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| 1. Hairspray Director: John Waters | |
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Reviews (48)
Tracy (Ricki Lake) and her best friend Penny Pingleton (Lesley Ann Powers) spend each afternoon watching the homegrown hit 'The Corny Collins Show' on television,dreaming of one day dancing the Mash Potato or the Frug there. Tracy's mother (Divine) does not really think her child will amount to anything,and Penny is constantly being punished (her parents make her wear a big 'P' on her blouse). However,the charmed life of Amber von Tussle,the most popular dancer on the Show,seems too good to be true,despite commemts by Tracy and Penny (''Stuck-up little spastic'' and ''She is such a queer''). Amber also has the brass ring,that of teen heart-throb Link,who also appears on the Show. Amber's parents are power-mad and drive Amber to ridiculous lenghs to be popular.They are played by Debbie Harry and Sonny Bono. Soon,Tracy does get to appear on the show,and lands her dream-hunk Link. A great comedy,with a yummy soundtrack and a real edge to it that does not marr the overall story. Also featuring Mink Stole as the cue-card holder on the Show (''Falsies! '') and Pia Zadora as a way-out beatnik chick. Soon,Tracy
The story follows young Tracy Turnblad (pre-talk show Ricki Lake) on her rise to being "big, blonde, and beautiful" on a popular teenage dance show. Along the way, however, she runs into some friction from high school brat Amber Von Tussle (Colleen Fitzpatrick, also known as pop star Vitamin C) and her parents, a racial obscenity-spouting mother (Debbie Harry) and a slick politician papa (Sonny Bono). Add in growing discontentment among the city's black populace over whites-only establishments, and you have an explosive mix made even more explosive by how off-the-wall it becomes. Dance enthusiasts will appreciate the film for its selection of early 60s fad dances like the Mashed Potato and the Madison. Offbeat and fun, Hairspray also has an excellent soundtrack with some obscure songs you'll be hard-pressed to find in another compilation.
The competition between Tracy and Amber, and by extension integrationists and segregationists, will make you feel good, tap your toes, laugh out loud a lot, and cheer. Hairspray's "bad taste" moments are funny as heck, and piece together for a movie that epitomizes good taste -- kind, empathetic, and with a wonderful heart! The music and dancing are just *amazing*! And the fashions and bright colored sets are life-affirming perfect! (Is it just me, or did these early 60's fashions *strongly* influence the early 80's styles?.... Debbie Harry, Ric Ocasek, and Pia Zadora fit in perfect). In the excellent dvd commentary, director John Waters says the sets and styles are realistic for the times. What a bright, bold, fun, cool (when "cool" was cool), forward-looking time! Tracy's mom has a picture of Jackie Kennedy framed on the wall :-). Mom says, "It's the times. They are a-changin'. There's something blowing in the wind. Fetch me my diet pills, would you hun?" If Hairspray ended with "Where are they now?", Tracy might be a Senator from Maryland, or the Governor, ... or more!! 5 stars as I stand in my chair applauding. Hairspray's bright fun is worth watching many times.
Ricki Lake plays Tracy Turnblad, a big, bold, and beautiful teenager who dreams of dancing on the exceedingly popular Corny Collins dance show. Her mother, played by Divine, isn't too crazy about modern music and dancing - until Tracy auditions and gets a spot on the show. Strutting her stuff in front of the cameras, she quickly becomes Baltimore's newest sensation. This does not sit well with Amber von Tussle (Colleen Fitzpatrick), as Tracy steals her man and then threatens to win the coveted title of Miss Auto Show 1963. Tracy is overweight, but she likes herself just as she is and easily dismisses the fat jokes thrown her way early on. The big issue in this film, though, is segregation. Tracy and her best friend Penny Pingleton (Joann Havrilla) soon become friends with some of the black kids in town and begin working toward integrating the Corny Collins show. Collins is all for the idea himself, as currently the Negro show runs only once each month under the controls of sassy Motormouth Mabel (Ruth Brown). The station manager will not hear of integration, though, and Penny's mother is aghast to find out that her daughter is in love with an African-American. This is 1962, of course. The whole segregation issue becomes the basic foundation of the movie as it dances its way to the end, making Hairspray a wonderfully entertaining film with a serious message behind it. The film is blessed with many interesting cast members. Divine plays not only Mrs. Turnblad but also the station manager, Jerry Stiller plays Mr. Turnblad, Sonny Bono and Debbie Harry (and Debbie Harry's increasingly interesting hair) come together to play Amber von Tussle's parents, and Ric Ocasek and Pia Zadora show up as Beatniks in a strange little cameo appearance. Of course, Ricki Lake pretty much steals the show as the big girl with big dreams, although I found Joann Havrilla's performance as Penny Pingleton quite captivating in a weird sort of way. It is very difficult to describe Hairspray; you pretty much have to watch it to get a true feel for its entertainment assets and social commentary underpinnings. It does have its silly moments, but this is not entertainment for the sake of entertainment, nor is this a film you will soon forget after watching it. ... Read more | |
| 2. John Waters Collection #1: Hairspray/ Pecker (Special Edition) Director: John Waters | |
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Amazon.com Pecker (Edward Furlong) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since Pecker is a Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Pecker has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce. Reviews (8)
"Pecker" is one of John Waters recent films that I thoroughly enjoy. Its a ahppy little story that just floats along on screen, its really a pleasure to watch.
I guess some reviewers have a valid point about the mainstreaming of Waters' films...and these two films are case(s?) in point. But consider the limitations placed on the writer/director as his core cast was fragmented and the cost of filming movies soared skyward. In both "Hairspray" and "Pecker" I see minor concessions to the bland tastes of Popular culture, but nary a cop-out. (...) the subversive edge of Waters' often brilliant writing/direction is an ongoing exercise in (good) bad taste. If nothing else, his characters never do what you expect of them, quite a virtue in a film world besotted with "accessible" characterization. Despite some brilliant moments, "Hairspray" is a bit cloying on the whole. This, in my opinion, is largely due to Ricki Lake in the lead role. Despite the usual outrageous Waters' dialogue, Lake delivers her lines with such sweetness and reverance that you just want to backhand her. To her credit, she furthers the old saw about fat girls being good dancers. "Hairspray" is also a bit overlong with dance sequences, though they certainly lend a touch of authenticity to the production. The central story is roughly linear, though the bit with Tracy in reform school seems like a delaying tactic...especially since Waters' used a similar story device in "Cry Baby". On the plus side, the supporting cast is rich with freakish appeal. Divine's last role for Waters isn't flashy, but his Edna Turnblad is a credible, nuanced piece of work. Longtime cast member Mink Stole gets lots of screen time in a fairly minor role. Lots of silly and/or hysterical cameos: Pia Zadora, Ric Ocasek, Debbie Harry, Sonny Bono and a few more. The youth leads (mostly unknowns) are right on target...thoroughly believable in their parts. Overall, "Hairspray" is probably the most accessible of Waters' latter-day films (...). "Pecker" is a good choice to complement "Hairspray" in this edition. Both films have youthful leads, and both deal (directly or indirectly) with social issues such as race and class. The appeal of these films is also a bit gentler and good-humored than some of Waters' recent offerings. "Pecker" might take a while to sink in with old-time fans, as it did with me. I don't know if it's because there are other writers and directors actively pursuing the raunch genre that Waters' pioneered, or because "Pecker" has such simple charms. I grudge the obligatory star power of Lili Taylor and Indie Waif Christina Ricci, low-wattage that it may be. Otherwise, the casting and performances in "Pecker" are on target. Mary Kay Place is fretful and yet blissfully sedate as the thrift store maven; a role that seems an appropriate homage to Waters' long time friend and star, Edith Massey. Martha Plimpton plays the ultimate fag hag ("My life is trade!") with dizzy abandon. Ed Furlong's Pecker (um, keep reading) is the most functional idiot savant imagineable...a tireless servant to the "art" all around, and completely oblivious to social norms and responsibilities. Despite a feel-good ending that smooths over a fair number of conflicts, "Pecker" is a funny and satisfying film. The rabid idiosyncrasies of Waters' characters play off each other with the kind of manic glee you can find in "Pink Flamingos" or even "Polyester." The 'turnabout' plot actually works, if you take a good look at some of Pecks' pics from his NYC premiere. (...) Fans who already own "Pecker" on DVD may opt to wait for a single disc release for "Hairspray." Considering how infrequently some of his films have been available on home video, I'm pretty sure longtime fans like myself will snap this collection up on sight. Recommended. J
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| 3. Santa Claus Conquers the Martians Director: Nicholas Webster | |
![]() | list price: $7.99
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Reviews (33)
Then there's the cheesy special effects. Sets that look like they were constructed by Miss Smith's second grade class... awful costumes... and there's a freakin' man in a polar bear suit! Yes, you read that one right! A man in a polar bear suit... and you can see where his "head" ends and the costume begins, too! The trifecta of hilarity ends with the theme song. It's the best score in the history of cinema, I tell ya! I urge you all to run... don't walk... to your bedroom, get your credit card, and BUY this movie! It's the funniest Christmas film I've ever seen... and, while the humor isn't intentional, it's still great! HOORAY FOR SANTY CLAUSE!
I will just talk about the quality of the DVD. It is not great...just okay. It has all of the blemishes that you see on the film when broadcast on t.v.. Even the beginning song is missing a few frames at the start. Don't get me wrong. It's not as bad as "The Red Balloon" DVD (nothing is! not even "Meet The Feebles"). Just don't pay top dollar for it. Look for a bargin.
Things aren't going so well on Mars. It's bad enough that the Martians are all colored a ridiculous shade of green, dress like rejected superheroes, and wear ridiculous antenna-spouting helmets on their heads at all times, but now the children of Mars are all acting depressed and withdrawn; all they want to do is sit and watch Earth TV. Kimar (Leonard Hicks), the leader of Mars, seeks the advice of the planet's 800-year old wise man and is told that he must bring Santa Claus to Mars so that the children can actually have fun and be children for a little while. Voldar (Vincent Beck) opposes the plan every step of the way, arguing that Kimar's plan will soon result in a whole planet full of lily-livered, mush-brained nincompoops. Kimar wins out and sets off for Earth in the most pathetic spaceship of all time to catch Santa and bring him back to Mars - along with two Earthling children. Well, Santa starts up a new workshop on Mars, hoping he'll be allowed to return home in time for Christmas, but Voldar is as tenacious as he is ridiculous-looking and is determined to kill Santa and stomp out all signs of Christmas spirit on the red planet. Santa Claus Conquers the Martians features a young Pia Zadora as a little Martian girl, but perhaps the movie's most unforgettable feature is the swinging theme song, Hooray for Santa Claus. If you watch the movie, you'll have this silly song in your head for days. Dropo (Bill McCutcheon) gives a memorable performance as Mars' resident screw-up with a heart of gold, but my thoughts always remain with John Call and his disturbingly weird portrayal of Santa Claus. I can pretty much guarantee that this movie will make you laugh with its unashamed ineptness, and bad movie lovers are ineligible for their very first merit badge until they have watched Santa Claus Conquers the Martians and lived to tell about it.
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| 4. Santa Claus Conquers the Martians | |
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our price: $6.99 (price subject to change: see help) Asin: B0002W4U9I Catlog: DVD Sales Rank: 31725 US | Canada | United Kingdom | Germany | France | Japan |
| 5. Santa Claus Conquers the Martians Director: Nicholas Webster | |
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| 1-5 of 5 1 |