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$13.97 $11.99 list($19.96)
41. The Wizard of Oz
$31.96 $28.00 list($39.95)
42. La Strada - Criterion Collection
$37.49 $31.67 list($49.98)
43. Mutant X - The Complete Second
44. Gone With the Wind
$39.95 $31.72
45. Judex (Deluxe Edition)
$31.96 $23.97 list($39.95)
46. Jeeves & Wooster - The Complete
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47. Tales from the Crypt - The First
$377.99 list($539.98)
48. Highlander - The Complete Series
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49. The Best of Primetime Glick
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50. Tora! Tora! Tora!
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51. Donovan's Reef
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52. Ally McBeal Boxed Set
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53. Breakin' 2 - Electric Boogaloo
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54. My Darling Clementine
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55. Les Vampires
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56. Amadeus
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57. Amarcord - Criterion Collection
$188.94 list($269.92)
58. La Femme Nikita - The Complete
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59. Highlander The Series - Season
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60. Clifford

41. The Wizard of Oz
Director: Richard Thorpe, King Vidor, Victor Fleming
list price: $19.96
our price: $13.97
(price subject to change: see help)
Asin: B00000JS62
Catlog: DVD
Sales Rank: 73
Average Customer Review: 4.63 out of 5 stars
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When a nasty neighbor tries to have her dog put to sleep, Dorothy takes her dog Toto, to run away. A tornado appears and carries her to the magical land of oz. Wishing to return, she begins to travel to the city of Oz where a great wizard lives. ... Read more

Reviews (339)

5-0 out of 5 stars A true masterpiece! A 5 star winner and a true classic!
The Wizard of Oz has got to be one of the greatest movies in classical and musical cinema history. For sixty years this movie has been the perfect choice for childeren and adults to watch and enjoy. The story is about Dorthy Gale who lives in Kansas with her aunt and uncle. When Dorthy decides to run away from home because of her feelings being empty a tornado hits and she and her house are taken to another world, the Land of Oz. A place where she finds friends like she never imagined like Glinda the good witch of the north, the beautiful witch who gives her the rubey slippers which posses power like any unknown. The scarecrow, a friendly man of clothing and straw who wants a brian, the tin woodsman, a sweet man made of tin who wants a heart, the lion, a kind and cowardly forest animal who wants courage and the wicked witch of the west, a evil witch who wants the rubey slippers and revenge on Dorthy for accidently killing her sister, the wicked witch of the east. As Dorthy and her friends follow the yellow brick to the emerald city, the place where the great and powerful and mysterious Wizard of Oz lives the magic of this film can tell the rest.

A true masterpiece! Excellent polt, characters, music and more. It holds an emotional presents that will touch everyone's heart and wish they were in the Land of Oz! See it and live through the magic of this timeless classical film of wonders.

5-0 out of 5 stars An OZ-some DVD Experience
Like most baby boomers, I've watched this film dozens of times in the past on broadcast TV, then VHS tape, then LaserDisc ... but I had never actually SEEN "The Wizard of Oz" until this newly restored DVD came out. It's an amazing transfer. The sepia-tone Kansas sequences are startlingly sharp and clear, and the Technicolored world "Over the Rainbow" is truly dazzling. I found myself fascinated by details I had never noticed before: the glittering corn stalks in the Scarecrow's field; the mirror-like floors of the Emerald City; the polished buttons on the guardsmen's uniforms. Incredibly, even the individual grains of red sand in the Witch's hourglass stood out and glistened! All these minor-but-sumptuous visual details served to heighten the magical spell that the film has always woven, enhancing the performances, the story, and the music.

The DVD extras are a mind-boggling embarrassment of riches. The "Making Of" documentary hosted by the incomparable Angela Lansbury is worth the price of the DVD alone, but there's so much more: an international poster gallery, interviews with cast members, deleted scenes, production stills, radio clips, etc, etc. There's enough material to keep even the most casual viewer fascinated for hours, and a true Oz buff will be occupied for days!

If you only bought a DVD player to watch this one disc, it would well be worth the expense. Treat yourself, and fall in love with this classic film again ... for the first time.

5-0 out of 5 stars The Wonderful Movie of Oz
I have been enchanted as I now watch the movie as an adult. It is not just a story about a girl from Kansas trying to get back home - actually, that was added into the movie: "There's no place like home" wasn't in the book even. I think it was a story of things that we want, and that we imagine these things may be granted by the Wonderful Wizard of Oz. The scarecrow wants a brain, the tinman a heart, and the lion courage. On their journey off to see the wizard, they encounter the wicked witch of the west - who is determined to get the ruby slippers off of Dorothy's feet. Now, the thing I am puzzled by is at the beginning, Glinda is the one who reminds the wicked witch about the shoes. Then she is the one who places them on Dorothy's feet: "There they are and there they'll stay." Had she not had the shoes, her journey to the wizard would not have been so troublesome. Not to mention that the "good witch" sent Dorothy on a journey to a phony wizard. I wonder now if there was some kind of irony in that - since she was also the one who in the end tells Dorothy that all she has to do is click her heels together and say "there 's no place like home." While the movie is totally a classic I love and will watch over and over again, I am wondering about the book: Were the "ruby slippers" (which were silver in the novel) as magical - and - if there was no "no place like home" in the novel then I am wondering how Dorothy got back to Kansas. I think that because each time I watch this film I realize something new, it will always remain one of my favorite movies ever.

5-0 out of 5 stars The Wizard of Oz is wonderful
The classic film! The Wizard of Oz is wonderful. Judy Garland's breakthrough performance. Beautiful.

5-0 out of 5 stars Growing Up, Growing On
I knew every line of this as a kid. I loved the books. I even loved the sequel that everyone else hated because I love OZ. I tried to be "over" this movie for a long time as an adult. But every time I see it I re-remember why I couldn't get enough before. The quintessential fairy tale. All kids and all adults should watch it again to remind them that a movie can work without sex, violence or graphic anything really. It's scary -- touching -- and completely engrossing -- more so each year I grow older. ... Read more

42. La Strada - Criterion Collection
Director: Federico Fellini
list price: $39.95
our price: $31.96
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Asin: B00005JKGQ
Catlog: DVD
Sales Rank: 2497
Average Customer Review: 4.39 out of 5 stars
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Reviews (49)

5-0 out of 5 stars Boys don't cry...or do they?
I vividly remember a summerday afternoon. I was a 4th grader boy. While I was watching this movie, I cried but didn't feel ashamed. I never cried while watching a movie until one of my freshman days. Then my favorite actor Robert De Niro's Mission was the one brought tears to my eyes (Remember the waterfall climbing scene he is dragging his armours?). La Strada is one of the most beautiful and powerful films in our history. It''s haunting! This is one of my top 20 if not top 5. But it's clearly one of TOP5 I'd feel like my life has a gigantic hole if I didn't watch it in my life. I'm glad watched this over and over again and I am glad we can own it now. How happy we are!

PS) My only complaint is (yes, there is one) at the end of movie, when Anthony Quinn hears a lady humming Gelsomina's song, it sounds too 'professional'. I always wish it had been recorded as if it's sung more casually.

3-0 out of 5 stars Is there a "glitch" in the "English" audio element?
I agree with almost all of my fellow reviewers, that this is probably one of the greatest films ever made. Since DVD's came about, I've been writing letters to Criterion (the company which restored it), asking that "La Strada" be released (especially by them). First of all, the picture quality is 10 out of 10, it's wonderful. The original "Italian" audio track is a joy to my ear, from beginning to end. BUT....the "English" audio track seems to be flawed (at least with this, the first release). In the beginning of the film, when Gelsomina is introduced to Zampano, about 3:30 min into the film, until 4:04 min into the film, there is a complete loss of sound. And once again from 4:20 min into the film, until 4:35 min into the film, there is another complete loss of sound. From then on, the audio is flawless. I contacted Criterion about this problem, and I was advised that it was probably a bad copy, and to contact AMAZON for a replacement. I did this, and AMAZON sent out a new copy within 2 days. Unfortunately, the replacement disk was flawed in EXACTLY the same places on the "English" track. Please check YOUR copy, and if it IS flawed, please contact Criterion about it. I tried BOTH of my copies on THREE DIFFERENT DVD players, and it was SAME problem on each machine, and at the same times that I mentioned. What are the odds of that? I'm a HUGE fan of Criterion and their work, and I think it's just a bug that needs to be worked out. Other than that, their restoration is a jewel in my collection.

4-0 out of 5 stars La Strada's English Soundtrack
In response to Stephen Lopez:I,too,contacted
Criterion regarding the English track.I received
the same reply.However,I can't accept their
answer because some years back,Criterion released
La Strada on laserdisc (a now-defunct video medium
used mainly by videophiles before the advent of DVDs)
which I've owned since its release.

The English soundtrack on this LD is flawless...not
a single "dropoff" from start to finish. hunch is that somebody at Criterion fouled

up somehow and the result is several minutes of
missing audio.

I'm still happy,however,that I purchased the DVD
because the video quality is outstanding!

1-0 out of 5 stars Dreary
Okay, so it's a famous movie by a famous director. So what? The acting is not especially good. (Yes, I realize part of the problem may be that the original dialogue had to be dubbed in Italian. But it is what it is.) The Gelsomina character is particularly annoying, so obviously trying much too hard to be cute and appealing, and coming off mostly as artificial and rather stupid. The plot barely exists, the cinematography is ordinary, and there isn't a single character whose fate I cared about.

1-0 out of 5 stars Overrated, Unimportant, and Poorly Produced
There, I said it. This film just doesn't have much going for it, other than positive word of mouth. I challenge you to find some substantive reasoning in the 5-star reviews... can't find it? That's because they're full of hot air.

Giulietta Masina is unattractive and a most unenjoyable screen presence. There, I said it again. Call me shallow, but I want my movie stars to be visually pleasing. Fellini reminds me of Citizen Kane demanding that his wife be a star. The original voice track production ruined the film: I wanted to hear the Italian voices but then couldn't hear Quinn's real voice (the whole film was dubbed, twice, it has no "original" sound). Also, Fellini's films are too long. If you are not telling the story of Gandhi or Lawrence of Arabia, then keep your drama to under 90 minutes. For a film with virtually no plot, La Strada takes a very long journey down such a short (and frankly, insignificant) road.

Regarding the Criterion DVD, the image is crisp. That's it. The special documentary is boring and could have fit on the first disc, I don't know why they used two. As usual, Criterion offers no subtitles beyond English. Marty Scorsese offers up a 120 second summary in which he doesn't really say anything complementary about the film. How much did he get paid for that interview, $10k, maybe $20? Don't worry, you're paying for it, as this disc is highly overpriced in the Criterion tradition. If you must, Enjoy! ... Read more

43. Mutant X - The Complete Second Season
Director: T.J. Scott, John Fawcett, John Bell (XI), Milan Cheylov, Terry Ingram, Ken Girotti, Alan Goluboff, Jonathan Hackett (III), Philip David Segal, Andrew Potter (II), T.W. Peacocke, Oley Sassone, Bruce Pittman, Jorge Montesi, Brad Turner, Jon Cassar, Graeme Campbell, Bill Corcoran, Stacey Stewart Curtis
list price: $49.98
our price: $37.49
(price subject to change: see help)
Asin: B00092A1OE
Catlog: DVD
Sales Rank: 3333
Average Customer Review: 4.0 out of 5 stars
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Farscape is an adventure as broad and weird as the universe-full of strange creatures, bizarre twists,irreverent humor, raucous, action, passion, and romance!Produced in Australia with the incredible talents of Jim Henson’s Creature Shop, Farscape is the fantasy-scifi-drama-romance-comedy-adventure you will always rememeber! ... Read more

Reviews (4)

4-0 out of 5 stars This a great deal, for fans of the show
I happen to really like the show, so I am biased. But, I bought the singles dvds for over $100 so this is a great deal. This season the production values were so much better than season 1 and it shows, a lot more action, most of it, took place away from sanctuary. They all start to grow in their powers which reveals a dark side to Emma, and Brennan acts like a petulant teenager and questions and confronts Adam on everything. Fans, be sure to check out episodes 201, 205, 206,218, 220. The "Inferno" episode is truly the best.
Buy it you won't be disappointed.

1-0 out of 5 stars Load of Garbage, Maybe one good show in the whole disk...
They release the whole second season, while different episodes were released on earlier disk sets.Where's the goal to do that?A.D. Vision must really be run by geeks who smoke weed.

5-0 out of 5 stars i cant believe they ended it!
mutant x is one of the best shows around i cant believe they ended it on a cliff hanger and never made any more. i think season 2 is a really good season as it shows when ashlock gets into shalimars head, which is really interesting to see.

5-0 out of 5 stars Bring on the third seson
the third sesaon is all that. its a shame that they took emma out of the show but oh well, what done is done. YOU HAVE TO RELAESE THE COMPLETE THRID BECAUSE SEASON TWO ENDED NOT RIGHT AND FOR THE MUTANTX DVD COLLECTION TO END WELL, YOU Need to have the complete third one out there. the second one, i loved soo much. everybody's powers were growing especailly emma's, her powers were the best. I loved it when she had went inside the guys mind and turn into three and used the lazr blast on him. The best part was when her eyes had turned black. Creepy. ... Read more

44. Gone With the Wind
Director: Victor Fleming, George Cukor, Sam Wood
list price: $24.98
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Asin: 6305123667
Catlog: DVD
Sales Rank: 22263
Average Customer Review: 4.39 out of 5 stars
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Reviews (481)

3-0 out of 5 stars One of the Most Overrated Films Ever
Gone With the Wind is remember as a great movie because of it's epic scope and excellent production values. But 60 years later when the big budget no longer thrills us, we are left with a decent film but nothing special.

To begin with the entire film is very campy and melodramatic. The whole film is very heavy-handed and over-done. Scenes like where Scarlet crys "I'll never be hungry again" are just plain ackward. Someone should have tatooed the word "subtlty" on Selznick's head.

The script is fairly weak too. It presents a very narrow, one dimensional view of the Civil War. Worse, the Civil War ends half way through the movie and the rest of the film lacks the first half's energy.

Another major flaw is that the characters lack any real depth. Scarlet is cold and nasty through the whole movie. She never changes untill the last two minutes of the movie. There is simply no development. Ashley is noble and his wife is so nice and sweat that it makes me sick. These characters simply aren't human and don't feal real. Probably the only character in the whole movie who actually developes at all is Ret. Sadly, Clark Gable's strong performance isn't enough to carry the rest of the cast.

It should also be noted that Gone With the Wind is very racist at some points. The scene where all the slaves are going off to fight the "evil yankees" is enough to turns one's stomache. Most of the black characters are portrayed as child-like and stupid. The only exception to this is Mimi who does an excellent job and deserved her Oscar.

Gone With the Wind is still an example of fine production values but when you strip away all the lavish sets and money spent on the film, you're left with a rather hollow experiance. While there is no denying that it is a very pretty movie, even today, and it does have it's moments, Gone With the Wind is simply an over-done and campy movie. This film does not deserve to be ranked up there with the likes of Citizen Kane or the Godfather. It's just not that good.

4-0 out of 5 stars After more than 400 reviews... can't say much else!! A spectacle to end all spectacles; the epitomy of costume, art direction, and cinemagraphic grandeur (Technicolor film was still rare in the 1930's, and the industry was already engulfed in production of at least one *other* color movie that same year). I wasn't enthralled with this film when I first saw it years ago but I have come to appreciate its epic presentation and gothic, almost soapy, storytelling. And the cast is entirely first-rate, from the leading lady (whose historical casting was a mini-series in itself) to the supporting roles (Hattie McDaniel, Thomas Mitchell, Ona Munson, Laura Crews, Ann Rutherford, Harry Davenport, Oscar Polk, 'Superman's' George Reeves, et al) to the hundreds (thousands?) of extras who populated the pre-and-postwar South (the tracking shot of the Twelve Oaks mansion at the start of the barbecue and the sprawling, widening shot of Scarlett walking amidst all the wounded soldiers come to mind). It is a great script ("Waste always makes me angry;" "Do you ever shy away from marrying men you don't love?") and great direction (Victor Fleming, George Cukor, and Sam Wood- anyone else?). It is a record-holder of sorts among Oscar nominated (or Oscars won) films, but it came out in an extraodrinary year of films. 1939 also saw the releases of, among others, GOODBYE MR. CHIPS, DARK VICTORY, THE OLD MAID, GUNGA DIN, ALEXANDER GRAHAM BELL, JUAREZ, ON BORROWED TIME, THE WOMEN, GULLIVER'S TRAVELS, AT THE CIRCUS, BABES IN ARMS, THE HUNCHBACK OF NOTRE DAME, LOVE AFFAIR, MADE FOR EACH OTHER, and THE WIZARD OF OZ.

4-0 out of 5 stars Lesley Howard is brilliant and a strong character
In his role of Scarlett O'Hara's (initially) true secret love. I had been a fan of Mr. Howard's for many years. His performance here is among his finest. Also check him out in The Petrified Forrest. As for the rest of the film. When he's not in it it's a little strong on the romantic side.

5-0 out of 5 stars Worth Another Look for this Fan of Classic Film
Gone with the Wind creates many strong opinions, but I daresay many of them by people who haven't seen the film, or at least not in many years. It is sort of an amalgamation of both Margaret Mitchell's book and a reworking of DW Griffith's even more controversial silent blockbuster Birth of a Nation.

I had written this off as a silly commercialized Hollywood fairly tale but recently decided to give it another look. Basically, I think the claims of racism are far overblown, especially compared to other films of this era. It seems to me that Selznick and company went to great pains to stamp out the more overtly racist themes of Griffith's famous 1915 film. For instance, Scarlett's attempted rapists were all white; real black actors have menial but still important roles; those black actors are treated with dignity and respect; and finally the "n" word probably more frequent in southern parlance of the day was replaced with the more delicate term of "darky", and never used in a scornful fashion. And while establishment opinion in the North still clings to belief that the Civil War was a most noble and unselfish effort, the truth was something much less certain. Surely slaves in the prewar South were not all treated as gingerly as in this film; but just as certainly they were also brutally repressed in the North as well (just watch Gangs of New York for a history lesson on Northern feelings towards African Americans). All wars have a side people would rather forget, and this one was certainly no different. Also on the positive side, the film does a good job of capturing this broad historic period with smart scenes amidst well designed sets. It's really quite a grand production, in color no less, with a marvelous historical and cinematic scope.

On the less positive side, the heralded performances I think are a bit overrated. Clark Gable's presence helps considerably, but he is certainly not nearly as natural or comfortable as he was in It Happened One Night. And Mitchell's sappy, soap operaesque story frequently slips nearly into the preposterous, especially in latter scenes of the film when the historic takes a back seat to the dramatic. But maybe that's what gave the film its broad appeal, as it has a little of something for everyone. I think another factor may have really launched its success: released during the cold winter of 1939, its four-hour sitting time gave depression-weary Americans a warm night on the town for a cheap price that they could all afford.

Regarding the standard edition DVD, its very serviceable but the extras are appallingly poor for a film of this esteemed history. Also, Spanish subtitles would have been nice (only has English and French).

5-0 out of 5 stars The Best of the Best
A total classic...everyone should own this film. ... Read more

45. Judex (Deluxe Edition)
Director: Louis Feuillade
list price: $39.95
our price: $39.95
(price subject to change: see help)
Asin: B0001Y4MJA
Catlog: DVD
Sales Rank: 12017
Average Customer Review: 5 out of 5 stars
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Occupying a delicious place between Victorian melodrama and superhero comic books, Judex is one of the great serials from the career of French movie pioneer Louis Feuillade. From his castle lair high above the countryside, mystery man Judex (granite-faced Rene Creste) seeks to protect the lovely Jacqueline, while nursing a secret hatred for her fatcat father. Multiple kidnappings, assassination attempts, and narrow escapes follow; much of the mischief is orchestrated by wicked temptress Diana Monti (Musidora, the star of Feuillade's Les Vampires). There's also a delightfully overwhelmed detective (Marcel Levesque), who's a sort of prototype of Monsieur Clouseau, and a streetwise Artful Dodger known as the Licorice Kid.

On DVD, the serial's 12 episodes and prologue are smartly tinted and feature a lively orchestral score by Robert Israel. Feuillade's use of real locations (both Paris and the Riviera figure prominently in the action) gives the film a realistic freshness that cuts wonderfully against the flamboyant plotline. When Feuillade's serials were re-discovered in the 1940s, they proved influential to a generation of filmmakers, and Georges Franju actually did a feature-length remake of Judex in 1963. Indeed, the figure of Judex remains a powerful fantasy protector:his secret lair, his disguises, his complete moral authority (although a cynic might point out that he doesn't always do a good job of protecting his ladylove--but then there'd be no cliffhangers). For all intents and purposes, Judex is Batman. He even has the cape. --Robert Horton ... Read more

Reviews (2)

5-0 out of 5 stars bunuels influence
a exempelary transfer gives judex its due worth.
feuillade made an extremely belated, posthumas splash a few years back with the release of les vampires on video, waking a few crititcs up with an ' oh this is the guy that influenced bunuel. we need to watch this and promote it'.
judex is possibly even superior to les vampires. having and comparing both films is benefecial.
they are films i read about as a child and both are rare examples of films actually living up to their reputation.

what feuillade did with such a miniscule budget is a lasting testament to his artistry and his status as one of the early auteurs.
both of these films have such a sense of wonder to them that i feel describing them is completely unecessary.
but, if you have even an iota of interest in early cinema, avant garde art, or surrealism, then buying this is essential.

5-0 out of 5 stars Feuillade's Masterpiece.
As a long time fan of silent films I was familiar with JUDEX from a number of reference books and from the 1963 remake by Georges Franju which is not without interest and should also be revived. Therefore it was an unexpected pleasure to discover that Flicker Alley (the people who gave us GARDEN OF EDEN with Corinne Griffith a few years back) in conjunction with Turner Classic Movies was issuing a newly restored version of the original 1916 version. Louis Feuillade (1873-1925) was the undisputed master of the movie serial. He took what was regarded as the cheapest form of cinematic entertainment and turned it into an art form. Although not as erotic or as violent as LES VAMPIRES his previous effort, JUDEX benefits from a tighter storyline, more fully developed characters, and some of the most remarkable photography to come out of that era. The plot is simple and is basically a reworking of THE COUNT OF MONTE CRISTO. A young man plans to avenge himself against the unscrupulous banker who ruined his family but his plans are compromised when he falls in love with the banker's daughter. The complete film runs over 5 hours and is divided into 12 chapters. While each episode doesn't end in a cliffhanger like most American serials, the storyline is intriguing enough that you'll want to keep going just to see how it all works out. The performances by the French cast are restrained by silent film standards and use a great deal of subtle pantomime which is very effective. The real star however is the photography. Feuillade uses a mostly stationary camera but the compositions of his shots and what he does within them especially in the outdoor scenes is truly remarkable. It is easy to see why he was known as the D. W. Griffith of France. The film has been color tinted to 1916 standards and features superb musical accompaniment from Robert Israel which ranges from solo piano to orchestral. While I haven't seen FANTOMAS which is not available in the U. S. but judging from what I've read about it and from LES VAMPIRES which is available, I'd have to say that JUDEX is Feuillade's masterpiece. Another winner from Flicker Alley, this DVD is an absolute must for all silent film buffs and to anyone interested in the cinema of crime. ... Read more

46. Jeeves & Wooster - The Complete First Season
Director: Ferdinand Fairfax, Robert Young (III), Simon Langton
list price: $39.95
our price: $31.96
(price subject to change: see help)
Asin: B000053VA5
Catlog: DVD
Sales Rank: 2570
Average Customer Review: 4.78 out of 5 stars
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P.G. Wodehouse's much-loved stories about Bertie Wooster and his brilliantly clever valet, Jeeves, were brought faithfully to life in Jeeves and Wooster, starring Hugh Laurie and Stephen Fry as master and servant. The scripts of this perfectly cast production retain all the sparkling wit of Wodehouse's prose, and it's hard to see how any future adaptation of his work could surpass this wonderfully funny series.

This boxed set contains the entire first season of Jeeves and Wooster. In "Jeeves Takes Charge," young man-about-town Bertie Wooster employs a new valet called Jeeves, and not a moment too soon. Thanks to his Aunt Agatha, Bertie faces the terrible prospect of marriage to the statuesque Honoria Glossop, and only Jeeves can save the day. "Tuppy and the Terrier" finds Bertie in trouble again when he loses Aunt Agatha's dog. Further aunt-related complications arise when Bertie's chum Tuppy falls for our hero's cousin Angela. Aunt Dahlia is not amused. An uncle in love with a waitress, a trip to the country, a speedy choirboy, and a secret betting syndicate all lead to trouble in "The Purity of the Turf." Jeeves, of course, is the only one who can put things right.

Jeeves and Wooster really hits its stride in the final episodes of the first series, "The Hunger Strike" and "Brinkley Manor." When Bertie visits Aunt Dahlia, he is called upon to solve the romantic problems of his friends Tuppy Glossop (in love with cousin Angela) and the delightful Gussy Fink-Nottle (in love with Madeleine Basset, a young lady who believes the stars to be God's daisy chain.) Unwisely, Bertie decides to cook up his own plan and before long disaster strikes. Aunt Dahlia's superb chef Anatole gives his notice, and Bertram is to blame. Thank goodness for Jeeves. --Simon Leake ... Read more

Reviews (23)

5-0 out of 5 stars Best in british humor (and thus the best all-around)
The 5 episodes of this set appeared previously under different titles: "Jeeves' Arrival", "Golf Tournament", "The Gambling Event", "Hunger Strike" and "The Matchmaker".

Two memorable characters are introduced: the ever-amiable, charming and foppish gentleman of the '30s, Bertie Wooster, and his stately, cultured and dignified valet, Jeeves. Bertie (and his helpless friends) finds himself in trouble all the time, and only the priceless Jeeves can extricate him and make things run smoothly again, until the next imbroglio comes up.

Their creator is P. G. Wodehouse (1881-1975). If you already met him, then no more talk is necessary. If he hasn't crossed your path yet, your happiness is even greater; you will be able to discover his sunny world starting afresh. What wouldn't I give to be able to read his short stories and novels again without knowing the way they end (always happily) beforehand!

Bertie Wooster is played by Hugh Laurie and Jeeves by Stephen Fry. They are simply brilliant and I laughed myself into stitches watching the series.

Usually TV adaptations are disappointing, but in this case, none of the original flavor is lost!

I've seen all four seasons, and the one thing I found confusing is that sometimes secondary characters are played by different actors.

Plot lines are not followed exactly sometimes and separate novels and short stories are combined together in one episode to make the whole thing livelier, but the final result is, somehow, exactly right.

5-0 out of 5 stars No sex, no violence, hilarious! Who'd have thought it?
I have heard of the Wodehouse stories, on which this series was based, but have never read them. Wodehouse fanatics (and there are a lot of them) seem to embrace the show with enthusiasm. I'm writing to tell you that you don't have to know the canon to love the TV version.

Stephen Fry (Jeeves) and Hugh Laurie (Wooster) are well-known English comedians. They both had major roles in the Blackadder series and Laurie starred in Stuart Little. Here, Laurie plays Bertie Wooster, an air-headed young English aristocrat, a character exactly like his Blackadder roles, and Fry plays Jeeves, Bertie's valet, a man of sophistication and cunning, equally at home in the sitting room of a county manor or in a rowdy East End mission. A character completely unlike any Fry played in Blackadder.

The series is set in the 1930's, and is rich with period atmosphere. Poor addled Bertie may be rich, debauched and carefree, but he forever seems to be getting into social trouble with either his aunts or his eccentric school chums. The punch line every time is that, after Bertie has made such a pig's breakfast of things that you can't imagine he'll ever be invited to anyone's mansion for dinner again, Jeeves comes up with a simple and elegant resolution. Along the way, we are treated to crisp, witty dialog, in the best British tradition. I particularly enjoyed Jeeves's reaction to the mess jacket he finds in Bertie's clothes closet:

"I assumed it had gotten into your wardrobe by accident...or else been placed there by your enemies."

Bertie protests. "I wore this jacket at Cannes, Jeeves, and all the young ladies tried to catch my eye."

"No doubt they mistook you for a waiter, sir."

The striking thing about this series (unlike, say, Blackadder) is that it will keep you laughing without the slightest sexual innuendo or a smidgeon of violence (unless you count Bertie's golf game). You could show this whole series at a Sunday School picnic and no one would blush.

How many comedies can you say *that* about?

5-0 out of 5 stars Perfection. Almost
Fry and Laurie make the perfect visual Jeeves and Wooster (next to Horden and Briars, who were utterly brilliant in the Radio 4 adaptations.) But this series sticks so closely to the tenet of the books, and there are enough silent one liners to make watching it a tireless pleasure. It's the perfect alcohol-free remedy for an awful day at the office.

Unfortunately the 'extras' option on the DVD (an 'Audio Commentary') is desperately bad. It completely misses the program's natural ebullience and the commentator discusses Jeeves and Wooster as if they died in a suicide pact sometime during the Depression. It has absolutely no place in the running, and drains all the colour and enjoyment from the rest of this magnificent disc. So buy it- definitely. Just don't touch the add-ons...

5-0 out of 5 stars Terrifically funny.
Sure, Jeeves & Wooster didn't really hit its stride until the final two episodes of the first season. But that doesn't detract from the other three episodes included here. The spirit of P.G. Wodehouse has been perfectly captured--the utter madness, the complexities of the relationships, and the dry, almost sardonic humor, have all been recreated here. Even the accents that the actors have adopted are perfect for the characters. There are no extra features here, which is unfortunate, but the episodes are what really matter. Besides, if you have bought this or are thinking of buying it, it's the episodes that you are after.

The talent included here is incredible. Stephen Fry and Hugh Laurie, one of the greatest comic duos of our time, have never been better, and they play off each other quite well here. Bottom line? It's worth buying. Trust me.

5-0 out of 5 stars Outstanding Stuff
The comments of the other reviewers are very good. The actors do a great job bringing these stories to life. The stories are faithful to the original stories of P.G. Wodehouse and are truly entertaining. If you like Wodehouse, or understated humor, you will enjoy these shows again and again. ... Read more

47. Tales from the Crypt - The First Season
Director: John Herzfeld, Mick Garris, Ramon Sanchez, Randa Haines, Richard Donner, William Friedkin, Walter Hill, Gary Fleder, Larry Wilson, Peter Hewitt, Jack Sholder, Peter S. Seaman, William Malone, Michael Thau, Russell Mulcahy, Joel Silver, Peter Medak, Tom Mankiewicz, Mary Lambert, Fred Dekker
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Asin: B0009ETCOW
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Sales Rank: 1651
Average Customer Review: 5.0 out of 5 stars
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Reviews (4)

5-0 out of 5 stars Good, old, HBO horror series
They really should bring this series back. To those of you who have been living under a rock for the last 16 years, this is basically a very good, revamped-gory version of the twilight zone. Some great short horror stories!
Side note: I still have the old Crypt keeper dolls (still in their boxes) in my closet. I bought them at Spencer's gifts ages ago, maybe someday they will be worth something.

5-0 out of 5 stars "Mirror, mirror on the wall. Who's the FEAREST of them all?"
Welcome to my review, horror freaks! So glad you could join me and read about the 6 eerie episodes of HBO's "Tales from the Crypt," the very ones that helped the series rise from its tomb back in 1989. It's been 9 long years since the show went off the air, and until now, I've been waiting for the Crypt Keeper's putrid puns and awful alliterations to be forever preserved on DVD format. And why not? The show lasted a full 7 seasons and featured many of the biggest actors and directors in Hollywood. Each tale carefully incorporates the grisly black humor William M. Gaines EC comic books, which were almost banned in the 1950's. Did I say 'almost?' Anyway, as other HBO programs like "Dream On," "Deadwood," and "Carnivale" were packaged and displayed on Best Buy shelves, I wondered if "Tales" would ever be among them. Well, the time has finally arrived, creeps! As stated by John Kassir himself, Warner Brothers wisely chose to create these discs so we ourselves can scare the next generation of kiddies to come. Even better is the fact that the second disc of this Season 1 set will contain a sickening array of never-before-seen extras. I don't want to give the surprises away, but I will briefly tell you the stories you are about to see. Enter, if you dare!
"Dig that Cat...He's Real Gone" stars Joe Pantoliano as Ulric, a homeless alcoholic who becomes a rich and famous sideshow performer after a mad doctor (Gustav Vintas) surgically implants a cat's gland into Ulric's brain. This procedure allows him to die and return to life nine times. Morbid hilarity ensues as a carnival barker (Robert Wuhl) presents Ulric the Undying to astounded audiences who watch him get electrocuted, hanged, drowned in a tank, and shot with an arrow (among other things).
In "The Man Who was Death," Bill Sadler (who eventually starred in the 1995 Tales from the Crypt film "Demon Knight") plays Niles Talbot, a state executioner who loses his job after spending 12 years pulling the switch. This resulted because the government unexpectantly repealed the death penalty. However, not wanting to abandon his favorite occupation, Niles drifts to the other side of the law by killing criminals who were acquitted by the courts.
The frightening and festive "And All Through the House" stars Mary Ellen Trainor as a devious housewife named Elizabeth, who brutally bludgeons her husband with a poker to collect on an insurance policy. Just when she is ready to eliminate the corpse, a homicidal maniac donning a Santa Claus costume (Larry Drake) terrorizes her with an axe. Even worse, Elizabeth can't call the police for fear of being convicted of first degree murder and losing custody of her daughter.
Vanity and greed play a central role in "Only Sin Deep," a tale about a street prostitute named Sylvia Vane (Lea Thompson). After killing a pimp and stealing his gold jewellry, she willingly sells her beauty to a strange pawnbroker (Britt Leach) in exchange for $10,000 cash. At first, Sylvia wins over the affections of a suave playboy millionaire. But immediately afterward, as a result of some black magic performed by the pawnbroker, she gets increasingly distraught as her face quickly ages. Desperate to buy back her looks, she shoots her rich lover dead, but is then forced to avoid prison by staying ugly for life.
Prepare for a honeymoon hell in "Lover Come Hack To Me." Here, a cunning bachelor named Charles (Stephen Shellen) marries a naive Peggy (Amanda Plummer) for her inheritance money. On a rainy night, after accidentally getting stuck in an abandoned mansion, the two go up to the bedroom and make perfect love for the very first time. Originally, Charles was going to kill Peggy and stage the crime to look like a burglary. But he soon discovers that her family history is cursed, and that much darker skeletons lie in the bride's closet.
Last but not least is one of my favorite episodes, "Collection Completed." M. Emmet Walsh plays Jonas, a grouchy tool salesman who finally gets to retire after 47 years on the job. His slightly odd wife Anita (Audra Lindley) has developed a fondness for pets...alot of pets. In fact, she keeps a zoo-full of cats, dogs, and birds in the house. On top of that, she talks to squirrels and runs an aquarium in the bathtub. Obviously, such an attachment to animals is enough to drive Jonas up the wall! Inevitably, he gets sick and tired of not having enough attention, and he gleefully takes up taxidermy as a hobby. But those poor animals weren't the only living creatures that ended up getting stuffed.

5-0 out of 5 stars Tales from the Crypt
I have written HBO countless e-mails over the years begging for this dvd set. I never received one e-mail response from HBO. Oh, well. I really did not expect one.
This is one of the best horror shows, period. Some of the top horror/adventure writers and directors wrote and directed these episodes. I believe this series ran for seven seasons. This can be intense stuff, not for children because of the nudity, sex, graphic violence, superb gore effects, language, and more. Some of these stories are truly the stuff of nightmares. They will haunt you.
If you have never seen Tales from the Crypt you are in for a treat, if you are a fan of horror. Go to your local book store and pick-up a trade paperback of the old EC comics these stories are based upon to get a feel for the translation from comic book to television show. Wait until you meet the Cryptkeeper, who introduces each episode, for a meeting of the surreal and insane and just plain weird. And, you will see some big name stars come to fantastic demises. Just wait, you'll see.
Now, where are Tales from the Darkside and Friday the 13th the series. These are two more violent horror series from the pre-politically correct present day.

5-0 out of 5 stars Great Series Finds It's Footing In A TV/DVD Obsessed World
Yes, It has finally happened: Warner Bros./HBO Productions has announced that a 2-Disc, First Season set of "Tales from the Crypt" will be released on July 12th. The first season consisted of six episodes that fit quite nicely on this set's first disc. They are: "The Man Who Was Death", Dig That cat...He's Real Gone", "All Through The House", "Only Sin Deep", "Lover Come Hack To Me", and "Collection Completed". The second disc will hold bonus features that are rumored to include 2 Featurettes: One on "Tales From Comic Books To Television" and the other on "The First Season's History." Plus a new introduction by "The CryptKeeper"(John Kassir). Now this has not been confirmed, so it's pretty much a rumor but these are the possibilities. So far, there is no cover art or any other materials but stay tuned to for more news info which should be coming soon! Tales From The Crypt: Season One, July 12th! ... Read more

48. Highlander - The Complete Series (Seasons 1-6)
Director: Jorge Montesi, Yves Lafaye, Mario Azzopardi, Jerry Ciccoritti, George Mendeluk, Adrian Paul, Ray Austin, Charles Wilkinson, Paul Ziller, Dennis Berry, Clay Borris, Gérard Hameline, Daniel Vigne, Paolo Barzman, Neill Fearnley, René Manzor, Bruno Gantillon, Duane Clark, Robin Davis, Richard Martin
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Asin: B0007DA3V6
Catlog: DVD
Sales Rank: 20284
Average Customer Review: 4.5 out of 5 stars
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Reviews (2)

4-0 out of 5 stars Finally, the complete series is quickening to dvd
This show was sometimes great entertainment to me. Basically a dimestore romantic-adventure novel brought to life. I think the producers were mostly successful with providing something for everyone. The shows ranged from brilliantly written, to definitely a bit cheesey. The dvd collection is better than the vhs, however questions did arise quickly about it's quality. I think it was the 2nd episode on disc one, when the disc appeared to be sort of freezing up for a minute. I hit FF for a second, and it was fine again. ( This was with a brand new dvd player ) Since that occurance, I have not yet run into any other problems; although I've only watched 1/3 ofthe discs. I did have a couple other little gripes about these dvd's, but nothing too serious. I would have preferred more than three episodes on a disc...a typical season for ex. has NINE discs-three unfolding booklets of 3 discs, which all fit into this 1/2 box...I wasn't too crazy about that at all. There is however a lot of content within them if you like bloopers and interviews and watcher chronicles...I do and I don't.. I mean, it's tough enough to watch all 6 seasons..I really don't need boxes hoggin up all my shelf space just so studios get extra market value-which is also why it took em so long to go over to dvd's, and why it's off the air. Nevertheless, I do still appreciate the Highlander phenomenon. It's solidly entertaining while it also demonstrates virtues that I like. I can live without the Duncan Macleod boxer shorts though, and the pillows with kissy lips, and the rest of the merchandising extraveganza. THERE CAN BE ONLY ONE!

5-0 out of 5 stars The Best series ever made
It's jam pack with everything a fan really wants, and the best part you can go form your favorite episode to another. 2 tumbs up!!!
... Read more

49. The Best of Primetime Glick
Director: John Blanchard, Paul Flaherty
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Asin: B00008XRYS
Catlog: DVD
Sales Rank: 4263
Average Customer Review: 4.46 out of 5 stars
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Reviews (13)

5-0 out of 5 stars Great Comedy Fun
Martin Short's character Jiminy Glick of Primetime Glick can become rather addicting. Martin Short's spoof of talk show hosts is genuinely unique. This DVD will give any one needing a "Glick fix" the full treatment. I look forward to an all new seaon of Primetime Glick on Comedy Central.

5-0 out of 5 stars some of the funniest stuff i've ever seen!
i ran out & picked it up the day it came out. if you are a fan of mr. short [or even if you've never even heard of him], you must own this dvd. unfortunately i don't get comedy central, so this has been my first opportunity seeing mr. glick in action. my only dissapointment was that this is not an entire season boxed in a set. it left me wanting more...much more!!

ps_just found out he's in development for a movie based on his character jiminy glick! this could become a trilogy that exceeds the funniest fat .... moments in austin powers! good luck martin & don't compromise with the script...keep it funny!

5-0 out of 5 stars The Great Great Martin Short !
Those SCTV fanatics finally got something to cheer about when Martin Short was given this incredible show. He brought back the tradition of that crazy show. Moreover, he brought back the members of it. Levy, Thomas and Flaherty all appeared on season one of Glick. This show is just so intelligent, so many little subplots with Adrian VanVoorhees, Dixie, Mason, Morgan, Matthew and Modine. I have never laughed harder at a show. I cannot get enough of Jiminy and his pathetic nature. Sadly, this DVD is rather brief. It is a best of and not a collection of the whole season. However, the deleted scene with Julia Louise Dryfuss is INCREDIBLE! Here is hoping that Comedy Central will bring this show back and release an entire first season DVD. Great great stuff.

3-0 out of 5 stars Glick OK, But Not His Best
I expected to see Glick's best stuff on this DVD, but apparently it is being saved for some other time. I had seen some shows on Comedy Central that were very funny, including an interview with Steven Speilberg, but again, not included.

I also liked watching one episode of Glick every two or three weeks. Watching two+ episodes in a row makes Glick's humor mundane and hardly worth the 6 episodes on the DVD.

I like Short, but Glick is Short-lived in this house. Sorry, Martin.

5-0 out of 5 stars More, More More... How do you like it, how do you like it...
I'm writing this review to stress one main point: Comedy Central, release some more shows on DVD!!!

That said, this is a wonderful show. This may be the best "talk show" since Letterman was at NBC. And since the "real" talk shows have grown so oppresively stale, Glick is the best way to see celebrities. Primetime Glick is a very fresh, funny take on celebrity, and it rings oh so true. ... Read more

50. Tora! Tora! Tora!
Director: Toshio Masuda, Richard Fleischer, Kinji Fukasaku
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Asin: B000059HAI
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Sales Rank: 1232
Average Customer Review: 4.59 out of 5 stars
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Reviews (151)

3-0 out of 5 stars A great factual account of Pearl Harbor... to a fault.
There's no denying the grand effort that went into making this historical presentation of the Japanese attack on Pearl Harbor. Taking accounts of both sides of the war equally, made respectively by both United States and Japanese production crews, Tora! Tora! Tora! is a great documentation of how the attack really occurred. Unlike the recent Pearl Harbor film, which tries to tell the historical story (with many flaws), a love story and a disaster story, Tora! Tora! Tora knows what is meant to be, and strictly follows the historical angle.

Unfortunately, this dedication to fact is the films major weakness. There are no real characterizations of any of the major roles, no central character the audience can connect with, either on the American or Japanese forces. This lack of a so called staring role (which both sides should have had) makes the film feel more like a documentary then a movie. What characters the film does center on are all flat and rather uninteresting. Not to mention poorly acted.

Despite this, the film provides a great understanding of how the attack really occurred, and gives a wonderful visual feast of the disaster. For 1970, when this film was released, the visual effects are outstanding. Definitely worth at least one viewing, more if you're a World War II buff.

5-0 out of 5 stars The Definitive Pearl Harbor Film -- Not To Be Missed
A unique collaboration between American and Japanese filmmakers, "Tora, Tora, Tora" remains the definitive Hollywood portrayal of the tragic events of December 7, 1941. Perhaps the greatest compliment ever paid to this film was provided by none other than Jerry Bruckheimer and Michael Bay, the "masterminds" behind the disastrous "Pearl Harbor", who stated that "Tora" played too much like a documentary. Well, how about that? No meandering love story, no Hallmark script, just cold, hard facts. "Tora" places us smack dab in the middle of a lethal chess game played by politicians in Washington and Tokyo throughout the Fall of '41. The political stalemates and blunders which inevitably lead to war are the meat and potatoes of "Tora". The climax is, of course, the Japanese attack on Pearl Harbor which is masterfully and accurately re-created. Vintage airplanes and actual ships are seemlessly juxtaposed with miniature models. The results are a spectacular cinematic experience which still holds up by today's standards. (Digital effects didn't exist when "Tora" was released in 1970.) Several big names-- Joseph Cotten, Martin Balsam and E.G. Marshall -- assume starring roles, yet wisely let the story be the "star" of the film. Credit the filmmakers for steering the focus toward the "event" without getting sidetracked in typical Hollywood fashion. To objectively portray the events of Pearl Harbor through the eyes of both sides, while keeping finger-pointing to a minimum, was no small task. In turn, the ability of the viewer to experience the preparation and strategy of both sides makes "Tora" truly unique. This is an important film which treats a monumentally tragic event with the respect and accuracy it rightfully deserves. Essential cinema -- not to be missed.

5-0 out of 5 stars Superb!
After seeing Das Boot for the first time recently, my interest was piqued for another WWII movie. I remember when Tora! was in the theater while I was in high school...and that I had no interest in seeing it at the time. This is a serious-minded, fact-based film of epic proportion. It has similarities to Das Boot in that part of the story is told from the US enemy's point of view. And, oddly enough, I found the structure of the film to be somewhat reminiscent of The Deer Hunter, or even King Solomon's Mines [1950], in that there is a long, detailed build-up of the story prior to any action sequences. And once the action arrived, I sat there thinking, "How did they do this?" Especially considering the fact that this was 1970. But the biggest reward for me is the story itself, and the non-Hollywood way in which it is told here. No one would get financial backing today for a film of this expense coupled with such a non-fiction approach.

5-0 out of 5 stars The Best Movie Ever Made About Pearl Harbor
Tora! Tora! Tora! is the single best movie ever made about the Japanese attack on Pearl Harbor. It features excellent performances from such actors as James Whitmore, E.G. Marshall, Jason Robards and Martin Balsam. The special effects are far more convincing than what's in modern movies. It also has some of the best movie music of all time. Best of all, the movie shows the sheer complacency on the U.S. side that enabled the Japanese to successfully mount the surprise attack.

Tora! Tora! Tora! is far superior to any other movie ever made about Pearl Harbor. In fact, it is one of the absolute best movies ever made about World War II. It is a classic motion picture in its own right.

On a scale of 1 to 5, it really merits a 10.

4-0 out of 5 stars Should have been 5 if...
...this movie, which got awesome air scenes and very well documented background info (politic, diplomatic, and military), had been a couple of minutes longer at the end of 1st part. And showed how Roosevelt, who was informed of the results of the (fantastic) Intelligence work -they even could pin the time of the attack- decided to keep it under wraps: so that, without any prior warning, the damage would be maximum, and the shock upon American people would be such as to suppress the reluctance they still got towards entering the war. One of the best examples of "The end justify the means". The Pearl Harbor story could as well have as title "They were expendable". ... Read more

51. Donovan's Reef
Director: John Ford
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Average Customer Review: 4.64 out of 5 stars
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Reviews (25)

5-0 out of 5 stars You say it's your birthday
Yes it is a John Wayne movie and has many of his standard cast. This is a Christmas movie and a birthday movie. And, And, And. John Wayne gets to say, "Swing your legs...limbs over" in his John Wane manner.

Cesar Romero (Marquis Andre de Lage) is always scheming to go to Hollywood and is the first to bring up the fact that the offspring of Jack Warden (Dr. William Dedham) are half-cast and may not meet Boston standards. This leads to situations that just keep snowballing. "Oh, what tangled web we weave when first we practice to deceive."

Everyone gets an appropriate present for Christmas. But I think the best one is the one that Lee Marvin (Thomas Aloysius 'Boats' Gilhooley) receives. And he gets to play King of America at the pageant.

There is not a slow moment in this film and you have to keep up with all the subplots. And the scenery is breathtaking.

4-0 out of 5 stars Watch this one for the performances!
"Donovan's Reef" is a strange hybrid of a movie. On the one hand, it's a vehicle for John Wayne to show off with the rest of the very talented cast. On the other, it's also a morality play about racism, set on a lush, (and distant) South Pacific island, but very relevant to the United States of the early 1960s. In these days of multiracial awareness, the latter aspect seems a bit dated, and talk about "half caste [non-white] children" is quaint. Cliches and cultural stereotypes abound, but in its time "Donovan's Reef" was a progressive and even (as another reviewer has called it) "subversive" movie. The beautiful exotic setting no doubt made the message of racial equality more palatable to the mainstream American audience of the day.

Today, however, the movie endures primarily because of the strength of the cast and the characters they create. A young Lee Marvin plays the brawling Gilhooley and Cesar Romero the pleasantly oily French governor. The Asian actor who plays the governor's aide is truly splendid. His name should be up in the main credits along with the stars. Although there is not a weak performance among the lot, my favorite moments are the exchanges between Wayne and Elizabeth Allen, his foil and romantic interest. She plays the supposedly straitlaced Bostonian and he the salty ex-pat bar owner. Both are strong characters, and they give each other as good as they get.

On the negative side, the narrative is sometimes disjointed, as if the movie tries to be too much in too little time. It's as if too much film ended up on the cutting room floor. A pity, because if what was edited out is of the same caliber as what was left in, some rare moments have been lost. Too bad John Ford isn't around to do a "director's cut."

"Donovan's Reef" may not be a great movie, but it sure is fun to watch.

Professional movie reviewers and published guides do not rate Donovan's Reef very high. More than a few seem to look down their noses at this light comedy. But I have always liked it. Nothing about this movie is supposed to be taken seriously with the sole exception of its subtle rejection of racism. (Some may nitpick about certain depictions of the "non-whites"; but only the hard hearted would fail to notice that the "whites" come off as essentially foolish as well.) At the center is the battle of the sexes between Wayne and Elizabeth Allen-each side getting its share of victories and comeuppances. All the characters are likable and the writing is sharp and witty.

Of special enjoyment is the Christmas Pageant in the leaky chapel. I have never been able to think about the "three wise men" of the Christmas story without this scene coming to mind. The Polynesian ceremony at the end of the film is also humorous as well as touching.

The setting is supposed to be French Polynesia but everything about the film from the scenery to the people suggests Hawaii. No matter. This is simply a great "little" comedy. Watch it some lazy Sunday afternoon and it will make your day.

5-0 out of 5 stars Don't Take This Too Serious
John Wayne does a great job at Playing John Wayne! This movie is not a serious work -- but rather it is a great excuse for the Duke and his posse to kick it in Hawaii.

Navy buds, pretty girls, beautiful tropical scenery and a big bowl of popcorn makes for a great family night at home. It took me a long to find this movie, but fortunately I finally did.

I can't even begin to count how many times my family and I have seen this great Wayne yarn.

5-0 out of 5 stars A Top Ten JW movie!
I have to give this 5 stars. I love 80% and just fast forward past the 20% I don't like, and walla!! A nice, short, fun, family friendly, non-disney entertainment. ... Read more

52. Ally McBeal Boxed Set
Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg
list price: $39.98
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Asin: B00003G4IP
Catlog: DVD
Sales Rank: 1203
Average Customer Review: 3.95 out of 5 stars
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When Ally McBeal premiered on the Fox network in 1997, the series was already riding high on critical praise, with its upscale mix of savvy humor and hot-topic legal drama. Created, produced, and written entirely by the amazingly prolific David E. Kelley, the show immediately found an appreciative audience of women drawn to the title character's frank perspectives on dating, sex, and career objectives, and men lured by a cast full of attractive, outspoken women with vibrant personalities and flattering wardrobes. (If you think that's a sexist observation, you haven't tuned in to the show's brilliant balance of male chauvinism, feminist attitude, and hilariously turbulent office politics.)

This two-disc compilation of episodes from the show's first season is aptly titled, because Ally McBeal--a Boston lawyer played by Calista Flockhart--is defined by her seemingly perpetual singlehood, her sexual and emotional yearnings, her professional passions, and--by one of Kelley's creative masterstrokes--her flights of imagination (often visualized via amusing computer-generated effects) that give the series a constant, unpredictable edge of humor and emotional depth.

These well-chosen episodes offer a comprehensive summary of the first season's major developments, including the emotional history shared by Ally and her now-married colleague Billy (Gil Bellows); the notorious "dancing baby" (in "Cro-Magnon") symbolizing the insistent ticking of Ally's biological clock; the amiable quirks of John "the Biscuit" Cage (Peter MacNicol); and the dubious pearls of wisdom known as "Fishisms." Here we witness the sublime chemistry of the ensemble cast, and each member is given ample time in the spotlight. Regular guest star Dyan Cannon is strongly featured in "Silver Bells," prior to the second-season addition of Nelle (Portia DeRossi) and Ling (Lucy Liu). That leaves plenty of room to establish Ally McBeal as the lively focus of the series--confused, opinionated, sexy, neurotic, frustrated, ecstatic, intelligent, emotional... and never, ever boring. --Jeff Shannon ... Read more

Reviews (58)

5-0 out of 5 stars Do you want every bit of Ally? Come to the UK!!!
Ally McBeal is an American TV show so I do not understand why Americans have only been given this small bundle of episodes when over in my home country England we have ALL the seasons available with special features!

For you hardcore Ally fans I'll give you some handy advice. Save up for a multi-region dvd player or a computer that plays dvds. Go on over to and purchase the season box sets!

Good luck!!!

1-0 out of 5 stars UPSET!
I love the show Ally Mcbeal, and I am upset that there is only one season released here in the US! I ordered three seasons from the UK website only to get them in the mail and find out that they are not compatible with the systems of the U.S. so either way I am still with out any of the episodes!It cost me $32.00 to send it back to the U.K., and I'm not even sure will refund the cost of the sets! So I am out of over $100.00 trying to buy the series of this wonderful show. I am upset at the entire situation!

2-0 out of 5 stars What an insult!!
While I might be inclined to believe that the seris was a cult fav, it still was extremely popular. This DVD release is an insult to all the faithful followers and just a tease to those who are unfamiliar with the ironic yet hilarious humor. There is a bit of Ally in all of us. Does Fox even know how frustrating it is to know that Ally is available in just about every country but the U.S.? I had to buy season one off a jerk on ebay and it was burnt and it sucked! I did get season four from a fabulous person in another country. Expensive song rights or not, give your loyal fans what they deserve and make it good with deleted scenes and lots of special features!!!!

5-0 out of 5 stars ally mcbeal boxed set PLEASE
i am a fan of ally mcbeal and would love to be able to buy the entire series of episodes on dvd. i see sex and the city, friends, buffy, etc...there are so many people that love ally mcbeal, i would LOVE to see this set put out.

1-0 out of 5 stars Where's the rest of the seasons???
I was planning on buying this cd as a gift for an Ally Mcbeal fan but after reading the reviews I changed my mind! This show was great, I cannot believe the entire collection is not out on DVD, I'm going on to see what I find? ... Read more

53. Breakin' 2 - Electric Boogaloo
Director: Sam Firstenberg
list price: $14.95
our price: $11.96
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Asin: B000089739
Catlog: DVD
Sales Rank: 4422
Average Customer Review: 4.06 out of 5 stars
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Reviews (17)

5-0 out of 5 stars No 80s flashback is complete without the Breakin' movies!
Breakin' 2 (and the eagerly anticipated, soon-to-be-released original "Breakin'") have been added to a short list of 80s flix that I just have to have in my collection. Let's be real, if you were an urban teen/pre-teen in the early 80s, you will probably remember seeing this film at "the show" and you will love this DVD. Not because the acting is great ... it isn't. Not because the storyline is amazing ... it isn't. However, you will get a warm feeling inside remembering all of the cheesy things we did then. You will undoubtedly spend most of the time watching the movie thinking, "did I really think that was cool/hip/exciting/real back then?". And then, you will have to laugh to yourself!

For me, these were the days that I wanted to see a movie more than once ... not because I needed to catch the hidden meanings or because I thought the action scenes were amazing (i.e. the Matrix), but because I thought the main character(s) were CUTE and I LOVED the music! Priorities, right?!?

You can read the film description and other reviews to find out the plot. What I can tell you is that this movie, despite being corny at times (I can admit that now), is a wonderful walk down memory lane. In addition to the breaking, popping and locking around which the stories revolved, the Breakin' films introduced us to some up-and-coming celebrities (e.g. rapper/actor Ice-T) and some of the best music still being played in dance clubs everywhere. House music/techno fan alert -- the song "Din Dah Dah" is prominently played in Breakin' 2. (Any club DJs out there ... where can I get that song???)

I was, and continue to be, a die hard Breakin' fan ... proud to put my full name on this review! I highly recommend this DVD to anyone who just wants to relax and have a good time (whether you want to reminisce about the 80s or not)! If you are looking for serious cinema, this DVD is probably not for you.

5-0 out of 5 stars The defining story of our generation
I'll be forthcoming and say that I've never actually seen Breakin 2: Electric Boogaloo, nor do I have the slightest knowledge of break dancing. I can, however, say this about Electric Boogaloo; it is, without a doubt, the finest feature film ever produced. It is a movie of great élan and sophistication. Not only was Electric Boogaloo the only movie in history to win the Academy Award for Best Picture twice (in 1987 and 1988), it was also the highest box office grossing movie of all time, taking in 3.46 billion dollars in the United States alone. This movie was also the debut of actress Kate Winslet, who plays Alyona Ivanovna, as well as the career making performance of Alan Arkin, who beautifully portrays the seemingly autistic Milo Minderbender.

Boogaloo takes off right where the original Breakin left off, with Turbo, a.k.a. "Boogaloo Shrimp" searching the mean streets of Washington, D.C. for his long lost dance partner Ozone, a.k.a. "'Shabba-Doo." One nuance between the original and Electric Boogaloo is that Danny DeVito was cast over Adolfo Quinones for the part of Ozone. I think the plot has something to do with a kangaroo stealing Boogaloo Shrimp's stolen casino money in the Australian Bush and his personal search for redemption, which he eventually finds-along with his money-in Jesus Christ.

I'll finish by saying this; if you have not yet had the pleasure of viewing Breakin 2: Electric Boogaloo, you should consider moving to Canada because I'm sure that at least one moose in Northern Quebec also missed this fine feature. Breakin 2: Electric Boogaloo is the sine qua non of any video library and a credit to our great nation itself. This is not a movie to miss regardless of your understanding of breakdancing culture.

5-0 out of 5 stars Who would have thought.....
Who would have thought that this movie would be worth a dang...turns out this is an EXTREMELY dated film which I love. Breakin' 1 was so awesome I had to get Breakin' 2. Michael "Boogaloo Shrimp" Chambers is the best freakin' dancer I've ever seen. This movie is worth it just to see this man dance, and I'm not even in to dancing!!! Adolpho just kinda gets in the way. My only regret is that Chambers isn't more recognized.

2-0 out of 5 stars Don't even bother!
It was a total let down. I had heard the hype, and it was boring beyond boring! The 1st was bad but alright. It was watchable but to make a sequel boy they must be despreate for money. If your into your old time hip hop stick to BEAT STREET. if your into ur fresh hip/ hop watch You got served or honey!

5-0 out of 5 stars "Breakin' 2" - an entertaining sequel or pure evil?
I have never seen a film that so eloquently personified evil. This movie, the sequel to the most exquisite, laudable and praiseworthy film "Breakin'", is among the worst I have ever witnessed. On the back of the "Breakin'" DVD it says that "Breakin' inspired a sequel." Whoever was responsible for molding the pure and uncontaminated brilliance that is "Breakin'" into this horrendous excuse for a film needs to be punished. After seeing the movie, I was enraged. My anger was at first directed to the easiest targets, namely Lucinda Dickey, Adolfo "Shabba-Doo" Quinones and Michael "Boogaloo Shrimp" Chambers, who make up the insurmountable dance troupe "TKO" in the Breakin' movies. However, after exploring the nature of my indignation and after trying to rationalize the feelings of anger and betrayal that raced through my body, I realized that it is not the actors fault, but my own. This epiphany made me recognize that I expected too much from this movie. How could I have expected that the absolute genius of Breakin' the first could be repeated and duplicated in a sequel? I set the bar to high, and I got hurt. So, you may ask why this youngster who uses a thesaurus a little too much for his own good would rate this movie so high after writing such a deplorable (and, might I add, superb) review? Well my friends, there is an answer to this seemingly unsolvable conundrum. The answer is that by watching this film, one attains a greater appreciation for the awesomeness that is "Breakin'." The inferior nature of "Breakin' 2: Electric Boogaloo" amplifies the greatness of the first "Breakin'" film. I sincerely hope that this review will shed some light on the true nature of the Breakin' films, in all their glory. Thank you. ... Read more

54. My Darling Clementine
Director: John Ford
list price: $14.98
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Asin: B00005JLUH
Catlog: DVD
Sales Rank: 2480
Average Customer Review: 4.76 out of 5 stars
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Reviews (38)

5-0 out of 5 stars Shakespeare in Tombstone
Of the many movies that I love and own, this is one of the DVDs I would grab if the house was on fire.

My Darling Clementine is fundamentally about the shootout at the OK Corral, arguably the most famous 30 seconds in American history. But in John Ford's loving hands, the story takes its time getting there and, in the process, becomes as graceful and easily beautiful a piece of film-making as you will ever see.

In this age when movie goers prize realism, sheer violence, and de-mythology, Ford has become something of a whipping boy for those who point out the glaring historical inaccuracies present in Hollywood's traditional portrayal of the American West. These folks miss the larger picture and are the poorer for their narrow, fashionable view. In this archetypal story of Wyatt Earp, Doc Holiday, and the Clanton family, Ford was not interested in historical detail. He was creating legends, not historical accounts for the archives.

Ford was a film maker. When a movie lover approaches a Ford film, it becomes necessary to give oneself over to the power of film. Once one does that, tremendous pleasures await. Such as: the townspeople of Tombstone having a dance around the skeletal frame of a half-built church while the huge, flat buttes of Monument Valley tower in the background; or Henry Fonda as Earp watching with great sympathy as Victor Mature (Doc Holiday) recites Hamlet's suicide soliloquy in a barroom (as hokey as this sounds, it is Fonda's expression that will move you, I guarantee).

Other images worth mentioning: Fonda/Earp walking alone through the rain of Tombstone at night; or the final shot of Clementine (meaningless in the film other than as a perfect symbol of all the things men love but can never have) standing framed against the Arizona sky and a picket fence - or the way Walter Brennan as Old Man Clanton, flashes through his scenes like a rattler's hiss.

Loving a John Ford Western is a bit like believing in a religion: it requires a leap of faith - a belief in something that might not be tangible reality, but is instead an ideal no less worthy of love.

This DVD is an absolute must for Ford fans, Western fans, or movie lovers. As an extra bonus, the special feature commentary by Ford biographer, Scott Eyman, is absolutely superb. Mr. Eyman's concise and rich commentary is nearly as enjoyable as the film itself. All in all, a real treasure for John Ford fans. -Mykal Banta

5-0 out of 5 stars Ford and Fonda at their Finest
"My Darling Clementine" has to rank as one of John Ford's three or four finest films, as well as one of Henry Fonda's finest performances. It is only incidentally about the Gunfight at the OK Corral--rather than attempt a factual retelling of the gunfight, Ford uses the story of the Earps, Doc Holliday, and the Clantons to illustrate the sacrifices that have to be made in order for the West to be civilized.

This theme of sacrifice runs through many of Ford's Westerns--see also "Wagonmaster" and "The Searchers," for example. In order for the malevolent lawlessness symbolized by the Clantons to be driven out, there are some others, not malevolent themselves, who are nevertheless doomed by their inability to adapt to civilization (Doc Holliday). Wyatt represents those who must give up something they love--any hope of a future with Clementine Carter--in order to continue doing things that need doing.

As previous reviewers have noted, Ford's account is a far cry from the historical events of the OK Corral gunfight. His biggest alteration of history is to change the relationship between Wyatt Earp and Doc Holliday from friendship to antagonism that is somewhat softened by mutual respect, and eventually evolves into alliance. The genuine tension between Wyatt and Doc strengthens the film.

The cast is very strong. Henry Fonda's performance as Wyatt is magnificent. Walter Brennan is equally superb as the malevolent Old Man Clanton, while Victor Mature's consumptive Doc Holliday is, if not memorable, very competent. A number of Ford regulars such as Ward Bond, Russell Simpson, and Jane Darwell provide solid support. The awkward slapstick humor of some of Ford's other films is not a big factor in this one, which is another plus.

Ford was the master of filming outdoor pictures in black and white. Several scenes, such as the dance at the church, are visually stunning.

Of the half dozen or more films about the OK Corral gunfight, this is by far the finest, with "Tombstone" a respectable, but distant second. I highly recommend it to all.

5-0 out of 5 stars A Really Good Movie

There has been a number of movies made about the gunfight at OK Corral, however this one happens to be my favorite.
I personally enjoy classic black and white movies and I am an avid fan of Victor Mature, who plays Doc Holliday in this movie.
One thing that makes this movie especially interesting is the development of the characters, for example, Wyatt Earp's misgivings about the town, the apparent conflict between Chihuahua (Doc Hollidays's girlfriend, played by Linda Darnell) and Wyatt Earp (played by Henry Fonda) and the conflict between Doc Holliday and Clementine (played by Cathy Downs), all of which add a human element to this film.
I highly recommend adding this film to your collection.

5-0 out of 5 stars Beautifully Paced Western
I have always put"My Darling Clementine" in my top-ten westerns as do some critics,and after viewing it recently on the excellent DVD version I am considering it to be the best! The alternative version on the disc might not be to everyones taste but westerns should be slow paced(check out the excellent "Open Range")not just shoot-ups added for padding every 20 minutes or so. One of the best scenes in this movie or any other western is the excellent dance scene,especially the moment when Henry Fonda asks Kathy Downes to dance. Definetely Ford at his best and Victor Mature,s best hour as well. Kudos to all for a well produced DVD package

5-0 out of 5 stars Ford Prints the Legend - Sublimely
This is arguably the best Western by the best director of Westerns in the history of the genre. Ostensibly the story of the gunfight at the O.K. Corral, the legendary John Ford gives us a vision of the Old West that is violent yet idealized, frightening yet warm, grim yet majestic. Ford has often been called a visual poet, and the sublime "My Darling Clementine" is perhaps the best example of visual poetry that anyone has ever put to celluloid.

Forget about comparing this film to actual historical events. While Ford knew Wyatt Earp from his early Hollywood days when Ford was a prop boy, and he claimed that Earp told him how the gunfight really happened, he also said he wasn't trying to make a documentary when he directed "Clementine". The "facts", whatever they may be, don't matter here. As the newspaperman tells Senator Ransom Stoddard in Ford's "The Man Who Shot Liberty Valance", "When the legend becomes fact, print the legend."

Henry Fonda's Earp is the classic Ford hero, somewhat distant and removed from society, quietly confident and basically nonviolent, but nevertheless commanding the utter respect of others (partly because of his reputation which has preceded him, and its inherent threat of violence). And, most importantly, he is ultimately unable to share in the peace and security that he makes possible for others. Next to his portrayal of Tom Joad in Ford's "The Grapes Of Wrath", this is perhaps Fonda's finest performance. He has never appeared more cool and comfortable in a role, as he laconically and assuredly inhabits the lawless frontier town of Tombstone.

Contrasting Wyatt's sanguine pragmatism, Doc Holliday (Victor Mature) is a haunted, tragic outcast who has uprooted himself from civilization and drifted West. We learn that Doc was once a surgeon (the real Doc Holliday was a dentist, another negligible historical discrepancy), a valuable, functioning member of society, his career presumably cut short by alcoholism, consumption and undisclosed ghosts, which apparently still haunt him.

The Clanton family provides the reason for Wyatt's accepting the job as marshal of Tombstone, by murdering his youngest brother, James, and making off with the Earp brothers' cattle. The miscreant Clantons, like the Cleggs family in Ford's "Wagonmaster", are the personification of evil, demented and motherless. The leader of their clan, known only as "Pa" (ominously played by Walter Brennan), would like nothing better than for Tombstone to remain open and lawless and free for the taking.

Clementine Carter (Cathy Downs) appears as a civilizing angel from the East, who has come to rescue Doc from himself and bring him back to Boston (Ford's eternal bastion of Civilization in the worst sense, invariably inhabited by bigoted grotesques - though Miss Carter seems to have been spared this characterization). The tempestuous Chihuahua (Linda Darnell), who wants to run away with Doc to Mexico, embodies the wild, open frontier.

While the climax naturally takes place at the O.K. Corral, the centerpiece of the film, as in many Ford films, is a dance. Its prelude unfolds majestically as Wyatt and Clementine meet in the lobby of the hotel and begin a stately walk toward the framework of the unfinished "first church of Tombstone", the sound of a tolling church bell and the strains of one of Ford's old favorite hymns, "Shall We Gather at the River" growing louder as the couple approaches the assembled congregation. Like many great moments in great films, the beauty of several elements melding flawlessly to create this sequence defies verbal description.

The church, to Ford, helps legitimize the existence of a community, not only for religious reasons, but as a place where people can come together in fellowship, providing a foundation for that community's future existence. The dance, which takes place on the physical foundation of the unfinished church, is the turning point of the film, and provides possibly the most transcendent moment in all of Ford's work. It is the embodiment of the spiritual establishment of a real and lasting community, which, until the arrival of Wyatt and Clementine, and all that they stand for, had no solid foundation.

Ford's use of comedy, often criticized for its broadness (but of which he was nevertheless proud), is sparing and deft in "Clementine". It is gentler and more restrained than his usual comedic fare, as in the humorous references to the aroma of the eau de toilette which the enthusiastic proprietor of the Bon Ton Tonsorial Parlor has applied to Wyatt's freshly shaven and coiffed person: "I love your town in the morning, Marshal", says Clementine, as she and Wyatt step out onto the front porch of the hotel; "the scent of the desert flower . . ." "That's me," corrects Wyatt, adding, explanatorily, "Barber." There is also the justly praised bit of business of Wyatt doing his seated "dance" on the front porch of the hotel, as he, somewhat passive aggressively, ignores the shrewish admonishments of Chihuahua. This casual, reportedly spontaneous creation of Fonda's (or Ford's, depending on the source) succinctly captures the essence of the relationship between the two characters.

Ford's innately masterful sense of composition and lighting, which he displayed throughout his career, is magnificently displayed in "Clementine". The sweeping diagonal of the bar in the saloon as Wyatt walks to the door after Chihuahua's operation; the expressionistic shadows which constantly envelop the doomed Holliday's face; the somber, monumental tableau of Wyatt and Morgan, bending over the dead body of their brother Virgil in the street at night; all of these images resonate indefinitely in the viewer's memory, and all reveal a visual master in his prime.

Many of the reassuringly familiar faces of Ford's legendary "stock company" are faithfully present, as was nearly always the case - with slight variations - over the years. Ward Bond, Jane Darwell, Russell Simpson, Mae Marsh, J. Farrell MacDonald and the ever-present, ever-endearing Francis Ford, John's older brother and former mentor (and a veteran of Hollywood from its infancy), all add their warm, familial qualities, counterbalancing the darker aspects of the film.

Of all the Westerns I've seen, "My Darling Clementine" is the most eloquent, the most understatedly awe-inspiring - the most poetic.

John Ford printed the legend. Sublimely. ... Read more

55. Les Vampires
Director: Louis Feuillade
list price: $69.99
our price: $62.99
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Asin: 6305837147
Catlog: DVD
Sales Rank: 22378
Average Customer Review: 4.44 out of 5 stars
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A legendary seven-hour silent crime serial in ten episodes. "Les Vampires" follows the exploits of a brazen and resourceful band of arch-criminals who rob the rich, transfix the elite of France, and almost elude the obsessive pursuit of crusading journalist Phillipe Guerande and his sidekick Mazamette. A series of Grand Vampires with names such as Satanas and Venomous share the irresistible Irma Vep (an anagram of "vampire") as strategist and mistress. Sometimes seductively garbed in a black body stocking and a black hood, sometimes disguised as a boy or hidden in plain view as a maid, stenographer or bourgeois spinster, feared and desired by both her cohorts and stalkers, Irma is perhaps the first liberated screen woman. Shot off-the-cuff by writer-director Louis Feuillade in the streets and interiors of 1915 Paris, "Les Vampires" was banned by the Paris police for glorifying crime. A smash hit when finally released, and for fifty years celebrated as a masterpiece of French cinema, "Les Vampires" is complete and restored, with English titles and inserts, tints and an evocative orchestral score. ... Read more

Reviews (16)

5-0 out of 5 stars A masterpiece
Some directors have to see this work. You don't need special
effects and fancy things to achive a good film. Emotion, good
scenario and a lot of personal feeling. A classic for all times.
Some movies of the french and german cinema (1910-1935) have to be the standards for people who are involved with cinema.
Les Vampires is one of them.
Sometimes the acting in the episodes is a bit naiv but this is normal for that era.
The people who like cinema must own this work.

5-0 out of 5 stars That's Entertainment
I have to confess that I first saw "Les Vampires" for academic reasons; because of its influence on the Surrealist movement. But now, having seen the entire series (lovingly restored) on its own terms, I think "Les Vampires" is just what it was originally meant to be-- an exciting, humorous adventure story and sort of a precursor of James Bond. The basic idea is that an investigative reporter becomes privy to the secrets of a criminal gang called "The Vampires" and manages to foil many of their plans. At the same time, WE become privy to the plans and in-fighting that go on between the Vampires and other criminal gangs. The main continuing character on the Vampires' side is Irma Vep, a beautiful cross between Mata Hari, Houdini and John Dillinger. At some point she falls prey to a criminal hypnotist, but she is always an interesting character in her own right and often sympathetic.

Technically, the DVD is wonderful; it contains the entire series on one disk, as well as several promotional films starring members of the cast. The film itself is transfered very well and is appropriately tinted; the entire project was obviously a labor of love, and I can't recommend it highly enough.

1-0 out of 5 stars yeah...
This is just to second the previous reviewer. My DVD has the
&#$%@^% sensor tag on it as well. I can't seem to get the glue off. My advice is to hold off on buying this (brilliant, would be 5 stars+) DVD until you can be sure that tag isn't on there. For $70, this sort of gaffe can be immensely irritating.

1-0 out of 5 stars Arrrrrrrrrggggggggggghhhhh!!!
I know -- this is a classic of world cinema, and it's seven hours of heaven to people who love film. Which is what makes this review so frustrating. When I opened this, I noticed that all seven hours is contained on one disc. The DVD is two-sided, which is technically brilliant, and not something I'm that familiar with seeing. Unfortunately, someone should have told the distributor about it, because when you order from amazon, you will receive your DVD with a great big sensor tag smack in the middle of what someone obviously thought was the blank side of the DVD. Removing it ruins the film. Oh, and opening the box to see if your tag is on there violates amazon's returns policy. Amazon, I love you guys, you're the best game in town, but this is a bit of a hiccup. Maybe the sensor tag only went on a couple of these suckers -- I dunno. I'd like to get the film but ordering it again will be a gamble -- a sensor tag this time or not?

5-0 out of 5 stars Les Vampires
I saw parts of this on TCM,but missed a few chapters.
This is one of the best movies I've seen.It's a classic.For
those who like silent movies,get your hands on a copy by
any means!! ... Read more

56. Amadeus
Director: Milos Forman
list price: $19.97
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Asin: 6304712936
Catlog: DVD
Sales Rank: 1984
Average Customer Review: 4.52 out of 5 stars
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The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality, but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognize and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruelest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern midlevel businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay, and Best Picture. --Jim Emerson ... Read more

Reviews (363)

5-0 out of 5 stars Rock Me Amadeus
Milos Forman's Amadeus is a hugely entertaining adaptation of Peter Shaffer's play. The movie is told in flashback style from the memory of Antonio Salieri. Salieri was a successful and popular composer who was a rival of Mozart's. History has speculated on the death of Mozart and some people are of the opinion that Salieri had a hand in his death (possibly even murdered him). The film explores this angle of the legend. Salieri is consumed by his jealousy and hatred of the infantile Mozart. Mozart is a musical genius, but a wild spending and is always looking for the next good time. His operas are utterly brilliant, but are unsuccessful. He is in constant debt. Salieri concocts a plan for Mozart to compose a requiem. This work is actually planned as Mozart's own requiem. Mozart is shown as slowly going mad and at the end of the film, Salieri helps him by writing the musical score down for a very weak Mozart. The morning after Mozart and Salieri work together, Mozart is found dead and we are left speculating whether he died through natural causes or if Salieri did something to him. F. Murray Abrham is absolutely amazing as Salieri. He brings across the jealousy and hatred, but doesn't make Salieri a fiend. He has major respect for Mozart's musical talents, but doesn't understand why God would give them to such an obvious heathen. Tom Hulce is equally as good as Mozart. He plays him with a reckless abandon and in an over the top fashion that is perfectly suited for the role. The film took home the 1984 Best Picture Oscar, Mr. Forman won Best Director and Mr. Abrham beat out Mr. Hulce for Best Actor. This was a case where a tie would have been more than appropriate. The new director's cut adds 20 minutes of footage, but the real standout is the remastered sound. The Dolby 5.1 version brings alive the sounds of Mozart in brilliant detail.

4-0 out of 5 stars Memorable cinematic achievement gets a new look
I was way too young to have seen AMADEUS in its original cinematic release (unfortunately), but it's not hard to see why it not only took home the Best Picture Oscar, but caused a rebirth of "Mozart mania". The story, although fictionalized, is an intriguing one. Salieri, the pious man who prayed to God to be given sublime musical talent, has to face the fact that God has given it to Mozart, who is exuberant, childish, and bawdy. Salieri's subsequent jealousy drives the entire movie. You can see his character becoming more and more consumed by his extremely negative feelings. The character of Mozart, on the other hand, is fun, even though the real Mozart wasn't really that over-the-top. I might add, however, that the distinguishing giggle is actually historically accurate. Listen to the commentary on the DVD and Peter Shaffer himself even mentions something to that effect. Although it was delightful to see the film in its entirety, I could see why some of the scenes were deleted. They simply weren't that strong or they distracted the viewer from the main focus. The only real complaint I had was that there weren't more extras. It does have the commentary, the original trailer, and the short featurette which consists of various people looking back at making the film, but I would have liked to have seen an actual "making of" documentary from around the time the film was being made. Overall, though, a worthy addition to any movie collection.

5-0 out of 5 stars a mythical, fabulous portrait of genius
Peter Shaffer wrote the "Amadeus" screenplay based on his play, which is a quirky, fanciful vision of Mozart and Salieri, and how God gave Mozart the gift of musical genius despite his character flaws, but bypassed Salieri, who tried to strike a deal with the Almighty, vowing pious devotion, if He would only grant him brilliance and fame.
F. Murray Abraham is marvelous portraying Salieri's pride and envy, and having to suffer the indignity of mediocrity; the part garnered him a Best Actor Oscar and a Golden Globe, among other awards, and as Mozart, Tom Hulce is stupendous, with his high pitched raucous giggle, fluffy wigs, and energetic appeal.
Others in the cast of note are Elizabeth Berridge, excellent as Mozart's wife Constanza, and Roy Dotrice as his stern father Leopold.

The biggest star of the film however, is the music...the glorious sounds of Mozart's operas, and his magnificent Requiem. Many of my favorite scenes are depicted, from the ballet music from "The Marriage of Figaro", to "Don Giovanni a cenar teco", as well as portions of "The Marriage of Figaro", "The Magic Flute", and much more.
Some of the great voices heard are Samuel Ramey (Figaro), Richard Stilwell (Count Almaviva / Don Giovanni), June Anderson (Queen of the Night), Brian Kay (Papageno) and Gillian Fisher (Papagena), though the parts on screen are played by actors, and not those singing.

Twyla Tharp's choreography is fresh and exhilarating, Miroslav Ondricek's cinematography is exquisite, and Milos Forman's direction imaginative and well paced.
As well as Best Actor, the Academy bestowed Oscars for Best Adapted Screenplay, Best Picture, Best Director, Best Adapted Screenplay, Best Art Direction/Set Decoration, Best Costume Design, Best Makeup, Best Sound, all well deserved.
Total running time is 160 minutes.

5-0 out of 5 stars As close to "perfect' as a movie can get
When I saw this movie in its original release in 1984, it was only due to the fact that I was dragged to the theatre. (A movie about Mozart -- BORING!!) I have never been so quick to change my mind. From the opening moments, hearing F. Murray Abraham shout out the word "MOZART" I was hooked, and my eyes never waivered from the screen. I anxiously awaited the release of this Director's Cut, due primarly to the extras that were purported to be included. The extras more than deliver on their promise.

Not only did I get the joy of watching once again one of the best movies to have ever been released -- to remember how enthralled I was by the performances of Tom Hulce, F. Murray Abraham and Elizabeth Berridge (unfortunately, most reviewers tend to exclude her contribution to this movie, but her performance as Constanza, Mozart's wife, is as powerful as the others) -- but the extras (behind the scenes, the commentaries) added to my delight.

I truly find it hard to put into words how wonderful this movie is. I have spent the last 20 years telling people "Trust me, just watch it, and you will understand what I am talking about." It is more than just a grand journey through the worlds of these two men (yes, granted, told from a "movie" point-of-view). The entire package, from the scenery, the costumes, the story and THE MUSIC, THE MUSIC, THE MUSIC!!! shows you how a movie should and can be produced. Even if you can't stand classical music, you will adore the wonder that is Mozart.

Please -- I'm begging you -- WATCH THIS MOVIE. You will NOT be disappointed!!!

5-0 out of 5 stars Love it, warts and all
I loved "Amadeus" the first time I saw it and every time thereafter, on tape, DVD and now in this DVD package. It is a very great film, exceptionally worthy of its Oscars, and the role of a lifetime for Tom Hulse. The operatic and musical scenes in this film succeed on a scale never seen before. The finale of "Don Giovanni" is better in this movie than in the two live performances I've seen and the performance Herbert von Karajan led that was shown on PBS in 1990. The direction, acting, script and locations are all sumptuous. It apparently does not follow the play on which it is based, but artistic difference is the basis of enjoyment. Having said all this, I would caution viewers not to judge the real-life Mozart by the portrayal of Hulse in this film. The real Mozart, I have read, was a prudish workaholic that would never go out drinking with his buddies. He also played by the rules of the day and adored Salieri, respecting his role as the musical director in Vienna. Still, it's fair to set history aside in a work of art this fine. Anyone that likes great music or great movies will enjoy this. ... Read more

57. Amarcord - Criterion Collection
Director: Federico Fellini
list price: $39.95
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Asin: 0780020693
Catlog: DVD
Sales Rank: 4349
Average Customer Review: 4.38 out of 5 stars
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In this carnivalesque portrait of provincial Italy during the Fascist period, Fellini satirizes his youth and turns daily life into a circus of rituals, sensations and emotions. Adolescent desires, male fantasies, and political repartee are set to Nina Rota's music in this beautiful transfer of Amarcord. ... Read more

Reviews (32)

5-0 out of 5 stars The magic of Fellini
Fellini's theme of coming of age memoir works as a beautiful nostalgic piece. The film resonates from an earlier film of his 8 1/2 showing the director's flashes to his seaside hometown. I've watched this film several times and on every occassion find something new. Here's a tip to enjoy watching a foreign film - Do NOT watch the English dubbed version if there is any - so much is lost in the film. Fellini's films work with subtitles because they make you forget you're reading them at all and as always, Fellini pleases both eye and ear and subsequently the heart. The musical score by Nino Rota is something one looks forward to in every scene. His music perfectly sets the tempo of each image, and I mean each and every one. What a duo of artistic genius these two men are! Watching the film on its excellent Criterion-restored DVD version, one can only wonder what the cinema world would be without Fellini.

5-0 out of 5 stars This work may be well Fellini's masterpiece
This collections of vignettes around his early youth, still remain as an outstanding triumph in the italian cinema.
The Fellini's style still influences in this age. Watch Ettore Scola (C'erovamo tanto amati) ,Giuseppe Tornatore (Cinema Paradiso and 1900)and Kusturica (Underground).
The irreverent moods created by this only surrealistic ambassador italian are a song to the freedom , a true 'ode to the joy' and a monumental rendition to the fertile imagination.
Amarcord in my view, is the peak of Fellini as dream maker, as story teller and above all as natural and organical sense of humor, in all of its possible and imaginable frequencies, since the virginal, poignant, irreverent, bitter and austere till the most no mercy satire.
Watch this unsurpassed film in its genre.
One of the glorious achievements not only of the cinema, but the art widely speaking.

5-0 out of 5 stars and i thought my uncle was nuts
this is a great cast of characters that intertwine with one another to tell the story of boys growing up. great anti-facist satire, and visual comedy. perhaps the best coming-of-age film ever, amarcord gets a standing ovation at precisely the 100:00 minute mark (check it yourself) as every young mans dream comes true, in this case, 100 times over.

fantastic transfer that shames my old VHS copy. check it out

5-0 out of 5 stars Fellini's greatest accomplishment
I can't believe how much I love this film. This is a film with splendid visuals: of course, there is the peacock in the snow, but how about the scene of Tio climbing the tree during his outing with the family, the motorcyclist racing through the walls of snow, or the fantasy marriage conducted by Mussolini. Fellini's imagination, and the visuals he produces to match these memories, makes this an unforgettable treat. He looks back fondly, perhaps too fondly, on the pre-World War II era in Italy. But we also see a memoir of a young man, coming of age during one highly eventful year of growing up.

5-0 out of 5 stars Fellini's Other Deeply Personal Extraordinary Film
Like 8 1/2 before it, Amarcord marks an extremely personal film for Fellini. Like his relationship to Guido in 8 1/2, the character of Titta serves as an extension of Fellini on film. Whereas Guido served as an extension of Fellini's state of mind, Titta serves as an extension of Fellini's childhood memories.

Through the retelling of emotional stories that deal with Titta and his family, Amarcord (which translates into "I Remember") presents a cyclical collage of wondrous nostalgia for the Italy of Fellini's childhood. Starting in the spring and ending their one year later with the return of the yearly "puffballs", we are presented with and touched by the many experiences that Titta comes face to face with.

At the same time, the film is much more than a mere visual presentation of Fellini's own nostalgia, for it also questions the true validity of one's own memories. This questioning of memory by Fellini is made apparent in the manner in which single scenes can go from "reality" based to fantasy-like parody back to "reality" based in a manner of moments.

One of the more noteworthy examples of this technique is the scene in which El Duce visits the local town square. In the scene the serious yet joyous procession of El Duce eventually turns into a comedic/fantasy experience in which schoolchildren are shown happily carrying guns in the imagined wedding of two schoolchildren in front of a giant talking Mussolini head. Moments later the film cuts to nightfall, in which the local Fascists soldiers wreak havoc on the town and afterwards interrogate and beat Titta's father. Depending on Fellini's own presentation of the Italian Fascists, (and just as importantly, the view in Italy towards the Fascists at that time) very different interpretations can be read of them. In using such a juxtaposition, Fellini (in his echoing of Arnheim's formalist theory) is purposely trying to express the impossibility of remembering and re-presenting a true account of the past as a result of the individual nature of memory itself.

Another scene that blurs the real and the imagined is Titta's late-night encounter with a large busty Tobacconist (she is given no true name within the film) just as she has closed up her shop. The woman, who Titta has fantasized about at an earlier point in the film, playfully flirts with Titta, a flirtation that eventually ends in a moment of extreme foreplay between the two. But the inexperienced Titta is unable to please the tobacconist, and she soon forces him to stop. At this time she acts as if nothing has happened, she gives him his tobacco and shows him out the store. How much of this was real, and how much of this was imagined both within the film and with regard to Fellini's own experiences? As is the case with many of the other sequences in the film, the answer is left up to the viewer.

Amarcord is thus not so much about reconstructing mirror images of the past, but rather more about how we would like to, and thus do, remember the past through our own distorted points of view. Andrei Tarkovsky deals with very similar themes in his film Mirror, albeit in a manner that is much less entertaining than Amarcord, which was released shortly after Amarcord.

**** (10/10) ... Read more

58. La Femme Nikita - The Complete First Three Seasons
Director: T.J. Scott, John Fawcett, Guy Magar, Ken Girotti, René Bonnière, Clark Johnson, Reza Badiyi, Gilbert M. Shilton, Brad Turner, David Warry-Smith, Joseph L. Scanlan, David Straiton, Roy Dupuis, Jon Cassar, Joel Surnow, Kari Skogland, Rick Jacobson, Gordon Langevin, Jerry Ciccoritti, Terry Ingram
list price: $269.92
our price: $188.94
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Asin: B0008ENIVG
Catlog: DVD
Sales Rank: 19536
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59. Highlander The Series - Season 6
Director: Jorge Montesi, Yves Lafaye, Mario Azzopardi, Jerry Ciccoritti, George Mendeluk, Adrian Paul, Ray Austin, Charles Wilkinson, Paul Ziller, Dennis Berry, Clay Borris, Gérard Hameline, Daniel Vigne, Paolo Barzman, Neill Fearnley, René Manzor, Bruno Gantillon, Duane Clark, Robin Davis, Richard Martin
list price: $89.98
our price: $62.99
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Asin: B00020HCBI
Catlog: DVD
Sales Rank: 5452
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60. Clifford
Director: Paul Flaherty
list price: $14.95
our price: $11.96
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Asin: B00015HVK6
Catlog: DVD
Sales Rank: 3067
Average Customer Review: 4.41 out of 5 stars
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Reviews (32)

5-0 out of 5 stars The bestest movie in the whole wide world!
This is definitely the most underated movie of the 1990's. No matter how many times I watch this movie, I laugh so incredibly hard. My favorite part is when Uncle Martin is talking to Clifford at the breakfast table and he looks at Stefan and takes it away and says "Why can't you just act like a human boy? What the h&!! is wrong with you?!" and Clifford tries to look at him like a 'normal human boy.' It's hilarious. The other great part is when he plays his recorder. Also the scene where he has been 'tied up' by the motorcycle gang when Uncle Martin comes home. When describing the motorcyclists stories that they told him, Clifford says, "Some of them were fun but some of them were scary." All I know is that this is just a movie that you have got to see for yourself. It's guaranteed to make you laugh my captain!! :)

I don't ever write DVD reviews on here, but I feel I have to as a WARNING to true fans of this movie. I wish I could give this DVD 5 stars, I really do, but MGM for reasons I can't figure, have butchered this movie beyond belief !!! "Clifford" is one of my favorite movies, one of the bestest in the whole wide world. I was very excited when I read it was to be released on DVD. But some of the funniest scenes in the film have been cut out completely. I'm talking whole scenes. Why ?! What the hell is MGM thinking ?! I am continuously amazed and disgusted by how film companies seem to edit movies re-released on DVD, for no apparent reason. Columbia is famous for editing their release of Three Stooges shorts on DVD, editing out scenes as well. Why ?! I am highly disappointed, and if you are a fan of the original movie, as shown in theaters and on cable, this DVD will leave you disappointed and angry ... So what scenes are cut out on DVD ?

* The scene in the airport where Clifford is outed by a woman who knows sign language, when he poses as a deaf child, to collect money.

* When "Clifford's" dog "Sneakers" runs away, one of the funniest scenes. "Not my Sneakers ! Not the bestest dog in the whole wide world !"

* When Uncle Martin Pushes Clifford's Face into his bowl of cereal. "Oh, honey, be careful how you eat your cereal. Use a napkin. This Boy and His Cereal !"

* Among Others. Some of what I believe, the funniest scenes, GONE !!!

Butchered !!! Watching this DVD, for someone who knows the original, is a painful frustrating experience more than an enjoyable one. I got this DVD for under 10 dollars, but still ... I'm wishing I had just bought a used VHS. I may return it, if possible. When I bought this MGM DVD yesterday, I assumed I was promised the same movie I knew and love. My closing words to MGM, "Breaking a little boy's promise would be a terrible terrible thing. I would imagine the little boy wouldn't be responsible for anything he was gonna do next."

5-0 out of 5 stars loven it
This is the best movie ... I love all of Martin Short's movies

5-0 out of 5 stars DVD Contains FULL Movie - Same As VHS !!!
The idiot who claimed the DVD version was edited, needs to lay off the funny stuff !!! Ok, So I was the irate poster of "WARNING: MGM DVD BUTCHERS CLIFFORD !!!" I am writing this to retract that previous post. After purchasing a used copy of "Clifford" on VHS, I was baffled to find the same exact version as that on my DVD version, missing the same exact scenes I had complained about being "deleted" from the DVD release. After doing research on the internet, and searching Yahoo, using "Clifford" and the exact lines I had remembered seeing in "Clifford", as televised on Comedy Central, I came upon this info at IMDB:

The hysterical scenes I had seen (and loved) are only available in the televised version of "Clifford". These were excluded from the final print in the original Theatre release, and all following home video releases. I had only ever seen "Clifford" on Comedy Central, but watched it at least ten times on TV over the years. The scenes that were cut are stil gems, and flow with the story perfectly. (For example ... The scene where Clifford's Father asks Clifford where he got his walkman from at the airport ... "You Stole It Didn't You !? My God, Is There No End To Your Madness !?" ... proceeding that, was the scene where Clifford, on the televised version, had posed as a Deaf Child, with a sign around his neck, to collect money ... after being outed by a woman who speaks sign language, Clifford is seen in a store purchasing the Walkman in question with the money he had collected ... "No, a kindly old priest gave it to me, Da.") I wish the producers of this movie hadn't edited them. They were great. Oh well. Check out the above link I have provided if you are interested. So the blame is no longer on MGM DVD. For Those familiar with Clifford only from the Theater and Video Rentals .... BUY AWAY !!! It's the same movie you know and love ... and still one of the bestest movies in the whole wide world. So disregard my previous post. To quote Clifford:

"I don't like those men, Miss Sarah. They're Liars. And everybody knows that liars eventually get caught ..."

Guilty As Charged !

5-0 out of 5 stars Clifford the VHS version
This movie is hilarious. I know a lot of people who think it's awful. After talking to them I realize what they don't get that Clifford is just a really rotten kid, rotten to the core.

I say just enjoy Martin Short playing a horrible child. He's truly hilarious. ... Read more

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