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Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.

The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

Reviews (16)

A lot of good action but confusing as heck
This is a pretty fun movie, with lots and lots of crazy action, and some pretty well acted scenes, but it is unbelievably confusing, so you never totally get behind the characters. Michelle Yeoh looks great and does a decent job but she just seems too wholesome to pull off the role of the somewhat evil kung fu master. She is not as intense as Brigitte Lin who is really the master of that sort of character. Tony Leung, Donnie Yen, and Joey Wang are all really great in this movie. This is highly recommended for HK fans but not so much for casual kung fu fans who are better off with something like Swordman II. Be warned that there are mandarin only editions of this movie on the market, so make sure you are getting a cantonese version if that is what you want.

donnie yen and michelle yeoh are the only good things...
This film cannot be categorized as a martial arts film. Unlike the recent released Iron Monkey, Butterfly Sword's action scenes are so chaotic and confusing that you cannot really tell whether a person is fighting a deadly opponent or is simply twisting in the air for fun. With body parts flying everywhere, you wonder if you are watching a horror film. It is not a fantasy film either. There obviously is no ghost or gods, and supposedly people in this film don't really possess supernatural powers. Therefore, the action scenes can only be said to be insulting to either genre.

Despite a strong cast and beautiful scenery, the movie ultimately disappoints. One saving grace for this film is Donnie Yen. Though his great talents were wasted in his fight scenes due to over-use of wires, poor camera work and disastrous editing, he managed to compensate by putting more heart and warmth into his character, the ever serious but sincere Yip, who is the only likable character in the film. Too bad we have not seen Donnie Yen as often as we see Jet Li or Jackie Chan. A much better actor than Jet Li and extremely gifted in martial arts, he exuberates a certain charisma that simply draws people to him, either in a major role or a supporting role. Michelle Yeoh on the other hand is marvelous. She conveys emotions just as effectively as she does swirls and kicks. The scene where she glides through the air between two bamboo trees is one of few good action scenes in the movie, but it perhaps is one of the most graceful and elegant scenes I have seen in any martial art films.

Two stars for Michelle and Donnie.

Donnie Yen's best swordsplay
Donnie Yen is the only reason to get this film really. Michelle Yeoh's peformance is that of a bitter jealous "adopted" sister. The movie focuses a lot on romance and drama leaving little room for true action, although it is present.

Donnie plays a drunken loaner, who's hopelessly in love with Michelle Yeoh. Aside from that, there's Tony Leung and his goofy wife. The rest of the cast is pretty cooky. This is a typical early 90s film for those of you familiar with the genre.

Good fighting scenes. Love story with twists.
The fighing scenes are fast, furious and violent. For example, in one scene, a fighter pushed his sword and his whole body completely through the chest of his oppenent.
The love story has some twists. What looked like the love between a sister and her younger brother turned out to be more than that.

Excellent! Among the best of Yeoh!
Excellent in action, acting, direction, screenplay... I can't remember how many times I have watched it. ... Read more

Reviews (37)

High Kickin' Funfest Galore!
I realize that this may be an acquired taste which only means that even if you have not acquired this taste then you are still required to admit that this film is absolutely, positively, hands down funtastic.

Duh, I'm not even sure which page I'm on; if this is the Americanized version or not. I own the true blue Hong Kong edition which is supposed to contain some flippin' freaky scenes edited out of the American version. I've seen both but cannot remember because, oh, blar!, never mind.....

Back to the movie: "Heroic Trio" stars three of Hong Kong's mightiest screen queens as superheroes. Michelle Yeoh plays Invisible Girl who can become, well, invisible and really kick some bad man fanny, Anita Mui plays Wonder Woman who is quite different from the Amazonian Wonder Woman but just as effective, and Maggie Cheung is the streetwise little Thief Catcher who drives a mean motorcycle and carries an arsenal of nasty toys. Despite some personal differences the three gang together to track down the rotten evil doer who is 'napping poor little innocent babes to fulfill his fiendish scheme. The special effects and action scenes are psycho-silly wild yet the atmosphere is dark and moody with just enough bitter-sweetness to snap a heartstring or two.

A note on Michelle Yeoh: I don't understand Hollywood for seemingly tossing her aside after sticking her in one James Bond flick. Miss Yeoh is the best female action star around; we see Jackie here and there and Jet everywhere, but where oh where is Michelle? This woman has got the goods (my martial arts instructor Saul-Yu Lingstein will back me on this 100%), yet Hollywood stupidly persists in casting flashy young starlets who don't know kung-fu from King Kong from Donkey Kong from a horse's patootie.

Anyway, this movie is one kickin' good time and is REQUIRED viewing for all human beings. So don't just sit there - get watching!

Please note!
For those of you thinking of purchasing this DVD, please note that the dialogue is dubbed in English completely. For those of you who prefer it in its original language (Cantonese), give this a miss.

Otherwise the movie is great and the acting superb, plus we get to see the late Anita Mui in action. What can you say... top notch performance from Michelle Yeoh, Maggie Cheung and Anita Mui.

The Heroic Trio
Proud to say that I do own the Tai Seng release of this DVD. That itself is a good thing because it doesn't have the garbage sound actors, the good stuff isn't edited, and what's the point of seeing this movie if you're not seeing it the way it should be?

But, I will say that if you do decide to pick up this movie, first, look for the Tai Seng release of it. Though it is out of print, it is still around in places.

If you can't, then, fall down to the "mouse" and pick this copy up.

A little about the movie: It was influenced by the movie "Batman," and the directors (Ching Siu Tung & Johnny To) liked it so much, they wanted to make a film just lke that. And, how can you go wrong with Michelle Yeoh, Maggie Chung and Anita Mui? You truly can't.

I would have given this movie 4 stars, but, seeing I'm not too big a fan of what Disney did to this version, I can only give it a 3. Horrid dubbing and editing so obvious to those that have seen the original.

Disney, as well as all the other movie studios, you need to stop cutting and dubbing the Asian films - you do a horrible job. Leave it the way it was supposed to be, and give us the subtitles instead.

The Heroic Trio
The bad editing turned me off to this movie. I didn't need to see the wires to know that they were using them. Thru the whole movie I spotted items that should have been edited out.

The Heroic Trio
Starring Anita Mui ('Rumble In The Bronx'), Michelle Yeoh ('Crouching Tiger, Hidden Dragon') and Maggie Cheung ('In The Mood For Love') as three crime-fighting superheroines in Hong Kong's answer to Gotham City, 'The Heroic Trio' is a high-kicking, crimson-soaked comic book action romp that could only come out of our favourite country for hi-octane beat-em-ups. As you might have guessed, it's hardly Oscar-winning stuff; the plot is at times incomprehensible, the sets cheap and the acting camp, but it all adds to the charm. This is, after all, not a film to be analysed, but enjoyed with popcorn on a Friday night. And, as that, it succeeds - the action sequences are very exciting, the wire work is well done, the original score is superb and, of course, our three leading ladies light up the screen at every turn. But those weak in the knee may wish to turn away at certain points as it does get a tad grisley at times, what with decapitations, exploding body parts, cannibalism and baby-murdering. Indeed, the violence is so over-the-top at times that it becomes not so much offensive as it does laughable. Which was probably the idea.

So while the movie itself is recommended, Buena Vista's DVD release definitely isn't. The Disney company has once again seen fit to edit yet another Asian movie for its Western market - this time by three minutes to remove the aforementioned gory moments. And, as expected, the original Cantonese soundtrack has been replaced with a dreadful English dub and generic score - denying us the pleasure of hearing Anita Mui's two excellent songs. Still, this is what we've come to expect from the distributor that seems to delight in infuriating hardcore Chinese film fans. Those wishing to own the uncut version of the film would be advised to seek out the 'Universe' DVD from Hong Kong or the now out-of-print 'Tai Seng' American release. Better still (if you have PAL/Region 2 capabilities), waiting for the forthcoming remastered Special Edition from British DVD label 'Hong Kong Legends' would be the ideal solution. ... Read more

Amazon.com

Two young men--Jun-Bo (Jet Li) and Chin-Bo (Chin Siu Ho)--were taken inas boys by the monks of the Shaolin Temple, the famous school for martial arts. Jun-Bo is thoughtful and kind, but is easily swayed to misbehavior by the bullying, rebellious Chin-Bo. Their disobedient ways finally get them evicted in disgrace (after a fight with the entire school), and they wander to a nearby town, where they meet two attractive women, Miss Li (Fannie Yuen) and Siu Lin (Michelle Yeoh, a.k.a. Michelle Khan), who are part of a rebel band fighting a corrupt overlord. Chin-Bo's lust for wealth and status leads him to join forces with the overlord. Chin-Bo's treachery drives Jun-Bo insane; Jun-Bo's gradual recovery leads him to develop the discipline of tai chi, with which he ultimately topples the overlord. This plot summary of Twin Warriors doesn't do the movie justice; hardly 10 minutes go by without another spectacular fight sequence--and one of the great things about Hong Kong action movies is that women can often fight as well as the men. Early on in the movie, Siu Lin is searching for her lost husband; when she finds him, she gets into a knock-down, drag-out fight with her husband's new wife. It's unfortunate that the English language script is poor; though the characters are broad and melodramatic, they don't have to be as goofy as the dubbing makes them. Even so, it's a strong outing for Jet Li and Michelle Yeoh, two of Hong Kong's action superstars. --Bret Fetzer ... Read more

Reviews (79)

Great action killed by terrible plot
Let me start by saying that this film has some of the best fight scenes of the many DVDs that are out there. And better yet, there are many of them. The martial arts stars in the movie (Jet Li, Michelle Yeoh, Chin Siu-hou) use a variety of styles and moves through out the movie which are amazing to watch. All of these stars are clearly skilled athletes.

Unfortunately, the almost non existent plot and complete lack of effective character development make the scenes in between fights tedious. In addition this detracts from the fight sequences. Since you never get a chance to empathize and connect with the characters, the action is technical and unemotional.

The picture quality is ok but the sound quality is terrible. Most of the sound appears to have been lost in the dubbing. It would have been great if they had used Michelle Yeoh's and Jet Li's actually voices for the dub over. But instead, the translation is flat and lifeless.

The fight scenes rate a 5 and the rest of movie rates a one.

A Masterpiece of Martial Action Filmmaking
Spectacular, heaven & earth-shattering martial arts flick, starring Jet Li and the elegant Michelle Yeoh. This movie should satisfy fans of both.

Director Woo-ping Yuen loves to build structures for his actors to clamber around on, giving his films a multi-dimensional quality. This one is no exception, from the looping sword fight on the wooden pyre to the final conflict on the rope platform. The wooden pyre scene is especially frantic where the combatants move freely above, within, and below the structure, which itself shakes and morphs before your eyes. For the viewer, the overall effect is not simply looking at a stage prop, but feeling the textures and elemental qualities of the pyre. No wonder the Wachowski brothers hired Woo-ping to choreograph their action scenes in "The Matrix".

My favorite line (a taunt to Jet Li): "Are you here to dance, or did you come to fight!?"...right before Jet Li delivers the holy hurt on him.

Just my gripes: the DVD format is treated like a cheapo knock-off from a video chop-shop. The viewer is forced to watch two movie promos before getting to the film, during which no FF or menu selection is allowed! I'm fine with the promos, but why force-feed the customer? Also, no option is provided for the original Chinese w/English subtitles and music score. (The dubbing is bearable though).

All in all, highly recommended for all fans of the genre. I'll give 5 stars if this DVD is ever given the proper treatment it deserves.

good movie
this movie is very good but like most of Jet Li's flicks the plot and continuity are strange. Worth owning if you are a die hard martial arts fan but, if you are selective, you might want to pass on it. And, Michelle's performance is nothing compared to what she did in Crouching Tiger.

Could have been better
Jet didn't seem motivated in this one. Michelle Yeoh seemed akward in her role, and Fannie Yuen didn't fit in. I'd have to say that this is one of Jet's sillier roles, even though some of the scenes were really good.

--------------------------TAI CHI MASTER--------------------
=========ONE OF JET LI'S BEST, JUST LIKE FIST OF LEGEND========= THE FIGHTING, STORY, CHARACTERS, AND THE ACTING ARE VERY WELL DONE. THE FIGHT CHOREOGRAPHY IS FLAWLESS MAN WHAT ELSE CAN I SAY. THE STORY IS ABOUT TWO KIDS WHO GREW UP TOGETHER AND WERE LIKE BROTHERS. WHEN THEY GOT OLDER THEY BECAME ENEMIES.

WATCH IT!!!!!!!!!!!
WATCH IT!!!!!!!!!!!
WATCH IT!!!!!!!!!!!
WATCH IT!!!!!!!!!!!
WATCH IT!!!!!!!!!!! ... Read more

Reviews (7)

Wong Sheung Leung proved Wing Chun
If you don't recognize the man on the front cover, don't fret. He is Wong Sheung Leung, one of the best Wing Chun practitioners of the modern era. He along with a few others, proved Wing Chun on the rooftops of Hong Kong in the 1950s and 1960s. They are the reason that the Hong Kong police department adopted Wing Chun as its official fighting style up until recently (I heard they stopped using it because was to harsh).

This video shows you the basic moves of the first form (Siu Lam Tao), as well as some of the footwork from the second form (Chum Kiu). The one-inch punch is also included. I recommend this video over the videos of some of the others due to its authenticity.

Another plus: Wong Sheung Leung was Bruce Lee's main teacher. In fact, Bruce Lee used to stand in front of his house before class and lie to the other students, telling them that Wong was sick. This allowed Bruce to get private lessons. Upon learning of this, Wong gave Bruce a nice taste of Wing Chun in action.

May he rest in peace, and his legacy of excellence live on.

Great Fundmentals/Basics DVD
This DVD is a great introduction and fully covered the Sil Lum Tao form and basics of wing chun. I was fully able to learn the movements of Sil Lum Tao. I am just learning but I feel it demonstrated the art of wing chun in a simple and concise manner. This is a good reference tool in wing chun fundamentals for all beginning practitioners. It instructed well and piqued my interest. This DVD and Sil Lum Tao are both very utilitous and will be helpful in preparing one in finding and participating with a good wing chun instructor/club. In my opinion, if one wants to learn about Wing Chun, this DVD is an excellent resource. Well worth the purchase.
I had purchased two books that promised Sil Lum Tao. Wing Chun Kung Fu by Ip Chun had pictures for the entire form but it's difficult to learn from static pictures. I recommend this book as a good supplement to this DVD. The other book was not helpful except for the translation of Confucius' Art of Mean.

A review by a beginner in Wing Chun
Video quality is good considering the age of the original footage. English dubbing was OK, but I also expected the original Chinese to be available. Oh well ....

A pretty basic introduction to the main Wing Chun philosophy, centre line theory, gates, etc.

Good demonstration of the basic footwork and how to apply it. Brief run through of the first form: Sil Lim Tao and applications.

What I enjoyed the most was towards the end with the 2-man scenarios. Sifu Wong would demonstrate a technique taken from Sil Lim Tao which one of his students would counter, then the next scene would be his counter to the counter.

You won't be able to learn Wing Chun from this DVD, but it is a good overview of the Wing Chun philosophy and some very well filmed sequences. I'm sure I will dip into this periodically as my own Wing Chun training progresses.

Sifu Wong died in 1997 so there is no follow up video demonstrating the next form: Chum Kiu (Searching for the Bridge). A great shame.

One of the best Wing Chun information films made.
This is an excellent resource for students of Wing Chun. This, despite the fact that Master Wong intentionally demonstrated some things slightly wrong due to a distrust of the producer of the film. This doesn't take away from it's quality however. All of the Wing Chun principles are demonstrated and explained, and shot very well. It is a shame that the footage at the end supposedly for more advanced editions was only test footage.

But all minor niggles aside, not only is this one of the best presented Wing Chun instructional films out there - no displaying of Siu Lim Tao from all angles over and over, or specific techniques displayed without exaplanation as to how they apply to Wing Chun principles for example) - but it is also the only time the late Master Wong Shun Leung was captured on film in this way. So aside from being a great instructional film, it is worth the Wing Chun enthusiasts purchase if only to see all the film footage of Master Wong.

Oh, and the accompanying music's really groovy too! ;-)

Wong Shun Leung DVD
Video quality is above average. Felt like watching a good quality VCD. Audio is fair. This is a wing chun DVD with substance. Excellent demonstration by the Master and his students. Commentary was very good. It showed the basic principles and more importantly the application of those principles. Well structured content. Definitely a valuable resource for those training wing chun. Hope the advanced series will be out. ... Read more

Reviews (32)

The adventures of Kai-Kui (Kevin Chan) continue!
Among all of the American releases of Jackie Chan films, this one is the best. Though it is the third chapter of the "Police Story" series, the tone is much different from the first two. Jackie directed the first two and they are surprisingly really intense. Sure, there are some funny bits, but the action is razor sharp and Jackie gets really pissed off several times. In "Supercop" the tone is much lighter, maybe due to the direction by Stanley Tong. But don't get me wrong, this film is still great entertainment. Jackie and Michelle Yeoh (Billed as Michelle Khan) make a great team and trade stunts right and left. The final chase scene involving an armoured car, Chan hanging from a ladder of a speeding helicopter, Michelle jumping onto a moving train with a motorcycle, and the two of them taking down thugs on top of the train is something to behold. Maggie Cheung also returns again as Jackie's girlfriend.

A could be better performance by the "great" JACKIE CHAN.
The third sequel to Jackie's smash hit which changed the action film industry, Police Story, comes another regular action packed thriller. Although there were some great stunts leading to the capture of the main villan, Jackie Chan's action doesn't even come close to what he is capable of. Jackie's other sequels to this parady which also include First Strike and Police Story 1 and 2 are not only funnier, but the action is more diverse. Diverse meaning, wider. There's more action, better comedy, and a better acting job in the other three sequels. Supercop is a great film for first-time American action movie watchers, due to American director's minute imagination when it comes to action movies; however, when it comes to Asian standards, this movie doesn't match some of the other movies Jackie had out.

Supercop
The movie is ok but it is a superior film in Cantonese. The dubbed English is awkward and detracts from the film. I find the "dubbing" very annoying and would prefer the vintage Hong Kong Jackie Chan films marketed in the US be provided in the original language. Argggh!

stick with original
Why American production make HK movies look so cheap? First of all, they cut off so much scene, second of all ruin it by making look act so dumb by English Dubb. ALWAYS stick with ORIGINAL LICENSED HK RELEASE. Be careful with cheap imports, boots, and bulls though.

Beware: You're Not Getting the Whole Movie
When you buy this DVD, you're actually getting an "Americanized" version of Police Story III, a Jackie Chan classic. If you're really a Chan fan, you'd be better off searching for an import shop (or a certain auction site) and getting the original Hong Kong version of the film. Not only will it have the original chinese dialog (with english subtitles of course!), but it also has a few extra minutes of film that were cut from this "American" version. ... Read more

Reviews (242)

A well-oiled machine, but is it worthy?
Although it was originally planned that Pierce Brosnan would take on the James Bond mantle from Roger Moore in the mid-80s, the exhilaration of "Goldeneye" (his actual first Bond film) wears off rather quickly, I'm afraid.

You see, I've been spoiled by superior and definitive renditions of the Moore and Connery Bonds to be swayed by Brosnan's working class efforts. Or maybe the product placement is just too obvious in recent 007 films? Either way, this film is just a blip on the screen of an otherwise unstoppable series.

The pros: the sizzling Michele Yeoh as the latest Bond girl, who's both lethal and beautiful, in the best traditions of the genre.

***The proper use of henchmen--Gotz Otto revamping Robert Shaw's oversized killer who nevertheless is no match for Bond.

***And finally, the suitably grandiose (if unoriginal) world-domination plot that has since been missing in action.

The cons: Teri Hatcher--Bond girls have never been famous for their acting skills, but Hatcher looks and sounds out-of-place here.

***An unappealing villain--Jonathan Pryce doesn't have the charisma or the physical appeal to be a proper Bond villain (much less a memorably one).

***The title song by Sheryl Crow; easily one of the worst in the series. The outro closing torch number by K.D. Lang should have been the title cut; it's classic Bond fare.

***Product placement is far too obvious in this film; enough is enough, guys.

Overall, a briskly paced entry in the Bond canon, but it's not firing on all cylinders.

Good Action, Bad Plot
The movie playing last week was As a longtime James Bond fan I had to see Tomorrow Never Dies, or James Bond versus Jonathan Price.

A communications mogul (Price) sets up a communications satellite monopoly, which, unlike DeBeers and other monopolies, is allowed to operate in the United States. To further his power, Price is creating news and having the stories ready as the news happens. His ultimate goal is to start World War III and control all communications afterwards. He will do this by using his armada of communications satellites which will broadcast to a dying world where electromagnetic pulses have rendered televisions inoperable. Oh, I guess he didn't think far enough ahead.

Utilizing the common man's (or should I say scriptwriter's) lack of understanding Geo-Positional Satellites (GPS) he convinces a warship that it is in neutral territory and not in Chinese-controlled waters. Then, utilizing a stealth boat made possible by the theft of some stealth skin (you know, that ultra expensive stuff that becomes completely useless if it gets even slightly damp) and steals a cruise missile. Bond is aided by a Chinese agent (Michelle Yeoh) and they go to Viet Nam where the sunken ship is (oh, didn't they say it was sunk in Chinese waters?). There they confront many bad guys and helicopters that can hover sideways and whose blades can repeatedly chop through buildings with no bad effects.

OK, so the plot, if it can be called that, has a few problems. But it is an action film and plots in action films have less importance than how far the hero can fall. The bad plot is not necessarily because Ian Fleming did not write the story. After all, he did write DOCTOR NO about the madman trying to corner the guano market (the studio gave the madman nuclear capabilities and cut the guano completely from the story). But the movie is fun, nonetheless, with many great lines. While I can't say much for the new Moneypenny, the new M is fantastic.

Do You Believe What You Read?
Years after Ian Fleming's death the "James Bond" series rolls on, recycling the original stories for audiences who never read the original novels. Their villains were in turn Soviet KGB, then organized crime; now one of the most powerful publishers in the Free World! Is Fleming turning over in his grave? This film shows how a powerful publisher can create the news, and not just distort it (use your own example). [Will the viewers make the connection to the Real World?] "Eliot Carver" seems to be modeled after Robert Maxwell (was he the front man for powerful forces who stayed in the background?) There are changes to reflect modern culture and political correctness. James Bond still circulates among high-levels to gather information. But one scene shows him overindulging in vodka, as if to suggest a growing problem in an aging operative.

Bond is caught snooping in the villain's lair, but makes his escape despite the efforts of many guards (who are of various races for this equal opportunity employer, and also recalls Bond's enemies from past films). A former lover of Bond's is murdered (as in "Goldfinger"). The killer in the hotel room looks like he was recycled from "Doktor Strangelove". The car chase in the indoor parking lot recalls "Diamonds Are Forever", but is more spectacular. The skydiving to the wrecked ship recalls other films. Bond and Wai Lin (the female Chinese operative) are caught and brought before Eliot Carver (another recurring scene from Fleming's novels). The villain never delegates these tasks. Their escape shows the product placement of BMW and Land Rover (and reminds me of a Jackie Chan film). They escape the Heckler & Koch MP-5 firing villains. The attack scene in the shop recalls another Jackie Chan film, with its choreographed ballet of action. [Could this ever happen in the real world?] I suspect the scenes in Asia were for that market of film viewers.

The final scene in the "stealth boat" recalls many earlier Bond films. But Eliot Carver seems to be lacking in a villainous character, unlike the classic Bond villains. [Imagine Pee Wee Herman as Goldfinger?] The ending is full of sound and fury, symbolizing the defeat of the villain, his henchmen, and the Plan for World Domination. The earlier Bond films seemed to have had wittier dialogue. The most surprising thing about this film is its villain: a powerful businessman in the Free World, not a parvenu who attacks one of the British Monopolies and has links to the Soviets or the ChiComs.

There's no news like bad news!
The 18th James Bond movie. Since the release of DR. NO in 1962, the James Bond series had established a prototype for rip-roaring action and thrills, evil villains, beautiful women and amazing gadgets. However the definite contributing factor the ongoing success was the ability to change with times, thus making each idea, and each film special in its' own creative way. Bond is more than a Super Agent Spy, he is a hero for the ages, and as the tradition would continue for TOMORROW NEVER DIES, 007 now finds himself against the global communications industry. Hot off the success of GOLDENEYE, Pierce Brosnan once again delivers a dynamite performance as James Bond; confident, fearless, determined, charismatic, irresistible to women, and still with a thirst for dry vodka martinis. Under a clever Bruce Feirstein screenplay, two beautiful women are presented; Teri Hatcher as 007's one time flame Paris Carver, and Michelle Yeoh as tough Chinese Agent Wai Lin. With tried and true elements placed new and fresh, exotic locations in France, Thailand, Germany, Mexico and the United States, and a thrilling music score by David Arnold, TOMORROW NEVER DIES further punctuates the James Bond series even after a successful 35 year wake.

THE ASSIGNMENT: While on a routine voyage, the HMS DEVONSHIRE submarine was mysteriously attacked and sunk in the Chinese sea. The incident is quickly publicized on newspaper accounts thus stirring much controversy and alarm in MI6 headquarters. The culprit: Elliot Carver, a media obsessed megalomaniac, wants to realize his dream of world domination through means of TV, radio and newspaper media accounts. He buys influences, technologies and anyone capable of harnessing information to him, in order to create 'events' to be publicized by this media organization first while securing a monopoly on the world's media coverage. Great Britain and China are unaware of this and place themselves on full nuclear alert, while Carver awaits take over China as another media outlet, which will gain him full control of the Chinese government, following imminent armageddon. Bond quickly befriends Wai Lin, a suspicious, yet helpful Chinese Agent and locates Carver's HQ. Together they must stop the maniac and prevent World War 3.

THE VILLAINS: Jonathan Pryce as Elliot Carver, Ricky Jay as Henry Gupta, Gotz Otto as Stamper, and Vincent Schiavelli as Dr. Kaufman.

HIGHLY RECOMMENDED! BUY IT!

007 James Bond Tomorrow Never Dies - A great Bond film!
"Tomorrow Never Dies" is the eighteenth overall James Bond Film and the second wonderful film starring Pierce Brosnan in the lead role as James Bond. Of his first four films in that role I would definitely have to say that this one ranks up there with his first performance as Bond, James Bond. From the fast paced action sequences to the overall premise of the film, "Tomorrow Never Dies" entertains from the very first scene to last as everybody involved in the making of this film did exactly what they intended to do with a Bond film, which is making one to remember!

Performance wise, Pierce Brosnan furthers that which he started in "Goldeneye" by making the role his as he brings a darker and harsher yet capably witty tone to Bond that hadn't been seen in a Bond film since the first James Bond himself, Sean Connery. I would caveat that in that I thought Timothy Dalton accomplished that as well but as he was only allowed to do two films in the role I must be in the minority on that opinion.

As with all James Bond films, we're treated to a pair of new Bond babes in Teri Hatcher and international martial arts superstar Michelle Yeoh, both of which are incredibly beautiful and talented actresses. Although Teri Hatcher's role in this film is a very brief one, I would definitely have to say it was memorable. Michelle Yeoh's role in this film brings her right up there with James Bond himself as far as the action sequences go. It is most certainly interesting to see a Bond film turn into a Bruce Lee film in a particularly eventful sequence.

Director Roger Spottiswoode who may best be known for "Air America" or even "The 6th Day" does a great job with this film, solidifying his status as a quite capable director of action films.

The Premise:

This wonderful Bond film in reality has two great opening sequences as we're treated to the standard pre main title James Bond super action sequence which involves 007 infiltrating a Black Market auction of high tech military equipment and him stirring things up and then we're treated to a sequence in which the villain of the film is rousing things up between the British Navy and the Chinese Air Force off the coast of China which adds a wonderful dramatic element to the feel of the entire film.

What follows from there is one of the best Bond films to date as James Bond does what he does best, save the world from total disaster while getting a babe or two in the process...

I highly recommend this eighteenth Bond film to any and all fans of the series and to those who like great action films that actually have a plot as well. {ssintrepid}

Special Features:

This particular DVD is a bit threadbare when it comes to Special Features but in the end, what are these DVD's all about, the movie and it's a great one.

-8 Page Booklet Featuring Trivia, Production Notes and a Revealing Look at the Making of the Film.
-Original Theatrical Trailer ... Read more

Description

The Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format. ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

Description

The hottest and toughest ladies from martial arts are featured in this wall-to-wall catfight! Featuring Michelle Yeoh, Cynthia Rothrock, Angela Mao, and a bevy of ladies from the best martial arts films. ... Read more

Description

The fascinating life of the Soong Family (ChinaÆs equivent of the Kennedys) is chronicled in this lavish epic melodrama, with an all-star cast headed by Michelle Yeoh, Vivian Wu and Maggie Cheung. To see that China remains a dominant world force after the founding of the Republic by Dr. Sun Yai-sen, the patriotic Charlie Soong sends his three daughters to America for their education. The sistersÆ return to China marks the beginning of their tumultuous lives, as the country endures the Japanese invasion and the subsequent clash between the communists and the nationalists. ... Read more

Reviews (7)

A Dose of History Sumptuously Served - with reservations
THE SOONG SISTERS is a visually stunning recounting of the turns of events that changed China from a land of Dynasties to a nation of multiple personalities: the Nationalist Party, the Revolutionists, and the Communist Party. As such it fills in many bits of political and social history that by and large have gone unnoticed by the West. Charlie Soong (having been educated in America) has three special daughters whom he loves so much that he sends them to America for schooling at Wellesley to prepare for what he envisions as a New China. The daughters return to China as young women, marry men who are destined to become important political leaders, and the changes the resulting schism of a Chinese family parallels the cultural transformation of one of the oldest civilizations on the planet. Director Mabel Cheung has a keen eye for vistas of Oriental splendor, capturing the young girls at play in gardens, marrying in elegantly beautiful ceremonies, joining the 'imported' western culture with the elegance of the Chinese culture in the arts, a fine sense of the seasons (though when it rains in China apparently one cannot hear a normal conversation!), and even the requisite battle scenes that of course must accompany this period of transition (internal battles as well as fighting the invading Japanese army). For the most part she draws vivid performances from Jiang Wan (a true mixture of East and West) as Charlie Soong, Michelle Yeoh, Vivian Wu and Maggie Cheung as the three Soong sisters, and Winston Chao as Sun Yat-Sen and Kuo Chiu Wa as Chiang Kai-Shek, two of their husbands. The drawbacks in this very long movie are the editing (scenes literally bounce off each other in a most distracting non-fusion), sound track (treacly Western sentimentalist gush coupled with the elegance of old Chinese music on ancient instruments), and the lack of passion in the relationships of the people. Perhaps this is her style: perhaps it is a way of avoiding commitment to any one of the political parties addressed. Given these reservations, if you are in the mood for eye candy and the wonder of history, try this film in the comfort of your home.

You have been warned. Buy at your own risk.
The story might have been good had we watched the whole thing. A previous reviewer was correct in saying that the quality of this video was poor. The subtitles are indeed very small and difficult to read.

This DVD comes off looking like a bootleg, and gives every indication of having been produced on a home PC (such as pixelated images that jump and stutter). The audio is often very garbled as well.

After a while, we couldn't take it anymore, and turned it off.

The copy we received had none of the extras you would expect with a DVD ... no actors' filmographies, no director's commentary, not even a scene selection option. In fact, there was no menu of any kind ... it just went straight into the movie ... another indication of it being a bootleg.

Since there is so little information about the Soong Family availible in video form, this was a great disappointment. If you really want to know about them, I recommend the book The Soong Dynasty by Sterling Seagrave instead.

Very Moving
First rate acting and beautifully filmed. Don't believe the garbage that this movie looks cheap.

The Soong sisters played a crucial role in modern Chinese history. Maggie Cheung, Vivian Wu, and Michelle Yeoh portray with deep emotion a close family driven apart by political turmoil.

Winston Chao as Sun Yat-Sen and Kuo Chiu Wu as Chiang Kai-Shek make the movie very convincing.

Could have been, would have been
This could have been a better movie if the filmmaker was not overtly sentimental and nostalgic. By romanticizing the female characters and the dramatic events that surrounded them, the shifting personal values and murky lines between good and evil got lost. The characters and the story became one-dimensional. Maybe that's the best the filmmaker could do to squeeze everything she wanted to address in 120 minutes.

My opinion is that every major character in this movie deserves a feature length treatment of his/her own to fully present the conflicted emotions and the choices he/she made under the historical events during a very turbulent time in the Chinese history.

The actors are terrific in their craft. However, the character development is sacrificed due to the time and story line limitation. The portrayal of President Sun and Commander Chiang was accurate and appropriate. Among the sisters, Vivian Wu's youngest sister, after she became Mrs. Chiang, is a standout. It's a pity that the filmmaker can't spend more time on her earlier emotional and character development. Michelle Yeoh is very consistent through out the whole movie as a practical oldest sister prefers to live in a "real world". Maggie Cheung's middle sister is less sympathetic when she became too idealistic and blindly nationalistic. Miss Cheung's performance can seem too melodramatic at times.

Other than the acting, the production value is below par. The make-up is very amateur to say the least when the characters aged or in various state of health. The lighting was even worse. Maggie Cheung was 5 years older when she made the movie "In The Mood For Love" but in Soong Sisters she looked a lot less luminous (during which when she portrayed her character as a young woman). The lighting was simply unkind to the all the female characters in the movie. The make-up and lighting seem to be the problems in a lot of Chinese films. Very rarely the Chinese filmmakers pay close attention to lighting and make-up..

In whole the movie looks cheap and hastily made.

The DVD quality overall is a big disappointment. The picture quality is not clear, the sound quality is not crisp, and the subtitle is too small to read unless you are right in front of the TV screen.

I'd say unless you are 1. really into the Soong sisters' story, 2. interested in Chinese History through out both world wars, or 3. a fan of any of the actors in the movie, this movie is not a must see or must own.

Stunning non-fiction epic
This stunning non-fiction epic is filled with cinematic splendour. Base on accounts of the social upheavals in various points and eras in Chinese history, it is filled with gorgeous cinematography, great score by Kitaro and great cast. Historically accurate if not, a few minor point may be incorrect, but as a whole, it shows you the big picture.

With some of the best stars there is from China, Taiwan and Hong Kong. Maggie Cheung, Michelle Khan and Vivian Wu portrayal as the three sister are excellent. But the most powerful in performance are from the men. Jiang Wen (outspoken Charlie Soong) also a favourite actor of mine, Winston Chou (charismatic Sun Yatsen) and Kuo Chiuwu (commanding Chiang Kaishek) are powerful and haunting.

Despite an 18 minute footage cut from the original, still its a great direction from Mabel Cheung. As a loyal fan of great movies from China, in likes of directors Yimou, Kaige, XieFei and HePing, Soong Sisters to me will be one of my personal favourite masterpiece, one of the few from Hong Kong.

Genghiz ... Read more

Amazon.com

For anyone interested in the origins of martial-arts action films, Chop Socky provides a perfect introduction the historic milestones, important films, and famous figures in "Cinema Hong Kong." Co-produced by the Independent Film Channel for original broadcast in 2004, this hour-long documentary offers a smart, in-depth survey of Hong Kong's wuxia film legacy and its vibrant influence on global cinema, from its earliest roots in Beijing Opera and the monastic rituals of Chinese Shaolin monks to Quentin Tarantino's tribute to Hong Kong action in Kill Bill, Vol. 2. All of the bases are covered, from Hong Kong cinema's first martial-arts hero (Wong Fei Hung) to the balletic choreography of Chang Che, the "one-punch" impact and immortal charisma of Bruce Lee, and the evolution of kung-fu comedy as epitomized by Jackie Chan. Most of the surviving masters of Hong Kong cinema are included in informative (and subtitled) interviews, including John Woo, Jet Li, Sammo Hung, Jackie Chan, and Lar Kar-Leung, who provides a fascinating survey of martial-arts weaponry. The Hong Kong technique of editing-in-camera is thoroughly demonstrated in a multi-screen sequence, and abundant film clips provide tantalizing samples of the genre's classic films, including King Hu's Come Drink with Me and Dirty Ho, cited here as Hong Kong cinema's "one true masterpiece." Engaging and expertly comprehensive, Chop Socky could turn almost anyone into a Hong Kong action enthusiast. --Jeff Shannon ... Read more

Amazon.com

Pierce Brosnan returns for his second stint as James Bond (after GoldenEye), and he's doing it in high style with an invigorating cast of costars. It's only appropriate that a Bond film from 1997 would find Agent 007 pitted against a media mogul (Jonathan Pryce) who's going to start a global war (beginning with stolen nuclear missiles aimed at China) to create attention-grabbing headlines for his latest multimedia news channel. It's the information age run amok, and Bond must team up with a lovely and lethal agent from the Chinese External Security Force (played by Honk Kong action star Michelle Yeoh) to foil the madman's plot of global domination. Luckily for Bond, the villain's wife (Teri Hatcher) is one of his former lovers, and at the behest of his superior M (Judi Dench), 007 finds ample opportunity to exploit the connection. Although it bears some nagging similarities to many formulaic action films from the '90s, Tomorrow Never Dies (with a title song performed by Sheryl Crow) boasts enough grand-scale action and sufficiently intelligent plotting to suggest the Bond series has plenty of potential to survive into the next millennium. Armed with the usual array of gadgets (including a remote-controlled BMW), Brosnan settles into his role with acceptable flair, and the dynamic Yeoh provides a perfect balance to the sexism that once threatened to turn Bond into a politically incorrect anachronism.He's still Bond, to be sure, but he's saving the world with a bit more sophisticated finesse. --Jeff Shannon ... Read more

Reviews (242)

A well-oiled machine, but is it worthy?
Although it was originally planned that Pierce Brosnan would take on the James Bond mantle from Roger Moore in the mid-80s, the exhilaration of "Goldeneye" (his actual first Bond film) wears off rather quickly, I'm afraid.

You see, I've been spoiled by superior and definitive renditions of the Moore and Connery Bonds to be swayed by Brosnan's working class efforts. Or maybe the product placement is just too obvious in recent 007 films? Either way, this film is just a blip on the screen of an otherwise unstoppable series.

The pros: the sizzling Michele Yeoh as the latest Bond girl, who's both lethal and beautiful, in the best traditions of the genre.

***The proper use of henchmen--Gotz Otto revamping Robert Shaw's oversized killer who nevertheless is no match for Bond.

***And finally, the suitably grandiose (if unoriginal) world-domination plot that has since been missing in action.

The cons: Teri Hatcher--Bond girls have never been famous for their acting skills, but Hatcher looks and sounds out-of-place here.

***An unappealing villain--Jonathan Pryce doesn't have the charisma or the physical appeal to be a proper Bond villain (much less a memorably one).

***The title song by Sheryl Crow; easily one of the worst in the series. The outro closing torch number by K.D. Lang should have been the title cut; it's classic Bond fare.

***Product placement is far too obvious in this film; enough is enough, guys.

Overall, a briskly paced entry in the Bond canon, but it's not firing on all cylinders.

Good Action, Bad Plot
The movie playing last week was As a longtime James Bond fan I had to see Tomorrow Never Dies, or James Bond versus Jonathan Price.

A communications mogul (Price) sets up a communications satellite monopoly, which, unlike DeBeers and other monopolies, is allowed to operate in the United States. To further his power, Price is creating news and having the stories ready as the news happens. His ultimate goal is to start World War III and control all communications afterwards. He will do this by using his armada of communications satellites which will broadcast to a dying world where electromagnetic pulses have rendered televisions inoperable. Oh, I guess he didn't think far enough ahead.

Utilizing the common man's (or should I say scriptwriter's) lack of understanding Geo-Positional Satellites (GPS) he convinces a warship that it is in neutral territory and not in Chinese-controlled waters. Then, utilizing a stealth boat made possible by the theft of some stealth skin (you know, that ultra expensive stuff that becomes completely useless if it gets even slightly damp) and steals a cruise missile. Bond is aided by a Chinese agent (Michelle Yeoh) and they go to Viet Nam where the sunken ship is (oh, didn't they say it was sunk in Chinese waters?). There they confront many bad guys and helicopters that can hover sideways and whose blades can repeatedly chop through buildings with no bad effects.

OK, so the plot, if it can be called that, has a few problems. But it is an action film and plots in action films have less importance than how far the hero can fall. The bad plot is not necessarily because Ian Fleming did not write the story. After all, he did write DOCTOR NO about the madman trying to corner the guano market (the studio gave the madman nuclear capabilities and cut the guano completely from the story). But the movie is fun, nonetheless, with many great lines. While I can't say much for the new Moneypenny, the new M is fantastic.

Do You Believe What You Read?
Years after Ian Fleming's death the "James Bond" series rolls on, recycling the original stories for audiences who never read the original novels. Their villains were in turn Soviet KGB, then organized crime; now one of the most powerful publishers in the Free World! Is Fleming turning over in his grave? This film shows how a powerful publisher can create the news, and not just distort it (use your own example). [Will the viewers make the connection to the Real World?] "Eliot Carver" seems to be modeled after Robert Maxwell (was he the front man for powerful forces who stayed in the background?) There are changes to reflect modern culture and political correctness. James Bond still circulates among high-levels to gather information. But one scene shows him overindulging in vodka, as if to suggest a growing problem in an aging operative.

Bond is caught snooping in the villain's lair, but makes his escape despite the efforts of many guards (who are of various races for this equal opportunity employer, and also recalls Bond's enemies from past films). A former lover of Bond's is murdered (as in "Goldfinger"). The killer in the hotel room looks like he was recycled from "Doktor Strangelove". The car chase in the indoor parking lot recalls "Diamonds Are Forever", but is more spectacular. The skydiving to the wrecked ship recalls other films. Bond and Wai Lin (the female Chinese operative) are caught and brought before Eliot Carver (another recurring scene from Fleming's novels). The villain never delegates these tasks. Their escape shows the product placement of BMW and Land Rover (and reminds me of a Jackie Chan film). They escape the Heckler & Koch MP-5 firing villains. The attack scene in the shop recalls another Jackie Chan film, with its choreographed ballet of action. [Could this ever happen in the real world?] I suspect the scenes in Asia were for that market of film viewers.

The final scene in the "stealth boat" recalls many earlier Bond films. But Eliot Carver seems to be lacking in a villainous character, unlike the classic Bond villains. [Imagine Pee Wee Herman as Goldfinger?] The ending is full of sound and fury, symbolizing the defeat of the villain, his henchmen, and the Plan for World Domination. The earlier Bond films seemed to have had wittier dialogue. The most surprising thing about this film is its villain: a powerful businessman in the Free World, not a parvenu who attacks one of the British Monopolies and has links to the Soviets or the ChiComs.

There's no news like bad news!
The 18th James Bond movie. Since the release of DR. NO in 1962, the James Bond series had established a prototype for rip-roaring action and thrills, evil villains, beautiful women and amazing gadgets. However the definite contributing factor the ongoing success was the ability to change with times, thus making each idea, and each film special in its' own creative way. Bond is more than a Super Agent Spy, he is a hero for the ages, and as the tradition would continue for TOMORROW NEVER DIES, 007 now finds himself against the global communications industry. Hot off the success of GOLDENEYE, Pierce Brosnan once again delivers a dynamite performance as James Bond; confident, fearless, determined, charismatic, irresistible to women, and still with a thirst for dry vodka martinis. Under a clever Bruce Feirstein screenplay, two beautiful women are presented; Teri Hatcher as 007's one time flame Paris Carver, and Michelle Yeoh as tough Chinese Agent Wai Lin. With tried and true elements placed new and fresh, exotic locations in France, Thailand, Germany, Mexico and the United States, and a thrilling music score by David Arnold, TOMORROW NEVER DIES further punctuates the James Bond series even after a successful 35 year wake.

THE ASSIGNMENT: While on a routine voyage, the HMS DEVONSHIRE submarine was mysteriously attacked and sunk in the Chinese sea. The incident is quickly publicized on newspaper accounts thus stirring much controversy and alarm in MI6 headquarters. The culprit: Elliot Carver, a media obsessed megalomaniac, wants to realize his dream of world domination through means of TV, radio and newspaper media accounts. He buys influences, technologies and anyone capable of harnessing information to him, in order to create 'events' to be publicized by this media organization first while securing a monopoly on the world's media coverage. Great Britain and China are unaware of this and place themselves on full nuclear alert, while Carver awaits take over China as another media outlet, which will gain him full control of the Chinese government, following imminent armageddon. Bond quickly befriends Wai Lin, a suspicious, yet helpful Chinese Agent and locates Carver's HQ. Together they must stop the maniac and prevent World War 3.

THE VILLAINS: Jonathan Pryce as Elliot Carver, Ricky Jay as Henry Gupta, Gotz Otto as Stamper, and Vincent Schiavelli as Dr. Kaufman.

HIGHLY RECOMMENDED! BUY IT!

007 James Bond Tomorrow Never Dies - A great Bond film!
"Tomorrow Never Dies" is the eighteenth overall James Bond Film and the second wonderful film starring Pierce Brosnan in the lead role as James Bond. Of his first four films in that role I would definitely have to say that this one ranks up there with his first performance as Bond, James Bond. From the fast paced action sequences to the overall premise of the film, "Tomorrow Never Dies" entertains from the very first scene to last as everybody involved in the making of this film did exactly what they intended to do with a Bond film, which is making one to remember!

Performance wise, Pierce Brosnan furthers that which he started in "Goldeneye" by making the role his as he brings a darker and harsher yet capably witty tone to Bond that hadn't been seen in a Bond film since the first James Bond himself, Sean Connery. I would caveat that in that I thought Timothy Dalton accomplished that as well but as he was only allowed to do two films in the role I must be in the minority on that opinion.

As with all James Bond films, we're treated to a pair of new Bond babes in Teri Hatcher and international martial arts superstar Michelle Yeoh, both of which are incredibly beautiful and talented actresses. Although Teri Hatcher's role in this film is a very brief one, I would definitely have to say it was memorable. Michelle Yeoh's role in this film brings her right up there with James Bond himself as far as the action sequences go. It is most certainly interesting to see a Bond film turn into a Bruce Lee film in a particularly eventful sequence.

Director Roger Spottiswoode who may best be known for "Air America" or even "The 6th Day" does a great job with this film, solidifying his status as a quite capable director of action films.

The Premise:

This wonderful Bond film in reality has two great opening sequences as we're treated to the standard pre main title James Bond super action sequence which involves 007 infiltrating a Black Market auction of high tech military equipment and him stirring things up and then we're treated to a sequence in which the villain of the film is rousing things up between the British Navy and the Chinese Air Force off the coast of China which adds a wonderful dramatic element to the feel of the entire film.

What follows from there is one of the best Bond films to date as James Bond does what he does best, save the world from total disaster while getting a babe or two in the process...

I highly recommend this eighteenth Bond film to any and all fans of the series and to those who like great action films that actually have a plot as well. {ssintrepid}

Special Features:

This particular DVD is a bit threadbare when it comes to Special Features but in the end, what are these DVD's all about, the movie and it's a great one.

-8 Page Booklet Featuring Trivia, Production Notes and a Revealing Look at the Making of the Film.
-Original Theatrical Trailer ... Read more

Description

Action stars Michelle Yeoh and Donnie Yen are featured in this swordfighting tale starring Joey Wang as "Butterfly." Along with Tony Leung, the foursome all parry and thrust their way through a deliriously-paced yarn. ... Read more

Reviews (16)

A lot of good action but confusing as heck
This is a pretty fun movie, with lots and lots of crazy action, and some pretty well acted scenes, but it is unbelievably confusing, so you never totally get behind the characters. Michelle Yeoh looks great and does a decent job but she just seems too wholesome to pull off the role of the somewhat evil kung fu master. She is not as intense as Brigitte Lin who is really the master of that sort of character. Tony Leung, Donnie Yen, and Joey Wang are all really great in this movie. This is highly recommended for HK fans but not so much for casual kung fu fans who are better off with something like Swordman II. Be warned that there are mandarin only editions of this movie on the market, so make sure you are getting a cantonese version if that is what you want.

donnie yen and michelle yeoh are the only good things...
This film cannot be categorized as a martial arts film. Unlike the recent released Iron Monkey, Butterfly Sword's action scenes are so chaotic and confusing that you cannot really tell whether a person is fighting a deadly opponent or is simply twisting in the air for fun. With body parts flying everywhere, you wonder if you are watching a horror film. It is not a fantasy film either. There obviously is no ghost or gods, and supposedly people in this film don't really possess supernatural powers. Therefore, the action scenes can only be said to be insulting to either genre.

Despite a strong cast and beautiful scenery, the movie ultimately disappoints. One saving grace for this film is Donnie Yen. Though his great talents were wasted in his fight scenes due to over-use of wires, poor camera work and disastrous editing, he managed to compensate by putting more heart and warmth into his character, the ever serious but sincere Yip, who is the only likable character in the film. Too bad we have not seen Donnie Yen as often as we see Jet Li or Jackie Chan. A much better actor than Jet Li and extremely gifted in martial arts, he exuberates a certain charisma that simply draws people to him, either in a major role or a supporting role. Michelle Yeoh on the other hand is marvelous. She conv