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| 1. Batman Director: Tim Burton | |
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Amazon.com Reviews (261)
My favorite line from the movie: Mugger: Don't kill me.
One of the most striking things about "Batman" is the set design by Anton Furst, which is very Gothic and bleak looking (during the outdoor scenes there is no sun whatsoever). The Gotham City that looked like any other in the TV series is transformed into dark, slimy crime pit in which good is basically nonexistent. Tim Burton gives the film some good direction, keeping things tight and interesting. He executed the action scenes nicely as well. Aside from the impressive set design and direction, the movie is also well acted. Michael Keaton played the role of Batman very well, giving Batman a powerful presence and a sort of everyman personality (which is even a bit off-the-wall) when he's Bruce Wayne. Jack Nicholson, meanwhile, was excellent as the Joker. He hams things up a lot, which makes sense since the character of Joker is supposed to be a complete, smart-mouthed maniac. I did notice a few problems with this movie though. The story, for the most part, focuses too much on the Joker, which is silly. I mean, isn't the movie called "Batman"? The plot is bit shallow as well, which probably explains why I found it a bit difficult to pin point exactly the Joker wants to do with Gotham City. The love story was bit weak as well. While Kim Basinger did good job as Vicki Vale, she and Keaton didn't develop a lot of chemistry to make their pairing believable. If you can ignore some minor problems, "Batman" stands as pretty good comic book adaptation. If you like superhero films, then this one is certainly worthy being included in your collection.
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| 2. Young Guns II Director: Geoff Murphy | |
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Amazon.com Reviews (27)
Young Guns tells the story of William H. "Billy the Kid" Bonney and his gang of outlaws. They are wanted for their involvement in the Lincoln County Cattle Wars, which is historically accurate. The story does veer from reality in the personality of the Kid and his purposes for involvement. They make a romantic hero out of a murderer. Of course Hollywood has done this on a number of occasions (Mumia Abu Jamal). There really is a moralistic tale to this story: he who lives by the sword, will die by it also. The movie does make a statement as to the question of the Kid's death. Some claim that Pat Garrett didn't actually kill him, that he let him go and the Kid lived on for many years before 'revealing' himself to a newspaper reporter. I don't think that either side can be substantiated. This is definitely one of my favorite movies to catch whenever it's on tv. One of my favorite movie lines of all time comes from this movie. It's said when Kiefer Sutherland (Doc Scurlock) points a gun in Emilio Estevez's (Billy) face and says, "William H. Bonney, you are not a God." And the Kid replies, "Why don't cha pull the trigger an find out?"
The story begins with the hunt for outlaws promoted by the newly elected governor of New Mexico with the help of handsome government rewards for the capture (dead or alive) of known personalities. Billy The Kid is one of the hunted and Pat Garret, his longtime friend, is made Sheriff to aid in his capture. The outcome of the story is legend. The cast's performances (Emilio Estevez, William Petersen, Diamond Lou-Phillips, Kiefer Sutherland, Christian Slater, Alan Ruck, Balthazar Getty, James Coburn and Viggo Mortensen) are wonderful and delightful to watch. The characters are very well developed and all of them shine in their own way. The score and soundtrack by Alan Silvestri and Jon Bon Jovi, along with the movie's photography, are breathtaking and work in concert to transport you to a long ago and far away place, making you feel part of the action. The sets and settings accurately depict the period; the showdowns and shot-outs abound, the surprise elements and unexpected plot twists are rewarding and the story is consistently woven into a fascinating tale based on one of the better known legends of the Old West. To enjoy this movie even more I would recommend watching Young Guns (part I) first, a very good movie too, you'll appreciate the character's growth and the pre-established, continued story lines a lot better. This is a must watch for those who like Westerns, like to wear their cowboy hats from time to time, or simply want to enjoy a good, entertaining, action-packed movie.
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| 3. City Slickers Director: Ron Underwood | |
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Reviews (27)
Directed by Ron Underwood (Tremors, Heart & Souls, Mighty Joe Young-Remake) made a extremely likeable entertaining ambitious comedy. Crystal, Stern, Kirby and Jack Palance's wonderful Oscar Winning Performance makes this Contemporary Comedy Classic really worth watching. Crystal also Executive Produced the film. There's a nice music score by Marc Shaiman (South Park:Bigger, Longer & Uncut). DVD's has an fine anamorphic Widescreen (1.85:1) transfer and an good Dolby Digital 2.0 Surround Sound. DVD only extra is the Original Theatrical Trailer. This is Wonderfully Written by Lowell Ganz & Babaloo Mandel (City Slickers 2:The Legend of Curly's Gold). Watch for Jeffery Tambor, Yearley Smith, Robert Contanzo, Jake Gyllenhall, Danielle Harris and that's Crystal real-life Daughter-Lindsay Crystal playing his Daughter in the flim. One of the highest grossing films of 1991. This is One of the Best & Most memorable comedies ever made, see it. Grade:A.
Saddle up Buckaroos, for the funniest city dude meets cowboy adventure since Bob Hope roamed the plains! Mitch(Billy Crystal) is going through a mid-life crisis. He sells "air" for a New York radio station and finds that as he nears 40, his life seems unfulfilling. His buddies Ed(Bruno Kirbly), an aging Romeo, and Phil(Daniel Stern), pitifuly henpecked, also seem to be feeling the strain. They decide a little vacation is in order and head for a New Mexico cattle ranch to enjoy life as they "bring in the herd". This "fantasy" vacation turns into one hysterical adventure. Learning to rope and ride is trickier(and funnier), then you think. But the toughest part is dealing with the tough ranch hands. One in particular..."Curly"(Jack Palance)...is one bad hombre as he scares these guys out of their wits. They are joined by several others as the drive begins from New Mexico to Colorado and anything than can go wrong... does! There's a stampede, a runaway wagon, and Mitch even has to deliver a calf. Their cell phones are no help here! There's also mucho male bonding going on during the trek. These guys even bond with the cows! They learn about each other and with the help of the very tough Curly, they even learn what is important in life. The funny lines and gags are non stop, and there are some very poignant moments as well. It'll have you smiling and often laughing out loud. You won't want it to end, but luckily...there's a sequel.."City Slickers 2..The Legend of Curly's Gold". The film was honored with several awards. Among them Jack Palance took an Oscar for Best supporting actor, as well as a Golden Globe and a Best supporting actor from the American Comedy Awards. Billy Crystal was also honored at the American Comedy Awards as Funniest Actor in a lead and the People's Choice Awards voted the film the Favorite Comedy of the year. They are joined by some outstanding and seasoned character actors. Jeffrey Tambor, John Mostel, David Paymer, Patricia Wettig, and Helen Slater and the wonderful Noble Willingham all keep us in stitches as well. The music by Marc Shaiman is as fun as the story and Direcotr Ron Underwood and Photographer Dean Semler bring us some real cinematic delights. The transfer of the DVD is very nice. An excellent picture in widescreen presents the beautiful Western scenery and terrific colors. If you watch the original theatrical trailer, you can really notice the difference made by the transfer. Although the sound in Dolby Stereo was good, it could have been better. This film with all the great music and action needs to be in 5.1. It may be viewed in French(Mono) and has subtitles in Spanish and French, but no other special features. Just a really funny flick that will take you away for about 2 hours. So sing along to the tunes of "Rawhide" and "Bonaza" with Mitch, Phil, Ed and Norman the cow along the big trail...have fun...Laurie
Mitch Robbins (Billy Crystal), Phil Berquist (Daniel Stern) and Ed Furillo (Bruno Kirby) are three friends approaching mid-life at break neck speed. Each year they go on increasingly more dangerous adventures which Mitch's wife (Patricia Wettig) describes as desperate and juvenile attempts to hold on to their youth. When Ed suggests mushing along the trail of Admiral Byrd as a way to top running from bulls in Spain, Mitch is ready to quit the adventure trips and settle into senior life at the ripe old age of 39. After a demotion at his job and a surprise at his birthday party where Phil and his icy wife Arlene (Karla Tamburelli) have a blow out after she learns of his infidelities, Mitch's depression gets the better of his wife who sends him on one more adventure - to find his smile. And so it is that the trio finds themselves on a cattle drive in the American west with five other lost souls and Curly (Jack Palance) as the cattle boss. Palance is wonderful as the gruff old cowboy who intimidates everyone around him (Mitch:"Kill anyone today, Curly?" Curly: "Day ain't over yet."). Yet he knows the secret to life and relates the cryptic answer to Mitch during the ride. As they drive the cattle and overcome obstacles like stampedes, drunken escapades by the trail hands and their own personal struggles, Mitch comes to realize what Curly's answer means and that it is the only answer he needs to bring the pieces of his life back together.
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| 4. Repo Man Director: Alex Cox | |
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Reviews (94)
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| 5. How High Director: Jesse Dylan | |
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| 6. Conan - The Complete Quest (Conan The Barbarian/The Destroyer) Director: Richard Fleischer | |
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Reviews (9)
After researching (just now, between these two sentences) it would appear the new special edition of Barbarian is also in mono (someone said it was 1.0 mono)... hrm. That is too bad. You would think they would be able to make a decent sound package for this since they went through the trouble to fix up the visual clarity. Anyway, I'm giving this 4 stars just because it is frickin Conan and Conan ROCKS! All it needs is an improved sound suite and it would be at 5 stars. ... Read more | |
| 7. At Close Range Director: James Foley | |
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Reviews (32)
"At Close Range" is a great film. The story is based on the real life story of killer Bruce Johnson. With the acception of the character's names being chaged, the film features an accurate interpretation of events. It is truly a shame that no one really knows about this film. It features a powerful and emotional tale of an American criminal family. The film is very captivating and draws you in from the beginning. The story is great because it combines a somewhat touching look at a son getting to know his father, with an extremely well thought out crime story. This film emphasizes the term "appearances can be deceiving" because as the story goes on, Brad begins to learn what type of man his father really is. There is also a nice romance aspect to the story because Sean Penn's character meets and falls for a woman played by Mary Stuart Masterson. Sean Penn and Christopher Walken offer two of their finest performances in this film, which is another reason why it is a shame that no one knows about this movie. "At Close Range" shows that Sean Penn was a great actor before "Mystic River". He nails the role with his perfect portrayal of being rebellious and naive at the same time. Christopher Walken is great because he plays both the loving father and the hardened criminal so well. Walken's performance in this film will give you the creeps. It really was the perfect role for him. Overall, I would place "At Close Range" at the top of the "unknown gem" category. This film is probably one of the best crime films I have ever seen. The story is absolutely fantastic and the actors involved could not have given better peformances. A solid 5 stars... ... Read more | |
| 8. The Two Jakes Director: Jack Nicholson | |
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Reviews (21)
There are times throughout this movie when you don't know if the the two "Jakes" are going to kill each other or become fast friends. The slow build up of grudging respect is interesting though and the plot, performances, and scenery keep you engaged. This is a must see if you liked Chinatown.
Yes, it does have a convoluted plot, but one that makes perfect sense if you pay attention, and you cannot fault the performers- they are flawless to the extras. It is also the most flawless (yep, I know that I have been using that adjective a lot, but it fits, and you can look at my other reviews to see just how mean I can be!) look of postwar Los Angeles that I have ever seen- and as a resident, I know how hard that that can be to pull off. So, okay, it's not "Chinatown" so what? Not to denigate it, but that movie's impact was mainly because it re-introduced a generation to the whole film noir genre, brilliantly. This movie attempted to do the same thing for a time that also should be remembered- the 50's film noir, before "Psycho" and "Bonnie and Clyde", but the movies that paved the way for those classics.
The DVD is high quality. The image is sharp, color is good, and soundtrack well balanced. If you have Chinatown you should also add the sequel to your collection.
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| 9. Goin' South Director: Jack Nicholson | |
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Reviews (12)
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| 10. The Hunter Director: Buzz Kulik | |
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| 11. Timerider Director: William Dear | |
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Reviews (18)
The aforementioned fish-out-of-water comedic elements are occasionally amusing, but most of 'em are a bit too subtle or are not pulled off quite as effectively as they could have been (the director acknowledges this problem in the commentary track). Fortunately, the main heavy and his two bumbling henchmen pick up the levity as they set out to take the "futuristic" dirt bike for themselves. In the meantime, the hero manages to get a little action with a surprisingly assertive woman, which sets up the tried-and-true travel movie gimmick known as... well, that's be givin' away too much if ya ain't seen this yet, so I won't discuss this particular point any further. All in all, I found "TimeRider" a not-half-bad waste of an hour and a half, with the nostalgic angle enhanced by the early 80s adventure film rock music soundtrack that relied heavily on synthesizer keyboard melodies. Even the old west scenes have this kinda music, only more old west-y in sound... if that makes any sorta sense. It ain't no "Back to the Future", but it'll do in a pinch... But wait, there's more: what is a movie DVD without the obligatory theatrical trailer or two? In this instance, they threw two trailers in as well as several TV spots. BTW it was the TV spots that got my seven-year-old brain thinkin' to myself, "Hey, that movie looks kinda cool! Maybe I can harangue my older friend who lives a cross the street to go see it with me at the local multiplex!" Which is what I eventually did... Then there was the big surprise: a feature-length commentary track by the movie's director! Never in a million years did I ever think "TimeRider" would have a commentary track devoted to it, but there ya have it. Anyhoo, he goes over the usual technical stuff, talks about certain scenes and moments he felt could've been done a little better, and shows his penchant for nepotism by pointing out the various relatives he used as extras in some of the scenes. He also discusses the lessons he learned shooting the movie, which was his first feature film as a director. Ya know, the kinda stuff you usually hear in a commentary track... Now I'm gonna go off on a tangent for a moment here, but... I had a bear of a time trying to find this on video OR DVD anywhere! I went to just about every online store looking for it, and failed to get any results whatsoever on their search engines. Fortunately, I caught sight of the DVD at an "old-fashioned" brick-and-mortar setup, and found out why my searches were unsuccessful: I was typing the movie's title into the online stores' search engines as two separate words (Time Rider), rather than as one compound word (TimeRider)! I guess none of the online stores I checked out could be bothered to have their search keywords set up to where both "Time Rider" and "TimeRider" would lead to a hit for this movie... And on another tangent: I coulda' sworn there was a scene near the end where one of the bad guys got blown up by a stick of dynamite or something off-camera, and after the explosion the camera cuts to a pair of bloody, tattered boots hitting the ground. Am I thinkin' of a different movie here? I could have sworn it was here where I saw that scene. If anybody knows which flick I'm talkin' about where this moment appears, drop me an e-mail, willya? Thanks. BTW I know it's not "Raising Arizona"... Anyhoo, I gotta skate. I'm gonna go watch my other fave Fred Ward action/adventure movie that I haven't seen in a long time: "Remo Williams: The Adventure Begins"! I tell ya, I'm so excited to finally see that flick again, I'm havin' trouble maintainin' bladder control... 'Late!
Am I upset? You're darn tootin' I am. Sometimes "little" things matter A LOT. ... Read more | |
| 12. Inheritance | |
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| 13. Death to Smoochy (Widescreen Edition) Director: Danny DeVito | |
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Description Reviews (134)
"SMALL BUT FIERCE !!!"-Rainbow Randolph.
This film is a freewheeling satire of the dumbing-down and commercialization of children's television, and has a ball taking pot shots as such kiddie pop culture travesties as Barney the Dinosaur. The twists and turns that the plot takes are not only completely unpredictable, but hilarious to boot, as our beloved purple...um...rhino, gets involved with everything from the Irish Mafia to the Ice Capades. There a few moments in this film where you will literally need to have your jaw scraped off the floor, and also hold your sides, in pain, from laughing too hard. Now, not everybody enjoys or "gets" this type of humor. If you are a fan of very dark comedy, I would recommend you pick this film up instantly. If you're not, you just might find yourself not enjoying yourself very much.
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| 14. Playing God Director: Andy Wilson (IV) | |
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Amazon.com Reviews (32)
You can understand what Duchovny was trying to do here, to get away from the straight arrow yet weird role of Fox Mulder. So he chooses the role of a disgraced doctor whose license to practice medicine has been revoked due to his substance abuse problems. What's a guy supposed to do? Well, if you hang out in seedy bars where gunfights break out, you demonstrate how handy your skills can be to people who get shot and wounded a lot. Kind of like a black market surgeon. That's how Duchovny gets hooked up with crime boss Timothy Hutton. I had great expectations for this movie when it came out, and while I was disappointed, I thought the critics were far harsher than warranted. True, Duchovny's performance, while not bad, seems very similar to what he does on "The X-Files," a sort of flat, somewhat wry, never in real danger attitude. The biggest flaw with the movie has to be the fact that it couldn't make up its mind about what it wanted to be, film noir or dark comedy. At times, it veers toward a "Pulp Fiction"-like fascination with the minutia of being a criminal, while at other times it tries (but fails) to evoke suspense and fear. (For example, there's a scene where some bad guys want him to fix up their dead friend. The way the scene is cut in the trailer, it comes across as funny when Duchovny says, "I'll see what I can do." The way its cut in the movie, there's an intervening line of dialogue where Duchovny seems to be quite frightened; the effect of the following response is ruined.) With the excellent cast, it could have done either one competently; but its attempt to do both fails. Personally, I think the dark comedy would have been the better way to go. There's a scene near the end where Duchovny, in an elevator surrounded by Asian tourists, does a deadpan response to an annoying FBI agent that's the highlight of the movie. In summary, this is a decent rental if you lower your expectations.
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| 15. Honkytonk Man Director: Clint Eastwood | |
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Description Reviews (7)
I give him credit for trying, but Eastwood CANNOT sing. He actually did a better job trying in PAINT YOUR WAGON then here. The movie is rather slow, with the occasional sleazy comment or action to hold your interest, which doesn't last long. One funny moment is when Red tells off a cop who is frisking him. Another is when he holds up a friend with a shotgun, (yes, he does carry a gun in this one briefly). By far the funniest part is where he takes his nephew to a brothel to help him lose his virginity! Still, the movie is depressing with Red suffering from TB throughout the whole film, and to see him waste away while singing doesn't make things any better. The cars are also not in date with the film. Wanting to be somebody is a good motive for still going on with the show, but he takes it too far, and any Eastwood fan would be rattled by the ending. HONKEYTONK MAN was a commercial disappointment, and I would sadly rank it as one of Eastwood's worst films.
But there is a lot to complain about. First of all, Eastwood cannot sing at all. It's pretty embarrassing, and I'm a little astonished that he didn't have someone do this for him. It's not just because his voice is timid to the point of being characterless, or without any sort of natural projection or decent intonation. There are plenty of "way off" country singers I love and admire. It's more that his voice has no country in it at all - it's almost a more tepid and unaccented sub-sub-James Taylor sort of voice. Downright bewildering, especially when this film is meant to take place in the 30's, when country music was in its infancy and fairly crude sounding, recorded or live. I notice one other reviewer mentions a cameo from Bob Wills, who entered into a coma a decade before the movie was made, and died eight years prior to the film. That's a hell of a cameo! Even if this "thirties" movie was meant to represent 1939, Wills still would have only been in his early 30s - which makes odd the fact that he's played as if he's at least in his 60s here, and performing a song that wasn't recorded until two decades later. (Kudos, on the other hand, for having an actor who actually worked with Wills play the part.) Ditto the clothing styles (a woman who performs on the Grand Ole Opry wears an outfit that wouldn't have been worn until roughly five decades later, performing a song that sounds like early 80s Barbara Mandrell - nothing even remotely within two generations of the period in which this movie takes place.) One could say it's this failure to get even the most basic period details correct that prevented this movie from having very much success. It's a largely comical adventure a la "O Brother, Where Are Thou", which plays around with a lot of cultural mythology - but "O Brother" could play even faster and looser with credible plot development largely because they captured the details of the time period so wonderfully well. Bear in mind that even the term "honky tonk" was not widespread until the 40s, and hardly used at all to describe a genre of music until the early 50s. That makes the title of this film and its general basis pretty suspect. It's ironic that the success of "O Brother" was largely in their use of "real" traditional music sounding like what it did at the time, not some weakened Nashville pap. Another point is that in the mid-30s the Grand Ole Opry wasn't anything like what it became in the 40s and 50s - Chicago actually would have been a better destination, as the WLS Barn Dance was really roaring then. There's also the names - there was a Herman Arnspiger who played with Bob Wills and was by any account I've read, a pretty swell guy. Here he is a friend of Bob Wills, but a total lying scumbag robber thief trying to pimp an underaged girl. "Stovall", the name of Eastwood's character, was also the name of a guy who was one of country's great songwriters. (His name was Vern, not Red though). And the TB thing is kind of a conflation of the death of Jimmie Rodgers (or Woody Guthrie's cousin Jack, for that matter) - coughing between takes in his final recording session. I know people who assume this was based on a true story, and that's a shame, as some of the true stories of these country guys are far more compelling than this tale was. I'm a young person whose musical interests extend largely to reggae / punk / 60s soul, so it's not like I'm an oldtimer complaining about how it really was. I sure wasn't there then. My point is more that when a novice classic country fan such as myself can see the gigantic flaws in research, there's a big problem. My final word is that this is a fair way to spend a couple of hours, but probably a poor choice of things to spend your money on. Buy "O Brother" or Robert Altman's "Nashville" instead if you want something similar.
I did wish that more scenes could have involved the radio stations of that error but that was not any detraction from the picture. I am sure it is difficult for a parent to capture the attention of a son or daughter in a work setting for long periods of time. The very fact of how this film turned out is of special significance to the sucess of the relationship between father and son. Well done gentlemen!
Buy and enjoy this movie; you won't be sorry.
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| 16. Matilda (Special Edition) Director: Danny DeVito | |
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| 17. Drive Director: Steve Wang | |
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| 18. Something Wild Director: Jonathan Demme | |
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