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| 1. A Cinderella Story (Full Screen Edition) Director: Mark Rosman | |
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Reviews (24)
The movie picks up 8 years later where Sam is a senior in high school preparing to go to college at Princeton (that is, if she gets accepted). High school isn't exactly a happy experience for Sam as she has only two friends. One real, one an email friend that texts her constantly. To everyone else in the school she's know as Diner Girl. Since I saw the previews of this movie I thought it looked funny. I've been looking forward to it since the first preview. However, now that it's out and I read the reviews I was nervous. Luckily my fears weren't realized. This movie ended up being a sweet, family friendly, romantic comedy. Duff does an excellent job of portraying Sam. She truly is an excellent young actress, the pep rally scene is proof of this. While this movie wasn't really laugh out loud funny, it was funny at times, but more than that it was sweet and, for lack of a better word, cute. The direction was really nice. It wasn't super artsy, but it was well done and added a certain beauty to the film. Cinderella Story ended up being a really sweet movie that deserves a better reaction than it recieved. Great acting, a clever update of an old fairy tale, an awesome soundtrack, and a likeable cast makes for a great afternoon at the movies.
While it is a simple story, the movie turns out to be hilariously funny and immensly entertaining. It is by no means Oscar-worthy, but it is a great movie nonetheless. Hilary Duff delivers a good performance as Sam, our Cinerella, and her football playing prince, Chad Michael Murray also does well. Jennifer Coolidge brings in the laughs as the evil stepmother and Regina King delivers a strong performance as always as Sam's co-worker and her 'fairy godmother'. Overall this is a great movie and I'd recommend it to all, especially fans of Hilary's or the other stars and those of you who want to see a comedy or a feel-good movie now. So, go see it!
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| 2. A Cinderella Story (Widescreen Edition) Director: Mark Rosman | |
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Reviews (24)
The movie picks up 8 years later where Sam is a senior in high school preparing to go to college at Princeton (that is, if she gets accepted). High school isn't exactly a happy experience for Sam as she has only two friends. One real, one an email friend that texts her constantly. To everyone else in the school she's know as Diner Girl. Since I saw the previews of this movie I thought it looked funny. I've been looking forward to it since the first preview. However, now that it's out and I read the reviews I was nervous. Luckily my fears weren't realized. This movie ended up being a sweet, family friendly, romantic comedy. Duff does an excellent job of portraying Sam. She truly is an excellent young actress, the pep rally scene is proof of this. While this movie wasn't really laugh out loud funny, it was funny at times, but more than that it was sweet and, for lack of a better word, cute. The direction was really nice. It wasn't super artsy, but it was well done and added a certain beauty to the film. Cinderella Story ended up being a really sweet movie that deserves a better reaction than it recieved. Great acting, a clever update of an old fairy tale, an awesome soundtrack, and a likeable cast makes for a great afternoon at the movies.
While it is a simple story, the movie turns out to be hilariously funny and immensly entertaining. It is by no means Oscar-worthy, but it is a great movie nonetheless. Hilary Duff delivers a good performance as Sam, our Cinerella, and her football playing prince, Chad Michael Murray also does well. Jennifer Coolidge brings in the laughs as the evil stepmother and Regina King delivers a strong performance as always as Sam's co-worker and her 'fairy godmother'. Overall this is a great movie and I'd recommend it to all, especially fans of Hilary's or the other stars and those of you who want to see a comedy or a feel-good movie now. So, go see it!
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| 3. The Hand That Rocks the Cradle Director: Curtis Hanson | |
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Amazon.com Annabella Sciorra plays the perfect mother of a flawless family. Her obstetrician, however, is less than wonderful, having enjoyed her examination much more than he should have. When she files sexual harassment charges against the repugnant doctor, he loses face--literally--after shooting himself in the head. Several months later, an ideal nanny shows up at her home. You guessed it--she's the doc's widow. The movie follows a tried and true formula, with the audience in on everything. However, the story does surprise us in intense and intimate ways. The visit to the obstetrician is one of the creepiest moments in the film. You definitely hear the voice of writer Amanda Silver in a plot concerned with the vulnerabilities of a family, a newborn, a marriage. Since we know so much up front, there is an overall lack of inventiveness in the plot machinations. It may not jolt us, but De Mornay does. It's unsettling to watch someone who appears so attractive and who behaves so kindly suddenly reveal hideous psychopathic tendencies. Restraining herself from going over the top, she instead oozes such malevolence you'll want to shudder. --Rochelle O'Gorman Reviews (40)
Of course dr. mott has dr. mott has had a long history of doing this and his wife knows about it. however his dark secret is exposed by claire bartel (annabella sciorra) who while pregnant gets some unwanted sexually advances by the good old dr. Bartel then is pointed as the first woman to come out as one of the dr. victim's and this causes a domino effect where other victims come of the closet to talk about the dr. the dr's games are over , however he can't deal with the fact that he has been exposed and going to prison, so he commits suicide (via a gunshot). Peyton (mornay) loses their baby in the process and when she finds out miss bartel was the first victim to speak out she does what any typical psycho would do, she targets her for her revenge. the expression "hell on wheels" definitely applies here. Peyton's character is quite a sight for sore eyes, i haven't seen a psychotic character like this since glenn close's alex character in fatal attraction. However, peyton doesn't launch an obvious assault on claire. no she's schemes to get into the family and then killing clare by posing as a nanny for hire in the family. She then sets up the situation to get hired by making it look like the baby of the Bartel's is choking and thus saving her life. Pathetic. However the Bartels, Clare and Michael (Matt Mccoy) laughingly fall for the lies of Peyton despite the fact that she isn't whom she claims to be but then again the Bartel family is such a naive family that they are easily pluckings for Peyton's revenge. For instance, Peyton is hired to be the "nanny" even though, she admits she wasn't sent by a nanny agency , she doesn't have clear cut references, and Marlena Craven (Clare's friend) doesn't like her one bit. That about sums the movie itself in a way. It seems several characters are either too dumb or too naive to see what's going and this in turn leads to the disastrous things that happen at the hands of Peyton. For example it seems that Clare has a sort of asthma problem and she must take her pills. Well one day, Michael (Matt Mccoy) must turn in an important proposal to his company. Clare volunteers to do it, but when her back is turned, Peyton hides the proposal thus ensuring some problems in the marriage of the Bartels. The stress caused on Clare causes her to have several asthma attacks yet she doesn't see that Peyton is responsible despite the warnings from Marlena or the obvious advances Peyton is making toward Michael. Yes that's right Peyton ever the home-wrecker tries to make sexual advances toward this gullible guy to break up the family. Add further insult the other person who doesn't believe Peyton's nanny character is who she claims is Solomon (Ernie Hudson from Ghostbusters and Oz). Solomon is a black man who is mentally challenged, yet despite this Solomon has the intelligence to realize Peyton is a psycho. However, Peyton before Solomon has a chance to discuss his suspicions of her, gets rid of Solomon, thus leaving the Bartel family once again an easy target for her. LOL I made it sound like a soap opera. But all kidding aside "The Hand That Rocks the Cradle" is a very intense psychological thriller. Probably the best that came after Fatal Attraction and was then followed by another thriller about a psycho woman in "Single White Female" with Bridget Fonda.
Peyton's husband, an obstratrician, sexually molests Claire who files a complaint and seeks to get him in jail. The obstratrician commits suicide and triggers a miscarriage in Peyton, who was about to have his child. So, there it is. The set-up. Peyton really does have valid reasons to be angry. She has lost everything -her husband, her baby and her home. But she is so consumed with bitterness and by her desire for revenge that she is stripped of her humanity and becomes an authentic villain so perfect for this type of film. Rebecca De Mornay's non-threatening, beautiful and innocent Caucasian features are a perfect disguise. She takes a job as babysitter to Claire's daughter Emma. Now safe in the family's trust, she conducts scheme after scheme to destroy Claire and to exact revenge. She is breastfeeding Claire's infant to mark the child as hers(Peyton proves that women can be just as territorial as men and just as ruthless, perhaps more so) she wins Emma's trust and affection by forging a false friendship, she frames the black help, who is a bit weak and slow but proves heroic in the finale, by making Claire believe he is sexually molesting Emma -she hides Emma's panties in a drawer in the storage room. She even tries to break up Claire and her husband by making Claire believe that he is having an affair with his old friend and sweetheart (played by Julian Moore who ends up killed in the greenhouse by Peyton) and Peyton even attempts to seduce Claire's husband for herself! There is no stopping her until her come-uppance comes just in time for the ending. The dangerous "outsider" coming into the safety of a perfectly happy family really works as a thriller in cinema. We cannot sympathize with Peyton, because she is a very corrupt and vicious woman. Although we would like to see Claire, Sciorra's character, be more defensive and try to protect her family and even eliminate the villain herself, we cannot help but worry how it will turn out for her since she is not a very strong woman and is in fact a victim of asthma. The real star of the show is Rebecca De Mornay anyways and so it was fitting that Claire is a weak contrast by comparison to Rebecca's powerfully evil performance. The location was shot in Southern California somewhere near the Hollywood Hills or perhaps a suburban community, is tailor-made for the ambiance of a dark film such as this one. Who'd ever guess that such intense crime could happen in a small town that looks blameless ? The music is effectively chilling, although the composer or music editor seems to have delighted in playing with the theme of innocence mingled with evil- the soprano aria "Poor Wondering One" from the Gilbert and Sullivan opera "The Pirates Of Penzance" is played repeatedly as it seems to be an album that Claire has in her house. At one point, the orchestral score twists the cheerful melody by using darker and menacing instrumental themes
So why three stars instead of zero or one? Well, Rebecca DeMornay is effectively chilling in the role. She's pretty believable as the nanny who has her very real reasons for going off the deep end. (In fact one of the few surprises in the film is that she is given a solid reason for flipping out. In fact, I was kind of rooting for her over the very mousy Annabella Sciorra.) The scene with DeMornay in the woman's bathroom at the arboretum was great. Her character, Payton, was quite soulless, and she made you feel her chill. She never plays a false note. The stares she gave could stop people in their tracks. You really do think this woman could kill. Worth watching if your expectations aren't for a Casablanca or Gone with the Wind.
After it's been revealed that Claire's obstritician has sexually molested her, he commits suicide rathe than being put in jail. This triggers the consuming obscession for revenge in his widow, Peyton. Peyton takes a job as babysitter for Claire's baby and daughter Emma (played, it seems, by the child actress in Matilda). Although Peyton comes off as innocent, helpful and utterly harmless, she slowly works her revenge over Claire and her family. She is breastfeeding Claire's baby without her knowledge, winning Emma's affection, gets rid of the African American help who knows too much, and even tries to seduce Claire's husband. The subtle way in which she does her evil is very frightening but the intensity grows most abundantly in the final portions of the film. This is a well-done movie, in almost Hitchcock psychological horror, and is a great adult film. I must stress that this is adult horror and that kids should not watch it. It would make them twice about their "real" babysitter. Of course, although there are a few bad apple babysitters, not all of them are like Rebecca De Mornay's wicked Peyton. ... Read more | |
| 4. 'Til There Was You Director: Scott Winant | |
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Reviews (27)
While the story did have brief flashes of brillance in some of the dialog pertaining to life philosophies, they were few and far between. Dylan McDermott, always a good actor, absolutely flubs here. Sarah Jessica Parker, never one of my favorite actresses, looks so bad in this film to me that I was afraid my eyes were going to bleed... I guess I couldn't look away every time she was on the screen for that reason. Jean Tripplehorn's attempts at physical comedy left me gasping. Everytime she was hit with something or knocked down or fell, I wanted to jump into the movie and yell at the director (or call PETA) for torturing this poor woman that way. At least Jennifer Aniston and Ken Olin had the good sense to save their careers by appearing only briefly in minor supporting roles. The self-angsting dialogue on "thirtysomething" worked incredibly well and bonded you to the characters. In this movie, listening to the characters bemoan their life circumstances you finally say, "Enough is enough!" and hope they all get hit by a bus so they stop talking. The plot flows along very disjointedly and at a very slow pace. I felt no chemistry between the two main characters, who are destined to meet and fall in love. The finale takes a sudden awkward jump a few years later when the couple are married and putting their child to bed. How the plot/premise went from "A" to "B" (how this couple fell in love and decided to make a life commitment) was left unanswered by the film and made the ending very unsatisifying, disappointing, and unbelievable. Whoever the hair stylist was for this film should never work again. In all fairness, I will say some one good thing about this film. The cinematography is wonderful, especially around the apartment complex. You always see this dust, fuzz, or pussy willow type stuff floating in the air in the building's courtyard. I'm still trying to figure out the symbolism intended by the director of this effect. There are quite a few recognizable name actors in this film, but remember "Mars Attacks"? The film is such a flub, it is one of those movies you will want to watch more than once because the acting and dialogue are so bad.... like a horrible car wreck with blood, gore, and screams of agony- you can't take your eyes away! (heh heh) I always put this movie on when I'm in a masochistic mood and feel the need to be punished by Hollywood.
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| 5. Second Chances Director: James Fargo | |
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Reviews (14)
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| 6. Mr. Nanny Director: Michael Gottlieb | |
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Description Reviews (10)
What we have here is good material for a spoof. How funny would it be to see an eight-year-old electrocute his bully in a Farrelly Brothers movie? But it's not a spoof. The problem is that in "Mr. Nanny" it is not played as a spoof, but as the real thing. The kid supposedly electrocutes his school bully (for real), and we are supposed to feel happy because he has beaten the bully at his own game. That has to be the most sappy excuse for an emotional rush I've ever heard. I don't feel like celebrating with this kid, but rather arresting Hogan and ordering a restraining order on him. Hulk Hogan plays down-on-his-luck ex-wrestler Sean Armstrong (get it, "Armstrong"?). He has long since exited the ring because of recurring nightmares involving violence in the ring. To give Sean something to do, his best buddy and manager, Barney (Sherman Hemsley), gets him a job as a bodyguard for computer genius Alex Mason (Austin Pendleton). Mason has invented a new super chip and a psycho is out to get it, so the engineer needs someone to look after his two motherless children (played by Raymond O'Connor and Madeline Zima). Reluctantly, Sean agrees, but only because they already have a nanny and his job will be strictly protection. No sooner has he arrived, however, than the nanny quits and Armstrong finds himself babysitting two demons. A film like "Mr. Nanny" is intellectually insulting on all levels. You have to wonder what the producers and filmmakers were thinking when they gave the "OK" to this film. It doesn't have a plot. It doesn't have good acting. It doesn't even have a half-decent script. The only reason for this film, apparently, is so that Hulk Hogan could be shown in a ballet tutu. Hulk Hogan can't act. His best performance was his three-liner in "Gremlins 2: The New Batch." So you can imagine how awful it is when the testosterone-junkie with the deep voice fills up the majority of screen-time in the film, and tries to teach a father the values of family interaction and why it's good to tell your kids you love them. Perhaps this would be good material for, say, a muscle-man that can act, like Arnold Schwarzenegger, but "the Hulk" can't act half as good as Mr. Schwarzenegger, and most likely never will be able to. Most of the apparent laughs in this film come at the expense of Hogan, and at the expense of every film it has borrowed from. It's a bunch of recycled gags posing as new ones. But it might as well be said that I expected it. To name some of the recycled gags, here they are: He's hit on the head with bowling balls (see "Uncle Buck"), drenched with water (see "Dennis the Menace"), covered in flour (see "Dennis the Menace" a second time), and electrocuted (see "Home Alone 2: Lost in New York"). Not one of these instances is funny, and it isn't because we've seen it so many times before. And another thing that doesn't help this film at all is the inept direction of Michael Gottlieb. Such comedy, while once amusing in Home Alone, has long since worn out its welcome. Here, it's handled in such a pedestrian manner that it comes across with the audible clunk of a standup comic's joke falling flat. Don't see this movie, whatever you do. If you see it glaring at you in the video store with Hulk Hogan's god-awful smirk on his face, pass it up. Even if it looks like clean family entertainment. It is far from it. It is PG-13 material packaged in a sweet little box. It's not a film. It's merchandising, plain and simple. There used to be a time when wrestling and Hulk Hogan where what Tony Hawk and skateboarding are today to children. Anything with Hawk sells and, at one time, anything with Hogan sold. Film execs knew this, and played to it. And that's all "Mr. Nanny" is: Marketing, plain and simple. Don't give any more money to these selfish corporations. They can live with what they did. "Mr. Nanny" was a spur-of-the-moment film made for cash-purposes. I'm surprised that all copies weren't burned after Hogan withered away into the recesses of "has-been," because this film stands out as a single merchandising attempt, and its time has long since passed.
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| 7. The Sandy Bottom Orchestra Director: Bradley Wigor | |
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Amazon.com Reviews (5)
Music is such a universal language, here exemplified in Wisconsin Shady Bottom. Acting is good. Music is superb! Cineamatography exquisite. Such pastels and scenes!
A book-to-movie is not always easy and this movie has moments where it is not quite up to par with the book, but the underlying message still comes through. It is a great story of the things we do, whether we want to or not, for the good of the whole and also of the ties that bind. Plus, Glenne Headley is a stitch as the matriarch Ingrid. Anyone who has ever felt insecure or out-of-place will appreciate this movie (and be glad it's not your family!).
What a disappointment! The movie was sappy beyond words--much of the humor was taken out and replaced with bad acting; it was entirely predictable. I was horrified. It seemed impossible to make hash of a book that thoroughly, but the director of 'The Sandy Bottom Orchestra' certainly did. In short: whether you have or have not read the book, do not see this movie. It is cliched and tiresome and it will not be enjoyable.
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| 8. Summer of Sam/Hand That Rocks the Cradle Director: Curtis Hanson | |
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| 9. A Cinderella Story/Prince Charming Director: Mark Rosman | |
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| 10. The Nanny Director: Steve Posner, Dorothy Lyman, Jennifer Reed, Will Mackenzie, Lee Shallat Chemel, Randy Bennett, Peter Marc Jacobson, Gail Mancuso, Paul Miller, Linda Day, Fran Drescher | |
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Reviews (3)
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| 11. A Cinderella Story/What A Girl Wants Director: Mark Rosman | |
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Reviews (24)
The movie picks up 8 years later where Sam is a senior in high school preparing to go to college at Princeton (that is, if she gets accepted). High school isn't exactly a happy experience for Sam as she has only two friends. One real, one an email friend that texts her constantly. To everyone else in the school she's know as Diner Girl. Since I saw the previews of this movie I thought it looked funny. I've been looking forward to it since the first preview. However, now that it's out and I read the reviews I was nervous. Luckily my fears weren't realized. This movie ended up being a sweet, family friendly, romantic comedy. Duff does an excellent job of portraying Sam. She truly is an excellent young actress, the pep rally scene is proof of this. While this movie wasn't really laugh out loud funny, it was funny at times, but more than that it was sweet and, for lack of a better word, cute. The direction was really nice. It wasn't super artsy, but it was well done and added a certain beauty to the film. Cinderella Story ended up being a really sweet movie that deserves a better reaction than it recieved. Great acting, a clever update of an old fairy tale, an awesome soundtrack, and a likeable cast makes for a great afternoon at the movies.
While it is a simple story, the movie turns out to be hilariously funny and immensly entertaining. It is by no means Oscar-worthy, but it is a great movie nonetheless. Hilary Duff delivers a good performance as Sam, our Cinerella, and her football playing prince, Chad Michael Murray also does well. Jennifer Coolidge brings in the laughs as the evil stepmother and Regina King delivers a strong performance as always as Sam's co-worker and her 'fairy godmother'. Overall this is a great movie and I'd recommend it to all, especially fans of Hilary's or the other stars and those of you who want to see a comedy or a feel-good movie now. So, go see it!
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| 12. A Cinderella Story (Mini DVD) | |
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