Amazon.com

It was a short but sweet fifth season for Sex and the City, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker (Carrie) and Cynthia Nixon (Miranda). A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, and indeed, you can tell both actresses are expecting. (Carrie's wardrobe became more outlandish and more concealing than usual.) Still, the actresses and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Whereas the fourth season found all four grappling with various relationships, the fifth season focused on the perils of being single, with a new intensity lacking in the previous sexcapades. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte (Kristin Davis) wondered if she'd ever find another man, while Samantha (Kim Cattrall) finally got rid of the one that had been vexing her far too much, hotelier Richard (James Remar). If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history, from Samantha's anointment as the "Michiko Kakutani of vibrators" to Carrie's stressful, one-degree-from-fiasco book launch party. (And fear not, Chris Noth's Mr. Big does pop up now and again.) The season's climactic episode, "I Love a Charade," found all four at the straight wedding of a seemingly gay pal (Nathan Lane) and contemplating their future with a wry, bemused tone. It was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up. --Mark Englehart ... Read more

Reviews (189)

8 episodes same price as 24
Ok, the folks at HBO publishing are getting greedy. Season 5 was only 8 episodes. So in HBO's infinite wisdom they decided to charge us fans the same list price as a 24-episode season, with no extras worth mentioning. (However they do split it up onto 2 DVD's to make you think you're getting more for your money.)
While the shows are great I have to ding this season with 3 stars because of the blatant disregard for loyal consumers.
In season 5 we have Carrie being free and single, Miranda dealing with the baby and Steve, Samantha dealing with Richard, and Charlotte in life after Trey.
If you're a junky/collector I guess you'll end up purchasing it like me, otherwise send a message to HBO and just rent it.

Sex and The City Season 5 Short but sweet
I like the zillions of others across the world am a huge fan of Sex and The City. Not having HBO, I discovered the series through word of mouth and then via rentals at the video store. Season 5 was short but sweet and with the pregnancies of both Cynthia Nixon and Sarah Jessica Parker, was there much more that the producers could do than offer up eight episodes?! What if they had decided no season at all? God we'd have all been in mini therapy groups! So let's not complain and take what we can get girls cuz eight episodes were better than nothing! WHERE MY CHIEF COMPLAINT does come in is the exorbitantly high price of the DVD set. Come on HBO lighten up a bit! Two discs with only four episodes on each can surely be priced @ $15-$20 tops! As for me,since I've rented season five on DVD, I'll wait until the passing of time and the eventual lower price I'll find in a used copy.

Too expensive!!!!!!!
I am not rating this season low because of content--the content was excellent--and I realize that the pregnancies of Sarah Jessica and Cynthia are unavoidable...but come on! Don't charge us all the same price for less than half of the normal number of episodes!!!

Review on SATC--the MATERIAL--free of whining about $$
I really like Sex in the City. I feel sad that no one has even TRIED to duplicate it--I know full duplication can't be done but since it's leaving I would even have settled for some decent knockoffs of the show (laughter). In no other show/film have sex and relationships from the point of view of women been explored this frankly--it will probably never happen again-at least not in my lifetime. I am in the middle of watching the fifth season. I'm enjoying it. We have all watched these four women for four years now. Are they supposed to remain unchanged in any way for that long? Shouldn't they have different changes and challenges in their lives? I will admit that the fifth season did not come as close to perfection as the others did. (Has your work been almost perfect consistently everyday in everyway 365 days a year for 4 straight years? Mine hasn't-it's called being human.) Season Four in my opinion is still an essential for anyone who really connects with this one-of-kind series. Being that I respect the brave work of this ground-breaking show and because this format is supposed to review the material and the work--(...) Also don't you find it amazing the things people put their passion and rage behind? Homeless mothers who need health care for their children express this level of passionate anger about overpriced prescription drugs-however a person ranting about the cost of a HBO sitcom on DVD-and going on and on like some of these people have here?? I tend to wave that off as "You have some serious issues and buying SATC is probably the least of your problems" Some reviews can be dismissed right away like the ones from misogynists who obviously just hate to see independent women having fun and enjoying sex/relationships/career in the free-wheeling way men always have. They secretly want all women to be like Afghan women were under the Taliban. (...). (...)

We can be so hard on celebs. We love them yet we hate then and we are ultra critical of them. Lastly, I again want to remind you, dear reader, to consider the source and look up any info you can find on a reviewer and weigh that against whatever they write. Also take totally anonymous reviews with a big grain of salt. And again...I enjoyed the fourth season of Sex In The City even with it imperfections!

Sex and the City meets the average girl
As a devotee of Sex and the City, I never wanted to admit that anything was wrong with the show... until I saw Season 5. A lot of people will say that Season 5 is what's wrong with SATC, but I say that Season 5 is what's RIGHT about the show! Season 5 is the most realistic of all six seasons. Playfully dubbed "the season without men" by the show's writers, there are very few long-term (or short-term, for that matter) relationships for the women in this season. Until Season 5, the women of SATC have gone through a seemingly endless string of semi-serious to serious relationships without any real examination of what and who the women are without men. This season forces all of the women to show their true colors without men. Even Samantha's antics are toned down and used more to expose who she is rather than what she does.

Many fans complained that Season 5 wasn't funny enough. Not enough men, not enough sex. Real single women know that Season 5 was the closest of all the seasons to what all of us experience in our daily lives - loneliness, good friends, occasional romantic connections, and a lot of "in between". Season 5 isn't "filler" or a poor season - its real life. Fans of the show who don't enjoy this season are, perhaps, happy to forget about their own lives while following those of Carrie, Charlotte, Miranda and Samantha. I prefer to think of the women of SATC as myself and my friends - and Season 5 proves that they are. ... Read more

Reviews (5)

Great season, transfer and extras still lacking
Law and Order's third season is the beginning of the golden years of the show, six or seven seasons in which this became one of the best crime shows ever.Part of it is the plots, but a larger part is the addition of Jerry Orbach to add both character and humor to a narrowly written role.The show itself is 5 stars, but I knock off a star for yet another season in which the transfers and extras leave something to be desired.Still, very much worth buying.

What makes this season golden?Nostalgia for the early 1990s helps, with big hair, Times Square full of strip clubs, crime labs using old IBM 386 computers, colored shirts and narrow ties, and a general feeling that a far more gritty New York made a better backdrop for a crime show than today's sanitized version.

Some of it is the writing and source material.Episodes include the standard ripped-from-the-headlines stories - Tailhook (Conduct Unbecoming), sweatshop workers (Wedded Bliss), doctors assaulting patients (Helpless, Promises to Keep), drug smuggling rings (Consultation), hackers (Virus) - but one reason the first few seasons are more robust is that they had just started to scratch the surface of historical crimes, like a restaging of the Malcolm X murder (Conspiracy) and a medical device company scandal (The Corporate Veil).This means that while the bang-bang plot advancement really comes into its own this season after a couple of years of slower episodes, the writers don't have to resort to cheap plot tricks to keep things interesting.Routine false leads and judges throwing out evidence every episode can wait for the formulaic later years.I also particularly like several of the non-Hollywood endings, like Prince of Darkness ("What happened to the little girl?" "She was picked up at school by her uncle.""She doesn't have an uncle.")

But a larger part is the acting.With the mid-season addition of Orbach - who plays first-year Briscoe a bit more troubled and edgy than in later years - the Law side of the series finally has two actors that don't think that playing an NYPD detective is beneath their talent.Briscoe's trademark wisecrack helps ("They brought the hookers in?I thought they were on the room service menu"), but there's a chemistry between Orbach and Noth that makes the makes plots come to life.In addition, several of the regular guest stars (Tovah Feldshuh and Lorraine Toussant as memorable defense attorneys, Leslie Hendrix's first appearances as the irascible medical examiner) add life to the show in their brief roles.Finally, one fun part of watching the early years are the stars who have gone on to bigger careers: Claire Danes, Edie Falco, Sam Rockwell, Gloria Foster (the oracle from the Matrix), Desperate Housewife Felicity Huffman, Alias' Ron Rifkin, ER's Paul McCrane and Julianna Margulies.

As I have for the first two season sets, I take a star off for transfers and extras that aren't up to the quality of the show. I have mixed opinions about cheaply producing double sided DVDs in three slim cases without any written material, but at least it takes less space on my shelf.Transfer quality is in fact better than the first two seasons, but it's clear remastering was cursory as there is still periodic flecking.After no extras in the first two seasons, at least this set includes some.However, they're still disappointing especially after the long delay in putting this out.The 8 deleted scenes don't add much, although we finally see one of Briscoe's brassy middle aged girlfriends (for the only time in the series!)A five minute interview with and six minute tribute to Orbach by fellow stars doesn't even include the master of ceremonies of his celebration, Sam Waterston; they would have been better served just putting a copy of that on the DVD instead of getting Trial By Jury actors on the profound effect his 4 episodes with them had on their careers.What the series really needs is interviews with writers and actors on the various episodes.At least they don't include an ad as they did in the first year.

However, this is very much worth picking up for Law and Order fans.I just wish if Universal is going to price something at a premium that viewers can watch for free on basic cable, they'd at least add premium content.Maybe next season.

Great as Usual
Terrific show as usual. They also improved in my opinion on the dvd case which now has three individual slim cases for each disc. Enough can't be said about this show, but, I'm partial to it being a Criminal Justice major...but the show is good as always..I just hope they speed up the release of the next seasons.

Law & Order: The Early Years, The Best Years!
Law & Order is my favorite series, possibly of all-time because there have always been great characters and a great cast with fantastic writing to drive it forward.The early seasons are the best, and the third year gives us a little more Paul Sorvino until about 1/3 of the way into the season.This is when the beloved Jerry Orbach joined the cast, and gave us 11 years of television memories.This season has my favorite line up with Orbach, Chris Noth, Dann Florek, Michael Moriarty, Richard Brooks, and Steven Hill.TNT has aired several third season episodes lately, and I can't wait to see these all sharp, clear, and cleaned up on DVD instead of the old muggy broadcast versions.The first and second seasons look fantastic on DVD, and horrible on television - get these sets!

Also, this set features never before seen deleted scenes which ought to be a special treat for every fan along with the Jerry Orbach featurettes.I have a lot of favorite episodes in this season, and I will cherish this set just as I have all my other law & Order DVD sets (I've probably watched the first two seasons dozens of times already).

-NJM

The best season of Law & Order
The third season of Law & Order found Detective Mike Logan (Chris Noth) assigned another new partner in the sardonic Lenny Briscoe (Jerry Orbach), who would become the face of the series for eleven more seasons.The interplay between Briscoe and Logan is one of many highlights of the third season of Law & Order, as characters became more developed (such as Dann Florek's Captain Cragen) and the cases and investigations take twisting turns when the viewer least expects it; something that many cop/crime dramas have imitated throughout the years.However, this would be the last season for original cast members Florek and Richard Brooks, as the revolving cast door of Law & Order began to spin more than ever before.All in all, it's nice to finally have these episodes on DVD, and series afficiondos should consider this landmark season a must own.

Its good there putting the older seasons on DVD
Law & Order's early seasons were really the best. In The third season you have Jerry Orbach coming into the show.All these episodes are great becuase i have seen many of them before.The Dvd is finally being released after a long wait after the 2nd season. The 15th season which is still on NBC on wedsnday is going to have a DVD release as i have heard.Also the New Law
& Order TrialBy Jury is going to be out on Dvd. Law & Order and all its other series are absolutly the best ... Read more

Amazon.com

Entourage is everything viewers have come to expect from an HBO series: smart, hilarious, and highly addictive, especially when taken in full-season, DVD form. As implied in the title, the show follows Vincent Chase (Adrian Grenier), a rising Hollywood star with bedroom eyes and an over-active libido, along with his three childhood companions-turned-hangers-on. Kevin Dillon plays Johnny Drama, Vincent's less-attractive, B-list actor of a brother (he is Matt Dillon's less-attractive, B-list actor of a brother in real life). Jerry Ferrara plays Turtle, the weasel, and Kevin Connolly appears as Eric, the Everyman hero who hopes to parlay his friendship with Vincent (plus two years of community college) into a career in talent management. Along the way Eric contends with the predictable self-doubt, romantic indecision, etc. The cast is rounded out by Jeremy Piven (Doug Hughley from Singles) as a foul-mouthed agent reminiscent of Jay Mohr's short-lived Peter Dragon character. Finally, it's produced by Marky Mark himself--and you've got to believe that guy knows something about the star-entourage relationship. If possible, watch with a friend so you'll have someone to quote lines back to later. --Leah Weathersby ... Read more

Reviews (4)

The TV show equivalent of a Little Debbie Swiss Cake Roll
...which is to say rich, sugary, not very nutritious but tasty and addictive as hell.It's junk food, no doubt about it, but it's also so enjoyable it's pretty hard to begrudge.

Four friends live together and hang out around L.A.: Vince is a DiCaprio-level star on the rise (though he's reportedly loosely based on producer Mark Wahlberg); Eric is his best friend, a smart kid trying to help him manage his career; and Turtle and Johnny Drama (Vince's has-been older half-brother) are the comic relief.Adding shards of garlic to the mix is Jeremy Piven as Ari, Vince's razor-tongued agent who, were he played by anybody other than Piven, would probably be too much to digest in such an otherwise tangy environment.

In stark contrast to most HBO Sunday night shows ("Sopranos," "Six Feet Under," "Deadwood," all of which usually leave me feeling devastated and so much the better for it) this is bummer-free TV.The characters don't have to work, don't have to worry about money, have infinite free time and access to women and recreational misadventures.Even in those rare moments when they have an actual problem it's never really a pressing problem ("Eric, which movie should I do???").And each episode seems to end with the main characters sharing a drink while watching the sun set from some beautiful vista.

And you know what?Why not?The show ain't exactly Tolstoy but it's a lot of shiny, colorful fun -- smart dialogue, sharp "inside baseball" industry jokes, attractive ladies, cool toys and an eclectic mix of hip-hop and classic rock.It's like HBO fused the Y chromosome of "Larry Sanders" with the X chromosome of "Sex and the City" and came up with a precocious but charming little tyke.

Great Show ! Can't wait for Season 2 to start
This show is truely awesome. The dialogue is amazing and suits every situation in the show perfectly. Kevin Dillon and Jeremy Piven are hilarious. You couldn't ask more from a supporting cast. The music is really good too. Anybody have any info on a soundtrack?

Fantastic show
Entourage is the show produced by and loosely based on Mark Wahlbergs rise into tinseltown with his best friends. The show is witty, well written and will keep you laughing from start to finish. The second season starts on June 5th on HBO, and proves to be an even bigger and better. The boys travel to the sundance film festival for tons of laughs, I was an extra for these episodes and guarantee this will be one hell of a season. So get watching!

Great series
If you've already seen the first season of Entourage, you'll be buying this set for sure.If you haven't seen it, you really need to buy these DVD's.The characters are engaging and the dialogue is hilarious.Jeremy Piven is a stand-out as he absolutely chews up and spits out every scene in which he appears.I hope that Season 2 is more than 8 episodes. ... Read more

Reviews (209)

Baraka will evoke joy, pity, fear, anger...and love
Set to the music of ethnic chants and indigenous instruments from around the world, this film will compel you to see the world in a new light. You'll see beautiful vistas of terraced paddy fields, deserts, and city scapes. You'll see the dances of the aboriginees, african tribes, and amazon Indians. You'll see the faithful praying in places of worship that range from the Vatican to the shores of Ganges. In short you'll see how similar we all are beneath our different wardrobes and languages and faiths.

The score to the movie complements the scenes and intensifies the emotions one feels watching the movie. Particularly haunting are the scenes of burning oil fields in Kuwait set to the music of Scottish bagpipes, Tibetan water music, and Japanese drumming.

The movie explores love, faith, joy, war, death, rebirth and circle of life by showing scenes from around the world for each of these topics. Each time I have watched this movie I find myself discovering more of its hidden meanings. I think each viewer will come out with his own feelings and interpretations. But even if one isn't inclined to be philosophical, the music and cinematography alone is worth getting the DVD.

A Cultural Enlightening
I can gaurantee this is unlike any film you've ever seen before. Baraka is not a movie with a plot or words, but it is one massive work of art, a composition with the scenery as the main "characters". This movie will open your eyes to the fact that there is a whole world of different cultures, religions, and rituals out there. It will give you chills, make you smile, make you gasp, and make you appriciate diversity. Baraka is not a film for everyone. If you are ethnocentric, you might not see the point. If you have a passion to learn and become enlightened, you will love it.

Beauty beyond words
Baraka is a visual feast like no other, a film that begs to be seen on the largest screen possible so the viewer can absorb the grandiose feel of the images. This is the type of film that IMAX was made for. Filmed on a 70mm camera in a total of 24 countries, it is a dialogue-free film that takes the viewer around the globe into uncharted lands. The first half of the film shows us the natural beauty of earth as we are shown striking images of mountain ranges, deserts, tropical rain forests, volcanoes, solar temples, exotic animals. The whole thing is done to the tune of a spellbinding soundtrack of ambient music, Gregorian chants, flutes and other exotic sounds by world music artists such as Harmonic Choir and Dead Can Dance.

But Baraka is much more than just National Geographic for the visually inclined. Its purpose is to give us a view of the world good and bad. And as the second half of the film unwinds, the tone of Baraka becomes increasingly dark and pessimistic as we are exposed to some of the harsh realities of the world like homelessness, poverty, slave labour, hunger. Horrifying images of tree-chopping, sweatshops, subway-cramming in Tokyo and scenes in a chicken factory will make many cringe and think twice about eating chicken for a while. But sometimes even within these backdrops of despair can be found things that are beautiful such as the joy and happiness on children's faces despite growing up in poverty-stricken 2nd world countries. These kids grow up with practically no material possessions yet they seem so HAPPY, much happier than kids of first-world countries who grow up with any material object their heart desires.

Baraka is certainly not the kind of film we are used to seeing. I struggled with it for the first 10 minutes or so but then immediately fell under its spell and forgot that I was watching a film with no dialogue. Sometimes it's nice to be able to flick off the brain, not worry about following a story and just let oneself be absorbed by what's on screen, and that's what this film does. The only minor squabbles I had were the absence of writing on the screen to let us know where in the world we are and that the film did peter out a little towards the end. Baraka is a film worth purchasing that will stand well to multiple viewings and might even make some think twice about where their real priorities ought to be.

Save time & shoot yourself in the head
If your interested in seeing what the film claims to be, " a transcendently poetic, world-wide tour of the globe blah blah blah ..speaks directly to the soul" - dont bother, it dosent happen. Instead you will find about 10 minutes of lovely scenery followed by lengthy film of poverty, cruelty and torture, including images of baby chicks having their beaks burnt off, graphic pictures of death camps and over-worked donkeys collapsing and dying (?!). Anyone who finds this "visually stimulating" needs psychiatric help.
Fair enough if the film would actually indicate that your in for a visual experience depicting the apparent desperate state of the world, but there is no indication whatsoever of this pathetic morbidness in filmmaking, in fact it is offensive that the cover would suggest what lies within is even remotely "beautiful". Anyone who insists on watching it plse think twice before scaring your children with it - and if the film does have one worth-while message it is nothing to do with cinematography, its simply this : Think twice where your next KFC wing came from! And is it worth it ?

You'll watch it again and again
Lets not kid ourselves. This is awe inspiring and captivating film. This review tackles all those who haven't rated it 5 stars. Most of these have seen earlier work by Godfrey Reggio and Ron Fricke. The only thing that separates these earlier works is that some people prefer them over this. In truth, the films are very similiar in technique, time-lapse and camera angles with the only differences being editing, music and locations.
In earlier work Philip Glass composed the music which was appropriate and brilliant (although now slightly dated) and in Baraka, Michael Stearn tried to meld the music to the location. Michael Stearn -in my opinion- creating the better atmosphere.
If you've not seen any of these following Chronos, Koyaanisqatsi, & Powaqqatsi. Then see Baraka, as it is the superior film and tends build on methods, techniques and angles visited in the previous films. I'd also like to mention Alton Walpole who doesn't seem to get much say in reviews, but he's also had an active part in all of these films and part of the 3 main people behind these films.
When you see it make sure that it's on the biggest screen possible, with the best sound system possible in a dark room. And let the music and film take you on the journey that is Baraka. ... Read more

Reviews (27)

An Existential Masterpiece
Although "8 1/2" is often touted as Fellini's greatest work, this other, equal masterpiece from roughly the same period grows more and more profound over time. An amazingly photographed and energetic survey of ennui and despair, "La Dolce Vita" is Fellini's rumination on the intellectual and moral death of an aspiring artist, who is equally a Fellini surrogate and a stand-in for the director's perception of modern man.

Though it began life as a sequel to "Il Bidone," "La Dolce Vita" ended up an autobiographical precursor to "8 1/2" by fictionalizing Fellini's earlier life as a journalist and newspaper caricaturist rather than his career as one of the great filmmakers of the 50s and 60s. As the celebrity journalist in crisis, Marcello is fantastic -- as graceful and intelligent and sexy a performance as the screen has ever seen -- and his romp with the unbelievably pneumatic Anita Ekberg in the Trevi fountain is one of the great iconic moments of world cinema. There's a haunted, despairing quality to Mastroianni's acting here that is so subtle and cumulative that by the end of the film his predicament of quiet despair overwhelms the viewer.

Bottom line: no thinking person's film collection should be without this movie, which is as beautiful and moving as any piece of art ever created, in any medium. Fellini and his fantastic cast are all at their peak as artists, and few films have ever approached their achievement.

Get this onto DVD!
My favorite Fellini film, combining the brilliant kaleidescopic parading of faces that characterize his later films with the humanistic neorealism of his earlier work. Told in a series of all-night parties that each end with the recognition of dawn, the movie tells the story of a tabloid writer who has risen to the top of his profession only to be dragged down because he can't find any sustaining meaning in the glitz and glamour.

But the story line, although more important here than in later Fellini films, is really just a device to put actors on the screen, and nobody does this better. The cast is real reason to see this; Mastroianni in the role of his life, Anouk Aimee as a bored rich woman, and Anita Ekberg spilling out of her dress as an American actress are merely the most famous - every single performance, even by the most trivial of parts, is astounding and some of the best ever captured on film. My personal favorite is the clown trumpet player with the balloons at the Cha-Cha Club - in the middle of his performance he flashes one quick look at Mastroianni that speaks volumes.

Unfortunately, the only version I have ever seen is in a standard screen ratio that is obviously badly panned - in a film this full of images there is almost more panning than actual camera movement going on, and still too much is happening off-screen. This movie needs badly to be letterboxed and given a new subtitle translation - but in the meantime, even if you have to settle for the poor VHS version, just enjoy what we have, from the awesome set pieces like the chasing of the Madonna and the final party, to the amazing Nino Rota score and the haunting organ melody of "Patricia".

5 star FILM--0 stars for a DVD that isn't released!!
WHERE IS THE DVD of 'La Dolce Vita'?? This is far superior art and entertainment to that wonderful-but-ridiculous '8 1/2' I mean, we all love Fellini, but why is his most coherent and artistically mature film lying around in some distributor's vault while trash like 'Shanghai Surprise' and box-sets of Whoopi Goldberg movies get all these million-copy releases?? Fellini is more than '8 1/2'; FEEL FREE TO RELEASE THIS DVD ANYTIME!! Ugh, do I have to get a region-free DVD player to watch foreign films? Heck, there are some American classic films that do not have release here, but are being printed in UK and European codes. What is wrong with American distributors?? We want our Fellini, and we want it now!! Gimme the sweet life gimme the sweet life GIMME THE SWEET LIFE!!!!

P.S. To all sympathizers, Bergman's 'Persona' is FINALLY getting American release in February. Cross your fingers they don't back out at the last minute in favor of a straight-to-DVD sequel to 'Finding Nemo': 'Filet of Nemo: Almond Crusted with a Side of Rice Pilaf,' starring the voices of Keanu Reeves, Jennifer Aniston, and Dom Deluise.

Fellini 's Vita
I am very fortunate to meet Guiletta Masini, the lovely wife of Federico Fellini. I several times wrote letters to Fellini himself and he answered back me. That had been going for a while till he died. If you doubt me, I can provide you copies.
I am only one Deaf authority on Fellini and his movies. I have a good collection of video, vhs or dvd. Many books about him and his movies.La Dolce Vita and 8 and half are my top favorites. I saw them in 35mm, 16mm, tv, vhs and dvd versions but the 35mm verisons are always the best!!!!!!!!!!!!!!!!
Thanks, F.R. Gomez

So ... ?
I does lack a plot. I almost fell asleep during the first half. It picked up during the 2nd half when the main character ran into his father. That was interesting for me, for personal reasons. But, having just watched it, all I can say is that it left me with an emtpy, hollow feeling. If that was the point, then the movie is quite successful. Mind you, I'm not the usual "simplistic" movie watcher. But that was my feeling... ... Read more

Amazon.com essential video

Ranking No. 21 on the American Film Institute's list of the 100 greatest American films, this 1940 classic is a bit dated in its noble sentimentality, but it remains a luminous example of Hollywood classicism from the peerless director of mythic Americana, John Ford. Adapted by Nunnally Johnson from John Steinbeck's classic novel, the film tells a simple story about Oklahoma farmers leaving the depression-era dustbowl for the promised land of California, but it's the story's emotional resonance and theme of human perseverance that makes the movie so richly and timelessly rewarding. It's all about the humble Joad family's cross-country trek to escape the economic devastation of their ruined farmland, beginning when Tom Joad (Henry Fonda) returns from a four-year prison term to discover that his family home is empty. He's reunited with his family just as they're setting out for the westbound journey, and thus begins an odyssey of saddening losses and strengthening hopes. As Ma Joad, Oscar-winner Jane Darwell is the embodiment of one of America's greatest social tragedies and the "Okie" spirit of pressing forward against all odds (as she says, "because we're the people"). A documentary-styled production for which Ford and cinematographer Gregg Toland demanded painstaking authenticity, The Grapes of Wrath is much more than a classy, old-fashioned history lesson. With dialogue and scenes that rank among the most moving and memorable ever filmed, it's a classic among classics--simply put, one of the finest films ever made. --Jeff Shannon ... Read more

Reviews (45)

Ford and Fonda do justice to Steinbeck
Take John Steinbeck's Pulitzer-Prize-Winning Novel. Turn it into a movie and let John Ford direct it, and get Henry Fonda to star. In 1940 you could hardly find a more certain recipe for a cinema classic.

As good as the film is, it really should be a companion-piece to Steinbeck's original masterpiece, and if you haven't read it I recommend setting aside enough time to read one of the greatest pieces of American literature ever written.

That being said, the medium of the cinema allows for a visual impact that can't be matched with the written word.

The Grapes of Wrath follows the Joad family during the great depression. That period of economic hardship hit the farmers in Oklahoma a little harder than the rest of the world, at the time of the dust bowl the "Okies" were at the end of their ropes, financially speaking.

Thousands of Okies packed up the house after being foreclosed and moved out to California - many winding up around Bakersfield, at the California end of old US Route 66. (Merle Haggard's family did so and the "Okie from Muscogee" wrote about it in songs like "California Cottonfields".)

Anyway, this is the historical context of the movie. The theme of the movie, and of Steinbeck's book, is the ability of the human spirit to remain intact in these worst of times. The Joads suffer terrible humiliations, one after another, most of them because of their desperate financial status. But as the story proceeds we see that they are fundamentally decent, hard-working people, and every time life knocks them down they get back up, brush the dirt off themselves, and keep moving forward. As a national characteristic, this was an important trait because this was the generation that produced the hard-working, high-minded individuals who did important things like win World War II, followed by America's greatest financial flourishing and the Baby Boom. Tom Brokaw called them "America's Greatest Generation".

The cast is picture-perfect, with Henry Fonda as the spirited Tom Joad and John Carradine as the former preacher with a new social consciousness. Jane Darwell won a well-deserved Best Supporting Actress Award as Ma Joad, and the remainder of the cast is in every way equal to the story and the film.

An American Classic
This is a great movie based on a great novel, and I am surprised by how honestly the film captures the raw humanity of the book. Steinbeck weaved social commentary into the story, and the movie makes many points about the human condition and spirit without being heavy-handed. The story of the Joads and their fight for survival rings very true, thanks to the realistic performances and the atmosphere created by director John Ford. Henry Fonda gives one of the best performances I have ever seen him give, and his "I'll be there" speech is one of the great movie moments. Jane Darwell is also very impressive, and her direct, down-to-earth style of acting makes the quiet strength and the suffering of Ma Joad seem very real. The Grapes of Wrath is an American classic, both as a novel and as a film.

"I'll be all aroun' in the dark."
"Mine eyes have seen the glory of the coming of the Lord. He is trampling out the vintage where the grapes of wrath are stored; He hath loos'd the fateful lightning of His terrible swift sword, His truth is marching on." - Battle Hymn of the Republic.

In 1936, John Steinbeck wrote a series of articles about the migrant workers driven to California from the Midwestern states after losing their homes in the throes of the depression: inclement weather, failed crops, land mortgaged to the hilt and finally taken over by banks and large corporations when credit lines ran dry. Lured by promises of work aplenty, the Midwesterners packed their belongings and trekked westward to the Golden State, only to find themselves facing hunger, inhumane conditions, contempt and exploitation instead. "Dignity is all gone, and spirit has turned to sullen anger before it dies," Steinbeck described the result in one of his 1936 articles, collectively published as "The Harvest Gypsies;" and in another piece ("Starvation Under the Orange Trees," 1938) he asked: "Must the hunger become anger and the anger fury before anything will be done?"

By the time he wrote the latter article, Steinbeck had already published one novel addressing the agricultural laborers' struggle against corporate power ("In Dubious Battle," 1936). Shortly thereafter he began to work on "The Grapes of Wrath," which was published roughly a year later. Although the book would win the Pulitzer Prize (1940) and become a cornerstone foundation of Steinbeck's Literature Nobel Prize (1962), it was sharply criticized upon its release - nowhere more so than in the Midwest - and still counts among the 35 books most frequently banned from American school curricula: A raw, brutally direct, yet incredibly poetic masterpiece of fiction, it continues to touch nerves deeply rooted in modern society's fabric; including and particularly in California, where yesterday's Okies are today's undocumented Mexicans - Chicano labor leader Cesar Chavez especially pointed out how well he could empathize with the Joad family, because he and his fellow workers were now living the same life they once had.

Having fought hard with his publisher to maintain the novel's uncompromising approach throughout, Steinbeck was weary to give the film rights to 20th Century Fox, headed by powerful mogul and, more importantly, known conservative Daryl F. Zanuck. Yet, Zanuck and director John Ford largely stayed true to the novel: There is that sense of desperation in farmer Muley's (John Qualen's) expression as he tells Tom and ex-preacher Casy (Henry Fonda and John Carradine) how the "cats" came and bulldozed down everybody's homes, on behalf of a corporate entity too intangible to truly hold accountable. There is Grandpa Joad (Charley Grapewin), literally clinging to his earth and dying of a stroke (or, more likely, a broken heart) when he is made to leave against his will. There is everybody's brief joy upon first seeing Bakersfield's rich plantations - everybody's except Ma Joad's (Jane Darwell's), that is, who alone knows that Grandma (Zeffie Tilbury) died in her arms before they even started to cross the Californian desert the previous night. There is the privately-run labor camps' utter desolation, complete with violent guards, exploitative wages, lack of food and unsanitary conditions; contrasted with the relative security and more humane conditions of the camps run by the State. And there is Tom's crucial development from a man acting alone to one seeing the benefit of joining efforts in a group, following Casy's example, and his parting promise to Ma that she'll find him everywhere she looks - wherever there is injustice, struggle, and people's joint success. In an overall outstanding cast, which also includes Dorris Bowdon (Rose of Sharon), Eddie Quillan (Rose's boyfriend Connie), Frank Darien (Uncle John) and a brief appearance by Ward Bond as a friendly policeman, Henry Fonda truly shines as Tom; despite his smashing good looks fully metamorphosized into Steinbeck's quick-tempered, lanky, reluctant hero.

Yet, in all its starkness the movie has a more optimistic slant than the novel; due to a structural change which has the Joads moving from bad to acceptable living conditions (instead of vice versa), the toning down of Steinbeck's political references - most importantly, the elimination of a monologue using a land owner's description of "reds" as anybody "that wants thirty cents and hour when we're payin' twenty-five" to show that under the prevalent conditions that definition applies to virtually *every* migrant laborer - and a greater emphasis on Ma Joad's pragmatic, forward-looking way of dealing with their fate; culminating in her closing "we's the people" speech (whose direction, interestingly, Ford, who would have preferred to end the movie with the image of Tom walking up a hill alone in the distance, left to Zanuck himself). Jane Darwell won a much-deserved Academy-Award for her portrayal as Ma; besides John Ford's Best Director award the movie's only winner on Oscar night - none of its other five nominations scored, unfortunately including those in the Best Picture and Best Leading Actor categories, which went to Hitchcock's "Rebecca" and James Stewart ("The Philadelphia Story") instead. Still, despite its critical success - also expressed in a "Best Picture" National Board of Review award - and its marginally optimistic outlook, the movie engendered almost as much controversy as did Steinbeck's book. After the witch hunt setting in not even a decade later, today it stands as one of the last, greatest examples of a movie pulling no punches in the portrayal of society's ailments; a type of film regrettably rare in recent years.

"Ev'rybody might be just one big soul - well it looks that-a way to me. ... Wherever men are fightin' for their rights, that's where I'm gonna be, ma. That's where I'm gonna be." - Woody Guthrie, "The Ballad of Tom Joad."

"The highway is alive tonight, but nobody's kiddin' nobody about where it goes. I'm sittin' down here in the campfire light, with the ghost of old Tom Joad." - Bruce Springsteen, "The Ghost of Tom Joad."

The Grapes--and Apples and Oranges--of Wrath
It's striking how many reviewers here base their comments on a simplisitic comparison between the film version of "The Grapes of Wrath" and the Steinbeck novel on which it was based. For many such a comparison seems to function simply as an excuse to proclaim the inherent superiority of the Steinbeck original--and, by extension, the superiority of their own literary taste values-- when all it really does is highlight the patent silliness of trying to pit different artforms into some sort of evaluative competition. Literature and cinema are two vastly different modes of representation each with their own strengths and limitations, so the framing question shouldn't be which version of "The Grapes of Wrath" is "better"--as if there were a universal yardstick with which to measure such things--but rather how do they perform in terms of their respective mediums? On that count, I think we are extraordinarily fortunate with both the Steinbeck and Ford versions of "The Grapes of Wrath" to have two masterworks that operate consummately at the peak of their respective artforms. What each does well, it does brilliantly. As a verbal medium that unfolds slowly, literature is good at offering rich, layered descriptions of person and place and mapping complicated narrative links and Steinbeck makes the most of this in his novel. Cinema, by contrast, is an expressive medium that works best through registers of visual and aural metaphor, allegory and performance...and it's on this ground that I think the film version of "The Grapes of Wrath" more than merits its classic status. It is a magnificently "cinematic" film that uses the expressive capacities of the medium to produce a richly layered experience that is truly moving and that lingers long afterward, sometimes for years or even a whole lifetime. I first saw "The Grapes of Wrath" on TV one rainy afternoon in my childhood and it left indelible impressions that have impelled me to go back to the film time and again: The haunted eyes of Jane Darwell's Ma Joad as she sits in the truck cabin, lit from beneath, driving into an uncertain future, the winds of history howling oustside; the terrifying collision montage as the monstrous "cats" move in to destroy the Okies' homes; the soulless gas station attendants, standing together in uniforms like corporatized automata, muttering that the Joads are too miserable to be human. It's a film dense with iconic richness and an enduring testament both to the artistry of the many workers that created it, and to the democratic spirit of popular cinema at its very best.

As good a restoration as possible
This DVD restoration is probably as good as possible given that the original camera negative was lost. This is the one to get.

By the way, there is NO widescreen version of "The Grapes of Wrath." This DVD release exhibits the full frame aspect ratio of the original (1.33 to 1 ratio). Essentially, films made between 1917 and 1952 were filmed with a full frame aspect ratio. Standard televisions were proportioned 4:3 to copy the standard cinema ratio. Widescreen (Cinemascope, etc) was a gimmick introduced by Hollywood in the 1950s to compete with television. So if a film was made between 1917 and 1952 don't go looking for a widescreen version of it because there isn't any! ... Read more

Description

One of the best comedy series ever to emerge from England, Black Adder traces the deeply cynical and self-serving lineage of various Edmund Blackadders from the muck of the Middle Ages to the frontline of World War I. In his pre-Bean triumph, British comic actor Rowan Atkinson played all five versions of Edmund, beginning with the villainous and cowardly Duke of Edinburgh, whose scheming mind and awful haircut seem to stand him in good stead to become the next Archbishop of Canterbury--a deadly occupation if ever there was one. Among tales of royal dethronings, Black Death, witch smellers (who root out spell makers with their noses), and ghosts, Edmund is a perennial survivor who never quite gets ahead in multiple episodes. ... Read more

Reviews (110)

"Or Else I'll Cut off Your Head..."
I have for many years been a fan of British television comedy. Among one of my favorites is the hilarious historical series, featuring the Black Adder. I don't think there has ever been on television such a cunningly nasty, yet funny character, as the Black Adder. The series, created by Richard Curtis, (director and writer of Notting Hill, Four Weddings and a Funeral, etc.) has concieved a brilliant concept of taking one main character and showing us his family tree in a variety of historical lifetimes.This character is brought to life by Rowan Atkinson ("Mr.Bean", "The Thin Blue Line") probably one of the funniest comedians in all of British televison.I don't think there has ever been a character on TV, who is so cunningly clever and nasty, yet so gut breakingly funny.In the four incarnations of the series, we see various Black Adders, as a cowardly Duke in the Dark Ages, a Lord trying to curry favor in the court of Queen Bess, a butler during the Regency era and finally as a career soldier during WWI. In each series, Atkinson gives the Adder his nefarious qualities, yet changes him slightly pesonality wise, to make him somewhat different from the previous ancestor.Atkinson is backed up in all the series's titles by a variety of superb, actors (who have also made thier mark in other films and TV) such as Tony Robinson, Miranda Richardson, Hugh Laurie, Tim McInnerny and Stephen Fry. These actors bring to life a group of nutty characters who are constantly bedeviling the Black Adder by either driving him crazy or putting him in some sort of hilarious, life threatening situation. My favorites include Tony Robinson's brain dead, Baldrick ("I have a cunning plan...") and also Miranda Richardson's maniaclly insane, Queen Bess ("I'll cut off your head..").These four series, plus a 1999 movie ("Black Adder Back & Forth"), have now been put together in a five DVD box set entitled, "Black Adder - The Complete Collector's Set". It also includes a variety of special features including, extra episodes not part of the original series ("Black Adder's Christmas Carol") plus interviews, silly sing-a-longs and character information. If you are a Black Adder addict or aficionado, then this box set is well worth the expense and will give you hours of fun, as you re-experience this luney history lesson.

Black, cynical and absolutely deliciously funny
This DVD series contains the complete collection of Black Adder TV episodes, made by the BBC. Black Adder aired as four individual series of six episodes each: The Black Adder, Black Adder II, Black Adder the Third and Black Adder Goes Forth.

Black Adder stars Rowan Atkinson, an absolute comic genius who is also the star of Mr. Bean. The screenplays were written by Richard Curtis (Mr. Bean, Not the nine o'clock news) and Ben Elton - possibly one of the funniest modern writers.

In the first series, Rowan Atkinson plays a weak chinned, effeminate heir to Richard, Duke of York. Set in medieval England, we are introduced to two of the most often recurring characters in Black Adders live(s) - Percy and Baldrick. Lord Percy is an eager to please, high strung dolt. Baldrick, an filthy peasant that is under qualified to be the village idiot, acts as Black Adder's golfer. Although funny, the first series may miss an American audience with some of it's historical references.

In the second series, Black Adder's next descendant is no longer heir to the throne but remains one of Queen's dearest friends. Set in Elizabethan England, we get to follow Black Adder as he plots to carouse, fornicate and steal his way to pleasure. Even funnier than the first series, Black Adder gets far more clever. We are also introduced to two additional, recurring characters - Melchett and Flash. Melchett is a pompous, over bearing palace sycophant and Flash is fast moving ladies man with more than just a sword hanging between his legs.

Black Adder's fortunes have considerably fallen by the Third Series, where he is now serving a butler to the Price Regent of England, the stupidest man in the land. Again, the clever Black Adder schemes to raise himself at the expense of everyone around him. Other great English comedic actors Hue Laurie, Robbie Coltrane and Tim McInnery all make appearances.

In the fourth and final series, Black Adder finds himself caught on the front lines of World War I. Trying to eke out a comfortable existence without being sent out on a suicidal charge against the Kaiser, Black Adder's fourth series is somewhat reminiscent of Mash. Without all the nice doctor's off course. This series has the "crudest" humour of all.

Black Adder is undoubtedly one of the funniest English comedy series ever made and well worth owning.

As funny as a very funny thing
The series takes you on a tour through british history in the company of the Edmund Blackadder line. The first series around the time of Macbeth upon which it based. This is the most slapstick of series. In the next series we are brought forward to the court of Elizabeth I. The addition of Ben Elton to the writing team moves the scripts toward more verbal word play and humour thereafter.

A couple of specials are included in the collcetion. A brilliant lampoon of "A Christmas Carol" and a rather weak "Time Machine" spoof "Back and Forth", where they revert to slapstick and the writing is not as keen. This is a minor wrinkle as overall the series is a comic masterpiece. Well worth it.

One of the Best
I once asked the writer Douglas Adams ("Hitchhiker's Guide to the Galaxy") if he had anything to do with these series, and his response was, "No, but they're all friends of mine." That explains a lot right there.

I first saw this series on PBS, and it absolutely floored me. The humor is razor sharp, the dialog fast and funny. The first series is a little weaker in this regard, but very, very funny in a way different than the later series. The fourth, in my opinion, is the weakest of the bunch, too ofter falling back on gross out jokes, but even that is better than a lot of other stuff coming out of the BBC. The Christmas Special is outstanding.

Keep an eye out for an appearance by Tom "Dr. Who" Baker as an insane legless ship captain in the second series. It was a testament to his performance that I, a big fan of his best known role, did not recognize him after having watched the episode about five times... until someone pointed him out to me. The Blackadder series are graced with a great supporting cast, including Brian Blessed, Miranda Richardson, and a number of other actors of whom you may never have heard, but should get to know.

If you are turned off by cynical humor, this show is not for you; but for anyone else, it is absolutely worth checking out.

A must have collection for any Black Adder fan
It's all here. Not only the four full seasons, but the Black Adder Christmas Carol, the Cavalier Years and the Black Adder Back and Forth special.
Rowan Atkinson is perhaps best known as Mr. Bean, which is a shame because this is far and away his best work. The Black Adder character gives full expression to his comedic timing, subtle mannerisms and comic voice. Much, much credit must go to writers Richard Curtis and Ben Elton for putting a situation comedy in historical eras and including some of the cleverest put-downs you'll ever hear. They also create some of the most engaging characters ever to grace the small screen. Besides Edmund Black Adder himself, there is the unforgettable Baldrick played by Tony Robinson, always in the subservient role, always the
butt of innumerable jokes, always lovable. Other memorable characters include Miranda Richardson as Queen Elizabeth I in Black Adder II and Stephen Fry as General Sir Anthony Cecil Hogmanay Melchett in Black Adder Goes Forth and Tim McInnerny in a variety of roles.
With just six episodes each season there was no fear of the series ever getting stale, indeed therein lies the only complaint I have about the Black Adder series, there should have been more.
The DVDs have a few particularly worthwhile special features. My favorite is the historical guide in which narrator Robinson explains some of the obscure historical references or fills viewers in on the real people and events depicted, even owing up to the shows exaggerations or slights. One of my favorite aspects of the Black Adder series is that along with many hearty good laughs I feel I'm getting a history lesson in the bargain.
Thank goodness a DVD collection worthy of the great show is available. ... Read more

Description

This hilarious look at dating, mating and relating in New York is "a thinking person's sitcom, brutally honest and hilariously funny." - The San Francisco Examiner. Can women have sex like men? What's it like to date someone younger? And what is "The Rabbit"? Find out in "Sex And The City."

(c) 2003 Home Box Office.All rights reserved.HBO(r) and Sex And The City(r) are service marks of Home Box Office, Inc. ... Read more

Reviews (236)

Sophisticated & Fun: Loved It!
This must have been great Cable-TV when it was on HBO, to which we don't subscribe. It's even better in the DVD version. High quality resolution AND surround sound via DVD make this a must-see for intelligent, sophisticated viewers who don't find much to satisfy on standard network TV.

In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)

A great collection of one of the best shows on TV
Sex And The City and HBO are the only reasons I keep that too-expensive premium cable package. Sex And The City makes it worth it. I only started watching this funny and strike-a-chord series this summer and don't know why I waited so long. Fortunately, you can catch up instantly on the first season and second seasons on video/DVD. Each season has 12-18 episodes, and they're like an amazing batch of chocolate chip cookies. You will not be able to stop and you will not be bored, even if you go through the entire season in one sitting. It left me wanting more. The characters' through-it-all friendship will have you appreciating your own tried and true friends. Carrie, Charlotte, Miranda and Samantha are all likable, real, complex, funny and a pleasure to spend one or eighteen episodes with. If you've been a single woman for more than six seconds, you'll also appreciate the bewildering and recognizable behavior of the men in these friends' lives. New York City as the vibrant backdrop makes the show even more watchable. Interestingly, a male writer wrote several of the episodes, so clearly, there are some good ones out there. And guys, I know several men who are surreptitiously hooked, also ... for any men out there who'd like to know what women think and talk about when they're on their own ... here are all our secrets spilled. I recommend this great series to everyone.

The beginning.
The first season was just ok, it had more of an unfocused feel to it. The show also had more of a grainier texture to it. The first season really doesn't deal with relationships that much, it focuses mostly on random dating, which makes it hard to get a reading on these women aside from their generic label (the sexually adventurous one, the cynic, the uptight one). Only SJ Parkers character is explored deeper, even though her character is mostly negative, self-absorbed, neurotic and prone to relationship sabotage. As for people who critize SJP looks, she isn't supposed to be a model she's supposed to be a normal woman who is comfortable with her looks, a woman normal women can relate to. Overall an ok season. EP

PSEUDO-INTELLECTUAL DRIVEL!
(...)This reveals exactly why the terrorists hate our country. Shallow, materialistic, decadent, pseudo-intellectual drivel. I remember hearing one sentence of the show (before throwing the tv out the window) where the main character said "I finally realized" followed by some pseudo-existential "witticism" with a straight(dumb)face. The only positive aspect of this show is to teach kids to stay in school.

Fresh and fabulous
I got into this series when it was almost over and can recommend it. Yes, it's explicit at times so beware of that, but it's fresh and fun and most importantly absolutely fabulous. The characters are all played wonderfully by this cast and the stories have you chatting later about it with your friends saying things like "GEEZ, I'd never put up with that" etc. Depending on your favorite character as a woman it's easy to find yourself in one of the cast.

LOVE THIS SERIES! ... Read more

Amazon.com

Nineteen thirty-nine is often proposed as the movies' halcyon year, and three reasons why were directed by John Ford: Stagecoach, Young Mr. Lincoln, and Drums Along the Mohawk. In that exalted company Drums... would have to be accounted "merely superb"--even if it's the best film ever made about the American Revolution and, oh, only about eighth-best picture of its year.

Henry Fonda and Claudette Colbert play newlyweds in New York's Mohawk Valley at the time of the Revolutionary War. That war is more a distant rumor than a direct concern of people with cabins to raise, crops to harvest, and firstborn on the way. When it comes to their valley, in the form of hitherto-peaceable Indians whipped up by a gaunt Tory with an eyepatch (John Carradine), life changes as though with the passing of a cloud shadow.

In this, his first color film, Ford created indelible images of the dawning of America: a lone wagon making its way through acres of long grass rippling in the wind; the Indians, at the onset of their first raid, seeming to materialize out of the mist, out of the very trunks of trees; a ragged line of farmers with flintlocks passing along a split-rail fence, then resolving into a column, an army, marching toward a distant horizon. (Utah's Wasatch mountain country stands in persuasively for upstate New York in pioneer days.) Edna May Oliver scored a best-supporting-actress Oscar nomination as a memorably crusty frontier widow, while Ward Bond--oddly omitted from the opening credits--claimed a place of honor in the John Ford Stock Company playing Fonda's best friend. --Richard T. Jameson ... Read more

Reviews (18)

Brilliant restoration
Fox did a brilliant job in restoring Drums Along the Mohawk for DVD, with one small, annoying exception ... the 20th Century Fox trademark is from a much later era, perhaps the 1960s or 1970s.They also did this with the DVD restoration for Leave Her to Heaven. It would have been simple enough to use the original.

Stop the screaming.
I actually give this movie 41/2 stars. I would give it five stars if it weren't for Claudette Colbert's annoying screaming.

A perfect example of negative stereotyping!!
Drums Along the Mohawk is a perfect example of films of that era that paid no attention to history and created and reenforced negative stereotypes about American Indian people. I use this film in my American Indians in Film class as an example of how inaccuracies and negative perceptions of American Indian people were created.

HISTORICAL ADVENTURE COMES TO LIFE
Apple-cheeked Claubert and tall and gangly Fonda are so young, they're a pleasure to watch. All performances, including Ward Bond and Edna May Oliver, are exceptional and the color is amazing. "Drums Along The Mohawk" is an epic of the frontier that you'll want to watch again and again. Although the film takes place in upper New York State, viewing the terrain, it was probably shot in northern California. No matter. The film begins with hope alive and better things to come yet is dashed by the realities of the frontier and war. Battle scenes between indians and settlers can be a little frightening so I'd recommend that if you're going to let small children see this, an adult should sit with the child. A perfect film.

Outstanding!!
This is one of Henry Fonda's and Claudette Colbert's best movies..!! They play a young couple new to the frontier (Upstate New York pre-revolution). Well written and acted. Don't miss this one it is well worth viewing. ... Read more

Reviews (191)

Docked two stars for shoddy DVD treatment
First of all, let me go on the record as saying that Glengarry Glen Ross is one of my all-time favorite films. The acting is nothing short of astounding. Each actor (particularly Jack Lemmon) is at the top of their form. This is an actor's movie. There's no special effects, chase scenes, superfluous love story subplot, or pat ending. It should be obvious to anyone watching this film that it is based on a play -- specifically, David Mamet's Pulitzer-prize winning play of the same name. Mamet also wrote the screenplay, which is full of the fiery brilliance he always brings to the table. This is not a film for the timid. The language is raw and crude. The film takes no prisoners and I love it.

The film takes place in a real estate office, where cutthroat salesman do "cold calling," basically selling land by telemarketing. It's a brutal business (we've all been on the other end of that phone call and usually end up hanging up on the salesman), and the people these guys work for are brutal as well.

Case in point: during an early, crucial scene, Blake (played brilliantly by Alec Baldwin) tells the gathered crew that the top prize for highest sales is a Cadillac. The second prize is a set of steak knives and the third prize -- "you're fired." The speech is a sadistic, humiliating version of a pep talk, all macho brags and venomous insults. He dangles the new contacts, or "leads," in the faces of the salesmen. "They're for closers," he tells them. These guys would kill for the good leads, and Blake knows it. The scene was written especially fo the film and Baldwin eats it up. It's easily the best thing I've seen him do.

Jack Lemmon plays Sheldon Levene, the office's oldest employee. He used to be the best one around (they call him "The Machine"), but he's been on a bad streak lately and desperately needs his luck to change. His daughter's in the hospital and is unable to pay her medical bills. Al Pacino plays Ricky Roma, the current hotshot. His way of befriending a potential client in a bar and gaining his trust is odd, but effective (his opening monologue is totally insane, but thoroughly entertaining). Kevin Spacey is the office manager who will not bend the rules for anyone, much to the rage of the office. Ed Harris and Alan Arkin round out the rest of the salesmen. Harris plays Dave Moss, who has the world's biggest chip on his shoulder. Arkin is George Aaronow, who desperately needs to land a good sale. Most of his role consists of reacting to Harris and Pacino, but he's very good.

The day after Baldwin's talk, the salesman come to work to find the office robbed. The new leads are missing. Probably an inside job. It could have been anyone. Everyone is questioned by the police and everyone is insulted that they are considered suspects. Ricky is mad because the robbery may have screwed up his latest sale, putting his ownership of the Cadillac in jeopardy. Also, last night's client comes looking for him -- he has second thoughts. The way Ricky tries desperately to blow off his client while still playing the salesman is creepy and brilliant. Lemmon is amazing as Levene -- I've never seen desperation played so well.

Having said all that, I, along with the rest of the GGR fans, have been waiting years for this film to arrive on DVD. Especially since it's been promised as a "two-disc special edition." What a disappointing package it turned out to be.

Well, let's be fair. First of all, the film. It looks great. It sounds great. They did a great job with the film itself. But don't promise a loaded special edition and then give us something as lame as this. The only commentary track on the widescreen version is director James Foley. He only speaks during three scenes. The other commentary tracks are only available on the full-frame version (on disc two) and are not scene-specific.

The extras include "Magic Time," a tribute to the late Jack Lemmon, which is well-meaning but could have been a lot better. It does, however, end with a clip from Lemmon's appearance on "Inside the Actor's Studio," which is sweet. There is also "Always be Closing," another slapdash mini-documentary that features directors, playwrights, actors (including GGR's Alan Arkin and Alec Baldwin) discussing the role of the salesman in plays and films, as well as actual salespeople themselves. Sound interesting? It's not. It lacks any kind of cohesive thread. It appears to have been produced by a first-year film student. There's no structure to it. It looks unfinished.

There's also a clip from Kevin Spacey's appearance on "Inside the Actor's Studio" where an audience member acts out a scene from GGR with Spacey. I'll admit, I enjoyed that bit.

Why in the world didn't Criterion release this? They would have done a much better job and besides, they released the laserdisc version (with commentary tracks from Jack Lemmon, among others, I'm told). What we end up with here is an amazing film with an amazing transfer...and a bunch of lame extras thrown in.

If you're a fan of this film, by all means, buy the DVD...but don't expect much in the area of extras.

Best Sales Movie Ever
Exaggeration & Repetition: Performance keys to live by

There are two keys to being a good performer, whether you are writing or telling a story, whether you are selling something or selling yourself: Always exaggerate things by one thousand percent, and use repetition at least 500 percent.

Those who understate a story or product that may not be very strong in the first place, will fall victims to making that story or product look weak. The way to avoid making yourself or whoever/whatever you are representing look weak is to follow the aforementioned keys. The way to do that when the product or story is weak is to learn how to "B.S." That is where being a good performer comes in...

You are an actor, and being outgoing and to the extreme will always give the impression that whatever you are talking about is "the best." A good actor can do this perfectly and not come off as overly co.cky or obnoxious. Always say what the other person wants to hear. The customer is always right. Do whatever you can to "nail the gig."

There is something else to keep in mind when doing this particular form of "B.S.-ing," and that is the "K.I.S.S." method of "keep-it-simple-stupid." That may sound like a contradiction to the keys, but it is not. Keeping it simple, is not disclosing the real specifics, but still making your case sound like it's above and beyond every other possible option. This comes in handy particularly when someone asks you a question that you may not know the full answer to. That is where "filling" comes in---something that students do when writing an English essay on a test. If you have a general idea of what you want to say but don't have a specific reply to a portion of the question, you "fill" that essay with long winded run-on sentences. However, the whole thing must be coherent, and if your essay is well-written and has a good amount of clever puns and humor, you cannot lose. If you are a slick actor or writer, you can fool even the best of English teachers into at least giving you an "E" for effort.

Another thing to keep in mind is that you will never lose if you can "meet in the middle." What that means is this: Suppose a shirt looks like it is worth $15 to a customer but you build it up so much and make it sound like it's worth $50... By the end of the conversation, if you are doing your job, you are going to get them to meet you in the middle and the final conclusion will be that the price of the shirt is around $25. The real worth may be no more than $15 (and maybe even less), and certainly nowhere near $50, but you still get the "E" for effort and earn $25. You aren't really getting into details on why the shirt is worth so much more than the customer thinks, but you are pounding it into their head that it's worth $50. You are exaggerating and repeating. You are using adjectives that may or may not apply to that shirt but you are making it sound great and far above what it's worth. So finally, they will concede a price of $25. You were stretching the truth about the shirt being worth $50 and they may have been undervaluing it at $15. Essentially, you are both lying and both playing a game with one another, but finally, a minimum of $25 is agreed upon. No one may ever find out the true value, but it's irrelevant anyway. This works in any situation.

Exaggeration and repetition. But remember to K.I.S.S.

These keys could have been discussed in one paragraph, but it took an entire page, yet you as the reader were compelled to hang onto each word from start to finish. So I succeeded as a writer in that this essay was read from start to finish and my point was proven.

The "Whale"

A whale is a customer that you pull in, hook, line and sinker and mount on the wall. He is a golden nugget, a superstar, a monster. This type of customer that you get lucky enough to snag will be your customer for life. That means, you will either be set up for life from one deal you strike up or you will have him as a repeat customer that you can call back as a strong possible prospect forever.

Sometimes it is tough to spot a whale, he may not always be overly outgoing or obvious about being a "buyer." So anyone can be a whale. The way to learn if someone is a whale or not is to simply get into their home and learn about their life and about them. So anything you can do to get your foot in the door will work.

Start off small and discuss something that may appeal to their interest and work your way into their world. Don't pre-judge them until you learn about them. This will take time and patience, but all you need is a small "in" and then you can build on that and if you win the whale's trust, all it takes is one big deal to set you up for life.

So practice the "A.B.C." method of "always be closing" with everyone, because anyone can be a prospect. While the impression may be given that you genuinely care about them, the main objective is getting them to sign on the dotted line.

Of course the obvious "Gordon Gecko" type whales who go around showboating their spending habits and their skills are the true whales that if you are lucky enough to somehow snag, you are set.

A play trapped inside a movie.
'Glengarry Glen Ross' has good dialogue and good acting by the fine actors, but this is actually a play trapped inside a movie. They should not have made it into a movie.

Put that coffee down!
If you're looking for car crashes, gun fights and naked people you won't find them here. But if great dialogue and raw emotion hold your interest, it doesn't get any better than this. Every one of these guys should have won an award for their roles in this movie. Not sure if this particular DVD contains the interview with Jack Lemmon that was included after one of the cable TV broadcasts of the film. If not, it should!