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| 1. Shaolin Soccer Director: Stephen Chow | |
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Reviews (41)
[STORY}] You need one? OK, it is about a young man Sing (Chow) who wants to promote the usefulness of kung-fu he learned at Shaolin Temple, and an ex-star soccer player "Golden Leg" Fung (good supporting actor Ng Man Tat), who is now down and out, living in misery. However, when Fung meets Sing on the street of Hong Kong, and sees how he kicks an empty can miles away (literally), Fung realises that here is a golden opportunity for him to regain the dignity and pride he lost long time ago. Combination of Kung-fu and soccer! Invincible!! So, Sing recruits the old pupils he knew when he was training at the temple to make a soccer team. They are no longer what they were; one is a businessman busy with a cell ohone, another totally unemployed, and so on.... And they seem to have lost the skills they had once until, of course, one day, suddenly, they come back in good shape, ready for fight, game for more. Meanwhile, Sing meets a girl named Mui (Vicki Zhao), and a romance (but very unusual one) starts to bloom. My overall impression is, in short, Austin Powers with sports and martial arts. [WHO IS STEPHEN CHOW?] Chow has been very popular in Hong Kong since the year 1990, about two years he made his film debut, and he is 40 years old at the time of writing this, but looks much younger and very agile. His comedies are always filled with incredibly stupid and ridiculous things, often under the very unique situations. Some of his movies include "With Love from Beijin" (1994) "The God of Cookery" (1996), and many others, and I hope those titles would tell you what you see in those funny films. Always stupid and powerful, often with extraordinary parodies, his films give you dynamic gags with improvised atomosphere. Though the film often lacks a coherent story, and his character is not always amiable, finally you come to like him. [ABOUT THIS FILM] As I said, "Kung-Fu Soccer" is a funny comedy, and it also uses first-rate wire-actions and CG images to create its original world. The soccer players jump (to the height of more than 10 meters), kick a ball (to make a hole in a concrete wall, or sometimes catches fire, becoming a roaring puma-like shape!), and ... well, about the rest you should see for yourself. Some of the CGIs are intentionally (and aptly) cheesy (see how villains fly in a browl), but some are surprisingly effective, especailly in the final game scene. Not "Titanic" class, but its use is well-regulated and most importantly, makes lots of funny scenes. [AND ... TRIVIA] 1) As Stephen Chow is a great fan of Bruce Lee, he makes a reference to this legendary hero in the character of the goal keeper whose orange-colored uniform is that of Lee in his last film "Game of Death." 2) Vicki Chao is a famous, very popular idol singer/actress in mainland China, but she never shows her real face. Three time she appears, but each time she is wearing some make-ups. This is an in-joke for those who know her, but to some audience Chow's joke may seem to have gone too far. 3) If you're a Hong-Kong film fan, check out the special appearances of Karen Mok with a strange make-up (regular of Chow's films like "The God of Cookery" and also seen in Jet Li's "Black Mask") and Vincent Kok (also seen in "With Love" and director of Jackie Chan's "Gorgeous"). [AND FINALLY...] The film has first made with the running time of 102 minutes, and then two additional sequences are made to make it 109 minutes (I saw the latter one in Japan). However, it has been reported that for the US release Miramax decided to cut extensively the Asian version, so you may keep that in mind. But, though I hate those changes done to the films, I think, as far as this case goes, the cuts would not affect the total effect of the film very much (I admit some parts of the original version was, to me, a little unnecessary or ineffective) because the film itself is way too funny. Well, anyway, that's for the record. I love the film. Hope you enjoy it.
Shame on me. Chow turns out to be a hilarious and creative star. Who could have dreamed of something as goofy, infectious and, at the same time, as technically brilliant (the special effects are eye-popping) as Shaolin Soccer? Now, I'm reading through the comments left here by Mr. Chow's longtime fans and I realize I'm going to have to check out some of his "better works" (as judged by these aficionados) like 'God of Cookery' and 'From Beijing with Love'. Not knowing what to expect from Shaolin Soccer, I found myself delightfully convulsed with laughter at two early points in the film: - An impromptu synchronized 'street' rendition of the Kool and the Gang hit 'Celebration.' This is almost impossible to explain. When it took shape in the movie, I literally mouthed the words "What the...?" Truly inspired. - A second muscial number, in which two of the Shaolin 'brothers' take to the stage in an ill-fated cabaret act. While I'm sure this was even funnier in Cantonese, even the wonderfully descriptive subtitles demonstrated the amateur campiness of their performance (which was exactly Chow's point). Plus, for any soccer/football fan the depictions of the in-game events are a joy. All in all, Shaolin Soccer was a unexpected treat.
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| 2. Cradle 2 the Grave (Widescreen Edition) Director: Andrzej Bartkowiak | |
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Description Reviews (69)
In 'Cradle', DMX portrays Tony Fait--a high-tech thief who goes into a building one expects to be well-guarded and steals fifty black diamonds. Of course, he has help. This is one of the best opening sequences I have ever seen. Perfectly timed. Jet Li plays Su, an agent from Taiwan. He also wants the weird, black diamonds. So does everyone else. Fait and Su team up when Fait's daughter is kidnapped. All of this leads to the climax--another well timed cut between three fight sequences. The movie only goes bad during the end credits. But I am giving this film five stars because I really enjoyed Anthony Anderson, who finally tones down and plays a more serious role--and he is able to remain funny at the same time.
DMX's role is Tony Fait, a smooth (but somewhat excitable)master thief. He and his crew (including the lovely Gabrielle Union and his partner-in- crime from the afore-referenced "Exit Wounds" Anthony Anderson) break into a diamond exchange, and steal a cache of black diamonds. They were created by the Taiwanese government, and when agitated (kinda like what we saw as the principal weapon in the fifth Bond flick "Diamonds Are Forever") unleash incredible energy. They were originally stolen by the real bad guy Ling (Mark Dacascos), who intends to auction them off to a room full of worldwide nogoodnicks. Ling then abducts DMX's baby girl to ransom them back. And as they say, it is ON. You cannot have these guys together without great fight scenes, and this movie does not disappoint. Li has an incredible nonchalance about himself, and actually fights (and easily handles, of course) his first few adversaries with one hand in his pocket! He has to use both hands, though, when he ends up in the middle of a brawl with a crew of Ultimate Fighters. Of course, he can, and does, without raising much of a sweat (but he does get around to tossing around a midget as a "weapon"). Just as he did in Exit Wounds, Tom Arnold provides some comic relief (among his best lines: "I cannot read Chinese, but I know cop in every language"). Forget about the folks who dog out this movie. The acting is just fine. This script does not call for Meryl Streep, and neither is it incredibly thought provoking screenplay. It does not need to be. It doesn't pretend to be anything other than what it is, a slammin', ultra-violent, retribution filled, sexy action film. While I thought at first that the one-handed fight scenes were a bit much, as another reviewer noted, it does show another side of the virtuosity of Jet Li. And I don't really care whether Kelly Hu (bad-guy Ling's equally ultra-fine sidekick) would have beat down Gabrielle Union in two seconds "in real life". The two of them on the screen is worth seeing, in my humble opinion. Like action movies? Then this one is for you. Enjoy it for what it is, and you will have spent a great ninety minutes.
At first Fait and Su are opponents after the diamonds. When they are taken by Ling (Mark Dacascos) they team up to retrieve them. Su wants the diamonds and Fait wants his daughter Vanessa (Paige Hurd) back. Ling has kidnapped her as leverage against Fait. "Cradle 2 the Grave" also stars Anthony Anderson, Tom Arnold, Gabrielle Union, and Drag-On as Fait's assistants, willing and forced. They stage a raid on a deserted airfield where Ling is holding Fait's daughter and the diamonds. As far as martial arts movies go, "Cradle 2 the Grave" isn't bad. Many of the fight scenes are too well choreographed though and far too Matrixy in the way the actors bodies seemingly mock gravity. I seriously doubt that Jet Li can throw a 200 pound man about 20 feet through the air. This movie also makes the horrendous mistake of having one guy fight about 15 other guys one at a time. Just once I'd like to see all 10 or 15 guys jump the hero at one time and see how he gets out of it. I know that if I were one of those 15 guys, I'd be looking to take a cheap shot while he's working over one of the other guys. My only real problem with this film is the title. What exactly are they referring to when they call it "Cradle 2 the Grave". Ususally that term is reserved for discussions about Swedish social programs. At no time in this movie did Jet Li and DMX expound upon the benefits of an all-encompassing social safety net vis-a-vis the social benefits of a low-tax economic policy to foster long-term wealth production and distribution. Then again, the movie producers didn't even have enough time to spell out the word 'to'; so, I doubt they had the time to work such a policy discussion into the movie. ... Read more | |
| 3. Drive Director: Steve Wang | |
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| 4. The Art of War Director: Christian Duguay | |
![]() | list price: $14.98
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Amazon.com Reviews (56)
Another problem is the films awful plot. For some reason, the Wesley Snipes character seems to have ESP. In one scene, he comes into a room where his partner had been beaten and murdered. Then, just by looking at the room, he sees everything replay in his head. In another scene, the character sees some guy coming out of a resturant. He notices that the asian guys is carrying a back-pack. He then drives through the resurant, grabs the back-pack, and throws it out the window where upon it explodes. Talk about police intuition (or maybe all asian guys carry bombs). As before, this wouldn't be a problem if the character actually had ESP but it's just kind of dumb here.
Another nice thing about this movie is that it seems to understand the nature of post-Cold War politics. Nations now clash with treaties, trade agreements, and capitalist aspirations. By addressing issues such as the WTO, human traficking, and China's emerging status as an economic superpower, I got the distinct impression that the screenwriters actually read the newspaper. Ultimately, the plot doesn't quite hold up, but it's an admirable effort. Snipes does a great job, never lightening the tone by playing to the cheap seats. By playing it straight he makes the film that much more believable. His fight scenes--including the end shootout feating slow-mo bullet-time--are both thrilling and plausible in a way that "The Matrix's" cgi-enhanced action can't manage. Finally, the film just *looks* great. Director of Photography Pierre Gill plausibly passes off a lot of Canadian locations as Hong Kong and New York. He gives these cities a glossy sheen, a convincing grittiness, and a neon readiance, depending upon the scene. All in all, I think if the movie had featured Tom Cruise or Keanu Reeves it would have been much better received. Too bad, since Snipes blows both of them off the screen. This one is definitely worth a look.
This is an espionage, spy thriller with Snipes as a U.N. security agent. The plot centers around a conspiracy to thwart American-Chinese trade negotiations. There are double & triple crosses galore & this film has the feel of an updated film-noir classic, MTV style. If you like well-made martial-arts films as much as I do, "The Art of War" is for you! ... Read more | |
| 5. Shaolin Soccer [IMPORT] Director: Stephen Chow | |
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Album Description Reviews (41)
[STORY}] You need one? OK, it is about a young man Sing (Chow) who wants to promote the usefulness of kung-fu he learned at Shaolin Temple, and an ex-star soccer player "Golden Leg" Fung (good supporting actor Ng Man Tat), who is now down and out, living in misery. However, when Fung meets Sing on the street of Hong Kong, and sees how he kicks an empty can miles away (literally), Fung realises that here is a golden opportunity for him to regain the dignity and pride he lost long time ago. Combination of Kung-fu and soccer! Invincible!! So, Sing recruits the old pupils he knew when he was training at the temple to make a soccer team. They are no longer what they were; one is a businessman busy with a cell ohone, another totally unemployed, and so on.... And they seem to have lost the skills they had once until, of course, one day, suddenly, they come back in good shape, ready for fight, game for more. Meanwhile, Sing meets a girl named Mui (Vicki Zhao), and a romance (but very unusual one) starts to bloom. My overall impression is, in short, Austin Powers with sports and martial arts. [WHO IS STEPHEN CHOW?] Chow has been very popular in Hong Kong since the year 1990, about two years he made his film debut, and he is 40 years old at the time of writing this, but looks much younger and very agile. His comedies are always filled with incredibly stupid and ridiculous things, often under the very unique situations. Some of his movies include "With Love from Beijin" (1994) "The God of Cookery" (1996), and many others, and I hope those titles would tell you what you see in those funny films. Always stupid and powerful, often with extraordinary parodies, his films give you dynamic gags with improvised atomosphere. Though the film often lacks a coherent story, and his character is not always amiable, finally you come to like him. [ABOUT THIS FILM] As I said, "Kung-Fu Soccer" is a funny comedy, and it also uses first-rate wire-actions and CG images to create its original world. The soccer players jump (to the height of more than 10 meters), kick a ball (to make a hole in a concrete wall, or sometimes catches fire, becoming a roaring puma-like shape!), and ... well, about the rest you should see for yourself. Some of the CGIs are intentionally (and aptly) cheesy (see how villains fly in a browl), but some are surprisingly effective, especailly in the final game scene. Not "Titanic" class, but its use is well-regulated and most importantly, makes lots of funny scenes. [AND ... TRIVIA] 1) As Stephen Chow is a great fan of Bruce Lee, he makes a reference to this legendary hero in the character of the goal keeper whose orange-colored uniform is that of Lee in his last film "Game of Death." 2) Vicki Chao is a famous, very popular idol singer/actress in mainland China, but she never shows her real face. Three time she appears, but each time she is wearing some make-ups. This is an in-joke for those who know her, but to some audience Chow's joke may seem to have gone too far. 3) If you're a Hong-Kong film fan, check out the special appearances of Karen Mok with a strange make-up (regular of Chow's films like "The God of Cookery" and also seen in Jet Li's "Black Mask") and Vincent Kok (also seen in "With Love" and director of Jackie Chan's "Gorgeous"). [AND FINALLY...] The film has first made with the running time of 102 minutes, and then two additional sequences are made to make it 109 minutes (I saw the latter one in Japan). However, it has been reported that for the US release Miramax decided to cut extensively the Asian version, so you may keep that in mind. But, though I hate those changes done to the films, I think, as far as this case goes, the cuts would not affect the total effect of the film very much (I admit some parts of the original version was, to me, a little unnecessary or ineffective) because the film itself is way too funny. Well, anyway, that's for the record. I love the film. Hope you enjoy it.
Shame on me. Chow turns out to be a hilarious and creative star. Who could have dreamed of something as goofy, infectious and, at the same time, as technically brilliant (the special effects are eye-popping) as Shaolin Soccer? Now, I'm reading through the comments left here by Mr. Chow's longtime fans and I realize I'm going to have to check out some of his "better works" (as judged by these aficionados) like 'God of Cookery' and 'From Beijing with Love'. Not knowing what to expect from Shaolin Soccer, I found myself delightfully convulsed with laughter at two early points in the film: - An impromptu synchronized 'street' rendition of the Kool and the Gang hit 'Celebration.' This is almost impossible to explain. When it took shape in the movie, I literally mouthed the words "What the...?" Truly inspired. - A second muscial number, in which two of the Shaolin 'brothers' take to the stage in an ill-fated cabaret act. While I'm sure this was even funnier in Cantonese, even the wonderfully descriptive subtitles demonstrated the amateur campiness of their performance (which was exactly Chow's point). Plus, for any soccer/football fan the depictions of the in-game events are a joy. All in all, Shaolin Soccer was a unexpected treat.
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| 6. Shaolin Soccer [IMPORT] Director: Stephen Chow | |
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Album Description Reviews (41)
[STORY}] You need one? OK, it is about a young man Sing (Chow) who wants to promote the usefulness of kung-fu he learned at Shaolin Temple, and an ex-star soccer player "Golden Leg" Fung (good supporting actor Ng Man Tat), who is now down and out, living in misery. However, when Fung meets Sing on the street of Hong Kong, and sees how he kicks an empty can miles away (literally), Fung realises that here is a golden opportunity for him to regain the dignity and pride he lost long time ago. Combination of Kung-fu and soccer! Invincible!! So, Sing recruits the old pupils he knew when he was training at the temple to make a soccer team. They are no longer what they were; one is a businessman busy with a cell ohone, another totally unemployed, and so on.... And they seem to have lost the skills they had once until, of course, one day, suddenly, they come back in good shape, ready for fight, game for more. Meanwhile, Sing meets a girl named Mui (Vicki Zhao), and a romance (but very unusual one) starts to bloom. My overall impression is, in short, Austin Powers with sports and martial arts. [WHO IS STEPHEN CHOW?] Chow has been very popular in Hong Kong since the year 1990, about two years he made his film debut, and he is 40 years old at the time of writing this, but looks much younger and very agile. His comedies are always filled with incredibly stupid and ridiculous things, often under the very unique situations. Some of his movies include "With Love from Beijin" (1994) "The God of Cookery" (1996), and many others, and I hope those titles would tell you what you see in those funny films. Always stupid and powerful, often with extraordinary parodies, his films give you dynamic gags with improvised atomosphere. Though the film often lacks a coherent story, and his character is not always amiable, finally you come to like him. [ABOUT THIS FILM] As I said, "Kung-Fu Soccer" is a funny comedy, and it also uses first-rate wire-actions and CG images to create its original world. The soccer players jump (to the height of more than 10 meters), kick a ball (to make a hole in a concrete wall, or sometimes catches fire, becoming a roaring puma-like shape!), and ... well, about the rest you should see for yourself. Some of the CGIs are intentionally (and aptly) cheesy (see how villains fly in a browl), but some are surprisingly effective, especailly in the final game scene. Not "Titanic" class, but its use is well-regulated and most importantly, makes lots of funny scenes. [AND ... TRIVIA] 1) As Stephen Chow is a great fan of Bruce Lee, he makes a reference to this legendary hero in the character of the goal keeper whose orange-colored uniform is that of Lee in his last film "Game of Death." 2) Vicki Chao is a famous, very popular idol singer/actress in mainland China, but she never shows her real face. Three time she appears, but each time she is wearing some make-ups. This is an in-joke for those who know her, but to some audience Chow's joke may seem to have gone too far. 3) If you're a Hong-Kong film fan, check out the special appearances of Karen Mok with a strange make-up (regular of Chow's films like "The God of Cookery" and also seen in Jet Li's "Black Mask") and Vincent Kok (also seen in "With Love" and director of Jackie Chan's "Gorgeous"). [AND FINALLY...] The film has first made with the running time of 102 minutes, and then two additional sequences are made to make it 109 minutes (I saw the latter one in Japan). However, it has been reported that for the US release Miramax decided to cut extensively the Asian version, so you may keep that in mind. But, though I hate those changes done to the films, I think, as far as this case goes, the cuts would not affect the total effect of the film very much (I admit some parts of the original version was, to me, a little unnecessary or ineffective) because the film itself is way too funny. Well, anyway, that's for the record. I love the film. Hope you enjoy it.
Shame on me. Chow turns out to be a hilarious and creative star. Who could have dreamed of something as goofy, infectious and, at the same time, as technically brilliant (the special effects are eye-popping) as Shaolin Soccer? Now, I'm reading through the comments left here by Mr. Chow's longtime fans and I realize I'm going to have to check out some of his "better works" (as judged by these aficionados) like 'God of Cookery' and 'From Beijing with Love'. Not knowing what to expect from Shaolin Soccer, I found myself delightfully convulsed with laughter at two early points in the film: - An impromptu synchronized 'street' rendition of the Kool and the Gang hit 'Celebration.' This is almost impossible to explain. When it took shape in the movie, I literally mouthed the words "What the...?" Truly inspired. - A second muscial number, in which two of the Shaolin 'brothers' take to the stage in an ill-fated cabaret act. While I'm sure this was even funnier in Cantonese, even the wonderfully descriptive subtitles demonstrated the amateur campiness of their performance (which was exactly Chow's point). Plus, for any soccer/football fan the depictions of the in-game events are a joy. All in all, Shaolin Soccer was a unexpected treat.
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| 7. Three Blind Mice Director: Christopher Leitch | |
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Reviews (1)
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| 8. Cradle 2 the Grave (Full Screen Edition) Director: Andrzej Bartkowiak | |
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Description Reviews (69)
In 'Cradle', DMX portrays Tony Fait--a high-tech thief who goes into a building one expects to be well-guarded and steals fifty black diamonds. Of course, he has help. This is one of the best opening sequences I have ever seen. Perfectly timed. Jet Li plays Su, an agent from Taiwan. He also wants the weird, black diamonds. So does everyone else. Fait and Su team up when Fait's daughter is kidnapped. All of this leads to the climax--another well timed cut between three fight sequences. The movie only goes bad during the end credits. But I am giving this film five stars because I really enjoyed Anthony Anderson, who finally tones down and plays a more serious role--and he is able to remain funny at the same time.
DMX's role is Tony Fait, a smooth (but somewhat excitable)master thief. He and his crew (including the lovely Gabrielle Union and his partner-in- crime from the afore-referenced "Exit Wounds" Anthony Anderson) break into a diamond exchange, and steal a cache of black diamonds. They were created by the Taiwanese government, and when agitated (kinda like what we saw as the principal weapon in the fifth Bond flick "Diamonds Are Forever") unleash incredible energy. They were originally stolen by the real bad guy Ling (Mark Dacascos), who intends to auction them off to a room full of worldwide nogoodnicks. Ling then abducts DMX's baby girl to ransom them back. And as they say, it is ON. You cannot have these guys together without great fight scenes, and this movie does not disappoint. Li has an incredible nonchalance about himself, and actually fights (and easily handles, of course) his first few adversaries with one hand in his pocket! He has to use both hands, though, when he ends up in the middle of a brawl with a crew of Ultimate Fighters. Of course, he can, and does, without raising much of a sweat (but he does get around to tossing around a midget as a "weapon"). Just as he did in Exit Wounds, Tom Arnold provides some comic relief (among his best lines: "I cannot read Chinese, but I know cop in every language"). Forget about the folks who dog out this movie. The acting is just fine. This script does not call for Meryl Streep, and neither is it incredibly thought provoking screenplay. It does not need to be. It doesn't pretend to be anything other than what it is, a slammin', ultra-violent, retribution filled, sexy action film. While I thought at first that the one-handed fight scenes were a bit much, as another reviewer noted, it does show another side of the virtuosity of Jet Li. And I don't really care whether Kelly Hu (bad-guy Ling's equally ultra-fine sidekick) would have beat down Gabrielle Union in two seconds "in real life". The two of them on the screen is worth seeing, in my humble opinion. Like action movies? Then this one is for you. Enjoy it for what it is, and you will have spent a great ninety minutes.
At first Fait and Su are opponents after the diamonds. When they are taken by Ling (Mark Dacascos) they team up to retrieve them. Su wants the diamonds and Fait wants his daughter Vanessa (Paige Hurd) back. Ling has kidnapped her as leverage against Fait. "Cradle 2 the Grave" also stars Anthony Anderson, Tom Arnold, Gabrielle Union, and Drag-On as Fait's assistants, willing and forced. They stage a raid on a deserted airfield where Ling is holding Fait's daughter and the diamonds. As far as martial arts movies go, "Cradle 2 the Grave" isn't bad. Many of the fight scenes are too well choreographed though and far too Matrixy in the way the actors bodies seemingly mock gravity. I seriously doubt that Jet Li can throw a 200 pound man about 20 feet through the air. This movie also makes the horrendous mistake of having one guy fight about 15 other guys one at a time. Just once I'd like to see all 10 or 15 guys jump the hero at one time and see how he gets out of it. I know that if I were one of those 15 guys, I'd be looking to take a cheap shot while he's working over one of the other guys. My only real problem with this film is the title. What exactly are they referring to when they call it "Cradle 2 the Grave". Ususally that term is reserved for discussions about Swedish social programs. At no time in this movie did Jet Li and DMX expound upon the benefits of an all-encompassing social safety net vis-a-vis the social benefits of a low-tax economic policy to foster long-term wealth production and distribution. Then again, the movie producers didn't even have enough time to spell out the word 'to'; so, I doubt they had the time to work such a policy discussion into the movie. ... Read more | |
| 9. Night Hunter Director: Rick Jacobson | |
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Reviews (5)
Towards the end, this flick petered out a bit, and became one endless fight scene, which had me knocking off a star. There was also a few thinly veiled S&M catfight scene between the main heroine and the lesbian vampire which seemed to be added to tittilate the audience. YAWN. (Must this happen to the heroine in EVERY vampire movie?) Still, this was a worthy vampire flick, worth viewing. (Although I could wish for a little bit more exploration into the lives of the vampires and the vampire King's love for the French woman). Worth seeing, for some decent character development early on and a cast of good-looking vampires. Ultimately disappointing because of its uninspired ending.
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| 10. Ring of Fire 2: Blood & Steel Director: Richard W. Munchkin | |
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| 11. To Be the Best Director: Joseph Merhi | |
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Reviews (2)
It stars Michael Worth, Martin Kove, Phillip Troy and Britanny Powell. Worth and Powell are two very good actors. I hope these guys are just not lost in these B fight movies as they both have a lot of talent and charm. Worth is also a very good fighter and I recently saw him in US SEALS 2 and can see he continues to improve in both fields. The rest of the cast is good and there seems to be some chemistry with the leads. The fights are sometimes lacking choreography excellence but there are so many bloddy fights, you get plenty of good stuff. Has a happy ending for a change too.
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| 12. Deep Core Director: Rodney McDonald | |
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Reviews (6)
It reminded me greatly of the film The Core in various parts, in fact I think that The Core took a great deal from this low budget sci-fi than people are willing to admit. The plot is quite simple, it's a save the from destruction movie, with your obligatory bad guy who finds his conscience at the last minute and saves the others by sacrificing his own life, the gruesome death of a likeable crew member (Rodney) and the exciting ride in the bowels of the earth by the survivors trying to make it to the surface in one piece! Of course there are other baddies in that the Deep Core Machine they are using has been built and funded by the Chinese who want to use it as weapon at some point and the sleazy American bad Daryl guy played with gusto by the dead pan actor James Russo gets his just deserts at the end. It is nothing spectacular but it is good fun to watch! The special effects aren't all that brilliant though they do have their moments, the finding of a huge diamond cavern is one of them, the lasers on the Deep Core machine another, and I thought the lava flow was pretty good too! All in all this is quality cheese, and I really enjoyed it and I'm not ashamed to admit to it online!
Deep Core is based on the same basic premise as 2003's The Core - Man has screwed up the earth and has to tunnel down into the earth to fix it. The Core is clearly the better of the two movies. Deep Core, on the other hand, has all of the same elements: a ship (The Core's is a lot better looking), a crew, a few nuclear warheads, a person that gets killed by lava, and a person that sacrifices themselves for the rest of the group. Once you get passed those basic similarities, Deep Core is but a pour precursor to the later film. It has three good actors: Wil Wheaton, Terry Farrell and Bruce McGill; the rest are generally overly dramatic. There are a few special effects that don't look all that bad (such as the cutting scenes). All of the earth-quake-type scenes look rather fake and the ship looks poorly suited to the type of work that it was designed for. Overall, its not a bad film, but if you have a choice watch The Core, not Deep Core.
It was recommended by Wil on his site (see url below) yesterday so we hopped down to the video store and rented it. It's cheesy and fun and a great movie. Nice death scene, Wil....
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| 13. Bloodfist 5 - Human Target Director: Jeff Yonis | |
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Reviews (4)
Don "The Dragon" Wilson, WKA World Light-Heavyweight Kickboxing Champion, stars in BLOODFIST V:HUMAN TARGET, a movie very much in the tradition of Hong Kong cinema. "The Dragon" plays Jim Stanton, a federal agent hell-bent on breaking up the arms-smuggling ring of Kwon, a nefarious Chinese criminal whose latest deal involves some stolen plutonium. Unfortunately, Stanton is shot in the head and left for dead by some of Kwon's meanies. He awakens in a hospital bed with his memory completely erased. Both Kwon and Stanton's superiors, who believe he's become a double agent, have him at the top of their hit lists, making his "wife" Candy (Denice Duff) his only ally. There's no denying that HUMAN TARGET's martial arts sequences are lavish and flashy. One of the great things about Don "The Dragon"'s movies is that he's always given worthy opponents to go toe-to-toe with. In HUMAN TARGET, one of them is Steve James, whose been in such karate gems as the AMERICAN NINJA series. I rank him at the same level of all the best opponent's Don "The Dragon" stuck it out with, including Billy Blanks (BLOODFIST), Maurice Smith (BLOODFIST II), Gary Daniels (BLOODFIST IV:DIE TRYING), and Matthias Hues (BLACKBELT). Still, it's Don "The Dragon"'s movie, all the way, and how better to showcase his astonishing kickboxing abilities than to put him in a Hong Kong-esque kung fu movie?
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| 14. Ring of Fire Director: Richard W. Munchkin | |
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Reviews (3)
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| 15. K-911 Director: Charles T. Kanganis | |
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| 16. Drive Director: Steve Wang | |
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| 17. Ring of Fire Director: Richard W. Munchkin | |
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Reviews (3)
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| 18. Street Crimes Director: Stephen Smoke | |
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| 19. Cradle 2 the Grave / Training Day Director: Andrzej Bartkowiak | |
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| 20. Fakin' Da Funk Director: Timothy A. Chey | |
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