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| 1. The Great Outdoors Director: Howard Deutch | |
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Reviews (38)
You can't go wrong with this classic movie, The Great Outdoors.
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| 2. PCU Director: Hart Bochner | |
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Amazon.com Reviews (84)
Incidentally, the director is an actor, Hart Bochner. You may know him better as Ellis, the slimy, coke-using co-worker of John McClane's wife who tells the terrorists/robbers John's real name.
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| 3. Book of Love Director: Robert Shaye | |
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Reviews (8)
This move is full of people who over the years have terrific stories about who they've become since then. Great movie, great director. I heard Brian Evans speaking very well of Robert Shaye on CNN when he was asked about his role in this movie during a political interview with Senator Inouye. I forgot "Lenny" was in this movie, but he's cool in this.
This film will make you glad that we don't live in the 50s anymore. Unlike "Grease" and "American Graffiti", "Book of Love" paints a picture of unease and awkwardness, along with all of the cliched "teen angst" we know only from those "Health Class" information film strips. The "guys talk" with all its raunch and masculine toughness is forced and totally over-emphesized. Only those with a ... hard high school attitude and a lack of discriminating taste will enjoy this slapped-together 90 minute waste of time. Clearly not in the same league as the far superior Classics in this category. I could watch "American Graffiti" or "Grease" another 20 times, but "Book of Love" was a one-timer.**
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| 4. Dance 'til Dawn Director: Paul Schneider | |
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| 5. Killing Mr. Griffin Director: Jack Bender | |
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| 6. Warlock: The Armageddon Director: Anthony Hickox | |
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Amazon.com Reviews (17)
Anyway, this has some pretty decent effects, and some pioneering computer animations, but all in all, it's a very weak film, and, putting the special effects aside, there's not much left but incompetent acting and cheap thrills. If you like the Warlock films or love Julian Sands, buy this one, or if you're curious, buy it, but overall, you could skip it without really missing anything.
I hope that anthony Hickox would make more films like this.
But sorry, Paganism and Satanism... nothing has to do with each other... Blessed be
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| 7. The Brave Little Toaster to the Rescue Director: Robert C. Ramirez | |
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Description Reviews (9)
Oh, and let's not forget Wittgenschtein, the old super-computer! This movie was obviously planned before "Mars," because it explains how he came to live in the museum. Brian Doyle-Murray does a great job as the voice of this funny, nice guy. And it's a touching moment when Radio sacrifices his own WFC-11-12-55 tube to save him. The Toaster hasn't been the only brave one throughout these movies. The others have done some pretty brave things themselves. Overall, not a bad sequel. Cheesier than the first, it might not satisfy older viewers, but the younger ones should find most of it cute if nothing else.
I can't believe Disney's writers didn't notice the underlying message in this movie. I can only conclude this represents their opinion on the subject. Very sad.
More of a slapdash affair than the first film (or, in my opinion, the convoluted sequel), Rescue is a poor relation to the original film. THe characterizations and conflicts are still strong and suspenseful but the plotting is sloppy. Most younger children won't notice but a few older ones might. Luckily, kids can suspend their disbelief a lot easier than adults. Kids won't pay attention to the quality of animation as much as adults and the gaps in the plot probably won't be an issue. The songs are entertaining and almost to the quality of the first film. The best vocal performance comes from Brian Doyle-Murray (Bill Murray's brother and another Saturday Night Live/Second City alum) as the computer. His distinctive gravelly voice and performance add quality to this average sequel. Just a note for parents this is the second film in the Toaster series. It was planned and written after the third film Goes To Mars and is the only one in the series not inspired by Thomas Disch's children's stories.
For some bizarre reason known only to Disney and whoever else produced the Toaster movies, "To the Rescue" was released AFTER the other direct-to-video sequel, "The Brave Little Toaster Goes To Mars." So "Rescue" is often referred to as the third chapter in the series, or Toaster III, etc. But as should be pretty obvious to anyone who has watched all three movies and paid minimal attention to the plot, "Rescue" is clearly the SECOND chapter in the series, with events taking place directly after the theatrical release. In the original movie, Rob McGroaty, the "master" of the appliances, is going away to college. In "Rescue," he's a college senior wrapping up his thesis (titled "The Secret Life of Animals," humorously enough... oh, how little Rob knows!) in veterinary medicine. In the god-awful bad "Mars" movie, Rob has married longtime girlfriend Chris and is an established veterinarian with a baby on the way. I don't think that "Rescue" is on the level of the original movie, but it's definitely worth a look. (When it comes out on DVD, I think I'll actually buy it!) Its failings could best be described, I think, as "sloppiness." Whereas the first movie was pretty groundbreaking with the totally non-organic cast, who were NOT familiar, human-shaped playthings like the Toy Story toys, in the 10+ years between the original and its sequels the producers must have realized that Hey, kids love the Toaster, so why not make their parents buy some slapped-together sequels!? Despite some jokes and references clearly meant for adults - nothing DIRTY, people, so chill out - and some songs that are actually pretty good, "Rescue" has a slap-dash feel to it, with TV cartoon-quality (as opposed to movie-quality) animation, and plot holes you could drive a truck through. Or maybe, I should say plot *discrepancies.* (Grown-ups use big words, you know!) Once you get over silliness like Rob losing a 600 page thesis due a power outage - he typed the entire thing in one sitting, without saving to disk ONCE?! - or the notion that Eville animal vivisection people will pay lots of dough to acquire any old collection of miscellaneous animals, there's an enjoyable and even exciting story to be found, very much in the spirit of the original movie. Unlike "Mars," which totally runs off the rails with its cockamamie stupidity and creepy extension of human sentience to seemingly everything (like balloons, yikes!!), "Rescue"'s shortcomings never threaten to tank the whole movie. Aside from the appliances saving some cute talking animals, "Rescue" brings Radio, Lampy, Kirby and the gang into the Information Age. In the first movie, "high-tech" is pretty much synonymous with evil, with the "evil appliances" at Rob's parents' apartment (who have replaced the old gang left at the summer cabin) singing their hilarious "cutting edge of technology" song, infomercial-style. "Rescue" carries over the stern disapproval of rampant consumerism, and also acknowledges that even "cutting edge" machines are quickly abandoned by the always-looking-for-something-better masses. By way of a crash course in modern technology, singing and dancing computers, servers, and modems perform a musical number ("Information Superhighway") for the benefit of Rob's elderly appliances. It's a catchy, goofy tune, and yet it has a genuinely moving message about the power of the internet to bring isolated people into a larger community. Even more affectingly, this song is reprised by an abandoned pre-transistor (1st gen) computer that Rob's appliances discover in the university basement. The abandoned computer - named Wittgenstein, as in the polymath philosopher for some unexplained reason - is actually one of the highlights of the movie. Wittgenstein has, hands down, the best songs, and the sub-plot to bring him a new part helps prevent the movie from being all about the cuddly wittle animals and what a dweeb Rob is. "Rescue" eschews much of the emotionally tough material of the first movie, and as such I expected that every character who needed to be rescued or repaired in some way would get help, but I was still very happy to see Wittgenstein (Brian Doyle Murray, in one of his better voice roles IMO) get his due. Not to mention, it's refreshing to see a NON-EVIL sentient computer for once! :) Alack, the comically brilliant Jon Lovitz does not return to reprise his role as Radio, my favorite character, but his replacement is pretty good. And the voice of Tony the Tiger (I'm not going to try to spell his name) happily returns as Kirby the vacuum cleaner. If you haven't seen the original Toaster, go rent or buy it ASAP! If you like the Toaster, chances are you'll like this sequel as well.
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| 8. The Brave Little Toaster Goes to Mars Director: Robert C. Ramirez | |
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| 9. Porky's / PCU Director: Hart Bochner | |
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| 10. Runaway Daughters Director: Joe Dante | |
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Description | |
| 11. December Director: Gabe Torres | |
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Reviews (3)
If you have not seen this movie, it is worth the purchase. The acting is superb and I have to say, truly unbelievable. Wil Weaton is a great actor, but I never saw him as truly brilliant until I had watched "December." Stand by Me is a great movie, Toy Soldiers was a great performance for him, but "December" truly takes the cake. While I will confess (as I read other reviews when submitting my own!) that the storyline leaves something to be desired, I don't think that this movie is about *story*. It is about *feeling* and *ideas*. Not everybody is going to appreciate that or like that, but those of you who are interested in ideas and personal growth through the explorations thereof, then this movie is a must see.
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| 12. Killing Mr. Griffin Director: Jack Bender | |
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| 13. Max Headroom: 20 Minutes Into the Future Director: Victor Lobl, Maurice Phillips, Farhad Mann, Tommy Lee Wallace, Janet Greek, Francis Delia, Thomas J. Wright, Todd Holland | |
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| 14. Falling Sky Director: Brian J. De Palma, Russ Brandt | |
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Reviews (2)
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