Reviews (24)

Thrilling, best in it's genre...
This movie is among the the best and most thrilling of the post Harry Callihan, 1980's genre of cop movies. As Nico Toscani, a naturally macho yet morally upright and skilled cop (who is also ex-CIA and former Aikido instructor), Seagal is impressive and yet so refreshingly believable. The short martial arts action sequences are first rate - no drawn out Hong Kong formula stuff. The cafe jazz music score is memorable and rightly paced for the exciting car tailing sequences through downtown Chicago.

Nico Toscani's Sicilian background adds to the color of the drama. There are even hints of his family background being not too far removed from the wiseguys. I mentioned Nico being macho. I'd like to qualify this by saying that he's not devoid of charm and his role is less one-dimentional than one would expect. The tough-guy persona is just a facade for an individual with strong convictions and a democratic political outlook. Equally competent is Nico's partner, Delores Jackson, played candidly by the veteran Pam Grier. The main villain, the pure evil CIA doctor Zagon, is played by the veteran villain actor Henry Silva.

Don't expect any critics' choice awards for this movie, because the script does have its share of cliches. Seagal plays a cop who is on to something very big, defies higher authority and, as expected, is taken off the case - like in so many other cop movies of the genre. The outcome is predictable. You know that good is going to triumph over evil in this movie. Despite it's predictability, the plot is fresh and to a great extent realistic. Most importantly it's entertaining.

There are surprisingly bold political statements made in this movie about the dubious role played by the CIA in the affairs of many a third world country. These statements are not too far fetched and must never be underplayed when you consider the "blowback" - CIA jargon for repercussions - being felt to this day. There are far too few movies being made these days that hold the government accountable. Unfortunately it's usually the ordinary citizen who becomes the indirect victim to the follies of an agency whose modus operandii includes criminal conduct and whose agents operate "Above the Law".

The impressive and ship-shape Seagal in this movie inspires you to ditch your six-pack of beer for a six-pack of Gatorade. He inspires you to reach into your closet for your old karate uniform or gym gear and to whip yourself back into physical and mental shape. Too bad Seagal has physically floundered since then. He does have the potential to stay there. One would hope that he would take his cues from Eastwood and Bronson, both of whose careers have had them stay in shape and play lead roles well into their sixties and seventies.

First and (easily) Best Seagal Movie
Once upon a time, an ex-CIA martial arts master quit the CIA and wrote a movie with a new plot but a character that seemed a lot like the writer

Steven Seagal is best known for his action movies, in particular the parts where he does his hand to hand thing. In his case, he's an aikido expert, and that's hard to explain. Most martial arts movies talk about Kung Fu and Tae Kwan Do where people punch and kick and you can generally tell what's going on. Aikido, on the other hand, is about redirecting an opponent, making him basically want to fall down. In the movie, it looks a lot like a bad guy rushes as Seagal, he touches them with his little finger and then they decide to throw themselves in the air in ways you thought were impossible. The moves take, oh, about two seconds to perform, with Seagal's part being only about 2 microseconds. If you want to watch Seagal in classic aikido action, be prepared to pause, slow motion and rewind. It's amazing looking and absolutley bizzare (since being marveled by the movie, i have gone out and studied aikido, and it seems even more impressive, although realistic, now)

The movie's about an ex-CIA officer turned Chicago cop (and, in my opinion, an extremely unlikeable one; that macho Italian family man thing to me just looks like a dull-witted bully control freak). He runs into some old CIA friends from 'nam who are doing naughty things

This movie has a plot, and a darn good one at that. It's a very, very interesting movie, much unlike, say, all the big budget movies he did after this one. While his later movies are bad jokes, new age mantras and B-movies, this one is really, really good. There are only a realistic number of fight scenes (gosh, i wish there were more, but that would have changed it from a drama to an action film, which this really isn't), but they are wonderful

Bottom line, this movie is awesome. i don't know if Seagal wrote and directed the later films he did (he was close to a one man production company on this one), but i wish he'd turn down those big budget formula films he's been doing and go back to doing the realistic, semi-autobiographical films like this one. He's mostly considered a joke now, but when this movie came out, when he was Seagal the writer and not Seagal the action hero, he was revered, and for good reason

Seagals explodes into cinema!!!
Great score, great story, great action. This is Seagals best film next to Under Seige. Too bad he fizzeled out after a coupla good ones. Charles Bronson remains King of the genre. Check out The Mechanic and Death Wish 2 and 4....

SEAGAL'S FIRST MOVIE IS NOT TO BE MISSED!
A COP [STEVEN SEAGAL] BATTLES POLICE CORRUPTION AND DRUG DEALING. THIS WAS SEAGAL'S FIRST MOVIE. IT HAS SOME VERY GOOD ACTION SCENES. THIS IS AN ESSENTIAL MOVIE FOR ANYONE WHO LIKES TO COLLECT SEAGAL MOVIES OR ACTION MOVIES IN GENERAL. THIS MOVIE IS ALSO GOOD FOR ANOTHER THING, IT SHOWS US THE OLD STEVEN SEAGAL WHO LOOKED TOUGHER AND WAS IN BETTER SHAPE, UNLIKE TODAY.
I ADVISE ALL ACTION FANS TO ADD THIS TO THEIR COLLECTION NOW!

typical but decent
It's always fun to watch Steven Seagal beat [up] 10 people at once, then start running like a 5 year old girl. Yes this is a cheesey action movie with all the usual formulas, but Seagal seems to be a better actor than people like Chuck Norris, Vann Damme, Arnold, and Sly. His wisecracking remarks are definitely better than all the stupid one-liners in those other guys' movies. This was Seagal's first movie. If you've never seen one of his movies, this would probably be the best one to star with. Also a great supporting cast like Henry Silva (what a suprise, he's the lead villian!) Chelcie Ross (Harris from Major League) Pam Grier, Sharon Stone (she can't act, but she's okay here), and those same 2 cops that are in all the other movies filmed in Chicago. (The Fugitive, Code Of Silence, etc) ... Read more

Amazon.com

It lacks the tragic ending of The Glenn Miller Story, a smash hit released a year earlier, but this enjoyable musical biopic does a nice job of blending Benny Goodman's sweet swinging clarinet with a healthy dose of Hollywood hokum. The emphasis is on Goodman's struggle to get "hot music" into the mainstream, and his shy wooing of a socialite (Donna Reed). With Steve Allen cast as the bespectacled Goodman, there's a comic undertone to the bandleader's somewhat geeky demeanor, and Allen (a musician himself) is believable fronting the orchestra. Real-life swing figures, including Goodman Quartet players Gene Krupa, Teddy Wilson, and Lionel Hampton, lend verisimilitude. The climax comes with Goodman's legendary 1938 jazz concert at Carnegie Hall, a turning point in American popular music--and the sight of a mild-mannered man in a tuxedo leading his band through the glorious frenzy of "Sing, Sing, Sing" remains a delight. --Robert Horton ... Read more

Reviews (10)

The King Of Swing Deserves Better Than This
"The Benny Goodman Story" is a movie that is comparable to "The Babe Ruth Story"--a watered-down, fictionaliized Hollywood version of the life of an authentic American original. While some of the scenes are factually correct, they are diluted by the silly love story. While a guest on the Merv Griffin Show in the 1970s, Goodman's own reflection on the film was "Every time my wife and I see it, we laugh like Hell!"

The movie is not without its merits, however. The real value of the film is to the young aspiring musician who might have only heard of Goodman in passing. It provides a young person to be introduced to the personages of Ben Pollack, Fletcher Henderson, and to get a mere glimpse of what the Original Benny Goodman Orchestra sounded like. Just as valuable is the chance to see Gene Krupa, Teddy Wilson and Lionel Hampton on the screen, and to hear them perform with Goodman himself on the sountrack. Even in 1955, 20 years after the Goodman trio and quartet were in their heyday, their music is as timeless as ever. Hopefully, the experience will be enough to get the aspirant to pursue the real "Benny Goodman Story" via countless good historical CDs and biographies.

One last note--whoever designed the DVD cover obviously is not a student of the clarinet, as the picture of Steve Allen is backwards!

The whole family can enjoy it and the music is great.
Even if the movie is not a 100% accurate depiction of Benny Goodman's life and rise in the music world, it's a fun movie with great music. It has all the elements of a classic. You get a good story line, belivable characters, struggle, love story, and great music. There is also a bonus of some all time great musicians making cameo appearances in the music scenes. I have enjoyed watching it several times and will several more times as well. Steve Allen's part as Benny Goodman really made the movie in my opinion. Sure there is typical Hollywood fluff in the movie. Watch it anyway. It's just plain fun.

Thanks for the music
The value of this film lies not in the story but the music. The story is filled with flaws including the Carnegie Hall concert. However, there are some versions of the musical material on the soundtrack that surpasses many of the studio recorded versions available today. "One O'Clock Jump, Stompin' at the Savoy," and "Bugle Call Rag" are three that come to mind. This is where the film shines, in the musical presentation.

As one of the other reviewers stated, if you want to learn about the life of Benny Goodman, get a copy of "Swing, Swing, Swing: The Life and Times of Benny Goodman." Next get a copy of the Carnegie Hall concert and listen. The recording is noisy, but the music is amazing. Furthermore, this event elevated Jazz from popular music to an artform. 1 star for the acting and 5 stars for the music.

Thanks for the Music
The value of this film lies not in the story but the music. The story is filled with flaws including the Carnegie Hall concert. However, there are some versions of the musical material on the soundtrack that surpasses many of the studio recorded versions available today. "One O'Clock Jump, Stompin' at the Savoy," and "Bugle Call Rag" are three that come to mind. This is where the film shines, in the musical presentation.

As one of the other reviewers stated, if you want to learn about the life of Benny Goodman, get a copy of "Swing, Swing, Swing: The Life and Times of Benny Goodman." Next get a copy of the Carnegie Hall concert and listen. The recording is noisy, but the music is amazing. Furthermore, this event elevated Jazz from popular music to an artform. 1 star for the acting and 5 stars for the music.

Not bad if you ignore the silly elements.
It seems clear that the real BG is not to be found in this movie. The factual distortions are pretty extreme, even by Hollywood biopic standards. For more on the real Benny (gifted; demanding; egocentric; alternately generous and selfish; etc.), the biography "Swing, Swing, Swing" by Ross Firestone is a very good read.
Still, if not taken too seriously (and how can you take seriously a movie in which various characters keep saying "Benny, don't be that way!"?), this movie is pretty entertaining and the music (while a pale imitation of that from his glory years) is worth listening to. ... Read more

Reviews (169)

"Scuusssssseeee Me?"
Holes is a brilliant book by the fantastic Louis Sachar. Now its the utlimate book adaption and family film. Many films based on books, rarly compare, but this won me and many others over.
This movie has a fantastic cast as well. Let me start off with my favortie cast memeber. Sigourney Weaver is AWESOME as the mean spirted warden. She lights up the screen and you find yourself begging for more Sigourney. Shia LaBeouf is great at Stanley Yelnats and brings humor and heart to the screen. Patricia Arquette is great as Kissin Kate Barlow and totally embodies her perfectly. The rest of the cast I will mention in the following review.
When a famous pair of sneakers falls from the sky and lands in Stanleys hands, he finds himself in court with the decision of jail or Camp Green Lake. His family (except his mom) quickly blame this on Stanleys dirty rotten pig stealing greatgrandfather. Well, hes never been to camp so thats better than jail. He is sentenced to 18 months at Camp Green Lake to build character. Once there, he realizes he is not in any normal camp. He also finds out that there is no lake, and the place is not green. He is in the middle of the desert, and Camp Green Lake has the only water source for 100 miles. It doesnt take long, before MR.SIR (Jon Voight, who perfectly acts out this odd character) takes Stanley's bags and gives him his work clothes and his relaxation clothes and explains to him that every morning he will be required to dig one hole 5 feet deep and 5 feet wide to turn around his bad character.
The movie continues to explain how something fishy is going on at Camp Green Lake, and explains Stanley's greatgrandfathers curse, and the life of Kissin Kate.
I bought this film without seeing it and i am pleased. It is a fantastic movie for kids and adults. Its funny and extremely heart-warming. Dont miss this one.

Remains remarkably faithful to the book!
I read "Holes" several years back for a children's literature course I took in college. I highly enjoyed it! It was one of the best books I read in that class.

So when they introduced the movie, I was quite interested. Part of me was hopeful it would turn out well, the other part of me was skeptical that it would be anywhere near as good as the book. However, my fears were dashed. This movie was FABULOUS!

The story jumps back and forth a little between three different tales -- the story of Elya Yelnats, the main character's "no good, dirty-rotten, pig-stealing great-great-grandfather"; the story of Stanley Yelnats IV himself; and the story of a legendary outlaw, Kissing Kate Barlow. The three stories are interwoven quite ingeniously. In some cases, you aren't completely sure what the connection will be, but then when you find out, it fits perfectly.

The story IS slightly altered, of course, as most books-brought-to-movies tend to be. But it very much keeps the spirit of the original book. The boys are very believable -- I especially love Zero! Sigourney Weaver makes a wonderfully nasty warden. And John Voigt does a wonderful insane portrayal of Mr. Sir.

This movie will keep you laughing and curious throughout. And if you enjoyed the book, you'll like this film!

Adults can watch it with their kids and all actually enjoy!
The wildly popular novel for youngsters "Holes" gets turned into a movie that is completely in keeping with the spirit of the book.

The young cast bring to life the beloved characters at Camp Green Lake, where convicted juvenile delinquents are sent to toil in broiling Texas sun. It was great to see X-Ray, Zero, Armpit and of course Caveman brought to life. The adult parts are played by Jon Voight, Sigourney Weaver and Tim Blake Nelson, and they look like they're having a WORLD of fun playing the malicious staff at Camp Green Lake. The story is not insulting to kids, and adults can watch it and be entertained the entire length of the movie. Vignettes back at Caveman's home where Stanley Yelnats the second and third live under the curse incurred from the first Stanley Yelnats, and trips back in time where that first Stanley was cursed by European VooDoo Woman Eartha Kitt as well as the back-story around Kissin' Kate and her treasure all add to the viewing pleasure.

The DVD comes with just the right amount of supplemental features, interviews and commentaries.

Not many "children's movies" are as appropriate for all ages. Highly recommended.

if you don't like this movie - shame on you!
This is a movie for the entire family to watch and love with its humorous and clever plot, based on the hit book "Holes" by Louis Sachar, who also writes the screenplay for this. The movie is about a twelve-year-old boy named Stanley Yelnats who's family has been cursed due to his "no-good, rotten, pig of a grandfather". He's walking along the road when a fantastic pair of shoes fly out of nowhere. He thinks his luck has finally started, when he finds police chasing him and in a courtroom because those shoes were the greatest basketballer player's of all time, and it was for a charity event where the money raised would be given to homeless children. He is sent to Camp Greenlake, where once was a beautiful lake, which is now a dry and scorching desert. Deadly adventures befall him there as he makes a friendship with Zero, a mysterious, shy boy. Their adventures lead them to a hidden treasure that belongs to Stanley... If you want to findout more, watch the film!

Girls' movies are better
I liked the movie, which Stanley stole a pair of shoes that fell from the sky and landed on his head. Then he got sent to the courtroom and the judge asked him: "Your choices: Camp Green Lake or Jail?" Then Stanley decided to go to Camp Green Lake because he never been into any Camp before. Camp Green Lake is a camp for bad boys, because they're too young to go to jail. When he got sent to Camp Green Lake, he had to dig one hole each day, and each hole must be 5 feet deep and 5 feet in diameter. I think this movie is OK, but I like girls' movies better, like "The Parent Trap", "The Lizzie McGuire Movie", "What A Girl Wants". ... Read more

Reviews (18)

Best of Cult TV
A child during the era of british cult tv, I was a serious addict. As an adult, most of those shows now seem simply corny. Danger Man/Secret Agent is an exception...it's as good as I remember with nicely choreographed action and fight scenes, lots of attention to detail, intelligent acting, editing and directing, artful background music, and of course McGoohan's unique charisma and wit. No one else ever brought a secret agent character to life as well as McGoohan does in this series. I'm keeping fingers crossed that A&E and Carlton will release the remaining episodes!

The best Series of the Sixties!!
While most DVD televiewers were first exposed to Patrick McGoohan's magnetic personality with the excellent TV series "The Prisoner", most fail to realize that before it, McGoohan played in this enjoyably realistic espionage series in which McGoohan excels as the dry, cynical agent John drake. The true Bond precursor, the series brought you in a totally different "spying" environment each week, with various fascinating situations in thoroughly more credible fashion than the unavoidable Ian Flemming's cinematographic derivatives. I found that "Secret Agent/Danger Man" has stood the test of time extremely well among cult TV series. Intelligent scripts and superbly cool British actors. There are many more episodes in this long-lived series, all of which I am eagerly waiting to acquire as soon as they come out! - I secretly relish the vision of this whole series on DVD on my shelf! - An absolute must for all Sixties'TV fans!

A must for Prisoner fans
Several folks below have complained about the uneven quality of the episodes--and they're right. McGoohan himself has admitted that some are better than others. But when it's good, boy does it put other shows of the same ilk to shame. And even when it's not terribly good, it's always stylish, with a charmingly retro, nostalgic feel.

And if you really, truly want to know why Number Six resigned, watch "Yesterday's Enemies," contained in Set 1.

A wish fulfilled
... I'm the proud owner of set1 of this video which keeps
me glued to the telly whenever the video is played.The theme
music is thrilling and sets the pace for a fast paced episode.
Patrick Mcgoohan aptly fits into the title role.I could only wish
that the full 48 episodes are published and the danger man fans
have a larger collection to play over and over rather than risking damage to their cherished single set.

As good as I remember
When I first heard the theme it immediately brought back memories of watching this the first time as a relatively young child. I refer to the original theme of Danger Man - I saw these in the UK - not the truly terrible "Secret Agent Man" song that is given as a "bonus".

I was concerned that they would not stand the test of time but was pleasantly surpised. A little dated in places, they still show what good plots and great acting can produce with an obviously limited budget. They do require a certain amount of attention and mental effort by the viewer but I think that's a plus not a negative. The fact that my college age kids watch them and think they are pretty good is a tribute to their quality.

These truly represent a time when British commercial televsion was producing top quality programs. Highly recommended. ... Read more

Reviews (11)

MC Gusto Rules!
While on a hiatus from his long stint on Saturday Night Live, comedian Chris Rock took time to write and star in this film spoofing the world of gangster rap and hip hop. Directed by Tamra Davis ("Billy Madison"; "Half Baked"), "CB4" stars Chris Rock as Albert Brown, a young African-American guy living in Locash, California who dreams of making it big as a major rap star. With his friends, Euripides (Allen Payne of "Jason's Lyric") and Stabmaster Arson (Deezer D), Albert sets his sights on landing a contract with mega produced Trustus Jones.

However, trouble comes along when Gusto (played by Eddie Murphy's brother, Charlie Murphy), the owner of the most popular club is arrested in a drug transaction that Albert witnessed (Gusto believes he was an informer). With Gusto out for revenge on Albert, Albert decides to take advantage of Gusto's name and personality and create the biggest, baddest rap group of all time-- CB4 (short for Cell Block 4).

Throughout the film, the band faces challenges to their freedom of speech, problems in their love lives, band disunity, and a reconnection with their African roots. With a variety of jokes primarily targeted for urban minorities, CB4 will have you rolling on the floor laughing.

Also starring in the film is the late Phil Hartman who plays a California conservative politician bent on destroying CB4. Khandi Alexander (television's "Talk Radio," which also had Hartman as a cast member) is hysterical as the hip hop groupie Sissy who is a "businesswoman" due to her get rich scheme of capturing rap stars in embarrassing Polaroid shots and blackmailing them.

Chris Rock has sure come a long way from his days on Saturday Night Live. "CB4" was his first starring role, and after watching this film you'll see why he is one of the funniest comics alive today. "CB4" is to rap music as "This is Spinal Tap" was to rock. It's funny to the last minute.

M.C. Gusto Rules!
While on a hiatus from his long stint on Saturday Night Live, comedian Chris Rock took time to write and star in this film spoofing the world of gangster rap and hip hop. Directed by Tamra Davis ("Billy Madison"; "Half Baked"), "CB4" stars Chris Rock as Albert Brown, a young African-American guy living in Locash, California who dreams of making it big as a major rap star. With his friends, Euripides (Allen Payne of "Jason's Lyric") and Stabmaster Arson (Deezer D), Albert sets his sights on landing a contract with mega produced Trustus Jones.

However, trouble comes along when Gusto (played by Eddie Murphy's brother, Charlie Murphy), the owner of the most popular club is arrested in a drug transaction that Albert witnessed (Gusto believes he was an informer). With Gusto out for revenge on Albert, Albert decides to take advantage of Gusto's name and personality and create the biggest, baddest rap group of all time-- CB4 (short for Cell Block 4).

Throughout the film, the band faces challenges to their freedom of speech, problems in their love lives, band disunity, and a reconnection with their African roots. With a variety of jokes primarily targeted for urban minorities, CB4 will have you rolling on the floor laughing.

Also starring in the film is the late Phil Hartman who plays a California conservative politician bent on destroying CB4. Khandi Alexander (television's "Talk Radio," which also had Hartman as a cast member) is hysterical as the hip hop groupie Sissy who is a "businesswoman" due to her get rich scheme of capturing rap stars in embarrassing Polaroid shots and blackmailing them.

Chris Rock has sure come a long way from his days on Saturday Night Live. "CB4" was his first starring role, and after watching this film you'll see why he is one of the funniest comics alive today. "CB4" is to rap music as "This is Spinal Tap" was to rock. It's funny to the last minute.

Funny......
I'm usually not a big fan of most SNL comedians movies, this one kept me laughing. A few middle-class black young men who dreams of making it big. Pulls off becoming famous as portraying thugs turned rappers. Good movie!

one of the funniest spoofs
OMG this movie is soooooo dammmmmm funny, If you wanna see something that will make you roll on the floor, then this is a must. One of Chris Rocks best performances, plus the sound track is funny. Another movie to check out is FEAR OF A BLACK HAT.

Fine Spoof of a deserving target
The crudity and ignorance of so-called "gangsta rap" is such a self-caricature that it would almost seem redundant to spoof the genre, but Chris Rock and co. effectvely manage to do this with success. The "LoCash Crew's" foolishness and stupidity could easily be mistaken for a real rap documentary. However, I really liked the scene here Chris Rock's father lays down the law about this mockery of ghetto life, which really is not funny at all. I wish some real rappers (some who appeared in this film) would have gotten the point!! The late Eazy (Eric Wright) E, who deserves the blame for inventing this garbage-filled genre and whom this film is largely based on, appears in a cameo. ... Read more

Reviews (95)

Not a good DVD, but a Good Arnold flick
The Running Man tells of a future world where convicted fellons are put on a game show "The Running Man" and are placed in arenas along with psychotic stalkers who are there to kill these guys in record time all for the entertainment of the American people.
The film is great but not perfect. I love the way the film portrays society, as basically a bunch of mindless and gullable media slaves. Which some would argue is true for our society today, where we believe everything served to us on television and radio, not considering that maybe the people behind these stories are money hungry, heartless liars. It was almost like a future version of the Roman Empire, where upper class Romans found the most violent and bloody sport with slaves getting butchered in an arena as pure entertainment. This film uses the likes of rich corporate adults as the shows mainstream audience loving fellons get butchered the same way.
The films special effects are ahead of its time, with believable gore and movie props like futuristic cars and buildings.
Richard Dawson is great as the gameshow's host, as a lovable teddy bear on screen, and a greedy, self-involved liar backstage. The remaining cast do thier jobs well, although they could have found more talented actors. Arnold is Arnold, without him, this movie wouldn't have the box-office appeal that it did, nor would it have the appeal on todays audience that it did. And even though his one liners after each death border on stupidity in this film (with a lot of the other dialogue), his Arnoldness simply makes up for it.
This movie was a great and unique idea and it was executed just fine, I own this dvd and like it a lot. Although, giving us simply a trailer as an extra simply sucks. I wouldve like to hear some commentary on it at least. Oh well...

Mediocre, but strangely likable and memorable 3.,5 stars
It's the future, and the world is in a violent, poverty-stricken mess. The biggest entertainment around is . . . a reality show. A very brutal reality show. Convicted criminals become contestants in a game-show where they either get killed as they run a gauntlet against a bunch of thugs, or they survive and get to move to Hawaii.

Arnold Schwarzenegger plays a man wrongly convicted of a crime and chosen as a contestant in the lovely game-show described above. Of course, Ahnold can't take that lying down, so he proceeds to not only survive, but try to break this ugly set-up. Richard Dawson plays the host of the show, which is broadcast everywhere, and hams up it to perfection, as the ultimate it's-all-about-ratings smarmy egotist-with-a-smile.

I didn't like the repetitiveness at times of the action scenes, nor the bad, cheap settings somewhat hidden by bad lighting. I did like the general sense of tension created, as well as Arnold's genuine good-guy versus Dawson's completely-fake bad-guy. Not a movie to rave about, but fun to watch if you don't have much else to do.

Perhaps more topical now
While in 1987 this may have been simply another action star for Governor-to-be Schwarzenegger, viewed today this film offers more layers of meaning.

"The Running Man" is a reality show in which criminals are forced to run from bounty hunter-types who are given WWF wrestling style introductions and use a myriad of weapons to kill their prey. The audience cheers and boos mercilessly as the real-life people meet tragic ends. Seen today in the era of "Survivor" and "Fear Factor," among other reality shows, this movie offers much in the way of questioning the direction of such television. Is this the direction reality TV is going? Also good for a look at mass media and people's belief in what is told to them.

The movie is what it is. Fist-pumping commando, guns and heavy artillery. Schwarzenegger is wrongly framed for a crime he didn't commit and made a criminal in this Orwellian society in which the mass media is everything. He's forced into The Running Man world. There's some throw-away jokey lines after disposing of the heavy villains, but the real treat is watching real-life game show host Richard Dawson playing the slimy, evil host of The Running Man - the real villain in this movie full of larger-than-life killers.

Read the book instead
I read the book by Stephen King and I loved it! This movie is NOTHING like the book. The basic plot (and I mean VERY basic) is the same, but the events that take place aren't even close. I'm sorry I wasted my time with this sad excuse for a movie. I was very disappointed and I recommend to everyone READ THE BOOK INSTEAD!

Another great piece of 80s Arnie action megacheese!
Although I don't consider 'The Running Man' to be one of Arnie's best bits of action fare, it does have more than its fair share of those silly cheeseball moments that I ofttimes crave. I especially enjoy the part where our hero and his fellow contestants/captors take out the first obstacle: Sub-Zero, a deadly blade-wielding hockey goalie who looks a lot like that Odd Job guy. His referring to the late SubZero as "Now, just PLAIN zero!" is a prime example of bad action one liners at their best (worst?)!

Then there's Richard Dawson as the main heavy: a futuristic game-show host with all of the fake glee and smarmy oiliness you can bear! He also gives the best rebuttal to our hero's famous "I'll be back!" here, so be on the lookout for it! And not to go off on a tangent, but does anybody out there imagine how 'The Running Man' would've looked like had present 'Family Feud' host Louie Anderson played Killian, or am I the only one? Um... anyone? A little help here...?

Oh yeah, let's not forget future Minny guv Jesse Ventura as one of the game announcer/enforcers. His raucous, obnoxious blather and uber-macho posturing really adds a pro-wrestling feel to the competition as it unfolds! You'll definitely be feeling Minnesota (or is it FLEEing Minnesota?) after watchin' "The Mind's" performance here!
All in all, 'The Running Man' is one enjoyable waste of an hour-and-a-half for all you testosterone-driven action megacheese buffs out there!

As for the Special Edition extra features: Along with the usual director/producer commentary tracks-- both of which I bailed out on after the first fifteen minutes because they were so inane and uninteresting-- and such are a couple documentaries dealing with the movie's subject matter. The first is a half-hour-long talk about Constitutional rights and freedoms following the 9/11 attacks and the passing of the Patriot Act, and the other dealing with reality TV shows. I found both reasonably informative, although the former show had some of creepiest-looking interviewees I've ever seen in a documentary. Both of these were included to reflect the movie's central "duel-to-the-death-game-show" premise and dystopian backdrop, as well as its 'prediction-of-the-future'-style prescience. Personally, I think they're giving this over-the-top actioner a bit too much credit in being a mind-opening mirror of modern society. I mean, let's face facts: since when has the term "high-concept" and Arnold Schwarzenegger gone together in a movie? Is that the smell of overheating brain matter from you pondering my question that I'm smelling, or is it just me?

'Late ... Read more

Description

Episodes: "Night of the Meek" (Ep. 47, December 23, 1960) - Christmas in the Twilight Zone. Art Carney is a forlorn department store Santa who takes to drinking--only to find himself experiencing the nicest Christmas ever! "The Invaders" (Ep. 51, January 27, 1961) - A flying saucer lands in the attic of an isolated house inhabited by an impoverished woman--who soon becomes panic-stricken as tiny spacemen begin to stalk her! "Nothing in the Dark" (Ep. 81, January 5, 1962) - An old woman has fought with death a thousand times and has always won. But now she finds herself afraid to let a wounded policeman (Robert Redford) in her door for fear he is Mr. Death. Is he? ... Read more

Reviews (15)

Superb performances from great actors in "The Twilight Zone"
Volume 1 of "The Twilight Zone" presents a trio of classic episodes where the performances by the actors are as memorable as the stories with their infamous Twilight Zone twists. "The Invaders" is a tour de force performance by Agnes Moorhead in an episode written by Richard Matheson. Moorhead plays a woman living alone in a farmhouse who finds that a miniature flying saucer has landed on her roof. The woman has to fight against the strange tiny invaders with their advanced technology. But then remember, this is the Twilight Zone. "Night of the Meek," written by Rod Serling, finds poor Henry Corwin (Art Carney), a department store Santa who shows up drunk on Christmas Eve and is fired. Wandering the streets, he discovers a magic bag that can dispense any gift he asks for. Definitely a seasonal message from Serling and directed by Jack Smight, with John Fielder and Burt Mustin in the cast. "Nothing in the Dark," written by George Clayton Johnson, offers Gladys Cooper as Wanda Dunn as an old woman who has barricaded herself in her basement apartment for years, fearing that Mr. Death with kill her with a touch. Wanda knows that Death can take many disguises. But despite her fears, when Harold Beldon, a young policeman is shot outside her door, she drags him inside. Of course, the fact Beldon is played by Robert Redford might have something to do with her letting her guard down. This DVD includes "Inside The Twilight Zone", with information on Rod Serling, a history of the series, reviews of each episode, cast information and a season-by-season commentary. Not a bad first disc, but there is much better to come. However, you will not find a better trio of performances than you find here with Moorhead, Carney and Cooper.

Santa, Twist Endings and more are Just the Beginning
Indelible episodes, NOTHING IN THE DARK and THE INVADERS have to be two of the most viewed stories from "The Twilight Zone." Gladys Cooper and Robert Redford give very credible performances in this story of 'Mister Death' knocking at the door penned by George Clayton Johnson. THE INVADERS is a classic episode in the true sense of "The Twilight Zone." Richard Matheson wrote a memorable story and Agnes Moorehead gave one of the greatest visual acting jobs of all time. Alfred Hitchcock would probably call this episode an example of 'pure cinema.' NIGHT OF THE MEEK is a great Christmas holiday episode. Art Carney plays a drunken department store Santa who comes across a magical Santa's sack that generates gifts for those that are needy. Filmed directly to videotape and written with great warmth by Rod Serling this is one of the best and loved episodes. This is a good cross-section of shows from this series.

Awsome series!
Wow, I just watched these episodes and I was impressed. Very entertaining. I'll do a review for each episode.

Night of the Meek- This is a great Christmas episode, even though it was october when I saw it. (***)

The Invaders- When I first saw this, it really creeped me out. I was even screaming! There was a wonderful twist at the end. (***)

Nothing in the Dark- This is another one that gave me the creeps. Death comes walking up to your door. Probably the best one on the disk. (****)

The first and best of Science Fiction Television
First collection of shows from the 1959 to 1964 TV anthology by Rod Serling, which showcases both great acting and outstanding writing done by both Serling and frequent writer contributors like Richard Matheson and Charles Beaumont. Show put acting and writing ahead of any fancy special effect shots or cheap creature make-up work done (which is so commen on certain shows and films shown on a cable network today that shall remain nameless). Great first edition for anyone who likes the best of what television can offer.

Enter the 5th dimension....
Besides the TV Plays that you will buy this for, there are some DVD goodies (extras.):
Special "Inside the Twilight Zone" Section Written by Marc Scott Zicree
Biographical info on Rod Sterling
History of the Twilight Zone
Cast information
A season-by Season commentary

They claim to be digitally re-mastered yet there are still a few glitches and snow.

Episode 47 "Night of the Meek" December 23, 1961

As with short TV plays there is not real time for a buildup. Art Carney is an out of work person that plays Santa Claus. Because of his disappointment in life he indulges in libations. This leads to his dismissal as a store Santa. I will say not more as you are about to enter the twilight Zone.
Things had to move fast as there was only a half hour to complete the story.

Episode 51 "The Invaders" January 5, 1961

Agnes Moorhead is a woman living alone in an old farmhouse without any conveniences such as electricity. She is preparing supper when she hears a mysterious sound. Something appears to have hit the roof. She goes to investigate. I will say not more as you are about to enter the twilight Zone.
This episode thought well played seems to drag a bit as the woman is spending a lot of time searching around and licking her wounds. She says little (ok nothing) but conveys her part well. See Agnes Moorhead again when she has a lot to say in the movie "Dark Passage."

Episode 81"Nothing in the Dark" January 5, 1962

Long After the movie "Death takes a Holiday", in this episode death (Robert Redford) takes on the appearance of a wounded police officer.
Gladys Cooper plays an old woman afraid of Death. More than the scenario, of which we all know the eventual outcome, is the interaction between the two characters. ... Read more

Reviews (9)

Steeds breaks in a new partner - Tara makes her debut
In the first episodes of 1968, Steed's new partner Tara King is introduced. Beautiful and athletic, yet less able than her predecessors, Tara is nonetheless a suitable replacement. But, let's face it, no one will ever be able to replace Emma Peel. Any way, Steed and King are a delightful pair, sharing a closer relationship than the others, battling masterminds and supervillians, doing it in style, and always being fashionable. These six episodes are good, four being average, and only two being truly great, in my opinion.

In volume one we have the delightful escapade that is "Game", and the outdorsey caper "Super Secret Cypher Snatch". Both of these episodes are winners, for me anyway. In "Game", an escaped lunatic seeks revenge on the men who put him away, one of them being Steed. It's one of my favorite Tara King episodes. The delightfully, if not disturbingly, inexplicable deaths, the wonderful Steed/Tara interplay, that wonderful end battle, and the ever diabolical Peter Jeffrey as Bristow. While it's a bit predictable, and slightly unoriginal, "Game" remains a dear favorite. "Super Secret Cypher Snatch" in which window cleaners are involved in the leaking of secrets, is not as good as "Game", but I still like it. Marvelously directed and acted, it has all the elements needed to make a great episode, with the added affect of some truly wonderful sets. Both are highly reccomended and are worth the price alone of this set.

In volume two, we have "You'll Catch Your Death" and "Split!". In "You'll Catch Your Death", doctors are being killed by a madman who's created the ultimate in cold viruses, to be sold to the highest bidder (naturally). It's just an average episode; not bad, but not great either. It has its fair share of continuity errors (all the victim's sneezes are the same) and not everything makes sense. It's actually rather straigtforward, but the premise is interesting and Mother has a wonderful set. "Split" is better, but not much, as ministry agents find that they have a murderous split personaltiy. I rather like it. While it's rather dark, towards the end its almost outrageous, as the baddies attempt to inject part of a madman's mind into Tara's. Predictable, but still enjoyable with alot of familiar faces. Save for a wonderful scene where Steed puts "away" a hospital receptionist and enjoys himself doing it. Also, look for Christopher Benjamin, who gives a delightfully "Wemarkable" performance.

And last but not least, there's "Whoever Shot Poor George Oblique Stroke XR40" and "False Witness" in volume three. Their titles might be misleading, as you might think "Woever..." would be delighfully over-the-top, but it's actually a bit more stupid than funny. "False Witness" is much better, and alot funnier, even though it may not sound like it. In "Whoever...", a super computer is actually shot, and then operated on, as things get a little to silly. It's nonetheless enjoyable, and Linda Thorson is great as Pelly's niece, pulling off a fine American accent . In the hilarious "False Witness", agents are drugged and say the exact opposite of eveything, without knowing they're doing it. It may not sound interesting, but trust me, the whole thing is side-spltting. Leads to a wonderful scene where Steed drugs all the baddies with humorous results, then rescues a drugged Tara who lovingly admitts "I really do hate you Steed."

All in all, these episodes are all good, and none of them are really bad. But you may no think so, as I happpen to like Tara King. But, I'll admit, she does lack Emma's panache, but makes up for it with her wackiness. So if you don't like Tara King, don't bother. But if your in the mood for some good, light, fantsy land sluething, these episodes are just the ticket!

Tara Gets Here Due
If you fondly remember that great British import that we watched on TV way back in the 60s then you no doubt know about the content of what you are getting. You know you are getting the best in that department. You are more likely concerned about the quality of the product. Like John might say to Tara, "You scratch my back and I'll scratch your back. Just watch the hat please." At last now, John and Tara are back and are here to stay on DVD. The Tara King episodes were excellent, being well scripted, thought out and well acted. More appropriately one may ask how they look. They look good, very good, excellent in fact. Tara would have it no other way.

Holds Its Own in Relation to the Mrs. Peel Set.
As some of you who have read other reviews that I have done for The Avengers series and I'll say it again... Being a new fan in terms of seeing the movie, see my review, I became interested in the show.

Now granted Mrs. Peel was beautiful and had class and brains, and Blackman had curves and brains also, yet most people over look Tara King. She did have very good wits and great intellect.

When I first bought this set I thought I was wasting my money, but I was wrong. This volume is pretty good. The firt two episodes are hard to get use to the idea of Steed working with someone else other than Peel, yet after that you warm up to the idea nicely. She adds a new spark to the show and a something... I don't know what, as the French would say. The transfer of the shows is not bad although A&E should have made another master copy and given some better color job or sharpened the picture. Yet those are just small complaints. Steed and King do work well together and they do have chemistry which does make watching the show more enjoyable.

Tara King provided a spark we all knew would flame
Let's be honest. It was a little frustrating watching the playful antics of Steed and Mrs Peel, knowing that all that would ever happen would be a respectful peck on the cheek or a cordial hug. Enter Tara King, Steed's last partner. She is a Peel-in-training, only a little younger and a lot more in love with John Steed. Of course we know that nothing overt would ever happen between the two. It's just nice to know that when the credits roll the two might actually kiss on the lips. Linda Thorson is absolutely terrific as Steed's sidekick. She is athletic, fearless and determined. The '68 episodes were constructed with the same care and attention as the Rigg episodes and they are a pleasure to watch. If you think Mrs Peel was the only game in town, check out Tara King. She is a gas.

Superb episodes but...
For those new to The Avengers, ignore all the bad press that the delectable Tara King gets. Sure Emma Peel was sublime, and Cathy Gale was right on. But Tara King was also top notch, as were most of her episodes. Wherever you go on the web you will find Tara's episodes variously panned. Tish and pish! They are some of the most interesting, quirky and truly '60's' episodes of ANY television show ever.

Let me first state that the high rating of five stars relates to the greatness of the episodes, which is mainly the point of these reviews. Sadly the quality of these so-called 'digitally remastered' episodes by A&E is worse than bad.

Unfortunately the picture quality of my A&E DVD release of these magnificent episodes is passable at best. Now given the mass production method used in manufacturing these things I do not accept that only my copy is dodgy and I assume that the VHS releases are similarly affected. In particular, the episode on vol 1 of this set, "You'll Catch Your Death" is so poorly remastered as to be distracting. The brightness is shocking and the screen flickers with the old stains and blemishes I can only assume remain on the original film stock. Why haven't they been removed? Come on A&E (and Canal+ in France) get it together! There are many fans out there that expect better and will pay for it. Don't sell us short.

If you want truly good remastered episodes, I suggest you try and find the (now deleted) 1990's Lumiere releases on VHS. I know its an increasingly unpopular format, but faced with the abysmal quality of the A&E releases, it's worth the hunt believe me. I have several and they are excellent.

Sorry A&E but you should know better than that. ... Read more

Description

Serving together in the Persian Gulf War, Captain Bennett Marco and Sgt. Raymond Shaw were part of a platoon of soldiers kidnapped and brainwashed. Ten years later, Shaw gears up for his vice presidential campaign while Marco eventually remembers being kidnapped and discovers Shaw's powerful mother played a big part in that scheme. Determined to reveal the truth behind everything, Marco must first convince Shaw that the brainwashing really happened. ... Read more

Reviews (22)

EXCELLENT Film / DVD Good (Better than Video)
This is an outstanding movie for many reasons. For cinema fans only familiar with the "rat pack", this Frankie may be an eye opener. YOUNG AT HEART (1954) is a showcase for Frank Sinatra's excellent acting. He is intense, focused & nuanced, becoming one with "Barney Sloan," a gifted musician suffering through multiple "bad breaks" since birth & sorely lacking confidence.

Doris Day also brings much to this classic with a very moving performance. She is warm, lovely & upbeat as the woman of Sinatra's dreams, & so expressive in her eyes! The chemistry between these two actors grows with their characters' relationship; they share a number of memorable scenes together. They are surrounded by a very good supporting cast, especially Gig Young & Ethel Barrymore.

This is a romantic drama with superb singing. Doris & Frank's duet together is "You, My Love", which is a personal favorite. Ms. Day delivers several 50's pop songs beautifully. Frank makes his impact here as the saloon singer, with brilliant, moving renditions of "Someone to Watch Over Me," "One for My Baby," & "Just One of Those Things."

Initially, this film is light-hearted & glossy - until Barney Sloan arrives. There are multiple issues that his character brings to the surface such as: "destiny" & the strength of the human will, the pain of loneliness, the power of hope, life-changing experiences, & recognizing "love".

It's worth noting that the forty-eight year old YOUNG AT HEART was actually a re-make of a 1938 mega-hit "Four Daughters", & carries over some of its plot contrivances. . Don't let this bog you down. This little gem rises above it.

In my opinion, the DVD is a visual improvement over the fuzzy video. Having both the Video / 40th anniversary edition & now the DVD, I've watched each, sometimes scene by scene, to compare, both on the same television. This video has the same small scratches, circles / spots that can be viewed on the DVD; note the gingerbread scene in the kitchen. The DVD's Major Plus: visual details, such as skin & facial features, are improved: Doris' cute freckles are back; thankfully, the character "Amy" no longer has a blackened tooth when she is tying Gig Young' s tie (as seen in Video); and Frank's face shows some scars in close ups, a realistic touch for his character. Actually, the DVD's visuals, preceeding the film, are quite beautiful! The DVD is reasonably priced, although I would have been willing to pay a little more for some extras, such as behind the scenes photos... Now if the film preservationists could help restore the original negative of this classic movie, that would be wonderful. YOUNG AT HEART deserves it -- How about it , AMC? .

TOTALLY ROMANTIC AND GREAT MUSIC
Sinatra's portrayal of Barney Sloane (who is one of my all-time favorite characters in movies) is what really MAKES this film great. It's gritty, his acting is seamless - this film has some of his best acting ever. In fact, there IS no Frank Sinatra in this film, only Barney Sloane - I was totally engrossed in the character and he made me forget he was Frank Sinatra - now THAT's acting! Also, Doris Day is at her absolute best in this film. The chemistry between her and Frank is so much more exciting to watch than her work with Rock Hudson, who is like cardboard compared to Doris and Frank together. Great songs from Doris, and an absolutely PERFECT selection of songs by Frank. This film is sad, joyful, but most of all, ROMANTIC. Highly recommended if you want to feel your Heart!

Great Tear Jerker
This movie features Frank Sinatra in a rare very moral dramatic role. He is a sad low person who meets the ever beautiful Doris Day. Well she falls in love with his boss the ever impressive Gig Young. But then one day she finds out that her older sister has a crush on Gig. So she marries Frank. Well their married live is full of hardships and depression. And poverty. But when they have a baby at the end of the movie Franks outlook on life changes and he becomes cheerful once again. Great tearjerker. Catch Frank singing the title song Young At Heart!

Doris Day must choose Gig Young or Frank Sinatra.
Doris Day plays "Laurie", one of three daughters who live with Pop (Robert Keith) and his sister, Aunt Jessie (Ethel Barrymore) who keep the young ladies in line. Fran (Dorothy malone) just got engaged to Alan Hale Jr. (Gilligan's Island). Laurie and Amy (Elizabeth Fraser) make a deal to have a double wedding when they finally find the right guys or end up as old maids. Laurie has a new beau, Gig Young. Then Gig Young hires Frank Sinatra, a traveling piano player, to write music for him. Doris meets Frank in the family house and is sweet to him. One day, Gig Young professes his love to Laurie and they decide to get married. However, Amy secretly had feelings for Gig Young and Frank Sinatra had some feelings for Laurie. Frank tells Laurie, "Sometimes when you're on the outside looking in, you see some things other people can't". Things are about to change and not to as orginally planned. If you have not seen this one before, it's a real soap opeara doozy! Great set of a neighborhood and family house.

Never too Young!!
YOUNG AT HEART is a decent melodrama intersped with a couple of musical numbers featuring the musical talents of Doris Day and Frank Sinatra. Doris Day's numbers are light and upbeat and Frank Sinatra plays meloncholy blues (as a 'piano man' at bar dives, i.e "One For my Baby-One More for the Road"). The only time they actually sing together is a duet near the end of the picture but its worth the wait because its a great song and a great performance. However, the dramatic scenes they share are just as good as Day and Sinatra have good onscreen chemistry. Its a shame they only made this one film together because they were good friends professionally off screen as well. Day/Laurie Tuttle is one of three musical prodigy daughters to Gregory Tuttle (Robert Keith -Lt. Brannigan in GUYS AND DOLLS). A songwiter, Alex Burke (Gig Young-THEY SHOOT HORSES, DON'T THEY?)charms his way into the family home becoming a border to get inspiration to writing a musical. He becomes the object of affection to the three daughters, but is smitten with Laura immediately. However, when he brings in a piano player, Barney Sloan (Sinatra) to help out, Laura falls for his low self-esteemed but talented musician personality. Sinatra gives a very low-key understated performance as the angry (thinks-he-has-no-talent) piano player and Day is as good as always. The rest of the film is a little predictable, but entertaining and engrossing nontheless as love triangle(s) and misunderstandings arise as part of the drama. Gig Young's character and performance as the charming good guy and lovable songwriter is a bright spot in the film but it is slightly overshadowed by magnitude and presence of the two lead performers. All together, a film with a palusible melodrama plot, great songs, and most notable for the one time pairing of Day and Sinatra who have great on screen presence together. Lastly an overlooked performance by Gig Young. Note: Look for Alan Hale, Jr. (The Skipper of Gilligan's Island)in a supporting role and also,the great Ethel Barrymore (Grand aunt of Drew) as Aunt Jessie. ... Read more

Description

In VOLUME EIGHT, watch as Lucy gets chased by the masked Ramon in "Cuban Pals," gets locked up in "The Freezer," gets drunk on Vitameatavegamin in "Lucy Does A TV Commercial" and poses as the Maharincess of Franistan in "Publicity Agent." ... Read more

Reviews (5)

All you need to know: This is the one with Vitametavegamin
Volume 8 of Season One of "I Love Lucy" on DVD includes what has been universally recognized as the funniest episode of the classical sitcom. Need a clue? How about one word: Vitameatavegamin (and it's tasty too!). Even without that biggie the other three episodes by writers Jess Oppenheimer, Madelyn Pugh, and Bob Carroll, Jr. are way above average as well:

Episode 28, "Cuban Pals" (April 21, 1952) finds Lucy insanely jealous about the gorgeous Latin dancer (Rita Convy) who was Ricky's dancing partner back in Cuba. Whatever will the redhead do about this floozy?

Episode 29, "The Freezer" (April 28, 1952) contains another classic "I Love Lucy" sight gag. Lucy and Ethel have a new walk-in freezer that is not as big as think. As a result, the girls have to go into the meat business. Meanwhile, there is that walk-in freezer with a lock on teh door and that can only mean one thing with Lucy around.

Episode 30, "Lucy Does a TV Commercial" (May 5, 1952) is an absolute classic. Lucy has been trying to get into showbusiness and she may have finally found her opportunity as a TV pitchwoman for Vitametavegamin, a cure-all tonic (that is only 23 percent alcohol). What is interesting is that Lucy is pretty good when she starts practicing. But with each rehersal using the actual product she descends into a drunken stupor and ascends to the heights of hilarity. Note: Lucy appeared in the 1946 MGM movie "Ziegfeld Follies," in which Red Skelton did a burlesque routine in which he was peddling a product called Guzzler's Gin. Whether this was indeed the inspiration for this "I Love Lucy" episode or not, it indicates the Lucille Ball's gift was not in originality but in performance.

Episode 31, "The Publicity Agent" (May 12, 1952) has Lucy "helping" Ricky's career by posing as a Middle Eastern princess who is Ricky Ricardo's biggest fan. Of course, no publicity stunt by Lucy goes unpunished.

During the first season of "I Love Lucy" in 1951-52 the show had a Nielsen rating of 50.9, which means on Monday nights literatlly half the television sets in the United States were on and tuned to CBS at 9:00 p.m. (and the show only finished THIRD in the ratings). However, the next year the show would make it to the top spot in the Nielsens with a rating of 67.3 as Lucy, both the actress and the character, gave birth. Today you can take the ratings from the four main networks and probably throw the two minor ones into the mix and still not come close to that number during any hour of the week. This is why there is "I Love Lucy" and then the rest.

Vitameatavegamin and Some Other Laughs
The eighth volume of season one brings us one of the best known and loved episodes of I Love Lucy. But there are four episodes on this disc, all of which are great.

"Cuban Pals" gives Lucy and us a chance to meet some of Ricky's old friends. But when one of them turns out to be cuter then Lucy is comfortable with, she gets a visit from the green-eyed monster.

In "The Freezer," the gals get in over their head buying meat for a new basement freezer.

When "Lucy Does a TV Commercial," she gets much more then she bargained for when the product turns out to be alcoholic. While I normally don't enjoy people acting drunk, this episode kills me every time I see it. It's a classic for a reason.

Finally, we get "The Publicity Agent." This one finds Lucy pretending to be the Maharincess of Franistan to give Ricky some much needed publicity.

This DVD is a collector's dream. The episodes are presented in their entirety, and they look and sound sharp. There are occasional flaws in the picture, but considering the source material is 50 years old, it really isn't bad at all. The sound is presented in mono. While it won't challenge your sound system, it serves the purpose well and is faithful to the original audio recording. The extras include the now familiar guest cast info, original opening, mistakes, and episode of "My Favorite Husband." It also features an excerpt from Jess Oppenheimer's books about the creation of "The Freezer" and "Lucy Does a TV Commercial."

I Love Lucy is a classic TV show, and this disc features a classic episode. Not only will fans of Lucy want this disc, so will anyone who loves all time classic TV.

"Hello friends! I'm your Vitametavegamin girl!"
I was very happy to see the release of DVD Volume 8 containing 4 more episodes from the first season of the classic television series "I Love Lucy", which aired on television for six seasons between 1951 and 1957. Lucy Esmeralda MacGillicuddy Ricardo (Lucille Ball), Ricky Ricardo (Desi Arnaz), Ethel Mae Roberta Louise Potter Mertz (Vivian Vance) and Fred Mertz (William Frawley) have more hilarious hijinx occur in the four episodes presented in thid DVD:

Episode 28: "Cuban Pals" (April 21, 1952). Lucy and Ricky are visited by two of Ricky's Cuban friends (Alberto Morin and Rita Convy), as well as a dancer named Renita Perez (Lita Baron), whom Ricky used to perform with when she was a little girl. Lucy's jealousy of Renita leads to some classic hijinx at the night club.

Episode 29: "The Freezer" (April 28, 1952). Lucy and Ethel want to save money by getting a freezer to store a lot of meat that they could purchase wholesale. Ethel can get a freezer essentially for free from a relative, so Lucy orders some meat; but it's a bit more meat than Lucy & Ethel realize when three delivery men arrive (Frank Sully and Bennett Green). After they try to sell some of the excess meat, Lucy learns the true meaning of popsickle. Fred Aldrich played the butcher.

Episode 30: "Lucy Does a TV Commercial" (May 5, 1952). This is one of the best known and most beloved episodes of all time. In this episode, Lucy finagles her way into doing a TV commercial during a show that Ricky has been invited to perform in. The TV commercial is for that well-known elixir, Vitametavegamin; but the director (Ross Elliott) and Joe (Jerry Hausner) fail to mention that it has a lot of alcohol in it. After several takes, Lucy gets a bit tipsy.

Episode 31: "The Publicity Agent" (May 12, 1952). Concerned that Ricky isn't getting enough publicity, Lucy poses as a princess from the fictional country of Franistan who has travelled to NYC just to hear Ricky sing. Ethel poses as her consort. Peter Leeds, Bennett Green, Richard J. Reeves and Gil Herman guest star in this episode.

If you are debating whether to purchase any of the episodes on DVD, you won't be disappointed if you are a long-time fan of "I Love Lucy". As with the other seven volumes released so far, picture quality of the episodes is superb; and being able to watch the episodes uninterrupted and uncut is fantastic. I rate these 4 classic episodes with 5 out of 5 stars!

Lucy samples Vitameatavegamin and dances the rumba!
I LOVE LUCY continues on DVD with this 8th volume of episodes from the historic first season.

"Cuban Pals" - Lucy is delighted to meet a troupe of Cuban performers, touring through America, who are old friends of Ricky's. But when she discovers that the beautiful, lithsome dancer Renita Perez will be dancing with Ricky, Lucy sets out to replace her as the "Lady in Red", with hilarious results...

"The Freezer" - Lucy and Ethel decide to buy a freezer, stocking it with more meat than they can eat...or pay for! But with Lucy's brush with the meat 'black-market' turning into a dismal failure, the girls have to go home and face the boys...

"Lucy Does a TV Commercial" - Lucy decides to appear on Ricky's new television special, advertising a rather-suspicious health tonic called Vitameatavegamin. The tonic is largely made of alcohol, and Lucy bombs (and gets bombed) as she samples the elixer during multiple "takes"!

"The Publicity Agent" - Ricky's career is in the doldrums, so Lucy decides to shake things up in the press by masquerading as the 'Maharincess of Franistan', who has come to America just to hear Ricky singing in his club!

Starring Lucille Ball, Desi Arnaz, Vivian Vance and William Frawley. The DVD includes restored elements, special footage, a bonus episode of the "My Favorite Husband" radio show, flubs, guest-cast information and audio supplements. (Single-sided, single-layer disc).

The Queen of Comedy on DVD.
The eighth volume of I Love Lucy's first season contains episodes 28-31, which feature some of the show's best moments, like Lucy getting locked in a freezer, dressing up as foreign royalty and doing a commercial for Vitameatavegamin. Although, like I've said before, I wish they would release season-by-season DVDs, this is still a must have collection. Lucy's brand of humor and physical gags transcends time and it shows, like always, on this set. And who doesn't love Lucy?

1. "Cuban Pals" (aired 4/21/52)- When Carlos and Maria, old friends of Ricky's from Cuba, come for a visit, Lucy insists that another friend of his, Renita Perez, should do an act with Ricky at his club. Of course, this is before Lucy sees what a gorgeous woman Renita is now. Jealous, she has Fred pose as a taxi cab driver who is supposed to take her to the Tropicana, but takes a "shortcut" through Philadelphia.

2. "The Freezer" (aired 4/28/52)- The girls buy a freezer from Ethel's uncle and decide to order two sides of beef, not knowing that two sides of beef is over 700 pounds. Lucy's scheme to steal the customers away from the butcher shop to sell her beef to them fails, so while trying to hide the meat from Ricky, Lucy gets locked in the freezer.

3. "Lucy Does a TV Commercial" (aired 5/5/52)- Lucy is desperate to get a spot in the live commercial that will air during a TV show that Ricky is doing. She auditions as Lucy McGillicuddy and wins the part. But during rehearsals, she gets drunk on the Vitameatavegamin tonic that contains 23% alcohol.

4. "The Publicity Agent" (aired 5/12/52)- When Ricky thinks that his career is in a slump and that he needs some publicity, Lucy rises to the occasion to help him out. Unknowingly to Ricky, she transforms herself into the Maharincess of Franistan, who is so obsessed with Ricky Ricardo, that she travels clear around the world for a private command performance. ... Read more

Reviews (2)

Theatre magic
I saw this years ago, and just recently rediscovered it. I remember watching Julie Harris and wondering who is this woman? I ran right out and rented "A Member of the Wedding," "The Haunting," "East of Eden" and "I Am a Camera." However, it is "The Belle of Amherst" which remains dearest to my heart. Such a loving portrait. A bravura performance which earned the actress her fifth Tony Award for Best Actress, as well as a Grammy Award for Best Spoken Word Recording. This is a must for poetry lovers and theatre lovers alike.

Julie Harris shines as Emily Dickinson - Literature lives!
This astonishing video performance of Julie Harris' one-woman show about poetess Emily Dickinson's life and work is a true tour-de-force. Ms. Harris' range of expression both physically and vocally evokes Emily Dickinson so precisely that one can hardly imagine that she ever looked or sounded any other way. The poems which are featured in this script are so deftly and subtly interwoven that the entire presentation feels seamless and eminently REAL. I am a Theatre Arts/Speech teacher at a small High School in Virginia, and my students are perpetually astonished at the humor and relevance of a video made more than twenty years ago - usually, they want to tune out anything "old". This is a rich and sumptuous piece of living literature with a tremendously broad appeal - not just Dickinson's poetry, but her unique life is showcased in this privileged interview. This is EXACTLY the kind of "living literature" that we need most in our homes and in our schools - by bringing authors and works of note to life, we can perpetuate the essential reverence for the power of the written word which has perenially distinguished our culture. Please don't let the relatively high price of this product deter you - it is an investment which will repay itself many times over! ... Read more

Amazon.com

Director Roger Donaldson (Thirteen Days) has breathed vibrant new life into the classic story of the mutiny on the Bounty. With a dream cast--Mel Gibson, Sir Anthony Hopkins, Sir Laurence Olivier, Liam Neeson, and Daniel Day-Lewis--and a script by Robert Bolt (Doctor Zhivago, Lawrence of Arabia), The Bounty takes a revisionist tack through the well-charted waters of an oft-told tale. Hopkins's Captain Bligh is no raving sadist in the Charles Laughton mode. (Laughton played Bligh in the first Mutiny on the Bounty, 1935.) Instead, Sir Anthony plays Bligh as a hard-nosed imperialist explorer simply trying to get the job done in the time-honored manner: on the backs of the poor gobs under his command. Still, when Bligh's suppressed powder keg of rage finally blows, Hopkins is formidable indeed. Mel Gibson gives one of the most soulful performances of his career as mutiny leader Fletcher Christian. He's also at the height of his blue-eyed, buff good looks, and his romance with Tahitian maiden Mauatua (lovely Tevaite Vernette) is decidedly erotic. Liam Neeson is a veritable force of nature as the scrappy seaman Charles Churchill, and Daniel Day-Lewis is sublimely hateful as Master John Fryer, a pompous toady. With special effects to rival those of The Perfect Storm, the alluring eye candy of a tall-masted schooner under full sail, lush tropical greenery, and bevies of bodacious South Sea Islands babes, plus a gripping story line, The Bounty deserves a rescue from undeserved obscurity. --Laura Mirsky ... Read more

Reviews (63)

Great Reimagining of an Old Story
Although this is not a new story on film, it is an excellent reworking of it. Mel Gibson and (pre-Hannibal) Anthony Hopkins are excellent as Fletcher Christian and William Bligh. This version adds backstory: Bligh and Christian were friends before their tragic journey that would leave one on trial and one marooned. The story is told via flashbacks by Bligh in front of a court-martial headed by the legendary Lawrence Olivier. This is not your typical production of the Bounty story, this beginning proves it. Next we are shown something of Bligh: he is an aging, ambitious Navy man who wants to advance with this mission: bring bread fruits from Tahiti to the colony in the West Indies, where a famine is occuring. After accomplishing their mission, some sailors, notably Churchill(Liam Neeson, excellent), decide to stay on the island. Punishing them has detrimental effects for Bligh's popularity. Bligh soon is out of control, and it is time for Christian to