Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more

Amazon.com

Sam Peckinpah's final film has a lot to recommend it, including a complicated story derived from a Robert Ludlum novel but laced with Peckinpah's hard questions about loyalty and the balance between civilization and basic instincts. Rutger Hauer stars as John Tanner, a television host with strong criticisms of America's cold-war conduct. Looking forward to a weekend of socializing with old friends (played by Craig T. Nelson, Dennis Hopper, and Chris Sarandon), Tanner is approached by a CIA agent (John Hurt) who tells him his friends may be Soviet agents. Tanner agrees to let the spy agency set up surveillance in his house; it turns out there is more to the agent's claims than meets the eye and Tanner's weekend eventually erupts into violence. Osterman is not Peckinpah at his best (though, typically, the director was under siege from production politics), but the maestro of montage certainly worked in some extraordinary action sequences. --Tom Keogh ... Read more

Reviews (9)

Swan song for Peckinpah
Although at times confusing (unless one is really looking hard), THE OSTERMAN WEEKEND is a pretty good final film for one of the cinema's most controversial directors, Sam Peckinpah. It is his statement on the Cold War, courtesy of Robert Ludlum's 1972 novel, and has many of those well-staged action sequences that make later imitators like Quentin Tarantino and John Woo look like rank amateurs.

Rutger Hauer stars as a controversial L.A. talk show host with a penchant for tearing down government officials for their hackneyed explanations of U.S. policy towards the Soviets. He is anticipating the arrival of three old college friends (Craig T. Nelson, Chris Sarandon, Dennis Hopper) and Sarandon's and Hopper's wives (Cassie Yates, Helen Shaver) for an annual get-together.

But then, a CIA operative (John Hurt) throws a monkey wrench into things when he presents evidence that seems to indicate that Hauer's friends are working for the heathen Soviets in an attempt to sabotage America's germ warfare program. Hauer thus allows Hurt to set up surveillance equipment around the house to monitor their friends' doings. Then things get very hairy, complicated, and, not surprisingly, somewhat violent.

Despite having the usual difficulties with his producers, who were (like many others) penny-pinching, Peckinpah managed to make the most out of his final cinematic effort. The incredible shootout between Hauer, Nelson, and the CIA assassins in Hauer's back forty is Peckinpah at his prime (one would never suspect that in reality he was slowly dying when he made the film). Burt Lancaster turns in a hideously frightening role as the right-wing director of the CIA whose anticommunist paranoia (not too much unlike Sterling Hayden's in DOCTOR STRANGELOVE) sets the film's events in motion.

Finished off by a fine Lalo Schifrin score, THE OSTERMAN WEEKEND is a solid and efficient espionage thriller, worthy for at least one curious look.

Very disappointing
I read the book and enjoyed it back when it first came out, but I never saw the film in its theatrical release. I read the reviews here and figured it would be worth a try. Big mistake!

I usually enjoy films based on thrillers, even if they are not totally faithful to the book. But in this case, the film failed on a much more profound basis than simply taking some liberties with the plot. A thriller, whether it's a book or film, should at the very least provide some thrills, and it's here that the film falls far short of the mark.

Even though the movie was made in 1983, it is one of the most dated films I've ever seen. I'm not just talking about the outdated room decor and fashions, I mean the whole look and feel of the film. It looks as if it were shot in the early '70's. This sense of being very dated and amateur-ish is underscored by the music, a strange concoction of seedy pseudo-techno and cheesy jazz that would be more at home in a porno film.

The screenplay is painfully dull, with none of the suspense of the novel. Production values are tacky and below the standards that one would expect even in a TV-movie of the same era. Some tight editing could have improved the situation significantly, but instead we repeatedly end up gazing at someone's face far longer than is necessary. It's almost as if the director wanted to go for a sort of retro-Euro look for the film, but he didn't come close.

The various "high tech" devices, mostly video cameras and monitors throughout the house where the action takes place, look ridiculously outdated. This wouldn't be so annoying if the director had not insisted on zooming in for a close-up almost every time someone touches a push-button, as if to tell the audience, "See, I'm all up-to-date with the latest new gizmos". The movie is filled with shots of people pushing old-style backlit clear plastic pushbuttons that used to adorn those boxy desk phones and were also used on some of the very first VCRs. Some of this stuff would have looked dated even in 1983.

Peckinpah is apparently best remembered for his penchant for violence and his use of slow motion in depicting violent scenes. There are admittedly several excellent sequences where he uses slow motion very effectively: a car/truck collision early in the film (totally unnecessary to the plot, but well done nonetheless) and several other scenes at various moments, but not enough to salvage the film.

What is so unfortunate is that the cast was made up of very capable actors, many of whom have given much better performances with other directors. If you compare this movie to "Marathon Man" and "Three Days of the Condor", both made in the mid-1970's, they have aged much better than "The Osterman Weekend". They move more quickly, they keep you in suspense, and you actually care about the characters. By the time people started getting killed in this movie, I couldn't have cared less. Another fatal flaw is that this movie is totally lacking in humor of any kind. There are some nasty sarcastic comments, but they are not funny, or even particularly intelligent.

Anchor Bay does an outstanding job of providing a quality video transfer for this turkey. Even more impressive is the remastered 5.1 soundtrack, which is surprisingly realistic and is one of the few things that makes the film watchable. The second DVD contains the director's cut of the movie, presented in full screen and without the remastering of the theatrical release. I could not bring myself to watch it (this is definitely not a film to be viewed more than once), but at least the die-hard fan will have both versions to view. There is a nicely done booklet with more information about Peckinpah and his films than I needed to know, but again, credit is due to Anchor Bay for giving the movie a much better presentation than it deserved.

Sam's Cut Falls Short
If you are mainly going to purchase this movie to see Sam Pekinpah's original cut you will most likely be disappointed. The film quality of the original cut is about equal with a bootleg VHS tape (it's also full-screen). Extremely disappointing and painful to sit through.

The Osterman Weekend
A great swansong to a dying man plagued by his personal demons.
This is not classic Peckinpah admitedly, however this is great viewing. The action scenes for 1983 are up there with any (good) John Woo movies of later years. Rutger Hauer, John Hurt and Craig T Nelson are very watchable. This is defientely worth a second look.
The very rough cut on the 2nd DVD gives this film a more ambigious feel.
Like the train wreck of A man Apart, it shows that test screening clearly does not work!

i hope this is the beginning....
it's daft, tired and hollow... But i find this Peckinpah movie quite entertaining, but i've just taken an oppurtunity to say the following:

I hope this is the beginning of a 'Peckinpah collection' from anchor bay, a double disc edition of his most neglected masterpiece 'Bring me the head of Alfredo Garcia' would be greatly appreciated. I find 'Convoy', 'The Getaway', 'Junior Bonner', 'The Killer Elite' and 'Cross of Iron' all either tedious, revolting or both. They are all available, but not Peckinpah's last real achievement, strangely a film derided by even some of those that write books about him. It's time this ugly but wonderful, totally unorthodox love story was given a new life on DVD, restored. It's both the most typical and atypical film Peckinpah made. ... Read more

Reviews (62)

Great 70's movie
I used to watch Convoy over and over as a kid. It is unfortunate that it is not being produced on DVD or VHS considering how many movies not nearly as entertaining are being marketed. I think if you didn't see it when it first came out you'd find it silly and dated today, but I feel to those of us who saw it initially growing up, it is a classic. Modeled after a catchy country western song by C.W. McCall and with stars such as Kris Kristofferson, Ali McGraw, Burt Young and Ernest Borgnine, I'm surprised it is so obscure. It has some great 70's car/truck chase and crash scenes and a good soundtrack. Hopefully it will come out of moratorium soon and be available.

Breaker-19
CONVOY is the best trucker movie of all time. I've watched this movie 1000's of times when I was a kid and I enjoy it even more now. This movie has action, comedy and romance. Kris Kristofferson was great in this movie, he really brought out the excitement of being a truck driver. As for Ali MacGraw, she was also great and beautiful co-star. The director, Sam Peckinpah did an excellent job capturing the essence of truck driving. After so many years of searching for this movie I finally have a copy of my own thanks to Amazon.com. I'm impatiently waiting for it to come out on DVD(extended verison)....

Convoy
I bought the VHS version of the movie going off the other reviews listed.I received it yesterday and watched it twice.The quality is excellent.No fuzzy picture or sound.If you want a copy of this old classic movie,get one on video.

CONVOY
i havn't played my copy yet. the dvd i got, came from half.com which is a letterbox version, not digitally remastered and released by PACIFIC FAMILY ENTERTAINMENT. i paid less than $5.00 brand new.

The old days
When you seee this movie, you will realinze how life in America was not anoying. ... Read more

Amazon.com

Los Angeles radio station QSKY has become a ratings juggernaut under the guidance of hip, passionate program director Jeff Dugan (played by Michael Brandon). The executives who own the station naturally see it as an opportunity to make lots and lots of money by flooding the airwaves with ads. Meanwhile, the personal lives of the DJs are also in turmoil: Mother (Eileen Brennan) is burnt out with the radio lifestyle and wants to quit; Doc (Alex Karras) has been losing his audience and is on the verge of being fired; Eric Swan (Martin Mull, in his movie debut) has fantasies about becoming a game show host and ignores his affectionate girlfriend; Dugan himself has the hots for Laura (Cassie Yates), who isn't sure she's ready for a steady relationship. A laid-back comedy, FM is deeply, deeply '70s. It portrays its radio heroes as if they were as significant as the rock music they spin. When the corporate suits try to force Dugan to play ads for the U.S. Army, the DJs occupy the station in protest, setting off a near riot. (The irony, of course, is that the music QSKY plays is all top-40 hits of the '70s.) FM features appearances by Tom Petty, Jimmy Buffet, REO Speedwagon, and extensive concert footage of Linda Ronstadt. --Bret Fetzer ... Read more

Amazon.com

This remake of Preston Sturges's 1948 comedy follows the same plot but doesn't produce nearly as many laughs, though it does have its amusing moments. Dudley Moore is a famous orchestra conductor who is convinced that his wife (Nastassja Kinski) is having an affair with his best friend, a flamboyant violinist (Armand Assante). So he plots an elaborate scheme by which he will kill them both and get away with murder. That fantasy, which he has while conducting an orchestra,rapidly falls apart once he actually tries to put it into motion. Moore and Assante compete for overacting awards, while Kinski was never much of an actress to begin with. Still, this was one of Moore's better roles during his brief bout with stardom in the '80s, and any movie with Albert Brooks (as Moore's venal manager) in it can't be all bad. --Marshall Fine ... Read more

Reviews (8)

Laugh Out Loud Funny
This movie is still so funny, even now 20 years later.Every performer in this film is superb and the comic timing is right on.Good luck finding a copy, though - it's out of print. Please, somone, put this movie on DVD!My VHS copy is so worn out from viewing.

"Unfaithfully Yours" Is Remade In Good "Faith"
I'm not exactly sure which version of "Unfaithfully Yours" I've seen first, but the original Preston Sturges verison is my favorite among his films, which is a pretty large order considering this is the same man who directed "The Palm Beach Story" and "The Lady Eve".

Given my feelings towards the original I wasn't sure if I'd like this remake. It has almost become a Hollywood rule remakes are never on par with the originals. Just as sequels are not as good as the original.

Howard Zieff's "Unfaithfully Yours" is a nice exception. I admit I don't think it's quite as good as the Sturges film (that one I would give 4 stars) it is still entertaining and funny at moments. I thought the absence of Preston Sturges would cause a decrease in the comedic possibilities, but, I forgot how good Dudley Moore and Albert Brooks are.

Moore plays Claude Eastman a famous conductor who suspects his much younger wife Daniella (Nastassja Kinski) is cheating on him after the thought is first put into his head when a misunderstanding between Claude and his friend Norman (Albert Brooks) takes place and Norman thought Claude wanted him to hire a detective to watch his wife while Claude was out of town.

Howard Zieff is not exactly what I would call a great director, he was the man behind "The Main Event" and the "My Girl" films, but, he strings things together nicely here. The script, while perhaps not as funny as Sturges' is not completely a dud. Barry Levinson had a hand in the remake, so expects some funny bits.

One of my favorite scenes is at the restaurant when Moore "thinks" Armand Assante is confronting him about having an affair with his wife, and the start a dueling violin contest of Tchaikovsky.

Also I should mention I the film's one advantage. In the scene dealing with Moore's plan to kill his wife it's set-up much funnier.

Bottom-line:Remake of the classic Preston Sturges comedy is not exactly as good as the original but offers its own nice moments. Good performances by Moore and Brooks (who isn't used enough).

Just Too Funny
This movie contains so many more laughs than the original.The original did not make me laugh out loud (my measure of funny) except for the madcap bumbling of Rex Harrison's efforts in acting out his fantasy.The remake with Dudley Moore has you going from the start.It is updated with modern humor and just plain funny,

I've watched this like 20 times.
I got ahold of this movie when I was 9 or 10...and my sister and I watched it over and over.The movie is a riot, quite frankly.Beautiful cinematography and a great cast of characters.Armand Assante is wonderful with his arrogant sophisticated air...esp. the competitions with the Dudley Moore character.This movie is incredibly inspired.Wonderful to catch if you can!

AVIEWER FROM PLAINFIELD,CT
If you like Dudley Moore movies, this is a must for anyone's col lection!!!I personally had a hard time finding the video....Now that it is available, by all means include this one in your library. This is a more lighthearted version than the original. Mr. Moore shows us his gift as a true comedian with shades of slapstick mixed in. Richard Libertini steals the film as Moore's Italian butler and the laughs are countless. The New York City scenery also is a plus with lots of midtown Manhattan brilliantly showcased(made me nostalgic).Again, pick this one up before it goes out of print again. ... Read more

Reviews (7)

camp classic - not true to life though
When I saw this movie a found it a laugh a minute! It was like an east coast person's view of what life must be like in the Pacific Northwest. We don't all wear flannal shirts, drink beer in bars, listen to country-western, brawl, work as loggers and chew tobacky! Wow, did they ever get it wrong! I am from Gresham Oregon and had a front row seat (the Portland area had about the best view of this in the world.) May 18, 1980 was a beautiful day, not a cloud in the clear blue sky and I watched that mountain spew its contents all day long. No movie can ever capture it. The only thing I think I will never forget is that and seeing the ash cloud traveling east as far as the eye can see. Oh, the movie? Just watch it for fun, it's harmless, unlike the real deal.

Another title that SCREAMS for DVD release!
This cool movie is full of Northwestern atmosphere. It is the kind of movie that has that slow, ominous creep to it that really lends itself to a lazy, Sunday afternoon or a late night movie-watching get-together. It is a cult fave and should be re-released on DVD, preferably by Anchor Bay Entertainment. SO SOMEONE HOP TO IT AND GET THIS ONE OUT ON DVD!
Sidenote: Goblin does the soundtrack! How much more cult could you get?

Very Enjoyable!
This was the first "disaster" movie I recall seeing when I was about 13 and I still watch it every chance I get. The film combines real news footage of the actual eruption with re-enacted chaos, leaving the viewer with some idea of what it must have been like at ground zero. The scientist character is indeed based on a real scientist who camped out at the North side of St. Helens. His love interest may be fictional but it adds a human touch to his character. And Art Carney is very funny and warm as Harry Truman. No gore, no senseless violence or gratuitous sex scenes....I like this movie.

Fascinating film (though probably a bad one!)
This film follows the familiar disaster scenario: gifted scientist comes to small town where he is sure a horrible natural disaster is about to happen; he warns the citizenry but his cautions are rejected by the establishment (fear for tourist or manufacturing or whatever dollars); cataclysm occurs and hero is vindicated; often leading character(s) perish; finally disaster (volcano, meteor, shark, flood, whatever) effects occur.

This plot outline could describe St. Helens, Dante's Peak, Jaws, and a bunch of other films. In the present film, however, it is used to good effect to describe the very real eruption of Mt. St. Helens in Washington State, and along the way gives an interesting accounting of the life and death of Harry Truman, noted St. Helen's character. The movie's strengths lie in its portrayals of the actual events surrounding the volcanic eruptions; its weaknesses occur with the invented characters of the scientist and his love interest.

As a citizen of Washington State with a love for disaster films, I have watched this film numerous times and enjoyed it. I would really recommend it.

mount Saint Helens
I went to Mt. St. Helens on vacation and came back home and saw this movie on TV. It's very good, but you can't appreciate the movie and the real life event unless you've been there or experienced what happened. It was a very good movie ... Read more