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| 1. Nip/Tuck - The Complete Second Season | |
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Reviews (7)
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| 2. Nip/Tuck - The Complete First Season | |
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Reviews (33)
The plot centers on Dr. Sean McNamara (Dylan Walsh) and his partner in crime Dr. Christian Troy (Julian McMahon). They are both plastic surgeons who share their medical practice. Together they help people to hide on the outside what they can't face on the inside. Sean McNamara has a wife (Joely Richardson) and two children, and seems to be relatively content with his life. That is, if you ignore the fact that he doesn't talk to his wife and kids as much as he should because of his work hours. Furthermore, his wife feels resentment towards him because she raised the kids alone and helped support him through medical school while ignoring her own dreams. Christian Troy is the antithesis of Sean in many ways. He is a commitment-phobic sex addict who tries to get out and enjoy what life has to offer. The fact that he makes a ton of money and can wave that notion in women's faces certainly aids him in his quest. Undoubtedly, he has made several enemies along the way. The relationship between these two is complex. They are more than mere business partners. They are best friends and confidants, and together they get themselves mixed up in strange medley of unsettling incidences that will test their friendship and ultimately bring them closer than ever before. Throughout the course of this first season, they will be unwillingly involved in trafficking drugs across the border, disguising child molesters, and even getting rid of a dead body. In addition to the roller coaster ride of events they experience together, they each have their own separate personal ordeals that must be dealt with. Dr. McNamara's crumbling marriage is a constant reminder of his failures, and Dr. Troy's risqué love life will come back to haunt him. The ultimate theme for the series is that no matter how beautiful we look on the outside, there can still be hideousness on the inside. We are a society of grit and grime, and no amount of money and technology will change that. Nip/Tuck portrays that harsh reality in a brutal, in-your-face manner that is both intriguing and addicting. The symbolism seen in the opening of each episode is a great way to emphasize this point. I must admit that I wasn't all that interested in this series after the first couple of episodes. They seemed to plunge the viewer right into the plot without spending much time developing the characters. I wanted to know who these people were and why they would do some of the things they were doing. However, I'm glad I stuck with it and continued to watch. With each new episode, small tidbits of each character's personality are revealed. These are complex characters that can't be explained in a few episodes. The writing for each episode is phenomenal, with each one being better than its predecessor. I definitely suggest this series to fans of good television. I should note that the plastic surgery scenes tend to be quite graphic and are definitely not suitable for everyone, but don't let that keep you from checking this out. I can't wait for the second season to come out on DVD!
It's definitely not for everyone though. No sirree. First of all, if you're squeamish, the brilliantly reproduced surgeries can be a bit nauseating. (I'm a surgeon, and I loved 'em. My wife, an ex-nurse, had to close her eyes...) Third, if you appreciate good acting, it does not get any better than this. Seriously. This is "Sopranos" good; "NYPD Blue" good. The two lead performances are pitch-perfect, both deeply flawed and often morally reprehensible individuals who at the end of the day, you can't help but root for. The "supporting" players are a heck lot more than that, and provide tons of drama, amusement and eye candy. Fourth, the screenwriting is bling-bling eye-popping, smart as all hell and consistently surprising. The thirteen episodes link nicely together, the first ones dovetailing back into the last ones. I was constantly taken aback at the twists, the lines, the situations they came up with. Let's just say that I learned in the very first episode that crocodiles prefer ham to human flesh. And that fact is actually important to the story... I haven't even had a chance to go through what appears to be fairly extensive supplements and deleted scenes. I HAD to write in...I will recommend this to ANYONE, anyone over 18 I should say, who likes good television and may like to be pleasantly shocked from time to time. With great restraint I have withheld many (if not all) plot points, because the exhilarating thrill of discovering them on your own is something you'll only feel once. Without spoiling too much, the show centers on the Miami plastic surgery practice of McNamara/Troy. The one thing that struck me the most about these shows is the amount of genuine heart that stands at the center of each episode. There is a large amount of provocative, politically incorrect but unassailable truth here...nothing you'd like to admit, but stuff you instantly recognize. As you get to know these characters, establshing empathy fir them is easy. It's darn near irresistible. I was hooked from the first five minutes. I could write more, but I need to go check out the extras, AND the four NEW episodes I have on tape. I have just GOT to get my Tivo hooked up...
Drs. Sean McNamara and Christian Troy are not as shallow as their profession would have you assume. I think that is the focal point of the show. These two guys care more than they should, and they care about each other most of all. Each episode has a story in itself, as well as advances an overall story of the season. You'll find yourself addicted to the next episode. You'll want the next story and you will want to know what is going to happen to these characters, Sean and Christian, Sean's wife and son, as well as the patients that come through or in and out of the plastic surgeon's lives. This is a show where you care about the principle characters along with the second tier story tellers, i.e. the patients. Definitely give this series a try. F/X has got the best one-hour dramas out there. ... Read more | |
| 3. We Were Soldiers Director: Randall Wallace | |
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Reviews (424)
From the book "We Were Soldiers...And Young", the main character is Lt. Col. Hal Moore (Mel Gibson), a family man put in charge of, for the most part, green officers and men. The film also stars Sam Eliott, Chris Klein, Madeline Stowe, Keri Russell, and Berry Pepper. The majority of the movie takes place in Vietnam, where Moore and his 7th Cavalry fights 4000 NVA's while there are only 300 with Moore. The battle scenes (which comprise the movie pretty much) are gory. Now, this isn't the goriest battle sequences you've ever seen, but it ranks number three in my book ("Black Hawk Down" and "Saving Private Ryan" taking the other two) for realistic wounds and such. The battle is hot and exciting, featuring infantry, air force, artillery, the whole deal. Some of the most frightening scenes come at night, when we see how close the NVA's really get to the lines. Wallace effectively knows when to change scenes at different places of the battle, and the changing it to back home with the soldiers' wives. Gibson of course performs admirably here. He plays Moore to detail as not only a father of seven, but a father of three hundred. Sam Eliott was casted brilliantly as the gruff Sgt. Major, Barry Pepper as the journalist who would write the book along with Moore, Klein as an upcoming platoon leader that meets his demise, and Russell and Stowe clean up at home. Once again a great ensemble cast, and a great film. A little lengthy, but this film makes it worthwhile. "We Were Soldiers" is a rather positive look on Vietnam, thankfully conveyed by Wallace and Gibson. I knew that Wallace had written the flop "Pearl Harbor", but the last time that he and Gibson got together was "Braveheart", and we all know how successful that movie was. "We Were Soldiers" is no different, with intense battles, emotion, and the reminder that heroes can just be ordinary people.
I don't know why I had trouble completely connecting with the movie. Perhaps the main reason is after so many movies dealing with the late-war period like "Apocalypse Now", and "Platoon", it's a bit of a culture shock seeing earnest, crew-cut soldiers that look like they stepped off of "Sands of Iwo Jima." We're used to seeing our average Vietnam grunt as a stoned-out disaffected short-timer. This isn't the director's fault - the Oliver Stone version of the war was four years in the future, but in might as well have been forty. So what remains is a conventional war story which could have just as well taken place on Okinawa or in Korea. The political and spiritual upheaval caused by the war was just a glimmer, and the film can't really address it. The brief scenes of Colonel Moore's Vietnamese officer counterpart are interesting but far too short. The North Vietnamese soldiers, at least, are humans, we see them as individuals with histories and feelings, and rather than mindless insects or worse, sadists ("Deerhunter"). Recommended reading: Moore's book, "We Were Soldiers", is better than the movie. Another account of the battle is Larry Gwin's book, "Baptism" which follows a different battalion which, while walking back from the Ia Drang, was ambushed and nearly wiped out.
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| 4. Nobody's Fool Director: Robert Benton | |
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Reviews (34)
Paul Newman is perfect as Sully, Bruce Willis is astounding as a small-town builder, and Rachel Griffiths is heartwarming as Willis' wife. If you like the book, see the movie; if you like the movie, definitely read the book.
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| 5. Congo Director: Frank Marshall | |
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Reviews (85)
The story begins in the jungles of the Congo. An expedition of scientists has discovered an incredible find: a huge source of pure, blue diamonds. They communicate the good news back home, but before they can transmit their coordinates, they are suddenly attacked and killed. But by what? Another scientist is sent in to find out. Dr. Karen Ross (Laura Linney), for reasons best left unexplained, attaches herself to a mission already bound for Zaire. A primatologist (Dylan Walsh) is returning his talking gorilla-she communicates through sign language-to her home in Africa. He is accompanied by a mysterious and very shady Romanian "philanthropist" with the unlikely name of Herkermer Homolka (Tim Curry). Karen comes along at a crucial time with a pile of money and is soon part of the gang. Once in Africa, they meet up with Monroe Kelly (Ernie Hudson), their Great White Hunter "who happens to be black." That's when their adventure begins in earnest and it is a wild one. I won't give it away here-you probably wouldn't believe me anyway-but it is exciting and suspenseful, if never actually believable. The screenplay for "Congo" was written by noted playwright John Patrick Shanley ("Moonstruck"). He has an odd sense of humor-witness his underrated "Joe Vs. the Volcano"-that is very much in evidence here. The story at times borders on the ludicrous and it is filled with all the delightful cliches that usually populate jungle adventure films (e.g. porters who go missing in the night, and a corpse with a diamond clutched in its hand). Maybe the film wouldn't have worked any other way. I don't know. By making the story a pseudo-spoof, though, Shanley has removed the dramatic tension and suspense that made the novel work. Since everything is played for laughs-all too frequently unintentionally-then it is almost impossible for us to really get involved and care about what is happening. Still, there is always pleasure to be had from a film that doesn't take itself too seriously and is not above poking fun at the customs of its genre. "Congo" has that, plus a few exciting scenes and some fun performances, particularly by Ernie Hudson. It is certainly not a great film, but it is a pleasant diversion on a hot summer day.
What she things is an ancient legendary city and killer gorilas. Can the survive and get off the island. Before the volcano errupts. If you like Congo I also recomend Raptor, Python, Phyton 2, Anadaconda.
"Congo" is entertaining, well directed, scored and acted. It is well worth the price of purchase and my only critcism (the devil is in the details) is the depiction of too few porters to haul the amount of equipment they kept coming up with for different scenes. Laura Linney's character was great! She had the best lines in the movie too. Rent it or buy it, you will not regret it. ... Read more | |
| 6. Loverboy Director: Joan Micklin Silver | |
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Reviews (14)
The thing is, it's only very mildly amusing (and I do put emphasis on very mildly). You'll get bored and want something fresher and funnier. If you want to see a good Patrick Dempsey movie, try "With Honors." It's a lot better than the idiotic mess that "Loverboy" was made from. The only reason for the second star was that it ended and it had the latter mentioned actresses in it. Rated PG-13 for language and sexual innueudos.
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| 7. Blood Work (Widescreen Edition) Director: Clint Eastwood | |
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Description Reviews (90)
The sister of the murdered woman tracks Terry, who is now retired from the FBI down and pleads with him to look into the investigation. So with a license or the authority he takes on the investigation. The investigation goes from one unbelievable twist to another. I found this movie to move way to fast. The twists and the conclusions that Eastwoods makes from the clues are really hard to swallow. In particular the part when the sister asks for his help. He basically jumped to this womans rescue without even thinking about what he was getting himself into. He was only sixty days post-op from his transplant surgery. I think this was Eastwoods last hurray at a detective movie. At least I hope. He should stick to directing as he states he wants to do more of in the making of special feature. I think he wanted one more Dirty Harry moment before he stepped behind the camera.
Terry McCaleb is a former FBI agent Miami who recently retired after a minor heart attack forced him to retire from the job of police investigator until after a string of killings, he comes out of retirement and goes back on the job when the sister of a murder victim is desperate to have her sister's killer brought to justice. Terry McCaleb has had a hard life because of the frustration of letting the killer slip through his hands due to the heart ailment that he suffered just as he was about to catch him. Even more daunting is that the victims' blood matches McCaleb's and he in fact got a heart transplant from one of the murder victims but defies the health effects of his heart transplant to bring down the killer before he strikes again. This movie is a really good thriller for the most part but the movie does have it's share of flaws like even a lot of positive reviews have emphasized. One of the is that the acting by the entire cast, while decent, does from time to time, drift off in all directions. However my favorite one was actor Paul Rodriguez. While he doesn't have a whole lot of acting time on this film, he is so funny as the hot-tempered chief who has had a long standing semi-rivalry with McCaleb. Seeing his character go ballistic all the time is so funny and to be honest, besides Clint Eastwood, Paul Rodriguez really is the shining star for me. "Blood Work" is also marred somewhat by a slow moving storyline and it drags on in places and as a result it's sometimes hard to watch the movie without sitting still or getting bored but it does pick back up before you would fall asleep. One lovemaking scene between Gracielle Rivers(Wanda De Jesus) and McCaleb was somewhat iffy in my opinion due to their age differences and it felt cold to me. However, The idea of the killer targeting individuals with the same blood type is in my opinion quite original and keeps this movie from being totally predictable. This is not an essential movie by any stretch of the imagination but for those who like shows like "CSI" as well as "CSI: Miami", then this film is worth a look or two. The DVD has offers no worthy extras in my opinion.
As a devout reader of crime mystery, I had to have this movie for my library because it was a Michael Connelly novel - no other reason. It was distressing not to at least have an interview on the DVD with Mr. Connelly. The acting is mostly mediocre, with the exception of Eastwood. Buddy is miscast with Daniels, as is Graciela with DeJesus. I like the work of Daniels, and he would have been better in the cop role. If you want a good cop movie, by another great writer, try the Onion Field.
He gets out of retirement after being asked by the sister of the murder victim to help her track down the one responsible for the crime. This serial killer targets individuals who have blood types that match that of the former retiree. This movie is good to a degree but the whole thing is just watered down by a very predictable outcome and does nothing to make it very memorable. The acting has seen better days as well. Not a bad film but this could really have been a lot better in my honest opinion. ... Read more | |
| 8. Chapter Zero | |
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| 9. Blood Work (Full Screen Edition) Director: Clint Eastwood | |
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Description Reviews (90)
The sister of the murdered woman tracks Terry, who is now retired from the FBI down and pleads with him to look into the investigation. So with a license or the authority he takes on the investigation. The investigation goes from one unbelievable twist to another. I found this movie to move way to fast. The twists and the conclusions that Eastwoods makes from the clues are really hard to swallow. In particular the part when the sister asks for his help. He basically jumped to this womans rescue without even thinking about what he was getting himself into. He was only sixty days post-op from his transplant surgery. I think this was Eastwoods last hurray at a detective movie. At least I hope. He should stick to directing as he states he wants to do more of in the making of special feature. I think he wanted one more Dirty Harry moment before he stepped behind the camera.
Terry McCaleb is a former FBI agent Miami who recently retired after a minor heart attack forced him to retire from the job of police investigator until after a string of killings, he comes out of retirement and goes back on the job when the sister of a murder victim is desperate to have her sister's killer brought to justice. Terry McCaleb has had a hard life because of the frustration of letting the killer slip through his hands due to the heart ailment that he suffered just as he was about to catch him. Even more daunting is that the victims' blood matches McCaleb's and he in fact got a heart transplant from one of the murder victims but defies the health effects of his heart transplant to bring down the killer before he strikes again. This movie is a really good thriller for the most part but the movie does have it's share of flaws like even a lot of positive reviews have emphasized. One of the is that the acting by the entire cast, while decent, does from time to time, drift off in all directions. However my favorite one was actor Paul Rodriguez. While he doesn't have a whole lot of acting time on this film, he is so funny as the hot-tempered chief who has had a long standing semi-rivalry with McCaleb. Seeing his character go ballistic all the time is so funny and to be honest, besides Clint Eastwood, Paul Rodriguez really is the shining star for me. "Blood Work" is also marred somewhat by a slow moving storyline and it drags on in places and as a result it's sometimes hard to watch the movie without sitting still or getting bored but it does pick back up before you would fall asleep. One lovemaking scene between Gracielle Rivers(Wanda De Jesus) and McCaleb was somewhat iffy in my opinion due to their age differences and it felt cold to me. However, The idea of the killer targeting individuals with the same blood type is in my opinion quite original and keeps this movie from being totally predictable. This is not an essential movie by any stretch of the imagination but for those who like shows like "CSI" as well as "CSI: Miami", then this film is worth a look or two. The DVD has offers no worthy extras in my opinion.
As a devout reader of crime mystery, I had to have this movie for my library because it was a Michael Connelly novel - no other reason. It was distressing not to at least have an interview on the DVD with Mr. Connelly. The acting is mostly mediocre, with the exception of Eastwood. Buddy is miscast with Daniels, as is Graciela with DeJesus. I like the work of Daniels, and he would have been better in the cop role. If you want a good cop movie, by another great writer, try the Onion Field.
He gets out of retirement after being asked by the sister of the murder victim to help her track down the one responsible for the crime. This serial killer targets individuals who have blood types that match that of the former retiree. This movie is good to a degree but the whole thing is just watered down by a very predictable outcome and does nothing to make it very memorable. The acting has seen better days as well. Not a bad film but this could really have been a lot better in my honest opinion. ... Read more | |
| 10. Betsy's Wedding Director: Alan Alda | |
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Reviews (10)
FROM A BIG ALAN ALDA FAN FOR 4 YEARS NOW KIRSTEN
Directed by Alan Alda made a often uproarious comedy. This film has a great supporting Cast including:Madeline Kahn, Oscar-Winner:Joe Pesci, Ally Sheedy, Burt Young, Joey Bishop, Catherine O`Hara and Anthony La Paglia, this is a light-hearted film. Grade:B+. ... Read more | |
| 11. Power Play Director: Joseph Zito | |
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| 12. Where the Heart Is Director: John Boorman | |
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Description Reviews (8)
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| 13. Men Director: Zoe Clarke-Williams | |
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| 14. Changing Habits Director: Lynn Roth | |
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Reviews (3)
Ironically they list this movie as a romance-comedy when in fact it is a romance drama. They rated the Cutting Edge as a romance dram but that is a romance comedy. How do they figure these things out?
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| 15. Changing Habits Director: Lynn Roth | |
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Reviews (3)
Ironically they list this movie as a romance-comedy when in fact it is a romance drama. They rated the Cutting Edge as a romance dram but that is a romance comedy. How do they figure these things out?
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| 16. Almost Perfect Bank Robbery Director: David Burton Morris | |
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| 17. Arctic Blue Director: Peter Masterson | |
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Reviews (1)
Welcome to Devil's Cauldron, Alaska, population roughly twenty. The main characters are a young couple working for the oil company, Eric and Anne Marie (Dylan Walsh and Rya Kihlstedt respectively), and a quartet of rough looking mountain men led by Ben Corbett (Hauer). Nobody really likes having these trappers hanging around town, let alone poaching out in the woods, but everybody leaves them alone because they fear their wild ways and insolent behavior. When Corbett and his ruffians murder a man out in the forest, it is up to the sheriff to bring the men to justice. Since the cop is aware of the dangers inherent in messing around with the mountain men, he enlists Eric and Anne Marie in the apprehension of Corbett. Bad move for Eric and his lady. Corbett has no intention of waiting around for the chopper to arrive and fly him to Fairbanks for a trial. After the trapper kills the sheriff in an escape attempt, Eric decides to fly Corbett to Fairbanks himself in his oil company's little plane. Of course, the aircraft goes down in the mountains after Ben turns the engine off in mid-flight, thus leaving the two men stranded in the wilderness with only each other to depend upon. Meanwhile, back in town Corbett's goons hunt down Eric's woman in an attempt to discover the whereabouts of Ben. There's also some lame subplot about the mayor of the town thwarting Eric's efforts to bring Corbett to justice. Eric and Ben spend a few days tramping through the snowy landscapes of Alaska where they deal with hunger, finding shelter, staying warm, and occasional escape attempts orchestrated by Ben. The two grow to like each other despite the fact Corbett is a murderer who could very well try to kill Eric before the two reach town. You could call the budding relationship between Eric and Ben male bonding, I guess. I would call it nonsensical and utterly ridiculous. When Eric finally gets Ben back in a jail cell in Devil's Cauldron, the other three trappers come looking for their compatriot. These guys mean business in a very serious way, and won't hesitate to kill anyone who opposes them. An extended chase scene occurs as Eric and Anne Marie try to get Ben Corbett into a chopper before his pals blow their heads off. The conclusion of the film is about as ridiculous as the rest of the film, an ending that worked in a movie like "Midnight Run" but fails totally here. Finishing "Arctic Blue" takes an immense amount of patience on the part of the viewer. The movie could have succeeded if the editing, plot, script, and pacing worked better. As it stands, the people behind the film attempted to do too much with too little. Several themes running throughout the film, such as the trapper as a dying breed in a modern world, never go anywhere. You feel nothing for Corbett and his pals because most of them are violent jerks wantonly destroying the environment, terrorizing visitors and townspeople, and killing innocent people. Moreover, other plot points go nowhere or make little sense. Why, for example, didn't Eric just kill Corbett after the man murdered the sheriff right in front of him? Why was the sheriff's body hanging in a tree towards the end of the film? Why, exactly, was the guy running for mayor so intent on doing everything in his power to place roadblocks in Eric's path? How is it possible to wonder around in the wilderness without adequate clothing? As I watched the film, I kept wondering if I nodded off during important scenes that explained these mysteries. By the time the end of the film rolled around, I came to understand it was the film's fault and not mine. The DVD edition includes trailers ("Arctic Blue," "Striking Distance," "The Replacement Killers") and a commentary from director Peter Masterson. The picture quality is sharp despite a fullscreen presentation. The best advice I can give you concerning this movie is to rent it and not buy it. Even diehard Rutger Hauer fans will probably express disappointment over what should have been (and probably was) a straight to video film. Watch it if you must see every Hauer film known to man, but you're better off simply watching "Blade Runner" or "The Hitcher" again. ... Read more | |
| 18. Almost Perfect Bank Robbery Director: David Burton Morris | |
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| 19. Final Voyage Director: Jim Wynorski | |
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Description | |
| 20. Eden Director: Howard Goldberg | |
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Description Reviews (11)
I find the astral projection angle puzzling, though. Little was actually explained about it - little was shown. There was no mention of how long she'd been doing it or why she could do it when others couldn't. When did she start it? It was like some scenes were missing. I suppose the angle works if you take astral projection as a metaphor for something she needed and used for escape. It's just such a darn unusual activity that the lack of background information puzzled me. Also, a student living at her house kept mocking her behind her back by saying "Psycho-somatic" whenever she acted a little bit odd. Were we supposed to think that maybe she was imagining everything? I feel much could've been made clearer. Still, I recommend the movie. It's okay to be asked to use your brain and interpret for yourself.
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