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| 1. Storm of the Century Director: Craig R. Baxley | |
![]() | list price: $14.98
our price: $11.98 (price subject to change: see help) Asin: 1573625779 Catlog: DVD Sales Rank: 2762 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (132)
Now, for the rest... A weird guy shows up in an island in Maine (King's favorite State), and kills an old lady for no real reason. But he doesn't go away - he waits to get arrested. In this case, however, the real prisoners are the residents, some of whom are murdered in vicious ways by the stranger, with the help of his ominous-looking cane. Colm Feore is terrific in the role of the evil man, while Tim Daly does a decent job as the town grocer and Constable. The really cool thing about this film is that you never notice the length (close to 4 hours!), as scene after scene captures your imagination and tortures your soul. Small town mentalities and moralities are exposed for what they are - cheap, narrow, selfish, and deadly. Each character has (or has had) a past (or present) that they'd never like the world to ever know. But the stranger (the Legion) knows EVERYTHING about everyone. As secrets come out, and as hidden conflicts are brought out into the open, one can see the characters change faces. When the main objective of the stranger is revealed by him during a town meeting during the course of the storm, it's time for soul-searching and morals-testing. None emerges unscathed, except Tim Daly and his wife, though in completely opposite ways. The ending is definitely not satisfactory, and seems forced to deliver some sort of closure to the viewer. In summary- Positive things: 1. Good, strong character development. 2. Powerful storyline. 3. Intelligent, relevant screenplay. 4. Good photography. 5. Excellent acting by most. 6. Wonderful music score. Negative things: 1. Length (some people will definitely groan!) 2. Unsatisfactory ending. 3. Colm Feore is not used very well. 4. Slow beginning, with a few scenes of really bad dialogue delivery and acting.
This movie had to be good, because Stephen King himself wrote the screenplay - which was an original screenplay and no adaptation from one of his story. King wrote this sinister little tale especially for ABC television and I have to admit, that beside the fact that it is a good story for a cold night, snow piling up outside, it is a very good mvie as well. I loved the actors, the filming and just every minute of the 4-hour mini-series. I even watched the whole thing just listening to Stephen King's commentary (although I skipped the parts director Craig Baxley commented) - the commentary was as good as the movie itself, because it was not some poor strawhat talking about something, but Stephen King doing what he can do best: not commenting, but telling. Stephen King gives very delightful inside-information on the making of the movie and talks about works related to this movie, how he came across the idea for the story (it was partly influenced by a play by Friedrich Dürenmatt King had a part in when being in High School), how he tried to work it out, stuff like that. So this is a very interesting bonus for every Stephen King fan: you get a very good movie and a very fine commentary by Stephen King, with all the information and all the amusing details 'n' extras. Story's Rough Cut: Small town off the coast of Maine, Little Tall Island, the setting of "Dolores Claiborne" - "life on the island is different from the life on the mainland." Stranger makes the small township aware of his evil presence by murdering an old woman, Martha Clarendon, and therefore arrested - "because I choose," as the stranger, André Linoge, claims. Linoge knows all the dirty little secrets of the clean-shirted islanders and he wants what he inevites, unless he will not go away. What exactly Linoge wants, you have to find out for yourselves, sorry. It is worth finding out, believe me, just this one time! ;-) Let me finish with a praise for the movie by some newspaper I do not remember, "it is a high-voltage, spine-tingling shocker, which has been called one of the best King films ever!" It sure is.
Was that annoying? Now you know how I felt going through this film. He wants a kid. That's what he wants. He wants a kid. There, I just saved you three hours of agonizing torture.
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| 2. Jack Director: Francis Ford Coppola | |
![]() | list price: $19.99
our price: $17.99 (price subject to change: see help) Asin: B00008L3U1 Catlog: DVD Sales Rank: 6168 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (21)
Robin Williams gives an outstanding performance in "Jack", a movie about a boy with an extreme growing disorder. J: 4/5 Stars "When a shooting star streaks through the blackness turning night into day, make a wish and think of me and make your life spectacular. I know I did." -Robin Willliams as Jack
The story is cool and the directing by FRANCIS FORD COPPOLA is very good. Worth checking out for the excellent performances by the all-star cast.
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| 3. Leave It to Beaver Director: Andy Cadiff | |
![]() | list price: $14.98
our price: $13.48 (price subject to change: see help) Asin: 0783225555 Catlog: DVD Sales Rank: 18575 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (27)
The movie is the exact same way; don't expect something COMPLETELY lifelike... but DO expect something a bit different from the original show. The Cleavers have been updated... and I think my favorite part was when Mrs. Cleaver told Eddie Haskill off... that was great. The characters have a great performance, too... Adam Zolotin was a great Eddie Haskill, and Christopher McDonald was the perfect Ward. And watch out for cameo appearances from a couple of the original stars of the series. Those were great to see. All in all, if you want to see a movie that makes you think, don't get it. It isn't that kind of a thing... but for a family movie, I don't think that there's a better one.
Both movies take a postmodern approach, self-consciously referencing the period origins of the source material. But whereas "Brady" used this to a comically dichotomous effect (placing the literally-stuck-in-the-'70s clan inside a dysfunctional '90s Los Angeles), "Beaver" attempts a synthesis in which '50s cultural mores and aesthetic values still hold sway in the present day. Thus, we're treated on the one hand to such contemporary accoutrements as home PCs, cell phones, and flat-screen televisions--at one point Ward and a miniskirted(?!) June are seen watching a "Home Improvement" episode--and on the other hand to such iconic '50s paraphernalia as white picket fences, soda shops, pigtailed little girls, teenage guys in letterman sweaters, and women in ever-present pearls and high heels. While the overall tone of this film is sweetly nostalgic rather than abrasively ironic a la the "Brady" movie, one can't help feeling that at some level we're being winked at; viewed in a certain light, this "Beaver" could almost be taken as a sly satire of Republican family values posturing and '50s fetishism. There's a decidedly Stepfordian quality to much of the film, particularly in Janine Turner's portrayal of June. On the other hand, it's difficult to imagine a "straight" update of the show that wouldn't in some way have sacrificed either plausibility or the spirit of the original. Nonetheless, on a less critical level this movie works as serviceable family entertainment. Parents, especially those put off by the aforementioned "Brady Bunch" film, will be relieved at "Beaver"'s gentle, kid-friendly quality; and fans of the original will delight in some well-placed cameo appearances.
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| 4. Leave It to Beaver Director: Andy Cadiff | |
![]() | list price: $24.98
(price subject to change: see help) Asin: 0783224397 Catlog: DVD Sales Rank: 57067 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (27)
The movie is the exact same way; don't expect something COMPLETELY lifelike... but DO expect something a bit different from the original show. The Cleavers have been updated... and I think my favorite part was when Mrs. Cleaver told Eddie Haskill off... that was great. The characters have a great performance, too... Adam Zolotin was a great Eddie Haskill, and Christopher McDonald was the perfect Ward. And watch out for cameo appearances from a couple of the original stars of the series. Those were great to see. All in all, if you want to see a movie that makes you think, don't get it. It isn't that kind of a thing... but for a family movie, I don't think that there's a better one.
Both movies take a postmodern approach, self-consciously referencing the period origins of the source material. But whereas "Brady" used this to a comically dichotomous effect (placing the literally-stuck-in-the-'70s clan inside a dysfunctional '90s Los Angeles), "Beaver" attempts a synthesis in which '50s cultural mores and aesthetic values still hold sway in the present day. Thus, we're treated on the one hand to such contemporary accoutrements as home PCs, cell phones, and flat-screen televisions--at one point Ward and a miniskirted(?!) June are seen watching a "Home Improvement" episode--and on the other hand to such iconic '50s paraphernalia as white picket fences, soda shops, pigtailed little girls, teenage guys in letterman sweaters, and women in ever-present pearls and high heels. While the overall tone of this film is sweetly nostalgic rather than abrasively ironic a la the "Brady" movie, one can't help feeling that at some level we're being winked at; viewed in a certain light, this "Beaver" could almost be taken as a sly satire of Republican family values posturing and '50s fetishism. There's a decidedly Stepfordian quality to much of the film, particularly in Janine Turner's portrayal of June. On the other hand, it's difficult to imagine a "straight" update of the show that wouldn't in some way have sacrificed either plausibility or the spirit of the original. Nonetheless, on a less critical level this movie works as serviceable family entertainment. Parents, especially those put off by the aforementioned "Brady Bunch" film, will be relieved at "Beaver"'s gentle, kid-friendly quality; and fans of the original will delight in some well-placed cameo appearances.
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