Global Shopping Center
UK | Germany
Home - DVD - Directors - ( F ) Help

1-20 of 200       1   2   3   4   5   6   7   8   9   10   Next 20

  • Fairfax, Ferdinand
  • Falk, Harry
  • Fanaka, Jamaa
  • Fargo, James
  • Farrelly, Peter
  • Farrow, John
  • Fassbinder, Rainer Werner
  • Fawcett, John
  • Fearnley, Neill
  • Fellini, Federico
  • Ferland, Guy
  • Ferrara, Abel
  • Ferreri, Marco
  • Fessenden, Larry
  • Feuillade, Louis
  • Fields, Michael
  • Figgis, Mike
  • Fincher, David
  • Fink, Kenneth
  • Firstenberg, Sam
  • Fisher, Terence
  • Flaherty, Paul
  • Fleder, Gary
  • Fleischer, Dave
  • Fleischer, Richard
  • Fleming, Andrew
  • Fleming, Erik
  • Fleming, Victor
  • Flender, Rodman
  • Florentine, Isaac
  • Florey, Robert
  • Flynn, John
  • Foley, James
  • Forbes, Bryan
  • Ford, John
  • Forman, Milos
  • Forsyth, Bill
  • Fortenberry, John
  • Fosse, Bob
  • Foster, Giles
  • Fox, Wallace
  • Frakes, Jonathan
  • Francis, Freddie
  • Frank, Melvin
  • Frankel, David
  • Frankenheimer, John
  • Franklin, Carl
  • Franklin, Richard
  • Franklin, Sidney
  • Frawley, James
  • Frears, Stephen
  • Freundlich, Bart
  • Fricke, Ron
  • Friedkin, William
  • Friedman, Adam
  • Friedman, Jeffrey
  • Friedman, Richard
  • Friend, Martyn
  • Frost, Harvey
  • Frost, Lee
  • Frost, Mark
  • Fruet, William
  • Fuest, Robert
  • Fukasaku, Kinji
  • Fukuda, Jun
  • Fukumoto, Kan
  • Fukushima, Hiroyuki
  • Fulci, Lucio
  • Fuller, Samuel
  • Fuqua, Antoine
  • Fywell, Tim
  • click price to see details     click image to enlarge     click link to go to the store

    $636.95 $250.00 list($909.93)
    1. Star Trek Deep Space Nine - The
    $32.49 $27.49 list($49.99)
    2. Sex and the City - The Complete
    $41.99 $38.00 list($59.98)
    3. Law and Order - The Third Year
    $29.99 $24.45 list($39.98)
    4. Entourage - The Complete First
    $14.99 $14.86 list($19.98)
    5. Baraka (Special Collector's Edition)
    $26.24 $19.93 list($34.98)
    6. La Dolce Vita (2-Disc Collector's
    $11.24 $9.30 list($14.98)
    7. The Grapes of Wrath
    $85.49 $80.85 list($119.98)
    8. Black Adder - The Complete Collector's
    $26.49 list($39.98)
    9. Sex and the City - The Complete
    $11.23 $8.54 list($14.98)
    10. Drums Along the Mohawk
    $11.98 $6.74 list($14.98)
    11. Glengarry Glen Ross
    $15.98 $11.99 list($19.98)
    12. Soylent Green
    $34.99 list($49.98)
    13. Earth 2 - The Complete Series
    $321.99 list($499.92)
    14. The Sopranos - The Complete First
    $312.99 list($449.98)
    15. Xena Warrior Princess - Complete
    $9.99 $7.98 list($14.96)
    16. Dumb and Dumber
    $245.00 list($350.00)
    17. Queer as Folk Pack (Seasons 1,
    $23.96 $18.14 list($29.95)
    18. Boccaccio '70 (Remastered Edition)
    $20.24 $15.56 list($26.99)
    19. Amadeus - Director's Cut (Two-Disc
    $14.99 $9.63 list($19.99)
    20. High Fidelity

    1. Star Trek Deep Space Nine - The Complete Seasons 1-7
    list price: $909.93
    our price: $636.95
    (price subject to change: see help)
    Asin: B00062RCC6
    Catlog: DVD
    Sales Rank: 9792
    US | Canada | United Kingdom | Germany | France | Japan

    2. Sex and the City - The Complete Fifth Season
    Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel
    list price: $49.99
    our price: $32.49
    (price subject to change: see help)
    Asin: B00008PW2D
    Catlog: DVD
    Sales Rank: 88
    Average Customer Review: 2.86 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    It was a short but sweet fifth season for Sex and the City, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker (Carrie) and Cynthia Nixon (Miranda). A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, and indeed, you can tell both actresses are expecting. (Carrie's wardrobe became more outlandish and more concealing than usual.) Still, the actresses and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Whereas the fourth season found all four grappling with various relationships, the fifth season focused on the perils of being single, with a new intensity lacking in the previous sexcapades. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte (Kristin Davis) wondered if she'd ever find another man, while Samantha (Kim Cattrall) finally got rid of the one that had been vexing her far too much, hotelier Richard (James Remar). If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history, from Samantha's anointment as the "Michiko Kakutani of vibrators" to Carrie's stressful, one-degree-from-fiasco book launch party. (And fear not, Chris Noth's Mr. Big does pop up now and again.) The season's climactic episode, "I Love a Charade," found all four at the straight wedding of a seemingly gay pal (Nathan Lane) and contemplating their future with a wry, bemused tone. It was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up. --Mark Englehart ... Read more

    Reviews (189)

    3-0 out of 5 stars 8 episodes same price as 24
    Ok, the folks at HBO publishing are getting greedy. Season 5 was only 8 episodes. So in HBO's infinite wisdom they decided to charge us fans the same list price as a 24-episode season, with no extras worth mentioning. (However they do split it up onto 2 DVD's to make you think you're getting more for your money.)
    While the shows are great I have to ding this season with 3 stars because of the blatant disregard for loyal consumers.
    In season 5 we have Carrie being free and single, Miranda dealing with the baby and Steve, Samantha dealing with Richard, and Charlotte in life after Trey.
    If you're a junky/collector I guess you'll end up purchasing it like me, otherwise send a message to HBO and just rent it.

    5-0 out of 5 stars Sex and The City Season 5 Short but sweet
    I like the zillions of others across the world am a huge fan of Sex and The City. Not having HBO, I discovered the series through word of mouth and then via rentals at the video store. Season 5 was short but sweet and with the pregnancies of both Cynthia Nixon and Sarah Jessica Parker, was there much more that the producers could do than offer up eight episodes?! What if they had decided no season at all? God we'd have all been in mini therapy groups! So let's not complain and take what we can get girls cuz eight episodes were better than nothing! WHERE MY CHIEF COMPLAINT does come in is the exorbitantly high price of the DVD set. Come on HBO lighten up a bit! Two discs with only four episodes on each can surely be priced @ $15-$20 tops! As for me,since I've rented season five on DVD, I'll wait until the passing of time and the eventual lower price I'll find in a used copy.

    2-0 out of 5 stars Too expensive!!!!!!!
    I am not rating this season low because of content--the content was excellent--and I realize that the pregnancies of Sarah Jessica and Cynthia are unavoidable...but come on! Don't charge us all the same price for less than half of the normal number of episodes!!!

    5-0 out of 5 stars Review on SATC--the MATERIAL--free of whining about $$
    I really like Sex in the City. I feel sad that no one has even TRIED to duplicate it--I know full duplication can't be done but since it's leaving I would even have settled for some decent knockoffs of the show (laughter). In no other show/film have sex and relationships from the point of view of women been explored this frankly--it will probably never happen again-at least not in my lifetime. I am in the middle of watching the fifth season. I'm enjoying it. We have all watched these four women for four years now. Are they supposed to remain unchanged in any way for that long? Shouldn't they have different changes and challenges in their lives? I will admit that the fifth season did not come as close to perfection as the others did. (Has your work been almost perfect consistently everyday in everyway 365 days a year for 4 straight years? Mine hasn't-it's called being human.) Season Four in my opinion is still an essential for anyone who really connects with this one-of-kind series. Being that I respect the brave work of this ground-breaking show and because this format is supposed to review the material and the work--(...) Also don't you find it amazing the things people put their passion and rage behind? Homeless mothers who need health care for their children express this level of passionate anger about overpriced prescription drugs-however a person ranting about the cost of a HBO sitcom on DVD-and going on and on like some of these people have here?? I tend to wave that off as "You have some serious issues and buying SATC is probably the least of your problems" Some reviews can be dismissed right away like the ones from misogynists who obviously just hate to see independent women having fun and enjoying sex/relationships/career in the free-wheeling way men always have. They secretly want all women to be like Afghan women were under the Taliban. (...). (...)

    We can be so hard on celebs. We love them yet we hate then and we are ultra critical of them. Lastly, I again want to remind you, dear reader, to consider the source and look up any info you can find on a reviewer and weigh that against whatever they write. Also take totally anonymous reviews with a big grain of salt. And again...I enjoyed the fourth season of Sex In The City even with it imperfections!

    5-0 out of 5 stars Sex and the City meets the average girl
    As a devotee of Sex and the City, I never wanted to admit that anything was wrong with the show... until I saw Season 5. A lot of people will say that Season 5 is what's wrong with SATC, but I say that Season 5 is what's RIGHT about the show! Season 5 is the most realistic of all six seasons. Playfully dubbed "the season without men" by the show's writers, there are very few long-term (or short-term, for that matter) relationships for the women in this season. Until Season 5, the women of SATC have gone through a seemingly endless string of semi-serious to serious relationships without any real examination of what and who the women are without men. This season forces all of the women to show their true colors without men. Even Samantha's antics are toned down and used more to expose who she is rather than what she does.

    Many fans complained that Season 5 wasn't funny enough. Not enough men, not enough sex. Real single women know that Season 5 was the closest of all the seasons to what all of us experience in our daily lives - loneliness, good friends, occasional romantic connections, and a lot of "in between". Season 5 isn't "filler" or a poor season - its real life. Fans of the show who don't enjoy this season are, perhaps, happy to forget about their own lives while following those of Carrie, Charlotte, Miranda and Samantha. I prefer to think of the women of SATC as myself and my friends - and Season 5 proves that they are. ... Read more

    3. Law and Order - The Third Year (1992-1993 Season)
    list price: $59.98
    our price: $41.99
    (price subject to change: see help)
    Asin: B00080Z5FM
    Catlog: DVD
    Sales Rank: 67
    Average Customer Review: 4.5 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (5)

    4-0 out of 5 stars Great season, transfer and extras still lacking
    Law and Order's third season is the beginning of the golden years of the show, six or seven seasons in which this became one of the best crime shows ever.Part of it is the plots, but a larger part is the addition of Jerry Orbach to add both character and humor to a narrowly written role.The show itself is 5 stars, but I knock off a star for yet another season in which the transfers and extras leave something to be desired.Still, very much worth buying.

    What makes this season golden?Nostalgia for the early 1990s helps, with big hair, Times Square full of strip clubs, crime labs using old IBM 386 computers, colored shirts and narrow ties, and a general feeling that a far more gritty New York made a better backdrop for a crime show than today's sanitized version.

    Some of it is the writing and source material.Episodes include the standard ripped-from-the-headlines stories - Tailhook (Conduct Unbecoming), sweatshop workers (Wedded Bliss), doctors assaulting patients (Helpless, Promises to Keep), drug smuggling rings (Consultation), hackers (Virus) - but one reason the first few seasons are more robust is that they had just started to scratch the surface of historical crimes, like a restaging of the Malcolm X murder (Conspiracy) and a medical device company scandal (The Corporate Veil).This means that while the bang-bang plot advancement really comes into its own this season after a couple of years of slower episodes, the writers don't have to resort to cheap plot tricks to keep things interesting.Routine false leads and judges throwing out evidence every episode can wait for the formulaic later years.I also particularly like several of the non-Hollywood endings, like Prince of Darkness ("What happened to the little girl?" "She was picked up at school by her uncle.""She doesn't have an uncle.")

    But a larger part is the acting.With the mid-season addition of Orbach - who plays first-year Briscoe a bit more troubled and edgy than in later years - the Law side of the series finally has two actors that don't think that playing an NYPD detective is beneath their talent.Briscoe's trademark wisecrack helps ("They brought the hookers in?I thought they were on the room service menu"), but there's a chemistry between Orbach and Noth that makes the makes plots come to life.In addition, several of the regular guest stars (Tovah Feldshuh and Lorraine Toussant as memorable defense attorneys, Leslie Hendrix's first appearances as the irascible medical examiner) add life to the show in their brief roles.Finally, one fun part of watching the early years are the stars who have gone on to bigger careers: Claire Danes, Edie Falco, Sam Rockwell, Gloria Foster (the oracle from the Matrix), Desperate Housewife Felicity Huffman, Alias' Ron Rifkin, ER's Paul McCrane and Julianna Margulies.

    As I have for the first two season sets, I take a star off for transfers and extras that aren't up to the quality of the show. I have mixed opinions about cheaply producing double sided DVDs in three slim cases without any written material, but at least it takes less space on my shelf.Transfer quality is in fact better than the first two seasons, but it's clear remastering was cursory as there is still periodic flecking.After no extras in the first two seasons, at least this set includes some.However, they're still disappointing especially after the long delay in putting this out.The 8 deleted scenes don't add much, although we finally see one of Briscoe's brassy middle aged girlfriends (for the only time in the series!)A five minute interview with and six minute tribute to Orbach by fellow stars doesn't even include the master of ceremonies of his celebration, Sam Waterston; they would have been better served just putting a copy of that on the DVD instead of getting Trial By Jury actors on the profound effect his 4 episodes with them had on their careers.What the series really needs is interviews with writers and actors on the various episodes.At least they don't include an ad as they did in the first year.

    However, this is very much worth picking up for Law and Order fans.I just wish if Universal is going to price something at a premium that viewers can watch for free on basic cable, they'd at least add premium content.Maybe next season.

    5-0 out of 5 stars Great as Usual
    Terrific show as usual. They also improved in my opinion on the dvd case which now has three individual slim cases for each disc. Enough can't be said about this show, but, I'm partial to it being a Criminal Justice major...but the show is good as always..I just hope they speed up the release of the next seasons.

    5-0 out of 5 stars Law & Order: The Early Years, The Best Years!
    Law & Order is my favorite series, possibly of all-time because there have always been great characters and a great cast with fantastic writing to drive it forward.The early seasons are the best, and the third year gives us a little more Paul Sorvino until about 1/3 of the way into the season.This is when the beloved Jerry Orbach joined the cast, and gave us 11 years of television memories.This season has my favorite line up with Orbach, Chris Noth, Dann Florek, Michael Moriarty, Richard Brooks, and Steven Hill.TNT has aired several third season episodes lately, and I can't wait to see these all sharp, clear, and cleaned up on DVD instead of the old muggy broadcast versions.The first and second seasons look fantastic on DVD, and horrible on television - get these sets!

    Also, this set features never before seen deleted scenes which ought to be a special treat for every fan along with the Jerry Orbach featurettes.I have a lot of favorite episodes in this season, and I will cherish this set just as I have all my other law & Order DVD sets (I've probably watched the first two seasons dozens of times already).


    5-0 out of 5 stars The best season of Law & Order
    The third season of Law & Order found Detective Mike Logan (Chris Noth) assigned another new partner in the sardonic Lenny Briscoe (Jerry Orbach), who would become the face of the series for eleven more seasons.The interplay between Briscoe and Logan is one of many highlights of the third season of Law & Order, as characters became more developed (such as Dann Florek's Captain Cragen) and the cases and investigations take twisting turns when the viewer least expects it; something that many cop/crime dramas have imitated throughout the years.However, this would be the last season for original cast members Florek and Richard Brooks, as the revolving cast door of Law & Order began to spin more than ever before.All in all, it's nice to finally have these episodes on DVD, and series afficiondos should consider this landmark season a must own.

    4-0 out of 5 stars Its good there putting the older seasons on DVD
    Law & Order's early seasons were really the best. In The third season you have Jerry Orbach coming into the show.All these episodes are great becuase i have seen many of them before.The Dvd is finally being released after a long wait after the 2nd season. The 15th season which is still on NBC on wedsnday is going to have a DVD release as i have heard.Also the New Law
    & Order TrialBy Jury is going to be out on Dvd. Law & Order and all its other series are absolutly the best ... Read more

    4. Entourage - The Complete First Season
    Director: Daniel Attias, Adam Bernstein, David Frankel, Julian Farino
    list price: $39.98
    our price: $29.99
    (price subject to change: see help)
    Asin: B0007QS324
    Catlog: DVD
    Sales Rank: 178
    Average Customer Review: 5.0 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Entourage is everything viewers have come to expect from an HBO series: smart, hilarious, and highly addictive, especially when taken in full-season, DVD form. As implied in the title, the show follows Vincent Chase (Adrian Grenier), a rising Hollywood star with bedroom eyes and an over-active libido, along with his three childhood companions-turned-hangers-on. Kevin Dillon plays Johnny Drama, Vincent's less-attractive, B-list actor of a brother (he is Matt Dillon's less-attractive, B-list actor of a brother in real life). Jerry Ferrara plays Turtle, the weasel, and Kevin Connolly appears as Eric, the Everyman hero who hopes to parlay his friendship with Vincent (plus two years of community college) into a career in talent management. Along the way Eric contends with the predictable self-doubt, romantic indecision, etc. The cast is rounded out by Jeremy Piven (Doug Hughley from Singles) as a foul-mouthed agent reminiscent of Jay Mohr's short-lived Peter Dragon character. Finally, it's produced by Marky Mark himself--and you've got to believe that guy knows something about the star-entourage relationship. If possible, watch with a friend so you'll have someone to quote lines back to later. --Leah Weathersby ... Read more

    Reviews (4)

    4-0 out of 5 stars The TV show equivalent of a Little Debbie Swiss Cake Roll
    ...which is to say rich, sugary, not very nutritious but tasty and addictive as hell.It's junk food, no doubt about it, but it's also so enjoyable it's pretty hard to begrudge.

    Four friends live together and hang out around L.A.: Vince is a DiCaprio-level star on the rise (though he's reportedly loosely based on producer Mark Wahlberg); Eric is his best friend, a smart kid trying to help him manage his career; and Turtle and Johnny Drama (Vince's has-been older half-brother) are the comic relief.Adding shards of garlic to the mix is Jeremy Piven as Ari, Vince's razor-tongued agent who, were he played by anybody other than Piven, would probably be too much to digest in such an otherwise tangy environment.

    In stark contrast to most HBO Sunday night shows ("Sopranos," "Six Feet Under," "Deadwood," all of which usually leave me feeling devastated and so much the better for it) this is bummer-free TV.The characters don't have to work, don't have to worry about money, have infinite free time and access to women and recreational misadventures.Even in those rare moments when they have an actual problem it's never really a pressing problem ("Eric, which movie should I do???").And each episode seems to end with the main characters sharing a drink while watching the sun set from some beautiful vista.

    And you know what?Why not?The show ain't exactly Tolstoy but it's a lot of shiny, colorful fun -- smart dialogue, sharp "inside baseball" industry jokes, attractive ladies, cool toys and an eclectic mix of hip-hop and classic rock.It's like HBO fused the Y chromosome of "Larry Sanders" with the X chromosome of "Sex and the City" and came up with a precocious but charming little tyke.

    5-0 out of 5 stars Great Show ! Can't wait for Season 2 to start
    This show is truely awesome. The dialogue is amazing and suits every situation in the show perfectly. Kevin Dillon and Jeremy Piven are hilarious. You couldn't ask more from a supporting cast. The music is really good too. Anybody have any info on a soundtrack?

    5-0 out of 5 stars Fantastic show
    Entourage is the show produced by and loosely based on Mark Wahlbergs rise into tinseltown with his best friends. The show is witty, well written and will keep you laughing from start to finish. The second season starts on June 5th on HBO, and proves to be an even bigger and better. The boys travel to the sundance film festival for tons of laughs, I was an extra for these episodes and guarantee this will be one hell of a season. So get watching!

    5-0 out of 5 stars Great series
    If you've already seen the first season of Entourage, you'll be buying this set for sure.If you haven't seen it, you really need to buy these DVD's.The characters are engaging and the dialogue is hilarious.Jeremy Piven is a stand-out as he absolutely chews up and spits out every scene in which he appears.I hope that Season 2 is more than 8 episodes. ... Read more

    5. Baraka (Special Collector's Edition)
    Director: Ron Fricke
    list price: $19.98
    our price: $14.99
    (price subject to change: see help)
    Asin: B00005M91K
    Catlog: DVD
    Sales Rank: 566
    Average Customer Review: 4.63 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (209)

    5-0 out of 5 stars Baraka will evoke joy, pity, fear, anger...and love
    Set to the music of ethnic chants and indigenous instruments from around the world, this film will compel you to see the world in a new light. You'll see beautiful vistas of terraced paddy fields, deserts, and city scapes. You'll see the dances of the aboriginees, african tribes, and amazon Indians. You'll see the faithful praying in places of worship that range from the Vatican to the shores of Ganges. In short you'll see how similar we all are beneath our different wardrobes and languages and faiths.

    The score to the movie complements the scenes and intensifies the emotions one feels watching the movie. Particularly haunting are the scenes of burning oil fields in Kuwait set to the music of Scottish bagpipes, Tibetan water music, and Japanese drumming.

    The movie explores love, faith, joy, war, death, rebirth and circle of life by showing scenes from around the world for each of these topics. Each time I have watched this movie I find myself discovering more of its hidden meanings. I think each viewer will come out with his own feelings and interpretations. But even if one isn't inclined to be philosophical, the music and cinematography alone is worth getting the DVD.

    5-0 out of 5 stars A Cultural Enlightening
    I can gaurantee this is unlike any film you've ever seen before. Baraka is not a movie with a plot or words, but it is one massive work of art, a composition with the scenery as the main "characters". This movie will open your eyes to the fact that there is a whole world of different cultures, religions, and rituals out there. It will give you chills, make you smile, make you gasp, and make you appriciate diversity. Baraka is not a film for everyone. If you are ethnocentric, you might not see the point. If you have a passion to learn and become enlightened, you will love it.

    5-0 out of 5 stars Beauty beyond words
    Baraka is a visual feast like no other, a film that begs to be seen on the largest screen possible so the viewer can absorb the grandiose feel of the images. This is the type of film that IMAX was made for. Filmed on a 70mm camera in a total of 24 countries, it is a dialogue-free film that takes the viewer around the globe into uncharted lands. The first half of the film shows us the natural beauty of earth as we are shown striking images of mountain ranges, deserts, tropical rain forests, volcanoes, solar temples, exotic animals. The whole thing is done to the tune of a spellbinding soundtrack of ambient music, Gregorian chants, flutes and other exotic sounds by world music artists such as Harmonic Choir and Dead Can Dance.

    But Baraka is much more than just National Geographic for the visually inclined. Its purpose is to give us a view of the world good and bad. And as the second half of the film unwinds, the tone of Baraka becomes increasingly dark and pessimistic as we are exposed to some of the harsh realities of the world like homelessness, poverty, slave labour, hunger. Horrifying images of tree-chopping, sweatshops, subway-cramming in Tokyo and scenes in a chicken factory will make many cringe and think twice about eating chicken for a while. But sometimes even within these backdrops of despair can be found things that are beautiful such as the joy and happiness on children's faces despite growing up in poverty-stricken 2nd world countries. These kids grow up with practically no material possessions yet they seem so HAPPY, much happier than kids of first-world countries who grow up with any material object their heart desires.

    Baraka is certainly not the kind of film we are used to seeing. I struggled with it for the first 10 minutes or so but then immediately fell under its spell and forgot that I was watching a film with no dialogue. Sometimes it's nice to be able to flick off the brain, not worry about following a story and just let oneself be absorbed by what's on screen, and that's what this film does. The only minor squabbles I had were the absence of writing on the screen to let us know where in the world we are and that the film did peter out a little towards the end. Baraka is a film worth purchasing that will stand well to multiple viewings and might even make some think twice about where their real priorities ought to be.

    1-0 out of 5 stars Save time & shoot yourself in the head
    If your interested in seeing what the film claims to be, " a transcendently poetic, world-wide tour of the globe blah blah blah ..speaks directly to the soul" - dont bother, it dosent happen. Instead you will find about 10 minutes of lovely scenery followed by lengthy film of poverty, cruelty and torture, including images of baby chicks having their beaks burnt off, graphic pictures of death camps and over-worked donkeys collapsing and dying (?!). Anyone who finds this "visually stimulating" needs psychiatric help.
    Fair enough if the film would actually indicate that your in for a visual experience depicting the apparent desperate state of the world, but there is no indication whatsoever of this pathetic morbidness in filmmaking, in fact it is offensive that the cover would suggest what lies within is even remotely "beautiful". Anyone who insists on watching it plse think twice before scaring your children with it - and if the film does have one worth-while message it is nothing to do with cinematography, its simply this : Think twice where your next KFC wing came from! And is it worth it ?

    5-0 out of 5 stars You'll watch it again and again
    Lets not kid ourselves. This is awe inspiring and captivating film. This review tackles all those who haven't rated it 5 stars. Most of these have seen earlier work by Godfrey Reggio and Ron Fricke. The only thing that separates these earlier works is that some people prefer them over this. In truth, the films are very similiar in technique, time-lapse and camera angles with the only differences being editing, music and locations.
    In earlier work Philip Glass composed the music which was appropriate and brilliant (although now slightly dated) and in Baraka, Michael Stearn tried to meld the music to the location. Michael Stearn -in my opinion- creating the better atmosphere.
    If you've not seen any of these following Chronos, Koyaanisqatsi, & Powaqqatsi. Then see Baraka, as it is the superior film and tends build on methods, techniques and angles visited in the previous films. I'd also like to mention Alton Walpole who doesn't seem to get much say in reviews, but he's also had an active part in all of these films and part of the 3 main people behind these films.
    When you see it make sure that it's on the biggest screen possible, with the best sound system possible in a dark room. And let the music and film take you on the journey that is Baraka. ... Read more

    6. La Dolce Vita (2-Disc Collector's Edition)
    Director: Federico Fellini
    list price: $34.98
    our price: $26.24
    (price subject to change: see help)
    Asin: B00005JKGO
    Catlog: DVD
    Sales Rank: 658
    Average Customer Review: 4.48 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (27)

    5-0 out of 5 stars An Existential Masterpiece
    Although "8 1/2" is often touted as Fellini's greatest work, this other, equal masterpiece from roughly the same period grows more and more profound over time. An amazingly photographed and energetic survey of ennui and despair, "La Dolce Vita" is Fellini's rumination on the intellectual and moral death of an aspiring artist, who is equally a Fellini surrogate and a stand-in for the director's perception of modern man.

    Though it began life as a sequel to "Il Bidone," "La Dolce Vita" ended up an autobiographical precursor to "8 1/2" by fictionalizing Fellini's earlier life as a journalist and newspaper caricaturist rather than his career as one of the great filmmakers of the 50s and 60s. As the celebrity journalist in crisis, Marcello is fantastic -- as graceful and intelligent and sexy a performance as the screen has ever seen -- and his romp with the unbelievably pneumatic Anita Ekberg in the Trevi fountain is one of the great iconic moments of world cinema. There's a haunted, despairing quality to Mastroianni's acting here that is so subtle and cumulative that by the end of the film his predicament of quiet despair overwhelms the viewer.

    Bottom line: no thinking person's film collection should be without this movie, which is as beautiful and moving as any piece of art ever created, in any medium. Fellini and his fantastic cast are all at their peak as artists, and few films have ever approached their achievement.

    5-0 out of 5 stars Get this onto DVD!
    My favorite Fellini film, combining the brilliant kaleidescopic parading of faces that characterize his later films with the humanistic neorealism of his earlier work. Told in a series of all-night parties that each end with the recognition of dawn, the movie tells the story of a tabloid writer who has risen to the top of his profession only to be dragged down because he can't find any sustaining meaning in the glitz and glamour.

    But the story line, although more important here than in later Fellini films, is really just a device to put actors on the screen, and nobody does this better. The cast is real reason to see this; Mastroianni in the role of his life, Anouk Aimee as a bored rich woman, and Anita Ekberg spilling out of her dress as an American actress are merely the most famous - every single performance, even by the most trivial of parts, is astounding and some of the best ever captured on film. My personal favorite is the clown trumpet player with the balloons at the Cha-Cha Club - in the middle of his performance he flashes one quick look at Mastroianni that speaks volumes.

    Unfortunately, the only version I have ever seen is in a standard screen ratio that is obviously badly panned - in a film this full of images there is almost more panning than actual camera movement going on, and still too much is happening off-screen. This movie needs badly to be letterboxed and given a new subtitle translation - but in the meantime, even if you have to settle for the poor VHS version, just enjoy what we have, from the awesome set pieces like the chasing of the Madonna and the final party, to the amazing Nino Rota score and the haunting organ melody of "Patricia".

    5-0 out of 5 stars 5 star FILM--0 stars for a DVD that isn't released!!
    WHERE IS THE DVD of 'La Dolce Vita'?? This is far superior art and entertainment to that wonderful-but-ridiculous '8 1/2' I mean, we all love Fellini, but why is his most coherent and artistically mature film lying around in some distributor's vault while trash like 'Shanghai Surprise' and box-sets of Whoopi Goldberg movies get all these million-copy releases?? Fellini is more than '8 1/2'; FEEL FREE TO RELEASE THIS DVD ANYTIME!! Ugh, do I have to get a region-free DVD player to watch foreign films? Heck, there are some American classic films that do not have release here, but are being printed in UK and European codes. What is wrong with American distributors?? We want our Fellini, and we want it now!! Gimme the sweet life gimme the sweet life GIMME THE SWEET LIFE!!!!

    P.S. To all sympathizers, Bergman's 'Persona' is FINALLY getting American release in February. Cross your fingers they don't back out at the last minute in favor of a straight-to-DVD sequel to 'Finding Nemo': 'Filet of Nemo: Almond Crusted with a Side of Rice Pilaf,' starring the voices of Keanu Reeves, Jennifer Aniston, and Dom Deluise.

    5-0 out of 5 stars Fellini 's Vita
    I am very fortunate to meet Guiletta Masini, the lovely wife of Federico Fellini. I several times wrote letters to Fellini himself and he answered back me. That had been going for a while till he died. If you doubt me, I can provide you copies.
    I am only one Deaf authority on Fellini and his movies. I have a good collection of video, vhs or dvd. Many books about him and his movies.La Dolce Vita and 8 and half are my top favorites. I saw them in 35mm, 16mm, tv, vhs and dvd versions but the 35mm verisons are always the best!!!!!!!!!!!!!!!!
    Thanks, F.R. Gomez

    3-0 out of 5 stars So ... ?
    I does lack a plot. I almost fell asleep during the first half. It picked up during the 2nd half when the main character ran into his father. That was interesting for me, for personal reasons. But, having just watched it, all I can say is that it left me with an emtpy, hollow feeling. If that was the point, then the movie is quite successful. Mind you, I'm not the usual "simplistic" movie watcher. But that was my feeling... ... Read more

    7. The Grapes of Wrath
    Director: John Ford
    list price: $14.98
    our price: $11.24
    (price subject to change: see help)
    Asin: B0000DJZ8R
    Catlog: DVD
    Sales Rank: 960
    Average Customer Review: 4.22 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential video

    Ranking No. 21 on the American Film Institute's list of the 100 greatest American films, this 1940 classic is a bit dated in its noble sentimentality, but it remains a luminous example of Hollywood classicism from the peerless director of mythic Americana, John Ford. Adapted by Nunnally Johnson from John Steinbeck's classic novel, the film tells a simple story about Oklahoma farmers leaving the depression-era dustbowl for the promised land of California, but it's the story's emotional resonance and theme of human perseverance that makes the movie so richly and timelessly rewarding. It's all about the humble Joad family's cross-country trek to escape the economic devastation of their ruined farmland, beginning when Tom Joad (Henry Fonda) returns from a four-year prison term to discover that his family home is empty. He's reunited with his family just as they're setting out for the westbound journey, and thus begins an odyssey of saddening losses and strengthening hopes. As Ma Joad, Oscar-winner Jane Darwell is the embodiment of one of America's greatest social tragedies and the "Okie" spirit of pressing forward against all odds (as she says, "because we're the people"). A documentary-styled production for which Ford and cinematographer Gregg Toland demanded painstaking authenticity, The Grapes of Wrath is much more than a classy, old-fashioned history lesson. With dialogue and scenes that rank among the most moving and memorable ever filmed, it's a classic among classics--simply put, one of the finest films ever made. --Jeff Shannon ... Read more

    Reviews (45)

    5-0 out of 5 stars Ford and Fonda do justice to Steinbeck
    Take John Steinbeck's Pulitzer-Prize-Winning Novel. Turn it into a movie and let John Ford direct it, and get Henry Fonda to star. In 1940 you could hardly find a more certain recipe for a cinema classic.

    As good as the film is, it really should be a companion-piece to Steinbeck's original masterpiece, and if you haven't read it I recommend setting aside enough time to read one of the greatest pieces of American literature ever written.

    That being said, the medium of the cinema allows for a visual impact that can't be matched with the written word.

    The Grapes of Wrath follows the Joad family during the great depression. That period of economic hardship hit the farmers in Oklahoma a little harder than the rest of the world, at the time of the dust bowl the "Okies" were at the end of their ropes, financially speaking.

    Thousands of Okies packed up the house after being foreclosed and moved out to California - many winding up around Bakersfield, at the California end of old US Route 66. (Merle Haggard's family did so and the "Okie from Muscogee" wrote about it in songs like "California Cottonfields".)

    Anyway, this is the historical context of the movie. The theme of the movie, and of Steinbeck's book, is the ability of the human spirit to remain intact in these worst of times. The Joads suffer terrible humiliations, one after another, most of them because of their desperate financial status. But as the story proceeds we see that they are fundamentally decent, hard-working people, and every time life knocks them down they get back up, brush the dirt off themselves, and keep moving forward. As a national characteristic, this was an important trait because this was the generation that produced the hard-working, high-minded individuals who did important things like win World War II, followed by America's greatest financial flourishing and the Baby Boom. Tom Brokaw called them "America's Greatest Generation".

    The cast is picture-perfect, with Henry Fonda as the spirited Tom Joad and John Carradine as the former preacher with a new social consciousness. Jane Darwell won a well-deserved Best Supporting Actress Award as Ma Joad, and the remainder of the cast is in every way equal to the story and the film.

    5-0 out of 5 stars An American Classic
    This is a great movie based on a great novel, and I am surprised by how honestly the film captures the raw humanity of the book. Steinbeck weaved social commentary into the story, and the movie makes many points about the human condition and spirit without being heavy-handed. The story of the Joads and their fight for survival rings very true, thanks to the realistic performances and the atmosphere created by director John Ford. Henry Fonda gives one of the best performances I have ever seen him give, and his "I'll be there" speech is one of the great movie moments. Jane Darwell is also very impressive, and her direct, down-to-earth style of acting makes the quiet strength and the suffering of Ma Joad seem very real. The Grapes of Wrath is an American classic, both as a novel and as a film.

    5-0 out of 5 stars "I'll be all aroun' in the dark."
    "Mine eyes have seen the glory of the coming of the Lord. He is trampling out the vintage where the grapes of wrath are stored; He hath loos'd the fateful lightning of His terrible swift sword, His truth is marching on." - Battle Hymn of the Republic.

    In 1936, John Steinbeck wrote a series of articles about the migrant workers driven to California from the Midwestern states after losing their homes in the throes of the depression: inclement weather, failed crops, land mortgaged to the hilt and finally taken over by banks and large corporations when credit lines ran dry. Lured by promises of work aplenty, the Midwesterners packed their belongings and trekked westward to the Golden State, only to find themselves facing hunger, inhumane conditions, contempt and exploitation instead. "Dignity is all gone, and spirit has turned to sullen anger before it dies," Steinbeck described the result in one of his 1936 articles, collectively published as "The Harvest Gypsies;" and in another piece ("Starvation Under the Orange Trees," 1938) he asked: "Must the hunger become anger and the anger fury before anything will be done?"

    By the time he wrote the latter article, Steinbeck had already published one novel addressing the agricultural laborers' struggle against corporate power ("In Dubious Battle," 1936). Shortly thereafter he began to work on "The Grapes of Wrath," which was published roughly a year later. Although the book would win the Pulitzer Prize (1940) and become a cornerstone foundation of Steinbeck's Literature Nobel Prize (1962), it was sharply criticized upon its release - nowhere more so than in the Midwest - and still counts among the 35 books most frequently banned from American school curricula: A raw, brutally direct, yet incredibly poetic masterpiece of fiction, it continues to touch nerves deeply rooted in modern society's fabric; including and particularly in California, where yesterday's Okies are today's undocumented Mexicans - Chicano labor leader Cesar Chavez especially pointed out how well he could empathize with the Joad family, because he and his fellow workers were now living the same life they once had.

    Having fought hard with his publisher to maintain the novel's uncompromising approach throughout, Steinbeck was weary to give the film rights to 20th Century Fox, headed by powerful mogul and, more importantly, known conservative Daryl F. Zanuck. Yet, Zanuck and director John Ford largely stayed true to the novel: There is that sense of desperation in farmer Muley's (John Qualen's) expression as he tells Tom and ex-preacher Casy (Henry Fonda and John Carradine) how the "cats" came and bulldozed down everybody's homes, on behalf of a corporate entity too intangible to truly hold accountable. There is Grandpa Joad (Charley Grapewin), literally clinging to his earth and dying of a stroke (or, more likely, a broken heart) when he is made to leave against his will. There is everybody's brief joy upon first seeing Bakersfield's rich plantations - everybody's except Ma Joad's (Jane Darwell's), that is, who alone knows that Grandma (Zeffie Tilbury) died in her arms before they even started to cross the Californian desert the previous night. There is the privately-run labor camps' utter desolation, complete with violent guards, exploitative wages, lack of food and unsanitary conditions; contrasted with the relative security and more humane conditions of the camps run by the State. And there is Tom's crucial development from a man acting alone to one seeing the benefit of joining efforts in a group, following Casy's example, and his parting promise to Ma that she'll find him everywhere she looks - wherever there is injustice, struggle, and people's joint success. In an overall outstanding cast, which also includes Dorris Bowdon (Rose of Sharon), Eddie Quillan (Rose's boyfriend Connie), Frank Darien (Uncle John) and a brief appearance by Ward Bond as a friendly policeman, Henry Fonda truly shines as Tom; despite his smashing good looks fully metamorphosized into Steinbeck's quick-tempered, lanky, reluctant hero.

    Yet, in all its starkness the movie has a more optimistic slant than the novel; due to a structural change which has the Joads moving from bad to acceptable living conditions (instead of vice versa), the toning down of Steinbeck's political references - most importantly, the elimination of a monologue using a land owner's description of "reds" as anybody "that wants thirty cents and hour when we're payin' twenty-five" to show that under the prevalent conditions that definition applies to virtually *every* migrant laborer - and a greater emphasis on Ma Joad's pragmatic, forward-looking way of dealing with their fate; culminating in her closing "we's the people" speech (whose direction, interestingly, Ford, who would have preferred to end the movie with the image of Tom walking up a hill alone in the distance, left to Zanuck himself). Jane Darwell won a much-deserved Academy-Award for her portrayal as Ma; besides John Ford's Best Director award the movie's only winner on Oscar night - none of its other five nominations scored, unfortunately including those in the Best Picture and Best Leading Actor categories, which went to Hitchcock's "Rebecca" and James Stewart ("The Philadelphia Story") instead. Still, despite its critical success - also expressed in a "Best Picture" National Board of Review award - and its marginally optimistic outlook, the movie engendered almost as much controversy as did Steinbeck's book. After the witch hunt setting in not even a decade later, today it stands as one of the last, greatest examples of a movie pulling no punches in the portrayal of society's ailments; a type of film regrettably rare in recent years.

    "Ev'rybody might be just one big soul - well it looks that-a way to me. ... Wherever men are fightin' for their rights, that's where I'm gonna be, ma. That's where I'm gonna be." - Woody Guthrie, "The Ballad of Tom Joad."

    "The highway is alive tonight, but nobody's kiddin' nobody about where it goes. I'm sittin' down here in the campfire light, with the ghost of old Tom Joad." - Bruce Springsteen, "The Ghost of Tom Joad."

    5-0 out of 5 stars The Grapes--and Apples and Oranges--of Wrath
    It's striking how many reviewers here base their comments on a simplisitic comparison between the film version of "The Grapes of Wrath" and the Steinbeck novel on which it was based. For many such a comparison seems to function simply as an excuse to proclaim the inherent superiority of the Steinbeck original--and, by extension, the superiority of their own literary taste values-- when all it really does is highlight the patent silliness of trying to pit different artforms into some sort of evaluative competition. Literature and cinema are two vastly different modes of representation each with their own strengths and limitations, so the framing question shouldn't be which version of "The Grapes of Wrath" is "better"--as if there were a universal yardstick with which to measure such things--but rather how do they perform in terms of their respective mediums? On that count, I think we are extraordinarily fortunate with both the Steinbeck and Ford versions of "The Grapes of Wrath" to have two masterworks that operate consummately at the peak of their respective artforms. What each does well, it does brilliantly. As a verbal medium that unfolds slowly, literature is good at offering rich, layered descriptions of person and place and mapping complicated narrative links and Steinbeck makes the most of this in his novel. Cinema, by contrast, is an expressive medium that works best through registers of visual and aural metaphor, allegory and performance...and it's on this ground that I think the film version of "The Grapes of Wrath" more than merits its classic status. It is a magnificently "cinematic" film that uses the expressive capacities of the medium to produce a richly layered experience that is truly moving and that lingers long afterward, sometimes for years or even a whole lifetime. I first saw "The Grapes of Wrath" on TV one rainy afternoon in my childhood and it left indelible impressions that have impelled me to go back to the film time and again: The haunted eyes of Jane Darwell's Ma Joad as she sits in the truck cabin, lit from beneath, driving into an uncertain future, the winds of history howling oustside; the terrifying collision montage as the monstrous "cats" move in to destroy the Okies' homes; the soulless gas station attendants, standing together in uniforms like corporatized automata, muttering that the Joads are too miserable to be human. It's a film dense with iconic richness and an enduring testament both to the artistry of the many workers that created it, and to the democratic spirit of popular cinema at its very best.

    5-0 out of 5 stars As good a restoration as possible
    This DVD restoration is probably as good as possible given that the original camera negative was lost. This is the one to get.

    By the way, there is NO widescreen version of "The Grapes of Wrath." This DVD release exhibits the full frame aspect ratio of the original (1.33 to 1 ratio). Essentially, films made between 1917 and 1952 were filmed with a full frame aspect ratio. Standard televisions were proportioned 4:3 to copy the standard cinema ratio. Widescreen (Cinemascope, etc) was a gimmick introduced by Hollywood in the 1950s to compete with television. So if a film was made between 1917 and 1952 don't go looking for a widescreen version of it because there isn't any! ... Read more

    8. Black Adder - The Complete Collector's Set
    Director: Mandie Fletcher, Martin Shardlow
    list price: $119.98
    our price: $85.49
    (price subject to change: see help)
    Asin: B00005A1SX
    Catlog: DVD
    Sales Rank: 634
    Average Customer Review: 4.92 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan


    One of the best comedy series ever to emerge from England, Black Adder traces the deeply cynical and self-serving lineage of various Edmund Blackadders from the muck of the Middle Ages to the frontline of World War I. In his pre-Bean triumph, British comic actor Rowan Atkinson played all five versions of Edmund, beginning with the villainous and cowardly Duke of Edinburgh, whose scheming mind and awful haircut seem to stand him in good stead to become the next Archbishop of Canterbury--a deadly occupation if ever there was one. Among tales of royal dethronings, Black Death, witch smellers (who root out spell makers with their noses), and ghosts, Edmund is a perennial survivor who never quite gets ahead in multiple episodes. ... Read more

    Reviews (110)

    5-0 out of 5 stars "Or Else I'll Cut off Your Head..."
    I have for many years been a fan of British television comedy. Among one of my favorites is the hilarious historical series, featuring the Black Adder. I don't think there has ever been on television such a cunningly nasty, yet funny character, as the Black Adder. The series, created by Richard Curtis, (director and writer of Notting Hill, Four Weddings and a Funeral, etc.) has concieved a brilliant concept of taking one main character and showing us his family tree in a variety of historical lifetimes.This character is brought to life by Rowan Atkinson ("Mr.Bean", "The Thin Blue Line") probably one of the funniest comedians in all of British televison.I don't think there has ever been a character on TV, who is so cunningly clever and nasty, yet so gut breakingly funny.In the four incarnations of the series, we see various Black Adders, as a cowardly Duke in the Dark Ages, a Lord trying to curry favor in the court of Queen Bess, a butler during the Regency era and finally as a career soldier during WWI. In each series, Atkinson gives the Adder his nefarious qualities, yet changes him slightly pesonality wise, to make him somewhat different from the previous ancestor.Atkinson is backed up in all the series's titles by a variety of superb, actors (who have also made thier mark in other films and TV) such as Tony Robinson, Miranda Richardson, Hugh Laurie, Tim McInnerny and Stephen Fry. These actors bring to life a group of nutty characters who are constantly bedeviling the Black Adder by either driving him crazy or putting him in some sort of hilarious, life threatening situation. My favorites include Tony Robinson's brain dead, Baldrick ("I have a cunning plan...") and also Miranda Richardson's maniaclly insane, Queen Bess ("I'll cut off your head..").These four series, plus a 1999 movie ("Black Adder Back & Forth"), have now been put together in a five DVD box set entitled, "Black Adder - The Complete Collector's Set". It also includes a variety of special features including, extra episodes not part of the original series ("Black Adder's Christmas Carol") plus interviews, silly sing-a-longs and character information. If you are a Black Adder addict or aficionado, then this box set is well worth the expense and will give you hours of fun, as you re-experience this luney history lesson.

    5-0 out of 5 stars Black, cynical and absolutely deliciously funny
    This DVD series contains the complete collection of Black Adder TV episodes, made by the BBC. Black Adder aired as four individual series of six episodes each: The Black Adder, Black Adder II, Black Adder the Third and Black Adder Goes Forth.

    Black Adder stars Rowan Atkinson, an absolute comic genius who is also the star of Mr. Bean. The screenplays were written by Richard Curtis (Mr. Bean, Not the nine o'clock news) and Ben Elton - possibly one of the funniest modern writers.

    In the first series, Rowan Atkinson plays a weak chinned, effeminate heir to Richard, Duke of York. Set in medieval England, we are introduced to two of the most often recurring characters in Black Adders live(s) - Percy and Baldrick. Lord Percy is an eager to please, high strung dolt. Baldrick, an filthy peasant that is under qualified to be the village idiot, acts as Black Adder's golfer. Although funny, the first series may miss an American audience with some of it's historical references.

    In the second series, Black Adder's next descendant is no longer heir to the throne but remains one of Queen's dearest friends. Set in Elizabethan England, we get to follow Black Adder as he plots to carouse, fornicate and steal his way to pleasure. Even funnier than the first series, Black Adder gets far more clever. We are also introduced to two additional, recurring characters - Melchett and Flash. Melchett is a pompous, over bearing palace sycophant and Flash is fast moving ladies man with more than just a sword hanging between his legs.

    Black Adder's fortunes have considerably fallen by the Third Series, where he is now serving a butler to the Price Regent of England, the stupidest man in the land. Again, the clever Black Adder schemes to raise himself at the expense of everyone around him. Other great English comedic actors Hue Laurie, Robbie Coltrane and Tim McInnery all make appearances.

    In the fourth and final series, Black Adder finds himself caught on the front lines of World War I. Trying to eke out a comfortable existence without being sent out on a suicidal charge against the Kaiser, Black Adder's fourth series is somewhat reminiscent of Mash. Without all the nice doctor's off course. This series has the "crudest" humour of all.

    Black Adder is undoubtedly one of the funniest English comedy series ever made and well worth owning.

    5-0 out of 5 stars As funny as a very funny thing
    The series takes you on a tour through british history in the company of the Edmund Blackadder line. The first series around the time of Macbeth upon which it based. This is the most slapstick of series. In the next series we are brought forward to the court of Elizabeth I. The addition of Ben Elton to the writing team moves the scripts toward more verbal word play and humour thereafter.

    A couple of specials are included in the collcetion. A brilliant lampoon of "A Christmas Carol" and a rather weak "Time Machine" spoof "Back and Forth", where they revert to slapstick and the writing is not as keen. This is a minor wrinkle as overall the series is a comic masterpiece. Well worth it.

    5-0 out of 5 stars One of the Best
    I once asked the writer Douglas Adams ("Hitchhiker's Guide to the Galaxy") if he had anything to do with these series, and his response was, "No, but they're all friends of mine." That explains a lot right there.

    I first saw this series on PBS, and it absolutely floored me. The humor is razor sharp, the dialog fast and funny. The first series is a little weaker in this regard, but very, very funny in a way different than the later series. The fourth, in my opinion, is the weakest of the bunch, too ofter falling back on gross out jokes, but even that is better than a lot of other stuff coming out of the BBC. The Christmas Special is outstanding.

    Keep an eye out for an appearance by Tom "Dr. Who" Baker as an insane legless ship captain in the second series. It was a testament to his performance that I, a big fan of his best known role, did not recognize him after having watched the episode about five times... until someone pointed him out to me. The Blackadder series are graced with a great supporting cast, including Brian Blessed, Miranda Richardson, and a number of other actors of whom you may never have heard, but should get to know.

    If you are turned off by cynical humor, this show is not for you; but for anyone else, it is absolutely worth checking out.

    5-0 out of 5 stars A must have collection for any Black Adder fan
    It's all here. Not only the four full seasons, but the Black Adder Christmas Carol, the Cavalier Years and the Black Adder Back and Forth special.
    Rowan Atkinson is perhaps best known as Mr. Bean, which is a shame because this is far and away his best work. The Black Adder character gives full expression to his comedic timing, subtle mannerisms and comic voice. Much, much credit must go to writers Richard Curtis and Ben Elton for putting a situation comedy in historical eras and including some of the cleverest put-downs you'll ever hear. They also create some of the most engaging characters ever to grace the small screen. Besides Edmund Black Adder himself, there is the unforgettable Baldrick played by Tony Robinson, always in the subservient role, always the
    butt of innumerable jokes, always lovable. Other memorable characters include Miranda Richardson as Queen Elizabeth I in Black Adder II and Stephen Fry as General Sir Anthony Cecil Hogmanay Melchett in Black Adder Goes Forth and Tim McInnerny in a variety of roles.
    With just six episodes each season there was no fear of the series ever getting stale, indeed therein lies the only complaint I have about the Black Adder series, there should have been more.
    The DVDs have a few particularly worthwhile special features. My favorite is the historical guide in which narrator Robinson explains some of the obscure historical references or fills viewers in on the real people and events depicted, even owing up to the shows exaggerations or slights. One of my favorite aspects of the Black Adder series is that along with many hearty good laughs I feel I'm getting a history lesson in the bargain.
    Thank goodness a DVD collection worthy of the great show is available. ... Read more

    9. Sex and the City - The Complete First Season
    Director: Martha Coolidge, Allen Coulter, John David Coles, Darren Star, Michael Spiller, Matthew Harrison, Dennis Erdman, Michael Fields, Timothy Van Patten, Wendey Stanzler, Victoria Hochberg, Michael Engler, Michael Patrick King, Nicole Holofcener, Alison Maclean, Daniel Algrant, Pam Thomas, Susan Seidelman, Alan Taylor, David Frankel
    list price: $39.98
    our price: $26.49
    (price subject to change: see help)
    Asin: B00004RFCM
    Catlog: DVD
    Sales Rank: 37
    Average Customer Review: 4.3 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan


    This hilarious look at dating, mating and relating in New York is "a thinking person's sitcom, brutally honest and hilariously funny." - The San Francisco Examiner. Can women have sex like men? What's it like to date someone younger? And what is "The Rabbit"? Find out in "Sex And The City."

    (c) 2003 Home Box Office.All rights reserved.HBO(r) and Sex And The City(r) are service marks of Home Box Office, Inc. ... Read more

    Reviews (236)

    5-0 out of 5 stars Sophisticated & Fun: Loved It!
    This must have been great Cable-TV when it was on HBO, to which we don't subscribe. It's even better in the DVD version. High quality resolution AND surround sound via DVD make this a must-see for intelligent, sophisticated viewers who don't find much to satisfy on standard network TV.

    In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)

    5-0 out of 5 stars A great collection of one of the best shows on TV
    Sex And The City and HBO are the only reasons I keep that too-expensive premium cable package. Sex And The City makes it worth it. I only started watching this funny and strike-a-chord series this summer and don't know why I waited so long. Fortunately, you can catch up instantly on the first season and second seasons on video/DVD. Each season has 12-18 episodes, and they're like an amazing batch of chocolate chip cookies. You will not be able to stop and you will not be bored, even if you go through the entire season in one sitting. It left me wanting more. The characters' through-it-all friendship will have you appreciating your own tried and true friends. Carrie, Charlotte, Miranda and Samantha are all likable, real, complex, funny and a pleasure to spend one or eighteen episodes with. If you've been a single woman for more than six seconds, you'll also appreciate the bewildering and recognizable behavior of the men in these friends' lives. New York City as the vibrant backdrop makes the show even more watchable. Interestingly, a male writer wrote several of the episodes, so clearly, there are some good ones out there. And guys, I know several men who are surreptitiously hooked, also ... for any men out there who'd like to know what women think and talk about when they're on their own ... here are all our secrets spilled. I recommend this great series to everyone.

    3-0 out of 5 stars The beginning.
    The first season was just ok, it had more of an unfocused feel to it. The show also had more of a grainier texture to it. The first season really doesn't deal with relationships that much, it focuses mostly on random dating, which makes it hard to get a reading on these women aside from their generic label (the sexually adventurous one, the cynic, the uptight one). Only SJ Parkers character is explored deeper, even though her character is mostly negative, self-absorbed, neurotic and prone to relationship sabotage. As for people who critize SJP looks, she isn't supposed to be a model she's supposed to be a normal woman who is comfortable with her looks, a woman normal women can relate to. Overall an ok season. EP

    1-0 out of 5 stars PSEUDO-INTELLECTUAL DRIVEL!
    (...)This reveals exactly why the terrorists hate our country. Shallow, materialistic, decadent, pseudo-intellectual drivel. I remember hearing one sentence of the show (before throwing the tv out the window) where the main character said "I finally realized" followed by some pseudo-existential "witticism" with a straight(dumb)face. The only positive aspect of this show is to teach kids to stay in school.

    5-0 out of 5 stars Fresh and fabulous
    I got into this series when it was almost over and can recommend it. Yes, it's explicit at times so beware of that, but it's fresh and fun and most importantly absolutely fabulous. The characters are all played wonderfully by this cast and the stories have you chatting later about it with your friends saying things like "GEEZ, I'd never put up with that" etc. Depending on your favorite character as a woman it's easy to find yourself in one of the cast.

    LOVE THIS SERIES! ... Read more

    10. Drums Along the Mohawk
    Director: John Ford
    list price: $14.98
    our price: $11.23
    (price subject to change: see help)
    Asin: B0007PALM0
    Catlog: DVD
    Sales Rank: 122
    Average Customer Review: 4.5 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Nineteen thirty-nine is often proposed as the movies' halcyon year, and three reasons why were directed by John Ford: Stagecoach, Young Mr. Lincoln, and Drums Along the Mohawk. In that exalted company Drums... would have to be accounted "merely superb"--even if it's the best film ever made about the American Revolution and, oh, only about eighth-best picture of its year.

    Henry Fonda and Claudette Colbert play newlyweds in New York's Mohawk Valley at the time of the Revolutionary War. That war is more a distant rumor than a direct concern of people with cabins to raise, crops to harvest, and firstborn on the way. When it comes to their valley, in the form of hitherto-peaceable Indians whipped up by a gaunt Tory with an eyepatch (John Carradine), life changes as though with the passing of a cloud shadow.

    In this, his first color film, Ford created indelible images of the dawning of America: a lone wagon making its way through acres of long grass rippling in the wind; the Indians, at the onset of their first raid, seeming to materialize out of the mist, out of the very trunks of trees; a ragged line of farmers with flintlocks passing along a split-rail fence, then resolving into a column, an army, marching toward a distant horizon. (Utah's Wasatch mountain country stands in persuasively for upstate New York in pioneer days.) Edna May Oliver scored a best-supporting-actress Oscar nomination as a memorably crusty frontier widow, while Ward Bond--oddly omitted from the opening credits--claimed a place of honor in the John Ford Stock Company playing Fonda's best friend. --Richard T. Jameson ... Read more

    Reviews (18)

    4-0 out of 5 stars Brilliant restoration
    Fox did a brilliant job in restoring Drums Along the Mohawk for DVD, with one small, annoying exception ... the 20th Century Fox trademark is from a much later era, perhaps the 1960s or 1970s.They also did this with the DVD restoration for Leave Her to Heaven. It would have been simple enough to use the original.

    4-0 out of 5 stars Stop the screaming.
    I actually give this movie 41/2 stars. I would give it five stars if it weren't for Claudette Colbert's annoying screaming.

    3-0 out of 5 stars A perfect example of negative stereotyping!!
    Drums Along the Mohawk is a perfect example of films of that era that paid no attention to history and created and reenforced negative stereotypes about American Indian people. I use this film in my American Indians in Film class as an example of how inaccuracies and negative perceptions of American Indian people were created.

    Apple-cheeked Claubert and tall and gangly Fonda are so young, they're a pleasure to watch. All performances, including Ward Bond and Edna May Oliver, are exceptional and the color is amazing. "Drums Along The Mohawk" is an epic of the frontier that you'll want to watch again and again. Although the film takes place in upper New York State, viewing the terrain, it was probably shot in northern California. No matter. The film begins with hope alive and better things to come yet is dashed by the realities of the frontier and war. Battle scenes between indians and settlers can be a little frightening so I'd recommend that if you're going to let small children see this, an adult should sit with the child. A perfect film.

    5-0 out of 5 stars Outstanding!!
    This is one of Henry Fonda's and Claudette Colbert's best movies..!! They play a young couple new to the frontier (Upstate New York pre-revolution). Well written and acted. Don't miss this one it is well worth viewing. ... Read more

    11. Glengarry Glen Ross
    Director: James Foley
    list price: $14.98
    our price: $11.98
    (price subject to change: see help)
    Asin: B00005JKG9
    Catlog: DVD
    Sales Rank: 1635
    Average Customer Review: 4.53 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (191)

    3-0 out of 5 stars Docked two stars for shoddy DVD treatment
    First of all, let me go on the record as saying that Glengarry Glen Ross is one of my all-time favorite films. The acting is nothing short of astounding. Each actor (particularly Jack Lemmon) is at the top of their form. This is an actor's movie. There's no special effects, chase scenes, superfluous love story subplot, or pat ending. It should be obvious to anyone watching this film that it is based on a play -- specifically, David Mamet's Pulitzer-prize winning play of the same name. Mamet also wrote the screenplay, which is full of the fiery brilliance he always brings to the table. This is not a film for the timid. The language is raw and crude. The film takes no prisoners and I love it.

    The film takes place in a real estate office, where cutthroat salesman do "cold calling," basically selling land by telemarketing. It's a brutal business (we've all been on the other end of that phone call and usually end up hanging up on the salesman), and the people these guys work for are brutal as well.

    Case in point: during an early, crucial scene, Blake (played brilliantly by Alec Baldwin) tells the gathered crew that the top prize for highest sales is a Cadillac. The second prize is a set of steak knives and the third prize -- "you're fired." The speech is a sadistic, humiliating version of a pep talk, all macho brags and venomous insults. He dangles the new contacts, or "leads," in the faces of the salesmen. "They're for closers," he tells them. These guys would kill for the good leads, and Blake knows it. The scene was written especially fo the film and Baldwin eats it up. It's easily the best thing I've seen him do.

    Jack Lemmon plays Sheldon Levene, the office's oldest employee. He used to be the best one around (they call him "The Machine"), but he's been on a bad streak lately and desperately needs his luck to change. His daughter's in the hospital and is unable to pay her medical bills. Al Pacino plays Ricky Roma, the current hotshot. His way of befriending a potential client in a bar and gaining his trust is odd, but effective (his opening monologue is totally insane, but thoroughly entertaining). Kevin Spacey is the office manager who will not bend the rules for anyone, much to the rage of the office. Ed Harris and Alan Arkin round out the rest of the salesmen. Harris plays Dave Moss, who has the world's biggest chip on his shoulder. Arkin is George Aaronow, who desperately needs to land a good sale. Most of his role consists of reacting to Harris and Pacino, but he's very good.

    The day after Baldwin's talk, the salesman come to work to find the office robbed. The new leads are missing. Probably an inside job. It could have been anyone. Everyone is questioned by the police and everyone is insulted that they are considered suspects. Ricky is mad because the robbery may have screwed up his latest sale, putting his ownership of the Cadillac in jeopardy. Also, last night's client comes looking for him -- he has second thoughts. The way Ricky tries desperately to blow off his client while still playing the salesman is creepy and brilliant. Lemmon is amazing as Levene -- I've never seen desperation played so well.

    Having said all that, I, along with the rest of the GGR fans, have been waiting years for this film to arrive on DVD. Especially since it's been promised as a "two-disc special edition." What a disappointing package it turned out to be.

    Well, let's be fair. First of all, the film. It looks great. It sounds great. They did a great job with the film itself. But don't promise a loaded special edition and then give us something as lame as this. The only commentary track on the widescreen version is director James Foley. He only speaks during three scenes. The other commentary tracks are only available on the full-frame version (on disc two) and are not scene-specific.

    The extras include "Magic Time," a tribute to the late Jack Lemmon, which is well-meaning but could have been a lot better. It does, however, end with a clip from Lemmon's appearance on "Inside the Actor's Studio," which is sweet. There is also "Always be Closing," another slapdash mini-documentary that features directors, playwrights, actors (including GGR's Alan Arkin and Alec Baldwin) discussing the role of the salesman in plays and films, as well as actual salespeople themselves. Sound interesting? It's not. It lacks any kind of cohesive thread. It appears to have been produced by a first-year film student. There's no structure to it. It looks unfinished.

    There's also a clip from Kevin Spacey's appearance on "Inside the Actor's Studio" where an audience member acts out a scene from GGR with Spacey. I'll admit, I enjoyed that bit.

    Why in the world didn't Criterion release this? They would have done a much better job and besides, they released the laserdisc version (with commentary tracks from Jack Lemmon, among others, I'm told). What we end up with here is an amazing film with an amazing transfer...and a bunch of lame extras thrown in.

    If you're a fan of this film, by all means, buy the DVD...but don't expect much in the area of extras.

    5-0 out of 5 stars Best Sales Movie Ever
    Exaggeration & Repetition: Performance keys to live by

    There are two keys to being a good performer, whether you are writing or telling a story, whether you are selling something or selling yourself: Always exaggerate things by one thousand percent, and use repetition at least 500 percent.

    Those who understate a story or product that may not be very strong in the first place, will fall victims to making that story or product look weak. The way to avoid making yourself or whoever/whatever you are representing look weak is to follow the aforementioned keys. The way to do that when the product or story is weak is to learn how to "B.S." That is where being a good performer comes in...

    You are an actor, and being outgoing and to the extreme will always give the impression that whatever you are talking about is "the best." A good actor can do this perfectly and not come off as overly co.cky or obnoxious. Always say what the other person wants to hear. The customer is always right. Do whatever you can to "nail the gig."

    There is something else to keep in mind when doing this particular form of "B.S.-ing," and that is the "K.I.S.S." method of "keep-it-simple-stupid." That may sound like a contradiction to the keys, but it is not. Keeping it simple, is not disclosing the real specifics, but still making your case sound like it's above and beyond every other possible option. This comes in handy particularly when someone asks you a question that you may not know the full answer to. That is where "filling" comes in---something that students do when writing an English essay on a test. If you have a general idea of what you want to say but don't have a specific reply to a portion of the question, you "fill" that essay with long winded run-on sentences. However, the whole thing must be coherent, and if your essay is well-written and has a good amount of clever puns and humor, you cannot lose. If you are a slick actor or writer, you can fool even the best of English teachers into at least giving you an "E" for effort.

    Another thing to keep in mind is that you will never lose if you can "meet in the middle." What that means is this: Suppose a shirt looks like it is worth $15 to a customer but you build it up so much and make it sound like it's worth $50... By the end of the conversation, if you are doing your job, you are going to get them to meet you in the middle and the final conclusion will be that the price of the shirt is around $25. The real worth may be no more than $15 (and maybe even less), and certainly nowhere near $50, but you still get the "E" for effort and earn $25. You aren't really getting into details on why the shirt is worth so much more than the customer thinks, but you are pounding it into their head that it's worth $50. You are exaggerating and repeating. You are using adjectives that may or may not apply to that shirt but you are making it sound great and far above what it's worth. So finally, they will concede a price of $25. You were stretching the truth about the shirt being worth $50 and they may have been undervaluing it at $15. Essentially, you are both lying and both playing a game with one another, but finally, a minimum of $25 is agreed upon. No one may ever find out the true value, but it's irrelevant anyway. This works in any situation.

    Exaggeration and repetition. But remember to K.I.S.S.

    These keys could have been discussed in one paragraph, but it took an entire page, yet you as the reader were compelled to hang onto each word from start to finish. So I succeeded as a writer in that this essay was read from start to finish and my point was proven.

    The "Whale"

    A whale is a customer that you pull in, hook, line and sinker and mount on the wall. He is a golden nugget, a superstar, a monster. This type of customer that you get lucky enough to snag will be your customer for life. That means, you will either be set up for life from one deal you strike up or you will have him as a repeat customer that you can call back as a strong possible prospect forever.

    Sometimes it is tough to spot a whale, he may not always be overly outgoing or obvious about being a "buyer." So anyone can be a whale. The way to learn if someone is a whale or not is to simply get into their home and learn about their life and about them. So anything you can do to get your foot in the door will work.

    Start off small and discuss something that may appeal to their interest and work your way into their world. Don't pre-judge them until you learn about them. This will take time and patience, but all you need is a small "in" and then you can build on that and if you win the whale's trust, all it takes is one big deal to set you up for life.

    So practice the "A.B.C." method of "always be closing" with everyone, because anyone can be a prospect. While the impression may be given that you genuinely care about them, the main objective is getting them to sign on the dotted line.

    Of course the obvious "Gordon Gecko" type whales who go around showboating their spending habits and their skills are the true whales that if you are lucky enough to somehow snag, you are set.

    1-0 out of 5 stars A play trapped inside a movie.
    'Glengarry Glen Ross' has good dialogue and good acting by the fine actors, but this is actually a play trapped inside a movie. They should not have made it into a movie.

    5-0 out of 5 stars Put that coffee down!
    If you're looking for car crashes, gun fights and naked people you won't find them here. But if great dialogue and raw emotion hold your interest, it doesn't get any better than this. Every one of these guys should have won an award for their roles in this movie. Not sure if this particular DVD contains the interview with Jack Lemmon that was included after one of the cable TV broadcasts of the film. If not, it should!

    5-0 out of 5 stars Always Be Closing!
    Most people think of explosions, car chases and action/adventure films as guy movies. Well, maybe, but those are for boys. There's no car chase in this movie, no deaths and no guns. But it manages to hold your attention while telling its story of real estate salesmen. This is the quintessential guy movie. This screen adaptation of David Mamet's Pulitzer-winning play is incredibly stagebound, which was a stroke of genius: thus, the fast-paced dialogue and the desperate, macho facades of the characters become, and stay, the focus. This allows the amazing talents of the cast to flourish. Pacino and Lemmon are untouchable. Ed Harris is outstanding. Having just the four main characters makes the whole thing seem oddly forced at times. Baldwin's slick delivery of his ball-busting speech to the three underachieving salesmen, is a scene to remember. Highly recommended. ... Read more

    12. Soylent Green
    Director: Richard Fleischer
    list price: $19.98
    our price: $15.98
    (price subject to change: see help)
    Asin: B00009NHBM
    Catlog: DVD
    Sales Rank: 2275
    Average Customer Review: 4.26 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan


    The is the year 2022. Overcrowding, pollution, and resource depletion have reduced society's leaders to finding food for the teeming masses. The answer is Soylent Green -- an artificial nourishment whose actual ingredients are not known by the public. Thorn is the tough homicide detective who stumbles onto the secret so terrifying no one would dare believe him. ... Read more

    Reviews (97)

    3-0 out of 5 stars 3 1/2 stars for sharply written and directed sf classic
    THe 70's were a strange time for science fiction films. There were a number of minor classics (Westworld, the absurd and pretentious Zardoz, Logan's Run) and major space operas (Star Wars)that dominated the scene. While none of these films were perfect, Soylent Green was one of the outstanding efforts from the era. Although it's a flawed minor masterpiece, the strong performances from Heston, Robinson, Leigh Taylor-Young and Chuck Conners help the film continue to shine. All the actors benefit from the assured direction of veteran Richard Fleischer. The film was produced during one of MGM's bleakest periods and, in turn, has a rather bleak out look about the future.

    Set nearly twenty years from now, humanity has used up most of our resources and spoiled the planet. There isn't enough to eat and there's even less space to live in; the cities are crowded with street people everywhere. The middle class is virtually extinct and only the wealthy have lives approaching the comfort to which we've become accustomed.

    A executive with a major food corporation is murdered. The company produces a variety of pre-processed foods that are popular among the general population. Fresh fruit and foods are almost as extinct as many of the species that have disappeared from our overburdened, overdeveloped planet. Charleton Heston plays Detective Thorn who is investigating the murder. In the process, his life is threatened and he comes into major conflict with the police force about his methods. What Heston's character discovers about the food maker could unravel the fabric of the comfortable society that runs the world.

    Soylent Green is based on Harry Harrison's fine novel Make Room, Make Room!. The adaption incorporates a lot of common themes from films during the 70's particularly the issue of the ecology. That isn't to say this film is obsessed with issues. While there are a number of importance observations, all of them are well integrated into this sharply written science fiction murder mystery. The direction by Richard Fleischer (Fantastic Voyage, 20,000 Leages Under the Sea, Treasure Island)isn't as stylized as one would expect but he does manage to get the most out of the material. The director's commentary is often wry and observant--a rarity now on most DVDs.

    This was Edward G. Robinson's last film and his 101st. A talented, popular actor often misused by Hollywood, Robinson gives a startling fresh and powerful performance as Heston's roommate and assistant Sol. His final scene in the film is both powerful and gives Heston's character the faith to carry on his investigation. The dinner scene between Heston and Robinson (which was ad libbed) is terrific and much of the dialog and banter between the two actors is both funny and touching.

    The DVD looks terrific particularly after all the poor prints that have circulated on television. Yes, there's analog artifacts but this is probably about as pristine a print as were likely to see. The transfer is vivid and well balanced. The sound is fairly strong given the fact that this was pre-THX and stereo. The DVD includes a couple of short featurettes about Heston and the making of the film. Robinson also gets due notice. A vintage theatrical trailer is also included.

    Soylent Green's importance in science fiction cannot be underestimated. There were a number of bad films produced after 2001 and Planet of the Apes (including many of the sequels to the original Apes film)that had cheapened the luster these two fine films had temporarily given to science fiction. Soylent Green is a somber, powerful film. It's also an entertaining mystery. After this the genre would fall back into decline (although there were a few highlights) until the success of Star Wars in 1977. Thoughtful, impactful science fiction films were rare during the 70's. Although Soylent Green hasn't aged as well as one would expect, it's intent and the power of the performances, script and direction still make it a potent look into the future.

    5-0 out of 5 stars 'Soylent Green' still nourishing after all this time!
    If there was ever such a thing as 'sci-fi-noir', this is it. This wonderful, pessimistic, science fiction flick works as a cautionary tale, an action-mystery and a love story to boot. Charlton Heston fans will love it! It's 'Taylor-made' for the big guy (pardon the 'apes' pun). Heston excells at playing the cynical, tough yet decent sort; here a cop who's trying to unearth a cover-up reaching into the very top of government and industry. The movie is paced well and allows us to experience the gritty, sooty, reality of an exhausted, failing industrial society in the all too near future. The story line is supported by wonderful supporting performances by notable actors like Leigh Taylor-Young, Brock Peters, Chuck Connors, Joseph Cotten, and the great Edward G. Robinson, in what I believe is his last move. Unlike some 70's science fiction movies, the premise of 'Soylent Green' has not proved dated. It's as frightening and riviting today as it was when it was filmed nearly three decades ago. It's also poignant. The scene where Sol Roth (Edward G. Robinson) weeps out of sadness as the delighted Thorn (Heston) tasts the first real food he's ever eaten, is pristine, pure, gut-level story telling. Thorn's ultimate abandonment of his love interest, (Leigh-Taylor Young) to her unhappy fate is in keeping with the film's hard edge. Ultimately Thorn and Roth uncover a secret best left hidden. This movie never flinches. It's not as well known as Heston's other science fiction classic, 'Planet of the Apes' but 'Soylent Green' is great entertainment and perhaps the most underrated science fiction movie of the 1970's!

    1-0 out of 5 stars "Sorry We Went" Green
    My wife and I saw this film in his initial theater release, expecting a good couple of hours entertainment, because of our faith in Charlton Heston. Bad move! Though it did depict rather well a bleak Malthusian future, its focus was entirely on efforts to obtain the wondrous Soylent Green as food, since it was so much superior to the other 2 colors. Alas, as soon as we had guessed the "shocking" source of the Green, there was nothing more to this one-trick-pony of a movie.

    5-0 out of 5 stars A nightmare every time closer
    In 2022 the population's growth may reach eight billions people So the awful warning call given by Aldous Huxley ( A new visit for a brave new world) , George Orwell (Animal's farm or 1984) will suppose several restrictions about the free circulation vehicles and also an estimated amount of liters of water by each one of us.
    This film is a very clever scifi story about a overcrowded world, where the reduced free spaces of the world we know actually , may be more narrow.
    The story holds a deep reflection about the effects of a claustrophobic world, the lack of certain benefits you assumed almost naturally till now.
    This movie shows us about a reality not so far. This work was the last appearance of Edward G. Robinson; thanks to Heston efforts for including him in that role. The last sequence in which you watch the ancient world like it was; it depicts a bucolic landscape; and the Pastoral Symphony works out perfectly with this goal. You may feel it something tearful, but the remarkable point is the hidden message. Still we are on time to avoid it. But who'll take this dangerous flag?
    This film was released just one year after since Roma's club establihment, in 1972. In that age I had the opportunity of reading that fundamental work of Barry Commoner titled The circle that it closes.Watch for this one. Because with these raising reflections about the enviroment concern around the world made it possible, by instance, avoid to throw several hazardous weapons over Vietnam, whose direct and collateral effects had not studied enough. Chernobyl was just only fourteen years before and Long island twelve years.
    Only with this long introduction you'll be capable of understand why this film,together with Farenheit 451, Capricorn one, The Omega man, Zardoz, The planet of the apes , 2001 and Solaris were made between 1967 and 1972. We are taking about movies of film makers so distant in style and view directorial as Kubrick , Tarkovski, Truffaut, Schafner ,Hyams and Boorman, but surrounded by that cloudy atmosphere who involved the world in those days.
    A must for you to watch. It will let you thinking for a long, long time.

    5-0 out of 5 stars An Underrated SF Thriller
    I just rediscovered this classic movie on DVD recently. It is an extraordinary and haunting film with a powerful message. The performance by Edward G. Robinson is moving, and it's almost obligatory to say that Charles Heston chews up the scenery (as usual).

    Some of the reviewers here have bemoaned the fact that there are so many 70s-type vehicles in the world of Soylent Green, which detracts from its setting in the year 2022. Nothing could be further from the truth. I remember watching this film in 1973 and was very conscious of that fact that it was projecting what NYC might look like 49 years from then. Why so? Read on.

    Not to state the obvious, but this is a film about a dystopian future. The planet is overpopulated and running out of resources. All of the major oil fields on earth have passed peak production (our experts tell us that the last major fields in Saudi Arabia and Iraq will reach peak production in just a few years from now). Most of the automobiles are old and broken down. Infrastructure is decaying. Even in 2004, here and now, you can see this process beginning. In many parts of the city where I live, people are driving vehicles manufactured from the 1960s, 1970s, and 1980s. Things are run down. People are working harder and making less money. Richard Fleischer's vision of the future is brilliant and spot on.

    So what about the cheesy 70s background music, you say? All I can say is that by 2022 there might very well be a 70s renaissance, because by then people will have realized how good things were in the 1970s. Look at us in 2004, we're still playing Beatles music, and it is quite likely that the music industry will dramatically change or won't even exist by 2022.

    And finally, to underscore the scope and brilliance of this film, just do some investigative research into today's Monsanto Corporation and see if you can't find an overwhelming parallel with the Soylent Corporation depicted in the film, whose aim was to control the world's food supply.

    And who knows, by the year 2022, food processing and Chicken McNuggets will be so pervasive that NOBODY will know where their food really comes from. What a chilling thought.

    I wish that every person on this planet owned this DVD. It's not just a great Heston film, or a brilliant science fiction thriller, it's an important film for all of mankind...because it's still not too late.

    p.s. the amazing quality and sharpness of the images in this film are astounding. This is the film that I saw in 1973. All other versions have been muddy and dark. Another outstanding transfer!! ... Read more

    13. Earth 2 - The Complete Series
    list price: $49.98
    our price: $34.99
    (price subject to change: see help)
    Asin: B0009JE6G6
    Catlog: DVD
    Sales Rank: 530
    Average Customer Review: 5.0 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (2)

    5-0 out of 5 stars An Excellent, But Short-lived Sci-Fi TV Series
    Michael Duggan, Carol Flint, Mark Levin and Billy Ray created an interesting concept for a new sci-fi TV program.Airing in the fall of 1994, their show was entitled "Earth 2" and was set 200 years in the future."Earth 2" painted a very dark future for mankind in which the Earth is no longer capable of supporting terrestrial life.Consequently, the surviving members of the human race have been living in orbiting space stations; but living in the sterile environments has created a sickness called the Syndrome.A wealthy woman named Devon Adair (Debrah Farentino) is convinced that the key to mankind's survival, including her Syndrome-infected son Ulysses 'Uly' Adair (Joey Zimmerman), is to once again live in a natural environment.Gathering 250 other Syndrome-infected families, she pursues the establishment of a colony on a planet named G889 orbiting a star 22 light-years away; but the current government has other plans for planet G889. Undeterred, Devon, her son and some of the other 250 families embark on a ship named "Eden Advance" for G889 to establish a community in advance of the main colonization; but the ship has been sabotaged.The ship arrives at G889, but the ship soon explodes.Stranded on G889, the ship's survivors attempt to settle and begin new lives on G889.The survivors include Devon, Uly, engineer John Danziger (Clancy Brown), his daughter True (J. Madison Wright), pilot Alonzo Solace (Antonio Sabato Jr.), Dr. Julia Heller (Jessica Steen), Earth-government representative Morgan Martin (John Gegenhuber), his wife Bess (Rebecca Gayheart) and Uly's cyborg teacher Yale (Sullivan Walker).

    Unfortunately, lower than expected ratings for the series caused its cancellation after its first season; so only a total of 22 episodes were ever produced. These episodes include the following:

    1. "First Contact (1)".The embarkation to G889, destruction of the ship and survivors reaching the planet's surface.G889 is inhabited by subterranean natives called Terrians.

    2. "First Contact (2)".Uly is abducted by Terrians, but he is returned after they heal him from they Syndrome.

    3. "The Man Who Fell to Earth (Two)". An astronaut who had previously crash-landed on G889, Gaal (Tim Curry), kills the commander (Richard Bradford).Solace has Terrian dreams.

    4. "Life Lessons". Gaal tries to disrupt the survivors' encampment.

    5. "Promises, Promises".Gaal abducts several Terrians; but the colonists free them. Gaal disappears underground and is never seen again.

    6. "A Memory Play".The colonists discover a third escape pod with people infected by a woman that had been implanted by the government to sabotage the ship.Grendler saliva is the cure.

    7. "Water". Devon & Dazinger search for water.

    8. "The Church of Morgan". Morgan & Bess argue while Dr. Heller contemplates removing Uly's pineal gland; but Uly is becoming an evolutionary link with the Terrians.

    9. "The Enemy Within". Dr. Heller injects some of Uly's DNA into herself, she goes nuts and is abandoned.

    10. "Redemption". Dr. Heller rejoins the colonists thanks to Solace.

    11. "Moon Cross". A woman, Mary (Kelli Williams), is found living among the Terrians, who want Uly to be their link with colonists.

    12. "Better Living Through Morganite (1)". As Yale regains his memory, Morgan finds glowing rocks.

    13. "Better Living Through Morganite (2)".Mary saves Yale from Terrian punishment after he's been captured (along with Morgan and Bess) and finds out he's not a criminal.

    14. "Grendlers in the Myst". The colonists believe they have located a killer, but he's only the son of the real killer that's now only a hologram.

    15. "The Greatest Love Story Never Told". Danzinger comes across a colony of reformed criminals

    16. "Brave New Pacifica". Two scavenging Grendlers come across a box containing human blood.

    17. "After the Thaw". Dazinger is possessed by a an evil Terrian's spirit.

    18. "The Boy Who Would be Terrian King". A future version of Uly travels back in time to have Devon hide some his blood.

    19. "Survival of the Fittest".Several colonists start to act strange after consuming a Grendler when they are stranded.

    20. "All About Eve".Dying from a mysterious disease, the colonists find a crashed ship from 100 years ago whose computer may explain the cure.

    21. "Natural Born Grendlers". Solace gets depressed about being marooned while Devon & Bess trade for supplies with a friendly Grendler.

    22. "Flower Child".Dazinger & Bess have strange symptoms after being sprayed with a native plant's pollen.

    Overall, I rate "Earth 2-The Complete Series" with 5 out of 5 stars. It's a shame that this show was not given sufficient opportunity to continue past its first and only season.

    5-0 out of 5 stars G889 on DVD at last!
    Long-awaited by fans to come to home video, Earth 2 chronicles the first months of survival for a small party of human colonizers stranded on what seems to be an ideal terraform world.Emerging from a mildly dystopian, bureaucratic, and ecologically disastrous future in which much of humanity has moved onto space stations, this planet - G889, or "Earth 2" - is a veritable Shangri-La.Sabotaged by a manipulative orbiting government, however, the crew is faced with a paranoid landscape in which they cannot trust each other at first, or the initial appearance of G889. Some of these colonists intended to make landfall on the planet, others didn't, and none of them anticipated the trials they would face from the planet, from each other, and from a distant but subtly menacing Earth.They must form a cooperative band to not only survive, but acclimate to this strange planet while trekking to the site of their planned advance colony before a large colony ship arrives.

    After a decade in which the only available copies of these 21 episodes were those recorded from the original (and occasional syndication) broadcasts, and after recent petitioning by a dedicated core of fans, Earth 2 finally comes to DVD.Though not inherently creative (many of the show's aliens, incidents and general plot themes could be found throughout science fiction literature and films), Earth 2 did weave together disparate fiction conventions in unique and often charming ways to produce a literal wagon train in the stars.Underlying themes of environmentalism, indigenous rights, female empowerment, and repentance, though, added a substance to what might have otherwise been a bland, repetitive imitation of other science fiction.Although occasionally hokey and even melodramatic (i.e., time-lapse cloud footage and poor music video-quality "dreamscape" scenes do degrade the show at times), this short-run series remained entertaining, consistent, and resonant to real-world issues; it continues to be on the eve of its return to television via this 3-disc DVD set.The set is likely scant on extra features, as the series was filmed before making-of specials for television shows had become the ubiquitous smorgasbord DVD consumers have come to expect on current series' releases.However, the episodes alone are worth the purchase.

    Fans of more recent television series, such as "Firefly" (though Earth 2 admittedly lacks the verbal wit and relative sophistication of Joss Wedon's sci-fi series), may enjoy giving these discs a spin.Readers of Niven's "Ringworld" series or Robinson's "Mars" series may also be interested in giving Earth 2 a try. ... Read more

    14. The Sopranos - The Complete First Five Seasons
    list price: $499.92
    our price: $321.99
    (price subject to change: see help)
    Asin: B0007YMVY2
    Catlog: DVD
    Sales Rank: 5579
    US | Canada | United Kingdom | Germany | France | Japan

    The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home, chronicling a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there's the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood. The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his midlevel capo's machismo, yet instantly recognizable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers, and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.

    Alternately seductive, exasperated, fearful, and murderous, James Gandolfini's Tony is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr. Melfi, a convincing confidante, by turns "professional," perceptive, and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what's not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings.

    In its second season, The Sopranos repeatedly defies formula to let the narrative turn as a direct consequence of the characters' behavior, letting everyone in this rogue's gallery of Mafiosi, friends, and family evolve and deepen. That gamble is most apparent in the rupture of the relationship that formed the spine of the first season, the tangled ties between Tony and Livia, whose betrayal makes Tony's estrangement a logical response. Filling that vacuum, however, is prodigal sister Janice (Aida Turturro), whose New Age flakiness never successfully conceals her underlying calculation and opportunism. Soprano's relationship with therapist Melfi also frays during early episodes, as she struggles with escalating doubts about her mobbed-up patient. At home, Tony contends with wife Carmela's ruthless ambitions on behalf of college-bound Meadow (Jamie Lynn Sigler), as well as son Anthony Jr.'s (Robert Iler) sullen adolescent flirtation with existentialism--the sort of touch that the show handles with a smart mix of sympathy and amusement.

    In the brutal and controversial third season, The Sopranos justified its 11-month hiatus with some of its best, and most hotly debated, episodes. It continued to upend convention and defy audience expectations with a deliberately paced, calm-before-the-storm season opener that revolves around the FBI's attempts to bug the Soprano household, and a season finale that (for some) frustratingly leaves several plot lines unresolved. "Employee of the Month," in which Dr. Melfi is raped and considers whether to exact revenge by telling Tony of her attack, earned Emmys for its writers, and is perhaps Emmy nominee Lorraine Bracco's finest hour. Other story arcs concern the rise of the seriously unstable Ralph Cifaretto (Joe Pantoliano) and Tony's affair with "full-blown loop-de-loo" Gloria (Emmy nominee Annabella Sciorra). Plus, there is Tony's estrangement from daughter Meadow, his wayward delinquent son Anthony, Jr., Carmela's crisis of conscience, bad seed Jackie Jr., and the FBI--which, as the season ends, assigns an undercover agent to befriend an unwitting figure in the Soprano family's orbit.

    Though for some the widely debated fourth season contained too much yakking instead of whacking, and an emphasis on domestic family over business Family, in most respects The Sopranos remains television's gold standard. The season garnered 13 Emmy nominations, and subsequent best actor and actress wins for James Gandolfini and Edie Falco as Tony and Carmela, whose estrangement provides the season with its most powerful drama, as well as a win for Joe Pantoliano's psychopath Ralph. Other narrative threads include Christopher's (Emmy nominee Michael Imperioli) descent into heroin addiction, Uncle Junior's (Dominic Chianese) trial, an unrequited and potentially fatal attraction between Carmela and Tony's driver Furio, and a rude joke about Johnny Sack's wife that has potentially fatal implications. Other indelible moments include Christopher's girlfriend Adriana's projectile reaction to discovering that her new best friend is an undercover FBI agent in the episode "No Show," Janice giving Ralph a shove out of their relationship in "Christopher," and the classic "Quasimodo/Nostradamus" exchange in the season-opener, which garnered HBO's highest ratings to date. Freed from the understandably high expectations for the fourth season, heightened by the 16-month hiatus, these episodes can be better appreciated on their own considerable merits. They are pivotal chapters in television's most novel saga.

    From the moment a wayward bear lumbers into the Sopranos' yard in the fifth-season opener, it is clear that The Sopranos is in anything but a "stagmire." The series benefits from an infusion of new blood, the so-called "Class of 2004," imprisoned "family" members freshly released from jail. Most notable among these is Tony's cousin, Tony Blundetto (Steve Buscemi, who directed the pivotal season 3 episode "Pine Barrens"), who initially wants to go straight, but proves himself to be something of a "free agent," setting up a climactic stand-off between Tony and New York boss Johnny Sack. These 13 mostly riveting episodes unfold with a page-turning intensity with many rich subplots. Estranged couple Tony and Carmella (the incomparable James Gandolfini and Edie Falco) work toward a reconciliation (greased by Tony's purchase of a $600,000 piece of property for Carmela to develop). The Feds lean harder on an increasingly stressed-out and distraught Adriana to "snitch" with inevitable results. This season's hot-button episode is "The Test Dream," in which Tony is visited by some of the series' dear, and not-so-dearly, departed in a harrowing nightmare. ... Read more

    15. Xena Warrior Princess - Complete Series (Seasons 1-6)
    Director: T.J. Scott, John Fawcett, Karen Dior, Robert Ginty, Ken Girotti, Bruce Seth Green, Patrick R. Norris, Janet Greek, Mark Beesley, Harley Cokeliss, Charles Siebert, Allison Liddi, Oley Sassone, Charlie Haskell, Gilbert M. Shilton, Renée O'Connor, John Cameron (II), Anson Williams, Philip Sgriccia, Robert G. Tapert
    list price: $449.98
    our price: $312.99
    (price subject to change: see help)
    Asin: B0007DA3VG
    Catlog: DVD
    Sales Rank: 9197
    Average Customer Review: 5.0 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (4)

    5-0 out of 5 stars Learning experience
    About the series itself.. There is so much more to it than just some entertaining TV. It has a value for life. Everyones life..
    The message it carries is huge..

    Thank you for making this series!

    5-0 out of 5 stars THIS Collection its a MUST HAVE
    Very interesting series, maybe the first series with a lesbian subtext in the modern US television history. Mark the first steps of the begining of a new-way-thinking world that opens today.

    5-0 out of 5 stars Just plain entertaining
    For everything that's been written, please don't forget that the Xena series is plain good fun! A little campy, sometimes over the top, but always entertaining.

    Now when will they all reunite for the feature-length movie???

    5-0 out of 5 stars 10 Yrs Ago The Phenomenon Began...Six Glorious Seasons
    Xena Warrior Princess first aired in 1995. It would enjoy a successful 6 seasons concluding in early 2001. The entire 6 seasons is soon to be available on a special DVD package starting March 8. Australian actress (and yes she did her own stunts) Lucy Lawless starred as the larger than life, heroic and complex character of Xena. It began when Xena met Hercules who changed her way of life. Formerly, Xena had been a brutal, ruthless terrorist seeking revenge on the men who had raided her village. Hercules enlightened her and converted her into the side of good. Xena sets off to right the wrongs of the world and to protect the weak, heroically saving the Ancient World from all forms of evil. Sidekick Gabrielle (Renee O'Connor) is a bubbly, poetic and sensitive romantic whom Xena takes on as her protege. Trainig with Xena, Gabrielle undergoes a great change from shy poetess to confident and powerful warrior. Xena herself goes through much change, increasingly becoming more and more of the noble hero/martyr. The show may be unsuitable for very young children say kids under 8. There is definate adult material- battle scenes, violence, war, physical fighting and even some nudity. I would have to say that it's rated PG-13 or even R. It's best viewed by very mature kids or by teens 13-18. It was never excessively violent and at heart, it was human drama and quite spiritual. Essentially, it was the life-changing adventures of Xena and Gabrielle, who roam the world- Egypt, China, India, ancient Sweden, in search of truth and redemption. Along the way, Xena fully embraces her feminine side and lighter side, becomes a mother, loses a son, deals with heroic and even divine figures (Greek gods Ares, a diabolical god Dahok and the Hindi god Krishna) and becomes the stuff of legend as she passes on to the world of spiritual purity.

    My favorite episodes (warning..some spoilers)..are: Xena saves Joseph and Mary the parents of baby Jesus from evil King Herod, Xena safeguards the Ark of the Covenant with the help of the Prince of Thieves (played by Bruce Campbell, king of B movies), Xena becomes a mother and loses him, Gabrielle gets "impregnated" a la Rosemary's Baby with an evil demon child she calls Hope and later has to deal with destroying her despite fighting her maternal instincts, the Bitter Suite a very well written musical in which Xena and Gabrielle are fighting against each other due to the death of their two kids and later reconcile, the more lighter musical Lyre Lyre in which a song contest is held, Xena goes to China and is trained by a wise female spiritual guide, Xena and Gabrielle in India where they meet Krishna and the spiritual healer Eli, Xena and Gabrielle in ancient Norway/Sweden where they encounter figures of the Norse saga "Ring of the Nibelung", among them the Rhinemaidens and Valkyries, the "Paradise Lost" theme episode in which Xena and the archangel Michael battle demons in Hell, and the very moving finale episode which I will not give away. LOL...

    The show was very successful and drew millions of fans. Xena Conventions are still held even to the day. It has been 10 yrs now since the premiere of the series. In the 90's, it was easy to point out Xena and Gabrielle as lesbians. The 90's was a time of being proud individuals and openly gay or lesbian, and it is true that many lesbians did enjoy the show, but I never felt that the show contained lesbian themes or even subtext. Xena and Gabrielle were simply very close, intimate friends, even soulmates, but it was clear that their characters were written to be heterosexual. Both Xena and Gabrielle were engaged/married to other men at one time in the show- Gabrielle to her hometown boyfriend Perticus and Xena was involved with the following men- an ex warlord, a black warrior named Marcus and even at one point the war god Ares. Was it so hard to believe that two beautiful women were really close friends ? Does anyone know what true friendship is ? Xena and Gabrielle would have given their own lives for each other. There was also the mentor/apprentice, or student/teacher relationship between them. Even at the end of the show, Xena who passes on the mantle of hero status to Gabrielle. This is a good show for both men and women who openly embrace strong female heroes. This show is especailly appropriate for the new 21st century. Xena and Gabrielle never hated all men, they hated the evil some men could do. They had allies in men and women and not all the women on the show were "good". Who can forget the nightmarishly evil and sinister Callisto (played by Hudson Leick). Other people on the show were Ted Raimi as the funny and clumsy Joxur The Mighty, Bruce Campbell as the Prince of Thieves.

    ... Read more

    16. Dumb and Dumber
    Director: Bobby Farrelly, Peter Farrelly
    list price: $14.96
    our price: $9.99
    (price subject to change: see help)
    Asin: 0780618556
    Catlog: DVD
    Sales Rank: 485
    Average Customer Review: 4.42 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Delivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask. The film pairs the rubber- faced wacky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers.Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore.This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff Shannon ... Read more

    Reviews (257)

    5-0 out of 5 stars Best (and funniesr) movie ever made!
    I'll tell you, flat out, perfectly honest, i've seen this movie about.... oh, say 60, maybe 70 times, i can recite the whole movie from memory, and have noticed every single joke possibly concievable from this movie. SO whi is it, that every time I watch it, I crack up hysterically every 20 seconns? it because of the shear genius of Lloyd Christmas'(Carrey) utter stupidity, because of Harry Dunn's(Daniels) complete lack of any common sense. The movie isnt like other comedies, you know, the ones you buy, laugh at them once, watch it again, and say,"Why did I even think of buyin' this?" Well this movie, about two complete idiots, who have been best friends all their life, aqcuire a briefcase that was left in an air terminal by the prettiest woman Lloyd has ever seen. Now Lloyd and a reluctant Harry travel cross country, from Providence to Aspen, just to return the briefcase. Along the way, they'll unkowingly run into kidnappers, "laid back country folk" as Lloyd would say, and more than one police squad, just to return a briefcase that they dont even know whats in it, or the entire womans name! You have to see it!

    4-0 out of 5 stars It's supposed to be dumb, people!
    I don't why many movie critics from the past and the present critically panned this film. It's freakin' hilarious! It paved the way for disgusting comedies like THERE'S SOMETHING ABOUT MARY and SCARY MOVIE. By the way, the Farrelly brothers, who masterly directed this film, also did MARY.

    Anyway, DUMB & DUMBER will leave in hesterics! Jim Carrey and Jeff Daniels are amazingly stupid as characters Lloyd and Harry. The two lovable losers from Rhode Island go cross country to Aspen, Colorado to return a loaded briefcase to a woman named Mary (Lauren Holly), whom Lloyd is in love with. But the two dimwits don't know that assassins are on theyre' tail to retrieve the briefcase! Ok, everyone know's the storyline, so let's talk about the humor in the film.

    One of my favorite scenes in the film is when a cop pulls Harry and Lloyd for a speed ticket, and unknowingly drinks a beer bottle with Lloyd's yerin in it. Funny! And when the dipstick Harry sticks his tongue to a frozen pole (borrowed liberally from A CHRISTMAS STORY) and experiences horrible diahorea. Sounds crude, but it's movie magic at its best. Oh yeah, the scene where Lloyd accidently killing a endangered snow owl, and saying the line "Boy this party really died", is a classic Carrey moment.

    If your a fan of Carrey and the Farrelly Brothers, or like disgusting comedies, or just simply a moron, you'll love this film! One of Carrey's best!

    5-0 out of 5 stars Hilariously funny comedy classic!
    I was absolutely appalled at how horrible the prequel "When Harry Met Lloyd" was when released in 2003 so I went back to the original from 1994 and let me tell you, it is still a really funny and witful comedy classic.

    Jeff Daniels and Jim Carrey are an amazing team starring as two really low-wealth bums in the run-down slums of the east coast rustbelt and when Lloyd Christmas (Jim Carrey) is a taxi driver at the airport, an attractive woman (Lauren Holly) accidentally leaves behind an important suitcase with important material and now Harry along with his longtime dim-witted friend Harry Dunn try to compete to win her heart over and go all the way to Aspen, Colorado to return the suitcase to her but they are unaware that they are being persued by a criminal couple involved in a criminal crime ring.

    This movie is just plain funny and while certainly not a masterpiece by any means, it is nonetheless a memorable movie by both of the lead actors and Daniels and Carrey are a wonderful comedy duo team and a pity taht Derek Richardson and Eric Christian Olsen could not take notice of how well the former two did on this original movie.

    This is a movie that warrants taking off the thinking cap for a while and get out the soda and popcorn and share a laugh with your friends.

    5-0 out of 5 stars Just hilarious!
    By far Jim Carrey's best film he has ever done in his entire life. Even if you can't stand him, you can't help laughing in this. The film is about Lloyd (Jim Carrey) and Harry (Jeff Daniels, who is equally as funny). Lloyd is at his Limo driving job and he picks a woman up to take to the airport. But he falls deeply in love with her, and when he drops her off, she forgets to take her briefcase and Lloyd chases after her... but he just misses her (an excellent scene!). So, he doesn't know what to do with the case. He persuades his friend Harry to go out in their car to find her and give it back to her. Harry soon says: "ok" and they headto Aspen to return the case. But the case isn't what the seem it is to be, and they could be the wrong guys to have hold of it.

    The film has just so many out-ragious scenes, including a scene in a restaurant were they fill this guys' bruger up with spicy peppers and he heats up when he takes a bite. The film does come to one of those endings were the villain shows up and it gets less funny and more serious.

    So, right from the very minute this starts you'll be laughing. Any words that come out from Harry or Llyod's mouth is just so hilarious.

    5-0 out of 5 stars The Jim Carrey Show (guest-starring Jeff Daniels)
    Harry and Lloyd (Jeff Daniels and Jim Carrey) are bosom buddies and undoubtedly the two most stupid human beings on the face of the earth. They get involved in a kidnap-for-ransom scheme that prompts them to undertake a cross-country drive to Aspen, Colorado. Along the way, there are plenty of comic episodes.

    Although Jeff Daniels is great, Jim Carrey really carries this movie. He is absolutely incredible. I suppose that every generation needs its own Jerry Lewis, but Carrey out-Jerry-Lewises the original. His energy, flexibility, and unerring instinct for the madcap are quite amazing, and I think that future generations will remember him as a great comedian. Check out the fight scene in the restaurant, for example, and notice how many long, unbroken shots comprise it. This film is lowbrow to be sure, but it cracks me up every time. What more can you really ask from a comedy? ... Read more

    17. Queer as Folk Pack (Seasons 1, 2 & 3)
    Director: Laurie Lynd, John Fawcett, John L'Ecuyer, David Wellington, Michael DeCarlo, Chris Grismer, Kari Skogland, Kevin Inch, John Greyson, Kelly Makin, Jeremy Podeswa, Bruce McDonald, Steve DiMarco, Alex Chapple, Ron Oliver, Russell Mulcahy
    list price: $350.00
    our price: $245.00
    (price subject to change: see help)
    Asin: B0001F6KLC
    Catlog: DVD
    Sales Rank: 4012
    Average Customer Review: 5 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (5)

    5-0 out of 5 stars Spot on!....A Brilliant Serious/Story Tale.
    Spot On! This BRILLIANT serious indicates exactly what gay life is about and the difference amongst us all within the gay community. Well done and congratulations to the writers of Queer as Folk. I am totally hooked to this serious.

    5-0 out of 5 stars EXCELLENT TV SHOW!!
    I absolutely love the show!!
    It's so cool that the show presents a different world to me!
    I enjoy involving the relationship between those charaters! They are adroable and memorable!! Especially the affection between Brian and Justin! It would be precious to you if you decided to buy those series!! I promise!!

    5-0 out of 5 stars Best Series Ever For Our Gay Community!
    ITs about time that Queer life is celebrated! I own "Queer As Folk Seasons 1-3" and its the best showtime series I have ever seen! All 3 seasons so far have drama, romance, lust; and each season makes you want more! I became hooked instantly; having watched every season atleast five times!

    At first, I was worried, seeing that I never watched the series before buying them. I jumped with both feet and bought all three at once. I Definitely, 100% not disappointed! The drama and the complications in the series between queer friendship, love, devotion, pride and honor is the best I have ever seen in any gay portrayed series!

    Queer as folk shows all aspects of Queer life! The love between Justin and Brian, Mikey and Ben, Ted and Emmett, Lindsay and Melanie; and many other characters brings this series to a new level. Showing the honest view of gay life. I feel for every character, and care for each person and their lives, as it unfolds. Words can't express this series other than its a must see and definitely MUST OWN collection!

    At times, this series will show sex and nudity, so its not for the faint at heart. But thats what makes this series even more special. The fact that nothings held back; in your face truthfulness of gay relationships! Its awesome!

    If you never watched Queer as folk, I recommend to everyone they should! I cant wait to own Season four!

    5-0 out of 5 stars The Entire Collection From a Great TV Show
    When "Queer As Folk" debuted on Showtime in 2000, it immediately sparked controversy, raising many eyebrows. Its unique graphic visionaries of sexuality has kept many talking. Not because of the sexual theme itself; it's the sexuality between two members of the same sex. The "in-your-face" effect earns the brave cast and crew tremendous respect for doing what no other has successfully done before. Before its debut, only two sitcoms have explored sexual orientation extensively: "Ellen" and "Will And Grace". The brilliance and the success of "Queer As Folk" has since earned rave reviews by many critics and still is today. Since its debut, the show has won and been nominated for several awards, including three, and counting, consecutive GLAAD Award nominations for Outstanding TV Drama.

    The variey of character personalities offers great plot variety. Brian's frequent sexual activity, Michael's homelike presence, Emmitt's flamboyance, and Ted's shyness are only some traits that offer such joy to audiences. Justin, Debbie, Mel, Lindsay, and Ben also offer their own unique presence. The acting offers more great additional entertainment value. New and interesting ideas always keep audiences awaiting for the next episode. The combination of realism, drama, and slight comedy offers issues that some viewers can relate, including the straight/ ally community. Besides GLBT issues and struggles, it explores drug use, HIV/ AIDS, hate crimes, pornography, and many others. The shock value offers a great unforgettable experience. As the seasons progress, the plot and the characters follow.

    Season one, the season always to be watched first, explores the coming out process, struggles in high school, struggles in the workplace, same sex couples raising a child, and others. Those who haven't watched the show will witness Justin meeting Brian for the first time, Lindsay giving birth to Gus (Brian is the father), Justin coming out for the first time, and of course Brian being Brian. Such deep chain of events and many others lead to a surprising and shocking season finale that keeps audiences awaiting for the second season premiere episode.

    Season two starts with the result of the traumatic event on last season's finale. The characters begin evolving more throughout this season. Some surprising turn of events keep audiences interested in every detail. New viewers will witness Michael and Ted beginning their dream jobs, Michael meeting Ben who is HIV-positive, the birth of "Rage", Justin beginning college, Brian admitting more of his love for Justin, and of course Brian still being Brian. Viewers will be shocked when they learn Debbie's weak spot, despite being a strong GLBT ally. Robert Gant makes a wonderful debut as Ben. The acting from everyong shows great improvement throughout this season. Everyone creates their own tactics to keep audience watching. The chain of events, and many others, lead to a great season finale, leading to season three.

    Season three answers questions that were cliffhanged in the second season finale. This season shows a greater variey of expressed issues, some which have not been expressed before, including politics, hustling, drug abuse, and others. This shows a greater emphasis on HIV/ AIDS issues, especially when Ben and Michael help a young hustler and when Ben's ex-boyfriend/friend dies of AIDS. This season shows surprising revolutions of some characters: an unlikely town hero arises to prevent a town from being run by a homophobic mayor candidate, an unlikely person becomes a crystal meth addict, and others. The chain of events and others lead to a shocking season finale that keeps audiences awaiting for season four.

    This "Queer As Folk" set is a great collecion item for fans. This is sure to keep audiences entertained for a long time. First time viewers must watch this edition in order. Otherwise, the chain of events will be confusing.

    Cast: Gale Howard (Brian), Hal Sparks (Michael), Randy Harrison (Justin), Peter Paige (Emmitt), Scott Lowell (Ted), Robert Gant (Ben), Michelle Clunie (Mel), Thea Gill (Lindsay), and Sharon Gless (Debbie).

    5-0 out of 5 stars Queer As Folk The Complete Seasons 1, 2, and 3 are wonderful
    Queer As Folk is one of the most amazing TV Shows ever and is a landmark as the show for the new millennium. This amazing Box Set has Season 1,2, and 3. After three seasons I am still amazed at how honest this show is on dealing with gay life. Not every gay person lives a life like these guys, but that is not what this show is about. Queer As Folk ia about the life of a group of gay guys and a lesbian couple living in Pittsburgh. Queer As Folk makes no apologies and thats what is so great about this series. From the graphic sex scenes to the drama of dealing with the prejudice that still haunts America, this show is so brave and I give Showtime a big thumbs up for having the balls to take on such a big risk as Queer As Folk. This show is as close as it gets to real life. This is not a show just for gay people, but for ALL people. It deals with human emotion and thats something that we can all relate to whether we be straight, gay, bisexual, black, white, brown or in between. I encourage anyone who has a open mind and a open heart to BUY this amazing DVD collection as it will inspire you and if nothing else open your mind to a lifestyle not as uncommon as you may think. Watch more than one episode before you judge this amazing series. With season 1, 2, and 3 you will be entertained with this awesome show for more than a few days!

    Queer As Folk The Complete First Season - The first Queer As Folk DVD Box Set has all 22 episodes of the first season of the most controversial and bravest series in the history of television. The total running time of all 6 DVD's is approx: 1,205 minutes which includes Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, A 6 minute Season 2 Sneek Peek, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh and all the dramas that go on in each of their lives.

    Queer As Folk The Complete Second Season - The DVD Box Set is over 900 minutes and has all 20 episodes of the second season of one of the most controversial television shows today. The BOX SET includes over 3 hours of Bonus features such as: behind the scenes outtakes, deleted scenes, special edition episodes, a Photo Gallery, DVD rom extras, and much more. Queer As Folk shows the life of a group of gay guys and a lesbian couple living in Pittsburgh. I feel the first season of QUEER AS FOLK is better, but this second season is very good as well and shows the growth of the characters. I have seen all 20 episodes of Season 2 and it is slower paced than the first season, and I sometimes find myself looking at my watch which rarely ever happened with season 1.

    Queer As Folk The Complete Third Season - This New Queer As Folk Season 3 DVD Box Set is over 673 minutes and has all 14 episodes of the third season, which is still one of the most controversial and bravest series on television today. This BOX SET like the seasons before include over 3 hours of Bonus features such as: Behind-the-camera, Hot Summer Days, Wrap Party Reel, Enter Babylon LA, Meet the Folks, Animated Photo Gallery, Season Four Sneak Preview, Weblink, Music Videos, and a few other surprises. I have seen all 14 episodes of Season 3 and it is another great season with some major twists. Season 3 is also a step above season 2 which was a little drawn out when compared to season 1. I do have to say I am a little upset that this season is very short when compared to season 1 and 2, which both had about 7 or 8 more episodes, but either way it is still a good season. Can't wait till the new Season 4 starts on Showtime soon. ... Read more

    18. Boccaccio '70 (Remastered Edition)
    Director: Mario Monicelli, Federico Fellini, Luchino Visconti, Vittorio De Sica
    list price: $29.95
    our price: $23.96
    (price subject to change: see help)
    Asin: B00080OB9I
    Catlog: DVD
    Sales Rank: 2775
    Average Customer Review: 3.5 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    A summit meeting of great Italian directors of the era, Boccaccio '70 is an antipasto platter of vintage sex symbols and naughty material. Cooked up and bankrolled by Carlo Ponti and American producer Joseph E. Levine, the four-part film was meant to tap the international smash of Federico Fellini's La Dolce Vita, which gave audiences some refreshingly, you know, "mature" subject matter. Four directors were hired to create segments ostensibly based on the tales of Boccaccio:Fellini himself (in the lull between La Dolce Vita and 8-1/2), Luchino Visconti, Vittorio De Sica, and Mario Monicelli.

    Monicelli's story, Renzo and Luciana, is an agreeable tale, full of everyday Roman life:an office worker (Marisa Solinas) must marry her boyfriend when she gets pregnant--although marriage is against company rules. Fellini's segment, The Temptation of Dr. Antonio, is fantastical and big-scaled. It tells of a censorious bluenose (Peppino de Filippo) who becomes incensed at the presence of a billboardfeaturing a sexy portrait of Anita Ekberg (selling milk)--a portrait that comes to life. For this bizarre escapade, Nino Rota composed an advertising jingle that will stick in your mind whether you want it to or not.

    Visconti's The Job is the best segment, tracking the emotional chess game between a playboy (Thomas Milian) and his wife (Romy Schneider at her most gorgeous) after he is publicly exposed in a sex scandal. Finally, the De Sica piece (The Raffle) is a fairly broad romp that uses Sophia Loren as the reward in a raffle. Sophia's delicious, needless to say.

    The finished product weighed in at a whopping 208 minutes, and Monicelli's segment was lopped off before the film showed at the Cannes Film Festival. It has never been restored, until this DVD release. All the segments are frankly too long, and none qualifies as an essential gem, but they do give the flavor of Italy's best at an especially exciting cinematic moment. --Robert Horton ... Read more

    Reviews (2)

    4-0 out of 5 stars A must for fans of the directors
    BOCCACCIO 70 is made up of four short films, each around 45 minutes long.The DVD set is broken up into two DVDS, with two of the shorts on each, and the second DVD containing a few extras.

    The transfer for all the shorts is absolutely stunning.I don't think it could have looked this good when it played in theatres.

    Disc 1

    The first segment, directed by Mario Monicelli, had long been unseen, at least in the US.It was removed from the US release of the film.It is the least of the four, but still quite watchable, about a newly married couple, dealing with their family and work.Not much to it, but an interesting view of everyday life.

    The second is probably the strongest, by Fellini.I would argue that this is one of Fellini's most focused works (although I would admit that I find him to be overrated to some extent).It is a very funny film about a moral crusader who objects to a large billboard for milk, with Anita Ekberg on it.

    Disc 2

    The third segment is directed by Visconti starring Romy Schneider.A wealthy man is caught in a scandal, having to do damage control with his business associates and his wife.It is one of Visconti's lightest works, and also quite fun.

    The final segment is De Sica's THE RAFFLE.A group of men enter a raffle, the prize being Sophia Loren.

    The extras on the disc include the original US credits, trailers, and some brief interviews made at the time of the films release, as well as a photo gallery.

    The film is a must watch for all fans of the directors.

    3-0 out of 5 stars Drink your meelk!
    This film I picked up more out of curiousity and because Fellini directs one of the viginettes. I had never seen any of the 4 mini films before, nor did I know of the controversy surrounding its universal release. Each film deals with sexuality in different ways. All of the films have impressive looking anamorphic transfers for being almost 45yrs old. There is English dubbed audio tracks though my copy kept switching back to Italian on its own.. English subtitles looked fine.
    All of the films looked great and are restored anamorphic transfers. The Fellini film was my favorite by far. This is his first feature using color as well as featuring dreams/fantasy in his films. I couldn't help think of Attack of the 50ft Woman seeing thecharming Anita come to life off a billboard. This is as close to comedy as Fellini got , too bad he didn't explore this more often. Fellini's segment is almost an hour.

    The Visconti piece was lavishly produced and feautured a troubled wife trying to rekindle that spark. This takes place in a high class French styled mansion. Romy is nice to look at even if she is rather pathetic. This mini drama was the most serious of the 4 and rather depressing as it unfolded.

    The last two were rather light and forgetful even if Sophia Loren looked fabulous, and was omni present in her role as a carnival spinster with a change of heart.

    The extras are fun. Lots of on set pics and lobby cards , plus a large fold out booklet with press clippings and news reviews.The U.S. and Italian trailers are intresting to compare.

    If your a Fellini fan, you would do well to see this for his giantess fantasy alone!

    ... Read more

    19. Amadeus - Director's Cut (Two-Disc Special Edition)
    Director: Milos Forman
    list price: $26.99
    our price: $20.24
    (price subject to change: see help)
    Asin: B00006DEFA
    Catlog: DVD
    Sales Rank: 738
    Average Customer Review: 4.52 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential video

    A note-perfect cinematic event whose immortality was assured from itsopening night, Amadeus is an unlikely candidate for the director's-cuttreatment. Like one of Mozart's operas, the multiple Oscar-winning theatricalversion seemed perfectly formed from the outset--ideal casting, costumes, sets,cinematography, lighting, screenplay, music, music, music--so the reinstatementof an extra 20 minutes simply risks adding "too many notes." Yet though thisextended cut can hardly be said to improve a picture that needed no improvement,it does at least flesh out a couple of small subplots and shed new light oncertain key scenes. Here we learn why Constanze Mozart bears such ill willtowards Salieri when she discovers him at her husband's deathbed, and we seedeeper into the reasons why Mozart has no students. The structure of the pictureis otherwise unaltered.

    The director's cut of Amadeus finally accords this masterful work the DVDtreatment it deserves. The handsome anamorphic widescreen picture is accompaniedby a choice of Dolby 5.1 or Dolby stereo sound options, and it's all containedon one side of the disc. Director Milos Forman and writer Peter Shaffer providea chatty though sporadic commentary, but they're obviously still too mesmerizedby the movie to do much more than offer the odd anecdote. The second disccontains an excellent new hour-long "making of" documentary, with contributionsfrom Forman, Shaffer, Sir Neville Marriner, and all the main actors, taking inthe scriptwriting, choice of music, casting, and problems involved in filming inCommunist Czechoslovakia with half the crew and extras working for the SecretPolice. --Mark Walker ... Read more

    Reviews (363)

    5-0 out of 5 stars Rock Me Amadeus
    Milos Forman's Amadeus is a hugely entertaining adaptation of Peter Shaffer's play. The movie is told in flashback style from the memory of Antonio Salieri. Salieri was a successful and popular composer who was a rival of Mozart's. History has speculated on the death of Mozart and some people are of the opinion that Salieri had a hand in his death (possibly even murdered him). The film explores this angle of the legend. Salieri is consumed by his jealousy and hatred of the infantile Mozart. Mozart is a musical genius, but a wild spending and is always looking for the next good time. His operas are utterly brilliant, but are unsuccessful. He is in constant debt. Salieri concocts a plan for Mozart to compose a requiem. This work is actually planned as Mozart's own requiem. Mozart is shown as slowly going mad and at the end of the film, Salieri helps him by writing the musical score down for a very weak Mozart. The morning after Mozart and Salieri work together, Mozart is found dead and we are left speculating whether he died through natural causes or if Salieri did something to him. F. Murray Abrham is absolutely amazing as Salieri. He brings across the jealousy and hatred, but doesn't make Salieri a fiend. He has major respect for Mozart's musical talents, but doesn't understand why God would give them to such an obvious heathen. Tom Hulce is equally as good as Mozart. He plays him with a reckless abandon and in an over the top fashion that is perfectly suited for the role. The film took home the 1984 Best Picture Oscar, Mr. Forman won Best Director and Mr. Abrham beat out Mr. Hulce for Best Actor. This was a case where a tie would have been more than appropriate. The new director's cut adds 20 minutes of footage, but the real standout is the remastered sound. The Dolby 5.1 version brings alive the sounds of Mozart in brilliant detail.

    4-0 out of 5 stars Memorable cinematic achievement gets a new look
    I was way too young to have seen AMADEUS in its original cinematic release (unfortunately), but it's not hard to see why it not only took home the Best Picture Oscar, but caused a rebirth of "Mozart mania". The story, although fictionalized, is an intriguing one. Salieri, the pious man who prayed to God to be given sublime musical talent, has to face the fact that God has given it to Mozart, who is exuberant, childish, and bawdy. Salieri's subsequent jealousy drives the entire movie. You can see his character becoming more and more consumed by his extremely negative feelings. The character of Mozart, on the other hand, is fun, even though the real Mozart wasn't really that over-the-top. I might add, however, that the distinguishing giggle is actually historically accurate. Listen to the commentary on the DVD and Peter Shaffer himself even mentions something to that effect. Although it was delightful to see the film in its entirety, I could see why some of the scenes were deleted. They simply weren't that strong or they distracted the viewer from the main focus. The only real complaint I had was that there weren't more extras. It does have the commentary, the original trailer, and the short featurette which consists of various people looking back at making the film, but I would have liked to have seen an actual "making of" documentary from around the time the film was being made. Overall, though, a worthy addition to any movie collection.

    5-0 out of 5 stars a mythical, fabulous portrait of genius
    Peter Shaffer wrote the "Amadeus" screenplay based on his play, which is a quirky, fanciful vision of Mozart and Salieri, and how God gave Mozart the gift of musical genius despite his character flaws, but bypassed Salieri, who tried to strike a deal with the Almighty, vowing pious devotion, if He would only grant him brilliance and fame.
    F. Murray Abraham is marvelous portraying Salieri's pride and envy, and having to suffer the indignity of mediocrity; the part garnered him a Best Actor Oscar and a Golden Globe, among other awards, and as Mozart, Tom Hulce is stupendous, with his high pitched raucous giggle, fluffy wigs, and energetic appeal.
    Others in the cast of note are Elizabeth Berridge, excellent as Mozart's wife Constanza, and Roy Dotrice as his stern father Leopold.

    The biggest star of the film however, is the music...the glorious sounds of Mozart's operas, and his magnificent Requiem. Many of my favorite scenes are depicted, from the ballet music from "The Marriage of Figaro", to "Don Giovanni a cenar teco", as well as portions of "The Marriage of Figaro", "The Magic Flute", and much more.
    Some of the great voices heard are Samuel Ramey (Figaro), Richard Stilwell (Count Almaviva / Don Giovanni), June Anderson (Queen of the Night), Brian Kay (Papageno) and Gillian Fisher (Papagena), though the parts on screen are played by actors, and not those singing.

    Twyla Tharp's choreography is fresh and exhilarating, Miroslav Ondricek's cinematography is exquisite, and Milos Forman's direction imaginative and well paced.
    As well as Best Actor, the Academy bestowed Oscars for Best Adapted Screenplay, Best Picture, Best Director, Best Adapted Screenplay, Best Art Direction/Set Decoration, Best Costume Design, Best Makeup, Best Sound, all well deserved.
    Total running time is 160 minutes.

    5-0 out of 5 stars As close to "perfect' as a movie can get
    When I saw this movie in its original release in 1984, it was only due to the fact that I was dragged to the theatre. (A movie about Mozart -- BORING!!) I have never been so quick to change my mind. From the opening moments, hearing F. Murray Abraham shout out the word "MOZART" I was hooked, and my eyes never waivered from the screen. I anxiously awaited the release of this Director's Cut, due primarly to the extras that were purported to be included. The extras more than deliver on their promise.

    Not only did I get the joy of watching once again one of the best movies to have ever been released -- to remember how enthralled I was by the performances of Tom Hulce, F. Murray Abraham and Elizabeth Berridge (unfortunately, most reviewers tend to exclude her contribution to this movie, but her performance as Constanza, Mozart's wife, is as powerful as the others) -- but the extras (behind the scenes, the commentaries) added to my delight.

    I truly find it hard to put into words how wonderful this movie is. I have spent the last 20 years telling people "Trust me, just watch it, and you will understand what I am talking about." It is more than just a grand journey through the worlds of these two men (yes, granted, told from a "movie" point-of-view). The entire package, from the scenery, the costumes, the story and THE MUSIC, THE MUSIC, THE MUSIC!!! shows you how a movie should and can be produced. Even if you can't stand classical music, you will adore the wonder that is Mozart.

    Please -- I'm begging you -- WATCH THIS MOVIE. You will NOT be disappointed!!!

    5-0 out of 5 stars Love it, warts and all
    I loved "Amadeus" the first time I saw it and every time thereafter, on tape, DVD and now in this DVD package. It is a very great film, exceptionally worthy of its Oscars, and the role of a lifetime for Tom Hulse. The operatic and musical scenes in this film succeed on a scale never seen before. The finale of "Don Giovanni" is better in this movie than in the two live performances I've seen and the performance Herbert von Karajan led that was shown on PBS in 1990. The direction, acting, script and locations are all sumptuous. It apparently does not follow the play on which it is based, but artistic difference is the basis of enjoyment. Having said all this, I would caution viewers not to judge the real-life Mozart by the portrayal of Hulse in this film. The real Mozart, I have read, was a prudish workaholic that would never go out drinking with his buddies. He also played by the rules of the day and adored Salieri, respecting his role as the musical director in Vienna. Still, it's fair to set history aside in a work of art this fine. Anyone that likes great music or great movies will enjoy this. ... Read more

    20. High Fidelity
    Director: Stephen Frears
    list price: $19.99
    our price: $14.99
    (price subject to change: see help)
    Asin: B00003CXGA
    Catlog: DVD
    Sales Rank: 1234
    Average Customer Review: 3.95 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan

    Reviews (240)

    5-0 out of 5 stars A tribute to man's failings!
    I approached this movie with a certain trepedation. As a great fan of the Nick Hornby novel, I was somewhat concerned about the Americanisation of the novel.

    How could I ever have doubted John Cusack and co!! The point is made well by Stephen Frears in his interview; moving the movie to Chicargo highlights the fact that its themes are universal.

    We are taken inside the mind of Rob(John Cusack), a thirtysomething record store owner, undergoing a mini mid-life crisis. His girlfriend has left him for the new-age hippie neighbour (Tim Robbins). In an effort to understand why this has happened he takes the advice of "The Boss" and contacts his "all-time top five break-ups" to try to determine why they broke up with him.

    Rob is not the perfect hero and his flaws are clearly shown to us. It is this which allows the viewer to identify with Rob in a way which certainly I have done with very few movie characters. He's a good guy who does stupid things, hurts the people he loves, acts selfishly but is ultimately likeable.

    Rob's journey of self discovery is always anchored by his obsession with music and this music gives us a further insight into the mind of the main character.

    Special mention must be made of the deleted scenes on the DVD version. A couple of these are particularly fine and would have added to the narrative. I can only think that there was a particularly vicious editing process to cut ten minutes off the running time.

    The cast is truely outstanding, a real ensemble piece with particularly fine performances from Jack Black and Todd Luiso as Rob's stereotypical record shop snob employees ("I can't fire them. I hired them three days a week but they starting coming every day. That was three years ago!) Some of the scenes in the music shop are painfully funny.

    But ultimatly it's Cusacks movie. He truly is one of the most talented actors in mainstream cinema today.

    Besides any movie that can namecheck Belle & Sebastian and The Beta Band and features a cameo from Bruce Springsteen deserves an extra star!

    5-0 out of 5 stars Watch it twice. At least.
    It's hard to explain to someone who hasn't seen High Fidelity, or even someone who's just seen it once, how incredibly good it is. Take first the phenomenal John Cusack, who seems to make any film he appears in twice as watchable. Is there a more underrated leading man in this decade? I doubt it.

    Then take into account the amazing support, knowns and unknowns - Cusack's sister Joan, Tim Robbins, Jack Black, etc. - even Zeta-Jones isn't half bad. Consider too the script, which is surprisingly faithful to Nick Hornby's (very good) book, and gives equal measure to comic and tragic relief.

    Fianlly, the soundtrack. Can there be any greater song to sum up Rob Thomas (John Cusack's) final revelation after the film ends than Stevie Wonder's I Believe? No. High Fidelity is the complete package - funny, touching, well-acted, scripted, directed, scored for, and unbelievably true to life.

    And for all those sad Englishmen writing in to complain that the movie should have been set in Britian - get real. I thank you.

    4-0 out of 5 stars Possessions and obsessions
    This is a movie about men, their possessions and how they order them. For Rob, it's all about pop music and women. Nothing else, besides the odd film, matters to him. And it's pretty much the same for his two male colleagues at the record shop, who exist at opposite ends of the forcefulness spectrum. They form a self-selected elite who look down on the musical taste of nearly everyone they meet.

    But actually their hyper-critical views are pretty close to the mark. It's great to hear someone else noticing and lamenting the 1980s decline of Stevie Wonder, for example. One might criticise author Hornby for selecting Rob's dream job as record producer in the punk era (1976-79) when he could have chosen, say, late 1960s Beach Boys / Beatles psychedelia. But you can never find someone with the identical taste as your own. Strangely, the music is not particularly central to this movie, in the sense that it probably generated fewer album sales for featured artists like Marvin Gaye than say 'The Big Chill'.

    The structure of the movie takes a little getting used to. The first time you see it can be a disappointment -- there's no upbeat climactic ending, unless you count the improbable, rather obviously tacked-on, disco/concert by Sonic Death Metal, or whatever they happened to be called at the time. John Cusack's frequent chats to camera seem altogether natural (except when he's sauntering backwards and forwards on some wooden bridge-cum-platform in downtown Chicago).

    What I like about this film is that, from a male viewpoint, it rings true so often. Men do behave treacherously, and the behaviour often looks worse at first sight. I like the fact that the actress who played Laura wasn't stunningly attractive. Even Lisa Bonet didn't seem particularly beautiful in the movie. (But yes, that really is Catherine Zeta-Jones discreetly stripping off in a role just before she became famous enough to warrant a major Hollywood film credit.)

    This is not the perfect movie, but it contains a message about the male psyche that I hadn't extracted from any other movie, and that revelation in itself is sufficiently uplifting to distract from the artificial attempt by the film to uplift via the back-together-again concert/disco scenario.

    4-0 out of 5 stars Maudlin Navel Gazing to a Great Soundtrack
    Ah yes. Another quirky offbeat romantic comedy from quirky offbeat romantic cynic John Cusack. Life sucks but he wouldn't miss it for the world. Give John Cusack credit. He was 34 when he made this. His character is a guy in his late 20's who has the emotional maturity of a teenager and Cusack pulls it off effortlessly. Cusack's character, Rob, isn't a jerk. He's a manchild. He doesn't mean to be a selfish obsessive boob; he just lacks the normal range of human adult emotions. Imagine the teenager Cusack played in Better Off Dead. Now imagine that teenager ten years later and working as the owner of a independent music store. He's a music snob and puts in long hours at the store but he still has time to ruin promising relationships with childish antics, talk to the screen and stalk former girlfriends while chasing after the next soon to be ex girlfriend. High Fidelty is the unofficial sequel to Better Off Dead. Instead of weird parents and goofy fantasy sequences, we get weird coworkers and morbid sexually and violently charged fantasy sequences involving Tim Robbins. I won't compliment the soundtrack except to say any movie about music had better have a damn good soundtrack and High Fidelity does its job.

    5-0 out of 5 stars There's a little Rob Gordon in all of us
    After working on my college radio station as a DJ, entertainment news anchor, and Human Resource director, I was told by my friends that I should check this film out as I reminded them a lot of John Cusack's character in it. They were right. I too have had my share of bad relationships and can easily tell you the stories of how it went from "Hello" to "Goodbye" in less than 5 minutes. I have worked in music retail for 2 and a half years and I am also incredibly anal about my own collection of music and every song I can recognize played on the radio I can tell people what it is, who the artists is, what album it appeared on, and whether it is a radio edit, extended version, or remix.

    That being said, when I first saw this movie I didn't quite understand many of the points. So I watched it again and realized "My god, I AM Rob Gordon!" Within a month, I purchased the DVD of High Fidelity and the book by Nick Hornby which was incredible. I highly recommend this film to all guys who have had their share of hard-not-to-forget relationships, radio DJs, music retail workers, and lovers of music of all types because the soundtrack, to quote Jack Black "kicks fu**ing a**".

    The DVD is great to own. It presents the film in clear colorful matted Widescreen (1.85:1), offers 9 Deleted scenes that appeared in the original screenplay as well as the original novel, short mini conversations with actor John Cusack & director Stephen Frears, and the original theatrical trailer for the film.

    Without a doubt, this is a MUST-HAVE for people who love music, have been in tough relationships, and enjoy writing Top 5 Lists.

    "Good luck...goodbye...thanks, boss."-Rob Gordon (John Cusack) ... Read more

    1-20 of 200       1   2   3   4   5   6   7   8   9   10   Next 20
    Prices listed on this site are subject to change without notice.
    Questions on ordering or shipping? click here for help.