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| 1. Magnolia (New Line Platinum Series) Director: Paul Thomas Anderson | |
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Description Reviews (653)
Filled with many different characters, its easy to find someone to identify with. Whether it be Frank TJ Mackey, a womanizing motivational speaker who refuses to come to terms with his father, or Jim Curring, a cop who's trying to find love while doing the right thing, you're sure to find someone who you love. Stellar performances are turned in across the board, but that's no surprise looking at the cast. You stop seeing William H. Macy, you start seeing Quiz Kid Donnie Smith. The only weak link is Julianne Moore as Linda Partridge. She's way over the top, but its forgiveable if not dismissable. Magnolia is one very smart film. It is filled with themes of redemption, courage, freak accidents, and God. Director Paul Thomas Anderson does not dumb these down for us; he does not insult his audience. He knows we are smart, capable people and leaves it all up for our own interpretation. It may be a little overwhelming, but that's why this is a great DVD to purchase. You can watch it repeatedly and pick up on all the little things you may have missed that make a big difference. On the suplemental disk is an interesting documentary about the making of Magnolia that offers much insight into PT Anderson and the way he works. The only thing that's missing is a commentary track by Anderson; he thinks the film speaks for itself. He may be a little off base there, but Magnolia is nonetheless a very satisfying purchase.
(There are also symbols in this film, which at times can be confusing-but after you see this, read Exodus:8 from the bible and some of your questions will be answered.)
Do a little research. It shouldn't take you long to find a dozen or so newspaper articles documenting frog storms. ". . .but it did happen."
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| 2. The Butterfly Effect (Infinifilm Edition) Director: Eric Bress, J. Mackye Gruber | |
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Description Reviews (209)
I finally got to see the movie recently, and I was pleasantly surprised at how good this film turned out to be. While it is not the best time travel film I have ever seen, it was extremely entertaining and suspenseful to see all the different lifetimes being played out. I really enjoyed the fact that Kutcher's character used his mind to travel in time and not a machine. The movie can be frustrating at times. In fact, after the first 20 minutes of the film I had serious doubts. Things would happen, followed by Ashton's Kutcher's character having a blackout right at the moment when an explanation was needed. This left myself and the rest of the audience feeling confused at what was playing out. But after the film gets over the initial speed bump in the beginning, The Butterfly Effect turns into a riveting thriller and everything is explained in the long run. The entire cast did a fantastic job in my opinion. While I still feel that Ashton Kutcher is not a very good actor, he did a lot better than I thought he would. Especially, when you consider the fact that he is known for being a comedy actor. One of the best things about this film was the ending. It was not your typical happy ending. While every character's life turned out for the better, Kutcher's character still experiences loss and regret by how the story turns out. I was very happy with the ending, because it actually manages to leave your emotions feeling conflicted, which gets you thinking about how things could have been. Anytime you leave the theater in discussion about what you would have done differently, it means that the film made an impression on you. That is definately something that The Butterfly Effect manages to do. I really don't understand the harsh treatment from critics. In Entertainment Weekly, the average grade for this film is a "C-". While The Butterfly Effect does have its flaws, it turned out to be a riveting thriller, with an original take on timetravel and an unpredictable ending. A solid 4 out of 5 stars.
The kid actors looked very much like their adult counterparts, especially in Kutcher's case, so that the constant transitions between pre-teen, teen, and adult versions of the characters were very smooth... this was important to keep the audience suspending its disbelief. The screenplay delved into taboo subjects fearlessly, which I think added to its richness and made it all the more riveting. Most of the critics didn't like this film, and I suspect a lot of that has to do with their personal disdain of Kutcher. That's neither relevant nor fair. Roger Ebert tried to be fair in his review and did say some good things about the movie, but he was bothered a lot by the inexplicably artistic quality of the drawing and the note-lettering penned by the Kutcher character. I agree that this high quality this was kind of odd, since the character was never portrayed as an artist, but I think that's a minor detail that detracted only slightly from one's enjoyment of the movie. Overall, Butterfly Effect was a handsomely-filmed, "sci-fi" movie that didn't rely on special effects to hold my interest and entertain me. It was a great ride. What more could the critics want?
As Ashton's film career began with the incredibly unfunny DUDE, WHERE'S MY CAR?, I shook my head with disappointment at how the lowest-common-denominator mindset of Hollywood was going to drag him down along the forgotten road of Typecast Alley. I missed the few other comedies he did afterwards (TEXAS RANGERS--2001, JUST MARRIED, MY BOSS'S DAUGHTER--both 2003), but after viewing my DVD rental of THE BUTTERFLY EFFECT (2004) last week, I was disappointed no more. THE BUTTERFLY EFFECT shows the beginnings of Kutcher's hopefully-maturing career-turn as a real all-around actor. This isn't an Oscar-caliber performance, but he brings a real heart & soul to his portrayal of a young man whose future seems inexorably bound to his past---a past to which he discovers he can return at any time in order to affect his present. Evan tries to fix what went wrong in his life; however, in doing so he creates unintended consequences for himself and his beloved Kayleigh (a radiant Amy Smart, showing real depth of character here). This DVD shows both the original 113-minute Theatrical Version and the full 2-hour Director's Cut. I saw only the latter version, which is said to be the superior cut. I have not yet seen the original, so I am unable to compare the two versions. I will just say for now that the Director's Cut had a similar effect on me as the incredible Adrian Lyne-directed 1991 psycho-horror flick JACOB'S LADDER (1991): both films begin as strangely perplexing, but develop a strangely hypnotic and engrossing quality as well. As much as I wondered what the *beep* was going on, I just couldn't take my eyes off the bizarre action unwinding onscreen. And then *THE ENDING*---> Unexpectedly blindsiding, it pulls the previously indecipherable clues all together, and makes total sense out of senselessness, order out of chaos. Funny that the central theme of THE BUTTERFLY EFFECT *is* Chaos Theory! Although it displays some of the more unpleasant qualities of a conventional horror flick (foul-mouthed youngsters doing things they have no business in doing, cute dogs existing purely for the purpose of being sadistically put to death), there is no doubt that Eric Bress and J. Mackye Gruber---the co-writers and directors who had previously teamed up to write the 2002 chiller sequel FINAL DESTINATION 2---have crafted a truly original story that contains a deceptive amount of substance behind the blurry, slick style. Some people---especially kids, it seems---did not particularly like the Director's Cut ending. I say that this is the only true ending this story could have had. (It also serves my strongly-felt theory that movies like this are most decidedly not meant for kiddies.) It makes me all the more curious as to what alternative kind of ending was edited into the Theatrical Version in order to 'please' the audience (whatever it was, it sure didn't seem to please many). Well, it looks like I'll just have to purchase this loaded-with-extras DVD to find out. That's just fine with me, as the Director's Cut alone is worth the money! If you're like me and passed on seeing THE BUTTERFLY EFFECT during its theater run, take another look at it on DVD. It may just surprise you, too! HIGHLY RECOMMENDED; AGES 16 & UP
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| 3. Eraser Director: Chuck Russell | |
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Amazon.com Reviews (52)
Directed By: Charles Russell (The Mask, Bless the Child) and starring ARNOLD SCHWARZENEGGER (End of Days, 6th Day, Predator), JAMES CAAN (Mickey Blue Eyes), VANESSA WILLIAMS, and DANNY NUCCI (Crimson Tide, The Rock, Titanic)- ERASER is an action rush of sheer explosive adventure! MOVIE NOTE: This movie might as well be TRUE LIES 2. ARNOLD is back, he's a U.S. MARSHALL SPY-Like hero, He has big guns, he's protecting a woman against a vengeful nemisis, he has great one-liners, he battles terrorists, crocodiles, jumping out of a speeding plane- trying to catch his parachute, shooting huge EMP guns, breaking into a high security weapons building, and blowing up a house by making a trap that will light a fuse in the house! That is TRUE LIES 2 to me! Anyway, we'll have to see what TRUE LIES 2 has in store for us when it comes to theaters sometime within the next 5 years... MY REVIEW: This movie ROCKS! The special effects are great, the stunts and action sequences rule, the story, acting and directing are spectacular, and the humor is good too! THIS MAY NOT BE ARNOLD's BEST FILM EVER, BUT IT SURE MAKES HIS TOP 10 LIST!!! Rent this movie or buy this movie today action fans! ERASER is rated "R" for STRONG LANGUAGE and STRONG ACTION VIOLENCE THROUGHOUT. 1 hr 55 min.
A special agent U.S. Marshall named John Kruger works for the Witness Protection Agency, an organization that takes witnesses of major crimes away, wipe out their identities, in order to shelter them from potential criminals who aim to kill those who witness their crimes. His latest mission is to protect a worker named Lee Cullen (Vanessa Williams) who works for a corporation named Cyrez that produces top secret weapons but a massive scandal is brewing and Lee discovers what's really going on and aims to expose the scam to the FBI. However, high level government marshals who are crooks themselves aim to kill Lee and Kruger to attempt to stop the truth from coming out. The Cyrez corporation, under the leadership of a corrupt CEO, is involved in an illegal arms deal with a Russian Mafia hitman who has had a history of murder and terrorist acts against civilians. The arms deal involves trading extremely advanced weapons that don't use any conventional ammunition and instead use magnetic pulses to fire rounds of aluminum at nearly the speed of light and if the arms trade succeed it will bring forth a horrific new era of high-tech terrorism worldwide and John Kruger must stop the arms shipment before it's too late while also protecting lee from corrupt high-ranking officials participating the scam. If Lee Cullen and John Kruger are killed, then the FBI will lose any leads and/or evidence to bring the Cyrez officials to trial and to expose the scandal to the public. This movie sometimes makes me angry not because it is bad because it is a really great movie but it's the whole concept of high-ranking government officials actually being a part of the problem than as the people trying to fight the criminals committing these crimes. I sometimes wonder how one can be able to fight such acts of capitalist greed even if they're totally fictional events. The special effects while limited are really well done especially with the way the bullets create those smoke trails when speed through the air at speeds nearly that of light plus the action sequences are really awesome especially towards the climax. The high-tech weapons are really terrifying with not only the light-speed ammunition but also how they seemingly can scan through buildings and make out movements all around the immediate vicinity. One can't help but feel really paranoid when viewing the scenes where they scan the area when seeking their targets. Once again Arnold Schwarzenegger hits another home run right out of the ballpart playing the U.S. Marshall John Kruger. Arnold's action sequences are once again in top form as he fights against the crooks aiming to eliminate both Kruger and Lee. If you loves his "I'll Be Back" and/or "You've just been terminated" lines from the "Terminator" movies, then he comes up with another brilliant line which is "You've just been erased". God I love it. Vanessa Williams is also very good playing Lee Cullen as she tries to escape the assassins pursuit of her while trying to deliver the evidence of the crime to the FBI. In all honesty, Vanessa is far better when she's acting in movies and singing and releasing albums as opposed to wasting her time on these numerous bland commercials and infomercials!! My favorite though of the main characters was Star Trek actor James Caan. Man, his portrayal of the traitorous agent Degeurin is absolutely terrifying and truly vivid and brings the horrifically callous nature of the corrupt agent to 'life' on the movie. I just can't help but feel really sometimes ticked off at Deguerin because of his horrific acts against the country but I've got to admire Caan's incredible acting in this movie because he was perfect for the role of the bad guy and Deguerin is one of the greatest bad guys I had seen in many years at the time of this movie's release. While only a minor role, James Cromwell's performance as the CEO of the Cyrez corporation was also compelling and sometimes really scary. While not as bad as let's say Deguerin, Cromwell's character in this movie is just enough to make you upset at his callous nature. Other favorites are the late Joe Pastorelli as Johnny C. along with his mob crime family and some of the characters are really funny especially Johnny C. It's really sad that Pastorelli departed us so soon because he was a talented actor. I also thought that the late Joe Viterelli was phenomenal playing the pug-faced mafia gangster. :-( This movie is really very well done and delivers incredible action sequences, not to mention an original plot idea. The DVD as of this writing offers little of anything in the way of bonus material but is a grand improvement on the VHS.
A special agent U.S. Marshall named John Kruger works for the Witness Protection Agency, an organization that takes witnesses of major crimes away, wipe out their identities, in order to shelter them from potential criminals who aim to kill those who witness their crimes. His latest mission is to protect a worker named Lee Cullen (Vanessa Williams) who works for a corporation named Cyrez that produces top secret weapons but a massive scandal is brewing and Lee discovers what's really going on and aims to expose the scam to the FBI. However, high level government marshals who are crooks themselves aim to kill Lee and Kruger to attempt to stop the truth from coming out. The Cyrez corporation, under the leadership of a corrupt CEO, is involved in an illegal arms deal with a Russian Mafia hitman who has had a history of murder and terrorist acts against civilians. The arms deal involves trading extremely advanced weapons that don't use any conventional ammunition and instead use magnetic pulses to fire rounds of aluminum at nearly the speed of light and if the arms trade succeed it will bring forth a horrific new era of high-tech terrorism worldwide and John Kruger must stop the arms shipment before it's too late while also protecting lee from corrupt high-ranking officials participating the scam. If Lee Cullen and John Kruger are killed, then the FBI will lose any leads and/or evidence to bring the Cyrez officials to trial and to expose the scandal to the public. This movie sometimes makes me angry not because it is bad because it is a really great movie but it's the whole concept of high-ranking government officials actually being a part of the problem than as the people trying to fight the criminals committing these crimes. I sometimes wonder how one can be able to fight such acts of capitalist greed even if they're totally fictional events. The special effects while limited are really well done especially with the way the bullets create those smoke trails when speed through the air at speeds nearly that of light plus the action sequences are really awesome especially towards the climax. The high-tech weapons are really terrifying with not only the light-speed ammunition but also how they seemingly can scan through buildings and make out movements all around the immediate vicinity. One can't help but feel really paranoid when viewing the scenes where they scan the area when seeking their targets. Once again Arnold Schwarzenegger hits another home run right out of the ballpart playing the U.S. Marshall John Kruger. Arnold's action sequences are once again in top form as he fights against the crooks aiming to eliminate both Kruger and Lee. If you loves his "I'll Be Back" and/or "You've just been terminated" lines from the "Terminator" movies, then he comes up with another brilliant line which is "You've just been erased". God I love it. Vanessa Williams is also very good playing Lee Cullen as she tries to escape the assassins pursuit of her while trying to deliver the evidence of the crime to the FBI. In all honesty, Vanessa is far better when she's acting in movies and singing and releasing albums as opposed to wasting her time on these numerous bland commercials and infomercials!! My favorite though of the main characters was Star Trek actor James Caan. Man, his portrayal of the traitorous agent Degeurin is absolutely terrifying and truly vivid and brings the horrifically callous nature of the corrupt agent to 'life' on the movie. I just can't help but feel really sometimes ticked off at Deguerin because of his horrific acts against the country! Other favorites are the late Joe Pastorelli as Johnny C. along with his mob crime family and some of the characters are really funny especially Johnny C. It's really sad that Pastorelli departed us so soon. :-( This movie is really very well done and delivers incredible action sequences, not to mention an original plot idea. The DVD as of this writing offers little of anything in the way of bonus material but is a grand improvement on the VHS.
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| 4. Cold Mountain Director: Anthony Minghella | |
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Reviews (239)
It's also a love story. Unfortunately, at least for this reviewer, I felt that the budding relationship between Inman (Jude Law) and Ada (Nicole Kidman) wasn't developed enough. Although they flirt and share a special kiss before Inman leaves for war, there just didn't seem to be enough of a bond between them for someone to risk their life returning home. (Perhaps this aspect of the film will be fleshed out more in an extended DVD version?) Honestly, even at 2 1/2 hours, I felt like this epic film could have been a half an hour longer. There were plenty of interesting characters who deserved more screen time. Up and coming actress Natalie Portman (Star Wars: Attack of the Clones) finally breaks out with an incredible performance as a single mother with a baby just trying to get by through the ravages of war. Even though her part was small, she still managed to convey the utter despair of her very sad character. Cinematically, this film is breathtaking. In fact, the filmmakers have managed to painstakingly recreate the 1864 siege at Petersburg, Virginia complete with trenches, gaunt Confederates and even the Battle of the Crater. As far as I know, I don't believe this particular battle has ever been depicted in a major motion picture. As such, it was well researched and very authentic. All in all, Cold Mountain is a good film. However, I believe it missed the mark of greatness by not developing the relationship early on between the two main characters. This detracted a bit from the aspect of Inman's long and perilous journey home. Was she really worth all of that? In sum, if you're a fan of period Civil War movies like "Summersby" or "Ride With the Devil", then this film is certainly one for your DVD library.
In part "Cold Mountain" is based on Homer's Odyssey, with Jude Law as the Ulysses-like Inman, and Nicole Kidman's Ada Monroe as the Penelope who waits for him despite the attention of at least one highly unsuitable suitor. The film's set before and during the American Civil War, and begins with a devastating battle in Petersburg, Virginia. Troops from the Northern Army mine the Southern front line. The resulting explosions demolish it to great effect, but all doesn't go according to plan, as the advancing Northern soldiers are caught in the crater made by their own explosions ... and mown down. That scene is writer / director Anthony Minghella's version of "Saving Private Ryan's" opening scene, and very much shows us that the movie isn't going to be about the glories of war. "Cold Mountain" gets off to an excellent start, inter-cutting gritty battle scenes with Inman's memories of Ada, the woman he loves, and with whom he's shared little more than one hurried kiss. Ada is the daughter of Reverend Monroe, played by Donald Sutherland, and has received a fairly good education in Charleston. That means she hasn't learned how to do much of anything practical. Inman, after suffering a bad neck wound, decides he is going to return to Ada whatever the cost, deserts the army, and begins his long trek back to North Carolina and Cold Mountain. Ada meanwhile is having to cope with the death of her father, the difficulty of surviving as a single woman, and the attentions of lecherous bad guy and home guardsman Teague, played by Ray Winstone. Her neighbours, including Sally Swanger (the excellent Kathy Baker) try to help her, but it becomes pretty clear she's not going to make it through the next winter without help, and that help turns up in the shape of the extremely practical and down to earth backwoods girl Ruby Thewes (Rene Zellwegger) Although the film starts superbly, it gradually becomes disappointing. The grittiness of the beginning gives way to ever more Hollywood glamour as the movie goes on, particularly in the story of Kidman's Ada. Kidman gets prettier and prettier as times get harder and harder. Zellwegger comes on like Doris Day in "Annie Get Your Gun" or something out of "Oklahoma", and adds scrunched up funny faces to the mix. And the bad guys back at home turn into cardboard villains that might almost come from a spaghetti western, particularly the almost albino Bosie (Charlie Hunnam). And why are albinos always evil in movies? Inman's story fares somewhat better. During his trek he encounters a variety of picaresque characters. There's a preacher (played by Philip Seymour Hoffman) who is initially about to murder his pregnant black mistress when Inman stops him. Jena Malone plays a girl who operates a ferry boat that will allow them to escape their pursuers, if they pay her enough. Giovanni Ribisi is hillbilly Junior, who in another nod to the Odyssey, lives with a bevy of sex-starved siren-like women. Natalie Portman is Sara, a single mother who Inman sleeps beside and then has to rescue from the attention of marauding Southern soldiers. And there's a strange gipsy woman who - particularly given that much of the movie was shot in Romania - seems rather like a refugee from one of the old universal werewolf movies. John Seale's cinematography captures the din of war, the stunning scenery of Romania, and the quieter interiors, well. And, visually the film is helped much by the production design of Dante Ferretti, although I wonder if sometimes that too isn't a little too pretty. There's some good music, although the best of it is performed within the film, old American hymns, and folk music such as "Wayfaring Stranger". There's even a song composed by Sting and sung by Alison Krauss, which works better than one might expect it to. Gabriel Yared's more thematic soundtrack music seems rather less memorable. Ultimately, "Cold Mountain" is marred by several weaknesses, one of the worst is that in its conclusion it's something of a shaggy dog story. It also suffers, like some of Minghella's other films, from a strange emotional coldness: neither Jude Law nor Nicole Kidman touches us as much as they should. Often the emotions surrounding the cameo characters are far more intense, particularly those played by Nathalie Portman and Kathie Baker. But this is nothing new for Minghella. In both "The English Patient" and "The Talented Mr. Ripley" you wanted to feel somewhat more emotional about the characters than you actually did. In his first film "Truly, Madly Deeply" director Anthony Minghella struck a wonderfully poignant emotional note. With the move to Hollywood his films to have become much more focussed on about surfaces or spectacle, and that's a pity. Like "Legends of the Fall" Cold Mountain" is ultimately an attempt to transform a sweeping and often gritty historical novel into a movie that's just far more glamorous than it should be for its own good. It's an interesting movie, but not a wholly successful one.
As a previous reviewer mentioned there is a very explicit love scene. It is my opinion that the love scene is so very important to the movie. You almost feel the love between the two. The movie would not have made such an impact on me without this scene.
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| 5. Hard Eight (Special Edition) Director: Paul Thomas Anderson | |
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Amazon.com Reviews (51)
The Special Features offer three scenes from the movie shot on video as part of a Sundance workshop. It also has two commentary tracks. The first one with Anderson and Hall is interesting, because Anderson is really funny and well spoken and has a lot of interesting things to say. Hall, on the other hand, drones on and on about character motivation and dynamics and sounds like a junior level college course on acting. Not to take away from Hall's performance which is top notch, but listening to actors talk about what goes on in an actor's mind is numbing. Hard Eight is as interesting if not as ambitious as Anderson's later projects. If you like his other films, you'll do yourself a favor seeing this one.
That said, it still deserves at least 3.5 stars (rounded to four). Hall's unrelentingly phlegmatic Sydney plays so well off of Jackson's 'enobled thug' Jimmy; the scenes where they confront each other, Sydney doggedly trying to assert his principles, Jimmy exposing Sydney's hypocrisy and condescension, are well played-out. You have trouble deciding where your sympathies lie, which always good, and I was strangely satisfied with the ending as well. Also, it's such a short, simple and (in some ways) unpretentious movie that it's hard to judge it very harshly; it would be like condemning a nice little schoolhouse in relation to the Taj Mahal.
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| 6. Cabin Boy Director: Adam Resnick | |
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Description Reviews (29)
There are some great snapshot moments that will stick with you and make you laugh. Sometimes around the house I can hear my wife or one of my boys say "Wanna buy a monkey?".... aaahhh... I love that. And Lord help me, there is just something unbelievably funny about a floppy dancing Chris Elliott being pelted on the head by beer cans. Comic genius? Hardly - but damn if it does not crack me up every time I think about it.
You know, I like Chris Elliot too and I thought "Get a Life" was pure comic genius before the network started tinkering with the recipe. But this thing (insert head shake thingy) is so monumentally bad I'm actually at a loss for words. The blue chick with 6 arms and her giant husband that just opened a "housewares" store on a remote deserted island was pretty creative. OK, seeing Chris Elliot riding on the back of his girlfriend swimming across the Pacific with a ski rope to hold on to was pretty funny but that was about it. Now, if you find yourself all that curious about this flick the DVD transfer is pretty good and the sound is about what you would expect...but who cares? 2 wigs ... Read more | |
| 7. The Big Empty Director: Steve Anderson (IX) | |
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| 8. Wisegirls Director: David Anspaugh | |
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Reviews (38)
Fans of Mariah "Meltdown" Carey may be tempted to rent this in hope gaining some insight into the rumored-about, salt shaker-tossing catfight that erupted between her and Sorvino when the diva showed up late on the set for the umpteenth time. Watching this pastafoozeling silliness, you'll marvel at the fact that she showed up at all. It's clear early on that no one involved in this opus knew what kind movie they were making. What starts out as a marinara-flavored 9 to 5 inevitably spirals into a Girl Power Good Fellas. (Forgive the tacky, Italian clichés but these here filmmakers already beat me to the punch.) Wisegirls, an undercooked narrative lasagna, tells us the story of three waitresses: the surly, confident workhorse (Carey), the struggling, flibbertigibbet actress (Melora Walters), and the sensitive newcomer (Sorvino) who harbors a Terrible Secret and is looking for a Clean Start. They slave away in an upscale, "Family" eatery for exorbitant tips doled out by lecherous goombahs. The unintentional laughs begin when a coked-out, thug hanger-on blows his nose off with his own pistol. (Anything to get out of this movie.) Sorvino stops the movie dead, announcing, "Back off! I went to medical school!" Just when you think it can't get any loopier, Sorvino saves the day by wrapping the guy's head in cellophane! You won't want to miss the sight of Carey squirming while having to prop open the goon's bloody nostrils with her fingers. Naturally, the ladies bond after enjoying some working-girls-out-on-the-town antics. During one particular girlie rap session, Carey sips champagne with her pinky finger up and goads Sorvino's Terrible Secret out of her. I wouldn't dream of spoiling it for you but I do have to let one thing slip: you'll never look at carnival rides the same way again. Try to stay awake to see hapless Sorvino finally Run Afoul Of The Mob. Our heroine is clocked after mouthing off to her drunken boss and one of her Guido admirers comes rushing to her defense, beating the jerk into a bloody manicotti. Now that she's Seen Too Much, Sorvino is forced to use her well-learned surgical skills on the disposing of the evidence. Held at gunpoint, she contemplates taking a bullet or gettin' busy with the hacksaw while she acts and acts and acts! Stay tuned for another ridiculous surprise involving Walters' character (It makes her heretofore birdbrained performance somewhat forgivable) but I can't resist spoiling the biggest surprise of all: MARIAH CAREY IS THE BEST THING ABOUT THIS MOVIE. I'm still not sure why this is. Perhaps it's because she doesn't try as hard and simply coasts through the wreckage on her starpower while Sorvino and Walters are embarrassingly methody, toiling away as if they're making serious art. So open a bottle of cheap Chianti, bask in the sleazy glow of this made-by-coke-money bonfire, and be prepared to hate yourself in the morning. Don't say I didn't warn you.
Actually, "Wisegirls" starts pretty well, about the medical student Meg (Mira Sorvino) coming back to her home in Staten Island, New York. She starts to work as food server at a local restaurant where she meets two other workers, Raychel (Carey) and Kate (Melora Walters). Meg soon finds out that this Italian restaurant is 'connected,' and some customers look like coming from "The Sopranos," but anyway she does the hard works better than the owner of the shop at first estimated, and Raychel and Kate are always there to be helpful. Then the story of the friendship between three girls start. The scenes of the restaurant in which they work are the best part of the film, with its very convincing production design. In spite of the unique location of the Staten Island, the film spends most of its time in indoor scenes, and the decision is justified by the impressive work from the designer. But the film suffers from cliched moments. You see, Meg has something to confess, and when Mira Sorvino does it, it's an amateur hour with the uninspired lines for her to say. Not that Mira Sorvino is bad, remember it. But the simple fact is, no one can save the awfully melodramatic, uninteresting monologue from utter boredom (but I still believe Mira Sorvino truly needs revamping of her career). More damaging thing is, however, the plot twist at the second half of the story. The feel-good story about these girls' friendship is turned into something totally different, utterly unnecessary and forced beyond belief, which includes a murder and some cheap and disgusting gore from B-gangstar film. And even that part is not free from cliche. As I said, Ms. Carey is not bad. Well, if you like her, you won't give the film with her name a bad review anyway, but if her acting had been as good as this in her first feature film, she might have escaped the harsh critical attacks on her she suffered in "Glitter." But as you can easily imagine, the most impresive actor is Melora Walters, who changes her tone as the film goes on. She might be wasting her talent, as in other films of her in the past, but the fact remains that she could be the reason for you to see the film, no matter how bad it could be. And here, unfortunately, she is following the same pattern again.
Basic story is of three waitresses that form friendships in an adversarial environment. Each brings their strengths and weakness which balance out. I will not do into detail as the unfolding story is the only attribute the movie has. ... Read more | |
| 9. American Strays Director: Michael Covert | |
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Reviews (6)
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| 10. Desert Saints Director: Richard Greenberg (IV) | |
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| 11. Desert Saints Director: Richard Greenberg (IV) | |
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Reviews (5)
To me Banks is more of a regular person instead of the James Bond/Rambo type or mafia assassin which may exist but however those people are extremely rare. Because of this it gives a new twist to these types of stories. It's realistic and shows how people are who do this type of work for a living...as bizarre as that seems. Although Sutherland's character is a very ordinary like man to me he's truly playing a realistic professional. Some people who seem to be interviewed about being in this type of work such as "The Iceman"/Richard Kuklinsky seen on HBO whose type is always caught because these type of people aren't concerned with their freedom/life causing them to get into the trade because of that, as well as wanting to be a infamous tough guy often easily seen by true criminals like him or John Gotti type personalities, etc. Anywayzzz....to stay on topic anyone enjoying this there are two more classics to go with it in my opinion. They're -The Day of the Jackal- (73' Version of course) and -The Mechanic- with Charles Bronson. The Mechanic isn't very popular I guess because it's not simple minded Steven Seagal BS like so many of his movies were. I highly recommend this movie to people who like to see the mental aspects of subjects like this. It's not going to be the best movie you've ever seen for most people but if you like movies like this then you'll enjoy.
For an indie, the cast is first-rate all the way, with the always reliable Jamey Sheridan as a veteran FBI agent, as dedicated to his job as Sutherland is to his; Leslie Stefanson as Sheridan's second-in-command, and the wild card of the operation; and, in a very sexy cameo, Rachel Ticotin, who smolders as a waitress and occasional bedmate for Sutherland. Greenberg cleverly uses flashbacks and flashforwards to lull the viewer into believing they know how the story will end, then springs a surprise that works extremely well, and will have you paying VERY close attention to detail during the last five minutes! While the ambiguous ending may disappoint some viewers, it offers a clever 'capper' to this tale of betrayal, and works for me! If you are a fan of Sutherland, or stories with a twist and enough sensuality to raise your heartbeat a few notches, 'Desert Saints' is the film for you! ... Read more | |
| 12. American Strays Director: Michael Covert | |
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| 13. Eraser/Long Kiss Goodnight Director: Chuck Russell | |
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| 14. Action Giftset Director: Chuck Russell | |
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| 15. American Strays/Floundering Director: Michael Covert | |
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Reviews (8)
I think some of the negative comments about this movie ought to be greeted with a "Whoa, dudes--get a sense of humor." Or, "Don't be offended, man, it's only a movie." Or maybe, "Uh, the soundtrack is awesome, dude." (Oh, god, people really did talk like that!) The dream sequences fooled me at least twice. They were funny. Funniest line: when the trash lady pulls her rifle out of her cart and says "Vive la Revolution!" Second funniest line: "What kind of music do you want to hear?" "The farm report." Okay, this was no masterpiece, and any episodic movie sans plot is not going to rival The Godfather at IMDb. And James LeGros ain't no Marlon Brando. And if you've ever been to Venice Beach...well, you know it's a freak show. But I think director and screen writer Peter McCarthy did a nice job of bringing that slacker street scene to life. I think the big mistake was to headline actors like Steve Buscemi, John Cusack, Ethan Hawke, and Billy Bob Thornton when they only had cameos. That should have been made clear up front. And there was more than a touch of the kind of sixties moral pretension that we've all grown a little tired of. But bottom line for me, this was a funny movie.
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| 16. American Strays Director: Michael Covert | |
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