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| 1. Wake of Death | |
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| 2. Lara Croft Tomb Raider - The Cradle of Life (Full Screen Edition) Director: Jan de Bont | |
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Reviews (150)
Which still doesn't mean it's good. Very attractive Angelina Jolie returns as Lara Croft, the female Indiana Jones-type hero. This time she's after Pandora's Box. Teaming up with an "old friend" (Gerard Butler), Croft must race against time to stop multimillionaire Jonathan Reiss (Ciaran Hinds) from reaching the ancient box - if she fails, the world will fall into Reiss' hands. The film was no more entertaining than the first film, although the action was slightly better, and the overall film was a little more well-made. The soundtrack flunks in being as good as the first, but the acting's improved (except for the "It's more powerful than you could ever imagine" - that part featured some very poor acting) and the directing's better this time 'round. You see, the film's major problem is that it has all the right stuff to make a great movie - it just never does anything with it! I love the character of Lara Croft, and enjoyed the video games, so I hope they make another film - but please, this time, let's drop the Jones routine and just make a good movie.
Angelina Jolie is radiant as ever; she's sexy, slick, and incredibly intelligent and resourceful. The part where she sucker-punches a shark is damn cool. Needless to say, Jolie is the best part of the franchise, even if her acrobatics are unrealistically perfect. The story and acting is improved over the first. The "Cradle of Life" plot is preposterous, of course, but how it fits into the bad guy's evil plan is pretty sinister, and it makes sense with all the real world fear of chemical and biological weaponry. The villain is less of a man of action than Iain Glen in TR1, but this new guy is more sophisticated, smarter, and meaner. Gerard Butler, though half his dialogue in incomprehensible thanks to his accent, works well as Jolie's counterpart/love interest, and his character strikes me as just the kind of guy Lara Croft is likely to fall for. The locations are beautiful to behold, especially in China and Africa. The "sky-diving over Hong Kong" sequence is just short of drool-worthy. However, some of the interior sets are just plain bland. The action scenes are the one downer here; Jan de Bont downshifts from Simon West's starting point, and sometimes it works and sometimes it doesn't. I wanted more from the gunfights, which seemed lethargic. My two favorite scenes in the movie are when Lara duels with Chen Lo (she defends herself with an unloaded bayonet rifle by twirling it like a trained Marine...super badass) and the CGI "Shadow Demons" sequence, which I was originally dreading, but the way the scene is edited makes it rather cool. If you enjoyed the first Tomb Raider, check this one out. For all its flaws, Angelina is worth it. ALL HAIL ANGELINA... ANGELINA IS YOUR QUEEN...
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| 3. Bullet in the Head Director: John Woo | |
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Amazon.com Reviews (33)
Loud, irritating and chaotic. Jacky Cheung's shameless overacting and bulgy, beady eyes were as irksome as the excessive violence - give this one a miss - its a wet blanket of sentimentality and schlock.
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| 4. Once Upon a Time in China Trilogy Director: Hark Tsui | |
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Amazon.com Once Upon a Time in China 2 Once Upon a Time in China 3 Reviews (14)
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| 5. Contract Killer Director: Wei Tung | |
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Reviews (39)
My opinion has been altered a bit. In general, his Hong Kong flicks are better. Contract Killer, however, is a big load of bad. I will give the benefit of the doubt, though. I watched a dubbed version (why are dubbed movies always so incredibly awful?), so perhaps part of the problem was the translation. There were many places in the film where character reactions and plot points really made no sense at all. This could have been because of horrific dubbing and translation. I'm sure it's much more watchable in Cantonese. Nonetheless, even barring the translation barrier, this film had several strikes against it. First of all, what was with the camera work? One of the cameras had a badly-scuffed lens, and black scratch marks distracted me from quite a few scenes. Also, the big fight in the elevator shaft was so dark that I really didn't have a clue what was going on. I had no idea who was hitting who, or how. Next, the story (as in most martial arts flicks) was pretty silly. This one seemed to be an Asian knock-off of The Boondock Saints, right down to the name of the mysterious vigilante (The King of Killers) and his over-the-top appearance during a hit (like in The Boondock Saints, he appeared from the ceiling hanging by his feet from a rope with guns blazing). Fu's (Jet Li's character) motivations seemed blatantly artificial, as well. He's a poor ex-soldier from China who has promised to buy his mother a big mansion. He decides to come to Hong Kong to become a hitman, yet his people-loving ways mean he doesn't want to hurt anyone. As a minor point, yet one which did distract me many times throughout the film, Jet Li has an AWFUL case of acne. In most movies, the makeup people will do a half-way decent job of covering up blemishes, but it looks like no one bothered even trying for this movie. Jet Li has an amazing crop of blackheads and whiteheads. His face looks like a horrible pizza. Poor guy. And poor me, when I keep thinking, "Pop it, already!" during closeups of the pus-filled bumps on his neck and cheeks. Eeeurgh. On the plus side, the fight scenes that were visible (like the climactic end scene) are solid. I was pleased to see a dearth of wire tricks. I really prefer movies with unadulterated martial arts. It really showcases the actors' abilities.
Surprisingly enough, this is a very complete movie in terms of emotions; it's not all shoot, kill and kick. Crocodile Man Tsang steals the movie, pulling off a convincing con man who manages to convice Fu that he needs an agent. His acting verges on overkill, but his portrayal of a betrayed, repentant father, a hardened ex-killer, a fearful target and a saddened friend all invite the viewer to share in his emotions. Actress/Singer (aren't they all?) Gigi Leung provides a pretty face for the movie, and actually adds a dimension to the personalities of Li and Tsang's characters. Jet Li's acrobatics are showcased not only for fighting; the opening sequence shows him weaving in and out of traffic and pedestrians to retrieve some change that had dropped through a hole in his pants. He is also asked to beat up some restaurant patrons to prove to Tsang that he is worthy of the job. His skills are also showcased in escape scenes, more protective roles, and even ice skating--not your usual Jet Li fare. His portrayal of a broke, extremely selective "killer" is both hilarious and frightening when it needs to be. The fight scenes are on the same level as Bodyguard From Beijing or The Master, not quite Fist of Legend or Twin Warriors (Tai Chi Master) good, considering that the last two were kung fu heavy. It's a much more rounded film, where the light-hearted moments contrast nicely with the darker fight scenes. Watch this in Chinese to get the full range of Tsang's vocal gyrations and swearing. Highly recommended for any kung fu collection.
Fu knows there's big money in bounty hunting, and he get's his shot at it when a Japanese buissiness man/crime boss is executed by the legendary "King of Killers", a self-employed assassin who murders only rich bad guys. The dead guy knew he had a lot of foes on both sides of the law, and set up a "revenge fund" of a whoppin' $100 million to strike back from the grave. The murder victim's grandson, Eiji Tsukumoto, just covets the massive reward, but Fu needs some dough as well, and partners up with an "agent" named Norman Lu (Eric Tsang), to find the King of Killers. Easily one of the best of Jet Li's later Hong Kong flicks, CONTRACT KILLER (called HITMAN in Hong Kong) provides some of the best non-wire-fu martial arts scenes I've seen, particular the scenes where Jet Li is paired with a chopsocky adversary with rings and shoes that emit flashy lights to confuse his opponents. Now There's something you don't see everyday.
Also known as: 'King of Assassins' (1998), 'The Hitman'(1998) and 'Contract Killer'(2002). This film is in many ways similiar to other HK action drama films however it does have a more unique premise: an aging Japanese corporate magnate and WW II veteran (he boasts of raping Chinese women) is assassinated by a mysterious hitman in black. This hitman, known as the King of Killers, is infamous for both his skill in killing as well as not accepting any payment for targeting people of rather suspect morality to kill. The Japanese corporate director has established a special Revenge Fund which will pay $100,000,000 (USD) to whoever tracks down his killer. Fu (Jet Li) is a mainlander in Hong Kong doing errands for a minor triad boss when he comes hears about the Revenge Fund and subsequently comes across Mr. Nor (Eric Tsang) a hustler who takes Fu for a skilled killer and decides to be his agent. He is really trying to cheat Fu out of most of the reward money. The Japanese director's grandson Eiji (Keiji Sato) is out seeking revenge for his grandfather as well as greedy for the reward. Kwan (Simon Yam) is the CID inspector who is also tracking down the mysterious King of Killers. Which itself has irony, but I won't spoil it for those who haven't seen the film ;-) The plot develops as the principal characters above interact in a frantic race to find the King Of Killers. This was Jet Li (Mandarin name is Li Lian Jie) last Hong Kong film (1998) before he moved on to greater paydays in Hollywood. I prefer Jet Li's earlier films but this movie had a certain charm to it even though some plot elements were rather formulaic and charcter development was at times only 2 dimensional (Eiji in particular is portrayed rather over-the-top) while others are under developed (KiKi - Nor's daughter). I prefer Simon Yam's performances with Chow Yun Fat though he certainly did a good job in this film. On a positive note the ending of this film has a nice twist to it. For those not accustomed to watching Hong Kong action/police films you may be a bit shocked by the level of violence. For example in a shoot out scene in a children's amusement park in the film there is a rather high body count as people are shot almost at random in a melee of gunfire. While it is a bit diturbing to see such levels of violence without proper context you must understand that there are different cultural moors at work in HK cinema. Many in the East would be similarly disturbed by the explicit sexual content of many Western films. So try not to let that sour you when watching this film. Overall I recommend this movie, there is some well done sentimental moments buried inside the action. As a caveat I urge you to NOT buy the dubbed version. Instead, get the original version in Cantonese (with some Japanese) with English subtitles distributed by Tai Seng Video Marketing Inc. at www.taiseng.com Zach ... Read more | |
| 6. All of a Sudden Director: Herman Yau | |
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| 7. Lara Croft Tomb Raider - The Cradle of Life (Widescreen Edition) Director: Jan de Bont | |
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Description Reviews (150)
Which still doesn't mean it's good. Very attractive Angelina Jolie returns as Lara Croft, the female Indiana Jones-type hero. This time she's after Pandora's Box. Teaming up with an "old friend" (Gerard Butler), Croft must race against time to stop multimillionaire Jonathan Reiss (Ciaran Hinds) from reaching the ancient box - if she fails, the world will fall into Reiss' hands. The film was no more entertaining than the first film, although the action was slightly better, and the overall film was a little more well-made. The soundtrack flunks in being as good as the first, but the acting's improved (except for the "It's more powerful than you could ever imagine" - that part featured some very poor acting) and the directing's better this time 'round. You see, the film's major problem is that it has all the right stuff to make a great movie - it just never does anything with it! I love the character of Lara Croft, and enjoyed the video games, so I hope they make another film - but please, this time, let's drop the Jones routine and just make a good movie.
Angelina Jolie is radiant as ever; she's sexy, slick, and incredibly intelligent and resourceful. The part where she sucker-punches a shark is damn cool. Needless to say, Jolie is the best part of the franchise, even if her acrobatics are unrealistically perfect. The story and acting is improved over the first. The "Cradle of Life" plot is preposterous, of course, but how it fits into the bad guy's evil plan is pretty sinister, and it makes sense with all the real world fear of chemical and biological weaponry. The villain is less of a man of action than Iain Glen in TR1, but this new guy is more sophisticated, smarter, and meaner. Gerard Butler, though half his dialogue in incomprehensible thanks to his accent, works well as Jolie's counterpart/love interest, and his character strikes me as just the kind of guy Lara Croft is likely to fall for. The locations are beautiful to behold, especially in China and Africa. The "sky-diving over Hong Kong" sequence is just short of drool-worthy. However, some of the interior sets are just plain bland. The action scenes are the one downer here; Jan de Bont downshifts from Simon West's starting point, and sometimes it works and sometimes it doesn't. I wanted more from the gunfights, which seemed lethargic. My two favorite scenes in the movie are when Lara duels with Chen Lo (she defends herself with an unloaded bayonet rifle by twirling it like a trained Marine...super badass) and the CGI "Shadow Demons" sequence, which I was originally dreading, but the way the scene is edited makes it rather cool. If you enjoyed the first Tomb Raider, check this one out. For all its flaws, Angelina is worth it. ALL HAIL ANGELINA... ANGELINA IS YOUR QUEEN...
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| 8. Once Upon a Time in China #1 Director: Hark Tsui | |
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Amazon.com essential video | |
| 9. The Mission Director: Johnny To | |
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Much like a violent twist of THE USUAL SUSPECTS, THE MISSION tells the story of the best hitmen brought together to protect a crime boss from rival assassination. They do succeed after some typical gunplay, but the story isn't quite over as a set of circumstances -- one of them slept with the boss's wife -- sets in motion the final third of the story, pitting killer against killer in a bold, dramatic finish. What works here, though, isn't so much the action or the acting ... it's the film's construction. The scenes are photographed so well, edited so wonderfully, and laced together with such ease that you hardly notice the ticking of the clock inside your head as long scenes of drawn out suspense go by. The viewer gets drawn up into the structure of a scene -- the way the killers stand poised ready for action, the way the men start to bond with one another in clever little ways of playing with a wadded up a piece of paper -- rather than pointless, meandering dialogue. The moments of silence in this film are just as powerful and important to plot development and progression as are the action pieces. Any serious student of film should sit through several viewings of THE MISSION. There is plenty to learn here that isn't a part of American action or suspense films on an artistic basis. One truly great little nifty surprise.
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| 10. Black Dragon (aka Miracles) Director: Jackie Chan | |
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Amazon.com Reviews (27)
knees when they see a subtitle - even if the dub
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| 11. Once Upon a Time in China #1 Director: Hark Tsui | |
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Amazon.com essential video Reviews (22)
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| 12. Full Contact Director: Ringo Lam | |
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On top of all of the above named, 'Full Contact' has the great villain in a film ever...Simon Yam is unbelievable as this homosexual gangster. Simon is classic. If you say you like HK cinema and you don't dig this movie, you're a total reject. This is the finest film ever made. Go see it. Go buy it. Enjoy it.
The Review: Full Contact is easily the sleaziest, grittiest and downright most vulgar HK action film I've ever seen. Now that I've said that, it's also just one outright cool film. Taking what could have been just an average tale of revenge, Ringo Lam injected the film with the style of the 80's and a healthy dose of brutal violence. The film represents all that was great of the all but dead Heroic Bloodshed genre. It's still around, but you don't see too many films like Full Contact anymore. Don't misunderstand me, the violence in Full Contact, while plentiful, doesn't quite top the likes of A Better Tomorrow II, but the film is just a whole lot seedier. The violence in John Woo's films are usually comical to some point, but here the violence takes place somewhat in reality. The gunplay is actually fairly minimal really. There's only a couple of gunfights, and excluding the first person bullet effects, they aren't really all that spectacular. The violence in the film is just accentuated by the feel of the film. In one of the more brutal scenes in the film, Anthony Wong's character shoots a man in the head about seven times, covering the guy in blood. It's just an ugly image, and made uglier by the scenery and characters. It takes place in a dingy warehouse and watching his blood splatter all over his hands can almost make you feel uncomfortable. When I first sat down to watch Full Contact I didn't know much about it and wasn't expecting much. I had read on a message board somewhere in the past that it was supposed to be a great non-Woo HK action film so I decided to give it a chance. Within the first five minutes of watching the film, it makes it's case strongly, and lets you know exactly what kind of film it's going to be. Simon Yam's gang robs what appears to be a jewelry store, in the process he stabs a innocent woman through the chest then proceeds to have her open the vault. We're introduced to the rest of his gang too. Mona, the promiscuous and Deano the muscular freak (played by Frankie Chin, best known as the guy who tries to strangle Ricky in Ricky-Oh). The introduction is so simple, but it's just so perfect. It's hard to put my hand on it, it's just the perfect way to start the film. A kick to the gut for the audience. If one thing bothered me most about the film the first time I watched it, it was surprisingly enough Chow himself. Not that he gives a bad performance or anything like that, it's just his clothing style is just terrible. He wears a short sleeve shirt with the sleeves rolled up. Add to that a crew cut and a leather vest over the shirt, and you've got one goofy looking chow. The second time I sat through it I just took it in as part of the cheesyness of the film. The roaring electric guitar solos, the clothes... it's all so classic 80's. The style, the violence, and the characters are what makes the film. Simon Yam is repulsive in his role as a flamboyantly gay sociopath who let's nothing stand in his way. Chow puts in a great effort, but it doesn't really take much from Chow to please. He could be playing a coma patient and would still ooze 'cool' from his pours. When I first watched the film I wasn't familiar with Anthony Wong, so I didn't actually ever notice him, but now that I've seen Beast Cops I was surprised to find out that it was he who played Sam. He's gained a whole lot of weight over the years, but I think he's actually more suited with the weight on. In this film, when his character becomes a tough guy it's kind of hard to take serious, but with some weight on him Wong comes off a bit more intimidating. As far as acting goes, those are the central characters. Everyone else puts in decent enough performances even though the girls just seem to be there for eye candy. Nice eye candy, but eye candy just the same. To wrap things up, Full Contact stands out as one of the best Heroic Bloodshed films made not by John Woo. That actually sounds a little harsh, I don't compare the film to Woo's work, but it's just unavoidable. Anyway, I've debated with myself whether to give it a four or a five for a while now, and I've come to the conclusion that it's getting the Stubbing Award. Sure, it doesn't add a whole lot more to the genre, but it delivers what is one of the funnest rides the genre has ever produced. Full Contact is a classic, not to be missed by HK film fans, or gritty gangster film fans for that matter.
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| 13. Naked Killer Director: Clarence Fok Yiu-leung | |
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The way I see it, a movie is more enjoyable when you see it in it's original language. This is a different kind of movie with just about every cheap trick to attract viewers. But it all somehow works! However, it still does not contain the uncut scenes that some of us have been waiting for. While the movie may seem longer in the domestic version than the import version (due to NTSC running slower than PAL), it is still the same movie. This flick is definitely one you want to put on only when the kids are already asleep. . .
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| 14. Ptu Director: Johnny To | |
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Description | |
| 15. Young and Dangerous II Director: Wai Keung Lau | |
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| 16. Naked Killer Director: Clarence Fok Yiu-leung | |
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| 17. Raped by an Angel Director: Wai Keung Lau | |
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Appart from the dismal subtitles that will make you roll on the floor ... ie ... they continously translate good bye with a 'Buy Bye' so you can imagine what they did to the language where there were complete sentences with more than one word .... the thing that got me were the men in this movie ... the lawyer rapist is a very displeasing characted even for a bad guy .. and the head of the triad ... is a complete idiot ..... I would say the triad in Hong Kong would probably be very very upset to be portayed by this simpering idiot .... As a final note I have no idea whatsoever where they got the title from ... considering the quality of this DVD they should change the title from 'Raped by an Angel' to just plain 'Screwed' ....
Women can be sexy and still clever and feminist in the East, it seems. However, parts II and III are less brutal (only Cat IIb!), but even more sexy, I think, and more "Lynchian" (noirish pictures). Go for these ones if you are a complete softie! Besides, the director of parts II and III is a master of erotic obsessions (Aman Chang!).
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| 18. Chuen jik sat sau Director: Ka-Fai Wai, Johnny To | |
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