Amazon.com

When Ally McBeal premiered on the Fox network in 1997, the series was already riding high on critical praise, with its upscale mix of savvy humor and hot-topic legal drama. Created, produced, and written entirely by the amazingly prolific David E. Kelley, the show immediately found an appreciative audience of women drawn to the title character's frank perspectives on dating, sex, and career objectives, and men lured by a cast full of attractive, outspoken women with vibrant personalities and flattering wardrobes. (If you think that's a sexist observation, you haven't tuned in to the show's brilliant balance of male chauvinism, feminist attitude, and hilariously turbulent office politics.)

This two-disc compilation of episodes from the show's first season is aptly titled, because Ally McBeal--a Boston lawyer played by Calista Flockhart--is defined by her seemingly perpetual singlehood, her sexual and emotional yearnings, her professional passions, and--by one of Kelley's creative masterstrokes--her flights of imagination (often visualized via amusing computer-generated effects) that give the series a constant, unpredictable edge of humor and emotional depth.

These well-chosen episodes offer a comprehensive summary of the first season's major developments, including the emotional history shared by Ally and her now-married colleague Billy (Gil Bellows); the notorious "dancing baby" (in "Cro-Magnon") symbolizing the insistent ticking of Ally's biological clock; the amiable quirks of John "the Biscuit" Cage (Peter MacNicol); and the dubious pearls of wisdom known as "Fishisms." Here we witness the sublime chemistry of the ensemble cast, and each member is given ample time in the spotlight. Regular guest star Dyan Cannon is strongly featured in "Silver Bells," prior to the second-season addition of Nelle (Portia DeRossi) and Ling (Lucy Liu). That leaves plenty of room to establish Ally McBeal as the lively focus of the series--confused, opinionated, sexy, neurotic, frustrated, ecstatic, intelligent, emotional... and never, ever boring. --Jeff Shannon ... Read more

Reviews (58)

Do you want every bit of Ally? Come to the UK!!!
Ally McBeal is an American TV show so I do not understand why Americans have only been given this small bundle of episodes when over in my home country England we have ALL the seasons available with special features!

For you hardcore Ally fans I'll give you some handy advice. Save up for a multi-region dvd player or a computer that plays dvds. Go on over to amazon.co.uk and purchase the season box sets!

Good luck!!!

UPSET!
I love the show Ally Mcbeal, and I am upset that there is only one season released here in the US! I ordered three seasons from the UK website only to get them in the mail and find out that they are not compatible with the systems of the U.S. so either way I am still with out any of the episodes!It cost me $32.00 to send it back to the U.K., and I'm not even sure amazon.uk will refund the cost of the sets! So I am out of over $100.00 trying to buy the series of this wonderful show. I am upset at the entire situation!

What an insult!!
While I might be inclined to believe that the seris was a cult fav, it still was extremely popular. This DVD release is an insult to all the faithful followers and just a tease to those who are unfamiliar with the ironic yet hilarious humor. There is a bit of Ally in all of us. Does Fox even know how frustrating it is to know that Ally is available in just about every country but the U.S.? I had to buy season one off a jerk on ebay and it was burnt and it sucked! I did get season four from a fabulous person in another country. Expensive song rights or not, give your loyal fans what they deserve and make it good with deleted scenes and lots of special features!!!!

ally mcbeal boxed set PLEASE
i am a fan of ally mcbeal and would love to be able to buy the entire series of episodes on dvd. i see sex and the city, friends, buffy, etc...there are so many people that love ally mcbeal, i would LOVE to see this set put out.
becky

Where's the rest of the seasons???
I was planning on buying this cd as a gift for an Ally Mcbeal fan but after reading the reviews I changed my mind! This show was great, I cannot believe the entire collection is not out on DVD, I'm going on amazon.co.uk to see what I find? ... Read more

Reviews (15)

Whatever Lola wants she gets!
The film version of Gwen Verdon and Bob Fosse's first success together. With Ray Walston as the devil and Verdon as his muse, Lola, this film can not fail to please. An excellent example of Fosse's early choreography. Unfortunately, its producers thought that they could cut "The Game", a wonderful song sung by the Senators. A must for any musical video collection

Hollywood's Hall of Famer: a Grand Slam!
Forget about carping reviews. If you like: musical comedies; baseball;Gwen Verdon; selling your soul to the Devil; great dancing; happy endings; ironic gambits reaffirming olde time(pre-PM) morality, DAMN YANKEES is grand slam hit.This film adaptation of Broadway's World championship rendering of "The Year The Yankees Lost the Pennant" is classic Americana(It's more like"The Devil & Daniel Webster" than Goethe's Enlightenment epic,"Faust"). Tab Hunter does a fine job as guileless, baseball-loving, middle-aged dreamer who sells his soul to Mr.Applegate (My Favorite Devil/Martian; "Paint Your Wagon" schemer,Ray Walston).

Star of the show is Gwen Verdon. She's the devil's 007-ette,LOLA with"license to get-down".Down and sassy-classy she bedazzlingly is,as she funks; punks;Bob Fosse's-n-weaves/"sleezes" her way on Applegate's satanic service to seduce Superstar Joe Hardy into "eternal contract".WHATEVER LOLA WANTS (ultimately)she doesn't get. Because...like the show's theme banners...YOU GOTTA HAVE HEART! In The Ninth,Verdon's not-so-wicked witch of the West(like this superbly entertaining; funny; full-of-good-will fun flick) has Valentine Heart to the max.If you're a Yankee fan (as lovers of baseball begrudingly become)catching a glance of baseball legend Mickey Mantle in the film is a nice touch recalling innocence in values that've been lost to the Real Applegate and cohorts.Being from Houston, I look forward to some Yankee greats pitching for us next year. Until then, DAMN ASTROS(er)YANKEES is a Hollywood Hall-of-Famer well worth checking-out and cheering on.

SONG LEFT OUT!!!
This movie has been one of my top 20 favorites for a long time. I first saw it on television in the mid sixties. The very first song that begins the movie during the opening credits is "Think About The Game". When the home video was released, this song, sung by the Senator's while Joe Hardy was busy with the Shifty McCoy trial, was, without explanation or reason, was stupidly left out of the video version. I feel cheated and wanted my money back. Can anyone tell me why?

Thank-you.

Good soul-searching musical.
This is another film which would probably be better rated if it wasn't so slavishly compared to its stage original. It does its job just fine, thank you, but you must remember that stage and film are two different media. In the conservative postwar 50's there was very little controversy shown (or allowed to be shown) in the film and TV media; a Faustian book made into a film musical probably scared the Hays moral office to death! That said, the Abbott-Donen collaboration does a more than competent job of telling the story, and scores an extra base hit retaining most of the Broadway cast of the show in the first place. I've read that the studio tried to lure Marilyn Monroe into playing the Lola role (and assuring box-office returns), but the producers were smart enough to know that the role needed a real dancer-actress combination. In short, it needed Gwen Verdon. It needed her special brand of eccentricity, sexiness, and heartbreak. And it got her. If you're still not convinced, take another look at the exquisite cafe' dance of "Two Lost Souls."

How Lola can he go?
Shoeless Joe from Hannibal, Mo is the mysterious "Joe Hardy" who makes a pact with the Devil to be young again and the greatest baseball wonder the Washington Senators have ever seen. His agreement comes with an "out" clause but hired temptress, "Lola" uses all of her most beguiling tricks in order to put the vamp on innocent Joe and keep him from short-changing the Devil of another hard-earned soul.

Gorgeous boy Tab Hunter plays the part of quiet, innocent and unpretentious Joe, an easy soul target for the Devil and his indebted temptress, played by Gwen Verdon. Although the singing was slightly less than what it could have been, the dance parts were terrific.

Unfortunately, this famous Broadway show was placed before a movie camera and little was done to take it from the ranks of the contrived enthusiasm of a play to the artful poise of a feature film. The scripts made for stiff dialogue and the sets were composed as they would have been on a fixed stage. What could have made for a very entertaining musical became a stage play adapted by convenience with no consideration for creative filming. ... Read more

Amazon.com

Ray Peterson (Tom Hanks) would like nothing better than to spend a quiet week's vacation in his suburban home, drinking beer and watching TV. But, spurred on by his two friends' spinning of boyish paranoid fantasies about their reclusive neighbors, the Klopeks, the usually down-to-earth Ray begins to suspect his idyllic neighborhood has been invaded by an evil force, to the point where he and his friends become psychotically nosey. You see where this is going, and you see it from a mile off.Only the general surface-thin plot is somewhat offset by director Joe Dante's fine sense of the absurd, and a host of engagingly played neighbor-types, namely Rick Ducommun as Ray's best friend who's always proposing bad ideas, and Bruce Dern as a sometimes wild-eyed ex-vet who'd love some action.Dante and crew seem to have a knack for keeping these broad characterizations light enough that you don't mind their superficiality. But the best jokes in this unprepossessing film come from composer Jerry Goldsmith's score; Bruce Dern's presence, for instance, is announced by the theme from Patton, and the boys' first approach to the Klopeks' for a meet-and-greet is buttressed by classic strains from Sergio Leone spaghetti Westerns.Kudos to the Klopeks, for their evil ways are ably embodied by Henry Gibson, Courtney Gains, and Brother Theodore.In particular, any suburb that finds it's inhabited by the likes of Brother Theodore is in dire need of new zoning laws.But Carrie Fisher's role as Ray's amiably long-suffering wife is thankless, and she deserves better. --Jim Gay ... Read more

Reviews (109)

"People In Cul - De Sac's Are Strange...."
This 1989 black comedy starring Tom Hanks, and directed by Joe Dante(Gremlins, Matinee, Gremlins 2, Small Soldiers), might not be to everyone's taste. I think it's a silly, fun, entertaining little movie. Hanks stars as an everyday, all American type of guy, who is on vacation from work. He, and the rest of his friends in the cul- de sac they live in, are suspicious of their weird new neighbors. They hear and see weird things going on there. Since he's off work, and has a lot of time on his hands, Hanks gets roped into finding out the mystery of these interesting new additions to the street. Comedian Rick Duccommun plays Hanks' best friend Art. Bruce Dern is their marine-like neighbor across the street. Carrie Fisher plays Hanks' wife. The weirdo family is headed by Henry Gibson. The movie has a number of goofy and funny scenes. One wishes the movie was even darker and went a bit further with some of the stuff, but oh well. The climax is a big, all out there surprise. Okay, maybe not really big, but fun. Corey Feldman co-stars. This isn't great art people, but it's fun escapism.

Repeat value
The 'Burbs isn't one of those movies you'd see being drooled over by film critics or even audiences, but it is one of those movies that if you saw it on TV every couple of months, you'd watch it.

Joe Dante's weird sense of humor shines on this movie even more than the Gremlins movies. It also offers a cast of characters that are as much relatable as they are crazy. Everyone has weird neighbors, right?

Tom Hanks is in top comedic form in this one offering classic lines like "I've never seen anyone drive their garbage to the street and bang the hell out of it with a stick." Then you have the hilarious neighbor Rick Ducommunn who I feel should have had a better career after this film. Corey Feldman (always a treat) plays the irresponsible teen and Bruce Dern is brilliant as the crazy military reject.

All these characters mixed up in a bizzare murder mystery is pure magic. But what makes this movie have replay value is the little things that you don't necessarily catch while watching for the first time. For example, when Rick Ducommunn comes over to visit Tom Hanks and eats nearly everything in his refrigerator while the audience is engrossed with his tales of terror. Or just the body movement of Hanks when he observes the weirdness of his neighborhood throughout the film. Hilarious.

I may be looked upon as weird for giving this movie 5 stars, but it is one I can always rely on for a good laugh and good quotes.

"NO!" "About a 9 on the tension scale, Rube."
"I want to kill everyone. Satan is good. Satan is our pal."
"Red rover red rover let Ray go over."
"I've been blown up! Take me to the hospital, I'm sick."

Watch this movie and you too will quote these lines forever.

Sub-'Burbs
While I found the humor of 'The 'Burbs' kinda cute and occasionally giggle-inducing, it wasn't really all that funny to me. Ya got Tom Hanks in the usual 'reluctant-hero-caught-in-the-middle-of-it-all' role he usually played back in the mid-to-late 80s, with his trademark expression of outraged incredulity poppin' up when he's been pushed just a bit too far by his odd neighbors. Throw in the quasi-psychotic weirdness of Bruce Dern's character, and the cool-dudeness of then-teen-heartthrob Corey Feldman, and you've got a little something that's fun to watch, but ends up well short of being a bona fide laugh riot. Which was pretty much par for the course for most of Hanks' 80s comedies following 'Bachelor Party'.

Ah well, there's always 'Forrest Gump' if I ever feel the need to watch a truly funny Tom Hanks flick...

'Late

Watch Out In Your Neighborhood For The Reclusive Families!
As Art Weingartner says "I'm telling you these people are Satanists. As I sit here, they are Satanists. Look... look, the world is full of these kind of things; black masses, mutilations. Mutilations! The incubus, the succubus - I'm tellin' you, Walter was a human sacrifice."

Such is the hysterical dialog between Art (Rick Ducommun) and Ray Peterson (Tom Hanks) when they discover, along with some other people in their suburban subdivision, their elderly neighbor, Walter Seznick (Gale Gordon) is missing in action.

Other neighbor buddy, Vietnam Vet, Mark Rumsfeld (Bruce Dern) decides to help Ray and Art to find out what happened to Walter. They all three are SURE that the weirdo reclusive new neighbors, The Klopek family, comprised of Dr. Werner Klopek (Henry Gibson), Uncle Reuben Klopek (Brother Theodore) and shy Hans Klopek (Courtney Gains)have something to do with the old man's disappearance.

So...complete with night vision goggles, credit cards to slide in the Klopek's doorlocks to break in and various other spy equipment furnished by Mr. Rumsfeld, they start their little spying games.

Men and their wives even plan a little friendly "welcome wagon" visit to the Klopeks (one of the funniest scenes in the movie!)

Corey Feldman as young neighbor teen Ricky Butler, Carrie Fisher as Carol Peterson, & Wendy Schaal as Bonnie Rumsfeld ALL turn in great performances.

Even Nicky Katt from Boston Public plays Ricky's young friend Steve Kuntz!

What happened to Walter? Did the Klopek's have anything to do with the disappearance? WATCH THIS VERY ENTERTAINING MOVIE and find out for yourself!

Happy Watching!

RAY YOU'RE NEIGHBORS ARE MURDERING PEOPLE!!!
This is the greatest comedy of all time,second is Clue. It has a whole bunch of great lines and an outstanding score by Jerry Goldsmith (Patton). Even though Tom Hanks is really, really funny, the best character in this is Art, played outstandingly by Rick Duccomon. You have to add this to your comedy collection. The movie itself is about three men (Tom Hanks, Bruce Dern, and Rick Duccomon) who get obssesed with what is going on in Tom Hanks' neighbors house. Art thinks that the neighbors are killing the other people who used to live there. But he can't be right. Can He? This is a must have for people who love comedy and mysteries. The lesson: Don't judge a person by his cover....... but don't be too careful. ... Read more

Amazon.com

Jeremiah fans have been clamoring for the release of the show on DVD (it originally aired on Showtime), and with 19 episodes and a passel of special features spread out over six discs and totaling nearly 15 hours, they are unlikely to be disappointed.

Based on a series of graphic novels by Hermann Huppen, the show takes place on an Earth where, some 15 years earlier, a hormonal virus killed everyone who was past puberty. It's an intriguing premise, but one that creator J. Michael Straczynski (best known for his work on "Babylon 5") and his team haven't exploited to its fullest. The slow-moving, 90-minute pilot episode explains little of the internal logic of this post-apocalyptic world; how, for instance, did these young folks, the oldest of whom were only 12 or 13 when "the Big Death" wiped out six billion people, manage to survive, educate themselves, and learn skills and trades without any adult influence in a society that's in shambles? It would be fun to know more.

Still, the show's ideas are provocative, and the work of co-stars and TV stalwarts Luke Perry as the title character, a hero with a conscience, and Malcolm-Jamal Warner as his more cynical sidekick, is good. Jeremiah, to its credit, doesn't rely on special effects, production design, costumes, or sets to carry it. That means the burden is on the ongoing themes (Jeremiah's guilt over his younger brother's death and his search for the maybe-mythic "Valhalla Sector"; the threat of the plague returning in an even more virulent form; the attempts to rebuild civilization) and individual stories, which are frequently compelling and smart (especially "Things Left Unsaid," the two-part season finale, a cliffhanger that offers many possibilities for future seasons), even while favoring talk over action.

The special features occupy disc 1, along with the pilot, and include deleted scenes, production sketches, and commentary on the pilot by Perry (who also executive produced) and Warner. If you're looking for superior sci-fi escapism, however, try Farscape or Stargate SG-1, to name just two. --Sam Graham ... Read more

Reviews (16)

More great JMS work...
I think jeremiah (based on a series of graphic novels by hermann huppen) is an excellent show, and another example of JMS at his best. Although some of season 1 fell a little flat (mostly scripts NOT written by JMS), it is still an excellent show for any that like long, arc based entertainment. I was actually impressed with Luke Perry and Malcolm-Jamal Warner, and I never thought in a million years I would say that. The stories are entertaining, and sometimes frightening (Firewall, Tripwire, etc.) Most importantly, it sets the stage for what has so far been an outstanding season 2. As a HUGE JMS fan, I can't wait for this set to hit shelves.

Not quite up to par with J. Michael Straczynski's Babylon 5
As an ardent fan of J. Michael Straczynski's Babylon 5, I was eager to dig in to this series. I'm also a "Post-Holocaust" genre enthusiast, always looking for better examples of this poorly-treated area of Science Fiction.

I normally don't bother to write 3-star reviews, but Jeremiah was a mixed bag that demanded comment. While composed of excellent story-telling and a rich background, the series suffers from too many "Duh, Ralph!" moments. I've never seen on screen a more realistic and vibrant "End of the World" setting, nor such a fine set of lead and character actors for same.

Yet the writing quality and direction fails to match. It's never really explained, for example, why Vahalla Sector doesn't shut-down and/or annex Thunder Mountain, which is run with a charming idealistic ineptness. Early on, it's clear that Vahalla Sector is aware of Thunder Mountain's current operations, structure, strategic value, and undisciplined security. They could have seized it in 15 minutes, but don't. Instead, they're checked in a couple of unconvincing Star-Trek-Next-Generation-like moves taken by Thunder Mountain. When they finally take decisive action, you're left wondering why Vahalla Sector didn't act 6 months earlier.

Also jarring are the too-often times that Jeremiah & Kurdy -- otherwise written and acted intelligently -- are bushwacked because they won't carry firearms. Yes, yes, I understand the pacifistic motivations (though the two never hesitate to snag weapons from the baddies and plink away). But show me why the pair weren't killed and left in a ditch after their first couple of captures.

The action scenes are hit-and-miss, ranging from gripping & visceral down to "A-Team" in quality.

While the Post-Holocaust world of Jeremiah is displayed with a believable mix of cruelty and kindness, old and new, it's not shown enough. We know from Babylon 5 that JMS can do stunning special effects with a miserly budget; this aspect is on a back burner in Jeremiah. What FX there are, they are at least good... or better. Jeremiah is story-driven, which I applaud, but that's no excuse to ever skimp on the background.

I think it boils down to: I found myself sympathetic to Vahalla Sector, and would have ended up rooting for them if they weren't so naughty. I don't like my good guys to be bumbling, cute, and waaayyyy too lucky. "Jeremiah" is intriguing and watchable, but flawed.

Wayne Gralian
Wayne's World of Books / Krakow RPGs
www.WaynesBooks.com

One Of TV's Best Attempts At Reality
I never watched this show before I bought the DVD's. I know, a big gamble, but boy, it's been worth it! Jeremiah is a superb mix of harsh reality, character driven plot, great writing and fine acting that quietly immerses you into their world. And it doesn't hype its' warning message, "This may be our future". Disregard any review that's comparing this to other works. It stands alone. Unfortunately, it seems that the shows future is in jeopardy. Only the Good Die Young!

Good Sci-Fi fair
When the series originally ran on the showtime network, I was only able to watch the pilot, for some reason. I really got into the show by watching the pilot movie, and really wanted to see the rest of the series. This Box-set is the perfect way to view the season in it's entirty.

The series itself is a mix of a couple series that have come before it. It has elements of firefly, stargate sg-1, dark angel, and Mad Max, but adds its own originally to it. But the one downside that I have found of this series is that a few people (at least in my group of friend) cannot stand Luke Perry, and if that is you, you should not even try to watch this, because no matter what anybody tells you this is definatly Luke Perry's show.

Jeremiah-Season 1
One of the best series put out. If you like Stargate series, you WILL like this one as well.
The character development between the 2 main leads is great to watch. 2 strangers learning to understand and respect each other. The humor gets better, and its nice to watch the relationship grow. ... Read more

Amazon.com

Elvis hadn't dyed his hair a permanent midnight black yet in Follow That Dream, which is another way of saying this is still the point in his career when he was making movies, not just Elvis Presley vehicles. Elvis road-trips with his crabby, anti-government pop (Arthur O'Connell) and an adopted brood to a Florida beach, which by a legal quirk they can homestead. The authorities and some fairly unbelievable gangsters would like to stop them. The songs are undistinguished but not awful, the scenery is nice, and Elvis--looking well-fed and relaxed--shows off good comedic chops doing a dumb-guy shtick. Screenwriter Charles Lederer and director Gordon Douglas are a class act by Presley picture standards, keeping the sitcom-style plot moving along. No fancy clothes or cars in this one, just Elvis and some beachcombing and an old git-tar, and not a bad time-killer for all that. --Robert Horton ... Read more

Reviews (26)

Fabulous movie; why no wide screen?
A non-typical "Elvis Movie" with charming story line, terrific acting by The King, great supporting cast with Authur O'Connell, Joanna Moore (Tatum O'Neil's mom), Simon Oakland and Roland Winters (who Elvis movie fans will remember as Elvis' father in "Blue Hawaii"). This movie could have been the pilot for the Beverly Hillbillies with Elvis as a Jethro Bodean meets Peter Sellers "Chauncy The Gardener" from Being There character. Elvis fans will love his performance, particulary as the family's lawyer in the courtroom scene near the end of the film. Very tourching performance.

Great bit of rock trivia from this movie: Florida native Tom Petty met Elvis on the set of this movie when he was a kid and was inspired to pursue a career in music. Also, Bruce Springsteen often referenced this movie from the stage during his 1985 Born In The USA Tour and performed his own version of the title track, "Follow That Dream".

I've waited several years for this movie to come out on DVD and have seen it before on Turner Classics in wide screen; it was wonderful. Why on earth MGM is releasing the DVD in full screen format is a complete mystery. What a disappointment. Great movie, lousy format.

Elvis delivers a great comedy performance! One of his best !
Elvis is in great form in "Follow That Dream",and this film shows just how wonderful his acting can be when given a good script to work with! The songs: "What A Wonderful Life", "I'm Not The Marrying Kind", "Sound Advice", "Follow That Dream" and "Angel" are among some of Elvis' best movie songs! Another song called "A Whistling Tune" was recorded for this movie, but was dropped before the film's release. It was re-recorded and included in Elvis' next film "Kid Galahad".I was very pleased to see "Follow That Dream" coming out on DVD...however, you guys at Amazon need to correct the technical details above concerning the DVD release! You have it listed as being available in Full-Frame only, when it is actually both Full-Frame AND Widescreen! I was very dissapointed when I first read this information here, and didn't realize that it was ALSO in widescreen until I saw a copy at the store! A great film with wonderful performances by the entire cast, which includes Arthur O'Connell, Ann Helm and Simon Oakland!

Great Fun
There are only three Elvis films that I enjoy: King Creole, Jailhouse Rock, and Follow That Dream. While the first two are great musical dramas from when Elvis still had the air of rebellion about him, Follow That Dream is a piece of comedic fluff like most of his later films, but one which avoids being as formulaic or sickly sweet or filled with terrible music as are most of those later films.

In this one Elvis plays a true innocent who is somehow still ignorant about the ways of the world despite being a vet. He and his family (including some orphans they are looking after) build a homestead on government land which happens to be prime real estate and find themselves in the position to legally obtain ownership of this land. As a result they become the targets of organized crime and feds (who can tell them apart?) who want the land. Elvis also finds himself the target of a crackpot social worker looking into the welfare of the orphans who seeks revenge after he innocently spurns her advances. Elvis gives a really fun performance as a naive character who is so positive in his outlook that when somebody shoots at him he automatically assumes it was an error.

The film pokes great fun at bureaucracy and greed, but it maintains the optimistic outlook that good guys will win in the end. Such an innocent perspective tends to turn off many fans of social satire who find such things too escapist, but what most cynical viewers miss is that much of the innocence is tongue in cheek, and I personally see nothing wrong with optimism so long as it doesn't interfere with realism. If you enjoy, e.g., the film Harvey, then this might be your cup of tea.

Only 2 stars because it's not Anamorphic
There are a lot of complaints from people who thought this DVD would not be widescreen, however,no one has mentioned it is not Enhanced For Widescreen T.V.'s. MGM is releasing a lot of films this way to save money. If this bothers you as it does me then send an email to MGM.
I really like this movie but am very disappointed with the format. When you have a widescreen T.V. in the future you'll curse MGM.

I made a mistake in a early Review of this Release.
This Version of Follow that Dream DOES contain the letterbox transfer as well as the full screen version. I withdraw my earlier review, which was in response to others on this board that insisted the movie was being released in Full Frame only - This is very much incorrect. 5 Stars. Joe has left the building. ... Read more

Amazon.com

David Suchet brings the great detective Hercule Poirot to rich life in this collection of some of Agatha Christie's best work. This entertaining set includes three episodes, all lovingly true to their 1930s settings. The Disappearance of Mr. Davenham takes the standard case of a businessman's disappearance and spices it up with a friendly wager that Poirot can't solve the mystery without leaving his apartment. The Veiled Lady is more of a comic caper, as Poirot and the ever-ready Captain Hastings (Hugh Fraser) resort to burglary to stop a blackmailing cad, and The Lost Mine is cleverly set in a Chinatown reminiscent of the '30s concept of the Mysterious East. Suchet is a perfect Poirot, capturing both his dignity and his humor, and Fraser does a beautiful job of underplaying Hastings enough to keep him the perfect sidekick without ever making him boring. Special features include selected cast filmographies and biographies of Agatha Christie, David Suchet, and Poirot himself. --Ali Davis ... Read more

Reviews (3)

Magnifique, n'est-ce pas?
Agatha Christie's quirky Belgian detective Hercule Poirot has come to life in the form of David Suchet. The most watched series on PBS Mystery! and a huge hit on A&E, Poirot retells the tales, short stories, and novels written in the 1930s and 40s by Dame Agatha Christie, mother of the modern mystery. David Suchet plays the part perfectly, with some outstanding acting and chemistry from the supporting cast: Hugh Fraser as Captain Hastings, Philip Jackson as Chief Inspector Japp, and Pauline Moran as Miss Lemmon. All play off of each other beautifully and most often with hilarious side effects.

One of the most endearing features about this series as well as the others that follow is the humor value that is omnipresent throughout most of the series. Not only are the mysteries difficult to solve (most of them anyways), but the Christie's writing shines through giving the characters lovely quirks that spark laughter often during the episodes. You might find yourself distracted from the mystery itself by getting caught up in the comedy. The nuances come out perfectly and brilliant acting all around leads to one of the best shows ever produced for television.

I can't find anything at fault with the series. AcornMedia is not known for their superior picture quality, but this first in the series is actually a great transfer. If you enjoy a bit of British comedy, a good mystery, and all around outstanding entertainment, you should start collecting the series. You won't be disappointed!

Incredibly Well Done Television!
It's too bad that so few people know of this series, for it is one of the most well put-together television series I've ever seen. The series as a whole gets an easy 5-stars from me, but I plan to rate every episode so this particular box set gets its own score of 4-stars. Here are my thoughts on the individual episodes.

The Disappearence of Mr. Davenheim - Decent, but not great this one seems way to similar to Conan Doyle's "The Man With The Twisted Lip" to me, but not as good. - 3 stars

The Veiled Lady - Better than the first, but somewhat silly all throughout with a strange, but minor, flaw in the solution. Also the chase scene near the end was too drawn out. - 3.5 stars

The Lost Mine - Perhaps a glimpse of the greater future of the Poirot series, this one shines with a more interesting case and a more interesting solution. Also, watching Poirot and Hastings play Monopoly is priceless - 4 stars

Box Set Overall score (Not an Average) - 4 stars

Good fun and no gore
There were many one hour and somewhat less two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably.

But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate.

The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution.

The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League").

And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes.

Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame. ... Read more

Reviews (132)

"Superman II: The Wrath of Zod!"
That would have made a better title when it came out into theaters in 1981(Giggle)! Anyway, the second Superman movie was definately a gem for anyone to watch! It is action packed as the Man of Steel (Christopher Reeve) takes on the 3 Kryptonian villains (wonderfully played by Terrence Stamp, Sarah Douglas, and Jack O'Halloran), and its romantic in terms of Superman becoming serious with Lois Lane (Margot Kidder)! Although it was sad that Richard Donner didn't get to direct the second movie, Richard Lester did a wonderful job filling his shoes! However, this was the first film which really began the down-fall of the series! It was clear that Richard Donner did set the tone for Superman which meant not to muck around with the legend! That being the case with the powers you see in this film! If you are a die-hard Superman fan, and know the character and his powers, you'll know what I mean when you watch it! Second, the romance of this film with Lois and Superman does reach it's peak, but then at the end of this film, the fans will be upset with the total outcome! The worst was yet to come with the next 2 films! Fortunately, this DVD is special to me because the magic is still there! Along with the "letterbox" widescreen version to the film which preserves this film and the other so well! Still, I know there were scenes cut-out of the original film that I wish could have been added onto this DVD! Maybe they will come out with the complete version someday soon! Still, a very good movie I recomend to anyone!

Superman II - Extended ONLY
This film gets 4 stars from me based on its extended version and not on the pathetic theatrical cut! A lot of footage was cut from this film but did make it onto various extended versions that were screened across the world. The theatrical cut of this film is a poor reflection on what director Richard Donner intended the world to see. After his sacking by the Salkinds, Richard Lester was dragged in to complete the film and refilm perfectly filmed scenes which Donner filmed in 1977. This decision cost everyone a great movie.

In 1984 fans finally got a well edited film when a lot of Donner's footage was re-inserted into TV broadcasts of the movie. The longest version having accumalated some 24 mins of additional footage. This version has only been screened in Europe and Australia and contains 7 mins more footage than the 1984 ABC telecast. Most notable extended scenes are of Lex and Eve exploring the exterior of the fortress. Miss T to Les, "...It is funny that there is no front door...". Also present is Superman's "Blast off!" line after Lex and the villains are taken away by the Arctic police. These crucial scenes were cut from the theatrical and ABC extended broadcasts.

In saying that still, the film will get 5 stars when I see all director Richard Donner's footage restored into the film.

Anyone thinking that the theatrical is a good film is much mistaken. Any of the extended TV broadcast are a MAJOR improvement over an average film!

A Richard Donner Cut is what I'm after
Not nearly as good as the first movie, this suffers from production problems as a result of Donner's sacking by the Salkinds.
It's plainly obvious which scenes were shot by Donner and which weren't. And sadly, they left out a hefty chunk of what Donner had filmed, giving Lester the top billing as director.
Another sad omission is John Williams rousing score, which has been poorly duplicated. Not nearly as uplifting and powerful as John William's efforts in one.
Although the primary focus is on Lois and Superman's relationship, it doesn't save this picture from stinking. Even Gene Hackman's wonderful performance(which was all directed by Donner, with the exception of scenes where Lester used a body double and an impersonator for Hackman's voice) can't salvage this.
So why do I give this three stars? Because it does have it's moments, though scattered, and I live in the hope that a Richard Donner cut, using primarily all his footage, which would bring back all the scenes with Marlon Brando, will eventually pop up and finally put to bed the question of what could have been.

We need a 21st Century Superman movie!
Very bad film.
They released Spiderman into the 21st century, why not Superman?
I've always found him to be the most appealing comic book character. He is sure for an amazing performance.
RELEASE HIM INTO OUR CENTURY!

BETTER THAN THE ORIGINAL!!!
All you people complaining about what is and should have been (Donner not being able to complete the project) the end result is a movie that many people view as better! Leave my Superman II alone! ... Read more

Amazon.com essential video

Over the course of three nights at Hollywood's Pantages Theater in December 1983, filmmaker Jonathan Demme joined creative forces with cinematographer Jordan Cronenweth and Talking Heads... and miracles occurred. Following a staging concept by singer-guitarist David Byrne, this euphoric concert film transcends that all-too-limited genre to become the greatest film of its kind. A guaranteed cure for anyone's blues, it's a celebration of music that never grows old, fueled by the polyrhythmic pop-funk precision that was a Talking Heads trademark, and lit from within by the geeky supernova that is David Byrne.

The staging--and Demme's filming of it--builds toward an orgasmic release of music, rising from the bare-stage simplicity of Byrne, accompanied only by a boom box on "Psycho Killer," to the ecstatic crescendo of "Burning Down the House," by which time the Heads and additional personnel have all arrived on stage for a performance that seems channeled from heaven for the purpose of universal uplift. (God bless Demme for avoiding shots of the luckiest audience in '80s pop history; its presence is acknowledged, but not at the viewer's expense.) With the deliriously eccentric Byrne as ringleader (pausing mid-concert to emerge in his now-legendary oversized suit), this circus of musical pleasure defies the futility of reductive description; it begs to be experienced, felt in the heart, head, and bones, and held there the way we hold on to cherished memories. On those three nights in December 1983, Talking Heads gave love, life, and joy in generous amounts that years cannot erode, and Demme captured this act of creative goodwill on film with minimalist artistic perfection. Stop Making Sense is an invitation to pleasure that will never wear out its welcome. --Jeff Shannon ... Read more

Reviews (101)

this is not my beautiful DVD player !!
but it is my extremely entertaining, albeit "contrived" concert event. But that is not a bad thing ! as the resulting DVD manages to capture the energy and talent of a truly great American band. If I could go back in time, one of my first destinations would be the CBGB in New York City, 1977, to see the Talking Heads open for the Ramones. Obviously the Talking Heads stole every show, which is probably why the Ramones disliked them so much !

And even though the four members of the "Talking Heads proper" kind of get lost in this nine-member stage ensemble, David Byrne is still the clear leader, and the contributions of the other original band members are essential to the energy of the Talking Heads experience. and what an experience it is ! Every song is an artistic presentation, with the visual effects beautifully complementing the funky, up beat, afro-synchronic musical riffs. With absolutely radical versions of Life During Wartime and Once in a Lifetime, this is my second favorite musical DVD (second only to Led Zeppelin - which is really saying something !)

One of the Great Films of the 1980s
Movie musicals had fallen out of favor by the 1980s, but there were still two that belong on the list of the decade's 10 best: Franco Zefferelli's breathtakingly colorful revision of
Verdi's La Traviata, starring Teresa Status and Placido Domingo. The other is Jonathan Demme's hip, fast-paced and creative documentary, Stop Making Sense.

Shot over several days during live concerts at the Pantages Theatre in Hollywood, the movie brilliantly captures the creativity of David Byrne and the members of his 1980s band, the Talking Heads.

Stop Making Sense grows from a bare stage, with Byrne alone, except for an acoustic guitar and a boom box, performing "Psycho Killer," to a full-fledged concert, with the entire band, including Tina Weymouth's other band, the Tom Tom Club. Things really get rockin' when Byrne and Tom Tom Club roar into "Burnin' Down the House," during "Take Me to the River, " and especially when Byrne, a consummate showman, dons his "big suit," which he wears for much of the film's second half.

Stop Making Sense is a masterpiece of film editing, too. There is none of the backstage babble one would expect from a concert film, and it's tightly put together.

Only Woodstock captures the raw essence of the rock concert better than this does. Stop Making Sense is one of the great film of the 1980s.

A lifelong journey
First I saw the video on MTV. I bought the record, then the CD. Finally I found the VHS and I thought I had everything. Then they released the anniversary edition CD and finally I bought the DVD. If only I would have been able to actually attend.

Need I say more. The music is fantastic, and the presentation is entertaining. This is by far, the best concert video I've ever seen, and if your not already a Talking Heads fan, you will be after you watch and listen.

Maybe later...
David Byrne self-interviews himself nice. It's good to feel nice. You laugh. The video will make you good to feel nice...and then cry. Because you feel video to feel nice. Does anybody have any questions? I have a tape to play for you...To feel nice. Do you know what I'm trying to say? Thanks, Toe Knee

A Postmodern Cinematic Catharsis Narrative
According to the commentary track included with this DVD, David Byrne may be considered to be the central character in this Talking Heads concert documentary. In the course of the film's 90 minute duration, he is transformed as "a stiff white guy who sheds his inhibitions, gets loose and lets go. He is both changed by the music and set free."

The concert starts on a bare 60 by 40 foot stage with a solo performance of "Psycho Killer" and then slowly adds both equipment and musicians during the first five songs. By the sixth song, "Burning Down the House", nine musicians are present and will remain fully engaged for the next 10 tracks. Three additional tracks are included on the DVD as a bonus.

Seven cameras are used to record the performance, with much of the footage being shot from the perspective of the audience. Indeed, the viewer of the documentary is made to feel that they are witnessing a live event. The director takes great pains to record the artists not just as musicians, but also as "characters" with their own individual performance personalities.

The stage is lit solely by white lighting, with both the type and positioning of the lights permitting an amazing visual variation. Backlit slide photography of both text and representational images are sometimes used in the stage design as well.

The title, "Stop Making Sense", refers to David Byrne's approach to writing song lyrics during the early 1980's. His lyrics are often irrational and illogical, not making sense from one line to the next, yet they still tend to remain both intuitive and emotionally involving.

"Stop Making Sense" is resplendent in its entertaining divergence from the commonplace. Watch, listen and be moved by its wonderfully liberating creative energy! ... Read more

Amazon.com

Describing Brian De Palma's Phantom of the Paradise as an update of the classic Phantom of the Opera doesn't do justice to this demented movie. While De Palma's Hitchcock homages have sometimes led him into dead ends, this rock & roll remake seems to have liberated De Palma's imagination, and the result is weird and funny, with the scruffy underground spirit of the director's early pictures. The Phantom is one Winslow Leach (William Finley), a nerdy songwriter whose "pop cantata" on the subject of Faust is stolen by a freakish, Phil Spector-like rock impresario called Swan (Paul Williams). After getting his head caught in a vinyl-LP compressor, Leach is transformed into a masked creature, haunting Swan's music palace, the Paradise. De Palma proves how nimbly he can establish narrative rhythm: the story moves like a cannon shot, and the musical numbers (especially in the Alice Cooper-like Paradise sequences) are brilliantly cut. The movie seems to predict the Studio 54 scene, MTV, and punk rock--the last, especially, in the figure of Beef, a screeching singer played by the unhinged Gerrit Graham. The songs were written by Paul Williams, that diminutive '70s music icon (he cowrote the Barbra Streisand wet noodle "Evergreen"), and his performance is a reminder of his peculiar, self-spoofing presence: at one point, the preening Swan announces, "You know how I abhor perfection in anyone but myself." Comedy, musical, horror film, '70s artifact--this movie isn't quite definable, and that's what's wonderful about it. --Robert Horton ... Read more

Reviews (101)

The movie that made me a DePalma fanatic
The first Brian DePalma movie I ever saw was "Body Double" with Melanie Griffith. I was not impressed and didn't think much of DePalma as a director. But that was before I saw "Phantom of the Paradise," DePalma's lunatic hybrid of "Faust," "Phantom of the Opera," "Frankenstein," and "The Picture of Dorian Gray."

I first read about "Phantom of the Paradise" in Danny Peary's book "Cult Movies 2." It sounded too good to be true, and I was thrilled to find a used copy at a video store's clearance sale. The movie turned out to be even better than I'd imagined. The movie seemed to have a bit of everything: horror, comedy, music, and melodrama. It gave me a newfound respect for Paul Williams, and it made me an instant Brian DePalma fanatic. Soon, I was seeking out all of his early classics -- "Greetings," "Carrie," "Blow Out," and the mind-boggling "Sisters."

The DVD of "Phantom" contains almost no extras (except for a trailer and an alternate French soundtrack), but the picture and sound are satisfactory... at least compared to my worn-out VHS copy. It's just too bad DePalma didn't do a commentary track. Then again, he hasn't recorded commentaries for ANY of his movies yet as far as I know.

Great Movie
Phantom of the Paradise is a '70s rock version of Phantom of the Opera. Winslow is a composer whose music is stolen by a famous producer named Swan. During all of this, Winslow ends up falling for Phoenix and only wants her to sing his songs. Meanwhile, Swan plans to open a new rock palace called The Paradise using Winslow's music - with a few changes.

Phantom of the Paradise actually borrows more from the 1962 version of Phantom of the Opera where the Phantom gets his music stolen and his face is disfigured by acid while trying to destroy the printing plates of his stolen music. In Paradise, Winslow's face is injured while trying to destroy the recordings of the stolen music. Paradise really combines the plots of the 1962 Opera and the play Faust.

Thanks to the truth behind the character of Swan (Paul Williams) the movie does have a Twilight Zone quality to it. You even have Rod Serling speaking at the beginning. Brian DePalma likes to borrow from Hitchcock, and he has an interesting and humorous variation on Psycho's shower scene here. It also takes elements from The Picture of Dorian Gray.

It does poke some fun at the music industry and some of the insanity of those in it. The movie takes a humorous approach to things - the scenes where Winslow is sentenced was done by using a very basic set and just two lines. May come across as silly to some but the style of parts like that add to the fun. Parts of this movie are not to be taken seriously. (I can't really explain without doing spoilers.)

Paul Williams wrote a nice variety of music for this movie - 50s style for the opening scene. One piece reminds me of The Beach Boys. A somewhat darker song is used during staged construction of Beef. The closing song could be viewed as comments on people who had been corrupted by the biz - plus it's humorous. (You'll find some better comments on the songs in the reviews for the soundtrack. I'm not a music pro.) Everyone except for Gerrit Graham does their own singing. In fact, the three groups in the movie are played by the same three artists. They just switch off on who plays the lead singer.

The DVD is a wonderful edition of the movie. Image quality is great considering the age. A trailer that doesn't even have the movie's title in it is included as well as trailers for other movies including Rocky Horror Picture Show.

The movie does have some truly weird moments, but I love it!

A few trivia notes: Sissy Spacek was set dresser on this movie. Archie Hahn, who sings "Goodbye, Eddie, Goodbye," has appeared on the UK version of Whose Line Is It Anyway? Gerritt Graham starred in Used Cars. Jessica Harper appeared in the movies Shock Treatment and Harper Valley PTA.

In the back of the Signet Classic edition of Gaston Leroux's Phantom of the Opera, this movie is mentioned and there is a reference to The Paradise looking like New York's Museum of Natural History. (p271) Phantom of the Paradise was filmed in Dallas, TX. The Paradise and most of the musical moments were filmed at The Majestic Theatre in downtown Dallas. In 1991, I saw Ken Hill's musical version of Phantom of the Opera there which added a nice touch for me. Swan's office building (exterior shots) was at one point owned by Mobil Oil, but I'm not sure if they owned it when this movie was made. Although it's changed alot since 1974, it is along Stemmons Frwy (I-35E) just after Carpenter's Frwy (183) joins it when going south. This same building appeared in Logan's Run.

Phantom of the Paradise was also mentioned in the program for Andrew Lloyd Webber's Phantom of the Opera and the same material was published in some special editions of the Gaston Leroux novel. I believe the writer was Peter Haining. He described Phantom of the Paradise as simply having The Phantom terrorizing teenyboppers. That does not fit this movie at all. I really wish people would watch a movie before reviewing it.

What is this~?
What's up with this film? It was my waste of money, and I saw anything good in it. Why is this film has almost 5 stars? American thing it must be.....worst class, worst art, and worst story. I want my money back. I would rather spend it for MacDonald Sandwhich or something.

A golden treasure !
This film is unique. De Palma was in a efervescence creative in this decade as fery few directors in the story. I think the next film in his career Carrie mad the people forgot this one, who in many aspects goes beyond Carrie due his artistic character and innovative resources.
Once more De Palma accepts the challenging duel to adapt this classic version but set and described from another perspective.
This film also allowed him to follow his bliss wothout the powerful presence of Hitchcok .

In other order of ideas , something similar happened with Chabrol , the french master , but the difference in the case of Chabrol is his major versality.
De Palma has reached the peak with this one. You feel Sisters and Phantom as his major achievements in this decade.
Don't forget one film that in a way was a twisted wrench of this one : I'm talking about the rocky horror picture show.
This was a decade in which the concern about others ways of expression were in the minds of many film makers.
Think in Ken Ruseell with Tommy , Jewison with Jesuchrist , Robin Hardy with The wicker man , Dario Argento with the cat with nine tails , The clockwise orange , Badlands , The harder they come , Pink flamingos, Walkabout , Don't look now or the honey moon killers. You felt besides the desperate spirit of the german cinema Fassbinder , Wenders (Paris Texas) , Herzog , Hauff and the french cinema under the kingdom of Truffaut , Chabrol , Molinaro Pierre Granier Deferre and Claude Sautet . This decade experienced an authentical creative and innovative tour de force in what concerns with new themes and proposals.
That's why this film wins, because it kept his level and status and still remains.
Watch this one and it will become one of your favorites!

Overlooked rock music film which was somewhat prophetic
The 1974 rock music film Phantom Of The Paradise is perhaps one of the most unusual and intriguing films i've ever come to know. This film was one of Brian DePalma's best films to date next to 1976's Carrie, 1983's masterwork Scarface and 1987's The Untouchables. The film is seen as somewhat as a rock and roll version of Phantom Of The Opera but it's a film about getting revenge on those who have hurt us. The hero in the film is nerdy and disgruntled composer Winslow Leach(played by William Finley) whose rock cantata about the magician 'Faust' whom was stolen by music impressario Swan. Swan had his own record label Death Records(originally Swan Song before Led Zeppelin coincidentally came up with the record label name and the producers changed the label to Death) and his own music channel(predated MTV by many years. Swan then proceeds and destroys Leach's life (steals the lovely Phoenix from Winslow, has him wrongfully framed, arrested, teeth pulled and had metal teeth in its place(predates the look that rappers and rockers like Marilyn Manson would adopt) and appearance). After being badly disfigured, Leach disguises himself as a phantom (whose Phantom outfit and make-up could easily have been the predecessor to the Goth Rock era of the 80's) wreaking havoc on the devilish (and that terms comes in quite handy here) and will stop at nothing to terrorize Swan. He tries arson (blowing up the set design during one of the 'Faust' rehearsals with a Beach Boys send-off The Beach Bums) and even murder (electrocuting over-the-top singer hard rock singer Beef mid-performance whose backing band look like what KISS would appear like a few months after this film was made. Also, the people at the door scene predicts the Studio 54 scene by a few years as does the partying/wedding scene at the end. The music in this film is great and the story proves that in the end, the nerds win over the arrogant types! Highly recommended! ... Read more

Description

In THE UNTOUCHABLES, federal agent Elliot Ness leads a group of mob fighters with the intent of taking out the infamous Al Capone in 1930's Prohibition-era Chicago.Realizing that practical methods will not work in securing Capone's capture, Ness and his men resort to using even more force in order to take down the Chicago mob boss once and for all. ... Read more

Reviews (131)

Good versus Evil in a deadly dance of operatic proportions.
Sometimes dubbed "the Master of the Macabre," director Brian De Palma is best known for his enactments of the supernatural ("Carrie"), mania ("Dressed to Kill") - and his mob stories. The latter part of his reputation is primarily grounded on four of his movies from the ten-year period between 1983 and 1993: "Scarface" (1983, starring Al Pacino), "Wise Guys" (1986, starring Danny De Vito, Joe Piscopo and Harvey Keitel), "Carlito's Way" (1993, again starring Pacino) ... and "The Untouchables" (1987), featuring an all-star cast including Robert De Niro, Kevin Costner, Sean Connery, Andy Garcia and Charles Martin Smith. Among these, "The Untouchables" stands out as the only movie not primarily told from the gangster's but from the lawmen's perspective - but what it does share with all of De Palma's works is an almost voyeuristic appeal to its audience's visual senses; going far beyond the lavish display of film blood it is most often cited for.

Less fact-based than cinematic grand opera par excellence, the movie takes as its premise the end of the career of Chicago's ganglord of ganglords, Al "Scarface" Capone, who (after a few half-hearted attempts to prosecute him for murder had failed due to the unavailability of witnesses) pled guilty, in 1931, to evading federal income tax, and was sentenced to an 11-year prison term and a $50,000 fine. Capone's downfall was brought about by a group of initially 50 but later only nine Treasury Agents, formed in 1929 (not in 1930, as suggested here) with the express purpose of breaking up his operations, and headed by Eliot Ness, whose 1957 book "The Untouchables" posthumously gave new rise to his fame - Ness died of a heart attack without ever having witnessed the full extent of his book's success - and inspired, inter alia, the like-named 1959 television series starring Robert Stack and Brian De Palma's 1987 movie.

Scripted by Pulitzer Prize winner and Chicago native David Mamet ("Glengarry Glen Ross"), "The Untouchables" is not so much a study in character development as based on a western's classic "good versus evil" setup; although that doesn't mean that its protagonists are two-dimensional in any way. On the contrary: Robert De Niro imbues his Capone with a ruthlessness and glib charm very likely matching those of the real "Scarface," who was known for his little hesitation to commit murder and other acts of violence as much as he cultivated a reputation as a savvy businessman and benefactor of the poor, for example by running several soup kitchens. (And yes, all of De Niro's mannerisms are on full display, too; but rarely have they fitted a role as well as here.) Kevin Costner's Eliot Ness may be a little too assertive - Robert Stack once commented, after several conversations with Ness's nearest and dearest, that the real-life Treasury Agent had been described to him as "rather soft-spoken, but very effective and brave" - but mildness is certainly not the principle trait written into the larger-than-life role of the man who "got" Al Capone, and Costner *is* an effective lead; although he is matched (not entirely sidelined, but darn near outplayed) by Sean Connery, who deservedly won an Oscar, a Golden Globe and a National Board of Review Award as the crotchety old-timer Malone who has seen it all, somehow managed to stay both clean and alive, and now lets Ness talk him into becoming his tutor in all things Chicago Gangland. Andy Garcia, in his break-through role, is instantly likable as George Stone, the smart, fast kid from the South Side who doesn't take kindly to put-downs of his origin but can nail a human target with one hand while lying down and holding a baby stroller with the other hand. Charles Martin Smith finally brings humanity and subtle humor to the character probably closest to the real-life "Untouchables," accountant Oscar Wallace, who first has the idea to charge Capone for income tax evasion. Strong performances by Billy Drago as Capone's right-hand man Frank Nitti (who of course was not really thrown off a rooftop by Ness), Richard Bradford as Police Chief Mike Dorsett, Patricia Clarkson as Ness's wife, Jack Kehoe as Capone's bookkeeper Walter Payne and others round out an altogether impressive cast.

Unmistakeably scored by Ennio Morricone (whose style often, and certainly here, doesn't even take a full bar to recognize; and who with an ASCAP Award, a Grammy and a BAFTA Award was the movie's other major winner besides Connery), "The Untouchables" lives off its splendid cinematography, production design - costumes courtesy of Giorgio Armani - and the exquisite timing of its sharp-edged dialogue and editing: Not only is screenwriter Mamet known to have his actors practice their lines according to a metronome; the editing of some of the movie's most memorable scenes has the distinct feeling of a carefully choreographed, veritable ballet. This is particularly true for Malone's death, pointedly set against the aria "Vesti la Giubba" from Ruggero Leoncavallo's opera "I Pagliacci" ("The Clowns"), which is based on a real-life murder and which Capone attends while his lieutenants waylay Malone in his own apartment; and the famous shoot-out in Chicago's Union Station, which turns into a deadly dance of bullets, blood and a baby stroller, shot almost entirely in slow motion.

Paradoxically, the one plot element this movie is most often criticized for - the jury switch at Capone's trial - is one of the few facts that actually did take place (although Capone's attorney would have had to be given the right to conduct a new voir dire). But ultimately, it doesn't even really matter how much of the plot is fact-based and how much fiction: Even if "The Untouchables" doesn't quite reach the mythical status of the "Godfather" trilogy - particularly its Parts 1 and 2 - as the mob movie to end all mob movies, it is one of only a handful other films that at least come close to the proportions of Francis Ford Coppola's epic masterpiece.

"What are you prepared to do?"
Brian DePalma's 1930s gangster film is none-the-less ingenius. Sean Connery deservedly won an Oscar for his moving performace, and the screenplay is fantastic.
Kevin Costner is Eliot Ness, an idealistic crime-fighter who moves to Chicago with his family to fight the infamous gangster Al Capone, brilliantly played by Robert De Niro. Ness enlists the help of Jimmy Malone (Sean Connery), an aging cop who knows how to defeat Capone. also helping Ness are George Stone (Andy Garcia), a young, streetwise cop, and FBI accountant Oscar Wallace (Charles Martin Smith), whose knowledge may help crack open the violent war that has broken out. Chicago gangsters are battling a hapless police force in the Prohabition.
the coolect scene has to be when the "four riders" take on a shipment of alchohol on the U.S.-Canandian border. after their triumphant victory, however, Capone retaliates violently, which leaves our friends - and the audience - in shock and for-lasts the film in tragety.
truly one of the greatest detective/action movies ever made, "The Untouchables" is a modern masterpiece. rent it and then buy the DVD!

Touchable...
This film marks several remarkable firsts: The first true representation of a David Mamet film script (although "The Verdict" in 1980 came first), the leading-man status of Kevin Costner (deservedly so, since despite disasters like "The Postman" and "3000 Miles to Graceland", he's a very good actor with a very impressive resume and an Oscar to boot), Sean Connery's first Oscar win, also very much deserved, and most importantly, the first good film from Brian De Palma. People call films like "Body Double", "Carrie", "Blow Out" and "Dressed to Kill" classics... why they do, I have nary a clue. Those are some of the worst rip-off films in history. His "Hitchcockian" feeling is, to me, straight-up plagarism. He rips off plots and shots that are embarassing mish-moshes of Hitch's best (and worst) stuff. And did you see "Mission to Mars"? I didn't think so. And the only people that I can imagine that liked "Femme Fatale" were fans of the bathroom sequence (If you saw it, you know what I'm talking about). The only other film of his that was worth watching was "Mission: Impossible". But "The Untouchables" is a real work of art. I won't go into plot points, but I'll comment on the film's great points: 1) The dialogue is sparkling. Mamet makes these people real as opposed to just making them standard action caricatures (the young idealist, the grizzled old wise-man, the cocky rookie, and the dorky fifth-wheel). 2) The performances are top-notch. Costner, Connery, Martin Smith, Garcia, De Niro, and an underrated performance from Richard Bradford as Chief Dorsett really help to pull this film off. They give it all they got. They make the tragedy and drama and excitement and horror and triumpth of this film work. 3) The visuals are stunning. Stephen Burum really makes that camera work, especially with those beautiful shots of LaSalle Street. This film is a great revisionist telling of the Eliot Ness vs. Al Capone brawl. The film obviously takess a lot of liberties with history, but they really work, especially with the dispatching of one particularly bad man which in my opinion makes for the MOST satisfying film death EVER. It really makes you happy to watch this guy bite it ("Did he sound anything like THAT?!?"). This is a great film and I could not recommend it more highly. But go ahead and skip the rest of De Palma's 'classics'.

i love the movie and it's series
hello,my name's aaron johnson
the reason i'm writting this review for the untouchables film
is because i've seen it so many times that i enjoy how malone says his famous line to elliot , the one about getting capone
anyway, the whole entire plot is excellent
especially when the federal agents try to stop capone's men in time

the other reason i'm writting in this review , is because i've seen the untouchables tv series
and i'm wondering this very question ;
"when will the untouchables tv series from 1993
be out on dvd"

because i think that people would enjoy the entire [whatever how many seasons it ran for [if it was one or two] of the series

i'm sure a lot of other customers would appreciate the untouchables tv series on dvd

Great gangster cartoon!
The Untouchables tells the story of four policemen who fight Al Capone during the prohibition of the 30's. Don't expect anything like The Godfather though: this movie merely aims at -sometimes cartoonish- entertainment. Don't be surprised with the stereotypical characters and story and the all too colourful 30's setting. It's just how this movie works. Robert de Niro's Al Capone is excellent as the funny bad guy, Kevin Costner and Sean Connery both fit excellently in their roles as two persistent police officers with a mission. Yes, several happenings in the story may be somewhat cliché, but it is nothing less an exciting movie to watch. Executions, shoot-outs, trials and much more: it's all here. It's still better to pinch something well than to invent something badly! ... Read more

Amazon.com

Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, and the story proves just as durable in this popular 1993 version, in which the heroic trio of animals are given voices provided by Don Ameche, Michael J. Fox, and Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home.Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location scenery, and the vocal performances by Ameche, Fox, and Field are surprisingly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon ... Read more

Reviews (41)

great family entertainment
i love this movie as much as my children. we saw it two times in the theater and countless times at home.michael j fox is the perfect choice for the voice of chance the pup. i also love don ameche as shadow the older dog and sally field as sassy the cat.the movie is a great combination of humor and adventure, plus the scenery is just beautiful. even though i've watched the movie over and over,i always find myself crying at the ending.

Faithful pets overcome obstacles to reunite with family
This wonderful remake of the 1963 Disney feature rivals its predecessor in warmth and beauty. -- A family needs to relocate for a brief period, but cannot take along their 3 pets; a cat and two dogs. Left in good hands on a farm, the animals feel abandoned by their masters, determined to find them. The 3 pets 'escape' only to endure many challenges. Upon hearing what happened, the family begins a desperate search for their beloved pets. -- Of course, all ends well. This film does more than give a mushy account of a pet/master reunion; there are serious 'situations' dealt with honestly and with feeling. A stepfather at last is accepted by the children of his new wife. The ultimate triumph of this movie is the plea to NEVER LOSE HOPE!

One of the last great PG-rated movies
I haven't seen Homeward Bound in almost a decade (I eventually lost the VHS tape our family bought a few months after it hit theaters), but I have so many fond memories of it as a teen. I absolutely adored this movie back then, and I still do now. Homeward Bound is wonderful for all audiences, and it isn't something parents would hate sitting through. I've been going through all the movies I loved when I was young, and nearly all of them are entertaining for everyone, and didn't try to dumb anything down for their target audience. It's a shame that there's been a somewhat recent shift in what's "suitable" even for a PG movie. PG movies are much more tame than they were from before 1996. In this day and age, it seems that all G and PG-rated movies are made for the 10 and under crowd, but back before 1996 so-called "children's" movies were enjoyable for everyone from the kids they was meant to entertain all the way up to the adults who plunked their kids down in front of them. Homeward Bound was one of the last great PG movies that everyone could love. It's exciting, adorable, and funny. These are some of my favorite "edgier" G and PG movies that don't insult children by being too tame: Teenage Mutant Ninja Turtles: The Movie (1990), Beetlejuice (1988), Return to Oz (1985), Labyrinth (1986), and The Last Unicorn (1982).

Heartwarming Nature Adventure with 3-Hankie Finale!
This is the wonderful remake of the 1963 Disney feature "The Incredible Journey" and rivals its predecessor in warmth and beauty. Both are based on a true story.

A family needs to relocate for a brief period, but cannot take along their 3 pets; a cat and two dogs. Left in good hands on a farm, the animals feel abandoned by their masters, determined to find them. The 3 pets 'escape' only to endure many challenges. Upon hearing what happened, the family begins a desperate search for their beloved pets.

Of course, all ends well. This film does more than give a mushy account of a pet/master reunion; there are serious 'situations' dealt with honestly and with feeling. A stepfather at last is accepted by the children of his new wife. The ultimate triumph of this movie is the plea to NEVER LOSE HOPE!*****

Better than the second. 16th april 2004.
Seen both, the first is a little bit better than the second. They are both very similar so if you hated the first, you probably wouldn't like the second. It is about 3 pets sassy, chance and shadow who's owners have just left to go on holiday. The 3 pets are left with a woman for a few days until the father as finished what he doing over there. The pets don't feel safe, so they decide to run off in the forests and lakes to find there family. It is a dangerous world out there with the lions and bears and mountain lions. But they spend a whole journey to find them. Chance dosen't like the pound, none of them do but he is mad on not going in again. They end up going there eventually, they are found safe and sound by police officers that have reported about them. But still they refuse to go to the pound, especcially chance he pulls and pulls to not get into danger again when actually they are trying to help them. There family are worried, they head off home to the pound where they have herd thats where they are. But the only thing is, they manage to get away from the pound and when there owners come to pick them up, they arn't there. They head home. But there family manages to get home first and still they haven't found them. They bark and meaow[sassy the cat] and they know it is them they are home at last. ... Read more