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| 81. Highlander - The Complete Series (Seasons 1-6) Director: Jorge Montesi, Yves Lafaye, Mario Azzopardi, Jerry Ciccoritti, George Mendeluk, Adrian Paul, Ray Austin, Charles Wilkinson, Paul Ziller, Dennis Berry, Clay Borris, Gérard Hameline, Daniel Vigne, Paolo Barzman, Neill Fearnley, René Manzor, Bruno Gantillon, Duane Clark, Robin Davis, Richard Martin | |
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| 82. The Best of Primetime Glick Director: John Blanchard, Paul Flaherty | |
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Reviews (13)
ps_just found out he's in development for a movie based on his character jiminy glick! this could become a trilogy that exceeds the funniest fat .... moments in austin powers! good luck martin & don't compromise with the script...keep it funny!
I also liked watching one episode of Glick every two or three weeks. Watching two+ episodes in a row makes Glick's humor mundane and hardly worth the 6 episodes on the DVD. I like Short, but Glick is Short-lived in this house. Sorry, Martin.
That said, this is a wonderful show. This may be the best "talk show" since Letterman was at NBC. And since the "real" talk shows have grown so oppresively stale, Glick is the best way to see celebrities. Primetime Glick is a very fresh, funny take on celebrity, and it rings oh so true. ... Read more | |
| 83. Teenage Mutant Ninja Turtles - The Movie Director: Steve Barron | |
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Amazon.com Reviews (86)
My definite favorite of the Teenage Mutant Ninja Turtle movies is this one. The plot doesn't go just skin-deep. This movie isn't just about teenage turtle mutants fighting crime; its main theme is family. This film really goes into the brotherhood that the turtles share, and the father-son relationship that they share with their mentor and ninja master Splinter. For those of you that are preparing to click the back button on your browsers, please just hold on one more second. Even if you're not the kind of person that goes for "chick flicks," don't fear; there's something in this film for everybody. There's great humor, (for the lack of a better word) awesome fighting, perfect drama, and wonderful characters brought to life by excellent acting. All of the turtles and Splinter have perfect-fitting voice-actors, the actress that did April O'Neil in this film did a great job, and whoever did the acting and voice-acting for Shredder should get big pats on the back. I'm sorry that not everybody who viewed this film enjoyed it, but I think that anyone who is reading this should check it out sometime. Even though we all have our own tastes, I think everyone should take a chance and see this film because it would be a shame if someone passed up the opportunity to view what would have been his or her new favorite movie.
I won't deny it, I did like this movie. It was pretty good. The action sequences were excellent and choreographed very well. No "one hit and go down" stuff. The fight scenes in this were very fluid. The turtles were well represented as well (from the comic) and made this movie a pretty good adaptation. One thing that will forever bother me was that Hockey Mask toting psychopath Casey Jones was perceived as this little pretty boy with a mask on instead of his true comic book personality of a deranged, former athlete turned vigilante. In the comics, Casey Jones is very intimidating but in the movie, he was just another baby face which I could've done without. If you were going to buy any of the Turtles movies, this would be the one because this one was more of a Martial Arts action film instead of what it turned into later in Secret of the Ooze, a cheap slapstick comedy with the occasional fight scene with let's not forget the horrid "Ninja Rap" song by everyone's favorite most chewed up, spit out and now washed up MC, Vanilla Ice. Again, TMNT the Movie is good. It's not astonishing and it's not poor but it is good. I personally wouldn't give it anymore than that. If you're looking for any other comic book to movie DVD's, check out Brandon Lee's lasr movie THE CROW, SPIDERMAN and of course X-MEN.
This movie is dark and after watching it I dont understand why I liked it as a child, but as an adult it appeals to me in a whole new way. This movie does have some pretty good acting and I cant figure out if the turtles are guys in costumes or completely puppeteered,(Can someone tell me please). This movie is much more for the teenager/adult crowd and if you havn't seen it or its been a while give it a chance and I'm sure you'll find something you'll like about it. ... Read more | |
| 84. Strangers With Candy - Season Two Director: Danny Leiner, Bob Balaban, Peter Lauer, Juan José Campanella, Adam Bernstein, Dan Dinello | |
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Reviews (31)
in an age where the vast majority of non-sitcom comedy shows are parody humor (i.e. SNL, MadTV) it's a breathe of fresh air to see something so inventive, creative, and politically incorrect; the central theme to this show is the satiring of the "after-school special" mentality; where in the end, the protagonist discovers some new enlightening, cathartic revelation about life and everything is okay again, but it's much more complex than that. the writers toss in some of the most bizarre dialogue, often laced with double negatives and contradictions (such as "must be great to hope for the things you wish you wanted", etc ...) all in all, this show is certainly not for everyone. as amy sedaris (jerri blank) said herself in an interview: "I'm glad everyone doesn't like it, that would mean i was doing something wrong." amen.
The concept of a 46 year-old high school freshman, on its own, is hillarious. The execution in this delightful program, is outstanding. I'm waiting (not so patiently) for season three. Coach Wolf: Jerri, what does V-I-C-T-O-R-Y spell? Jerri: Fandango, . . . Hobo-Hobocamp? ... Read more | |
| 85. Brief Crossing (Breve Traversee) Director: Catherine Breillat | |
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Description Reviews (1)
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| 86. Without A Paddle (Full Screen Edition) Director: Steven Brill | |
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Description Reviews (2)
I'll for sure go see this at the theatre-since my idol Seth Green is in it! All the guys in this movie are hott-especially Dax Shepard! Yummy! Hey look a deer! growl! Everything we've been through Im finally running out of things to be afraid of!
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| 87. L'Argent Director: Robert Bresson | |
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| 88. Strangers With Candy - Season One Director: Danny Leiner, Bob Balaban, Peter Lauer, Juan José Campanella, Adam Bernstein, Dan Dinello | |
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Description Reviews (79)
Amy Sedaris plays Jerri Blank, a 46-year-old loser who returns to high school after being a teenaged runaway for 32 years. Her father is immobile, and her step-mother and half-brother hate her. The series is patterned after an after-school episode, and each one ends in Jerri learning a "lesson" (as well as participating in funky dance sequences!). The humor is sometimes bizzare, often raunchy, and always politically incorrect! Episode 1: Old Habits, New Beginnings. Jerri tries to fit in by mixing up some drugs (glint) for a popular cheerleader (Poppy), with tragic results. Jerri loses the first in a long series of pets and does her first "I got something to say!" bit. Episode 2: A Burden's Burden. Jerri is given a 10-pound baby (whom she dubs "Dizzy") by her health teacher. She fails miserably and is paired up with Tammi Littlenut to complete the assignment. Teacher Noblet and Jellineck begin their unusual "relationship." This episode is hilarious and presents a new, more demented side of Jerri. Episode 3: Dreams on the Rocks. Jerri get a leading role in the school production of "A Raisin in the Sun," beating out several African-American students! This acting success leads Jerri's step-mother on a "hilarious" alcolohic bender. Episode 4: Who wants cake? Jerri is asked to determine whether her lockermate, Kimberly, is "[mentally challenged]." If she doesn't cooperate, she'll miss the school trip to Good Time Island. Episode 5: Bogie Nights. Jerri falls for the new kid in school (Ricky, played by Chip from "Kate & Ally"), much to the consternation of her fellow students. Episode 6: Jerri Is Only Skin Deep. Jerri runs for Homecoming Queen. She tries to increase her "inner beauty" by doing volunteer work, with tragic results for a chicken. Episode 7: Let Freedom Ring. Jerri is suspected of writing a racial slur on a school wall, and she tries to seduce a student who supposedly witnessed the event. Jerri famously asserts that she likes the "pole and the hole." Episode 8: Feather in the Storm: Jerri wants to try out for the debate team, but everyone tells her that she's too fat, leading her to develop an eating disorder. Episode 9: To Be Young, Gifted and Blank. Mr. Noblet tries to turn Jerri into a violin prodigy, driving a wedge between himself and Mr. Jellineck. Episode 10: The Trip Back. Jerri becomes attracted to a young female stoner and begins doing pot. Extras: Sedaris, Colbert, and Dinello do audio commentary for four episodes. They are hilarious together, and the commentaries help shed some light on their bizarre senses of humor. The original, unaired pilot is also included. The plot is similar to the "Who Wants Cake?" episode, but there are quite a few differences. Notably, Jerri has a volunteer job at a genertonology rehab center and Dinello and Colbert have dual roles. The pilot is not as good as the later episodes, but it's interesting to see how the series evolved.
In the first episode, Jerri makes drugs for a girl just to gain popularity after nobody is interested in coming to her party. She ends up overdosing, and trying to cram herself head-first through a key hole. During her funeral at the school, when Principal Blackman is going on about how the culprit that gave her the drugs must be feeling horrible, Jerri stands up and screams, "I'VE GOT SOMETHING TO SAY". Her message...is that she's throwing a party at her house for the girl. So Jerri finally gains temporary popularity in the end. In another episode, the drama class gets to do a play of Raisin in the Sun, which is a book/play about black people. Well, the first two people that get parts are Susan Cream and Craig Snow. Then, beating out someone perfect for the lead role, is Jerri. All the other students (and again, they're all black) get to play trees. I swear, I laughed at that one bit for at least 10 minutes. And it only took about 2 minutes to do that scene. As you can see, the producers show no mercy, and everything is a target. Even "violent kids" are thrown in, left in padded rooms (the commentary about that episode is very strange). And yes, even babies show up. Jerri has to take care of a 10 pound baby for health class in order to learn a lesson. She ends up getting sick of him, and leaving it in the park in order to go "throw rocks at the Indian". It'll make sense once you watch the show. If you've seen the movie Bubble Boy, take that and make it 1.5 times worse as far as offending things go and that's what you get here with Strangers With Candy. The only reason I'm not giving this dvd 5 stars (though it deserves it for how great the show is) is because of the lack of special features. We get 4 commentary tracks and then 2 Comedy Central shorts of South Park and Crank Yankers. That's it. The commentary tracks are ok, but there are too many long periods of silence. And the stars (Amy, Stephen and Paul) more or less just watch the show with you and laugh at things as it goes along. They had fun though, which was cool. They mention how the school the show was shot in was a real school that was going to be torn down, and they could do whatever they want with it. One room had padding on the walls, and nothing else, which was very strange. I would've loved to have seen some interviews with the cast (especially the dad) and what they thought when they first read the scripts. The audio quality isn't that great either...it's just barely better than how it was shown on tv. I'm still glad I picked this up though. After seeing these 10 episodes, I can only imagine what they make fun of in the second and third seasons. If you like South Park's sense of humor, this is perfect for you. And at this price, you have no reason not to buy this.
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| 89. The Flame Trees of Thika Director: Roy Ward Baker | |
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Amazon.com Directed by Roy Ward Baker (A Night To Remember) and written by John Hawkesworth (Upstairs, Downstairs), The Flame Trees of Thika isn't just about one girl, or one family, adrift in an occasionally hostile foreign land, but also about the dangers of colonialism. The Grants, their neighbors, the Palmers (Nicholas Jones and Sharon Maughan), and most of the other Europeans in Thika feel certain they're bringing culture to the uncivilized, without realizing what they're destroying in the process. Ian Crawford (Ben Cross from Chariots of Fire), is one possible exception to the rule, but he brings another kind of danger in his pursuit of Mrs. Palmer. Since their actions are seen through the eyes of a child, The Flame Trees of Thika is never preachy, but the meddling of these adults--however well intentioned--in the affairs of the Masai, the Kikuyu, and other locals frequently creates tension. As Tilly notes, "It's like two whole separate circles revolving around each other--their world and ours--and only just touching occasionally." What began as Elspeth's coming-of-age story, becomes one for her parents, as well, in this sensitive and engaging series. --Kathleen C. Fennessy | |
| 90. What's Up, Doc? Director: Peter Bogdanovich | |
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Description Reviews (93)
If you've somehow missed this film ... stop reading, turn off your computer, go to the store and buy it. (Don't rent it; you'll want to watch it more than once.) I mean it. Go now! I'm not a Streisand fan, but I sure make an exception in this film. She's fantastic! Her zany energy just pours off the screen, her timing and delivery are top notch, and her chemistry with Ryan O'Neal is simply unbelievable. And O'Neal ... is awesome. You might not think of him as an actor who could so ably take on the role of the boring, distracted, absent-minded professor, but man! he owns the role. From his opening shot straight through to the end of the film, he's simply wonderful. And if Streisand's cheerful nuttiness and O'Neal's goofy, sweet seriousness aren't enough for you, there's the inimitable Madeline Kahn in her first role, owning every scene she's in ... 'til Liam Dunn shows up as the judge at the end, that is. The dialogue sparkles; why aren't more people writing dialogue like this these days? There should be a law. The comedic timing is impeccable. The story is lunacy, but it's sold whole-heartedly ... and the lack of a score (other than Streisand's rendition of "You're the Top" to open and close the film, along with a brief snippet of "As Time Goes By" during the film) makes the whole thing seem almost believable, somehow. This movie is a gem; I can watch it over and over. The DVD is crisp and clean, looking like it was filmed last week ... a rarity for some early '70's films. The sound quality is excellent; nuances that were lost on my video tape are restored here. Streisand's commentary is generally unilluminating, but Bogdanovich provides some wonderful thoughts and behind-the-scenes anecdotes. All in all, an excellent release. One minor, tiny little flaw: at the very end of the film, with Howard and Judy on the plane, my VHS version shows Judy batting her eyes, then a cut to Howard ... a cut back to Judy for a lovely pregnant pause ... and finally the return to Howard, who delivers his deadly comeback. The timing on that, as with the rest of the movie, is perfection. But in my DVD, Judy batts her eyes, and we cut to Howard ... who delivers his line after only a short pause. There's a missing bit there in the middle. YES, it's a terribly minor quibble ... but when you monkey with a classic and throw off the comedic timing, a guy has to wonder who would do such a thing. That's really my only quibble. 5 stars anyway. (Have you bought this DVD yet?! Get going!!)
This film was the perfect (and surprising) way for director Peter Bogdanovich to follow-up his cinematic landmark THE LAST PICTURE SHOW, and he keeps the film's momentum running right at the perfect speed. He also knows how to cast a film flawlessly. Buck Henry's marvelous screenplay contains many scenes with overlapping dialogue and double reverses, and the entire cast never misses a beat. Barbra Streisand literally radiates with magnetism throughout the entire film! Anyone who still wonders why she was the highest grossing actress of the seventies definitely needs to see this film; Streisand's performance in DOC is what being a movie star is all about. Many critics complained that Ryan O'Neal was miscast when the film was originally released, and those critics obviously missed out on the joke. The fact that O'Neal was considered a heartthrob at the time was all part of the fun in seeing him cast as complete goof; and I don't think anyone can deny the fact that he throws himself into the role completely. As most viewers already know, Madeline Kahn has her finest screen role in Doc, and steals nearly every scene she's in (and she wisely knows just how far to push the characterization without going over the edge). The rest DOC'S supporting cast also could not be improved upon, Kenneth Mars, Austin Pendlrton, and Liam Dunn give just three of the standout performances in this perfect supporting ensemble. As with most comedies, DOC was snubbed at the Academy Awards (Bogdanovich, Streisand, and Kahn all deserved nominations in the respective categories in my opinion), but time has been good to DOC and remains far more popular than many of the films that did get Oscar noms in 1972. Arguably, the best comedy of all time. About the DVD: The picture quality is very good - a tad soft at times, but very natural and true to the film's original look. The sound is mono, but it's well-rendered. It's great to have the trailer and vintage featurette preserved on disc, and while Streisand's brief commentary isn't very illumenating, Bogdanovich's full-length track is very informative and entertaining.
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| 91. Besieged Director: Bernardo Bertolucci | |
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Amazon.com This is a film by a true master of moviemaking craft, who refuses to spell things out or bludgeon the audience with a message. The story builds almost imperceptibly, with an accumulation of details, striking visual imagery, and a haunting soundtrack, in which classical piano, African music, and silence are all used to powerful effect. A tantalizing erotic undercurrent bubbles to the surface as the narrative takes the story in directions both unpredictable and captivating. --Laura Mirsky Reviews (24)
Kinsky's besiegement is, as mentioned above, his emotional isolation. He keeps himself inside his house and is rarely seen venturing outside. Only after he professes his passion for his housekeeper and realizes that he must do more than verbalize his feelings does he break the confines of his physical surroundings and leave the barriers he has besieged himself with. Kinsky, a composer and pianist, is initially seen playing standard Western classical music, but as he becomes more enamored with Shandurai, the rhythms of her African music begin to influence his own compositions. In a beautiful scene, a session at his piano begins with a simple two-note structure and ultimately results in a piece that fervently echoes the hypnotic, percussive feel of the songs she listens to on her cassette player in her downstairs apartment. Kinsky's intensity throughout, paralleled with Shandurai's combined intelligence and semi-bewilderment are what gives this work its resonance. This is a truly memorable film, one worth seeing repeatedly.
Neither AMAZON nor the DVD box tellS you that there is a second COMMENTARY featuring the writer then more with the director and his wife. Both TRACKS 2 and TRACKS 3 are compelling. Howard in Manchester UK
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| 92. Romance Director: Catherine Breillat | |
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I feel dirty. ... Read more | |
| 93. Freaks Director: Tod Browning | |
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| 94. Lewis & Clark - The Journey of the Corps of Discovery Director: Ken Burns | |
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I had read about Lewis and Clark in grade school...everyone has...but it's not until I'm 40 years of age watching these Ken Burns movies do I finally understand the context and the signifigance of the events. Highlights in this movie for me include: I watch one of these movies and I invigorates my enjoyment of history and I end up adding 2 or 3 related books to my reading list. If this is your first Ken Burns movie, you'll love it and this is a good one to start with. If you're already a Ken Burns fan, you will not be disappointed. Highly recommended.
It is also amazing to see how many vistas Burns and crew were able to find in such a seemingly pristine state. One of the real shocks to me was to understand how nearly deadly the Great Plains were to the Corps because of the lack of wood. Growing up in Michigan with trees everywhere, we take wood for granted. On that expedition, its lack was a real hardship. While not as dramatic as war and without and the lack of contemporary illustrations requires a different presentation style than Burns normally provides, this is still a visual feast and good solid food for the brain. Worth viewing many times for many reasons. Don't forget to read Stephen Ambrose's "Undaunted Courage" as well.
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| 95. Never Cry Wolf Director: Carroll Ballard | |
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The latter complaint is the major reason for all the ranting by some "reviewers." To them a Disney film showing human nakedness seems a sacrilege and they want their bowdlerized world returned to them, and they want Disney censured and made to promise never to do anything like that again! The complaint that there wasn't enough tension in the film is also off base since this is a contemplative, even spiritual film, not a slick thriller. People with sound-bite attention spans who need to mainline exploding cars and ripped flesh to keep them interested need not apply. The criticism that Director Carroll Ballard's film is not entirely true to the book is legitimate, but I would point out that movies are seldom if ever entirely true to their source material. A film is one kind of media with its particular demands while a book is another. It is impossible to completely translate a book into a movie. Something is always inevitably lost, but something is often gained. Here the cinematography and the beautiful musical score by Mark Isham are fine compensations. The acting by Charles Martin Smith as "Tyler" (Farley Mowat) and Brian Dennehy as Rosie, the exploitive redneck bushpilot, and Samason Jorah as Mike the compromised Inuit (who sells wolf skins for dentures) and especially Zachary Ittimangnaq as Ootek, the quiet, wise man of the north are also pluses. Note how compactly the main issues of the film are exemplified in these four characters. Indeed, what this film is about is the dying of a way of life, not just that of the wolves, but of the Inuit people themselves who are losing their land and their resources while their young people are being seduced away from what is real and true and time-honored for the glittering trinkets of the postmodern world. This is a story of impending loss and it is as melancholy as the cold autumn wind that blows across the tundra. What I think elevates this above most nature films is first the intense sense of what it would be like for a lower forty-eight kind of guy to survive in a most inhospitable wilderness, and second the witty presentation of some of the scenes. Ballard works hard to make sure we understand that it is cold, very cold and desolate and that there are dangers of exposure and weather and just plain loss of perspective that have killed many a would-be adventurer and might very well kill Tyler. I think it was entirely right that near the end of the film we get the sense that Tyler is going off the deep end emotionally, that the majestic and profoundly melancholy experience has been too much for him. Tyler begins as a greenhorn biologist dropped alone onto a frozen lake amid snow covered mountains rising in the distance so that we can see immediately how puny he is within this incredibly harsh vastness. The following scene when Ootek finds him and leaves him and he chases Ootek until he drops, and then Ootek saves him, gives him shelter, and leaves again without a word, was just beautiful. And the scenes with the "mice" and running naked among the caribou and teaching Ootek to juggle were delightful. The territorial marking scene was apt and witty and tastefully done. (At least, I don't think the wolves were offended.) This movie was not perfect, however. For one thing, those were not "mice" that Tyler found his tent infested with. I suspect they were lemmings posing for the cameras. Those who have seen the film about the making of this movie undoubtedly know what they were; please advise me if you do. Also the "interior" of Tyler's tent was way too big to fit into the tent as displayed. Also it would be important from a nutritional point of view for Tyler to eat the "mice" raw as the wolves did! (The actual creatures that Mowat ate I assume were mice.) If Tyler had to exist purely on roasted and boiled rodent for many months, he would encounter some nutritional deficiencies. Still, eating a diet of the whole, uncooked mouse would be sustaining whereas a diet of lean meat only would not. (Add blubber and internal organs for an all-meat diet to work.) Incidentally, the Inuit people get their vitamin C from blubber and the contents of the stomachs of the animals they kill. Where were the mosquitos and the biting flies that the tundra is infamous for? Since this movie appeared almost twenty years ago, the public image of the wolf has greatly improved and wolves have been reintroduced to Yellowstone Park. I think everybody in this fine production can take some credit for that.
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| 96. Fritz the Cat Director: Ralph Bakshi | |
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