Reviews (31)

REALLY HOLLERIN' OVER OLD YELLER!
"Old Yeller" is the heart-wrenching family drama about two kids and their faithful dog. Dorothy McGuire gets top billing but, like Tommy Kirk, plays second fiddle to that darling golden retriever. "Here Yeller - come back yeller, best doggon dog in the west!"
This isn't Disney's best on DVD. In fact it's not even close to what a film like "Old Yeller" truly deserves. For starters, the print used to master this DVD is very softly focused while still managing to be riddled with edge enhancement, aliasing and shimmering of fine details. There's a lot of pixelization throughout that really breaks up fine detail. Color is improperly balanced in many of the outdoor scenes, with greens, in grass and trees shifting color from brownish beige to muddy green and then back again. Flesh tones often appear too, too orange. Fine detail is generally lost in the darker scenes.
The audio has been remixed but is very, very strident and forward sounding. At times its painful to listen to and really doesn't hold a candle in comparison to fidelity of the day from other films of "Old Yeller"'s period.
Extras: Disney gets top marks for their supplimental package on this and their other three "Vault Disney" releases. We get documentaries, isolated scores, vintage advertising and short subjects, a gallery of stills, trailers and television spots and interviews with the surviving cast members. What more could anybody ask for?
BOTTOM LINE: The print is disappointing. The extras are amazing. Decide for yourself and then buy - or not.

Great family movie
I hadn't watched this movie for many years, but I still remembered the basic story as I watched it again recently trying to get my 18 month old to be interested in the big yellow dog, the horses, cows and pigs. She was only vaguely interested. It is hard for this type of movie to compete with Toy Story and other modern movies that start and finish with lots of action and special effects.

But the story here, a well done coming of age story, is timeless and classic and well worth sitting down with the kids and a bucket of popcorn to watch. There are lots of things this kind of movie can bring for topics of discussion, and unless one has seen it a few times, the emotional parts should stir up at least some feelings (even for non dog lovers).

I give a strong recommendation for this movie, it is a simple and straight forward story, and what it lacks in action and effects, it makes up for in it's timelessness and powerful story line.

Yet another in a long line of bad DVD's from Disney
It's almost hard to fathom a studio having so little respect for its classic movies. This "Vault Disney" release of "Old Yeller" is a perfect example.

The "Vault Disney" releases are promoted as "high end", supposedly better than the cheapy "movie-only" releases of many of Disney's live action movies.

From the initial opening credits, with the worst example I have seen of "grain" in a picture outside of a non-major-studio release, I knew this was going to be another Disney disaster. Though the grain subsided SOMEWHAT, the softness of the picture throughout was not even close to what I would expect of a classic movie release. While my widescreen television is relatively small, I'd hate to see how bad this picture would look on a large widescreen display.

In addition, the chintzy packaging for these movies is hardly up to "special edition" quality either, and the majority of the extras are nothing more than more "Disney" horn-blowing.

I will commend them for the inclusion of one of Pluto's best cartoons {"Bone Trouble"}, and for the current-day interview with Tommy Kirk {whom I would have NEVER recognized}.

However, all in all, Disney should be ashamed at the quality on such a classic film release.

A BOY AND HIS DOG....
I first saw this as a kid and nearly never saw another movie again. Especially one with an animal in it. For anyone who has ever bonded with an animal (especially a dog), "Old Yeller" strikes a nerve or two. The was also the first time I ever heard the phrase "It's only a movie!" after I saw "Old Yeller" because I cried so hard. This is probably one of the finest family films ever made by the Walt Disney people. It's a simple tale of a frontier boy who bonds with a stray dog (that more than proves it's loyalty) and the boy's final realization that he has to grow up. Dorothy McGuire is the steadfast mother and Tommy Kirk is the boy who must make a gut-wrenching decision that will start him on the road to maturity. I hated this movie for years but as an adult I more than see the beauty of it now and highly recommend it all round. But keep those kleenex handy because if you're like me, you'll need 'em.

Stop killing dogs
I can't stand it when dogs die in the movies.

I'd much rather watch people die before dogs.

I could laugh my butt off watching Meryl Streep in pain from cancer in that dumb movie with Renee Zellweger before I can stand to see a dog suffer.

Just tears your heart out. ... Read more

Description

Sam is no ordinary dog. He is the son of Yeller, the four-legged hero who won your heart in Walt Disney's classic adventure, OLD YELLER. With his two young masters Travis and Arliss Coates (Tommy Kirk, Kevin Corcoran), gentle Sam faces even greater dangers than Yeller did. From the ferocious attacks of wolves and wildcats to the hostile actions of renegade Indians, Savage Sam presents a heartwarming story of love, devotion, and trust set in the sprawling pioneering days of the untamed West. ... Read more

Reviews (5)

Great Little Secret Found!!!!
I first caught this movie on the television and had no idea there was a sequel to Old Yeller. Although I haven't yet figured out how he turned out to be a blue tick coonhound, it is a wonderful movie. Seeing the boys from Old Yeller back at it and into things is wonderful. I couldn't wait to add it to my collection and was tickled that it was already on DVD when I looked for it. We need more movies like this! It is full of adventure and if you own coonhounds, it does them justice. I hate to say much about the movie because you need to watch it and I hate to know the ending or too much about one when I get one, but the saying boys will be boys is true for Arlis. There is nothing like the love of a child and his dog!!

Interesting Kirk/Corcoran vehicle
Disney cast Tommy Kirk and Kevin Corcoran as brothers 3 times, the younger Kevin tough, spunky, and "masculine," the older Tommy shy, sensitive, "feminine"...Here they are teenagers living alone in the Old West, visited from time to time by next-ranch neighbor Marta Kristen, who can't seem to remember that she's in a Disney movie, and stares at Tommy as if she's a moment away from ripping his clothes off.

All three are abducted by Indians, who intend to make Tommy a slave, Kevin a brave, and Marta a squaw (they leave Tommy and Marta pretty much alone, but their voracious manhandling of little Kevin would certainly be censored today) When Tommy is accidentally left behind, he teams up with the dog, Savage Sam, to rescue the others (although the fragile little thing loses consciousness at the drop of a hat). Eventually a posse of white men joins them, and they shoot the Indians and go home.

Aside from the anti-Indian prejudice, "Savage Sam" is superior...in plotting, characterization, and suspense. I loved Uncle Bill. . .um, I mean Uncle Beck (Brian Keith) strutting around in his flamboyant pink shirt as if daring us to draw conclusions about his character...

Fine, no frills presentation
Disney's "Savage Sam" is an entertaining and authentically staged presentation of the Fred Gipson story. It's presented in square-screen format, but since Disney films of this type were produced with eventual TV airings in mind, the cropping of the image is minimal and no action is lost. The quality of the image is good. It's not a "Vault Disney" piece like the other Gipson story, "Old Yeller," but it's worth having even without bells and whistles.

One thing that didn't age as well as the rest of the film is the title song. Really hokey. But after that's over, the story is told in a no-nonsense style. It dramatizes something Texas settlers contended with for four decades: the abduction of children in an Indian raid.

As befits a family film, "Savage Sam" soft-pedals the realities of such raids. Tommy Kirk's character, a teenage boy, would have been treated more harshly. Torture on the trail and a horrendous death upon arrival at the tribe's base camp would have been his fate. The teenage girl would have been raped right off. But Kevin Corcoran's character, a young child, would have been taken for adoption, just as the film shows, and the Indians' good-humored toleration of his combativeness is right in line with that.

All in all, a serious depiction of a slice of history that few Americans learn about in school anymore.

Glad to hear this movie is on dvd
I was excited when I heard that this movie would be released on DVD. It is another great dog movie by Disney and stars Tommy Kirk and Brian Keith with Sam(who looks like a bluetick coonhound). I would like to know about the picture quality of this dvd before I buy it. If anyone has seen this dvd, please let me know if it is worth buying.

Great Old Movie
One of the best old movies out there. I cant wait for it to come out on DVD. ... Read more

Amazon.com

Available uncut for the first time, the five episodes of DavyCrockett that aired on Walt Disney's "Disneyland" show (1954-55) launchedone of the great pop culture crazes of the '50s. An estimated $300 million worthof Crockett merchandise was sold during the first eight months of the craze,including 10 million "coonskin" caps. Disney didn't spend a lot on theoriginal episodes, but as host Leonard Maltin observes, the colorful locationand matte shots distinguished Davy Crockett from the cheesy-lookingwesterns of the 1950s. The three original episodes were later recut into thetheatrical feature Davy Crockett, King of the Wild Frontier (1955); themore comic adventures from the second season that introduced the flamboyantriverman Mike Fink (Jeffrey York) became Davy Crockett and the RiverPirates (1956). Tall and ruggedly handsome, if somewhat limited as an actor,Fess Parker was effective as the laconic frontiersman. The more experiencedBuddy Ebsen (playing sidekick Georgie Russel) carried many of their scenes.Fifty years later, Davy Crockett remains an engaging example of nationalmyth making. Younger viewers may be surprised to find this straightforward heroretains much of his appeal in an uncertain time. --Charles Solomon ... Read more

Reviews (37)

Davy Crockett: Nearly 50 years old and still good.
I was born nearly 20 years too late to enjoy the Crockett Craze, but I still enjoy this DVD set. I have seen the movie versions; seeing them as originally presented, but colorized, was a treat. I find the 2nd Disc better than the first, as I prefer the Davy/Fink relationship as well as the beautiful river scenery. It does seem odd when the show slips from color to an odd black & white, but I feel it just reminds people of how it was originally shown.

I was disappointed in the Fess Parker interview. Perhaps Fess was not up to it the day he talked.

I did enjoy the talk about the Crockett Craze, as I found it fascinating. I did feel it was too short, however.

I also don't understand how come 2 discs were necessary; 1 disc should have held all 5 episodes plus the additional commentaries.

Still, a wonderful DVD.

Now, if only they will releaee "Follow Me Boys" on DVD.

Fantastic DVD with all five episodes
The Walt Disney Treasures- The Complete Davy Crockett Television Series is a great DVD that is a must have for fans of the show. Telling the adventures of frontiersman Davy Crockett and his sidekick Georgie Russel, the five episodes follow the two men through the Creek Indian War, Davy's trip to Congress, the battle of the Alamo, a keelboat race with Mike Fink, and a showdown with river pirates. All five episodes look great. I never saw the original episodes so after seeing Davy Crockett King of the Wild Frontier for so many years, it was great to see the episodes as they were originally presented. This is a great DVD that tells the story of a larger than life frontier hero.

Fess Parker is the image many people think of when they hear the name Davy Crockett and its for a reason. Parker's performance is truly great as the frontiersman, hunter, adventurer, and Congressman, Davy Crockett. Equally as good is Buddy Ebsen as Georgie Russel, Davy's loyal sidekick. The relationship the two men have is what holds all of these episodes together. The series also starred William Bakewell as Major Norton, Basil Ruysdael as Andrew Jackson, Pat Hogan as Chief Red Stick, Mike Mazurki as Bigfoot Mason, Hans Conreid as Thimblerig, Nick Cravat as Busted Luck, Kenneth Tobey in two roles as Jim Bowie and Jocko, and Jeff York as Mike Fink. The DVD offers all five episodes(Davy Crockett, Indian Fighter, Davy Crockett Goes to Congress, Davy Crockett at the Alamo, Davy Crockett's Keelboat Race, and Davy Crockett and the River Pirates), introductions by Leonard Maltin, an extensive photo gallery, an interview with Fess Parker, and a mini-documentary about the Crockett craze. Fans of this great tv series should have this DVD in their collection. Check out this DVD!

Disneyland USA: One to Really Look Forward To!
Walt Disney Treaures Review 4 of 11

Sorry, no easter eggs on this set. (hidden DVD features)

Disneyland USA, the fourth and final volume of wave 1, is probaly the most important. Here, as with all the others, the DVD is enclosed in a numbered tin, along with a lithograph of the poster for Autopia, and a program booklet with a list of features and a letter from Leonard Maltin, the host of the series. On disc 1, we trace the early years of Disneyland with two complete episodes from the original TV show. Each have an intro by Maltin

The Disneyland Story: The very first episode of the Disneyland Television series, which give clips of whats to come in each section of the Disneyland television series anthology. There is a sneak peek of Disneyland, a peek at the new Davy Crockett series, and a tribute to Mickey featuring two entire cartoons.

Dateline Disneyland: Join your hosts Art Linkletter, Ronald Reagan, and Bob Cummings as they cover live, the inagural day at Disneyland, with the late Reagan covering the dedication. This is the most important of the set, and is a treat for Disneyland film buffs and fans alike.

On disc two, there are two more shows in full color, with intros by Maltin.

Disneyland After Dark: Here, we get to meet amazing stars from the sixties, journey through Disneyland after dark, and meet a couple of the famous "Mouseketeers," including Annete Funicello.

Disneyland 10th Anniversary: This piece has two parts. One showing new attractions at Disneyland, mainly the then in progress Pirates of the Carribean, Haunted Manision and Its a Small World. Then the history of the park, during construction, new attractions and a lot of other juicy stuff.

Finally there are the bonus features.

The Magic Kingdom and the Magic of Television: This documentary gives a short history of the park and the Disneyland TV Show with Leonard Maltin

Gallery: A gallery of photographs and posters, as well as merchandise.

The smallest of the four in wave 1, Disneyland USA could have a little more material. However, that is a small price to pay for the historical broadcasts in this wonderful set. I'll write the reviews for Wave 2 tomorrow. See you then.

List of Reviews of Walt Disney Treasures:

Silly Symphonies
Mickey Mouse in Living Color
Davy Crockett
Disneyland USA
Mickey Mouse in Black and White
The Complete Goofy
Behind the Scenes at Walt Disney Studios
Mickey Mouse in Living Color Volume 2

The Chronological Doand Volume 1
On Front Lines
Tomorrowland

All with the complete list of features, including Easter Eggs! (hidden DVD features)

Davy Crockett: The Complete Televised Series
Walt Disney Treasures Review 3 of 11

This review tells you where to find the Easter Eggs! (hidden DVD features)

The third Walt Disney Treasure of Wave 1 is Davy Crockett, the Complete Televised Series. Here, there is a showcase of the complete episodes, with Walt's intros on the set. As all of them, this set features a limited numbered tin, a lithograph of the movie poster Davy Crockett, King of the Wild Frontier, and a program booklet with the list of features and a letter from Leonard Maltin, host of the series.

On disc 1, there is an into that both discs share, then the fun begins. Each episode includes an intro by Leonard. Most of the show is in color, but there are parts where color footage could not be located.

Davy Crockett, Indian Fighter: This is the show that started it all. Basically all Davy does in this episode is fight indians, which results in piece with the Creeks at the end.

Davy Crockett Goes to Congress: Here, Davy tends to be more peaceful towards the indians. His whole amazing career begins when moving to find a cabin, buys the land, and fights Bigfoot Mason, who stole a piece of indian land. He gets elected to the state legislature and later to congress. He defends the indians in his brief stint there.

Davy Crockett at the Alamo: Walt admitted he would not kill of his hero here if he didn't know how popular he would be. This is one of the most accuracte portraits of a great moment of American history. (Unlike the crappy new Alamo Disney pumped out)

Well, that's disc one. 3 hours of fun. On disc 2, we get into a couple of legends of Davy.

Davy Crockett's Keelboat Race: The first of two films with Mike Fink, King of the River, Crockett race Fink to keep his furs he hunted for over a year that his partner, Russel, bet they could win while drunk.

Davy Crockett and the River Pirates: The indians are going to hit the warpath if they do not find out who the pirates hiding out in the cave are. Davy, along with Mike Fink, set out to kill the pirates.

EASTER EGG! On the bonus features menu, click on Davy's hat and see a clip from "The Disneyland Story" TV Show about Crockett.

The Davy Crockett Craze: Maltin is joined by Paul Anderson, auther of the book The Davy Crockett Craze, and talk about how successful and amazing the series was.

A Conversation with Fess Parker: At his winery in California, Leonard joins Fess Parker, the actor who played Davy in the series, to talk about his role in the series and the history of it.

Gallery: As with the otheres, here is a gallery of production photos and merchandise.

That is a smaller DVD and didn't take up as much space. I could tell you one thing, the quality is stunning, and the features are amazing. Now onto the final set in Wave 1.

Definitive Disney Entertainment!!
Davy Crockett is sometimes cheesy but it never fails to entertain. It has that Disney magic to it that we dont see anymore and probably never will see again from Disney. This collection of all of Davy's adventures gets its deserving treatment in the Walt Disney Treasures series and it truly is just that. I will admit, I bought this really to just complete my Treasures collection, but when I first saw it I was wowed. I was born a long time after this first aired, yet I could imagine what it would have been like. A great hero of American history coming to the tv screen on Sunday night back in the 60's. Davy Crockett, played by Fess Parker, starred in 5 features, all presented uncut as they were seen then, only now they are in color. That is a good thing though. All of the features have the original Walt Disney introduction from "Frontierland" and it is great to see classic footage restored this beautifully. The episodes included are:
Davy Crockett Indian Fighter
Davy Crockett Goes to Congress
Davy Crockett at the Alamo
Davy Crockett's Keelboat Race
Davy Crockett and the River Pirates

Davy dies in the third installment, only to return in two more adventures. Walt Disney explains why this is, as he was brought back due to the popularity of the character. This, along with the extras make this a great set to own, or at least watch once. Extras include:
"A Conversation with Fess Parker" Leonard Maltin & Fess Parker
"The Davy Crockett Craze" with Leonard Maltin
Easter Egg: "The Ballad of Davy Crockett"
Still Gallery

Normally I dont like watching cowboy/frontier/indian movies but I instantly loved these episodes. It is pure and simple entertainment that you wont see in today's more complicated time. But this is a great set, and also has a cool collectible tin to hold the case. This is a nice set, and although out of print you can find this without paying too much for it. No complaints on this dvd from me though, and I highly recommend it to Disney fans or anyone else in general. All I can say is check it out for yourself. ... Read more

Reviews (33)

The best Naval film of World War II
They Were Expendable is the story of a small number of Sailors who found themselves in the Phillipines as World War II started. These men are operating small torpedo boats for the Navy which doesn't seem to have much of a use for them, if one listems to the admirals and captains viewing them in action.

The all star cast includes George Montgomery, Donna Reed, John Wayne and Ward Bond, amongst others. All are excellent and make this story much more real than it might otherwise have been. You get the feel for the Philippines and the climate. Plus the deterioriation of the situation as the Army is forced down the Bataan Peninsula to the island of Corregidor and the ultimate siege and defeat.

Many people "remember" Pearl Harbor but don't quite recall that the Philippines was a starker defeat for the United States. If you look at it objectively, Pearl Harbor was essentially avenged at the Battle of Midway. The Philippines took over2 1/2 years to see the return of US forces and it then evolved into a slogging match with the Japanese Army that went on until the surrender of Japan in 1945. Pearl Harbor sticks in the mind, the Philippines rapidly faded away.

This movie brings back the events that made up the US role in the Philippines in 1941 and early 42. You see at the end that there is not a happy ending. The romantic interest stays behind to become a POW. The remaining members of the PT crews become rifle carrying Sailors as they march off into the bush. Pay attention to Montgomerey's farewell talk to his men. It should rank up there with Washington's farewell to the Army.

This is a film that should be seen by all with an interst in Naval and Military history as well as the events of 1941-42. It is a movie about people that could be anyone of us.

An outstanding, but unusual war film
A superior war film, shot just as WWII was winding down. Tightly scripted, beautifully shot, with suspenseful, visceral action, this tells the story of how PT boats -- mobile torpedo ships -- made their mark in the Pacific war theatre. John Wayne, playing second billing to Robert Montgomery, delivers one of his most understated and enjoyable performances. Realistic but full of optimism, this film matter-of-factly captures the visceral sense of danger the war brought with it -- from the early Japanese raids following Pearl Harbor, to the sense of dread and helplessness soldiers felt under bombardment while convalescing in hospital bivouacs. A fine cast of supporting actors project the same sort of pragmatic American amiability as seen in the "Terry & The Pirates" cartoon strip. The film is particularly notable for the atypically bleak, inconclusive ending, which shows the disheartening midwar defeat of the American forces in the Pacific theatre -- we know, from the modern vantagepoint, that the Americans ultimately won, but director John Ford doesn't show it in his film. Excellent film; highly recommended.

No Mock Heroics -- This is the Real Thing. Beautifully Done
If you're looking for mock Hollywood heroics or a bloated 'action movie', try The Flying Tigers or The Fighting Seabees. This beautifully made, understated film is about the courage and dedication of the forsaken Phillipine defenders in 1941-42. In particular, the scene in which a radio announces the American surrender tells what those early days were really like. John Ford, who served in the Navy, casts Robert Montgomery as a PT squadron leader (in fact, Commander Montgomery served in the same PT squadron with John Kennedy). The b&w photography is outstanding, often mesmerizing, quite unique for a war film, with locations that are dead ringers for the originals. Adapted from the 1942 Pulitzer prize book by a reporter who was on the scene, it follows the true story fairly closely. Every performance is right-on, as are the combat scenes. Not a pumped-up excercise in flag waving; rather, it's a well executed tale of courage in desperate times. Every scene fascinates with the ambiance of its time and place, and with chilling historical accuracy. If the ending doesn't get a grip on you, you're a lost cause. And, yes, Doug MacArthur is treated like a god -- which, in those days, he was. No ostentatious preaching here; it's understated brilliance from start to finish, and an education in an earlier generation's attitude toward duty, integrity, and sacrifice. Bruce Willis fans stay clear; this is a war movie for grown-ups.

John Wayne at his best.
Although this movie can be a little sappy at times, it still comes through with a sense of realism that was not seen in other movies from this era. Many of the heros die and it's not even close to a fairy tale ending. Love this movie!

John Ford's Classic War Film
More than 60 years ago, Japanese forces attacked Pearl Harbor. During the months which followed, the United States struggled to recover as Japanese military victories continued throughout the Pacific. This film is based on William Lindsay White's interviews of four members of Motor Torpedo Boat Squadron Three, published as They Were Expendable in 1942. John Ford and Robert Montgomery co-directed and Montgomery also stars as Lieutenant John Brickley. Throughout much of this film, Brickley's squadron only provides courier service between Bataan and Corregidor. When given the opportunity, however, Squadron Three does manage to sink several of the enemy's ships as the Japanese complete their conquest of the Philippines, eventually forcing the American forces to surrender.

With regard to the film's title, not all of those involved with resisting the Japanese were expendable. General Douglas Mac Arthur is ordered by President Roosevelt to relocate with his family and staff to Australia. Brickley's squadron makes their escape possible. As the film ends, he and Lieutenant J.G. "Rusty" Ryan (John Wayne) return to the United States on the last plane out. Their men will now be fighting on foot...at least for a while. In the final scene, as they trudge proudly down the beach and the plane carrying Brickley and Ryan rises above them, the soundtrack offers a muted choral rendition of "The Battle Hymn of the Republic." A distinctive Ford touch.

The greatness of this film is best explained in terms of (a) the generally non-verbal but nonetheless close relationships between Brickley and Ryan, and, between them and their crews; (b) the romantic feelings shared by Ryan and Lieutenant Sandy Davys (Donna Reed) which Ford never permits to deteriorate into sentimentality; (c) Montgomery's highly-effective portrayal of a soft-spoken leader; and (d) Wayne's (for me) surprisingly subtle and sensitive performance, perhaps equaled (in terms of nuance) only by his performances in The Searchers and The Shootist.

It is worth noting, also, that Ford as well as his cast and crew obviously had great respect for the men and women in the American military services. They avoid all of the pitfalls which ruin so many other war films. For example, character stereotyping (e.g. including a philosophical Jewish cab driver from Brooklyn) and using melodramatic music to manipulate a viewer's emotions during especially dramatic moments. This film has integrity in all respects, suggesting that although many of those whom it portrays may have been expendable, they are nonetheless admirable. ... Read more

Amazon.com essential video

Even under the heavy censorship of 1946 Hollywood, Lana Turner and John Garfield's libidinous desires burn up the screen in Tay Garnett's adaptation of James M. Cain's torrid crime melodrama. Platinum blond Turner is Cora, a restless sexpot stuck in a roadside diner married to mundane middle-aged fry cook Nick Smith (Cecil Kellaway) when handsome drifter Frank (Garfield) blows her way. It's lust at first sight, a rapacious desire that neither can break off, and before long they're plotting his demise--but in the wicked world of Cain nothing is that easy. Garnett's visual approach is subdued compared to the more expressionistic film noir of the period, but he's at no loss when he films the luminous Turner in her milky-white wardrobe. She radiates repressed sexuality and uncontrollable passion while Garfield's smart-talking loner Frank mixes street-smart swagger and scrappy toughness with vulnerability and sincere intensity. Costar Hume Cronyn cuts a cold, calculating figure as their conniving lawyer, a chilly character that only increases our feelings for the murderous couple, victims of an all consuming amour fou that drives their passions to extremes. --Sean Axmaker ... Read more

Reviews (13)

Naughty, naughty, naughty.
I may be old fashioned but I still find this movie a little shocking. And while the end is a dissapointment, it was probably made necessary by the censors. Its also an element of Film Noir that everything ISN'T going to be ok.

It all works because of Lana Turner. Ms. Turner takes a simple--and hopfully, implausible--story and makes it cheap, tawdry and hotter than hell.

Man, this must have been something in 1946! I'll bet a lot of couples gave each other a long look as they left the theatre....

"You've been trying to make a tramp out of me."
"The Postman Always Rings Twice" is one of the best-known entries in the Film Noir genre. The film, directed by Tay Garnett is based on the James Cain novel. Cora Smith (Lana Turner) is married to Nick Smith. It's an incongruous match, and drifter Frank Chambers (John Garfield) certainly thinks the Smiths are wildly mismatched when he arrives in the Smiths' petrol station/roadside cafe. Frank has no intention of staying, but when he gets an eyeful of the scantily clad Cora, he decides to stick around and accepts a job from Nick Smith.

Before too long, Cora and Frank are embroiled in a hot affair under her husband's nose. He's blissfully unaware that Cora and Frank are hot and heavy. In some situations, perhaps, this affair would continue on for years, but circumstances force Frank and Cora to take action. When the decision is made to murder Nick, Frank and Cora's relationship is put to the test.

Lana Turner was great in the role of Cora. She is obviously extremely unhappy with Nick--even before Frank comes along. This is glaringly obvious to everyone except Nick, and as it turns out, he has entirely different plans for Cora. Cora tries to fight the attraction to Frank, but they are too much alike and they are inevitably drawn to one another. Under different circumstances, they would probably meet and have a passionate brief affair. Somehow, I don't think ambitious Cora would really give Frank much of a second glance if she had the world of men to choose from.

This film works so well thanks to the strong characterization and excellent acting. Bleached blonde Cora just doesn't look right in her neat, little white Twin Oaks uniform--she was built to languish on a velvet chaise, but fate has her stuck in a poky hole-in-the-ground cafe. One conversation between Cora and Frank hints at Cora's past as she explains away her marriage. It's only a matter of time before some man comes along, takes one look at Cora and decides to liberate her from Nick's company. Just as Cora married Nick for security, Nick has his own reasons for marrying Cora, and love does not seem to be one of them. Frank, the drifter, is suitably rough-around-the edges. He's so enamored with Cora, that he takes her bidding--but also nurses a vague resentment at the same time. Hume Cronyn and Leon Ames are both excellent in their supporting roles--both actors are scene-stealers. The DVD also includes many worthwhile extras about the career of John Garfield. I recommend this film highly if you are interested in Film Noir or just want to watch a riveting film--displacedhuman

Welcome to the Twin Oaks
Postman's plot centers around drifter Frank, and his relationship with the beautiful Cora. Cora and husband, Nick, run the Twin Oaks -- a roadside service station/diner -- and Nick has hired Frank to help around the place. Cora and Nick are May/December, but there is no romance whatsover between them. The reason for their marriage is cryptically revealed during one scene, but, in the end, one never can quite figure out why they are together. Frank and Cora quickly fall for each other and desire a life together -- a desire that requires removing Nick from the picture. The urgency reaches fever pitch when Nick announces his intention to sell the diner and move Cora to nothern Canada where she will care for Nick's recently paralyzed sister, who, in Nick's words, is going to live for a long time. As other reviewers have mentioned, the DA and defense attorney stand out in this film as well-conceived characters, the defense attorney played to perfection by Hume Cronyn.

Over the years, Postman has been lauded as perhaps the quintessential piece of film noir -- an intentionally bleak genre that experienced its heyday in the forties and fifties. Although Postman is undoubtedly a precise work of film noir, it's reputation may be based as much on it's mold-shattering relationship with MGM as on its artistic merit. Released by MGM, Postman was so far out of character for the studio that MGM had to borrow John Garfield to cast the leading role. That said, one is hard pressed to envision Frank as having been played by anyone other than Garfield. The same can't be said for Lana Turner's Cora, though. Yet, while other actresses may admirably have filled Cora's sultry shoes, Turner does indeed sizzle in this role. Both Garfield and Turner play their parts to perfection -- their acting is simply terrific. Somehow, though, the chemistry between the two leaves a little something wanting. For me, this was underscored by the instant chemistry that exists between Frank/Garfield and the "other woman" he picks up at the train station during Lana/Cora's absence. That said, the little something that is wanting between Turner and Gerfield contributes, in its own way, to the bleakness of the plot.

Technically, the dvd presentation of Postman is quite good. The transfer here is not as pristine as other Warner releases and there are digital artifacts and noise noticeable in many scenes. However, they are not severe enough in effect or number to detract from the film. Although the audio on this dvd is fine, the score for Postman is really just mediocre. Heavy on suspense motifs, one is left feeling as though they've heard much of this music before. The highlight of the dvd is the Garfield documentary that Warner has included as an extra. For fans of the noir genre, and for fans of Garfield in particular, this extra transforms a good dvd into a must-own dvd.

All things considered, this is a title for confirmed noir fans, and, for them, it is highly recommended. Even if you're not a noir fan, though, Postman is a work of broader cultural significance and is well worth owning even if its the only noir on your shelf.

I wouldn't say
it's the BEST movie about lust, but it should be in the enclclopedia next to "noir." Whatta cast, whatta film, whatta fool you are if you don't buy or at least rent it!!

Start watching and you won't be able to stop
Great black and white photography
Excellent tension between Garfield and Turner.
Great storyline.
If you start watching this film you won't be able to stop.

I have always thought Lana Turner is fun to watch but sometimes of I find her performances -over the top- but,
she is pitch perfect in this film. With her whiter than white hair and clothes she seems like the unattainable female. She works in this greasy spoon but she is incredibly groomed and perfectly desirable to the drifter played by John Garfield.

My favorite scene is when she and John Garfield leave together the and then decide to return. Lana's character explains her motivations--the dialogue and her delivery seem so real and you sympathize with her character (a woman who plots to kill her husband!)

I also like the setting of early Southern California...orange groves and empty beaches.

This is a must see film ... Read more

Reviews (22)

History, Disney style
Walt Disney loved trains. He took the "Andrews Raiders" incident from the Civil War (that involved Union spies hijacking a Confederate train) and turned it into a movie. It has it's inaccuracies, but overall it gives you an idea of what really happened. What really makes this movie is that Disney contacted the B&O train museum in Baltimore, and borrowed some of their period locomotives and equipment. Portraying the hijacked locomotive "The General" is the "William Mason" from the museum. She's a fine lady of a locomotive, who appeared not only in this movie, but the recent flop "The Wild Wild West" as "the Wanderer". Fess Parker gives his usual wooden and stilted performance as Andrews, and being a Disney film there's singing (but no dancing) in the movie. But Jeffrey Hunter does a great job as Fuller, the Confederate conductor of the hijacked train. Most men would have been alarmed as they watched their train pull away without the regular crew, but how many would run after it like Fuller did? And run and run, commandeering a rail car and 3 locomotives before finally catching up with the stolen train. Hunter captures the determination of this man who is the single reason the plan of the Andrews Raiders failed.

Fine Civil War Adventure
It's been many years since I had seen "The Great Locomotive Chase", and it was a real pleasure to watch it again. With so many other reviews, I don't think I need to summarize the plot.

Anchor Bay, as usual, has given us a DVD that is beautiful to look at, with only a few areas where the age of the film is apparent. This is widescreen and I can't imagine watching this film any other way. The sound is pretty much what you would expect for a 1956 release.

Fess Parker and Jeffrey Hunter are fine as the lead protagonists, with Jeff York also registering as one of Andrews' Raiders who would rather fight, than follow the "cloak and dagger" routine. Of course, York played Mike Fink--"King of the River"--opposite Fess Parker's Davy Crockett.

This movie is a dream for railroad buffs--old steam trains still provide a thrill for many people. It is also noteworthy for people interested in the civil war, being based on actual events, although I suspect history scholars might find it too superficial. However, the purpose of this movie is to entertain fans of all ages--not to get bogged down in too much detail.

Parents should find this movie a delight to watch with their children, especially young boys. The plot is not complicated--there is plenty of action--and while shots are fired, and some fists fly, there is none of the more graphic violence that today's films seem to wallow in.

Like other reviewers, I would have liked some "extras". Comments from Fess Parker--now a successful California wine-maker--added a lot to Disney's Davy Crockett collection. Mr. Parker's memories of this film would have been a nice plus. Sadly, Jeffrey Hunter passed away at a young age, during the 1960s.
Perhaps some day there will be a "deluxe" edition from Disney--but, in the mean time, we must thank Anchor Bay for giving us this highly watchable version.

Again, recommended viewing for the whole family.

Review of Disney May 2002 release
After two previous releases by Anchor Bay, one would assume this release by the movie producer, Disney, would be the ultimate issue of this film. Nothing could be further from the truth.

Besides having zero....none, nyet....bonus features....not even a trailer, this release is riddled with problems. While the menu and FBI warnings are anamorphic, the movie itself is not. If the transfer had been halfway decent, this would be somewhat forgiveable. However, the transfer is grainy, the color pulses, and edge enhancement is frequent throughout. Certain portions of the movie even appear to be in the wrong ratio....as if the screen were squeezed top to bottom.

Another problem I encountered....and basically the last straw....was the random appearance of foreign subtitles as I watched the movie. Whether this is a problem with all DVD players, I do not know [mine is a Toshiba]....but on a quality product, this should never be a problem on any player.

While the movie is somewhat enjoyable [typical 50's Disney-style drama], I'd avoid this DVD [wish I HAD] based purely on the lack of effort Disney put out in assembling it.

Figures....Disney finally releases some of its movies in their entirety [not the destructive pan & scan], and they still put out a lousy DVD.

Excellent Film, Disappointing DVD
Read the other reviews for a plot synopsis. Be aware that this film is presented in "Letterbox" widescreen, not anamorphic (although the menu pages & even the copyright warning page are anamorphic widescreen). The picture quality is mediocre, as is the sound. I thought that Disney (who released the original film to the theaters in 1956) would treat this film with some respect, but alas, as seems to be happening with all major studios' DVD releases now, they appear to be taking the cheapest way out. The film is a very good historical action piece that deserves better, especially from Disney. I just hope they treat the upcoming Davey Crockett release better.

re: new version dvd
the new version dvd (with the painting of the locomotive cover) is a full-frame only version. knowing this would've saved me some heartache (and money) ... Read more

Amazon.com

Bob Hope brings his own brand of laughing gas to the Wild West as a would-be "painless" dentist lassoed into marrying Jane Russell. She's a shapely outlaw turned undercover agent on the trail of some varmints selling guns to a hostile Indian tribe, and he's her unwitting cover. Hope cowers and cracks self-effacing jokes while bodies fall around him ("Brave men run in my family," he quips, then runs), but he's even funnier swaggering and sneering like a kid playing cowboy in a flamboyant costume apparently stolen from the Oklahoma! road show. The Paleface is one of his best films, and the unflappable Russell is a great match. Theme song "Buttons and Bows" (which Hope delivers with a clowning mock twang) won an Oscar^®, and the 1948 film spawned a sequel (Son of Paleface, costarring Roy Rogers and Trigger) and a remake (The Shakiest Gun in the West with Don Knotts). --Sean Axmaker ... Read more

Reviews (7)

i thought it was something else...
don't be tempted. hope was funny on his shows in a different format, where spontaneity was his forte. executing someone else's scripted directions and dialogue, he's average...wouldn't even make second string on the stooges.

pure junk.

Hope Hit
My favorite Bob Hope moment of all time comes from this film. Not his amazing facility with a gag or a prop but when he sings "Buttons and Bows" in an attempt to seduce Jane Russell. It's a great song and wonderfully done. Hope never got to work with the great directors for some reason so his work is often overlooked today, but shouldn't be. Otherwise he'd be recognized as the most influential American comic actor of the sound era.

Great Comedian at Top of His Form
Bob Hope's 1948 film "The Paleface," was the highest-grossing movie America's most-beloved comedian of the era ever made. Pairing Hope with Jane Russell in a run-of-the-mill Paramount comedy was box office magic that still works today. Here Bob Hope's timing is perfect, and he's totally mastered the character we associate with him, that cowardly braggart, who thinks of himself as a real Casanova. The film still holds up well, and I've found myself laughing out loud at many of the scenes. The DVD has an unbelievably good transfer that gives you a picture that's so crisp, it feels like you have a camera in your hands. Special features are nice, including the original theatrical trailer. There's also a clip of an Armed Forces Command Performance, and some footage of Bob Hope performing for the troops. With DVD-ROM, you can also compare the script to the scene as it plays out. In all, an enjoyable way to spend an evening with one of the great comedians of the mid-20th century.

Bob is hilarious!
This is one of the best Bob Hope movies, and his comedy timing here is excellent. He plays Painless Potter, a cowardly dentist, and the problems he encounters provides Hope ample opportunity to improvise sight gags and many other memorable jokes. Pay close attention when Bob attempts to extract a tooth... it's a classic scene! Hope is curiously underrated as a comic, but he was an absolute master at this genre, playing to perfection a sort of bumbling wannabe womanizing coward. Pay particular attention to his timing, which was absolutely unmatched in Hollywood.

The only drawback is Jane Russell, who was only in movies due to her cleavage. Her acting talent is minimal, but the brilliant Hope more than makes up for it. You will find yourself laughing out loud continuously throughout this movie. The color tones are bright, crisp and make it seem like you're sitting in the movie theatre in 1948. A classic comedy film.

Easy entertainment
In an era where there is little entertainment left for the whole family, The Paleface provides laughs for all ages. No embarrassing moments with the grandparents or inappropriate questions from the kids! ... Read more

Reviews (30)

Reel History: Johnny Tremain
Nostalgia compelled me to rent Disney's 1957 adaptation of Johnny Tremain. I remember seeing the film in grade school and indeed, some of the visuals from those early screenings left an imprint on my mind whenever I heard the terms "colonial life" and "Revolutionary War." Part of that, I think, is because Johnny Tremain (the movie, not the book) makes the era (1773-1775) seem like a great place for a 10-year old boy to seek adventure and take potshots at the villainous Redcoats. It's a glossed over (some would say "dumbed down) version of Esther Forbe's classic book, and unfortunately, the film, and not the book, is often what many educators choose to incorporate as part of their curriculum when teaching students about the origins of the Revolutonary War.
Aside from that, the film is classic in the Disney sense. Ever notice how 1950s and 60s Disney movies have a distinctive "look" all their own? As a "History Lite" lesson, I suppose the film works on some level. Most of the actors are fine, and some of the set pieces are also nice. The Lexington sequence near the end of the film is probably where young people will begin to pay more attention. Teachers for 6th grade and up might do well to consider Esther Forbe's book over the film, or perhaps "April Morning" by Howard Fast. PS - It's interesting to look at Johnny Tremain and consider that it was made in 1957 with the Cold War in full swing. The Cold War is something that most kids today cannot fully relate to. In the 1950s, Disney no doubt had the current political climate in mind when Johnny Tremain was produced. Youth, freedom, political principles and ideology are recurrent themes throughout the film, and the Revolution serves as a metaphor, ever so subtle, for the struggle against the Reds as well as the Redcoats.

An enjoyable Disney rendition of the cause of the Revolution
This is an enjoyable Disney rendition of the causes of the American Resolution. No, it may not be faithful to the novel, and some of the historical events may not ring true to how they actually happened, however I am sure Disney did not intend them to be. This movie was made in 1957, the same time frame that Davey Crockett played by Fess Parker was made, America was caught up in patriotic fever and Disney was more than happy to serve this up to the viewing public. I did enjoy this movie, and the overall theme it was trying to portray, such as freedom from tyranny, the rights of every man from the wealthy to the silversmiths apprentice. This may not be a movie to analyze the Revolutionary War with, however it is a great starting point to discuss the Revolution with young ones, and those who do not know very much about the American Revolution. An enjoyable film that is recommended to those who like Disney and "light history".

Very Good Movie!!!!
This movie was different than the book for sure, but it was very good. My sister and I bought this movie and we were very satisfied. Excellent casts, great history. This movie deserves five stars, but don't expect it to be like the book.

Weak link
the movie stunk. First of all the movie had all the details mixed up and how could u not have the Famous John hancock or laviinia Lye as a character.In stead of Dove there id some guy named caleb. talk ABout disney making movies they cant meake anything true. i REGRET I BOUGHT IT. 50% OF THE MOVIE WAS ALL mixed up stuff, totaly differnt from the book and the other 30% was bad quality effects even for an old video released.

not good...for shame*tisk**tisk*
I wasn't even a fan of the book, but I know that this movie is terrible. This movie has no elements from the book and this movie hardly deserves a star
My I.Q. (117) plummeted to room temperature....*tisk* ... Read more

Reviews (1)

Excellent adaptation by no-name cast.
The thing about this adaptation of Li'l Abner is that it manages to capture the light-hearted feel of the strip at the time. Unencumbered by any political or social leanings (in either direction) it gives a sense of Al Capp at his finest. When Li'l Abner and the citizens of Dogpatch were celebrated heroes of America.

The cast is mostly unknown. But they bring a sense of excitement to their roles that more than makes up for their lack of experience. That's not to say this is a flawless film. It's cheaply produced and it was sad to see film great Buster Keaton in such a small role. But it is funny (despite Maltin's opinion) and well worth the price. ... Read more

Amazon.com essential video

They Were Expendable is the greatest American film of the Second WorldWar, made by America's greatest director, John Ford, who himself saw action from the Battle of Midway through D-day.Yet it's been oddly neglected.Orperhaps not so oddly: for as the matter-of-fact title implies, the filmcommemorates a period, from the eve of Pearl Harbor up to the impending fallof Bataan, when the Japanese conquest of the Pacific was in full cry and U.S.forces were fighting a desperate holding action.Although stirring movieshad been made about these early days (Wake Island, Bataan,Air Force), they were gung ho in their resolve to see the tablesturned. They Were Expendable, however, which was made when Allied victorywasall but assured, is profoundly elegiac, with the patient grandeur of a tragicpoem.

"They" are the officers and men of the Navy's PT boat service, anexperimental motor-torpedo force relegated to courier duty on Manila Bay buteventually proven effective in combat. Their commander is played by Robert Montgomery, who actually served on a PT and later commanded a destroyer atNormandy; James Agee called his "the one unimprovable performance" of 1945. In addition to giving it, Montgomery codirected the breathtaking second-unitaction sequences (and took over the first unit for a week when Ford broke his leg).John Wayne's costarring role as Montgomery's volatilesecond-in-command initially looks stereotypically blustery, but as the dramaunfolds--the death of comrades, a friendship-that-never-gets-to-be-a-romancewith an Army nurse (Donna Reed)--Wayne sounds notes of tenderness andvulnerability that will take Duke-bashers by surprise.

They Were Expendable is a heartbreakingly beautiful film, full ofastonishing images of warfare,grief, courage, and dignity: the artificial "rainfall" that lashes thebeached Wayne as his PT boat explodes in the surf; the glow around acommunally improvised dinner for nurse Reed; an old ship-repairer (RussellSimpson, The Grapes of Wrath's Pa Joad) settling in grimly to wait forthe Japanese, with "Red River Valley" as benediction; the propeller spraythat hangs over a jungle inlet, like the dust from one of Ford's cavalrypictures, as the PTs round a bend and disappear into history.This is amasterpiece. --Richard T. Jameson ... Read more

Reviews (33)

The best Naval film of World War II
They Were Expendable is the story of a small number of Sailors who found themselves in the Phillipines as World War II started. These men are operating small torpedo boats for the Navy which doesn't seem to have much of a use for them, if one listems to the admirals and captains viewing them in action.

The all star cast includes George Montgomery, Donna Reed, John Wayne and Ward Bond, amongst others. All are excellent and make this story much more real than it might otherwise have been. You get the feel for the Philippines and the climate. Plus the deterioriation of the situation as the Army is forced down the Bataan Peninsula to the island of Corregidor and the ultimate siege and defeat.

Many people "remember" Pearl Harbor but don't quite recall that the Philippines was a starker defeat for the United States. If you look at it objectively, Pearl Harbor was essentially avenged at the Battle of Midway. The Philippines took over2 1/2 years to see the return of US forces and it then evolved into a slogging match with the Japanese Army that went on until the surrender of Japan in 1945. Pearl Harbor sticks in the mind, the Philippines rapidly faded away.

This movie brings back the events that made up the US role in the Philippines in 1941 and early 42. You see at the end that there is not a happy ending. The romantic interest stays behind to become a POW. The remaining members of the PT crews become rifle carrying Sailors as they march off into the bush. Pay attention to Montgomerey's farewell talk to his men. It should rank up there with Washington's farewell to the Army.

This is a film that should be seen by all with an interst in Naval and Military history as well as the events of 1941-42. It is a movie about people that could be anyone of us.

An outstanding, but unusual war film
A superior war film, shot just as WWII was winding down. Tightly scripted, beautifully shot, with suspenseful, visceral action, this tells the story of how PT boats -- mobile torpedo ships -- made their mark in the Pacific war theatre. John Wayne, playing second billing to Robert Montgomery, delivers one of his most understated and enjoyable performances. Realistic but full of optimism, this film matter-of-factly captures the visceral sense of danger the war brought with it -- from the early Japanese raids following Pearl Harbor, to the sense of dread and helplessness soldiers felt under bombardment while convalescing in hospital bivouacs. A fine cast of supporting actors project the same sort of pragmatic American amiability as seen in the "Terry & The Pirates" cartoon strip. The film is particularly notable for the atypically bleak, inconclusive ending, which shows the disheartening midwar defeat of the American forces in the Pacific theatre -- we know, from the modern vantagepoint, that the Americans ultimately won, but director John Ford doesn't show it in his film. Excellent film; highly recommended.

No Mock Heroics -- This is the Real Thing. Beautifully Done
If you're looking for mock Hollywood heroics or a bloated 'action movie', try The Flying Tigers or The Fighting Seabees. This beautifully made, understated film is about the courage and dedication of the forsaken Phillipine defenders in 1941-42. In particular, the scene in which a radio announces the American surrender tells what those early days were really like. John Ford, who served in the Navy, casts Robert Montgomery as a PT squadron leader (in fact, Commander Montgomery served in the same PT squadron with John Kennedy). The b&w photography is outstanding, often mesmerizing, quite unique for a war film, with locations that are dead ringers for the originals. Adapted from the 1942 Pulitzer prize book by a reporter who was on the scene, it follows the true story fairly closely. Every performance is right-on, as are the combat scenes. Not a pumped-up excercise in flag waving; rather, it's a well executed tale of courage in desperate times. Every scene fascinates with the ambiance of its time and place, and with chilling historical accuracy. If the ending doesn't get a grip on you, you're a lost cause. And, yes, Doug MacArthur is treated like a god -- which, in those days, he was. No ostentatious preaching here; it's understated brilliance from start to finish, and an education in an earlier generation's attitude toward duty, integrity, and sacrifice. Bruce Willis fans stay clear; this is a war movie for grown-ups.

John Wayne at his best.
Although this movie can be a little sappy at times, it still comes through with a sense of realism that was not seen in other movies from this era. Many of the heros die and it's not even close to a fairy tale ending. Love this movie!

John Ford's Classic War Film
More than 60 years ago, Japanese forces attacked Pearl Harbor. During the months which followed, the United States struggled to recover as Japanese military victories continued throughout the Pacific. This film is based on William Lindsay White's interviews of four members of Motor Torpedo Boat Squadron Three, published as They Were Expendable in 1942. John Ford and Robert Montgomery co-directed and Montgomery also stars as Lieutenant John Brickley. Throughout much of this film, Brickley's squadron only provides courier service between Bataan and Corregidor. When given the opportunity, however, Squadron Three does manage to sink several of the enemy's ships as the Japanese complete their conquest of the Philippines, eventually forcing the American forces to surrender.

With regard to the film's title, not all of those involved with resisting the Japanese were expendable. General Douglas Mac Arthur is ordered by President Roosevelt to relocate with his family and staff to Australia. Brickley's squadron makes their escape possible. As the film ends, he and Lieutenant J.G. "Rusty" Ryan (John Wayne) return to the United States on the last plane out. Their men will now be fighting on foot...at least for a while. In the final scene, as they trudge proudly down the beach and the plane carrying Brickley and Ryan rises above them, the soundtrack offers a muted choral rendition of "The Battle Hymn of the Republic." A distinctive Ford touch.

The greatness of this film is best explained in terms of (a) the generally non-verbal but nonetheless close relationships between Brickley and Ryan, and, between them and their crews; (b) the romantic feelings shared by Ryan and Lieutenant Sandy Davys (Donna Reed) which Ford never permits to deteriorate into sentimentality; (c) Montgomery's highly-effective portrayal of a soft-spoken leader; and (d) Wayne's (for me) surprisingly subtle and sensitive performance, perhaps equaled (in terms of nuance) only by his performances in The Searchers and The Shootist.

It is worth noting, also, that Ford as well as his cast and crew obviously had great respect for the men and women in the American military services. They avoid all of the pitfalls which ruin so many other war films. For example, character stereotyping (e.g. including a philosophical Jewish cab driver from Brooklyn) and using melodramatic music to manipulate a viewer's emotions during especially dramatic moments. This film has integrity in all respects, suggesting that although many of those whom it portrays may have been expendable, they are nonetheless admirable. ... Read more

Reviews (22)

History, Disney style
Walt Disney loved trains. He took the "Andrews Raiders" incident from the Civil War (that involved Union spies hijacking a Confederate train) and turned it into a movie. It has it's inaccuracies, but overall it gives you an idea of what really happened. What really makes this movie is that Disney contacted the B&O train museum in Baltimore, and borrowed some of their period locomotives and equipment. Portraying the hijacked locomotive "The General" is the "William Mason" from the museum. She's a fine lady of a locomotive, who appeared not only in this movie, but the recent flop "The Wild Wild West" as "the Wanderer". Fess Parker gives his usual wooden and stilted performance as Andrews, and being a Disney film there's singing (but no dancing) in the movie. But Jeffrey Hunter does a great job as Fuller, the Confederate conductor of the hijacked train. Most men would have been alarmed as they watched their train pull away without the regular crew, but how many would run after it like Fuller did? And run and run, commandeering a rail car and 3 locomotives before finally catching up with the stolen train. Hunter captures the determination of this man who is the single reason the plan of the Andrews Raiders failed.

Fine Civil War Adventure
It's been many years since I had seen "The Great Locomotive Chase", and it was a real pleasure to watch it again. With so many other reviews, I don't think I need to summarize the plot.

Anchor Bay, as usual, has given us a DVD that is beautiful to look at, with only a few areas where the age of the film is apparent. This is widescreen and I can't imagine watching this film any other way. The sound is pretty much what you would expect for a 1956 release.

Fess Parker and Jeffrey Hunter are fine as the lead protagonists, with Jeff York also registering as one of Andrews' Raiders who would rather fight, than follow the "cloak and dagger" routine. Of course, York played Mike Fink--"King of the River"--opposite Fess Parker's Davy Crockett.

This movie is a dream for railroad buffs--old steam trains still provide a thrill for many people. It is also noteworthy for people interested in the civil war, being based on actual events, although I suspect history scholars might find it too superficial. However, the purpose of this movie is to entertain fans of all ages--not to get bogged down in too much detail.

Parents should find this movie a delight to watch with their children, especially young boys. The plot is not complicated--there is plenty of action--and while shots are fired, and some fists fly, there is none of the more graphic violence that today's films seem to wallow in.

Like other reviewers, I would have liked some "extras". Comments from Fess Parker--now a successful California wine-maker--added a lot to Disney's Davy Crockett collection. Mr. Parker's memories of this film would have been a nice plus. Sadly, Jeffrey Hunter passed away at a young age, during the 1960s.
Perhaps some day there will be a "deluxe" edition from Disney--but, in the mean time, we must thank Anchor Bay for giving us this highly watchable version.

Again, recommended viewing for the whole family.

Review of Disney May 2002 release
After two previous releases by Anchor Bay, one would assume this release by the movie producer, Disney, would be the ultimate issue of this film. Nothing could be further from the truth.

Besides having zero....none, nyet....bonus features....not even a trailer, this release is riddled with problems. While the menu and FBI warnings are anamorphic, the movie itself is not. If the transfer had been halfway decent, this would be somewhat forgiveable. However, the transfer is grainy, the color pulses, and edge enhancement is frequent throughout. Certain portions of the movie even appear to be in the wrong ratio....as if the screen were squeezed top to bottom.

Another problem I encountered....and basically the last straw....was the random appearance of foreign subtitles as I watched the movie. Whether this is a problem with all DVD players, I do not know [mine is a Toshiba]....but on a quality product, this should never be a problem on any player.

While the movie is somewhat enjoyable [typical 50's Disney-style drama], I'd avoid this DVD [wish I HAD] based purely on the lack of effort Disney put out in assembling it.

Figures....Disney finally releases some of its movies in their entirety [not the destructive pan & scan], and they still put out a lousy DVD.

Excellent Film, Disappointing DVD
Read the other reviews for a plot synopsis. Be aware that this film is presented in "Letterbox" widescreen, not anamorphic (although the menu pages & even the copyright warning page are anamorphic widescreen). The picture quality is mediocre, as is the sound. I thought that Disney (who released the original film to the theaters in 1956) would treat this film with some respect, but alas, as seems to be happening with all major studios' DVD releases now, they appear to be taking the cheapest way out. The film is a very good historical action piece that deserves better, especially from Disney. I just hope they treat the upcoming Davey Crockett release better.

re: new version dvd
the new version dvd (with the painting of the locomotive cover) is a full-frame only version. knowing this would've saved me some heartache (and money) ... Read more

Reviews (22)

History, Disney style
Walt Disney loved trains. He took the "Andrews Raiders" incident from the Civil War (that involved Union spies hijacking a Confederate train) and turned it into a movie. It has it's inaccuracies, but overall it gives you an idea of what really happened. What really makes this movie is that Disney contacted the B&O train museum in Baltimore, and borrowed some of their period locomotives and equipment. Portraying the hijacked locomotive "The General" is the "William Mason" from the museum. She's a fine lady of a locomotive, who appeared not only in this movie, but the recent flop "The Wild Wild West" as "the Wanderer". Fess Parker gives his usual wooden and stilted performance as Andrews, and being a Disney film there's singing (but no dancing) in the movie. But Jeffrey Hunter does a great job as Fuller, the Confederate conductor of the hijacked train. Most men would have been alarmed as they watched their train pull away without the regular crew, but how many would run after it like Fuller did? And run and run, commandeering a rail car and 3 locomotives before finally catching up with the stolen train. Hunter captures the determination of this man who is the single reason the plan of the Andrews Raiders failed.

Fine Civil War Adventure
It's been many years since I had seen "The Great Locomotive Chase", and it was a real pleasure to watch it again. With so many other reviews, I don't think I need to summarize the plot.

Anchor Bay, as usual, has given us a DVD that is beautiful to look at, with only a few areas where the age of the film is apparent. This is widescreen and I can't imagine watching this film any other way. The sound is pretty much what you would expect for a 1956 release.

Fess Parker and Jeffrey Hunter are fine as the lead protagonists, with Jeff York also registering as one of Andrews' Raiders who would rather fight, than follow the "cloak and dagger" routine. Of course, York played Mike Fink--"King of the River"--opposite Fess Parker's Davy Crockett.

This movie is a dream for railroad buffs--old steam trains still provide a thrill for many people. It is also noteworthy for people interested in the civil war, being based on actual events, although I suspect history scholars might find it too superficial. However, the purpose of this movie is to entertain fans of all ages--not to get bogged down in too much detail.

Parents should find this movie a delight to watch with their children, especially young boys. The plot is not complicated--there is plenty of action--and while shots are fired, and some fists fly, there is none of the more graphic violence that today's films seem to wallow in.

Like other reviewers, I would have liked some "extras". Comments from Fess Parker--now a successful California wine-maker--added a lot to Disney's Davy Crockett collection. Mr. Parker's memories of this film would have been a nice plus. Sadly, Jeffrey Hunter passed away at a young age, during the 1960s.
Perhaps some day there will be a "deluxe" edition from Disney--but, in the mean time, we must thank Anchor Bay for giving us this highly watchable version.

Again, recommended viewing for the whole family.

Review of Disney May 2002 release
After two previous releases by Anchor Bay, one would assume this release by the movie producer, Disney, would be the ultimate issue of this film. Nothing could be further from the truth.

Besides having zero....none, nyet....bonus features....not even a trailer, this release is riddled with problems. While the menu and FBI warnings are anamorphic, the movie itself is not. If the transfer had been halfway decent, this would be somewhat forgiveable. However, the transfer is grainy, the color pulses, and edge enhancement is frequent throughout. Certain portions of the movie even appear to be in the wrong ratio....as if the screen were squeezed top to bottom.

Another problem I encountered....and basically the last straw....was the random appearance of foreign subtitles as I watched the movie. Whether this is a problem with all DVD players, I do not know [mine is a Toshiba]....but on a quality product, this should never be a problem on any player.

While the movie is somewhat enjoyable [typical 50's Disney-style drama], I'd avoid this DVD [wish I HAD] based purely on the lack of effort Disney put out in assembling it.

Figures....Disney finally releases some of its movies in their entirety [not the destructive pan & scan], and they still put out a lousy DVD.

Excellent Film, Disappointing DVD
Read the other reviews for a plot synopsis. Be aware that this film is presented in "Letterbox" widescreen, not anamorphic (although the menu pages & even the copyright warning page are anamorphic widescreen). The picture quality is mediocre, as is the sound. I thought that Disney (who released the original film to the theaters in 1956) would treat this film with some respect, but alas, as seems to be happening with all major studios' DVD releases now, they appear to be taking the cheapest way out. The film is a very good historical action piece that deserves better, especially from Disney. I just hope they treat the upcoming Davey Crockett release better.

re: new version dvd
the new version dvd (with the painting of the locomotive cover) is a full-frame only version. knowing this would've saved me some heartache (and money) ... Read more