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| 141. Star Trek - The Original Series, Vol. 21, Episodes 41 & 42: I, Mudd/ The Trouble With Tribbles Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Amazon.com "The Trouble with Tribbles" Reviews (12)
I MUDD: This is a great showcase for the late Roger C Carmel. He was wonderful in playing the character Harcord "Harry" Fenton Mudd, that this was the one episode they wrote for him after his other stellar performance in MUDD WOMEN. Funny and excellent example of how Star Trek can take a serious subject and make it entertaining and funny. THE TROUBLE WITH TRIBBLES: Simply - David Gerold at his very best. Filled with Tribbles, Klingons and attitude this romp to save "Wheat" is histerical. William Shatner and Leonard Nimoy shine in this one too!. William Campbell comes back (He was Trelane in THE SQUIRE OF GOTHOS in an earlier epsiode) but this time as the Klingon Captain to yet again be at odds with Captain Kirk. All the supporting cast get their shinging moments in each film. Espeically, Chekova nd Uhura. (Koenig and Nichols) This is a must DVD to have for evry original Star Trek fan! Write me, tell me what you think.
This show certainly helped set the carefree tone that would extend FAR more successfully into the next episode. (2 stars) The Trouble With Tribbles-The episode with those furry little creatures was the apex of humor on Star Trek. By this point in the show's run, characters were well enough developed for the actors and brain trust to feel comfortable stepping out a bit. And they certainly step out in this one. Thanks to writer Gerrold, the episode actually has a fairly solid dramatic foundation that includes Klingon intrigue, and threats to both the food supply and the Enterprise itself. One could be forgiven for not realizing this though, since the tribbles Tidbits: The fight scene was supposedly pinched en masse from a prior film. Recognize the Klingon? He was Trelane from The Squire of Gothos, played by William Campbell. (5 stars)
I, MUDD © PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: The Human Need for Challenge Historical Milestone: Harry Mudd as the only recurring guest character in the original Star Trek series Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: Several incapacitated REVIEW/COMMENTARY: What this episode lacks in drama-- or melodrama to be more accurate-- it more than makes up for in downright silliness, with what is quite possibly the goofiest 'jailbreak' ever seen on TV as the crew uses the wildly illogical 'performance art' to confuse their android captors. Even the titular guest star Harry Mudd gets into the act, even though he's responsible for getting our Enterprise stalwarts in this predicament in the first place! Top it off with Kirk giving one of his heavy-handed spiels about how humans must be presented with challenges to keep them from atrophying physically and spiritually, and you've got a big ol' slab o' ham to go with all that cheese! THE TROUBLE WITH TRIBBLES © PRELIMINARY BRIEFS: Historical Milestone: Considered by many to be the original series' best episode Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None REVIEW/COMMENTARY: Continuing this volume's theme of Star Trek's most whimsical episodes, we now arrive at what most consider the most whimsical of them all! Although I do like this particular show, unlike most of the Trekkie nation I don't think it comes even close to being one of Star Trek's best efforts. Sure, there's quite a bit of good-natured fun and a nice dose of levity, but dramatically it doesn't hold a candle to City on the Edge of Forever © or Journey to Babel ©. But at least we get to see William Campbell again, this time 'round as the Klingon antagonist that Kirk must try to outwit. And you gotta admit the tribbles had more realistic hair than Shatner ever did... If you're a big fan of The Trouble With Troubles ©, you may also wanna check out the animated series follow-up eppie More Tribbles, More Troubles ©, and the DS9 'wraparound' show Trials and Tribble-ations ©. 'Late
I, MUDD features the return of space rougue Harry Mudd to the Trek universe. Kirk meets up with his old nemesis on an unknown planet when taken their by androids. On the planet thousands of androids do Mudd's every bidding however they won't allow him to leave! So Mudd lured the crew to the planet by placing an android on the Enterprise however the androids refuse to let Mudd leave even after the crew is trapped. Therefore it's up to the crew to team up with Mudd and blow the androids minds with illogical behaviour. This episode is definetly one of Star Trek's funnier moments. The whole acting illogical bit has to been seen to be believed especailly Spock's bit. Roger C Carmel does a great job as Mudd. I love the bit with his wife Stella it's hilarious. I, MUDD is a quirky yet comical outing for the crew of the Enterprise and it's one of season two's most beloved episodes. THE TROUBLE WITH TRIBBLES needs no introduction. It is an undisputed classic and by far the funniest Star Trek episode around. When the crew arrives at Space Station K7 to find out that Kirk's job is to watch over "wheat", things begin to get hairy especially when Cyrano Jones shows up with a handful of fluff balls known as tribbles that reproduce like mad and eat everything. And when you add Klingons to the mess you have Cpt. Kirk having a tough day. This episode is quite entertaining and really lives up to it's reputation as being a classic. The cast was really good in this especially Kirk, Scotty, Chekov, and Uhura. The supporting cast was great too. I always liked William Campbell's (the Squire of Gothos) klingon Cpt. Koloth. I thought he did a good job. Some scenes here are great especially the bar room fight between the crew men and the klingons. THE TROUBLE WITH TRIBBLES is one of my favourite Star Trek episodes ever and it is a true classic. Overall I highly recommend this DVD maybe even more so than the others. It contains to classics from the second season. I,MUDD is great but THE TROUBLE WITH TRIBBLES sells this baby! Highly recommeded! ... Read more | |
| 142. The War at Home Director: Emilio Estevez | |
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Description Reviews (19)
The acting was believable of all characters, and it really makes you stop and think about the horrors that our soldiers had to endure in Vietnam, God bless them! This is a wake up call addressing our need to honor our vetrans and their families. I highly reccommend this flick!!!
Watching it four years later, I felt very sad at the end. Which I actually DIDN'T feel the first time I saw it. The characters were both likeable & unlikeable; I love a movie where you can resent one character you've known all of two hours, or be on the verge of tears when another is facing a difficult time. Bob seemingly acknowledges his son has changed for the worse when he gives his "draft card speech" at the Thanksgiving day table, but he does nothing to help Jeremy. At the same time, Karen is a psych student, but she can be a little too harsh on Jeremy in certain moments. But the characters are humans, they make mistakes. The only real problem I had was with the ending voice-over. It gave too much away. I would have been happier wondering what became of Jeremy. (I wonder why they had Karen, of all the characters, doing the voice overs?) Still, it's worth 5 stars.
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| 143. The Saint, Set 7 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Reviews (2)
Volume 13: (Disc 1) Where The Money Is (Episode 112): Rating (4) - An obnoxious film producer enlists The Saint to help get his kidnapped daughter back. Simon is off to Paris to act as the go between, and deliver the ransom. The Saint's wits are put to the test as he roams the French countryside pursued by a band of desperate men, in this episode directed by Roger Moore. Vendetta for the Saint (Episodes 113 and 114): Rating (5) - This two part adventure is based on Saint creator Leslie Charteris's last novel. While in Naples, Simon comes to the aid of an English tourist. When the man turns up dead, The Saint begins to investigate into the mysterious past of a Mafia don. The trail leads to Sicily, where the Saint becomes the marked for death, eventually becoming a prisoner of the Mafia. After a daring escape, The Saint returns with a vengeance to save the day, in one of the finest adventures in the series. Volume 14: (Disc 2) The Ex-King of Diamonds (Episode 115): Rating (4) - On the Riviera, a deposed king intends to use a rigged card game to raise funds to buy a shipment of weapons. The Saint teams with a wealthy Texan, and an expert in gambling probabilities, to foil the bold and daring gambit. The Man Who Gambled With Life (Episode 116): Rating (3) - A rich industrialist is dying, and has selected Simon Templar to participate in a dangerous experiment. The Saint, never one to be made a pawn, looks to take control of the situation, and derail the masterplan, in this slightly off the wall episode. Portrait of Brenda (Episode 117): Rating (4) - In London, Simon discovers a murdered artist, and begins investigating his death. Mystery revolves around a portait, a spiritual guru, and a dead singer, with a couple of lovely ladies thrown into the mix. Ivor Dean makes his final appearance as police inspector Claude Eustace Teal, lending a helping hand in this adventure that maintains the suspense until the very end. The World Beater (Episode 118): Rating (3) - The final episode of the series finds Simon Templar behind of wheel of a rally racing car. Intrigue and sabotage abound, as The Saint prepares to drive in a high stakes road rally. A woman from his past makes an appearance, bringing excitement into his life. The episodes in this collection feature some excellent writing and acting, taking this long running series to a conclusion strongly. After this, Roger Moore would again return to television, teaming with Tony Curtis, in The Persuaders. He would then assume his most famous role, after being chosen to succeed Sean Connery as the new James Bond, debuting in Live and Let Die in 1973.
(As an Avengers' fan, I could not help but note how Set 7, like the other color episodes, feature several also The Avengers' co-stars, hereafter identified with an asterisk.*) In particular Volume 13 features two episodes that each has two unique treats. The first, "Where the Money Is," features Moore as actor-director. (As a music performer-educator, I became intrigued by Moore's directing philosophy that music should enhance, and not overshadow, action and dialogue.) Kenneth G. Warren* does an excellent job playing a bossy American film director. Sandor Elis* plays the head of a kidnapping trio that includes Derek Newark*. These actors are among the many superior co-stars who made this episode work - in spite of Templar's cheesy last line that perhaps could have been scratched. Episodes 2 and 3, the Leslie Charterlis-based "Vendetta for the Saint," stars the late Ian Hendry*, who played "Dr. Keel" of The Avengers 1961-62 season. "Vendetta" gives us Avengers' fans, who feel loss over having only two of Hendry's episodes available, an entertaining look at this dynamic actor. In "Vendetta" Hendry plays the Italian-American Mafia don Alessandro Gestamio. Templar, upon reading about the death of a British banker at Gestamio's hands, sets out on a one-man war against the Mafia itself, and discovers Gestamio himself has a secret he dare not let the Mafia know. Look for star performances from several actors including Aimi MacDonald*, Steven Plytas*, and a young Rosemary Dexter. Volume 14 begins with "The Ex-King of Diamonds" (Willoughby Goddard) whose baccarat skills have a sinister core and even more sinister purpose. In this episode Templar is assisted by a mathematical genius (Ronald Radd*), his available daughter (Isla Blair), and a Texas oil billionaire (Stuart Damon). Helpful to me was the explanation by the math professor of baccarat to an inquisitive American tourist (Araby Lockhart). Jeremy Young* continues his excellent character work as a chauffeur/co-conspirator. "The Man Who Gambled with Life," millionaire scientist-megalomaniac Keith Longman (Clifford Evans*), seeks to lure Templar into a chilling (no-pun intended) experiment. This episode features a hilarious nod to the Emma Peel Avengers' era by Templar and Longman's younger daughter Stella (Jayne Soffiano). It is also the weakest in Set 7 due to its rushed ending. In addition, the timing during the dialogue between Templar and Longman is rather slow. If the producers had made this a two-part, two-hour movie, I believe it would have flowed better. Set 7 concludes with a bang as Templar drives "The World Beater" in a car rally with high stakes for a desperate father-son car-building team (James Kerry and Eddie Byrne), an auto mogul (George A. Cooper*), and a former girlfriend named Kay (Patricia Haines*), who has secret schemes behind her need for speed. As always, Templar wins the race that puts mogul, father and son in pocket, uncovers the truth, and beats the villains at their own game. Those who like racing will not be disappointed: the excitement on and off the road are for all to see, as well as some hilarious moments when Templar makes Kay push and dig his car out of the mud! For the 60's Simon Templar-Roger Moore fans, I believe Set 7 of The Saint is an overall good buy. In our day where acting talent seems based on violence, voyeurism and vulgarity, today's mass media producers should take note that companies like A&E can revive and sell these quality classic shows, and still profit substantially. For people like myself who seek alternatives, the rebirth of The Saint, The Avengers, and other like shows on video and DVD have granted us a welcome refuge, and provided us entertainment redemption. ... Read more | |
| 144. Micki + Maude Director: Blake Edwards | |
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| 145. The Rookie Director: Clint Eastwood | |
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| 146. Lucky Numbers Director: Nora Ephron | |
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Reviews (30)
John Travolta is big fish TV weatherman in a small Pennsylvania pond. Beset with financial woes -- his snowmobile dealership is not doing well during an unpredictably warm winter -- so he teams up the Lisa Kudrow, the station's angry, sleep-around lottery girl, and with the help of wanna be gangster and strip bar owner Tim Roth, they devise a plan to rip off the state lottery. Things quickly go very bad. And get much worse. Not quite up to the Coen brothers, but a lot funnier than most alleged comedies. Nora Ephron directs an Adam Resnick screenplay supposedly based on a real incident. Unexpectedly funny. But Travolta will have to do many more little gems like this to make up for the pain and suffering his fans endured in "Battlefield Earth."
So the story was as advertised, amusing, not great; and it was great to see big time celebreties visit town. Especially Ed O'neill. Those of us who lived in Harrisburg for a long time will get the inside jokes, and geographic references. My wife yelled at me, when I was over-commenting, finding bloopers, and trying to pick out the local scenery, most of which had buildings remodeled, and again shot outside of Harrisburg in the suburbs. So some of the local bloopers showed Russ trying to drive the truck down Route 22 and Devonshire Road (in Downtown Colonial Park, where I live), and it wrecked. Was he trying to get to I-81 or I-83? Not the way to get to Colorado from Harrisburg. Eighteen wheelers don't go down Devonshire Road (winding and hilly and two-laned)too well, and Rt. 22 at that intersection is a 6-lane divided highway. There is actually an auto dealer at that corner, but was not used in the filming. Like I said us locals caught some of the inside jokes (like the Perry County School Teacher who locked the student in the broom closet, and the mobster from Linglestown), which made the movie more enjoyable than the critics gave it credit for. For those who don't know although there is no channel 6 in Harrisburg, there is (sort of) well, was really WTPA-TV. WTPA-Radio is still on the air. New owners years ago changed the call letters to WHTM, and is actually channel 27. Keeping that in mind, Al Bundy, er, Dick Simmons comments on real-life then WTPA now WHTM weatherman Chuck Rhoades, who has a breif cameo in the movie, and on whom Travolta's character is loosely based (Actually Bill Murray's wheaterman in Groundhog Day is closer to the real Chuck Rhoades, a thirty year fixture on local TV). To me, Chuck is the big star in the movie, even though he is eeen from a distance for a few seconds. Chuck's best acting job to date. And he wasn't acting! That clip is from 1988 when the movie was set, when Harrisburg had one of its biggest heatwaves ever. Anothe Harrisburg weatherman, Don Rooney has a cameo scene at the TV station. When the movie was filmed out here, it was the biggest deal to hit Harrisburg , since the Three Mile Island accident. Yes, Harrisburg is really like that-- and Denny's is the Classiest Bistro in Town, at least the one in Hampden Township (US Rte. 11--where JT is seen jaywalking to the Evergreen (actually Hampden) Diner. All in all an enjoyable movie for us in Harrisburg.
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| 147. Star Trek - The Original Series, Vol. 24, Episodes 47 & 48: Obsession/ The Immunity Syndrome Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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The Immunity Syndrome-The giant amoeba episode has less going for it than its companion on this disk. While the hook is probably slightly more intriguing than Obsession's, this is really a 'face value' episode. It doesn't pack any subtle messages. If the episode were more engaging, I'd say no problem, but unfortunately this one is pretty dull. McCoy fans will appreciate his prominent role in this one though. (2 stars)
OBSESSION PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: Obsession (no, really...); dealing with guilt; priorities; Making the right choice when caught in a dilemma Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: Four dead, one injured REVIEW/COMMENTARY: Oh, what to do: destroy a gaseous vampire-cloud that has killed half a starship crew and will doubtless kill endless more beings in the future, or transfer and deliver a highly-perishable vaccine to a world stricken with a deadly plague that could claim millions of lives? As might've guessed, that's the little dilemma ol' Jimmers has to turn around in his head here. Throw in his guilt over hesitating to destroy the same creature years before-- a seeming error that claimed the lives of several shipmates-- and the son of one of those crewmen, and Kirk is firmly entrenched in the stickiest of wickets! Fortunately, ol' Jim manages to overcome his single-minded obsession towards the deadly cloud-being, and saves the day once again! But not before he has that obligatory moment of self-doubt over the course of action he's taking, which naturally is chock-full of that Shatnerian method acting that you all know and love! McCoy's confrontation with Kirk following this precious moment adds a bit more meat to the ham sandwich with one of the series' most memorable bits of character-developing dialogue! Also thrown into the mix: Thanks (once again) to his differing half-Vulcan physiology, Spock manages to survive the vampire cloud's shipboard attack with narry a missing red corpuscle (mainly 'cuz he doesn't possess any)! And there ain't many just-in-the-nick-of-time transporter rescues that are more suspenseful than the one that puts the final punctuation on this eppie's climax! Tricky stuff, that anti-matter... THE IMMUNITY SYNDROME PRELIMINARY BRIEFS: Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: A Macrocosm of the Immune System Notable Gaffe/Special Defect: The shadow of the camera man can is just noticeable as he pans/dollies in for a close-up on Kirk's reaction to McCoy's intercom statement that the crew is "all dying". Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: none REVIEW/COMMENTARY: This particular show highlights the advantages of DVD technology: the high-pitched whining sound that pops up when the Enterprise enters the amoeba's outer membrane caused me to react in a similar manner as the crew did when the noise hit their ears- a bit annoyed, and a tad nauseous. Now, THAT'S interactive TV! 'Late
OBSESSION deals with Kirk's past and one of his greatest fears that has somewhat haunted him over the last 11 years. A mysterious vampire cloud, that feeds off the red bloods cell of humans, attacks the Enterprise crew. With it's distinct sickly sweet smell Kirk realizes it is the same monster that attack and killed his crew mates years ago when he was a Lieutendant. Upon realizing that this monster is alive Kirk drives himself into obession (hence the title) in an attempt to destroy this creature. He even disregards his orders to deliver greatly needed drugs to another planet. Kirk also punishes Ensign Garrovick (played by Stephen Brooks) (which Kirk sees a younger version of himslef in him) after the Ensign attempts and fails to kill the monster when disobeying Kirk. This episode really developes Kirk character and how (at times) he can be so self critical. OBSESSION is a slightly above average episode of Star Trek but barely. Without the nice dramatic moments between Kirk and Garrovick, plus Spock and McCoy's confronting of Kirk's actions, this episode wouldn't be so special. THE IMMUNITY SYNDROME has stood up suprisingly well over the last thirty years. The story was very well written and scientifically accurate. The concept of The Enterprise discovering a single celled organism of massive size in the body of space is a really creative idea. To think that space is a body, that single cell is a virus and humans are mere antibodies in the whole thing is such a diverse concept. As the Enterprise encounters this massive cell that drains energy out of everything (including humans), the crew gains information of the cell and realizes it begins to reproduce like a virus, and pretty soon it will plague the depths of space unless it is destroyed. THE IMMUNITY SYNDROME is another one of those Star Trek episodes that would've been average had it not had a few special moments. This episode is actually very good the acting is well done and the story was well written and concieved. In conclusion Star Trek Volume 24 has two good episodes with a few special moments. This DVD is worth getting but you may want to check out other more classic Star Trek episodes before this. Recommended.
While "The Immunity Syndrome" does not offer anyone acting like Ahab we do have a giant amoeba playing the symbolic part of the great white whale. The Enterprise encounters a massive area of darkness and discovers the giant single-cell organism inside. When the always-curious Spock investigates in a shuttlecraft, he ends up inside and discovers the creature is about to reproduce. Since one of these things is a threat to the galaxy, two would probably be a lot worse, so Kirk takes the Enterprise inside the amoeba (I mean, come on, that is obviously what they have blown up here, an amoeba) in an effort to save the universe. The magnified amoeba is certainly interesting looking, but the tension in this episode is equally artificial. But it sure is amazing what you can find out there in deep space. "The Immunity Syndrome" is, at best, an average Star Trek effort. ... Read more | |
| 148. Jungle Girl - Serial Director: William Witney, John English | |
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From Batman to Zorro, the Lone Ranger to Flash Gordon, or Dick Tracy to Captain Marvel, they all had their own special appeal and allure. Granted, although all too often there were signficant differences in quality and production values, every fan had a favorite. And, for me and millions of other fans, no serial ever made was more exciting, entertaining, or intense as the action-packed thrills and perils found in "Jungle Girl." Loosely based upon the Edgar Rice Burroughs novel of the same name and released in 1941 by Republic Pictures, the film starred beautiful Frances Gifford as Nyoka, the Jungle Girl. Unusal for the period, this was the first attempt (since the silent days of Pearl White) to feature a female as the lead in a movie serial. Doubled equally by Helen Thurston and stunt ace David Sharpe, Nyoka swung through the trees with an acrobatic skill unseen in the much higher budgeted Tarzan films. Fighting diamond hunting gangsters and savage natives, she successfully endures 15-chapters of some of the best cliffhanger perils ever filmed . . . from lethal fire traps, avalanches, drownings, poison gas, falls from cliffs, and quicksand, just to name a few. Opposed by "Slick" Latimer and Shamba, the Witch Doctor, (for me, one of the scariest villains in serial history) Nyoka barely survives to defeat her enemies and save the day. Universally considered one of the best serials ever made (and definitely the best jungle serial ever made), Jungle Girl was directed by the cream of action directors, William Witney and John English. It was so successful, the following year it spawned an even more popular sequel, "Perils of Nyoka." For an example of the motion picture serial at its best, you can't do much better than "Jungle Girl" or its sequel. It's influence is felt to this day by modern serial fans like Steven Speilberg and George Lucas and many of their films, particularly the Star Wars and Indiana Jones series, owes a debt of gratitude to this long gone, but not forgotten, American art form.
From Batman to Zorro, the Lone Ranger to Flash Gordon, or Dick Tracy to Captain Marvel, they all had their own special appeal and allure, although all too often there were signficant differences in quality and production values. Every fan had a favorite. However, for me and millions of other fans, no serial ever made was more exciting, entertaining, or intense as the action-packed thrills and perils found in "Jungle Girl." Loosely based upon the Edgar Rice Burroughs novel of the same name and released in 1941 by Republic Pictures, the film starred beautiful Frances Gifford as Nyoka, the Jungle Girl. Unusal for the period, this was the first attempt (since the silent days of Pearl White) to feature a female as the lead in a movie serial. Doubled by stunt ace David Sharpe, Nyoka swung through the trees with an acrobatic skill unseen in the much higher budgeted Tarzan films. Fighting diamond hunting gangsters and savage natives, she successfully endures 15-chapters of perils from lethal fire traps, avalanches, drownings, poison gas, falls from cliffs, and quicksand, to name a few. Opposed by Shamba, the Witch Doctor, one of the scariest villains in serial history, Nyoka barely survives to defeat her enemies and save the day. Considered one of the best serials ever made (and definitely the best jungle serial ever made), Jungle Girl was directed by the cream of action directors, William Witney and John English. It was so successful, the following year it spawned an even more popular sequel, "Perils of Nyoka." For an example of the motion picture serial at its best, you can't do much better than "Jungle Girl" or its sequel. It's influence is felt to this day by modern serial fans like Steven Speilberg and George Lucas and many of their films, particularly the Indiana Jones series, owes a debt of gratitude to this long gone, but not forgotten, American art form. END
Under those conditons, I thoroughly enjoyed this serial. The resolution of the cliffhanger at the beginning of each chapter is handled in a credible fashion and the fist fights between the heroes and villains are well choreographed. (The gun fights aren't handled as well). Nyoka manages to appear unflappable even after several instances of being dunked in the water or tied to a pole. The key to this type of movie is the performance of the villains and here they are a credit to their class. ... Read more | |
| 149. 10 Director: Blake Edwards | |
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Amazon.com Reviews (23)
Moore plays a fortyish songwriter who has developed the mother of all mid-life crisis's. Julie Andrews (who looks fantastic here BTW) shines as his impatient love interest and Bo Derek is lovely as Dudley's fantasy girl. Brian Dennehy and Dee Wallace-Stone are very good in supporting roles. The DVD transfer is good especially for a film that has a little age. The sound is mono only which is disappointing but understandable. This is one of Blake Edwards best films and a must see for fans of romantic comedy. It is sad and sobering to realize that both Moore's and Andrew's gifts have been diminished by illness. Grab this DVD and take time to remember how really talented they both are.
Growing up in England in the 1960s in England it was hard to miss the revolution that was taking place in comedy as well as in other areas of the arts. Dudley Moore was an integral part of that revolution along with his friend and colleague Peter Cook. Sadly much of their recorded output is no longer available. Even sadder is the growing number of those performers who were part of that revolution who are no longer with us. 10 is the story of a wealthy composer who has everything that money can buy and a long-suffering girlfriend played by Julie Andrews who has a mind of her own. Moore sees Derek, in her first starring role, and pursues her through a series of misunderstandings from the moment he first sees her on her way to a wedding to finally being alone with her in her hotel room where he discovers her to be a hedonist only seeking self-gratification. The movie is notable for the consideable degree of nudity and for it's moralising on the relaxed social attitudes, if in fact there were any, following on from the nineteen sixties social revolution. There is a moralising tone throughout as we follow Dudley's escapades and although there are a number of humourous situations it is hard to tell whether it was intended as a comedy or whether there was a more dramatic intent. It is nevertheless a warm nice movie and in some ways is more representative of Dudley Moore the person than his other silver screen appearances. Bo Derek gives a faultless performance as the pleasure seeking girl but that is all her role is limited to. Julie Andrews will forever remain to me the way she was in the Sound of Nusic and that is all I can say about it. This DVD is a pleasant way to remember Dudley Moore. He would be better remembered if his catalogue of films and music were once again to be made available for public pleasure and enjoyment.
I would also like to give a special message to John Derek: John, may Providence strike you down for subjecting us to misshapen, no-talent hacks such as Bo Derek and Linda Evans. Two unsexy and boring women (unless one is in to women who look like Skeletor from He-Man). Also, Julie Andrews gives one the impression of being Dudley's mom, not his wife. Why not cast Doris Day as the wife of Dudley's character? Sorry all, I had to vent.
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| 150. The Saint, Set 3 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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Amazon.com Reviews (2)
VOLUME 5: Flight Plan (4) Escape Route (4) The Persistent Patriots (4) VOLUME 6: The Fast Women (2) The Death Game (3) The Art Collectors (2) To Kill A Saint (3) The Saint, Set 3 is a collection with a good variety of stories, with something for most tastes. Volume 5 features episodes with a more of and edge, while Volume 6 is a bit lighter. More of the action is centered in England, and so we see more interplay between the Saint and Inspector Teal. If you liked the first two sets, you will probably like this one even more. Highly recommended. ... Read more | |
| 151. The Miracle Rider Director: Armand Schaefer, B. Reeves Eason | |
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Reviews (2)
This Mascot serial was made at the end of Tom Mix's career. He was one who suffered from the advent of sound. One interesting facet of the serial is its foreshadowing of events in Europe. The bad guy is mining a powerful explosive for an unnamed European country which is preparing for war. I don't think I'm spoiling the ending by letting you know that Tom Mix, aided by his horse Tony, successfully thwarts the scheme by the final chapter. Quite recommended for those who enjoy vintage western action.
This is truly a contemporary western, taking place in 1935 when the movie was made. The bad guy is bent on chasing the indian tribe off their reservation so he can mine it for a secret explosive that he plans to sell to an unnamed European country. In one scene, he mentions the added power this powerful explosive would give a dictator, so if you know enough history to know what was happening in Europe in 1935, you can guess what country was being suggested here. Tom Mix and Middleton together make this one of the better western serials, and I quite recommend it. ... Read more | |
| 152. Star Trek - The Original Series, Vol. 25, Episodes 49 & 50; A Piece of the Action/ By Any Other Name Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland | |
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Description Reviews (10)
A Piece of the Action remains one of Trek's most popular episodes. In essence, it's a time travel episode, without the time travel, which frees the story from the usual "Don't alter the future" constraints. The hands of Gene L. Coon, who co-wrote this episode, are evident in the colorful writing, and in the banter between the characters. Deliberately, the Iotians are all made to speak using a nonstop stream of 1920s cliches. When Kirk adopts these cliches, and eventually persuades Spock to adopt them, the course is set for maximum comedy. By Any Other Name is mostly standard action fare, involving the Enterprise being hijacked by an invading force of Kelvans from another galaxy. These esoteric aliens have taken Human form to be able to function in a human environment. The solution is to introduce them to the pleasures of the senses, which creates a chance for James Doohan to shine as Scotty gets a Kelvan, and himself, drunk. This episode also highlights one of Kirk's finest characteristics: his willingness to forgive. Even after the Kelvan leader has killed one of his crew, Kirk is willing to extend the hand of friendship and offer the Federation's help. Both sound and picture are fine.
In "By Any Other Name" a group of Kelvans take ove the Enterprise using advanced technological weapons that allow them to reduce the crew to small blocks of chemicals until only Kirk, Spock, McCoy and Scotty are left. Rojan, the leader of the Kelvans, wants to modify the Enterprise so his group can get back to the Andromeda Galaxy in only 300 years, at which point his descendants will inform their government that the Milky Way is suitable for conquest. Fortunately, the Kelvans have assumed human form, which means they are now susceptible to sensory inputs, a fact that Kirk and the others seek to exploit. Scott introduces one Kelvan to liquor (the "green" type), McCoy slips them stimulants, and Kirk hits on Kelinda, while Spock helps Rojan experience the wonderful world of jealousy. It is rather surprising that "By Any Other Name" goes the comic route, but it does get pretty funny. You know, it is important to have fun when you are out trekking around the universe on a five-year mission.
A PIECE OF THE ACTION may very well be one of the top five most popular episodes of the original series. The Enterpirse crew arrives at Sigma Iotia II to find a civilization similar to the Chicago Mobs of the 1920's. The planet itself has been divided by gang wars and Kirk feels he must reunite the planet so it can have good relation with the Federation. Kirk resorts to him and Mr. Spock donning mobster gear and talking in slang which leads to A PIECE OF THE ACTION being one of the funniest Star Trek episodes. The episode itslef is quite good and very entertaining especially Kirk driving the old jalopy, the card game and Spock acting like a gangster. However the episode wraps up unevenly and it really makes you think: Kirk completely disobeyed the Prime Directive in this episode! However this episode doesn't fail to please and the end left this plot open for a sequel. Unfortunetly it has never been produced. A PIECE OF THE ACTION is an excellent episode of Star Trek though. BY ANY OTHER NAME may be one of the strangest episodes of Star Trek ever! Kirk and the crew are abducted by Kelvans who take on a human form. The Kelvans demand control of The Enterprise so they can take a voyage to find a planet suitable for colonzation since there own ship was destroyed. The Kelvans are so ruthless they even go to the extent to killing an innocent enterprise crew member to get what they want. This makes BY ANY OTHER NAME seems like a serious episode that is until the crew discovers the Kelvans weakness: human sense and emotion. This results in Kirk flirting with the beautiful Kelinda, Spock making Rojan feel jealousy, and Scotty getting himself and another Kelvan drunk. This results in BY ANY OTHER NAME to be a comical episode of Star Trek but it's strange how the mood changes. The first half hour is somewhat dark whereas the second half hour is bright and funny. The episode ends with The Kelvans making peace with the Federation even after the death of a crewmate. BY ANY OTHER NAME is an uneven but above average episode of Star Trek. In conclusion I highly recommend this DVD for it does have twoo great episodes. The picture and quality are fine too! Highly recommended!
By Any Other Name-An average episode, this one sees the enterprise crew reduced to salt (Styrofoam?) crystals for future use by the colonization-bent Kelvans. As others have pointed out, this is an interesting episode in that it has two tones. The events of the first half are frightening (although not as eerily stylized as 3rd season | |