Amazon.com essential video

Masterful Hong Kong action director John Woo (The Killer, Face/Off) turns in this exciting and pyrotechnic tale of warring gangsters and shifting loyalties. Chow Yun-fat (The Replacement Killers) plays a take-no-prisoners cop on the trail of the triad, the Hong Kong Mafia, when his partner is killed during a gun battle. His guilt propels him into an all-out war against the gang, including an up-and-coming soldier in the mob (Tony Leung) who turns out to be an undercover cop. The two men must come to terms with their allegiance to the force and their loyalty to each other as they try to take down the gangsters. A stunning feast of hyperbolic action sequences (including a climactic sequence in an entire hospital taken hostage), Hard-Boiled is a rare treat for fans of the action genre, with sequences as thrilling and intense as any ever committed to film. --Robert Lane ... Read more

Reviews (125)

Superior action sequences; inferior structure.
Though one of director John Woo's cult favourites, Hard Boiled actually ranks on my list as his worst post-1986 Hong Kong film, even after the farcical Once a Thief.

Overlength is Hard Boiled's chief weakness. After spending over an hour in that hospital with flames all around and innumberable men in suits getting shot, it starts to get tiring. Chow Yun-fat is impeccable in the lead and Tony Leung Chiu-wai is excellent, though versatile actress Teresa Mo is wasted in a skin-deep supporting role.

The biggest thing to commend on this video release, however, is the dubbing. I speak both Cantonese and English, personally, and I can tell American viewers that the dubbed script is even better than the original, which sounded stilted (Philip Chan Yan-kin's lines were especially forced in the original). The dubbed voices were acting, not just translating (as in dubbed Jackie Chan movies such as the U.S. release Operation Condor, for example). This was one marvelous dubbing job, and a rare instance in which I would almost prefer the dubbed version to the subtitled. Kudos to Orion for doing the movie justice.

Woo's "other" classic
While not quite as tightly plotted or emotionally compelling as John Woo and Chow Yun-Fat's magnum opus "The Killer," "Hard Boiled" is still sure to please fans of that movie. Much of what made "The Killer" such a great film is to be found here: flawed heroes, murky allegiances, and ambiguous morals are once again the order of the day in this tale of cops and criminals living on the edge. At the same time, "Hard Boiled" manages to ratchet up the violence even further from its "sister" film, resulting in the most prolonged and intense action scenes I've ever witnessed, all filmed in Woo's signature frenetic style. A tea house, a warehouse, and ultimately a hospital all become battlegrounds in all-out war as the cops face an enemy that makes the Mafia look like a group of middle-school bullies.

Once again, Chow takes the lead in the protagonist's role, this time portraying relentless Hong Kong inspector "Tequila" Yuen. In true Woo-hero fashion, Tequila can shelter a baby with one arm while shooting up a small army of bad guys with the other. Joining him in his fight against the triads is Tony (Tony Leung) an undercover cop who's spent so much time working among gangsters that the line between the right side of the law and the wrong one is becoming blurred. However, Tony looks like a choirboy compared to the cartoonishly villanous Johnny Wong, an up-and-coming Triad boss who would probably kill his own mother if she got in his way. Johnny also has himself an extremely menacing sidekick in the form of a glowering, nameless enforcer who spends much of the film with a patch on one eye and still manages to give Tequila and Tony a few runs for their money.

It all comes to a head in the climactic showdown in the hospital-turned-arsenal, with the scene gradually evolving from tense standoff to full-scale shootout as the lives of hundreds of hostages hang in the balance. As most of Hong Kong's police force provides support, the two detectives lead the way against Johnny, his cycloptic colleague, and dozens of other gun-wielding menaces. And did I mention they have to make sure no harm comes to the adorable newborn babies in the nearby maternity ward? Yeah, Tony and Tequila sure have their work cut out for them as they fly through the air and unleash zillions of bullets, but it makes for some scintillating watching.

On the whole, "Hard Boiled" is definitely an engaging experience that's more than worth the money I shelled out for it. Much like "The Killer," this movie manages to pack much more psychological depth than the typical Hollywood shoot-'em-up with its portrayals of compromised heroes in harrowing circumstances. And of course, it goes without saying that Woo is nearly unparelelled when it comes to putting together action set pieces. Woo has made some moderately entertaining movies here in the States, but he hasn't managed to reach the level of his twin Hong Kong masterpieces. So check them out, if you dare.

FOX LORBER EDITION IS TERRIBLE!
You are looking at an edition by Fox Lorber Films. I love this movie but this particular transfer onto DVD is TERRIBLE. The picture looks horrible and the audio is the WORST I've EVER seen on a DVD. Will SOMEBODY please issue a decent edition of Hard-Boiled or The Killer on DVD (yes I know about the criterion collection but I don't have $250.00 to spend on it now that they are out of print!).

great film, horrible transfer
This is simply a great action-packed, incredibly violent film. Woo is a master of the shoot-out scene and there are plenty of them in this flick. The camera work is amazing. It's smooth, it's poetic. Its influence on The Matrix is very clear. However, this DVD is one of the worst film transfers I have ever seen. The quality image is almost unwatchable, at least for my taste. Dirt, scratches, burn marks are everywhere. The film looks like it was dragged across the floor, stepped on, dumped on, then left to sit a few days for the rats, cockroaches, racoons, and other wildlife to trample all over it before it was transfered onto the DVD. Do not buy this DVD. Rent it, or if you can afford it (and find it), buy the Criterion Collection edition instead.

One of the greatest action movies ever?
I think so. It's violent, over the top and you'll feel satisfied. John Woo won me over with this one. The gun fights are crazy and Chow-Yun Fat proves to be a badass. Not a no-budget movie, but by no means is it a big-production film. It's gritty and fast paced and well... violent. ... Read more

Amazon.com essential video

Hong Kong wuxia films, or martial arts fantasies, traditionally squeeze poor acting, slapstick humor, and silly story lines between elaborate fight scenes in which characters can literally fly. Crouching Tiger, Hidden Dragon has no shortage of breathtaking battles, but it also has the dramatic soul of a Greek tragedy and the sweep of an epic romance. This is the work of director Ang Lee, who fell in love with movies while watching wuxia films as a youngster and made Crouching Tiger as a tribute to the form. To elevate the genre above its B-movie roots and broaden its appeal, Lee did two important things. First, he assembled an all-star lineup of talent, joining the famous Asian actors Chow Yun-fat and Michelle Yeoh with the striking, charismatic newcomer Zhang Ziyi. Behind the scenes, Lee called upon cinematographer Peter Pau (The Killer, The Bride with White Hair) and legendary fight choreographer Yuen Wo-ping, best known outside Asia for his work on The Matrix. Second, in adapting the story from a Chinese pulp-fiction novel written by Wang Du Lu, Lee focused not on the pursuit of a legendary sword known as "The Green Destiny," but instead on the struggles of his female leads against social obligation. In his hands, the requisite fight scenes become another means of expressing the individual spirits of his characters and their conflicts with society and each other.

The filming required an immense effort from all involved. Chow and Yeoh had to learn to speak Mandarin, which Lee insisted on using instead of Cantonese to achieve a more classic, lyrical feel. The astonishing battles between Jen (Zhang) and Yu Shu Lien (Yeoh) on the rooftops and Jen and Li Mu Bai (Chow) atop the branches of bamboo trees required weeks of excruciating wire and harness work (which in turn required meticulous "digital wire removal"). But the result is a seamless blend of action, romance, and social commentary in a populist film that, like its young star Zhang, soars with balletic grace and dignity. --Eugene Wei ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

Reviews (124)

Easily John Woo/Chow Yun Fat's best!
The Killer is a beautiful action/drama masterpiece. It is the best work I have yet to see done by both director John Woo and HK superstar Chow Yun Fat(both of whose movies I am familiar with.) The rest of the cast (including Danny Lee and Sally Yeh) are superb. The sheer grace and flair of the seamlessly choreographed gunfights to the poignancy of the gripping story of a professional hitman trying to cut clean, while gradually falling in love with a victim he accidently blinds in a shootout are all executed perfectly. This movie is not your standard action fare, as it goes deep into the mind of the killers, and depicts the characters trying to live a life that is honorable in a world that is so corrupt and sinister. The bottom line of the movie is quoted by CYF toward the beginning of the film: "Not everybody in this world is untrustworthy." Underlying the blazing guns and implied emotional battles, lies a tale of loyalty, trust and friendship. John Woo epitimizes this movie by proving that the action is not present simply for the sake of action, but instead for clean moviemaking and plot. As for the quality of the DVD itself, the picture is very clear for an older movie (1989) and the features and menu setup is very stylishly done... just don't watch the trailers, they do severe injustice to the featured films (The Killer and Hard Boiled) and contain spoilers. For hardcore HK movie buffs, the Cantonese language track with English subtitles is the definite route to take. The English track is butchered and incomplete, not to mention hard to understand and silly-sounding. I highly recomend watching this movie in it's original language (the way it was intended to be heard) as it is much more powerful this way. If you plan on purchasing this movie, though, I would instead recommend you buy the John Woo 2 DVD pack, which includes both this edition of The Killer and also Hard Boiled, another John Woo/CYF compilation.

The Story of a Hitman with a Heart
Because I'm a 13 year old boy(and a fan of Chow Yun-Fat and John Woo), I was just looking for the best action movie of all time. I ended up with something better, a dramatic, well though-out action film. It may not be "The Matrix", but "The Killer" was awesome. It was a movie filled with mayhem and bullets. And there was so much action. Jeffrey is a hitman with a heart who, during his last hit, accidentally blinds a woman with a gun. Because he's not a cold-hearted hitman, he decides to do one more hit to pay for an operation that will keep her from going blind. Lee is a cop who wants to stop Jeffrey from making his last hit. Jeffrey is betrayed by the mob that hired him and is put in war against all odds. Jeffrey and Lee put aside their differences to blur the line between them. Together they blast through the war leading to a climatic battle that is John Woo's best battle ever. Even though I'm only 13, I know good acting when I see it. This movie has been throned "THE Movie of Mayhem".Don't bother renting it, just buy the DVD.

"One Vicious Hitman. One Fierce Cop. Ten Thousand Bullets."

John Woo & Chow Yun Fat...nuff said!
The Killer is the perfect example of cinema in its most powerful form. Expression...every bullet, every conversation & every scene just flows so beautifully & expressively it just blows me away. Unexplainable. Very deep & mythological story, unlike anything ive ever seen! U just have to see it. & see it. It will make u think to yourself, "what the hell is the average Hollywood budget gettin wasted on?? Promotion!!?? " John Woo on the other hand does not need $100,000,000 to truley express himself, hell, he doesn't even need the highest quality celluloid to make his films stunningly beatiful.. The Killer is no exception, John Woo is such a masterful director, no wonder why Hollywood have been ripping him off long before they invited him to join 'em!
& unlike most action films of mindless "invincibilty" plots & stupid reasons for massive shootouts, this has a cause for every piece of stunningly choerographed action...& consequences to join the equation.
If youve only seen Chow Yun Fat in his American films (Replacement Killers & Bulletproof Monk e.t.c), you really havent his true styles & capabilities. Get THE KILLER, & youll know why Hollywood have copied J.Woo's style of genius direction more times than a photo-copier has copied paper!
This is John Woo at his purest form, & Chow in his true style.
The John Woo & Chow Yun Fat combo is like the Sergio Leone & Clint Eastwood combo= Classics!
Get this if u like a deep, moving story, awesome acting, & action that sychronizes perfectly. (Also check out other J. Woo classics, Hard Boiled, A Better Tommorow 1 & 2, & Bullet in the Head!)
.....Nobody does action like Honk Kong...Nobody does Honk Kong like John Woo...

Best...action movie...ever!
Filled with grit, emotion, and psychological depth, not to mention lots and lots of blood, "The Killer" is the kind of passion play that is seen all too rarely in any style of film, let alone the action genre. In fact, John Woo's Hong Kong shoot-'em-up masterpiece resembles nothing so much as Shakespeare with thousands of bullets flying around. In this case the role of the tragic hero is assumed by Jeffrey, played in career-defining fashion by Chow Yun-Fat. Jeffrey is an amiable enough sort, who also just happens to be a fearless, unstoppable assassin with a steely glare and a deadly accurate shot. But when he accidentally blinds a lovely torch singer named Jenny while mowing down about a dozen criminals in a crowded bar, Jeffrey finds some new meaning in his life by assuming responsibility for the woman, even going so far as to try to get her a vision-restoring cornea transplant. However, everything is far from hunky-dory for Jeffrey and his ward: after committing one last job to get the money for Jenny's operation, Jeffrey finds himself pursued by a small army of thugs as well as Chang and Li, two relentless detectives. Oh, and his best friend and associate Sidney has (temporarily) betrayed him. With all that's going on, the stage is set for a struggle on an operatic scale, with Chow giving his character just the right mix of warmth and gravity.

As one would expect from a film directed by Woo, with Chow in the starring role, "The Killer" contains more than its fair share of shootouts and chase scenes, all filmed with Woo's signature frenetic visual style. However, it's what happens when the movie slows down that sets it apart from the pack. "The Killer" is as much a drama as it is an action yarn, and it's a mighty good drama at that. There are a bunch of scenes here that got my adrenaline flowing, but even more impressive, some moments practically moved me to tears (emphasis on the word "practically"). Behind the constant action is an often-moving tale of devotion, honor, redemption, and friendship in the unlikely setting of the criminal underworld. The lines between good and bad, right and wrong, cop and criminal, are all blurred in a haze of moral ambiguity and divided loyalties. While Jeffrey and Sidney attempt to restore trust after Sidney's betrayal, an unlikely bond forms between Jeffrey and Li as the detective and the assassin realize they're not that different after all.

As the story unfolds, building toward the inevitable confrontation, the tension and the emotional stakes only rise along with the body count. Woo manages to elevate the crime drama to poetry, whether during a taut action sequence or a subdued conversation scene. The movie's deservedly legendary finale, involving a crazed gun battle inside a church, is the only appropriate conclusion. The viewer certainly needs some catharsis after such a harrowing journey, and Woo more than delivers the goods. "The Killer" is one of the few movies of its ilk that can legitimately be called art.

=====Respect Hong Kong Cinema =======
===========Hong Kong action and John Woo should be greatly respected by Hollywood b/c most of his movies like THe Killer, Hard Boiled and The Better Tomorrow Series are being ripped off by Hollywood directors such as the movie "DESPERADO," "RESEVIOR DOGS" and etc. The Hong kong cinema should be credited by hollywood.==================== ... Read more

Description

Violence as poetry, rendered by a master-brilliant and passionate, John Woo's Hard Boiled tells the story of jaded detective "Tequila" Yuen (played with controlled fury by Chow Yun-fat). Woo's dizzying odyssey through the world of Hong Kong Triads, undercover agents, and frenzied police raids culminates unforgettably in the breathless hospital sequence. More than a cops-and-bad-guys story, Hard Boiled continually startles with its originality and dark humor. ... Read more

Reviews (125)

John Woo's "Hard Boiled", subtitled, widescreen
Arguable the best Hong Kong crime film produced this decade, John Woo's "Hard Boiled" is a masterpiece of gritty killers and even grittier cops shot in the traditional Hong Kong style. Chow Yun-Fat excells in this fast paced, and quite violent, production. This is a film not to be missed by fans of Woo, or Chow Yun-Fat. You cannot call yourself a Hong Kong cinema fan without seeing this movie. Be sure to view this film in its origional (subtitled) form, otherwise you will be laughing too hard at the rediculous dubbing rather then enjoying the brilliance that is Hard Boiled. Widescreen is also a plus. DO NOT MISS THIS FILM!!!!!!!

Chow Yun Fat does it again!
While Hard-Boiled is a notch below The Killer, it is still one of the best action movies in the past fifteen years. Chow Yun Fat is perfect as the cop who is willing to break the rules and Tony Leung is also great as the undercover Triad who has seemingly crossed the line. John Woo's over the top direction, choreographed gun fights, and wicked sense of humor, makes Hard Boiled a can't miss action flick. Buy it, rent it, whatever. Just strap yourself in and enjoy the ride. The scenes in the Tea-House and the Hospital are too incredible to describe.

Just the opening sequence will blow you away.
The opening sequence is IMHO the best John Woo's ever done. It might even be the best opening of any action film. Once again, a masterpiece of ballet, guns, bullets and bodies. Once again, the bluring of lines and sympathetic characters. If you like Hard Boiled, watch The Killer and A Better Tomorrow 1 and 2. And the ending of Hard Boiled... half an hour of pure action... unbelievable. And if you liked the lobby shoot out in The Matrix, then you have to watch some John Woo. I'm almost positive you'll like it.

Great gunfighting action... Great directing...
As far as action movies go... I'm as big a John Woo fan as can be.. and I have to say that Hard Boiled, along with The Killer, A Better Tommorow, A.B.T.2, and Face/Off have to be my favorites in the genre. Chow is an amazingly talented actor both in dramatic and action sequences... It's movies like Hard Boiled that keep me playing arcade games with both guns blasting... I can't wait for King's Ransom to come out in theaters!!!

Action and killling, nuff said!!
One of the most exciting action movies I have ever seen. The drama is non stop and for some reason, nearly everybody dies. If you want low plot but killer scenes and non stop motion, this is it!! ... Read more

Reviews (126)

An Extraordinary Experience
I found this movie to be BRILLIANT! Jodie Foster is outstanding in the role of Anna Leonowens - she is a beautiful mix of bravery, intelligence and Victorian elegance. Chow Yun-Fat is also outstanding in the role of King Mongkut - he emits a regal quality as well that of compassion and intelligence. The cinematography is out of this world and the directing exquisite. The dialogue is perfect, and it strikes just the right chord of polished writing. The musical score is breathtaking. The lush scenery and thick emotion is set to elegant, strong, and graceful music. It is forceful when it need be and then fades quietly into the background... at times supporting a scene with gentle rolling waves of ear pleasure. Oh and the costumes! They are completely amazing, and startling in their detail. From the majestic elephants to the smallest noble they are all cloaked in carefully chosen fabrics.

This movie in all its entirety affected me very deeply. The intense emotions of the characters are so expertly performed and directed that they feel incredibly real. These emotions, which course through "Anna and the King," create a moving, exciting, and anticipatory experience. I am very grateful to all of those involved in the making of "Anna and the King" for producing such a beautiful and extraordinary film. Anyone who is contemplating viewing this movie... do it. I only hope that you, too will have the pleasure of being able to fully indulge in this feast for the senses.

A true outstanding epic movie.....
This is a true outstanding epic movie. I'm really surprised why it wasn't hailed as greatly as it should have been. I personally hail it as one of the greatest movies of all time, a true classic in every sense. I've seen it totally ignorant of all the versions that preceded it and I've loved it with the very first few lines "She came unaware of all the suspicion that preceded her" " the first English woman I have seen". This story of two unconventional people in conventional times with all its historical facts and lush gorgeous background is capable of sweeping one's off his feet making him feel all that cultural and emotional struggle that Anna and the King seem to go through. Jodie Foster was lovely and extraordinary although I used to think that she is too modern-looking for such movies...I guess I was gravely mistaken. I think the movie's real surprise is Chow Yun-Fat who was truly amazing. He seems to be so much at home with all this kingly charm. He has such grace and overwhelming presence that would make him probably one of the most remembered kings on the screen. I can't help wondering if the original king was as charming as he was....and wouldn't be nice if all kings were like that? We would surly love them. And what of the palace? Do I dare and say more? I was totally amazed to know that they've built a replica of the original one...wow! I envy Jodie and Chow for being in such lofty surroundings. I think I would write a book if I were to describe everything I loved in this movie...but I must take my hat off to Andy Tennant for making such a masterpiece and for all the designers. Of course, I must not forget the movie's music and photography and the beautiful script that seems to linger in the mind forever for I would always remember that "when a woman has so much to say and doesn't say it. Her silence can be deafening.".

Simply a delightful story
After losing her husband in the jungle of India, Anna Leonowens embarks in a journey that will take her to Siam, where she will tutor the oldest son of King Mongkut. Her son, Louis, and two Hindu servants accompany her in this new endeavor. As soon as Anna sets foot in Bangkok, the difference between cultures surges as a predominant element that will remain present throughout the story. Even though the start is rocky, with Anna being called "Sir" for misogynist reasons and not being given the house she was promised but accommodation in the palace instead, the king discovers quickly the value of this woman that acts very different from what he is used to. That is why he decides that instead of tutoring his oldest son, she will be in charge of teaching all of his children...all 58 of them!

The movie evolves around three clear themes. First, the clash of cultures, which is enlightening and entertaining and as the movie evolves so does the acceptance and admiration each of the characters show for the positive points of the other's culture. Second, the relationship between Anna and the king, which starts as annoyance, moves to respect and continues developing from there. Third, the political atmosphere, which is characterized by attacks to Siamese people by Burmese armies, suspected to be supported by no other than the British Empire (the events unfold in 1862).

Although the movie is rather long, the events unfold at a pace that keeps the viewer interested at all times. The music fits the mood of the action perfectly well, and in the proper scenes it is so uplifting that it steals the attention of the viewer. Jodie Foster delivers a well-rounded role, but in my opinion the performance of Chow Yun-Fat is at a higher level. Finally, the scenery and the palaces where the movie develops are absolutely amazing.

Overall this is a highly enjoyable movie that will leave you thinking for a while about how every culture has its positive aspects and how, with a little patience, everyone can learn to appreciate this.

Had to watch for a school project...
I thought that this film was very beautiful in content...this film had some real substance to it, and the actors did an excellent job in the portrayal of the characters involved...lovely story.....

Absolutely classic
This is one of my favorite movies ever, it can be compared only to Gone With The Wind. It may be not historically accurate but nor was GWTW and it is still a classic. I love every part of it -- the portrayal of the two different cultures as equals, the love story, the beautiful scenery. I've seen it 4 times in the cinema even though I usually watch a movie twice, when it's in cinema and when it comes out in video.
I don't understand why this film wasn't a great success but I don't mind, at least we won't get three awful sequels and two TV shows based on it.

I also recommend the soundtrack, it is beautiful and suits the story well. ... Read more

Amazon.com

The tremendous charisma of Chow Yun-fat anchors this entertaining comic-book romp. Bulletproof Monk centers around a monk with no name (Chow) dedicated to protecting a sacred scroll that can give world-manipulating power to anyone who reads it. A hidden Nazi has been pursuing the scroll for 60 years and has finally caught up with the monk in present-day New York City; meanwhile, the monk suspects he may have found a disciple in a petty thief (Seann William Scott, Dude, Where's My Car?, American Pie) who's learned kung fu from watching double-feature chopsocky flicks. Don't let the presence of Chow Yun-fat lead you to expect much substance--this doesn't have the emotional scope of Crouching Tiger, Hidden Dragon or the visual panache of Hard-Boiled. But Bulletproof Monk is a cheerful, tightly edited, unpretentious action flick with flashes of humor, good for a mindless evening's entertainment. Also featuring Jaime (a.k.a. James) King (Blow). --Bret Fetzer ... Read more

Reviews (64)

"It's not about anger; It's about peace."
Ever wonder why hot dogs come in packages of ten, while hot dog buns come in packages of eight? Well, obviously that's a question that has plaqued us all for eons, but BULLETPROOF MONK may have found the answer.

60 years ago in Tibet, The Monk with no name (Chow Yun-fat), a mighty martial arts warrior, has been entrusted with the Scroll of the Ultimate, which has some kind of incantation written on it. If anyone were to read it aloud in it's entireity, they would gain ulimited power. Obviously, not everyone would use this power for good, like the evil Strucker (Karel Roden), who wants it to rule the world. He's been chasing the Monk every since he obtained the right to protect the scroll.

Now, in present day New York City, Strucker is still chasing the Monk, who must soon find a replacement protector for the scroll, since one person can only guard it for 60 years at once (One of the perks to guard the scroll is that for that 60 year period, you don't age one day.)

And the Monk may just have found the right man for the job. Kar (Seann William Scott) is a poor pickpocket with impressive martial arts skills, which he has gotten from imitating kung fu movies at the theatre (aptly named the Golden Palace) where he is the projectionist. Kar, it seems, keeps on fulfilling prophecies that the next protector of the scroll must. All the Monk has to do now is teach Kar how to use his skills for good, and that if you truly believe that the laws of gravity don't exist, then they don't.

BULLETPROOF MONK is one of those movies based on a comic book that nobody has ever heard of (along with TIMECOP, MEN IN BLACK, THE MASK.) But loaded with more (...)to satisfy any martial arts buff, it is simply not a movie you should allow yourself to not see. You can count on it.

Mystical Elements Lift Film
I've enjoyed "Bulletproof Monk." The mystical elements lift the film a cut above the action picture genre, of which this is not a great example. However, the scroll, which contains a secret message that could be used for good or bad and gives special powers including youth to its protector, is an interesting premise. Obviously, day-to-day embrace of spiritual values of truth, beauty & goodness would not be enough to entice Hollywood production; so this little Hollywood placebo is great where being spiritual transforms one into being able to spin around and jump up to a second story window. Paul Hunter keeps the pace jumping, despite the film's inconsistencies. Chow Yun-Fat is a great actor who has yet to be fully appreciated. I've watched "Corrupter" 5 times just to see the edgy depth he brings to a part. Here as the nameless monk he offers considerable depth, humor and sparkle to what is fairly flat material. Seann William Scott from "American Pie" is amazingly likeable for a pickpocket; and carries his weight as the romantic lead. James "Jamie" King from "Blow," "Pearl Harbor," "Slackers," and numerous magazine covers does a great job as Bad Girl Jade who lives a split life between wealth and the street, although one is never quite sure why. Karel Rodel as Strucker the Nazi is fairly flat and predictably evil. Victoria Smurfit as his granddaughter Nina is irritatingly evil with a one-note role. Mako makes a nice cameo as Mr. Kojima. It's been a long time since he was nominated for an Oscar in "Sand Pebbles" with Steve MacQueen back in 1966; and it's good to see him again. The special features on the DVD include a discussion with the comic book writers who are delighted that this is a film and a documentary about training Seann & Jamie as action heroes. This is one of those films I enjoy because good wins in the end. The action keeps the film moving quickly and breezes to a quick climax. While not classic, it's one to enjoy.

the best martial arts movie ever!
a monk must travel to america and pass on the title to a new guy.it really depends on your kid as to wether or not theyll be able to hsndle this one.its action packed full of physics defying stunts similar to the matrix.theres this one semi-hottie that follows around tne dork who runs with the monk.that dork plays another dork in the rundown.this movie wont get the credit it deserves.the bad guy is a nazi.i think it is childish how every time a director cant think of a bad guy he just makes him a racist.this whole racism is ok as long as its directed at white people thing has got to go.

LOVE IT!
I love this movie so much! I rented it first to see if I would enjoy it before I paid 20 bucks for it on dvd..and I wish I had just went out and got it insted of renting it! I did not enjoy the matrix one bit! and the only think that keep me from this movie was its matrix look..however I really loved Crouching tiger hidden dragon..and Iron monkey..so I just had a good fealing about this movie, its story is not soo deep or should I say as "stuped" as the matrix.. but knowing some people they will think this movie looks stuped and never give it a chance..Rent this movie and I bet you will be on amazon buying this dvd the next day. so for fans of Iron monkey,Crouching tiger hidden dragon,Matrix or just good old action movie fans this movie is worth the money..but one thing I dont like on the dvd is that this movie is in widescreen ONLY..I hate that so I got the VHS verson also because its full screen.so Rent the VHS and buy the dvd and enjoy!

Got it for free, and felt I had spent too much.
I got this movie for free in a buy two get one free type of deal (couldn't find a third I really wanted, so took a shot with this).
First off, the dialogue is so bad it is almost painful to listen too. Granted, I expected as much and, for the most part, got the movie because I heard it had good action scenes. Wrong. The action scenes were mediocre at best, and they seemed few and far between as well. (I don't know why they picture Monk with guns on the cover anyway. He uses them once and spends the majority of his time running away rather than fighting.)

To sum up, I'm quite frankly embarassed to have this movie in my possession. Maybe I'll donate to the local library so other people curious about this trash may only have to waste their time and not their money as well. ... Read more

Amazon.com

A Better Tomorrow is the John Woo gangster classic that started it all, a romantic, violent, swirlingly stylish melodrama about dueling brothers--with a mesmerizing lead performance by Hong Kong's favorite actor, Chow Yun-Fat. In repose, Chow's sleepy magnetism recalls the glory days of Robert Mitchum, Steve McQueen, and Takakura Ken; when he's stepping high, Chow has a unique, ebullient star presence, a man who embraces life so unselfconsciously that he becomes vulnerable to all kinds of suffering and heartache (he endures masochistic megadoses of violence here). The sequence in which Chow's Mark avenges his betrayed best friend---by blasting his way into, and then out of, a Chinese restaurant, twin .45s blazing---is a swashbuckling standout. Woo's film technique may have been more polished in later efforts, but Tomorrow has a direct emotional power that is still unique. Kung fu star of the 1970s, Ti Lung is also terrific here as the 40ish established mobster, relied upon by all, who allows conflicting loyalties toward Mark and toward his younger brother, now a cop, to undermine the stability of his position.

"I won't give you nothing, man; I give you shit," sneers charismatic superstar Chow Yun Fat, speaking English (with a De Niro accent) in his role as a New York restaurateur who won't knuckle under to the (Italian) mob in A Better Tomorrow II. Chow plays the twin brother of the character he played in the original, and the blatancy of that device is a fair indication of the sequel's shortcomings--and of its screwy charm: this is a film that knows no shame. The bond between the natural siblings played by Ti Lung (as a reformed mobster) and Leslie Cheung (as a hot shot cop) still resonate tellingly. As a good-guy ex-thug driven batty by the slaying of his only daughter, real-life Cinema City studio chief Dean Shek gets to play a garishly extended "mad scene," foaming at the mouth, chewing on soup bones. A later episode in which a dying man crawls to a phone booth to call his wife (and newborn daughter) in the hospital must also be some kind of lurid first in the soap sweepstakes. The final 15 minutes could be the bloodiest single shoot-out sequence ever committed to celluloid. The story line hasn't been shaped to any particular purpose here, but the images have a golden Godfather-like glow, and this faintly anachronistic, all-stops-out wish-fulfillment approach to moviemaking still has a lot of power. --David Chute ... Read more

Amazon.com

Nick Chen (Chow Yun-Fat) is not your average New York cop. Working in Chinatown has its multifarious cultural nuances and its fair share of ubiquitous enticement, both of which are reflected indetective Chen's weary face. He had to get into bed with the highest echleons of the Chinese Mafia as a way of augmenting his own career, while maintaining a semblance of control over the dime-a-dozen hoods who proliferate on this turf. To make matters worse, he now has to break in rookie detective Danny Wallace (Mark Wahlberg), who has asked to be assigned to the Chinatown division. Apparently Wallace is infatuated with all things Chinese, or is suffering from "Yellow Fever," as his fellow colleagues would have us believe. Chen, not one to suffer fools gladly, takes young Wallace under his protective wing, oft-warning the shady powers of the neighborhood not to sink Danny into their sordid pool of corruption. But before he knows it, both he and Wallace are caught in a deadly ring of double-crosses, shady-dealings, murders, and car chases. And all of this under the suspicious eye of Internal Affairs.

Part Serpico and part Hard Boiled, this film seems at first to be a major departure from director James Foley's previous work. However, Foley has frequently revealed a keen eye and understanding for emotionally complex relationships, especially between teacher and pupil (Glengarry Glen Ross) or father and son (At Close Range). This movie is no different. In fact, Foley's meticulous attention to the relationship between the wise, morally burdened Chen, and the naïve, innocent Wallace morphs this otherwise tedious plot into a thoroughly enjoyable experience. Hats off to Chow Yun-Fat and Mark Wahlberg, whose sympathetic chemistry creates an authentic and deeply personal connection, a factor that proves crucial to the film's poignant, disturbing finale. --Jeremy Storey ... Read more

Reviews (42)

Too Long!
Despite bad reviews I enjoyed Chow Yun Fat in the Replacement Killers. It was not up to par with his John Woo stuff but I enjoyed it very much.

The Corrupter is Chow Yun Fat's second American film. He is perfectly cast as a shady New York City cop in China town. Mark Walhberg is also very good as his new partner. Another good performance was by Brian Cox as Walhberg's father.

The film has some great action parts. The film also does a great job contrasting Chinese and US culture. On many levels its a great film about cultural diffusion.

However, despite some great cultural exchanges, good actions scenes, and great acting the film in my opinion was not very good.

Its too long and by the last 20 minutes the story is dragging and dragging. I wanted to like this film very much, but the story itself and its collapse into boredom at the end sank this film for me.

This was a good effort but it failed to cross the finish line. It is worth a rental, but not too buy. You will not want to watch this film more than once.

Again, I really wanted to like this film and wish I could have.

DON'T EVER LISTEN TO ANYONE WHO LIKED THE REPLACEMENT KILLER
It makes me sick that "The replacement killers" gets praise. CHow yun fat is an actor, not just a suit with guns. The Corruptor, was an equal blend of this, good action sequences and a good story. Chow plays nick chen, a NY cop on the Asian Gang unit. newcomer Danny Wallace (Wahlberg), is put on the unit, to take down mobster henry lee before the local punk fukienese dragons gang puts him out of business. There are so many twists and turns in this film that i don't want to give anything away. I had high hopes for this film, after the replacement killers and it fulfilled them. It gave chow a chance to act (more than the 13 words he had in replacement killers), not just shoot (although it's nice). The ending of the film I found particularly well shot and acted. All in all a good showcase for chow's talents, and a worthy third rank under Serpico and prince of the city for movies about police corruption.

If all bad cops could be this good!
I loved the confrantation that Danny Wallace had with his dad about the contemplation of what to do about turning in his partner Nick Chen .. I won't spoil the quote you have to take it in context of the scenario of the movie. What an impact it made in my life that what I do in my life will be what I live with. I don't know if I over looked the goings on with Nick Chen because after all he was Yun-Fat Chow or that his over looking Uncle Benny's activities was some how a kindness to help May a lost drug addict and prostitute unable to escape her fate he tries to be more then a cop in her heart. The entire movie was tastefully done, story line excellant, directed in a way to make you laugh, cry, sit at the edge of you chair during those action scenes. Not to mention the sound track subpurbly done. I have had always found Yun-Fat Chow a believable actor in all rolls he portray; this movie he stole my heart (more then in Anna and the King).. the ending must be seen to appreciate how to me he was a good cop, with admiration to the writer in whatever message he wanted to leave you at the end. If you thought Mark Wahlberg was exceptional in this roll you should see him in The Perfect Storm and never thought he would play such a sicko in Fear but had me convinced. Lady's don't judge all men by what goes on in this movie but be wise to it's message of common sense. It always amazes me when an actor can play his/her complete opposite. I look forward to watching more of both of these great actors movies. Don't wait to buy THE CORRUPTOR should it go out of print you will regret it! Well I think so. Thanks for listening - Bye. Would welcome your comments too.

Wow!
I was really surprised by how good this movie is. I figured a straight-forward shoot-'em-up and some exotic intrigue was about all it would have going for it. The cover had the usual fatuous nonsense on it: "You can't play by the rules when there aren't any." Why is it 90% of video covers have a reformulation of the same stupid subtitle? Apparently there is some lucky guy out there is employed writing new, yet indistinguishable ways to either deny the existence of Rules/Boundaries/etc. or at least deny their applicability to some beautiful, well-armed people. Good for him.

Anyway, this movie definitely exceeded my expectations. Great direction, but most of all great performances from Chow-Yun Fat and Mark Wahlberg. Wahlberg's relationship with his father was fairly cliched, yet it still came across as believable. The various moral predicaments of the two cops were just as interesting and well-done as the fight scenes. There is one major chase scene, which I found silly after a while, since it gave the impression that there were absolutely no other police cars within ten miles of some maniac with an Uzi blowing away civilians.

But that is a nothing criticism. Really, the only sore spot was the FBI goonish guy, who was both tiresome and one-dimensional in comparison with the other characters. But on the main, an excellent action-thriller. Chow-Yun Fat wasn't limited by John Woo's formula this time around, and his chops definitel show as a result.

Best Chow Yun-Fat film so far, EXCELLENT PLOT
This movie has excellent plot and is not one of those mindless John Woo action films. Acutally, it is the ONLY John Woo films that has a good plot in addition to the usual good actions. ... Read more

Amazon.com

The director of Chow Yun-fat's first Hollywood outing, music-video veteran Antoine Fuqua, seems to be trying to squeeze the charismatic Asian superstar into a conventional American action-hero mold, and the results are dispiriting. Fuqua never lets this high-spirited actor smile, fetishizing him as a gunslinging clotheshorse in a series of garish, scenery-smashing battle scenes. As a paid assassin whose former employers turn against him, Chow enlists the help of an illegal documents specialist played, with surprising grit, by Mira Sorvino, and then spends most of the time fending off squads of killers in mirror shades. The movie is art-directed and photographed fit to kill (even the most routine incidents are eye-gougingly colorful) and edited to a hip-hop beat. It's garishly superficial. The frequent gunplay duels may keep action fans riveted, but they'll hate themselves in the morning. --David Chute ... Read more

Reviews (87)

Good Lord! The Bad guys actually look like bad guys!
That's effin' illegal! In a day where every bad guy that has appeared in an action movie looks like he escaped from a guess jeans commercial, its nice to see a movie where the bad guys look like some SOB you would not want to meet in a dark alley. And with the likes of Dan Trejo and Jurgen Pronchow in this movie you've got plenty of them.

PLOT Same old song and dance as a lot of other movies, Morally righteous assassin (how the heck does that work anyway?) John Lee (Chow Yun Fat) refuses to kill the son of the cop (Micheal Rooker)that killed the son of his employer, Mr. Wai. So Mr. Wai calls in two assassins(Trejo and some other guy) who don't know the meaning of the word low profile. Their job, kill John then kill the boy. Meanwhile John, realizing that his disobedience has pissed off his boss, needs to get his family out of Shanghai before they get eliminated. From the far side of the stage enters Meg Coburn (Sorvino) a document forger who can turn Wai's army of rent a thugs into hamburger with the best of them. After Wai's trenchcoat & Armani clad goons make swiss cheese out of her home, she and John pair up to stop Wai.

REVIEW First off, Kudos to Fuqua for being one of the few directors who ever did the Woo-trademark two fisted gunfight the right way. (Bad memories of Double Impact's sucky shoot outs starting to arise....ack! eye's glazing over....medic!) The action scene are awesome, kick butt, etc.,etc. and score brownie points for the unusal locations they're set in. There's one set in a car wash (While its running, not only is he dodging bullets, but hot wax as well!) another takes place in a movie theatre showing a Mr. Magoo cartoon and a video arcade, where SEGA product placement doth conquer all. The final shootout is also ultrabitchin' to watch, concluding with a who-can-reload-and-shoot-the-fastest-mexican-standoff between Chow and his ex-boss.And the photography and camera work in this movie is pretty damn impressive, meaning this is one good looking movie, whether the camera lingers on a Buddha statue or on a hood getting splattered in slow mo.

Any problems? 'fraid so dear listener, while the gunfights make this movie worth watching, the performances range from Above average, ( Chow being a cool & silent Charles Bronson type) to cheesy (Jurgen Pronchow spouting off every cliched line in the book and coming up with a few new ones. ) However watching Sorvino doing a Dirty Harriet routine is fun. (Heck watching Sorvino is fun period! heh heh) and the actor who plays Mr. Wai has his moments. The script is predictable in parts but adequate enough.

Overall, a good action pick to watch with a bowl of popcorn in your lap and that special someone sitting by you when you have and afternoon to kill.

A Well-Done Art Action Film.
Some movies are made to be seen for the effect and drama and emotion, others are made just to be entertaining and to drink in the visuales, "The Replacement Killers" is just that kind of a movie. This is a film to admire and view for it's look, for it's style and the artistic touch it brings to scenes of violence. In fact, there is no need for a story, there is only a script and plot to make sense of what's happening on screen. You really can't expect an intelligent plot in a movie titled "The Replacement Killers," but this isn't about story or drama, it's about style. It's an excellent American debut for Chow Yun-Fat, who really knows how to make these films. It's no wonder it was produced by John Woo, one if not the greatest of action filmmakers. Take away the plot and you see that this is a very well-done action piece, with scenes that deserve to be seen twice for the detail in the cinematography, the colors, the detail in the violence and action. The entire film is one rich work. Add that to the soundtrack, full of great techno as well as Oriental music. It's a hyper and active piece that shows how violence can be turned into an art form through the art of film. "The Replacement Killers" is entertaining and yes, the story is interesting, but I enjoyed it because of all the style on screen. This is an ART film at the most. Like "Blade" or "Spawn," "The Replacement Killers" should just be appreciated as an art film. It's never boring to watch. A well-done action piece.

Loved it
I have no idea how I first saw the movie, but I bought the video soon after. It has a great look. It's very sharp. It's in the tradition of the of unknown/unexpected heros coming along and taking care of the bad guys; so you don't need this big old character development. It has a great sort of mystical quality to it.

I've watched it many times and like it better each time I see it.

Fat and Sorvino work great
the chemistry between the two leads is a treat and the stunts are super with Cow Yun Dat tearing up the asphalt and burning down the hitmen. though it runs out of fumes for a while then picks up with great gunplay and suspense. Antoine Fuqua's first feature film(you may know him as a music video director, or his other films like Training Day, Bait and Tears Of The Sun).

Kill or be replaced.
In reading reviews for Chow-Yun Fat's first American movie, The Replacement Killers, it seems people either really liked it or really hated it. I, myself, really loved the movie.

The story centers on John Lee (Chow Yun-Fat), a hitman who fails to carry out a contract for moral reason, and soon finds himself and his family targets by the mob that hired him. In an effort to save his family, he goes to Meg Coburn (Mira Sorvino), a specialist in making forged documents, to hire her to make him a passport so he can get back to China and protect his family from the vengeful wrath of an Asian mafia. She soon becomes entangled in the war between John and his former employers. In the meantime, other assassins are brought in, the replacement killers, to finish what John couldn't, and to also kill John for his failure.

Some have complained that the movie is too short, but I would say it's tight. How many times have you watched a movie and thought the movie could have been shorter? So many times I have thought certain scenes in movies serve no other purpose other than to pad out the run time. This is a lean movie (87 mins) with lots of action. The pacing was such that it didn't allow for a lot of character development, but I felt there was enough to drive the story. I think Antoine Fuqua did an excellent job directing this movie, keeping the focus on the action rather than getting mired in useless details.

Some have criticized Mira Sorvino's character and her change of heart in the movie, saying that it was unrealistic. Well, I thought the whole movie was unrealistic, but I was just along for the ride. Did that element hurt the movie? I didn't think so...unrealistic? Maybe, but how many HK actions movies have you seen where something comes out of left field, like a main character changing allegiances? She did speak of how sometimes it was necessary to do the right thing, doing that one good think to make up for all the bad things. Most movies require a suspension of disbelief, and some require more than others. If you really want pick on a character that acted unrealistically, look at Kogan, played by Jurgen Prochnow. He appeared to be a high ranking member in the Asian mob after John but in a few scenes we see him involved in doing rather menial tasks better assigned to henchmen. His boss, Terrence Wei (Kenneth Tsang), did say something along the lines of taking a more hands on approach after the first failed attempt on John's life, but I think Kogan might have taken it a little too serious. At one point, he was staked out eavesdropping on a cop, trying to get specific information. Didn't seem like he would be so involved at that level of operations, but I let it slide.

Anyway, I had a lot of fun with this movie, and while not substantial in some areas, it certainly delivered with the action. Slick visuals, fast pacing, and lean story come together and work where others have failed. Also, the soundtrack really works well, complimenting the movie nicely, while not overshadowing it. ... Read more

Reviews (126)

An Extraordinary Experience
I found this movie to be BRILLIANT! Jodie Foster is outstanding in the role of Anna Leonowens - she is a beautiful mix of bravery, intelligence and Victorian elegance. Chow Yun-Fat is also outstanding in the role of King Mongkut - he emits a regal quality as well that of compassion and intelligence. The cinematography is out of this world and the directing exquisite. The dialogue is perfect, and it strikes just the right chord of polished writing. The musical score is breathtaking. The lush scenery and thick emotion is set to elegant, strong, and graceful music. It is forceful when it need be and then fades quietly into the background... at times supporting a scene with gentle rolling waves of ear pleasure. Oh and the costumes! They are completely amazing, and startling in their detail. From the majestic elephants to the smallest noble they are all cloaked in carefully chosen fabrics.

This movie in all its entirety affected me very deeply. The intense emotions of the characters are so expertly performed and directed that they feel incredibly real. These emotions, which course through "Anna and the King," create a moving, exciting, and anticipatory experience. I am very grateful to all of those involved in the making of "Anna and the King" for producing such a beautiful and extraordinary film. Anyone who is contemplating viewing this movie... do it. I only hope that you, too will have the pleasure of being able to fully indulge in this feast for the senses.

A true outstanding epic movie.....
This is a true outstanding epic movie. I'm really surprised why it wasn't hailed as greatly as it should have been. I personally hail it as one of the greatest movies of all time, a true classic in every sense. I've seen it totally ignorant of all the versions that preceded it and I've loved it with the very first few lines "She came unaware of all the suspicion that preceded her" " the first English woman I have seen". This story of two unconventional people in conventional times with all its historical facts and lush gorgeous background is capable of sweeping one's off his feet making him feel all that cultural and emotional struggle that Anna and the King seem to go through. Jodie Foster was lovely and extraordinary although I used to think that she is too modern-looking for such movies...I guess I was gravely mistaken. I think the movie's real surprise is Chow Yun-Fat who was truly amazing. He seems to be so much at home with all this kingly charm. He has such grace and overwhelming presence that would make him probably one of the most remembered kings on the screen. I can't help wondering if the original king was as charming as he was....and wouldn't be nice if all kings were like that? We would surly love them. And what of the palace? Do I dare and say more? I was totally amazed to know that they've built a replica of the original one...wow! I envy Jodie and Chow for being in such lofty surroundings. I think I would write a book if I were to describe everything I loved in this movie...but I must take my hat off to Andy Tennant for making such a masterpiece and for all the designers. Of course, I must not forget the movie's music and photography and the beautiful script that seems to linger in the mind forever for I would always remember that "when a woman has so much to say and doesn't say it. Her silence can be deafening.".

Simply a delightful story
After losing her husband in the jungle of India, Anna Leonowens embarks in a journey that will take her to Siam, where she will tutor the oldest son of King Mongkut. Her son, Louis, and two Hindu servants accompany her in this new endeavor. As soon as Anna sets foot in Bangkok, the difference between cultures surges as a predominant element that will remain present throughout the story. Even though the start is rocky, with Anna being called "Sir" for misogynist reasons and not being given the house she was promised but accommodation in the palace instead, the king discovers quickly the value of this woman that acts very different from what he is used to. That is why he decides that instead of tutoring his oldest son, she will be in charge of teaching all of his children...all 58 of them!

The movie evolves around three clear themes. First, the clash of cultures, which is enlightening and entertaining and as the movie evolves so does the acceptance and admiration each of the characters show for the positive points of the other's culture. Second, the relationship between Anna and the king, which starts as annoyance, moves to respect and continues developing from there. Third, the political atmosphere, which is characterized by attacks to Siamese people by Burmese armies, suspected to be supported by no other than the British Empire (the events unfold in 1862).

Although the movie is rather long, the events unfold at a pace that keeps the viewer interested at all times. The music fits the mood of the action perfectly well, and in the proper scenes it is so uplifting that it steals the attention of the viewer. Jodie Foster delivers a well-rounded role, but in my opinion the performance of Chow Yun-Fat is at a higher level. Finally, the scenery and the palaces where the movie develops are absolutely amazing.

Overall this is a highly enjoyable movie that will leave you thinking for a while about how every culture has its positive aspects and how, with a little patience, everyone can learn to appreciate this.

Had to watch for a school project...
I thought that this film was very beautiful in content...this film had some real substance to it, and the actors did an excellent job in the portrayal of the characters involved...lovely story.....

Absolutely classic
This is one of my favorite movies ever, it can be compared only to Gone With The Wind. It may be not historically accurate but nor was GWTW and it is still a classic. I love every part of it -- the portrayal of the two different cultures as equals, the love story, the beautiful scenery. I've seen it 4 times in the cinema even though I usually watch a movie twice, when it's in cinema and when it comes out in video.
I don't understand why this film wasn't a great success but I don't mind, at least we won't get three awful sequels and two TV shows based on it.

I also recommend the soundtrack, it is beautiful and suits the story well. ... Read more

Description

The Superbit titles utilize a special high bit rate digital encoding process which optimizes video quality while offering a choice of both DTS and Dolby Digital 5.1 audio. These titles have been produced by a team of Sony Pictures Digital Studios video, sound and mastering engineers and comes housed in a special package complete with a 4 page booklet that contains technical information on the Superbit process. By reallocating space on the disc normally used for value-added content, Superbit DVDs can be encoded at double their normal bit rate while maintaining full compatibility with the DVD video format. ... Read more

Reviews (982)

A Masterpiece
Crouching Tiger, Hidden Dragon is simply a masterpiece. A brilliant film with great performances by its stars, Michelle Yeoh, Chow yun fat, and especially Zhang Ziyi. Director Ang Lee along with his choreographer tell this epic story in a stunning and creative visual way that makes this film one of the greatest ever made. The action scenes in this film are jaw dropping, and are unmatched by any action film ever made. Along with the action, is a great story and great characters that reflect influences from Lord of the Rings, and parallel the Jedi of the Star Wars trilogy, but remain consistent with the eastern culture and philosophy which permeates throughout the story. In fact, the main characters, especially Jen, portrayed by the talented Zhang Ziyi , seem to question that philosophy and culture throughout the film, almost rebelling against it. This is foreshadowed in the beginning of the film when Yun-fat's character describes how his meditation leads him to a place of sorrow instead of enlightenment. In a later scene, Yeoh 's character questions the buddhist teaching of Fat's character in relation to their suppressed love, pointing out the touch of her hand is real,not an illusion, even though it is of this world. However it is also the discipline of this eastern spirituality that gives these knights their power. the main character Jen, abuses this power, along with the power given to her when she posesses the Green Destiny, a magical and powerful sword, owned by the wizard -like, or jedi- like, character portrayed by Chow Yun-Fat. The Green Destiny, much like the ring of power in lord of the rings, or the force in Star Wars, becomes a power that threatens to consume Jen. Throughout the film , Jen rebels against the traditions of the easten culture and philosophy. Even during the action scenes, as Chow Yun-Fat's character scolds her, she responds by telling him to stop talking like a monk and fight. Her rebellion is also reflected in her love for a barbarian that lives in the desert. Jen's rebellion is an extreme one, however, that leads to such deep despair, that it leaves the viewer to question if even the true love she found in the desert can save her. This movie has everything one wants in an epic, great story, acting, cinematography, directing, score. This film should win an Oscar for Best Picture... Crouching Tiger Hidden Dragon is truly a great film.

Deserved the Academy Award for "Best Picture"
When "Crouching Tiger, Hidden Dragon" first hit theatres in Asia in the summer of 2000, audiences were beyond pleased - because for the first time, what could be considered a kung-fu film included within itself a moving story. This film manages to be so philosophically deep that it subconsciously stirs emotion and feeling within the audience - without ever being corny. Not to mention that this is probably the best film ever that features the geography of China. Shots were absolutely stunning. Music was also beautiful, with one of the best cello performances given by Yo-Yo-Ma, and a smash hit song by Coco Lee - "A Love Before Time."

The film consists of various types of relationships - everything from forced-hidden love, children to parents, and disciple to a kung-fu master. Chow Yun-Fat, Michelle Yeoh, Chang Chen, and Zhang Zi-Yi together made the best acting performances seen for years.

Cinematography was impressing. Each shot was meticulously perfected - exactly why "Crouching Tiger, Hidden Dragon" took two years for world-famous director, Ang Lee, to shoot. One shot of the rooftops for the film's previews itself took five months. The original version is much better than the dubbed, so take the time to read subtitles - it can't be that hard.

Get ready for flying kicks, tears, and beauty. Get "Crouching Tiger, Hidden Dragon" today. (Original version.) - Priscilla

Chic flick on speed or sublime flight of the imagination?
Call it what you will--archetypal fable with a feminist twist, exquisitely choreographed martial arts movie, balletic spectacle balancing image, action, poetry and music--"Crouching Tiger" is a distinctive variation on familiar genres. The words "ballet," "choreography," "Eastern" exotic myth don't quite do justice in describing the film. For one, the action sequences are lightning swift--reminiscent of American silent comedies and more suggestive of music than of formal dance. And certainly the tempo of this music and the pace of the film seem more Western than Eastern (as does the throbbing romantic cello of YoYo Ma). Some will single out the three female leads in this rite-of-passage archetypal story as the film's most distinctive twist. But even more novel is the way the form foregrounds allegory and approaches the theme of teaching and learning. Film is a medium that is normally "relentless" in his representation of the physical world, satisfying viewers' expectations of actions that are at least humanly plausible. But by making his characters fly all over the frame, director Lee keeps reminding the spectator that if you try to respond this film as another action movie you will not only miss the point entirely but be thoroughly disappointed. Sword play, flying, and fighting are metaphors for living, learning and loving. All of the 5 principals in the story are learners--and all are failures to greater and lesser degrees. In fact, the alleged villain, Jade Fox, is in some respects the most sympathetic of all the characters. She had access to the most masterful swordsman of all but not to his teaching because of her status as a woman. At one point sword play is compared with word play, or writing (through the picture-grams of Mandarese script). Whether the instrument is a sword, a pen, or a brush, the viewer of this enchanting parable is finally enjoined to fashion a personal narrative that rejects pride and selfishness in favor of a life sufficiently disciplined to give itself over to love.

One of the best -- ever
CTHD combines an exciting story, great stunts, beautiful cinematography, lovely women, and a complex story that is by turns mysterious, suggestive, and incomprehensible. Michelle Yeoh is a good actress in addition to her physical talents as a martial artist. Zhang Zi Yi is a sexy vixen. Chow Yun Fat is an aging warrior who seems to be going through a mid-life crisis. He loves Michelle Yeoh, but can't get around to telling her, and is attracted to Zhang. The unanswered question posed by Zhang is, "Did you want me or my sword?" The two women dominate this movie; their martial arts scenes are spectacular; Yo Yo Ma's cello is sad and fetching; the scenery is spectacular; the fate of Chow and Michelle is heart-rending; the fate of Zhang is puzzling and ambiguous. Great movie!

good and classy
ive seen this movie three times.the 1st time it was spoken in chinese with no words at the bottom.the 2nd was the same deal but with the english translation at the bottom.the 3rd was in normal english.thank god!in it,a thief steals a relic and some people go to get it back.it has breathtaking backgrounds like lord of the rings.beatiful music like amadeus and martial arts effects like a pre-matrix but similar.the kids could watch it.theres only one bad part.it is definately a artsy and classy type film.ang lee is the director.he also did the hulk.the hulk is better.it is not emotional per say but more inspirational.there are some chicks but they are not portrayed in a sexual way.one guy,in the less than apropriate part gets his hand down ones pants.i dont care what anyone says,if you get this in english,it is one of the best movies youll ever see.the special effects are cool.the fighting is outstanding! ... Read more

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