late Deborah Walley. Things get complicated when up-and-coming pop singer Sugar Kane (Linda Evans) ends up in Frankie's arms - literally - and the ... Deborah decides to make Frankie an afterschool sweetheart! Dumb-as-stumps Deadhead (Jody McCrea) falls in love with an elusive mermaid (Marta Kristen) and the always-annoying Eric Von Zipper (Harvey Lembeck) and his "Rats" show up to kidnap the lovely Sugar Kane... Featuring a memorable title song as well as great musical turns by Frankie Avalon, Annette Funicello and Donna Loren. There are also great cameo roles from Earl Wilson, Don Rickles, Paul Lynde, Buster Keaton and Bobbi Shaw (reprising her role as Keaton's dizzy sidekick). The DVD includes the trailer. (Single-sided, single-layer disc).
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| 3. Benji Director: Joe Camp | |
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Reviews (10)
The story of this movie is almost as extraordinary as the film itself. Everybody laughed at Joe Camp when he described the movie he wanted to make. This man who had never even made a movie or worked with animals before was committed to writing, producing, and directing a film told from the viewpoint of a dog. There would be no dubbed voices telling the audience what the dog was thinking; the dog himself would communicate his feelings through his demeanor and facial expressions. Even Frank Inn, Benji's owner, thought the idea was crazy when Camp came to him looking for a dog who could act. It just so happened, though, that Camp spotted Benji and immediately knew he had found his star. Benji was already an older dog who had retired from a distinguished seven-year career on the television show Petticoat Junction. Frank Inn, the man who had rescued Benji from the pound many years earlier, didn't know it, but Benji's greatest performance was yet to come. In a way, the story of the movie is rather simple. Benji is a stray who is loved by folks all over the neighborhood, yet the place he calls home is a lonely, abandoned house. Every day, he follows the same routine: he first heads to the Chapman house to be fed and loved by young Cindy and Paul (whose father will not allow them to keep a stray dog), then he is off to chase a neighboring cat (whose owner is played by Frances "Aunt Bee" Bavier), wake up old Bill (Petticoat Junction buddy Edgar Buchanan) at the café, entertain a police officer, and rummage for food in the park. One special day, Benji meets a cute little white dog in the park, and the two of them become inseparable. Then disaster strikes; Benji's home is invaded by strangers who kidnap Cindy and Paul and hold them hostage there. Benji goes all over town trying to tell his human friends where the children are, but no one will listen to him. If he is to save the children he loves as well as his new friend Tiffany, he is going to have to come up with a way to make the humans understand him. The last twenty minutes of this film are among the most powerful cinematic moments I have ever witnessed. Benji turns in one of the greatest performances of all time. Laugh if you will, but I consider Benji's performance one of the ten greatest performances of all time - that includes human as well as animal actors. Two scenes in particular reveal the depth of Benji's acting skills. I cannot describe what happens here without giving away important plot details, but it sends tears pouring down my cheeks no matter how many times I watch it. You can literally read Benji's thought process and intense emotions on his face. While it may not be manly to admit, I actually sob during these climactic scenes. To be honest, I cry many times throughout this movie. I am one of those people who love animals more than people, really, and I can't stand to see an animal sad or hurt. Benji's loneliness at the beginning of the movie touches me deeply, and his joyful relationship with his new little friend Tiffany moves me beyond words. The later scenes, though, include one traumatic moment that almost breaks my heart when it happens. Obviously, I could sing praises to Benji all day. This is one of the greatest movies of all time; there really is no other movie like it. Joe Camp succeeded fabulously in telling this story from Benji's point of view. Even the most minor human characters express feelings that go far beyond mere words, and the music, while certainly evocative of the early 1970s era, complements and intensifies every scene perfectly. (The theme song I Feel the Love, sung by Charlie Rich, won a Golden Globe award and was nominated for an Academy Award.) In closing, I must mention the fact that Benji was as much a hero in real life as he was in this feature film. This vintage American "mutt" whom Frank Inn rescued from an animal shelter as a puppy really left an impressive mark on this world. He and owner Frank Inn literally toured the world, bringing joy to untold numbers of children. More importantly, he indirectly saved the lives of thousands of dogs waiting and hoping to be adopted from animal shelters. I love Benji as if he were my very own dog; he was a ray of sunlight in my childhood and he remains a true hero to me still. I dearly hope that today's children can get to know and love this dog and this movie as much as I do.
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| 4. Spinout Director: Norman Taurog | |
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Amazon.com | |
| 5. Bon Voyage! Director: James Neilson | |
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Reviews (6)
I am very familiar with the various negatives of this film. I agree with several reviewers that a DVD should contain the best possible picture and sound element. It should also present the film in its original, projected aspect ratio, which for BON VOYAGE was 1:85.1 (Academy 'flat') which gives the film a slight, rectangular image. However, full frame, 4 by 3 transfers of 1:85x1 pictures are not necessarily all that bad. You loose a little picture on the sides, but not really that much. Some work could have been done on color correcting, although the DVD's 'look' exactly matches the projected film. I also agree that a few 'extras' would have been nice, even just the theatrical trailer. Walt Disney filmed 'everything' to do with his studio's product, so there must be a good amount of 'extras' for BON VOYAGE in the Disney film vaults. Why aren't they included? Anyway, it's still nice to have this some-what overlong film back on the market. I grabbed a copy at BestBuy as soon as I spotted it. I have always felt that it was about 20 minutes too long, and that it incorporated two scenes (Fred McMurray and the French prostitute in Paris, and the attempted extortion of son Elliot on the Riviera) that should not have been in the script. The film might have done better with its intended audience. Tommy Kirk's performance as Elliot, however, is a treasure; he was a very polished actor, and gave wonderful comic relief it wasn't 'mugging' but was built solely out of his character. Look for one mistake the original director made, and it's in the original negative, although it shouldn't have been included. When McMurray punches the Casanova in the casino at the film's end, immediately go frame by frame for a few seconds and you can see the sound stage floor, complete with ladders for the cameras, and even some of the crew in the background. Some of the scenes bettween McMurray and James Callan (father to young suitor) still resonate even in today's society. And McMurray lost in the Paris sewers is still very funny.
"No wonder the company is about to be taken over and broken up -- DVD was introduced to be an alternative to video, to offer more than video: better picture, more extras, and most importantly, more picture. Letterboxing. Widescreen. The complete image. So what does Disney do? They take some of their most beloved live-action films such as this one, and dump it on DVD in full-frame editions. What is the point of that? Who isn't used to widescreen DVDs yet? Why should I waste my money replacing my old Disney videos with the same crappy full screen image as before? Disney just doesn't get it, and their sales show it. Quote From Viewer From New York" I just watched it for the first time I bought it when it came out but didn't watch until today. In fact I am watching the DVD as I right htis review. I agree with you completely. The best part about it were the menus.
I have a VHS of it that I bought when it came out in 1986 but I was so anxious for this dVD to come out. I wish that there were going to be special features on it but I bought it anyways. Harry Willard(Fred MacMurray) and his wife Katie (Jane Wyman) go on a sea voyage to beautiful France with their 3 children. Amy (Deborah Walley) Elliot (Tommy Kirk) and Skipper(Kevin Corcoran). Amy is dead happy about the trip, Elliot couldn't care less, and Skipper is just happy anyplace. This movie starts out @ the Shipping Office in New York City. Where Amy runs into Playboy Nicholas O'Marra (Michael Callan) well they set sail on the classic ship S.S. Pacific ? I can't remember the exact name. And they have a lot of adventures on the boat. WHen they get to Paris they first go to the Eifel Tower. But Amy runs into Nick and that fumes Harry because He can't stand Nick. Well the movie rolls along and it has a lot of funny scenes. Like when Harry gets lost in the Sewer System of Paris. And when Harry meets the Lady with the mustache (ooh what a disgusting occurance). This movie ends when Harry punches the evil Rudolph for making advances to his wife in a Casino in the French Riviera. Watch for the grand theme song. Which is my favorite part of the movie. I have been waiting for years for this movie to come out on DVD. ... Read more | |
| 6. Benji / For the Love of Benji Director: Joe Camp | |
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our price: $13.46 (price subject to change: see help) Asin: B0002H3S7I Catlog: DVD Sales Rank: 31613 US | Canada | United Kingdom | Germany | France | Japan |
| 7. Benji Director: Joe Camp | |
![]() | list price: $24.99
(price subject to change: see help) Asin: 6305268185 Catlog: DVD Sales Rank: 36049 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (10)
The story of this movie is almost as extraordinary as the film itself. Everybody laughed at Joe Camp when he described the movie he wanted to make. This man who had never even made a movie or worked with animals before was committed to writing, producing, and directing a film told from the viewpoint of a dog. There would be no dubbed voices telling the audience what the dog was thinking; the dog himself would communicate his feelings through his demeanor and facial expressions. Even Frank Inn, Benji's owner, thought the idea was crazy when Camp came to him looking for a dog who could act. It just so happened, though, that Camp spotted Benji and immediately knew he had found his star. Benji was already an older dog who had retired from a distinguished seven-year career on the television show Petticoat Junction. Frank Inn, the man who had rescued Benji from the pound many years earlier, didn't know it, but Benji's greatest performance was yet to come. In a way, the story of the movie is rather simple. Benji is a stray who is loved by folks all over the neighborhood, yet the place he calls home is a lonely, abandoned house. Every day, he follows the same routine: he first heads to the Chapman house to be fed and loved by young Cindy and Paul (whose father will not allow them to keep a stray dog), then he is off to chase a neighboring cat (whose owner is played by Frances "Aunt Bee" Bavier), wake up old Bill (Petticoat Junction buddy Edgar Buchanan) at the café, entertain a police officer, and rummage for food in the park. One special day, Benji meets a cute little white dog in the park, and the two of them become inseparable. Then disaster strikes; Benji's home is invaded by strangers who kidnap Cindy and Paul and hold them hostage there. Benji goes all over town trying to tell his human friends where the children are, but no one will listen to him. If he is to save the children he loves as well as his new friend Tiffany, he is going to have to come up with a way to make the humans understand him. The last twenty minutes of this film are among the most powerful cinematic moments I have ever witnessed. Benji turns in one of the greatest performances of all time. Laugh if you will, but I consider Benji's performance one of the ten greatest performances of all time - that includes human as well as animal actors. Two scenes in particular reveal the depth of Benji's acting skills. I cannot describe what happens here without giving away important plot details, but it sends tears pouring down my cheeks no matter how many times I watch it. You can literally read Benji's thought process and intense emotions on his face. While it may not be manly to admit, I actually sob during these climactic scenes. To be honest, I cry many times throughout this movie. I am one of those people who love animals more than people, really, and I can't stand to see an animal sad or hurt. Benji's loneliness at the beginning of the movie touches me deeply, and his joyful relationship with his new little friend Tiffany moves me beyond words. The later scenes, though, include one traumatic moment that almost breaks my heart when it happens. Obviously, I could sing praises to Benji all day. This is one of the greatest movies of all time; there really is no other movie like it. Joe Camp succeeded fabulously in telling this story from Benji's point of view. Even the most minor human characters express feelings that go far beyond mere words, and the music, while certainly evocative of the early 1970s era, complements and intensifies every scene perfectly. (The theme song I Feel the Love, sung by Charlie Rich, won a Golden Globe award and was nominated for an Academy Award.) In closing, I must mention the fact that Benji was as much a hero in real life as he was in this feature film. This vintage American "mutt" whom Frank Inn rescued from an animal shelter as a puppy really left an impressive mark on this world. He and owner Frank Inn literally toured the world, bringing joy to untold numbers of children. More importantly, he indirectly saved the lives of thousands of dogs waiting and hoping to be adopted from animal shelters. I love Benji as if he were my very own dog; he was a ray of sunlight in my childhood and he remains a true hero to me still. I dearly hope that today's children can get to know and love this dog and this movie as much as I do.
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| 8. The Bubble Director: Arch Oboler | |
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| 9. Benji Director: Joe Camp | |
![]() | list price: $19.95
(price subject to change: see help) Asin: B00005A8S9 Catlog: DVD Sales Rank: 40610 US | Canada | United Kingdom | Germany | France | Japan |
| 10. Severed Arm | |
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