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Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not thehow-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (LethalWeapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh ... Read more

Reviews (283)

Rowan Atkinson
Odd film. Twenty years ago it would have been unremarkable, but nowadays it's almost unique - a straight-faced, serious, 'thick-ear' cold-war thriller, played like a cross between John Le Carre and Alistair McClean, but not quite as good as either. Everything looks grim and gritty, and despite the post-cold war setting there isn't any post-modern irony here, it's square jaws all the way.

A top-notch cast make it what it is, although it's not really a film about people - it's a film about action and intrigue, but mostly action. Despite the odd way in which the main characters can commit mayhem in public without anybody seeming to notice, the gun-fights seem realistic - brutal, confused affairs - and the two car chases (featuring an array of exotic European saloons, even a Citroen XM), and in particular the second, are stunning, draining, and exciting.

(Not many films have Robert DeNiro and Jean Reno pootling about Europe in a stolen Volkswagen Golf, come to think of it.)

Ultimately though, it goes on too long. The film doesn't seem to care much for the plot, and in the end it all seems strangely forgettable - it goes in one ear, and comes out the other easily enough, but you probably won't remember it much in a month or so.

Watch out for some of the ugliest 'heavies' ever committed to film, too.

Great action, great dialogue
I'm still not quite sure why David Mamet used a pseudonym in the credits, but the movie absolutely drips with his rhythms of speech. It complements the action well, otherwise the movie would be a bore outside of the car chases. The unique element is the band of mercenaries who cannot trust each other long enough to complete their mission. The cast is great: De Niro and Jonathan Pryce are Mamet veterans. Jean Reno is quite at home playing the Jean Reno character. Natasha McElhone is painfully beautiful, and one of the most capable actresses working today. She more than holds her own with the boys. But the movie's greatest strength isn't the actors or Mamet's hypnotic chit-chat, but Frankenheimer's car chases, which are "au natural". Nobody working with digital effects has generated the same level of excitement and realism, no matter what genre. The European locations are great, the cars are great, and the characters are well-rounded. Oh, and we've got a suitcase filled with who-knows-what, a la "Pulp Fiction."

meh
this was kind of dissapointing, but i had pretty high expectations. it didn't really do anything wrong, but dispite a lot of action, it wasn't the most interesting movie.

Gorilla of a Thrilla'
Spy flick, GREAT CAR CHASE... I think Car and Driver rated the chase scene as an all time best.

On solitude, camaraderie, and good moviemaking.
A mystery man summons a group of mercenaries, mostly has-beens of the grand spy game. What follows? Naturally: lead is flying, the tires are burned by former Formula 1 drivers, and the cast proves to be an ensemble that could light up more than one firmament. A recipe for cashing-in -- one could say -- but rarely a recipe for an instant classic. Ronin, however, just clicks. Clicks as Rubik's cube would and pulls us into a ninety-degree spin and onward to enchantment and an immense adrenaline rush. Why? Because it treads on irresistible subjects of solitude, camaraderie, love and betrayal -- here all served on the palette of the post-cold-war games -- and does so with a seductive flair. From the first group scene in a decrepit Montmartre bar, we are reminded that people often need to be distrustful in order to survive and that the sinister in life might be only an inch away. John Frenkenheimer (The Manchurian Candidate) captures that exceptionally well and leaves little to chance: the careful selection of actors, locations and camera movements solidifies this movie. The story never falters, even though the main price and the stated opposition are both rather enigmatic. The dialogues between Sam (Robert De Niro) and Vincent (Jean Reno) are lean and unforgettable: "whenever there is doubt, there is no doubt...that's the first thing they teach you." A propos teaching, watching the movie with the director's commentary is an eye-opener and it should be a treat for those who make or aspire to make motion pictures. The slick soundtrack, the use of blue lens and the novel fonts used in the credits frame it well. Ronin is a delight. This film will leave begging for more even after several screenings, no doubt. ... Read more

Reviews (32)

Is this the Family Gun, Dad?
One of the best films of the 1980's, At Close Range tells the true story of the Johnston Family gang (changed here to Whitewood) which terrorized Delaware, Maryland and Pennsylvania in the 1970s by stealing tractor parts and generally being hoods. While the story may sound not too compelling, this film gets a huge boost from some great ensemble acting. This is the movie that got me over my aversion to Sean Penn and Christopher Walken delivers one of the most believably evil people in movies. I grew up in the town this all took place in and Bruce Johnston (Christopher Walken=Brad Whitewood) lived next door to my Uncle. And my Uncle said that Walken nailed this guy's persona. Scary Thought. What saves At Close Range from being just another crime movie is the flair that James Foley brings to the direction. It's often gorgeous, thank to Juan Ruiz Anchia's brilliant cinematography and in no small part to Patrick Leonard's haunting score, keyed to the melody of Live to Tell. How come there was never a soundtrack? Do yourself a favor, check it out and be reminded that evil does exist and in forms more insidious and banal than serial killers and possessed little girls.

My favorite Sean Penn movie
This shows why Sean Penn is the best actor of his (and of any other) generation. An intense, beautifully acted and photographed film based on a true story (the family also lived near my area of PA). It's sad that the movie, Penn and James Foley got so little recognition. The only flaw I could see was that apparently Keifer Sutherland was edited out of the movie except for an appearance at the end.. I've been trying to find a book on this subject and would appreciate any information. Sean, Christopher Walken, Chris Penn, Eileen Ryan (Mrs. Penn), the underused and under-rated Millie Perkins, and Mary Stuart Masterson were all excellent. The last 20 minutes are incredibly riveting.

SUCKED WALKEN COULD HAVE DONE BETTER
At the time Sean Penn was not very known so it didn't surprise me
he would be in this flop of a movie.But Walken was already respected and an oscar winner.What was he thinken.Christopher
Walken is a great actor and he does a good job in this but this
movie is so boring I couldn't wait for it to end.Skip this see
Deer Hunter,Dead Zone for good Walken movies.As for Penn along
with colors thank god for Casualties of war or he would have never gotten were he is today.

The Truer Story...
"At Close Range" is a film that, at the gut level, pursues its audience long after viewing. The brilliant manifestation of acting genius by Penn and Walken is only matched by the haunting realization of this "true story." Undoubtedly, that old saying that true-life is more compelling than fiction takes hold in this case. In all, "At Close Range" digs at the heart of its audience and, with as much attention to sincerity as Hollywood allows, surpasses the disconnect of reality and nightmare. (Something as equally interesting; Mary Stuart Masterson's character in the film was included on behalf of her real-life model Robin Miller--my aunt. The company producing the film was denied permission by my grandmother to use Robin's name, so Hollywood did what it does best--they changed names, capitalized on someone else's tragedy, and denied royalties to the victim's family. I would say, too, that there are only a handful of us who actually know the truer story behind this film, and it is viciously haunting.)

One of my favorite films
Juvenile deliquent Brad Whitewood Jr ( Sean Penn), spends his time in a small town with his friends pulling off petty thefts for small time cash. However, Brad is getting sick of his boring life, and longs to make some serious money. Brad's father (Christopher Walken) is the leader of a serious gang of thieves. Brad has heard the rumors about his father, but never got a chance to know him. So he decides to leave his boring life behind, and sets out to find his father so that he can learn the tricks of the trade and become just like him. At first, Brad's father appears to be a good guy filled with plenty of wisdom and helpful hints on how to make it big. But when Brad witnesses his father intentionally kill someone, he realizes that he may be in over his head.

"At Close Range" is a great film. The story is based on the real life story of killer Bruce Johnson. With the acception of the character's names being chaged, the film features an accurate interpretation of events. It is truly a shame that no one really knows about this film. It features a powerful and emotional tale of an American criminal family. The film is very captivating and draws you in from the beginning. The story is great because it combines a somewhat touching look at a son getting to know his father, with an extremely well thought out crime story. This film emphasizes the term "appearances can be deceiving" because as the story goes on, Brad begins to learn what type of man his father really is. There is also a nice romance aspect to the story because Sean Penn's character meets and falls for a woman played by Mary Stuart Masterson.

Sean Penn and Christopher Walken offer two of their finest performances in this film, which is another reason why it is a shame that no one knows about this movie. "At Close Range" shows that Sean Penn was a great actor before "Mystic River". He nails the role with his perfect portrayal of being rebellious and naive at the same time. Christopher Walken is great because he plays both the loving father and the hardened criminal so well. Walken's performance in this film will give you the creeps. It really was the perfect role for him. Overall, I would place "At Close Range" at the top of the "unknown gem" category. This film is probably one of the best crime films I have ever seen. The story is absolutely fantastic and the actors involved could not have given better peformances.

A solid 5 stars... ... Read more

Amazon.com

Coming after The Silence of the Lambs and Seven, this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any dozen similar thrillers. --Jeff Shannon ... Read more

Reviews (54)

A Taut Thriller with Great Characters, Thrills and Twists.
What "Kiss the Girls" Lacks in Originality, It makes up for in Action, Thrills, Pacing, Performances; it makes up for it in Every way Possible. Morgan Freeman takes his performance in "Seven" and makes it Younger, Tougher and Less Cynical.

Morgan plays Alex Cross, a Forensic Psychiatrist who's Niece has been Abducted. Alex joins the Investigation into the Serial Killer believed responsible, He is known as "Casanova". He Abducts Strong Willed Women and keeps them in an Underground Cave. Ashley Judd co-stars as Kate Mctiernan, the next girl to be Abducted. This time, Casanova has Bitten off more than he can Chew, as Kate is a little Too strong willed. She escapes and teams up with Alex to catch Casanova.

Cary Elwes, Jeremy Piven and Brian Cox give Great Performances in Underwritten, Underused supporting roles. Freeman and Judd are the only Actors in the film who are given the Screen time to Shine, and Shine they do.

The Camerawork in the film is a real Standout..., Director Gary Fleder knows where the camera should be at all times, when to cut away, when to stay with the shot. He is the perfect mix between a Seasoned, Patient director and a Fast-Paced Music Video Director.

"Kiss the Girls" is a More than worthy entry into the Serial Killer Genre. Alex Cross is a Character that I hope to see more and more of, and I hope to see how "Along Came a Spider" turns out. (in which Morgan again plays Alex Cross)

I would give this a 12 on a scale of 1-10
Morgan Freeman plays a Crime Scene Physcologist who leaves his jurisdiction to head to the college town in North Carolina, where his neice has been abducted by a serial killer/abductor. The intense criminal mind of the abductor feels he must capture smart, beautiful women and hold them captive until they fall inlove with him. If they disobey he ties them to trees for the wild animals. Ashley Judd plays an extremely smart doctor who gets abducted and then ultimately escapes. She then helps Morgan Freeman head up the investigation into the world of one sick mind. It's a very intensive thriller that will have you hanging on the edge of your seat and you won't know the true identity of the killer until the end. Ashely Judd gives her usual outstanding performance, as does Morgan Freeman. I'm not usually a thriller movie buff, but this one might just make me change my mind.

Isn't Gonna Win A OSCAR, but It's Quality Entertainment!
Washington, DC police detective Alex Cross (Freeman) receives a call that his niece Naomi has been abducted from the Durham area, and he decides that he needs to go there to help find her. Once he gets there, he is informed that one of the women abducted has been found dead tied to a tree. He, along with Nick Ruskin (Elwes) and Davey Skes (McArthur), the two Durham detectives heading up the task force, head out to the location. Alex is fearful that it's his niece, but is relieved that it's not her.

Meanwhile, we meet Kate McTiernan (Judd), a doctor at the local hospital. Not only is she a doctor, but she's also a kick-boxer. But that does her little good when she discovers a stranger in her house, who knocks her unconscious. When she comes to, she finds herself in a small room. And shortly after regaining conscious, the person who has abducted her appears at her bedside. She manages to get out of the room and escapes by jumping into a river. After she recovers, she decides to help Alex out with his investigation, against his protests. But he realizes that she's his best opportunity to find his niece, so reluctantly agrees.

The abducter starts taunting the police, sending them notes about the women. He signs his notes as Cassanova. Cassanova was a great lover, and Alex deduces that he isn't a killer, he's a collector. He only kills when the women disappoint or cross him. After some more investigating, he finds a connection between Cassanova and a plastic surgeon on the West Coast. It seems that there are also a string of abductions there, but these women all turn up dead, with one of their feet missing.

I can't say any more without giving away too much of the plot. KISS THE GIRLS has a good story, with very good acting by all involved. When Judd's character of McTiernan is in her cell communicating with the other girls, she's so convincing that it's like she was actually there. Morgan Freeman is very good in the role of Alex Cross. The supporting cast is pretty good, as well.

**SPOILER** The only real problem I have with KISS THE GIRLS is that the story, which is good as I said above, is just too similar to a lot of other movies in the thriller genre. It's really frustating to see movie after movie with the "killer is someone we met earlier" plot-line. It might have been clever at one time, but now it is just so common-place, that the viewer almost automatically look for clues as to who the killer is. I had this one pegged not too long after we first meet him.

Based solely on the story of this movie, I would give it a three. It's basically the same movie the viewer has seen before, but with a different twist on the plot. But I have to give it a four because of the acting, especially Freeman and Judd. If Freeman has made a bad movie, I haven't seen it yet. I recommend this movie, but if you pay attention, you can figure out who Cassanova is without too much difficulty. Story rates a three, but the acting pulls it up to a four. Go check it out.

a smart thriller
I liked "Kiss the Girls" quiet a bit. Brilliant psycologist and homicide detective Alex Cross (Morgan Freeman) goes to North Carolina to help search for his missing niece. It turns out that she is actually one of many missing girls, the killer is a collector. As it seems the police have exhausted all leads, one of the killer's victoms (Ashley Judd) escapes. She helps Cross with a lot of information that leads him to realize there is a copy cat killer in L.A. Eventually they figure out it isn't copy cat, but the two know each other, andf they are competing with each other. "Kiss the Girls" was unfairly compared with "Silence of the Lambs" and "Se7en", itr shouldn't have been; it firmly stands on it's own. What would have been nice, however, would have been a little more motive from the killers, other than them being drivin by ego. Morgan Freeman as always dose a brilliant job in what could have been a traditonally 'Dirty Harry' cop and made him more human and caring. Ashley Judd dose pretty good too. She is far from helpless. She is strong, resourceful, and smart. She isn't all that just because she has to be, she really feels tough. Brian Cox as the lead police man is appropriotly authoritive and wise (sometimes). Tony Goldwyn is ok as smug plastic surgen and serial killer. All in all, it's an excellent way to kill a few hours.

Really good
I really liked this movie I read the book and then I saw the movie and I was amazed at how closely it followed the plot of the book it wasn't exactly on since the books goes into more detail and keeps you more in suspense but all in all it was really good especially with Ashley Judd and morgan freeman involved in the movie. I would recommend buying this movie ... Read more

Amazon.com

Two years before he let it all hang out in Boogie Nights, former rapper and Calvin Klein underwear model Mark Wahlberg played the psychotic boyfriend in this derivative but surprisingly effective thriller, aptly described by producer Brian Grazer as "Fatal Attraction for teens." Reese Witherspoon plays Nicole Walker, the unwitting teenager who gets the hots for David McCall (Wahlberg). David only seems like a nice guy until he gets upset by the girl's overly protective father. That's when hell breaks loose and the love-struck Romeo turns into a deadly threat who just won't go away. You'd think this kind of material would be beneath the talents of a fine director like James Foley (whose credits include At Close Range and Glengarry Glen Ross), but Foley gives the film just the right blend of style and tension to match Wahlberg's breakthrough role as an all-too-believable teenage maniac. You might feel silly afterwards, but don't be surprised if you find yourself getting caught up in the expertly manipulative suspense. --Jeff Shannon ... Read more

Reviews (90)

Fear Rocks!!
This movie is the most terrifying movie that I have ever seen.(And I am a horror-movie buff) This movie is so creepy, so electrifying that it is scary(please excuse that punn) This movie has a hot young cast of some extremely talented actors, including the beautiful Alyssa Milano and Reese Witherspoon, and a young fellow of the name Mark Wahlberg. I can pretty much tell what is going to happen with movies. I couldn't tell a thing in this movie. This is not just your run of the mill teen hororr/suspence/thiller/Mystery type of movie. This movie is a great movie to enjoy and a great life-lesson (or moral, if you will) wihout actually living it. I won't tell what the lesson is, but Reese Witherspoon is generally in movies that teach something at the end, so be sure to look for it at the end and during this film. This movie is so great in every way possible. By far the best[for me] hororr film of them all! Great movie!!! Very similar to "Fatal Attraction" But, geared towards a teen auidence. Both films are great, but also both have cerin material that DIDN'T have to be in there. VERY realsitic, in the sense that there are teens who choose to...ummm...well spend "quality" time with each other, and do live to regret that "quality" time spent. Alot of the time, that person that you spent the time with, ISN'T the person you thought they were. Very creepy. "Fatal Attraction" and "Fear" are similar, and different at the same time. "Fear" is pratically a re-make of "Fatal Attraction" which it sortta is...

FEAR ITSELF
Maybe it's derivative, but FEAR packs a punch due to the expert direction of James Foley and the dead-on performances of Mark Wahlberg, Reese Witherspoon and William Petersen. Nice girl Reese (beautiful and a marvelously talented actress) goes along with pal Alyssa Milano to a club where she catches the eye of hunky David McCall (Wahlberg, in a chilling and good performance). Of course, once she finds herself falling for him, she sees a violent and darker side as he attacks her best friend and pushes her in the face. David, being the charming psychopath he is, manages to patch things up, and then things really start firing up. Petersen's father is a devoted, family man, who truly loves his daughter. When he realizes Wahlberg is not the Prince Charming he appears to be, he warns him to stay away from his daughter. But Wahlberg won't take no for an answer, so he rallies up his drug-dealing friends and attacks the home of Reese and her family. A tense, nerve wracking ending with powerful performances.
A guilty, but enjoyable, pleasure, showing that Wahlberg has more than a buff body to credit his success.

Amazing
This is a classic. Reese Witherspoon is so cute, and as if we didn't all know so is Mark Walberg. Put them together and you've got a hit. This is my favorite movie ever and I am a video freak. I couldn't even imagine what was going to happen next. It was scary yet romantic. I love it, however I wouldn't recommened this movie for anyone under the age of 16

Does anyone knows????
Hi there! I loved the movie, it's really great. Now I'm looking for the soundtrack... does anyone knows where can I get it???? PLEASE!!! if you can tell me I'll be so grateful!!! My email is: gpalomo@telecontacto.com.mx
THX
G.

It could really happen
When 16 year old Nicole meets David McCall for the first time, he is a sensitive and caring man. Over time they build a deep relationship. All the problems start after their first intimate encounter. David goes wacko with jealousy, beating up one of Nicole's best friends, who happens to be a guy. Nicole is torn between wanting to stay with him and never wanting to see him again. After a riff with her father, Nicole runs off temporarily with David. Later that night she catches him with her best friend. She dumps David and turns her back on her best friend Margo (Alyssa Milano), not letting her explain what really happened. David ends up stalking Nicole and essentially holding her family hostage.

Creepy in a way because it's a situation that can, and I'm sure has, happened. ... Read more

Reviews (9)

Booklet Missing
In response to the last reviewer, I did not get anything in the lefthand sleeve either. I bought this set and there was no booklet in the lefthand side, though there was a sleeve for it. I brought it back for another one, and the replacement had no booklet either. Did the company producing this DVD change their minds about putting something in the sleeve, or did I get two bum copies in a row? The one star rating is because of the negligent packaging...the movies were fine.

Does it come with a booklet?
I have liked the movies since they came out, but I agree that the dvds could have been remastered with better sound and widescreening. I guess these will do for now given the decent bundled pricing. One quick question. Did anyone receive a booklet in the left sleeve of this set? There's an empty pocket in mine and it seemed weird. Is it just packaging or should I bother to return for a replacement? Thanks for any help from the Conan experts!

Classic Fantasy
Conan: The Barbarian is a classic fantasy film and probably the best fantasy film besides the LOTR series of movies. Sure the second Conan movie, Conan: The Destroyer, isn't as good as the first but who cares when you are getting both for only $15. Pick this DVD up just for the first one and you may be pleasantly surprised to find that you enjoy the second one too, after all it's not as bad as people make it out to be.

I can't wait for the new movie, Conan goes to Nease
This is an excellent example of American movie making and the general intellect of the country. We should be proud! Of course, with Arnold busy these days, the new movie, Conan Goes To Nease, will star Buff Biondom who really gives Arnold a run for his money... especially when he lifts an entire portable building (complete with a ramp for the disabled) and crushes a statue of Ponce DeLeon, four and a half miles away. Co starring Scott Bebe, as the dreaded nemesis, the Borester, whose very voice puts people into a coma. Sadly (or gladly), in the final scene, Conan 's daughter wipes out an entire herd of deer and KNF dies - pass the corn.

Mono sound?
Upon receipt and inspection of the package, it appears both of these movies are presented in 2.0 mono sound. WTF?

After researching (just now, between these two sentences) it would appear the new special edition of Barbarian is also in mono (someone said it was 1.0 mono)... hrm. That is too bad. You would think they would be able to make a decent sound package for this since they went through the trouble to fix up the visual clarity.

Anyway, I'm giving this 4 stars just because it is frickin Conan and Conan ROCKS! All it needs is an improved sound suite and it would be at 5 stars. ... Read more

Amazon.com

The consequences of time travel are the thematic framework for thiscompilation of episodes from the revamped Outer Limits anthology series,produced for the Showtime network. The six stories compiled here are indicativeof the new version's competent but uneventful nature; scripting, performances,and direction (all hampered by the program's low budget) rarely live up to theplots' potential or the drama and suspense of the original series. AmandaPlummer's Emmy-winning turn as a scientist who travels 50 years into the past tocommit a murder in the Season Two episode "A Stitch in Time" is the highlight ofthe disc; the rest (culled from the series' seven-season run) offer well-wornvariations on time travel themes. The full-frame disc includes "The Outer LimitsStory," which offers talking-head interviews with executive producers PenDensham and Mark Stern, as well as featurettes on each episode. --PaulGaita ... Read more

Reviews (15)

Some good, some bad
Time travel is a very difficult topic to have a story about, mostly because of the holes one can place in time and space. However, these in general were very good stories.

Easily, A Stitch in Time is the best episode.... and one of the best time travel stories I have experienced in a long time. They do a very good job of exploring these holes that are created. This is also the best Outer Limits episodes that I have seen so far.

Okay, I've got a soft spot when it comes to storied dealing with families. I really enjoyed Tribunal. Other than the fact that the main character would need to speak Yidish, English, and German fluently for this story to make sense... it really pulled at the ol' heart strings.

Gettysburg really turned me off. Maybe I was surprised to see Prentice again. Maybe it was because of what Prentice was trying to accomplish. It seemed like there were a million different ways to change what he was trying to prevent from happening, and he chose the most complicated way to do it.

I said, "What, Prentice again!!!" when Time to Time came on. The statement by Prenice's co-worker on what it takes to time travel would have been cute and funny if it didn't completely put a huge hole in the former two stories. It reminded me a bit of the movie, "Millennium."

Deja Vu reminded me of a Star Trek episode where Data went through the same thing that Kevin Nealon did and also Groundhog Day (one of the best movies EVER!!!). It was entertaining once, but I think it lacked the shock and awe that the writers were going for (none of their big surprises were big surprises).

And Patient Zero. Okay, a big hole is building a time machine to go into the past and stop something from happening because at this time you lose the incentive to build the time machine in the first place and sending that person back. So, the person shouldn't exist in the first place and the universe shoud blow up. This episode was predictable all the way and left me very disappointed.

Overall, I really liked the first two episodes and Deja Vu. The others I never really got in to. I know that time travel is a difficult subject (I still haven't found the perfect one yet, but A Stitch in Time came VERY close), but the three episodes I didn't like forced me to dock the movie two stars. Also, I would love it if the Outer Limits didn't do themes, but released it season by season. I might have liked these all more if I hadn't watched one story after another. I also have a feeling that they WILL release them season by season in the future and I'll regret these purchases. Of course, I'll need a time machine or just have to wait to find out if I'm correct.

Outer Limits Time Travel Stories
This DVD has 6 "Outer Limits time travel stories" of the series. Maybe with a little luck, we will see the series put out on DVD by season.

1) A Stitch in Time - season 2 - Jamie Perrin of the FBI investigates the murder of 17 men that have been killed with the same gun over the last 50 years. The gun is traced to Dr. Theresa Givens who was 5 years old at the time of the 1st murder and to add to the mystery the gun had not yet been invented.

2) Tribunal - season 5 - At the Birkenau concentration camp Leon Zgierski watches Karl Rademacher shoot his wife and send his daughter to the gas chamber. A time traveler who grabs Radermacher's jacket sees the event.

3) Gettysburg - season 6 - Andy and Vince spend their weekends reacting battles from the Civil War. When their picture is taken with an old camera they find themselves on the eve of an 1863 battle.

4) Time to Time - season 7 - A daughter travels back in time to change her father's destiny.

5) Déjà vu - season 5 - Mark Crest builds a teleportation machine to transport some animals across the desert.

6) Patient Zero - season 7 - A man from the future arrives in the present to kill the carrier of a plague that could destroy humanity.

For all time
The SHOWTIMES cable channel has brought back the 1950s science fiction series THE OUTER LIMITS. In it the series has updated technology & special effects as well as theme-lines to match the late 20th century.

SHOWTIME has begun to release some of the "best-of" on DVD via general motif. Each DVD has 4 episodes. The previous installment was called SEX AND SCIENCE fiction & the stories were a nice blend of eroticism & Sci-fi.

The current DVD contains 4 episodes centered around the concept of time travel. Of the 4, the 2nd story [THE TRIAL] is by far & away the most poignant. It details a story about a Jewish concentration camp and is vividly moving. The 2nd story alone is worth the price of the DVD.

3 of the 4 stories are about a time-traveller from the future (including THE TRIAL). Of all 4 episodes, the fourth is the weakest. They layer on some elements from the 2nd and 3rd stories and it all comes across as being very ad-hoc.

If time travel is an interest of yours, here is a DVD with some fresh approaches to the topic. If you prefer erotic science fiction, I would recommend the 1st OUTER LIMITS compilation of stories. If (like me!) you are an avid sci-fi fan across-the-board, I would think both DVDs should be in your collection.

Top of the Crop to Bottom of the Barrel
These episodes range from some of the very best of the Outer Limits (Stitch in Time, Tribunal, Deja Vu) to the mediocre (Gettysburg, Time to Time) and the out-and-out bad (Patient Zero). Still, based on the superb quality of the three good ones (Tribunal in particular is a very intelligent treatment of time travel -- look carefully at the Nazis that take the old man's daughter away from him in the flashback sequence, for example)this is worth the money.

A must have.
Did you like the New Outer Limits? If so, this is an excellent DVD for you to own. I really wish they would come out with the seasons in box form, but this will keep me happy until that day arrives. A very well done edition. In every way. ... Read more

Reviews (60)

Clever idea features every bodily function gag imaginable
A reasonably entertaining blend of live action and animation with the live action scenes directed by the Farrelly brothers.
Bill Murray is a lazy zookeeper who is unable to take proper care of himself. Inside his body live animated blood cells. One, a cop named Osmosis Jones (voiced by Chris Rock) decides to try and save Murray by challenging the orders of his superior (voiced by William Shatner) and give Murray the chance to turn his life around. The movie also features the voice talents of Brandy, Larry Fishburne, Ron Howard and David Hyde-Pierce. Kid Rock also makes an appearance in animated form as Kidney Rock.
OSMOSIS JONES is a movie all ages ought to enjoy, even if the animation is a bit iffy at times, but in general it's a clever, humorous piece of entertainment with Rock and Hyde-Pierce (as Jones's partner) providing excellent voice performances. As with SHREK, the character animation vaguely resembles the actors. Larry Fishburne is especially effective and menacing as the bad guy. I would also advise viewers not to eat during the movie as there is a rather low rent mucus gag and an amusing zit gag. Basically every bodily function joke you can think of is present in OSMOSIS JONES.

Ridiculous entertainment does not equal great cinema
Osmosis Jones is one of those movies you almost feel like you have to apologize for liking. Well, forget about it, because this is a very funny and downright entertaining movie with no class whatsoever!

The scenes bounce between live acting and full animation, determined by whether we are outside or inside the body of Frank. The casting for this silly and peculiar movie was expertly chosen for both live and voice roles.

Live, we have Bill Murray as Frank, in his most disgusting character since Caddyshack. Chris Elliot plays his brother Bob, and manages to challenge Murray in the "disgusting slob" category. Murray eats a hard boiled egg that landed in monkey doodoo, and thus introduces Thrax into his body, a red-death virus determined to take over Frank and kill him. (voiced by Laurence Fishburne)

Inside of Frank, we go to the animation where Chris Rock is the voice of our hero, a white blood cell named Osmosis Jones. Jones is a detective for the City Of Frank, where William Shatner does the voice for Mayor Phlemming. Jones knows something is wrong, but the Mayor denies any illness could occur in Frank. But just to be safe, he "manually overrides" Frank and has him take a cold pill.

Meet Drix, the huge and snotty cold pill, whose voice is played by David Hyde Pierce (Frazier's brother Niles). Jones and Drix make an unlikely team as they hunt down Thrax and try to stop him from killing Frank.

Nothing is taboo here; they go to the nose and get caught up in the wave of snot when Frank's allergies act up, they travel to The Zit, Frank's hottest new club where Kidney Rock is playing (Kidd Rock), and Jones reminisces about the time he hit the "Panic Button" in Frank's stomach, causing him to vomit all over his daughter Shane's teacher. (played live action by Molly Shannon)

Boogers, snot, vomit, farts, and zits; its all here. Ron Howard even does a guest voice as Tom Colonic, running for Mayor against Phlemming, who broadcasts his campaign commercial from The Bowels.

This is visceral entertainment with a squishy feel to it, riotously funny and well endowed with toilet humor; silly campy comedy at its very best. In David Litton's excellent review below, he mentioned that this was a "Fun Time-waster". Indeed it is, David. Enjoy!

Boring Not Enough Action Gross Stupid.
Osmosis Jones Stinks!!! I t was on Cartoon Network on Direct TV and worst it was at my school!!! I watch this stupid Movie Everywhere!!! Not Even Funny Its gross The story is dirty sick father ate an egg that was spit on by a monkey and the egg was pooped on and he ATE IT!!! Osmosis Jones a Terrible character This movie is short thankfully The reason i gave this movie 2 stars is because I loved the character RED DEATH He is cool!!! Red Cool Talker and He has a long claw that burns stuff. Anyway dont watch this movie. OVERATED

If you're not a cartoon character, please leave the building
When I first heard of this movie, I thought: how neat, a fun and educational way for kids to learn about how the human body works. I'm glad I watched it first on my own, though, because I'm not sure I'd let any children of my acquaintance watch this. At least not the young ones.

I think the movie would have been better without any of the live action characters (Bill Murray, Chris Elliott, etc.) for two reasons. First of all, they're just disgusting. Too disgusting. It got to the point where I'd watch all of Bill Murray's scenes with my hands over my face, peeking between my fingers. Between the running snot, exploding pimples, and ingrown toenails, the "gross-out factor" just goes way, way over the top. To me, it stopped being amusing and became just repugnant early on. Like, his first scene.

Second, I think the final scenes, when Bill Murray ends up in the emergency room, are far too intense for younger viewers. He basically dies on the table in front of his young daughter (Elena Franklin), who's led away sobbing by nurses. He comes back from the brink of death, of course, and all ends well, but it's still pretty traumatic and graphic.

The animation sequences, however, are just wonderful. Bill Murray's character is the "City of Frank," complete with a police force (the white blood cells, featuring Chris Rock), a highway system, airport (Frank's stomach), and even a political campaign (with William Shatner as the incumbent mayor in "Cerebellum Hall" and Ron Howard as his challenger). The whole city system inside Frank was a really clever idea and very well executed. David Hyde Pierce is also wonderfully "uncool" and fussy as over-the-counter cold pill, Drix ("I was developed at the University of Chicago, where I graduated Phi Beta Capsule"). It's a whole new take on the "good cop, bad cop" movies.

All this having been said, I'm pretty sure I would watch thie movie again, but I'll be fast forwarding through the live action sequences. Just cartoon germs for me, thank you.

pure stupid
this is stupid and gross and nothing works in this movie. horrible I will say and BIl Murray is wasted as the man who Osmosis Jones and Drexel are in. maybe a little bit for kids but this one is so bad I had to keep my head from stop spinning it was so dumb and so is the end. from the Farrelly brothers and the guys from Space Jam. they couldve done a much better job. Chris Rock, Laurence Fishburne, David Hyde Pierce, Kid Rock, Brandy and William Shatner do voices. Molly Shannon and Chris Elliott also star as well. ... Read more

Reviews (22)

The Power of Cinematic Image
Based on the book by Vito Russo, written by Armistead Maupin, and narrated by Lily Tomlin, THE CELLULOID CLOSET uses interviews and hundreds of film clips to examine the way in which Hollywood has presented gay and lesbian characters on film from the age of silent cinema to such recent films as PHILADELPHIA and DESERT HEARTS. Throughout the documentary, the focus is on both stereotypes and the various ways that more creative directors and writers worked around the censorship of various decades to create implicitly homosexual characters, with considerable attention given to the way in which stereotypes shaped public concepts of the gay community in general.

Overtly homosexual characters were not particularly unusual in silent and pre-code Hollywood films, and CLOSET offers an interesting sampling of both swishy stereotypes and unexpectedly sophistocated characters--both of which were doomed by the Hayes Code, a series of censorship rules adopted by Hollywood in the early 1930s. The effect of the Code was to soften some of the more grotesque stereotypes--but more interesting was the impetus the Code gave to film makers to create homosexual characters and plot lines that would go over the heads of industry censors but which could still be interpreted by astute audiences, with films such as THE MALTESE FALCON, REBECCA, BEN-HUR, and REBEL WITHOUT A CAUSE cases in point. Once the Code collapsed, however, Hollywood again returned to stereotypes in an effort to cash in on controversy--with the result that throughout most of the sixties and seventies homosexual characters were usually presented as unhappy, maladjusted creatures at best, suicidal and psychopatic entities at worst.

The film clips are fascinating stuff and are often highlighted by interviews of individuals who made the films: Tony Curtis re SOME LIKE IT HOT and SPARTACUS, Shirley MacLaine re THE CHILDREN'S HOUR, Stephen Boyd re BEN-HUR, Farley Granger re ROPE, and Whoopie Goldberg re THE COLOR PURPLE, to name but a few. All are interesting and intriguing, but two deserve special mention: Harvey Fierstein, who talks about the hunger he had as a youth to see accurate reflections of himself on the screen, and Susan Sarandon, who makes an eloquent statement on the power of film as "the keeper of the dreams."

Although the material will have special appeal to gays and lesbians, it should be of interest to any serious film buff with its mix of trivia and significant fact. The DVD also includes notable packages of out-takes from interviews that are often as interesting as the material that made the final cut. If the documentary has a fault, however, it is that it offers no "summing up," preferring instead to show only how far the portrayal of homosexuals has come and indicating how far it has yet to go. Recommended to any one interested in film history and interpretation.

Excellent film on so Many Different Levels
Looking at the roles given to gay and lesbian characters in American cinema over the past several decades, "The Celluloid Closet" manages to simultaneously be hilariously funny, educational, and occasionally quite thought-provoking and even tragic. We see gay and lesbian stereotypes being reinforced over and over again, scenes cut from famous films because they hinted at homosexuality, etc.

Although the initial reaction is to sort of laugh at how backwards and ludicrous the intense homophobia of Hollywood once was, there are also reactions from people growing up during those years who talk about the effect of seeing gays and lesbians in films, or the impact of NEVER seeing gays and lesbians in films. Also, as the film progresses, it helps one to see that, although things have gotten SO MUCH BETTER in many ways, they're still so far from being where they ought to be.

This is a great documentary to watch with friends who might question what the big deal is with GLBT issues... why it's even an issue at all. It really helps one to see the importance of how popular media deals with (or chooses to ignore) minority groups and the very real impact of those decisions on people belonging to that minority group. And the fact that it's so darn entertaining makes it a fun, light movie to watch - a real pleasure!

A MUST SEE
The Dvd extras alone are worth the $25.00 Made in 1995 just shortly after Tom Hanks won an Academy Award for Philadelphia (playing a gay man ). The hero of this production however is Lily Tomlin! This movie documentary was finaly made after the wirters & producers got in touch with her. Lily loved this project and got HBO to fund this movie! The basic theme in this movie is to show us how gay people have been portrade in the movies! Gay themes were Taboo! They were always taboo until the late 1960's. (However All movies were made to a strict code up to that point). So all gay themes (during the era of the Code) were between the lines! (This is the humor) After the code was lifted gays were shown mostly as the villians! ( This is the drama) This documentary was one of the best movies of that year!
Is it dated? Not by much! It has been ALMOST 10 years since this was first released! Now we now have on TV "Will and Grace" (but after 7 years and no boyfriend give me a break). The big break in Hollywood was "The Birdcage". The next year was "My Best Friends Wedding" and "In and Out". (all money makers) Earlier that year "ellen" came out on TV but her show was cancelled a year later. In 2004 "The Stepford Wives" remake hade a gay couple. Although gays are more visable now than ever in the movies most of the time they are regulated to the "best friend" for comic relief! Not much of a change! Would I like a gay movie hero? Of course! I would also like to see hollywood remake movies that had they had gay stories to begin with! "The Lost Weekend" "Gentelman's Agreement" "The Childrens Hour" all had gay themes but were rewriiten for straight story lines or toned down! Yes "Fried Green Tomatoe's" is another but there was a kiss!

After YOU VIEW "The Celluloid Closet" watch "Rebecca" "Rebel Without a Cause" and "Some Like it Hot"! You will be laughing!

A 1995 Documentary That is Still Relevant
The Celluloid Closet has been out for nine years and I have only now seen it for the first time. You would think that gay themes and the presence of gay characters would be even greater now, in 2004, than when the documentary was made in 1995, and that it would seem dated. Unfortunately, it does not seem at all dated. The idea of a gay hero is still edgy and daring, and oddly enough, television, rather than the big screen, seems to be taking the lead in featuring gay characters and themes.

The Celluloid Closet is an eye-opening look at how gays have been portrayed in American film. Film clips are interspersed with interviews and commentary by writers, producers, and actors who are gay or have played gay characters. It is interesting to see that people mocking gay men swished and minced the same way 100 years ago as they do today.

A highlight is the deleted scene from Spartacus with Laurence Olivier as a slaveholder in his bath telling his uneasy slave played by Tony Curtis that he enjoys both snails and oysters. Strangely absent in the documentary are any mention of Clifton Webb or Cary Grant.

I will be looking at old (and new) films in a different way now that I have seen The Celluloid Closet.

Excellent Documentary , but a bit too ideological
Celluloid Closet is a well-done, thought-provoking documentary detailing the history of homosexuality in movies. The author(s)
compile a fascinating list of films, many well-known and beloved, and describe how filmmakers, constrained by prevailing mores and production codes, were forced to deal with the subject creatively through innuendo and subtext. It works equally well as a history of film censorship. Only one drawback: the best documentaries are objective, letting the material tell the story, so why interview exclusively archetypal Hollywood liberal, pro-gay-rights activists? It would have been interesting, for example, to hear Charlton Heston's response to Gore Vidal's take on what "Ben Hur" is really about. Instead, we're left hanging by Vidal quoting the director: "Don't tell Chuck (Heston) what it's really about, or he'll die". (or words to that effect) ... Read more

Reviews (17)

The Clock's Ticking!
John Farrow's "The Big Clock" is one of the great noir films of the 40's. The downside is many people have 1) rarely seen it. 2) Many haven't even heard of it! Ray Milland stars as George Stroud a man who as the film goes on will have to track down a murderer when all the clues lead to one man, him! How can he prove his innocence. And how will he get anyone to believe him? These are the interesting questions that arise as you watch this film.
George Stroud (Milland) works for a publication that somehow manages to break cases before the police do. He is also suppose to go on his honeymoon with his wife Georgette (Maureen O' Sullivan) which is long overdue ( they now have a 5 year old son!). But, his boss Earl Janoth (Charles Laughton) wants him to postpone his honeymoon. Claiming he'll give him higher pay and a month's vaction. But George knows his wife will kill him if he's not there ready to leave with her lol. Now, one thing leads to another ( I don't want to give anyway too much of the plot). But George ends up missing his train and spends the night with Janoth's mistress! Later on that night, he finds that Janoth's mistress is dead! Was it murder? Well, all directions point that way since George saw Janoth go into Pauline York's (Rita Johnson) apartment. In an attempt to cover up his actions, Janoth tells George he has to solve the case before the police get involved. "The Big Clock" has a great musical score by Victor Young, nice cimatography by Daniel L. Fapp & John F. Seitz. And, fammed costume designer Edit Head does wonderful work. All of these things give this movie the "classic" noir feel to it. There are good, solid performances by everyone, and nice directing by Farrow. This is a very pleasurable film to watch on one of those rainy, dark nights, that just feels like watching a noir film. One of the best noir films I've ever seen.

Ray Milland and Charles Laughton Together. Enough Said...
As my title reads, this is indeed a captivating film-noir. The idea of a boss trying to blame an employee for murder might not have been a new one even in 1948, however with all its intriguing actors, witty taglines, and outstanding artistic quality, this film is perfect in the mystery world. Everybody should own a copy of "The Big Clock."

THE BIG CLOCK IS A BIG LETDOWN
I remember this movie from years back, and thought it was a pretty nifty noir thriller. A repeat viewing reveals it to be a bit on the trite side. Maybe it's Ray Milland's bland performance, but I had trouble getting through this one. Not all old films are true "classics" and this one is better left on the shelf, in my opinion.

There are many better examples of Film Noir out there. Give me LAURA or OUT OF THE PAST any day over this.

VICERAL NOIR DRAMA TINGED WITH COMEDY
"The Big Clock" is a brilliant labyrinth of dark humor and cyclical twists and turns - rather like riding a funhouse car into the murky blackness of uncertainty but with the nervous expectation that you are about to be frightened out of your mind. The film is a taut, lean thriller that presents a curious predicament for its hero, George Stroud (Ray Milland). He's a star reporter who is assigned to cover the murder of a mysterious woman by his punctually obsessed editor, Earl Janoth (Charles Laughton). There's just one little wrinkle that needs to be overcome; the overworked Stroud not only knows the woman in question but spent the night with her before she met with her untimely demise. There's also something else to consider; the woman was Janoth's mistress. Now the question arises for Stroud: how to accurately cover the scoop, report all the facts, expose the killer and keep his own name out of the proceedings. Both men are feverishly working to solve the crime, unwittingly culminating in accusations that will expose both their prior relationships with the corpse. Elsa Lanchester appears as Louise Patterson, the high-strung painter whose sketch of the prime suspect slowly begins to take on the figure of George Stroud. "The Big Clock" was remade in 1987 as the Kevin Costner thriller, "No Way Out".
THE TRANSFER: The gray scale is very nicely balanced with solid, deep and rich blacks and very smooth looking whites. There are instances where contrast levels appear somewhat low and fine detail seems slightly out of focus, but truly, there's nothing to generally disappoint one from this visual presentation. Occasionally pixelization breaks apart the background information - but only briefly and usually between dissolves. There's also a minor hint of edge enhancement that is barely noticeable. The audio is mono but very nicely cleaned up. There are no extras.

The Big Clock
Thrilling "Film Noir" type mystery. Ray Milland works for a magazine publisher who commits a murder. All the clues however point to Milland as the killer. He races against time to prove his innocence. First Rate Thriller! ... Read more

Product Description

This DVD compiles 14 Madonna videos from throughout the '90s. Track listings: Bad Girl * Fever * Rain * Secret * Take a Bow * Bedtime Story * Human Nature * Love Don't Live Here Anymore * Frozen * Ray of Light * Drowned World /Substitute for Love * The Power of Good-Bye * Nothing Really Matters * Beautiful Stranger. ... Read more

Reviews (137)

An incomplete "Collection"
This second video collection from Madonna only confirms that Ms. Ciccone is indeed the Queen of Pop and of the Music Video. The videos featured here are absolutely spectacular. From the motion picture quality of Bad Girl, to the gorgeous cinematography of Rain, to the out of this world bizarreness of Bedtime Story, to the hyper energy of Ray of Light, this is indeed a special collection. Unfortunately, it is also an incomplete collection. Among the glaring omissions are EROTICA, DEEPER AND DEEPER (both left off presumably due to their sexual content and innuendo), THIS USED TO BE MY PLAYGROUND, I'LL REMEMBER, YOU MUST LOVE ME, DON'T CRY FOR ME ARGENTINA (all left off presumably because they featured scenes from movies they did not have the rights to), and YOU'LL SEE (who knows why this wasn't included). I had the same complaint about the Immaculate Collection with its missing videos. What makes it even more aggravating is the fact that a video like LOVE DON'T LIVE HERE ANYMORE, which was a complete bomb as a single and is one of the most boring videos ever produced, did make the cut. Yes, it is a beautifully SHOT video, and the director is very "in" right now, but it still doesn't deserve a place over some of her bigger hits. For these reasons this collection earns 4 stars. Maybe someday we'll get to see a COMPLETE Madonna video collection.

Madonna - Queen of Videos
Yes, I miss the sorely deleted videos in this collection: "Erotica" (which I think is one of her best, especially the last few syllables in the song when she exerts "Eroti---CA" while coyly tweetering the whip), "You'll See", "Deeper and Deeper" (that opening with her in the Mercedes is classic and very LA) and even "I'll Remember" (yeah, it was a movie tie-in, but what do you think "Beautiful Stranger" is?). But one needs to remember the likewise forgotten cuts from "Immaculate Collection": "Gambler" "Into the Groove" "Justify My Love" Oh well. Regardless, this collection is a testament to Madonna's prowess and uncanny aptitude in making some of our generation's most unforgettable music videos. Her best video here are (in order): Rain, Bad Girl, Frozen, and Drowned World/Substitute for Love. Forget what Warner blasphemed here but celebrate the artist behind these videos!

A quick question and I'll be happy if anyone can answer this
What song/video is it where Madonna is dressed like a Geisha?

Good DVD
Just bought the video recently and this collection is pretty much OK. My favorite video is "Bedtime Story" because of the fact that it is loaded with awesome special effects. Bedtime story is no doubt one of her best videos. The graphics of "Ray of Light" can use a little enhancing. It's a shame that "Deeper and Deeper", and "I'll remember".

The Immaculate Video Collection Continued!
This is a wonderful DVD! I am so glad my favorite Madonna video of all-time, "Bad Girl", was on the DVD! But there were some videos missing on here, like "Deeper And Deeper", "I'll Remember", "You'll See", and "This Used To Be My Playground". But this is still a wonderful collection!

Bad Girl- I love this video! It is so beautiful! 5/5
Fever- Nice video, but not one of her best 2/5
Rain- Another beautiful video! 5/5
Secret- It's okay. 4/5
Take A Bow- My 2nd favorite video of all-time! 5/5
Bedtime Story- Yuck. 1/5
Human Nature- Cool video! 5/5
Love Don't Live Here Anymore- This is another beautiful video of Madonna's! 5/5
Frozen- I always loved this song/video! 5/5
Ray Of Light- Very cool video... This is some of her best work. 5/5
Drowned World/Substitute For Love- I never really liked the sng at first, but one day I decided to watch the video and it was very good. I also like the song now!
The Power Of Goodbye- Beautiful video! 5/5
Nothing Really Matters- I am not really crazy about this video, but it's okay. 3/5
Beautiful Stranger- Very funny video, especially the beginning! 5/5 ... Read more

Description

A retiring cop and his replacement track a psychotic killer who's using the seven deadly sins as a guide. Starring Brad Pitt, Morgan Freeman and Gwyneth Paltrow. ... Read more

Reviews (2)

Dark and graphic masterpiece
This movie is great but graphic. The whole movie is very dark and has a sinister feel from the very begining. Two cops find themselfs in the middle of a serial killers spree. One cop (Morgan freeman) is just about to retire from the force the other (Brad Pitt) just joined from another dept. They soon find out that the killer is killing as part of a sick and twisted plan and riddle that leaves the cops empty handed. They quickly realize they don't have much time to capture the killer. This movie will keep you guessing to the bitter end. One of the best movies I have seen. So turn the lights out, and some popcorn and enjoy!!

He's just getting started.
Morgan Freeman and Brad Pitt make a dynamic combination, one old and cynical, the other young and idealistic. Both come to grips with personal demons, while hunting a serial killer who is not in a hurry. Kevin Spacey gives one of his most chilling performances. Visually graphic, it keeps you guessing right to the end. Bless me Father for I have sinned. ... Read more

Amazon.com

The word Baraka means "blessing" in several languages; watchingthis film, the viewer is blessed with a dazzling barrage of images thattranscend language. Filmed in 24 countries and set to an ever-changing global soundtrack, the movie draws somesurprising connections between various peoples and the spaces they inhabit,whether that space is a lonely mountaintop or a crowded cigarette factory. Someof these attempts at connection are more successful than others: for instance,an early sequence segues between the daily devotions of Tibetan monks, OrthodoxJews, and whirling dervishes, finding more similarity among these rituals thanone might expect. And there are other amazing moments, as when sped-up footageof a busy Hong Kong intersection reveals a beautiful symmetry to urban life thatcould only be appreciated from the perspective of film. The lack of context isoccasionally frustrating--not knowing where a section was filmed, or the meaningof the ritual taking place--and some of the transitions are puzzling. However,the DVD includes a short behind-the-scenes featurette in which cinematographerRon Fricke (Koyaanisqatsi) explains that the effect was intentional:"It's not where you are that's important, it's what's there." And what's here,in Baraka, is a whole world summed up in 104 minutes. --Larisa LomackyMoore ... Read more

Reviews (209)

Perfection!
What is this a 2 and 3 star review!!! Obviously the world has a lot to learn before they can give this masterpiece the credit it deserves. Ladies and Gentlemen I cannot stress enough the urgency with which you must purchase this dvd if you haven't already done so. This is simply one of the most awe-inspring things I have ever come across in my 19 years on this planet. It is on repeat in my household. In a just world Baraka would be more widely known and praised. But as is it remains a concealed jewel to be uncovered at your leisure.

Flute phobia
Stunning photography, a coherent and beautiful cinemagraphic work. But the "haunting" Asian, East Indian(?) music wore on me after a while, and the time lapse was overused. My wife, however would rate this 5 star.

5 Stars on it's own, but less by Frickes Standards
Being a BIG fan of Ron Fricke, I can't honestly give this 5 stars. Why? Well, 2 reasons. For one, by his own standards, Fricke has done a lot more in nearly every one of his other projects (with the only exception perhaps being the shorts series). What do I mean by more? Experimentation. Stepping a little further into the unknown, doing the undone. The other reason I can't give it 5 stars is because, despite the fact that by other standards it is far from mainstream, by Fricke's own standards it feels like it. Look at it like this: If you want a deep look into original Cinematography, get any of his other projects. However, if you're coming from a normal background, this movie can really move you in that sense. It's more of a "Greatest Hits", really. It shows off a little bit of everything, but at the sacrifice of depth. There ARE a few moments that deserve thier own viewing, and if you have seen ANY of Fricke's other projects then don't miss this one, but otherwise, if you want to see the same thing more or less, but in much greater depth, check out the rest of his work.

Incredible Visuals!
This movie is a breathtaking film that shows many different far off lands which make the viewer desire to know more about the places being shown. There are parts of this film which are extremely thought provoking. "Baraka" captures on film some of the most pristine lands on this planet to the extremely hectic day to day life in Japan. It shows beautiful parts of Humanity like the temples in Tibet, disturbing images of Humanity like the cigarette makers to very mysterious parts of Humanity like the group meditation/hallucination. This film has no dialogue and there is only music and nature sounds which accompany. It is a masterful work of art and is a film I will watch many times in my life.

visually stunning
A beautiful journey though different cultures and locations throughout the world. Captivating and moving, this movie is a must own. Afer seeing it a half dozen times now, it still gives me goosebumps. ... Read more

Amazon.com

The Snapper may be the funniest film ever made about anunexpected pregnancy. In adapting the second novel of his popular Barrytown Trilogy, Irish authorRoddy Doyle brilliantly captures the hilarious dynamics of a working-classfamily, the virulent gossip of their nosy Dublin neighbors, and the mixedemotions of a young woman on the verge of single motherhood. Sharon (TinaKellegher) is the 20-year-old daughter of Dessie (Colm Meaney), and her refusalto name the father of her unborn child turns into an escalating crisis that's astraumatic (especially for Dessie) as it is delightfully amusing. The film wasdirected for British television by Stephen Frears, but its flawless blend ofcomedy and drama made it worthy of a theatrical release, landing it on manycritics' top 10 lists for 1993. Best known as Chief O'Brien on Star Trek:Deep Space Nine, Meaney mines gold from the role of his career, and hisfatherly love turns The Snapper into a heartwarming charmer withuniversal appeal. --Jeff Shannon ... Read more

Reviews (17)

Sequel to "The Commitments", "Snapper" falls short...
"The Snapper" is the second part of the Trilogy of a group of impoverished North Dubliners, the first part being the excellent and almost perfect movie, "The Commitments." "The Snapper" falls short of the quality of the first movie in part because the plot line is muddled. Characters portrayed in "The Commitments" reappear in "The Snapper" but are played weakly by different actors. The dilemma of the sister being pregnant out of wedlock is not really funny, nor is it a large enough crisis on which to build a movie. The single exception to the mediocrity is, as ever, Colm Meaney, once again brilliant, funny and poignant as the father of the family. He paces the film with his performance, laced with perfect comic timing and a delivery as good as any you'll see in any movie anywhere. See "The Snapper" for Meaney's performance--he won't disappoint you.

Wickedly funny
Based on the second book in Roddy Doyle's Dublin trilogy, The Snapper is a wickedly funny glimpse into the lives of a working class Irish family. The eldest daughter of a large family becomes pregnant and refuses to name the father. Not your traditional comic premise, but in this case it works beautifully. The characters are fully developed and presented in such a manner that you care deeply about them, and experience their pain as well as their joy. Veteran actor Colm Meaney (Star Trek DS9), who appears in the other two films that make up the trilogy (The Commitments and The Van), masterfully carries the story as the father of the unruly brood. He comes across as a good man who tries to do the right thing and loves his family, but is painfully human at every turn. The rest of the cast is mostly unknown but very believable and capable. I highly recommend this film (and the books, too). It may be the closest you ever get to Dublin without actually crossing the Atlantic.

A realistic view into an Irish home.
No other film has ever captured the zeitgeist of Irish life as well as the snapper. Roddy Doyle was teaching in a North Dublin working class school when he wrote this book. Much of the dialoge that you hear in the film is directly out of the mouths of his students.

What you see in this film is as close as an outsider is ever likely to come to an understanding of working class Irish life. The unmarried daughter giving birth accounts for 1 in four of all children born today in Ireland. This is as real a situation as you can have. The language, the wit, the sarcasm and the lifestyle are all iminently recognised by Irish people as being true to daily life.

The bonus of the Snapper is that you get a bellyaching laugh at the same time. There are few films as funny as this.

Absolutely brilliant!

A real look at an Irish working class family.
I've seen this video several times and it never fails to entertain me and make me feel good. My maiden name was Curley and my Mother was going to name me Sharon but named me Cheryl instead because all the girls in the ward were being named Sharon. Although my Dad was not born in Ireland, he was very "Irish" and had many of the same mannerisms of the father in this movie. The father reminds me of my Dad (although he would not have been as understanding). Irish Dads typically idolize their daughters and defend their honor at any cost. This Irish dad was no different.
The antics of the family are typical of a large Irish working class family as is the love you see for the girl as she goes through the painful process of growing up and entering motherhood. Having visited Ireland (to scatter my Dad's ashes), I found the dialect true and understandable (even the cuss words). The pub scenes were authentic as well. All in all, a great movie, somewhat dramatic in its content but a very feel good ending. Can't really understand why anyone would compare it to the Committments as it is a totally different type of movie. I enjoyed that as well.

absolutely brilliant!
This is one of the funniest films I've ever seen! Tina Kellegher is brilliant as the knocked up daughter, and Colm Meaney's performance is top notch as always. Anyways this film definitely does justice to Roddy Doyle's wonderful book. ... Read more