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$11.96 $8.12 list($14.95)
101. Ronin
$13.46 $8.13 list($14.95)
102. At Close Range
$9.99 $5.24
103. Kiss The Girls
$11.98 $9.00 list($14.98)
104. Fear
$13.99 list($19.99)
105. Star Trek - First Contact (Special
$15.98 $13.97 list($19.98)
106. Conan - The Complete Quest (Conan
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107. The Outer Limits (The New Series)
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108. Osmosis Jones
$26.96 $21.41 list($29.95)
109. The Celluloid Closet (Special
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110. The Big Clock
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111. Madonna - Video Collection 1993-99
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112. Seven (Single Disc Edition)
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113. Baraka
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114. The Snapper
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115. City Of The Living Dead
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116. Juliet Of The Spirits - Criterion
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117. Man on the Moon
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118. King of New York (Special Edition)
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119. Rules of Engagement
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120. Nights of Cabiria - Criterion

101. Ronin
Director: John Frankenheimer
list price: $14.95
our price: $11.96
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Asin: 6305263248
Catlog: DVD
Sales Rank: 2427
Average Customer Review: 4.13 out of 5 stars
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Amazon.com essential video

Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not thehow-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (LethalWeapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh ... Read more

Reviews (283)

4-0 out of 5 stars Rowan Atkinson
Odd film. Twenty years ago it would have been unremarkable, but nowadays it's almost unique - a straight-faced, serious, 'thick-ear' cold-war thriller, played like a cross between John Le Carre and Alistair McClean, but not quite as good as either. Everything looks grim and gritty, and despite the post-cold war setting there isn't any post-modern irony here, it's square jaws all the way.

A top-notch cast make it what it is, although it's not really a film about people - it's a film about action and intrigue, but mostly action. Despite the odd way in which the main characters can commit mayhem in public without anybody seeming to notice, the gun-fights seem realistic - brutal, confused affairs - and the two car chases (featuring an array of exotic European saloons, even a Citroen XM), and in particular the second, are stunning, draining, and exciting.

(Not many films have Robert DeNiro and Jean Reno pootling about Europe in a stolen Volkswagen Golf, come to think of it.)

Ultimately though, it goes on too long. The film doesn't seem to care much for the plot, and in the end it all seems strangely forgettable - it goes in one ear, and comes out the other easily enough, but you probably won't remember it much in a month or so.

Watch out for some of the ugliest 'heavies' ever committed to film, too.

4-0 out of 5 stars Great action, great dialogue
I'm still not quite sure why David Mamet used a pseudonym in the credits, but the movie absolutely drips with his rhythms of speech. It complements the action well, otherwise the movie would be a bore outside of the car chases. The unique element is the band of mercenaries who cannot trust each other long enough to complete their mission. The cast is great: De Niro and Jonathan Pryce are Mamet veterans. Jean Reno is quite at home playing the Jean Reno character. Natasha McElhone is painfully beautiful, and one of the most capable actresses working today. She more than holds her own with the boys. But the movie's greatest strength isn't the actors or Mamet's hypnotic chit-chat, but Frankenheimer's car chases, which are "au natural". Nobody working with digital effects has generated the same level of excitement and realism, no matter what genre. The European locations are great, the cars are great, and the characters are well-rounded. Oh, and we've got a suitcase filled with who-knows-what, a la "Pulp Fiction."

3-0 out of 5 stars meh
this was kind of dissapointing, but i had pretty high expectations. it didn't really do anything wrong, but dispite a lot of action, it wasn't the most interesting movie.

4-0 out of 5 stars Gorilla of a Thrilla'
Spy flick, GREAT CAR CHASE... I think Car and Driver rated the chase scene as an all time best.

5-0 out of 5 stars On solitude, camaraderie, and good moviemaking.
A mystery man summons a group of mercenaries, mostly has-beens of the grand spy game. What follows? Naturally: lead is flying, the tires are burned by former Formula 1 drivers, and the cast proves to be an ensemble that could light up more than one firmament. A recipe for cashing-in -- one could say -- but rarely a recipe for an instant classic. Ronin, however, just clicks. Clicks as Rubik's cube would and pulls us into a ninety-degree spin and onward to enchantment and an immense adrenaline rush. Why? Because it treads on irresistible subjects of solitude, camaraderie, love and betrayal -- here all served on the palette of the post-cold-war games -- and does so with a seductive flair. From the first group scene in a decrepit Montmartre bar, we are reminded that people often need to be distrustful in order to survive and that the sinister in life might be only an inch away. John Frenkenheimer (The Manchurian Candidate) captures that exceptionally well and leaves little to chance: the careful selection of actors, locations and camera movements solidifies this movie. The story never falters, even though the main price and the stated opposition are both rather enigmatic. The dialogues between Sam (Robert De Niro) and Vincent (Jean Reno) are lean and unforgettable: "whenever there is doubt, there is no doubt...that's the first thing they teach you." A propos teaching, watching the movie with the director's commentary is an eye-opener and it should be a treat for those who make or aspire to make motion pictures. The slick soundtrack, the use of blue lens and the novel fonts used in the credits frame it well. Ronin is a delight. This film will leave begging for more even after several screenings, no doubt. ... Read more


102. At Close Range
Director: James Foley
list price: $14.95
our price: $13.46
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Asin: B00004ZBVF
Catlog: DVD
Sales Rank: 6845
Average Customer Review: 4.69 out of 5 stars
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Reviews (32)

4-0 out of 5 stars Is this the Family Gun, Dad?
One of the best films of the 1980's, At Close Range tells the true story of the Johnston Family gang (changed here to Whitewood) which terrorized Delaware, Maryland and Pennsylvania in the 1970s by stealing tractor parts and generally being hoods. While the story may sound not too compelling, this film gets a huge boost from some great ensemble acting. This is the movie that got me over my aversion to Sean Penn and Christopher Walken delivers one of the most believably evil people in movies. I grew up in the town this all took place in and Bruce Johnston (Christopher Walken=Brad Whitewood) lived next door to my Uncle. And my Uncle said that Walken nailed this guy's persona. Scary Thought. What saves At Close Range from being just another crime movie is the flair that James Foley brings to the direction. It's often gorgeous, thank to Juan Ruiz Anchia's brilliant cinematography and in no small part to Patrick Leonard's haunting score, keyed to the melody of Live to Tell. How come there was never a soundtrack? Do yourself a favor, check it out and be reminded that evil does exist and in forms more insidious and banal than serial killers and possessed little girls.

5-0 out of 5 stars My favorite Sean Penn movie
This shows why Sean Penn is the best actor of his (and of any other) generation. An intense, beautifully acted and photographed film based on a true story (the family also lived near my area of PA). It's sad that the movie, Penn and James Foley got so little recognition. The only flaw I could see was that apparently Keifer Sutherland was edited out of the movie except for an appearance at the end.. I've been trying to find a book on this subject and would appreciate any information. Sean, Christopher Walken, Chris Penn, Eileen Ryan (Mrs. Penn), the underused and under-rated Millie Perkins, and Mary Stuart Masterson were all excellent. The last 20 minutes are incredibly riveting.

2-0 out of 5 stars SUCKED WALKEN COULD HAVE DONE BETTER
At the time Sean Penn was not very known so it didn't surprise me
he would be in this flop of a movie.But Walken was already respected and an oscar winner.What was he thinken.Christopher
Walken is a great actor and he does a good job in this but this
movie is so boring I couldn't wait for it to end.Skip this see
Deer Hunter,Dead Zone for good Walken movies.As for Penn along
with colors thank god for Casualties of war or he would have never gotten were he is today.

5-0 out of 5 stars The Truer Story...
"At Close Range" is a film that, at the gut level, pursues its audience long after viewing. The brilliant manifestation of acting genius by Penn and Walken is only matched by the haunting realization of this "true story." Undoubtedly, that old saying that true-life is more compelling than fiction takes hold in this case. In all, "At Close Range" digs at the heart of its audience and, with as much attention to sincerity as Hollywood allows, surpasses the disconnect of reality and nightmare. (Something as equally interesting; Mary Stuart Masterson's character in the film was included on behalf of her real-life model Robin Miller--my aunt. The company producing the film was denied permission by my grandmother to use Robin's name, so Hollywood did what it does best--they changed names, capitalized on someone else's tragedy, and denied royalties to the victim's family. I would say, too, that there are only a handful of us who actually know the truer story behind this film, and it is viciously haunting.)

5-0 out of 5 stars One of my favorite films
Juvenile deliquent Brad Whitewood Jr ( Sean Penn), spends his time in a small town with his friends pulling off petty thefts for small time cash. However, Brad is getting sick of his boring life, and longs to make some serious money. Brad's father (Christopher Walken) is the leader of a serious gang of thieves. Brad has heard the rumors about his father, but never got a chance to know him. So he decides to leave his boring life behind, and sets out to find his father so that he can learn the tricks of the trade and become just like him. At first, Brad's father appears to be a good guy filled with plenty of wisdom and helpful hints on how to make it big. But when Brad witnesses his father intentionally kill someone, he realizes that he may be in over his head.

"At Close Range" is a great film. The story is based on the real life story of killer Bruce Johnson. With the acception of the character's names being chaged, the film features an accurate interpretation of events. It is truly a shame that no one really knows about this film. It features a powerful and emotional tale of an American criminal family. The film is very captivating and draws you in from the beginning. The story is great because it combines a somewhat touching look at a son getting to know his father, with an extremely well thought out crime story. This film emphasizes the term "appearances can be deceiving" because as the story goes on, Brad begins to learn what type of man his father really is. There is also a nice romance aspect to the story because Sean Penn's character meets and falls for a woman played by Mary Stuart Masterson.

Sean Penn and Christopher Walken offer two of their finest performances in this film, which is another reason why it is a shame that no one knows about this movie. "At Close Range" shows that Sean Penn was a great actor before "Mystic River". He nails the role with his perfect portrayal of being rebellious and naive at the same time. Christopher Walken is great because he plays both the loving father and the hardened criminal so well. Walken's performance in this film will give you the creeps. It really was the perfect role for him. Overall, I would place "At Close Range" at the top of the "unknown gem" category. This film is probably one of the best crime films I have ever seen. The story is absolutely fantastic and the actors involved could not have given better peformances.

A solid 5 stars... ... Read more


103. Kiss The Girls
Director: Gary Fleder
list price: $9.99
our price: $9.99
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Asin: 6305127565
Catlog: DVD
Sales Rank: 3175
Average Customer Review: 3.72 out of 5 stars
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Amazon.com

Coming after The Silence of the Lambs and Seven, this thriller about a collaboration between two serial killers feels like a pale attempt to cash in on the success of those earlier, better films. That's a pity, because this film certainly has its strengths--particularly in the central performances of Morgan Freeman as a forensic detective and Ashley Judd as a would-be victim who escaped from one of the killers. Director Gary Fleder demonstrates visual flair and maintains an involving undercurrent of tension, but as this adaptation of James Patterson's novel approaches its climax, familiar elements combine to form a chronic case of thriller déjà vu. It's altogether competent filmmaking in the service of a moribund story of competing psychopaths, and by the time the serial killers reach the home stretch of their twisted contest, the movie's dangerously close to Freddy Kruger territory, with a finale that could've been borrowed from any dozen similar thrillers. --Jeff Shannon ... Read more

Reviews (54)

4-0 out of 5 stars A Taut Thriller with Great Characters, Thrills and Twists.
What "Kiss the Girls" Lacks in Originality, It makes up for in Action, Thrills, Pacing, Performances; it makes up for it in Every way Possible. Morgan Freeman takes his performance in "Seven" and makes it Younger, Tougher and Less Cynical.

Morgan plays Alex Cross, a Forensic Psychiatrist who's Niece has been Abducted. Alex joins the Investigation into the Serial Killer believed responsible, He is known as "Casanova". He Abducts Strong Willed Women and keeps them in an Underground Cave. Ashley Judd co-stars as Kate Mctiernan, the next girl to be Abducted. This time, Casanova has Bitten off more than he can Chew, as Kate is a little Too strong willed. She escapes and teams up with Alex to catch Casanova.

Cary Elwes, Jeremy Piven and Brian Cox give Great Performances in Underwritten, Underused supporting roles. Freeman and Judd are the only Actors in the film who are given the Screen time to Shine, and Shine they do.

The Camerawork in the film is a real Standout..., Director Gary Fleder knows where the camera should be at all times, when to cut away, when to stay with the shot. He is the perfect mix between a Seasoned, Patient director and a Fast-Paced Music Video Director.

"Kiss the Girls" is a More than worthy entry into the Serial Killer Genre. Alex Cross is a Character that I hope to see more and more of, and I hope to see how "Along Came a Spider" turns out. (in which Morgan again plays Alex Cross)

5-0 out of 5 stars I would give this a 12 on a scale of 1-10
Morgan Freeman plays a Crime Scene Physcologist who leaves his jurisdiction to head to the college town in North Carolina, where his neice has been abducted by a serial killer/abductor. The intense criminal mind of the abductor feels he must capture smart, beautiful women and hold them captive until they fall inlove with him. If they disobey he ties them to trees for the wild animals. Ashley Judd plays an extremely smart doctor who gets abducted and then ultimately escapes. She then helps Morgan Freeman head up the investigation into the world of one sick mind. It's a very intensive thriller that will have you hanging on the edge of your seat and you won't know the true identity of the killer until the end. Ashely Judd gives her usual outstanding performance, as does Morgan Freeman. I'm not usually a thriller movie buff, but this one might just make me change my mind.

4-0 out of 5 stars Isn't Gonna Win A OSCAR, but It's Quality Entertainment!
Washington, DC police detective Alex Cross (Freeman) receives a call that his niece Naomi has been abducted from the Durham area, and he decides that he needs to go there to help find her. Once he gets there, he is informed that one of the women abducted has been found dead tied to a tree. He, along with Nick Ruskin (Elwes) and Davey Skes (McArthur), the two Durham detectives heading up the task force, head out to the location. Alex is fearful that it's his niece, but is relieved that it's not her.

Meanwhile, we meet Kate McTiernan (Judd), a doctor at the local hospital. Not only is she a doctor, but she's also a kick-boxer. But that does her little good when she discovers a stranger in her house, who knocks her unconscious. When she comes to, she finds herself in a small room. And shortly after regaining conscious, the person who has abducted her appears at her bedside. She manages to get out of the room and escapes by jumping into a river. After she recovers, she decides to help Alex out with his investigation, against his protests. But he realizes that she's his best opportunity to find his niece, so reluctantly agrees.

The abducter starts taunting the police, sending them notes about the women. He signs his notes as Cassanova. Cassanova was a great lover, and Alex deduces that he isn't a killer, he's a collector. He only kills when the women disappoint or cross him. After some more investigating, he finds a connection between Cassanova and a plastic surgeon on the West Coast. It seems that there are also a string of abductions there, but these women all turn up dead, with one of their feet missing.

I can't say any more without giving away too much of the plot. KISS THE GIRLS has a good story, with very good acting by all involved. When Judd's character of McTiernan is in her cell communicating with the other girls, she's so convincing that it's like she was actually there. Morgan Freeman is very good in the role of Alex Cross. The supporting cast is pretty good, as well.

**SPOILER** The only real problem I have with KISS THE GIRLS is that the story, which is good as I said above, is just too similar to a lot of other movies in the thriller genre. It's really frustating to see movie after movie with the "killer is someone we met earlier" plot-line. It might have been clever at one time, but now it is just so common-place, that the viewer almost automatically look for clues as to who the killer is. I had this one pegged not too long after we first meet him.

Based solely on the story of this movie, I would give it a three. It's basically the same movie the viewer has seen before, but with a different twist on the plot. But I have to give it a four because of the acting, especially Freeman and Judd. If Freeman has made a bad movie, I haven't seen it yet. I recommend this movie, but if you pay attention, you can figure out who Cassanova is without too much difficulty. Story rates a three, but the acting pulls it up to a four. Go check it out.

4-0 out of 5 stars a smart thriller
I liked "Kiss the Girls" quiet a bit. Brilliant psycologist and homicide detective Alex Cross (Morgan Freeman) goes to North Carolina to help search for his missing niece. It turns out that she is actually one of many missing girls, the killer is a collector. As it seems the police have exhausted all leads, one of the killer's victoms (Ashley Judd) escapes. She helps Cross with a lot of information that leads him to realize there is a copy cat killer in L.A. Eventually they figure out it isn't copy cat, but the two know each other, andf they are competing with each other. "Kiss the Girls" was unfairly compared with "Silence of the Lambs" and "Se7en", itr shouldn't have been; it firmly stands on it's own. What would have been nice, however, would have been a little more motive from the killers, other than them being drivin by ego. Morgan Freeman as always dose a brilliant job in what could have been a traditonally 'Dirty Harry' cop and made him more human and caring. Ashley Judd dose pretty good too. She is far from helpless. She is strong, resourceful, and smart. She isn't all that just because she has to be, she really feels tough. Brian Cox as the lead police man is appropriotly authoritive and wise (sometimes). Tony Goldwyn is ok as smug plastic surgen and serial killer. All in all, it's an excellent way to kill a few hours.

4-0 out of 5 stars Really good
I really liked this movie I read the book and then I saw the movie and I was amazed at how closely it followed the plot of the book it wasn't exactly on since the books goes into more detail and keeps you more in suspense but all in all it was really good especially with Ashley Judd and morgan freeman involved in the movie. I would recommend buying this movie ... Read more


104. Fear
Director: James Foley
list price: $14.98
our price: $11.98
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Asin: 078322933X
Catlog: DVD
Sales Rank: 5077
Average Customer Review: 4.43 out of 5 stars
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Amazon.com

Two years before he let it all hang out in Boogie Nights, former rapper and Calvin Klein underwear model Mark Wahlberg played the psychotic boyfriend in this derivative but surprisingly effective thriller, aptly described by producer Brian Grazer as "Fatal Attraction for teens." Reese Witherspoon plays Nicole Walker, the unwitting teenager who gets the hots for David McCall (Wahlberg). David only seems like a nice guy until he gets upset by the girl's overly protective father. That's when hell breaks loose and the love-struck Romeo turns into a deadly threat who just won't go away. You'd think this kind of material would be beneath the talents of a fine director like James Foley (whose credits include At Close Range and Glengarry Glen Ross), but Foley gives the film just the right blend of style and tension to match Wahlberg's breakthrough role as an all-too-believable teenage maniac. You might feel silly afterwards, but don't be surprised if you find yourself getting caught up in the expertly manipulative suspense. --Jeff Shannon ... Read more

Reviews (90)

5-0 out of 5 stars Fear Rocks!!
This movie is the most terrifying movie that I have ever seen.(And I am a horror-movie buff) This movie is so creepy, so electrifying that it is scary(please excuse that punn) This movie has a hot young cast of some extremely talented actors, including the beautiful Alyssa Milano and Reese Witherspoon, and a young fellow of the name Mark Wahlberg. I can pretty much tell what is going to happen with movies. I couldn't tell a thing in this movie. This is not just your run of the mill teen hororr/suspence/thiller/Mystery type of movie. This movie is a great movie to enjoy and a great life-lesson (or moral, if you will) wihout actually living it. I won't tell what the lesson is, but Reese Witherspoon is generally in movies that teach something at the end, so be sure to look for it at the end and during this film. This movie is so great in every way possible. By far the best[for me] hororr film of them all! Great movie!!! Very similar to "Fatal Attraction" But, geared towards a teen auidence. Both films are great, but also both have cerin material that DIDN'T have to be in there. VERY realsitic, in the sense that there are teens who choose to...ummm...well spend "quality" time with each other, and do live to regret that "quality" time spent. Alot of the time, that person that you spent the time with, ISN'T the person you thought they were. Very creepy. "Fatal Attraction" and "Fear" are similar, and different at the same time. "Fear" is pratically a re-make of "Fatal Attraction" which it sortta is...

5-0 out of 5 stars FEAR ITSELF
Maybe it's derivative, but FEAR packs a punch due to the expert direction of James Foley and the dead-on performances of Mark Wahlberg, Reese Witherspoon and William Petersen. Nice girl Reese (beautiful and a marvelously talented actress) goes along with pal Alyssa Milano to a club where she catches the eye of hunky David McCall (Wahlberg, in a chilling and good performance). Of course, once she finds herself falling for him, she sees a violent and darker side as he attacks her best friend and pushes her in the face. David, being the charming psychopath he is, manages to patch things up, and then things really start firing up. Petersen's father is a devoted, family man, who truly loves his daughter. When he realizes Wahlberg is not the Prince Charming he appears to be, he warns him to stay away from his daughter. But Wahlberg won't take no for an answer, so he rallies up his drug-dealing friends and attacks the home of Reese and her family. A tense, nerve wracking ending with powerful performances.
A guilty, but enjoyable, pleasure, showing that Wahlberg has more than a buff body to credit his success.

5-0 out of 5 stars Amazing
This is a classic. Reese Witherspoon is so cute, and as if we didn't all know so is Mark Walberg. Put them together and you've got a hit. This is my favorite movie ever and I am a video freak. I couldn't even imagine what was going to happen next. It was scary yet romantic. I love it, however I wouldn't recommened this movie for anyone under the age of 16

5-0 out of 5 stars Does anyone knows????
Hi there! I loved the movie, it's really great. Now I'm looking for the soundtrack... does anyone knows where can I get it???? PLEASE!!! if you can tell me I'll be so grateful!!! My email is: gpalomo@telecontacto.com.mx
THX
G.

5-0 out of 5 stars It could really happen
When 16 year old Nicole meets David McCall for the first time, he is a sensitive and caring man. Over time they build a deep relationship. All the problems start after their first intimate encounter. David goes wacko with jealousy, beating up one of Nicole's best friends, who happens to be a guy. Nicole is torn between wanting to stay with him and never wanting to see him again. After a riff with her father, Nicole runs off temporarily with David. Later that night she catches him with her best friend. She dumps David and turns her back on her best friend Margo (Alyssa Milano), not letting her explain what really happened. David ends up stalking Nicole and essentially holding her family hostage.

Creepy in a way because it's a situation that can, and I'm sure has, happened. ... Read more


105. Star Trek - First Contact (Special Collector's Edition)
Director: Jonathan Frakes
list price: $19.99
our price: $13.99
(price subject to change: see help)
Asin: B00078XGRO
Catlog: DVD
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106. Conan - The Complete Quest (Conan The Barbarian/The Destroyer)
Director: Richard Fleischer
list price: $19.98
our price: $15.98
(price subject to change: see help)
Asin: B0000VD12I
Catlog: DVD
Sales Rank: 2645
Average Customer Review: 3.33 out of 5 stars
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Reviews (9)

1-0 out of 5 stars Booklet Missing
In response to the last reviewer, I did not get anything in the lefthand sleeve either. I bought this set and there was no booklet in the lefthand side, though there was a sleeve for it. I brought it back for another one, and the replacement had no booklet either. Did the company producing this DVD change their minds about putting something in the sleeve, or did I get two bum copies in a row? The one star rating is because of the negligent packaging...the movies were fine.

3-0 out of 5 stars Does it come with a booklet?
I have liked the movies since they came out, but I agree that the dvds could have been remastered with better sound and widescreening. I guess these will do for now given the decent bundled pricing. One quick question. Did anyone receive a booklet in the left sleeve of this set? There's an empty pocket in mine and it seemed weird. Is it just packaging or should I bother to return for a replacement? Thanks for any help from the Conan experts!

5-0 out of 5 stars Classic Fantasy
Conan: The Barbarian is a classic fantasy film and probably the best fantasy film besides the LOTR series of movies. Sure the second Conan movie, Conan: The Destroyer, isn't as good as the first but who cares when you are getting both for only $15. Pick this DVD up just for the first one and you may be pleasantly surprised to find that you enjoy the second one too, after all it's not as bad as people make it out to be.

3-0 out of 5 stars I can't wait for the new movie, Conan goes to Nease
This is an excellent example of American movie making and the general intellect of the country. We should be proud! Of course, with Arnold busy these days, the new movie, Conan Goes To Nease, will star Buff Biondom who really gives Arnold a run for his money... especially when he lifts an entire portable building (complete with a ramp for the disabled) and crushes a statue of Ponce DeLeon, four and a half miles away. Co starring Scott Bebe, as the dreaded nemesis, the Borester, whose very voice puts people into a coma. Sadly (or gladly), in the final scene, Conan 's daughter wipes out an entire herd of deer and KNF dies - pass the corn.

4-0 out of 5 stars Mono sound?
Upon receipt and inspection of the package, it appears both of these movies are presented in 2.0 mono sound. WTF?

After researching (just now, between these two sentences) it would appear the new special edition of Barbarian is also in mono (someone said it was 1.0 mono)... hrm. That is too bad. You would think they would be able to make a decent sound package for this since they went through the trouble to fix up the visual clarity.

Anyway, I'm giving this 4 stars just because it is frickin Conan and Conan ROCKS! All it needs is an improved sound suite and it would be at 5 stars. ... Read more


107. The Outer Limits (The New Series) - Time Travel & Infinity
Director: Catherine O'Hara, Mario Azzopardi, Melvin Van Peebles, Robert Habros, William Fruet, Jim Kaufman, Dan Ireland, Martin Cummins, Timothy Bond, Ken Girotti, James Head, George Bloomfield, Rebecca De Mornay, Mike Rohl, Matthew Hastings, René Bonnière, Brent-Karl Clackson, Stuart Gillard, Lou Diamond Phillips, Jason Priestley
list price: $14.95
our price: $11.96
(price subject to change: see help)
Asin: B000068V9T
Catlog: DVD
Sales Rank: 5449
Average Customer Review: 4.07 out of 5 stars
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The consequences of time travel are the thematic framework for thiscompilation of episodes from the revamped Outer Limits anthology series,produced for the Showtime network. The six stories compiled here are indicativeof the new version's competent but uneventful nature; scripting, performances,and direction (all hampered by the program's low budget) rarely live up to theplots' potential or the drama and suspense of the original series. AmandaPlummer's Emmy-winning turn as a scientist who travels 50 years into the past tocommit a murder in the Season Two episode "A Stitch in Time" is the highlight ofthe disc; the rest (culled from the series' seven-season run) offer well-wornvariations on time travel themes. The full-frame disc includes "The Outer LimitsStory," which offers talking-head interviews with executive producers PenDensham and Mark Stern, as well as featurettes on each episode. --PaulGaita ... Read more

Reviews (15)

3-0 out of 5 stars Some good, some bad
Time travel is a very difficult topic to have a story about, mostly because of the holes one can place in time and space. However, these in general were very good stories.

Easily, A Stitch in Time is the best episode.... and one of the best time travel stories I have experienced in a long time. They do a very good job of exploring these holes that are created. This is also the best Outer Limits episodes that I have seen so far.

Okay, I've got a soft spot when it comes to storied dealing with families. I really enjoyed Tribunal. Other than the fact that the main character would need to speak Yidish, English, and German fluently for this story to make sense... it really pulled at the ol' heart strings.

Gettysburg really turned me off. Maybe I was surprised to see Prentice again. Maybe it was because of what Prentice was trying to accomplish. It seemed like there were a million different ways to change what he was trying to prevent from happening, and he chose the most complicated way to do it.

I said, "What, Prentice again!!!" when Time to Time came on. The statement by Prenice's co-worker on what it takes to time travel would have been cute and funny if it didn't completely put a huge hole in the former two stories. It reminded me a bit of the movie, "Millennium."

Deja Vu reminded me of a Star Trek episode where Data went through the same thing that Kevin Nealon did and also Groundhog Day (one of the best movies EVER!!!). It was entertaining once, but I think it lacked the shock and awe that the writers were going for (none of their big surprises were big surprises).

And Patient Zero. Okay, a big hole is building a time machine to go into the past and stop something from happening because at this time you lose the incentive to build the time machine in the first place and sending that person back. So, the person shouldn't exist in the first place and the universe shoud blow up. This episode was predictable all the way and left me very disappointed.

Overall, I really liked the first two episodes and Deja Vu. The others I never really got in to. I know that time travel is a difficult subject (I still haven't found the perfect one yet, but A Stitch in Time came VERY close), but the three episodes I didn't like forced me to dock the movie two stars. Also, I would love it if the Outer Limits didn't do themes, but released it season by season. I might have liked these all more if I hadn't watched one story after another. I also have a feeling that they WILL release them season by season in the future and I'll regret these purchases. Of course, I'll need a time machine or just have to wait to find out if I'm correct.

5-0 out of 5 stars Outer Limits Time Travel Stories
This DVD has 6 "Outer Limits time travel stories" of the series. Maybe with a little luck, we will see the series put out on DVD by season.

1) A Stitch in Time - season 2 - Jamie Perrin of the FBI investigates the murder of 17 men that have been killed with the same gun over the last 50 years. The gun is traced to Dr. Theresa Givens who was 5 years old at the time of the 1st murder and to add to the mystery the gun had not yet been invented.

2) Tribunal - season 5 - At the Birkenau concentration camp Leon Zgierski watches Karl Rademacher shoot his wife and send his daughter to the gas chamber. A time traveler who grabs Radermacher's jacket sees the event.

3) Gettysburg - season 6 - Andy and Vince spend their weekends reacting battles from the Civil War. When their picture is taken with an old camera they find themselves on the eve of an 1863 battle.

4) Time to Time - season 7 - A daughter travels back in time to change her father's destiny.

5) Déjà vu - season 5 - Mark Crest builds a teleportation machine to transport some animals across the desert.

6) Patient Zero - season 7 - A man from the future arrives in the present to kill the carrier of a plague that could destroy humanity.

4-0 out of 5 stars For all time
The SHOWTIMES cable channel has brought back the 1950s science fiction series THE OUTER LIMITS. In it the series has updated technology & special effects as well as theme-lines to match the late 20th century.

SHOWTIME has begun to release some of the "best-of" on DVD via general motif. Each DVD has 4 episodes. The previous installment was called SEX AND SCIENCE fiction & the stories were a nice blend of eroticism & Sci-fi.

The current DVD contains 4 episodes centered around the concept of time travel. Of the 4, the 2nd story [THE TRIAL] is by far & away the most poignant. It details a story about a Jewish concentration camp and is vividly moving. The 2nd story alone is worth the price of the DVD.

3 of the 4 stories are about a time-traveller from the future (including THE TRIAL). Of all 4 episodes, the fourth is the weakest. They layer on some elements from the 2nd and 3rd stories and it all comes across as being very ad-hoc.

If time travel is an interest of yours, here is a DVD with some fresh approaches to the topic. If you prefer erotic science fiction, I would recommend the 1st OUTER LIMITS compilation of stories. If (like me!) you are an avid sci-fi fan across-the-board, I would think both DVDs should be in your collection.

4-0 out of 5 stars Top of the Crop to Bottom of the Barrel
These episodes range from some of the very best of the Outer Limits (Stitch in Time, Tribunal, Deja Vu) to the mediocre (Gettysburg, Time to Time) and the out-and-out bad (Patient Zero). Still, based on the superb quality of the three good ones (Tribunal in particular is a very intelligent treatment of time travel -- look carefully at the Nazis that take the old man's daughter away from him in the flashback sequence, for example)this is worth the money.

4-0 out of 5 stars A must have.
Did you like the New Outer Limits? If so, this is an excellent DVD for you to own. I really wish they would come out with the seasons in box form, but this will keep me happy until that day arrives. A very well done edition. In every way. ... Read more


108. Osmosis Jones
Director: Peter Farrelly, Bobby Farrelly
list price: $19.98
our price: $7.99
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Asin: B00005QAQH
Catlog: DVD
Sales Rank: 6107
Average Customer Review: 3.3 out of 5 stars
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Reviews (60)

3-0 out of 5 stars Clever idea features every bodily function gag imaginable
A reasonably entertaining blend of live action and animation with the live action scenes directed by the Farrelly brothers.
Bill Murray is a lazy zookeeper who is unable to take proper care of himself. Inside his body live animated blood cells. One, a cop named Osmosis Jones (voiced by Chris Rock) decides to try and save Murray by challenging the orders of his superior (voiced by William Shatner) and give Murray the chance to turn his life around. The movie also features the voice talents of Brandy, Larry Fishburne, Ron Howard and David Hyde-Pierce. Kid Rock also makes an appearance in animated form as Kidney Rock.
OSMOSIS JONES is a movie all ages ought to enjoy, even if the animation is a bit iffy at times, but in general it's a clever, humorous piece of entertainment with Rock and Hyde-Pierce (as Jones's partner) providing excellent voice performances. As with SHREK, the character animation vaguely resembles the actors. Larry Fishburne is especially effective and menacing as the bad guy. I would also advise viewers not to eat during the movie as there is a rather low rent mucus gag and an amusing zit gag. Basically every bodily function joke you can think of is present in OSMOSIS JONES.

5-0 out of 5 stars Ridiculous entertainment does not equal great cinema
Osmosis Jones is one of those movies you almost feel like you have to apologize for liking. Well, forget about it, because this is a very funny and downright entertaining movie with no class whatsoever!

The scenes bounce between live acting and full animation, determined by whether we are outside or inside the body of Frank. The casting for this silly and peculiar movie was expertly chosen for both live and voice roles.

Live, we have Bill Murray as Frank, in his most disgusting character since Caddyshack. Chris Elliot plays his brother Bob, and manages to challenge Murray in the "disgusting slob" category. Murray eats a hard boiled egg that landed in monkey doodoo, and thus introduces Thrax into his body, a red-death virus determined to take over Frank and kill him. (voiced by Laurence Fishburne)

Inside of Frank, we go to the animation where Chris Rock is the voice of our hero, a white blood cell named Osmosis Jones. Jones is a detective for the City Of Frank, where William Shatner does the voice for Mayor Phlemming. Jones knows something is wrong, but the Mayor denies any illness could occur in Frank. But just to be safe, he "manually overrides" Frank and has him take a cold pill.

Meet Drix, the huge and snotty cold pill, whose voice is played by David Hyde Pierce (Frazier's brother Niles). Jones and Drix make an unlikely team as they hunt down Thrax and try to stop him from killing Frank.

Nothing is taboo here; they go to the nose and get caught up in the wave of snot when Frank's allergies act up, they travel to The Zit, Frank's hottest new club where Kidney Rock is playing (Kidd Rock), and Jones reminisces about the time he hit the "Panic Button" in Frank's stomach, causing him to vomit all over his daughter Shane's teacher. (played live action by Molly Shannon)

Boogers, snot, vomit, farts, and zits; its all here. Ron Howard even does a guest voice as Tom Colonic, running for Mayor against Phlemming, who broadcasts his campaign commercial from The Bowels.

This is visceral entertainment with a squishy feel to it, riotously funny and well endowed with toilet humor; silly campy comedy at its very best. In David Litton's excellent review below, he mentioned that this was a "Fun Time-waster". Indeed it is, David. Enjoy!

2-0 out of 5 stars Boring Not Enough Action Gross Stupid.
Osmosis Jones Stinks!!! I t was on Cartoon Network on Direct TV and worst it was at my school!!! I watch this stupid Movie Everywhere!!! Not Even Funny Its gross The story is dirty sick father ate an egg that was spit on by a monkey and the egg was pooped on and he ATE IT!!! Osmosis Jones a Terrible character This movie is short thankfully The reason i gave this movie 2 stars is because I loved the character RED DEATH He is cool!!! Red Cool Talker and He has a long claw that burns stuff. Anyway dont watch this movie. OVERATED

3-0 out of 5 stars If you're not a cartoon character, please leave the building
When I first heard of this movie, I thought: how neat, a fun and educational way for kids to learn about how the human body works. I'm glad I watched it first on my own, though, because I'm not sure I'd let any children of my acquaintance watch this. At least not the young ones.

I think the movie would have been better without any of the live action characters (Bill Murray, Chris Elliott, etc.) for two reasons. First of all, they're just disgusting. Too disgusting. It got to the point where I'd watch all of Bill Murray's scenes with my hands over my face, peeking between my fingers. Between the running snot, exploding pimples, and ingrown toenails, the "gross-out factor" just goes way, way over the top. To me, it stopped being amusing and became just repugnant early on. Like, his first scene.

Second, I think the final scenes, when Bill Murray ends up in the emergency room, are far too intense for younger viewers. He basically dies on the table in front of his young daughter (Elena Franklin), who's led away sobbing by nurses. He comes back from the brink of death, of course, and all ends well, but it's still pretty traumatic and graphic.

The animation sequences, however, are just wonderful. Bill Murray's character is the "City of Frank," complete with a police force (the white blood cells, featuring Chris Rock), a highway system, airport (Frank's stomach), and even a political campaign (with William Shatner as the incumbent mayor in "Cerebellum Hall" and Ron Howard as his challenger). The whole city system inside Frank was a really clever idea and very well executed. David Hyde Pierce is also wonderfully "uncool" and fussy as over-the-counter cold pill, Drix ("I was developed at the University of Chicago, where I graduated Phi Beta Capsule"). It's a whole new take on the "good cop, bad cop" movies.

All this having been said, I'm pretty sure I would watch thie movie again, but I'll be fast forwarding through the live action sequences. Just cartoon germs for me, thank you.

1-0 out of 5 stars pure stupid
this is stupid and gross and nothing works in this movie. horrible I will say and BIl Murray is wasted as the man who Osmosis Jones and Drexel are in. maybe a little bit for kids but this one is so bad I had to keep my head from stop spinning it was so dumb and so is the end. from the Farrelly brothers and the guys from Space Jam. they couldve done a much better job. Chris Rock, Laurence Fishburne, David Hyde Pierce, Kid Rock, Brandy and William Shatner do voices. Molly Shannon and Chris Elliott also star as well. ... Read more


109. The Celluloid Closet (Special Edition)
Director: Rob Epstein, Jeffrey Friedman
list price: $29.95
our price: $26.96
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Asin: B00005AWR9
Catlog: DVD
Sales Rank: 7470
Average Customer Review: 4.59 out of 5 stars
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Reviews (22)

4-0 out of 5 stars The Power of Cinematic Image
Based on the book by Vito Russo, written by Armistead Maupin, and narrated by Lily Tomlin, THE CELLULOID CLOSET uses interviews and hundreds of film clips to examine the way in which Hollywood has presented gay and lesbian characters on film from the age of silent cinema to such recent films as PHILADELPHIA and DESERT HEARTS. Throughout the documentary, the focus is on both stereotypes and the various ways that more creative directors and writers worked around the censorship of various decades to create implicitly homosexual characters, with considerable attention given to the way in which stereotypes shaped public concepts of the gay community in general.

Overtly homosexual characters were not particularly unusual in silent and pre-code Hollywood films, and CLOSET offers an interesting sampling of both swishy stereotypes and unexpectedly sophistocated characters--both of which were doomed by the Hayes Code, a series of censorship rules adopted by Hollywood in the early 1930s. The effect of the Code was to soften some of the more grotesque stereotypes--but more interesting was the impetus the Code gave to film makers to create homosexual characters and plot lines that would go over the heads of industry censors but which could still be interpreted by astute audiences, with films such as THE MALTESE FALCON, REBECCA, BEN-HUR, and REBEL WITHOUT A CAUSE cases in point. Once the Code collapsed, however, Hollywood again returned to stereotypes in an effort to cash in on controversy--with the result that throughout most of the sixties and seventies homosexual characters were usually presented as unhappy, maladjusted creatures at best, suicidal and psychopatic entities at worst.

The film clips are fascinating stuff and are often highlighted by interviews of individuals who made the films: Tony Curtis re SOME LIKE IT HOT and SPARTACUS, Shirley MacLaine re THE CHILDREN'S HOUR, Stephen Boyd re BEN-HUR, Farley Granger re ROPE, and Whoopie Goldberg re THE COLOR PURPLE, to name but a few. All are interesting and intriguing, but two deserve special mention: Harvey Fierstein, who talks about the hunger he had as a youth to see accurate reflections of himself on the screen, and Susan Sarandon, who makes an eloquent statement on the power of film as "the keeper of the dreams."

Although the material will have special appeal to gays and lesbians, it should be of interest to any serious film buff with its mix of trivia and significant fact. The DVD also includes notable packages of out-takes from interviews that are often as interesting as the material that made the final cut. If the documentary has a fault, however, it is that it offers no "summing up," preferring instead to show only how far the portrayal of homosexuals has come and indicating how far it has yet to go. Recommended to any one interested in film history and interpretation.

5-0 out of 5 stars Excellent film on so Many Different Levels
Looking at the roles given to gay and lesbian characters in American cinema over the past several decades, "The Celluloid Closet" manages to simultaneously be hilariously funny, educational, and occasionally quite thought-provoking and even tragic. We see gay and lesbian stereotypes being reinforced over and over again, scenes cut from famous films because they hinted at homosexuality, etc.

Although the initial reaction is to sort of laugh at how backwards and ludicrous the intense homophobia of Hollywood once was, there are also reactions from people growing up during those years who talk about the effect of seeing gays and lesbians in films, or the impact of NEVER seeing gays and lesbians in films. Also, as the film progresses, it helps one to see that, although things have gotten SO MUCH BETTER in many ways, they're still so far from being where they ought to be.

This is a great documentary to watch with friends who might question what the big deal is with GLBT issues... why it's even an issue at all. It really helps one to see the importance of how popular media deals with (or chooses to ignore) minority groups and the very real impact of those decisions on people belonging to that minority group. And the fact that it's so darn entertaining makes it a fun, light movie to watch - a real pleasure!

4-0 out of 5 stars A MUST SEE
The Dvd extras alone are worth the $25.00 Made in 1995 just shortly after Tom Hanks won an Academy Award for Philadelphia (playing a gay man ). The hero of this production however is Lily Tomlin! This movie documentary was finaly made after the wirters & producers got in touch with her. Lily loved this project and got HBO to fund this movie! The basic theme in this movie is to show us how gay people have been portrade in the movies! Gay themes were Taboo! They were always taboo until the late 1960's. (However All movies were made to a strict code up to that point). So all gay themes (during the era of the Code) were between the lines! (This is the humor) After the code was lifted gays were shown mostly as the villians! ( This is the drama) This documentary was one of the best movies of that year!
Is it dated? Not by much! It has been ALMOST 10 years since this was first released! Now we now have on TV "Will and Grace" (but after 7 years and no boyfriend give me a break). The big break in Hollywood was "The Birdcage". The next year was "My Best Friends Wedding" and "In and Out". (all money makers) Earlier that year "ellen" came out on TV but her show was cancelled a year later. In 2004 "The Stepford Wives" remake hade a gay couple. Although gays are more visable now than ever in the movies most of the time they are regulated to the "best friend" for comic relief! Not much of a change! Would I like a gay movie hero? Of course! I would also like to see hollywood remake movies that had they had gay stories to begin with! "The Lost Weekend" "Gentelman's Agreement" "The Childrens Hour" all had gay themes but were rewriiten for straight story lines or toned down! Yes "Fried Green Tomatoe's" is another but there was a kiss!

After YOU VIEW "The Celluloid Closet" watch "Rebecca" "Rebel Without a Cause" and "Some Like it Hot"! You will be laughing!

4-0 out of 5 stars A 1995 Documentary That is Still Relevant
The Celluloid Closet has been out for nine years and I have only now seen it for the first time. You would think that gay themes and the presence of gay characters would be even greater now, in 2004, than when the documentary was made in 1995, and that it would seem dated. Unfortunately, it does not seem at all dated. The idea of a gay hero is still edgy and daring, and oddly enough, television, rather than the big screen, seems to be taking the lead in featuring gay characters and themes.

The Celluloid Closet is an eye-opening look at how gays have been portrayed in American film. Film clips are interspersed with interviews and commentary by writers, producers, and actors who are gay or have played gay characters. It is interesting to see that people mocking gay men swished and minced the same way 100 years ago as they do today.

A highlight is the deleted scene from Spartacus with Laurence Olivier as a slaveholder in his bath telling his uneasy slave played by Tony Curtis that he enjoys both snails and oysters. Strangely absent in the documentary are any mention of Clifton Webb or Cary Grant.

I will be looking at old (and new) films in a different way now that I have seen The Celluloid Closet.

4-0 out of 5 stars Excellent Documentary , but a bit too ideological
Celluloid Closet is a well-done, thought-provoking documentary detailing the history of homosexuality in movies. The author(s)
compile a fascinating list of films, many well-known and beloved, and describe how filmmakers, constrained by prevailing mores and production codes, were forced to deal with the subject creatively through innuendo and subtext. It works equally well as a history of film censorship. Only one drawback: the best documentaries are objective, letting the material tell the story, so why interview exclusively archetypal Hollywood liberal, pro-gay-rights activists? It would have been interesting, for example, to hear Charlton Heston's response to Gore Vidal's take on what "Ben Hur" is really about. Instead, we're left hanging by Vidal quoting the director: "Don't tell Chuck (Heston) what it's really about, or he'll die". (or words to that effect) ... Read more


110. The Big Clock
Director: John Farrow
list price: $14.98
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Asin: B00023P4FQ
Catlog: DVD
Sales Rank: 6205
Average Customer Review: 3.82 out of 5 stars
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Reviews (17)

4-0 out of 5 stars The Clock's Ticking!
John Farrow's "The Big Clock" is one of the great noir films of the 40's. The downside is many people have 1) rarely seen it. 2) Many haven't even heard of it! Ray Milland stars as George Stroud a man who as the film goes on will have to track down a murderer when all the clues lead to one man, him! How can he prove his innocence. And how will he get anyone to believe him? These are the interesting questions that arise as you watch this film.
George Stroud (Milland) works for a publication that somehow manages to break cases before the police do. He is also suppose to go on his honeymoon with his wife Georgette (Maureen O' Sullivan) which is long overdue ( they now have a 5 year old son!). But, his boss Earl Janoth (Charles Laughton) wants him to postpone his honeymoon. Claiming he'll give him higher pay and a month's vaction. But George knows his wife will kill him if he's not there ready to leave with her lol. Now, one thing leads to another ( I don't want to give anyway too much of the plot). But George ends up missing his train and spends the night with Janoth's mistress! Later on that night, he finds that Janoth's mistress is dead! Was it murder? Well, all directions point that way since George saw Janoth go into Pauline York's (Rita Johnson) apartment. In an attempt to cover up his actions, Janoth tells George he has to solve the case before the police get involved. "The Big Clock" has a great musical score by Victor Young, nice cimatography by Daniel L. Fapp & John F. Seitz. And, fammed costume designer Edit Head does wonderful work. All of these things give this movie the "classic" noir feel to it. There are good, solid performances by everyone, and nice directing by Farrow. This is a very pleasurable film to watch on one of those rainy, dark nights, that just feels like watching a noir film. One of the best noir films I've ever seen.

5-0 out of 5 stars Ray Milland and Charles Laughton Together. Enough Said...
As my title reads, this is indeed a captivating film-noir. The idea of a boss trying to blame an employee for murder might not have been a new one even in 1948, however with all its intriguing actors, witty taglines, and outstanding artistic quality, this film is perfect in the mystery world. Everybody should own a copy of "The Big Clock."

2-0 out of 5 stars THE BIG CLOCK IS A BIG LETDOWN
I remember this movie from years back, and thought it was a pretty nifty noir thriller. A repeat viewing reveals it to be a bit on the trite side. Maybe it's Ray Milland's bland performance, but I had trouble getting through this one. Not all old films are true "classics" and this one is better left on the shelf, in my opinion.

There are many better examples of Film Noir out there. Give me LAURA or OUT OF THE PAST any day over this.

3-0 out of 5 stars VICERAL NOIR DRAMA TINGED WITH COMEDY
"The Big Clock" is a brilliant labyrinth of dark humor and cyclical twists and turns - rather like riding a funhouse car into the murky blackness of uncertainty but with the nervous expectation that you are about to be frightened out of your mind. The film is a taut, lean thriller that presents a curious predicament for its hero, George Stroud (Ray Milland). He's a star reporter who is assigned to cover the murder of a mysterious woman by his punctually obsessed editor, Earl Janoth (Charles Laughton). There's just one little wrinkle that needs to be overcome; the overworked Stroud not only knows the woman in question but spent the night with her before she met with her untimely demise. There's also something else to consider; the woman was Janoth's mistress. Now the question arises for Stroud: how to accurately cover the scoop, report all the facts, expose the killer and keep his own name out of the proceedings. Both men are feverishly working to solve the crime, unwittingly culminating in accusations that will expose both their prior relationships with the corpse. Elsa Lanchester appears as Louise Patterson, the high-strung painter whose sketch of the prime suspect slowly begins to take on the figure of George Stroud. "The Big Clock" was remade in 1987 as the Kevin Costner thriller, "No Way Out".
THE TRANSFER: The gray scale is very nicely balanced with solid, deep and rich blacks and very smooth looking whites. There are instances where contrast levels appear somewhat low and fine detail seems slightly out of focus, but truly, there's nothing to generally disappoint one from this visual presentation. Occasionally pixelization breaks apart the background information - but only briefly and usually between dissolves. There's also a minor hint of edge enhancement that is barely noticeable. The audio is mono but very nicely cleaned up. There are no extras.

5-0 out of 5 stars The Big Clock
Thrilling "Film Noir" type mystery. Ray Milland works for a magazine publisher who commits a murder. All the clues however point to Milland as the killer. He races against time to prove his innocence. First Rate Thriller! ... Read more


111. Madonna - Video Collection 1993-99
Director: Chris Cunningham (II), David Fincher, Johan Renck, Jonas Åkerlund, Brett Ratner, Jean-Baptiste Mondino, Melodie McDaniel, Michael Haussman, Stephane Sednaoui, Walter Stern, Mark Romanek
list price: $19.99
our price: $17.99
(price subject to change: see help)
Asin: 6305610444
Catlog: DVD
Sales Rank: 6479
Average Customer Review: 4.31 out of 5 stars
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Product Description

This DVD compiles 14 Madonna videos from throughout the '90s. Track listings: Bad Girl * Fever * Rain * Secret * Take a Bow * Bedtime Story * Human Nature * Love Don't Live Here Anymore * Frozen * Ray of Light * Drowned World /Substitute for Love * The Power of Good-Bye * Nothing Really Matters * Beautiful Stranger. ... Read more

Reviews (137)

4-0 out of 5 stars An incomplete "Collection"
This second video collection from Madonna only confirms that Ms. Ciccone is indeed the Queen of Pop and of the Music Video. The videos featured here are absolutely spectacular. From the motion picture quality of Bad Girl, to the gorgeous cinematography of Rain, to the out of this world bizarreness of Bedtime Story, to the hyper energy of Ray of Light, this is indeed a special collection. Unfortunately, it is also an incomplete collection. Among the glaring omissions are EROTICA, DEEPER AND DEEPER (both left off presumably due to their sexual content and innuendo), THIS USED TO BE MY PLAYGROUND, I'LL REMEMBER, YOU MUST LOVE ME, DON'T CRY FOR ME ARGENTINA (all left off presumably because they featured scenes from movies they did not have the rights to), and YOU'LL SEE (who knows why this wasn't included). I had the same complaint about the Immaculate Collection with its missing videos. What makes it even more aggravating is the fact that a video like LOVE DON'T LIVE HERE ANYMORE, which was a complete bomb as a single and is one of the most boring videos ever produced, did make the cut. Yes, it is a beautifully SHOT video, and the director is very "in" right now, but it still doesn't deserve a place over some of her bigger hits. For these reasons this collection earns 4 stars. Maybe someday we'll get to see a COMPLETE Madonna video collection.

5-0 out of 5 stars Madonna - Queen of Videos
Yes, I miss the sorely deleted videos in this collection: "Erotica" (which I think is one of her best, especially the last few syllables in the song when she exerts "Eroti---CA" while coyly tweetering the whip), "You'll See", "Deeper and Deeper" (that opening with her in the Mercedes is classic and very LA) and even "I'll Remember" (yeah, it was a movie tie-in, but what do you think "Beautiful Stranger" is?). But one needs to remember the likewise forgotten cuts from "Immaculate Collection": "Gambler" "Into the Groove" "Justify My Love" Oh well. Regardless, this collection is a testament to Madonna's prowess and uncanny aptitude in making some of our generation's most unforgettable music videos. Her best video here are (in order): Rain, Bad Girl, Frozen, and Drowned World/Substitute for Love. Forget what Warner blasphemed here but celebrate the artist behind these videos!

5-0 out of 5 stars A quick question and I'll be happy if anyone can answer this
What song/video is it where Madonna is dressed like a Geisha?

4-0 out of 5 stars Good DVD
Just bought the video recently and this collection is pretty much OK. My favorite video is "Bedtime Story" because of the fact that it is loaded with awesome special effects. Bedtime story is no doubt one of her best videos. The graphics of "Ray of Light" can use a little enhancing. It's a shame that "Deeper and Deeper", and "I'll remember".

5-0 out of 5 stars The Immaculate Video Collection Continued!
This is a wonderful DVD! I am so glad my favorite Madonna video of all-time, "Bad Girl", was on the DVD! But there were some videos missing on here, like "Deeper And Deeper", "I'll Remember", "You'll See", and "This Used To Be My Playground". But this is still a wonderful collection!

Bad Girl- I love this video! It is so beautiful! 5/5
Fever- Nice video, but not one of her best 2/5
Rain- Another beautiful video! 5/5
Secret- It's okay. 4/5
Take A Bow- My 2nd favorite video of all-time! 5/5
Bedtime Story- Yuck. 1/5
Human Nature- Cool video! 5/5
Love Don't Live Here Anymore- This is another beautiful video of Madonna's! 5/5
Frozen- I always loved this song/video! 5/5
Ray Of Light- Very cool video... This is some of her best work. 5/5
Drowned World/Substitute For Love- I never really liked the sng at first, but one day I decided to watch the video and it was very good. I also like the song now!
The Power Of Goodbye- Beautiful video! 5/5
Nothing Really Matters- I am not really crazy about this video, but it's okay. 3/5
Beautiful Stranger- Very funny video, especially the beginning! 5/5 ... Read more


112. Seven (Single Disc Edition)
Director: David Fincher
list price: $19.97
our price: $15.98
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Asin: B00011CZRE
Catlog: DVD
Sales Rank: 5635
Average Customer Review: 4.5 out of 5 stars
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Description

A retiring cop and his replacement track a psychotic killer who's using the seven deadly sins as a guide. Starring Brad Pitt, Morgan Freeman and Gwyneth Paltrow. ... Read more

Reviews (2)

5-0 out of 5 stars Dark and graphic masterpiece
This movie is great but graphic. The whole movie is very dark and has a sinister feel from the very begining. Two cops find themselfs in the middle of a serial killers spree. One cop (Morgan freeman) is just about to retire from the force the other (Brad Pitt) just joined from another dept. They soon find out that the killer is killing as part of a sick and twisted plan and riddle that leaves the cops empty handed. They quickly realize they don't have much time to capture the killer. This movie will keep you guessing to the bitter end. One of the best movies I have seen. So turn the lights out, and some popcorn and enjoy!!

4-0 out of 5 stars He's just getting started.
Morgan Freeman and Brad Pitt make a dynamic combination, one old and cynical, the other young and idealistic. Both come to grips with personal demons, while hunting a serial killer who is not in a hurry. Kevin Spacey gives one of his most chilling performances. Visually graphic, it keeps you guessing right to the end. Bless me Father for I have sinned. ... Read more


113. Baraka
Director: Ron Fricke
list price: $24.98
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Asin: B00003ETJQ
Catlog: DVD
Sales Rank: 31811
Average Customer Review: 4.63 out of 5 stars
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The word Baraka means "blessing" in several languages; watchingthis film, the viewer is blessed with a dazzling barrage of images thattranscend language. Filmed in 24 countries and set to an ever-changing global soundtrack, the movie draws somesurprising connections between various peoples and the spaces they inhabit,whether that space is a lonely mountaintop or a crowded cigarette factory. Someof these attempts at connection are more successful than others: for instance,an early sequence segues between the daily devotions of Tibetan monks, OrthodoxJews, and whirling dervishes, finding more similarity among these rituals thanone might expect. And there are other amazing moments, as when sped-up footageof a busy Hong Kong intersection reveals a beautiful symmetry to urban life thatcould only be appreciated from the perspective of film. The lack of context isoccasionally frustrating--not knowing where a section was filmed, or the meaningof the ritual taking place--and some of the transitions are puzzling. However,the DVD includes a short behind-the-scenes featurette in which cinematographerRon Fricke (Koyaanisqatsi) explains that the effect was intentional:"It's not where you are that's important, it's what's there." And what's here,in Baraka, is a whole world summed up in 104 minutes. --Larisa LomackyMoore ... Read more

Reviews (209)

5-0 out of 5 stars Perfection!
What is this a 2 and 3 star review!!! Obviously the world has a lot to learn before they can give this masterpiece the credit it deserves. Ladies and Gentlemen I cannot stress enough the urgency with which you must purchase this dvd if you haven't already done so. This is simply one of the most awe-inspring things I have ever come across in my 19 years on this planet. It is on repeat in my household. In a just world Baraka would be more widely known and praised. But as is it remains a concealed jewel to be uncovered at your leisure.

3-0 out of 5 stars Flute phobia
Stunning photography, a coherent and beautiful cinemagraphic work. But the "haunting" Asian, East Indian(?) music wore on me after a while, and the time lapse was overused. My wife, however would rate this 5 star.

2-0 out of 5 stars 5 Stars on it's own, but less by Frickes Standards
Being a BIG fan of Ron Fricke, I can't honestly give this 5 stars. Why? Well, 2 reasons. For one, by his own standards, Fricke has done a lot more in nearly every one of his other projects (with the only exception perhaps being the shorts series). What do I mean by more? Experimentation. Stepping a little further into the unknown, doing the undone. The other reason I can't give it 5 stars is because, despite the fact that by other standards it is far from mainstream, by Fricke's own standards it feels like it. Look at it like this: If you want a deep look into original Cinematography, get any of his other projects. However, if you're coming from a normal background, this movie can really move you in that sense. It's more of a "Greatest Hits", really. It shows off a little bit of everything, but at the sacrifice of depth. There ARE a few moments that deserve thier own viewing, and if you have seen ANY of Fricke's other projects then don't miss this one, but otherwise, if you want to see the same thing more or less, but in much greater depth, check out the rest of his work.

5-0 out of 5 stars Incredible Visuals!
This movie is a breathtaking film that shows many different far off lands which make the viewer desire to know more about the places being shown. There are parts of this film which are extremely thought provoking. "Baraka" captures on film some of the most pristine lands on this planet to the extremely hectic day to day life in Japan. It shows beautiful parts of Humanity like the temples in Tibet, disturbing images of Humanity like the cigarette makers to very mysterious parts of Humanity like the group meditation/hallucination. This film has no dialogue and there is only music and nature sounds which accompany. It is a masterful work of art and is a film I will watch many times in my life.

5-0 out of 5 stars visually stunning
A beautiful journey though different cultures and locations throughout the world. Captivating and moving, this movie is a must own. Afer seeing it a half dozen times now, it still gives me goosebumps. ... Read more


114. The Snapper
Director: Stephen Frears
list price: $19.99
our price: $17.99
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Asin: B00005R87D
Catlog: DVD
Sales Rank: 9380
Average Customer Review: 3.94 out of 5 stars
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The Snapper may be the funniest film ever made about anunexpected pregnancy. In adapting the second novel of his popular Barrytown Trilogy, Irish authorRoddy Doyle brilliantly captures the hilarious dynamics of a working-classfamily, the virulent gossip of their nosy Dublin neighbors, and the mixedemotions of a young woman on the verge of single motherhood. Sharon (TinaKellegher) is the 20-year-old daughter of Dessie (Colm Meaney), and her refusalto name the father of her unborn child turns into an escalating crisis that's astraumatic (especially for Dessie) as it is delightfully amusing. The film wasdirected for British television by Stephen Frears, but its flawless blend ofcomedy and drama made it worthy of a theatrical release, landing it on manycritics' top 10 lists for 1993. Best known as Chief O'Brien on Star Trek:Deep Space Nine, Meaney mines gold from the role of his career, and hisfatherly love turns The Snapper into a heartwarming charmer withuniversal appeal. --Jeff Shannon ... Read more

Reviews (17)

3-0 out of 5 stars Sequel to "The Commitments", "Snapper" falls short...
"The Snapper" is the second part of the Trilogy of a group of impoverished North Dubliners, the first part being the excellent and almost perfect movie, "The Commitments." "The Snapper" falls short of the quality of the first movie in part because the plot line is muddled. Characters portrayed in "The Commitments" reappear in "The Snapper" but are played weakly by different actors. The dilemma of the sister being pregnant out of wedlock is not really funny, nor is it a large enough crisis on which to build a movie. The single exception to the mediocrity is, as ever, Colm Meaney, once again brilliant, funny and poignant as the father of the family. He paces the film with his performance, laced with perfect comic timing and a delivery as good as any you'll see in any movie anywhere. See "The Snapper" for Meaney's performance--he won't disappoint you.

5-0 out of 5 stars Wickedly funny
Based on the second book in Roddy Doyle's Dublin trilogy, The Snapper is a wickedly funny glimpse into the lives of a working class Irish family. The eldest daughter of a large family becomes pregnant and refuses to name the father. Not your traditional comic premise, but in this case it works beautifully. The characters are fully developed and presented in such a manner that you care deeply about them, and experience their pain as well as their joy. Veteran actor Colm Meaney (Star Trek DS9), who appears in the other two films that make up the trilogy (The Commitments and The Van), masterfully carries the story as the father of the unruly brood. He comes across as a good man who tries to do the right thing and loves his family, but is painfully human at every turn. The rest of the cast is mostly unknown but very believable and capable. I highly recommend this film (and the books, too). It may be the closest you ever get to Dublin without actually crossing the Atlantic.

5-0 out of 5 stars A realistic view into an Irish home.
No other film has ever captured the zeitgeist of Irish life as well as the snapper. Roddy Doyle was teaching in a North Dublin working class school when he wrote this book. Much of the dialoge that you hear in the film is directly out of the mouths of his students.

What you see in this film is as close as an outsider is ever likely to come to an understanding of working class Irish life. The unmarried daughter giving birth accounts for 1 in four of all children born today in Ireland. This is as real a situation as you can have. The language, the wit, the sarcasm and the lifestyle are all iminently recognised by Irish people as being true to daily life.

The bonus of the Snapper is that you get a bellyaching laugh at the same time. There are few films as funny as this.

Absolutely brilliant!

4-0 out of 5 stars A real look at an Irish working class family.
I've seen this video several times and it never fails to entertain me and make me feel good. My maiden name was Curley and my Mother was going to name me Sharon but named me Cheryl instead because all the girls in the ward were being named Sharon. Although my Dad was not born in Ireland, he was very "Irish" and had many of the same mannerisms of the father in this movie. The father reminds me of my Dad (although he would not have been as understanding). Irish Dads typically idolize their daughters and defend their honor at any cost. This Irish dad was no different.
The antics of the family are typical of a large Irish working class family as is the love you see for the girl as she goes through the painful process of growing up and entering motherhood. Having visited Ireland (to scatter my Dad's ashes), I found the dialect true and understandable (even the cuss words). The pub scenes were authentic as well. All in all, a great movie, somewhat dramatic in its content but a very feel good ending. Can't really understand why anyone would compare it to the Committments as it is a totally different type of movie. I enjoyed that as well.

5-0 out of 5 stars absolutely brilliant!
This is one of the funniest films I've ever seen! Tina Kellegher is brilliant as the knocked up daughter, and Colm Meaney's performance is top notch as always. Anyways this film definitely does justice to Roddy Doyle's wonderful book. ... Read more


115. City Of The Living Dead
Director: Lucio Fulci
list price: $19.98
our price: $17.98
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Asin: 6305840024
Catlog: DVD
Sales Rank: 8186
Average Customer Review: 3.58 out of 5 stars
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Description

The Seven Gates of Hell have been torn open, and in three days the dead shall rise and walk the earth. As a reporter (Christopher George) and a psychic (Catriona MacColl) race to close the portals of the damned, they encounter a seething nightmare of unspeakable evil. The city is alive--with the horrors of the living dead! Directed and co-written by the legendary Lucio Fulci (Zombie, The Beyond, The New York Ripper), "City of the Living Dead" features some of the maestro's most shocking and controversial sequences of all time. This is the definitive version of Fulci's hallucinogenic masterpiece of horror: uncut, uncensored and presented in all its brain-ripping, gut-spewing, head-drilling glory! A.k.a. "The Gates of Hell." ... Read more

Reviews (67)

4-0 out of 5 stars Classic Fulci...
Yes, this is the Fulci gore classic, now given the long overdue DVD treatment by Anchor Bay. Throw out those ancient dupes and tapes riddled with print damage and artifacting, this DVD is superior! But first, the story (what little there is): The Gates of Hell have been opened by a Dunwich priest who has hanged himself in a cemetary. That's it. What follows is typical Fulci mayhem and gory goodness. Yep, here on the DVD we get to see the ultra savage head drilling, the girl puking her guts up (look fast for future Italian horror director Michele Soavi as her boyfriend) and plenty of scalping and brain ripping, all in their uncut gory glory! As you might have guessed, the plot is secondary to the gore and atmosphere. As a result, many viewers will be turned off by the minimal (and convoluted) plot, and the atrocious dubbing. But for the real Fulci fans who are already primed in his style, they will eat this up. Anchor Bay's DVD treatment truly adds to the enjoyment of the film. It truly is great to see this film (and HEAR it) in digital quality, COMPLETELY UNCUT! Nevertheless, "City of the Living Dead" does have it's share of problems. Obviously the plot is nothing to write home about (like you care anyway) and Fabio Frizzi's score seems tacky (to me anyway). But once again, Gino De Rossi's amazing gore effects and Fulci's keen eye for gory detail (and some stylish direction, to boot) keep things humming. Finally, compared to the other entries in Fulci's "horror quartet" , I'd rate this light years ahead of "Zombie", and just behind "The Beyond" (his best in this genre) and "The House by the Cemetary."

3-0 out of 5 stars Masterpiece? I digress
If this is a masterpiece, I'm Brigitte Bardot. First of all, I am a fan of Arthouse and International films, and I despise Hollywood fare. With that in mind, this Fulci example is by no means a classic. I remember having watched the trailer as a little girl and how shocked I was to see the blood-crying scene, I was hooked to the tv wanting to see more. I just saw this film and it convinces me this is NOT Fulci's best, not by a ling shot. BUT, it is better than the average teen-slasher-(...) that is filling movie theatres in the last couple of years. It's atmospheric theme music, the unavoidable sense of dread packing the film is entertaining nonetheless, but you always expect something, anything to happen, when it doesn't. True, Fulci never has been a master storyteller, he's in it for the shock-value alone. So, all I can say is, there are way better Fulci films out there, shop around.

Digital transfer: 3 stars
Sound: 3 stars
Overall quality: 3 stars

5-0 out of 5 stars CITY OF THE LIVING DEAD
VERY MOODY AND CREEPY.DEFINITELY ONE OF THE BEST ZOMBIE FLICKS.A MUST HAVE FOR ANY ZOMBIE FAN.WELL WORTH THE PURCHASE. A++++++++

1-0 out of 5 stars City of the Living Dead
Okay, I love gore just as much as the next depraved freak, but City of the Living Dead pretty much disappointed me on all levels. Yeah, it's quite gory and all, but the film just isn't very good. It's rather bad actually. Check out Dawn of the Dead or Night of the Living Dead... They're fare superior horror films.

2-0 out of 5 stars Lame would-be- shocker
Whereas Dario Argento has managed to turn sheer brutality into a form of high art, Luci Fulci has to rely on brutality simply to disguise the fact that apart from it, there's - well, not much really. "City of the Living Dead" (also known as "Gates of Hell") is downright boring because all attempts at creating some gothic flavour or atmosphere OR suspense fail miserably. Instead, we're kept awake by repeated scenes of (badly made) intestines pulled out of something or somebody, and an electric drill forcing its way into (and out of) the head of a retarded boy! wow! Attempts at creating suspense (and keeping up the viewer's interest in the plot) are undermined by bad timing, editing, and worse acting. could have been high gothic gore, but it's just boring gore. silly. At least, "the Beyond" is better than this one. ... Read more


116. Juliet Of The Spirits - Criterion Collection
Director: Federico Fellini
list price: $29.95
our price: $26.96
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Asin: B00005V6N6
Catlog: DVD
Sales Rank: 4376
Average Customer Review: 3.97 out of 5 stars
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Description

Cinematographer Gianni di Venanzo's masterful use of Technicolor transforms Juliet of the Spirits, Fellini's first color feature, into a kaleidoscope of dreams, spirits, and memories. Giulietta Masina plays a betrayed wife whose inability to come to terms with reality leads her along a hallucinatory journey of self-discovery. The Criterion Collection is proud to present the fully restored version of one of Fellini's most dazzling dreams. ... Read more

Reviews (31)

5-0 out of 5 stars "C'mon Guilietta! We're all waiting!" (for you to come out)
This is a film about a woman in her 30s--a well-to-do Italian housewife--and the inner changes she experiences through several events in her life including, most prominently, the infidelity of the husband she loves. But it's much more too.

Fellini's stunning visuals--the colors and settings, the outrageous dress, and the fantastic score of Nino Rota, makes it seem as if Italy is the most exotic place on earth.

The first time I watched this film I was a bit put off by some of the events that didn't always make sense, as well as the annoying white subtitles that are difficult to read. But there was something about it that compelled me to watch again. I'm still not sure I understand the ending, or the role of the tall Spaniard, but there are many subtle and wonderful things happening.

The music of Rota is simply captivating. Most of it is carried by a lilting, swinging clarinet and a quirky organ in an unlikely but very rich marriage. I'm disappointed to find there is apparently no film score available on CD.

The viewer is treated to the whole litany and range of emotions of a woman suspecting her husband of cheating--and Guilietta Masina, in a great performance, tells it all in her face.

Guilietta also has visions. Her penchant for the spirts, along with the urging of her kooky friends, ("S/he only comes every seven years!") leads her to visit a spiritual charlatan, a phony guru, in a memorable and hilarious scene. "
"Isn't it an apple?"
"No dear, you must see beyond material form."

Guilietta's friends also try to persuade her to experience love beyond her marriage. I shan't tell the result but, again, Fellini treats the viewer to many, many exotic and unexpected scenes.

Finally, this film also explores the relationships of Guilietta to her husband, her mother and sisters, her friends, her husband's friends and her maids. In a sense, this is very much a woman's film. But it's more; it's surreal; it's certainly one for those tired of boring, contemporary films.

4-0 out of 5 stars FELLINI'S BEST FILM?
Federico Fellini's films often reflected an enticing and disturbing dreamworld. "JULIET OF THE SPIRITS" is his first color film and it is a delight to see the bright, vivid colors again. All previous existing prints on tape were deplorable transfers.

Simply put, the story focuses on a wealthy Italian housewife in her 30s and the interior metamorphosis she undergoes as she experiences the passages, events and changes in her life, most notably her husband's unfaithfulness. A husband she loves. No words can do justice to the stunning visuals -- cinematography, costumes and production design.

Many film buffs consider this Fellini's best film -- even better than his autobiographical "81/2" -- a film that is in many ways the psychological flip side of "Juliet."

Fellini was one of only a handful of world class filmmakers that was fully actualized as an artist. He could not only break the rules, but make new ones. And no one excelled better than he in visualizing an elliptical, ephemeral dreamstate that still speaks to our deepest feelings in a unique and fresh style.

Nina Rota's fantastical score raises the intensity of the images and nuances the fleeting emotions. See this great movie for the first time and discover a genius and humanist who painted with light.

Thanks to Criterion for continuing the tradition of gathering the greatest films from the finest filmmakers around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements.

4-0 out of 5 stars Who Doesn't Daydream...?
....It's a Fellini Cine, babes!

I was--like I have been while watching other foriegn films--put off initially by the seemingly incongruous little snippets of music and visuals. I mean, couldn't those Europeans make a movie that flowed better? Jeez! I open my mind, watched it a few times and came to these conclusions. First, Giulietta, the actress, must have been a bit off to have done this apparently semi-real story abouat a middle aged woman married to a famous director who she suspects is having an affair. I mean, she was married to Fellini when this was produced. Second, albeit the digital reprocessing has made the cinema more vivid and the costuming more striking, the women more sexier, it showed it's date. When Juliet goes to confront the lady about l'affair, she should have kick the B*'s tail. That probably would have been the response for a character in a current day movie. Third, in an odd sort of way, it all but helps a more modern Eyes Wide Open to make some kind of sense. I mean, who can say how we will respond when a whiff of infidelity comes into our relationships, our lives? Juliet's response were these visions. Some of these were from her far away youth. Some just were pure Fellini bacchanalia. Tom Cruise in Eyes was thinking well, if my wife can *think* it, well, I can just *do* it and be one up on her. It starts for Tom as 'getting even', but it corrodes into something else that he had no control over. (I always say we are forever one step from a huge disaster and we don't know it....) We see Juliet almost giving into her urges with the pretty Latin kid who she meets at her neighbor's...but something just doesn't feel right.

And so, that's what this film is about. What we go thru when we suspect something or hear some painful news. We have the brilliant Guilietta Masina and the surreal Fellini to thank for giving these emotions some sort of form..

5-0 out of 5 stars One of Fellini's best films
I started watching Fellini films as a young teen, seeing the older ones in the revival theatres, and eagerly anticipating his newest films. Juliet of the Spirits is truly my favorite Fellini film. The camera visuals and color are stunning. The wide screen format is imperative. I only wish that Criterion had also added the (bad) English language soundtrack. It's better for first time viewers. Some of Fellini's imagery is easily missed by reading too many subtitles.

3-0 out of 5 stars Beautifully Filmed Nonsense
While I admire the cinematic beauty of "Nights of Cabiria" and even its plot (as threadbare as it is, it's still good fun), by the time Fellini got to Juliet of the Spirits, he had really run out of things to say. Early on in the movie, there are harbingers of a plot, some suspense and even something verging on high drama, but none of these pan out, and instead we are left with.......a mess.

Giulietta Masina is a very great actress, it is just that there wasn't much material for her to work with. It is too bad she hitched her wagon to husband Fellini's star her entire career, because if she were just in a few movies with plots, character development and finely crafted dialogue, we could have discovered the full range of her talent.

In 1965, when this movie came out, there weren't so many movies about a woman's "midlife crisis" and her quest for "fulfillment"; By now this plot has become a cliche. As far as the story line goes, "Juliet of the Spirits" has got to rank among the worst, even losing out to the B-movies and straight-to-video films that are grist for the mill on Lifetime and The Oprah Channel.

And that is really a shame, because this is one of the most gorgeously filmed movies I've ever seen. Director of Photography Gianni di Venanzo's use of Technicolor is breathtakingly fascinating for its sumptuous use of warmth and its balance of colors and use of shocking hues. It rivals movies such as "Fantasia" and "Vertigo" for its artistic *visual* excellence.

Yet, this movie taken as a whole is rambling, unfocused and pretentious in a genre that is not too difficult to master. Some call Fellini's movies "surrealistic," and I have no argument with that. Perhaps my bourgeoise temperament lacks the patience to put up with it in two-hour-long doses. I prefer my surrealism in visual stills from Dali, Man Ray, Magritte.

The irony of it is that the best movie of the "woman finding herself" genre -- "Shirley Valentine", directed by Lewis Gilbert -- is filmed so dryly that it borders on incompetence. Imagine what a movie that would have made were the script put into the hands of di Venanzo and Fellini with a soundtrack by the great Nino Rota.

Altogether, viewing "Juliet of the Spirits" can be a pleasant experience, so long as one is concerned with camera work, editing, color timing and music. ... Read more


117. Man on the Moon
Director: Milos Forman
list price: $14.98
our price: $13.48
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Asin: B00003CWTL
Catlog: DVD
Sales Rank: 6288
Average Customer Review: 3.81 out of 5 stars
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Amazon.com

"There is no real you," jokes Lynn Margulies (Courtney Love) to herboyfriend, Andy Kaufman (Jim Carrey), as he grows more contemplative during abattle with cancer. "I forgot," he says, playing along, though the question of Kaufman's reality is always at issue in Milos Forman's underappreciatedMan on the Moon.

The story of Kaufman's quick rise to fame through early appearances onSaturday Night Live and the conceptual stunts that made his club and concert appearances an instant legend in the irony-fueled 1970s and early'80s, Man on the Moon never makes the mistake of artificiallydelineating Comic Andy from Private Andy. True, we get to see something ofhis private interest in meditation and some of the flakier extremes ofalternative medicine, but even these interludes suggest the presence of anultimate con behind apparent miracles of transformation.

Screenwriters Scott Alexander and Larry Karaszewski (The People vs. LarryFlynt) allege that transformation was Kaufman's purpose--more than ashtick but less than a destiny. As we see him constantly up the ante on the credibility of his performance personae (the obnoxious nightclub comic Tony Clifton; the insulting, misogynistic professional wrestler), Forman makes itharder and harder to detect Kaufman's sleight of hand. But it's there, alwaysthere, always the transcendent Andy watching the havoc he creates and theemotions he stirs.

Carrey is magnificent as Kaufman, re-creating uncannily detailed comedy piecesetched in the memory of anyone who remembers the real Andy. But whileCarrey's mimicry of Kaufman is flawless and funny, the actor probes muchdeeper into an enigmatic character who, in life, was often a moving targeteven for those closest to him. --Tom Keogh ... Read more

Reviews (169)

5-0 out of 5 stars An underrated dramatic comedy film.
The Plot:This film is based on a true story on the life of Andy Kaufman(Jim Carrey in a wonderful performance). Andy is considered to be the most innovative, eccentric and enigmatic ususual comic of his time. Andy has help from his first time manager George(Danny De Vito) and his best friend Bob(Paul Giamatti), they known, he will be a successful comic performer turning him into as no one as never seen before in a comic and also falling in love with a beautiful woman(Courtney Love) who does understand him. But andy short successful life, trying to make the best of life before his passed on. Well acted and directed by Milos Forman(One flew over the cuckoo`s nest) and written by the same writers who wrote-The people vs Larry Flynt(Also directed by Forman).

DVD feautres has a fine widescreen transer(2.35:1) and also a fine DTS and Dolby Digital 5.1 Surround. Some good extras like behind the scenes, music videos by R.E.M, who also did the music for the film and deleted scenes. Has everything on extras expect for audio commentary could be great on this DVD. But is a damn good movie. Panavision. Grade:A.

5-0 out of 5 stars BEST MOVIE OF THE YEAR!
Probably the most overlooked and underappriciated film of 1999, "Man on the Moon" comes to DVD and offers those who missed it this past holiday season another chance to see one of the best films of 1999. Jim Carrey gives the performance of his career as Andy Kaufman, the ex-"Taxi" star who's life was cut short by cancer. Whether you loved Kaufman or hated him, viewers can't argue that Carrey doesn't portray Kaufman flawlessly. Fans of Kaufman will be thrilled to see him come alive once again and for two hours forget his career was cut short and be mesmerized as Carrey does what Kaufman did best-- confuse people with his comedy. The film isn't a biography but instead a tribute to the late comedian. Carrey engages the audience with his portrayal of Kaufman and director Milos Forman shows both Kaufman on-screen and off. While the real Kaufman turned many people off, the way "Man on the Moon" is set up gives the audience a sense of understanding Kaufman, something even the real Andy Kaufman could never accomplish. We not only see the zany comic but also the man off camera trying to top his every act. In other words, the public gets to see the comic AND the person that made up Kaufman-- something that was never shown until now. Whatever you felt about Kaufman or feel about Carrey, leave it at the door. To miss this film is a huge mistake. Not only will viewers possibly learn to appreciate Kaufman and, gasp!, like him, but critics who think Jim Carrey is "just a comedian" will realize how wrong they were. For viewers who felt Carrey was robbed at last year's Academy Awards for his performance as Truman Burbank, they will be three times as shocked when they realize how much he deserved this year's Oscar for Best Actor as Andy Kaufman. Carrey wasn't the only one overlooked for an Oscar. Forman does his best directing since "One Flew Over the Cuckoo's Nest" and leads a talented cast in a funny and poignant film. Co-star Courtney Love is amazing as Kaufman's girlfriend, showing once again that she is one of the few singer-turned-actresses that CAN act, and Danny DeVito's portrayal of Kaufman's agent is his best work to date. If you want to rent a film that will make you laugh, make you think, and do the unthinkable- understand one of Hollywood's most confusing and underappriciated comics- rent "Man on the Moon." It's the must-see rental of the summer

1-0 out of 5 stars strange movie
this guy had problems for sure, i never seen his act, or his appearances on taxie..or even a clip, i had heard jim carrey's perfromance of theis truly bizarre person was good and was almost a carbon copy of the real man.
i don't get his humour at all, or saturday night live for that matter, mad tv and in living color for me...!

4-0 out of 5 stars A joke on us?
My favorite Kaufman routine is one in which he is in a club and he is being heckled by a guy. The guys says "You suck, Kaufman" and Kaufman gives some line back to him. Kaufman takes care of the heckler, classic comedian style. And then the heckler days "yOU'RE NOT FUNNY, kAUFMAN. tHE TRUTH IS, YOU PAID ME TO DO THIS...Am I right? Am I right Kaufman, didn't you pay me...to heckle you? So you would look good, huh?" And this bit goes on for an uncomfortable amount of time. Kaufman seemed to be about layers of uncomfortability...about making the audience feel something other than laughs..

Scott Alexander and Larry Karaszewski are fun screenwriters, (though I am not sure they are still working) having produced script for Larry Flynt and Ed Wood....they are not always concerned with tradition, and find great hools in telling the story. They then seem like the perfect choice for writing the story of Andy Kaufman, the most non traditional of performers...and certainly the first five minutes of the film does not dissapoint...Kaufman(Jim Carrey) stands in a movie screen, tells everybody it is his movie and the weirdness ensues.

Ok.

Well, then the next two hours never captures this same kind of "what is real?" feeling. I mean, don't get me wrong. I enjoyed this movie, and Carrey does an amazing job of recreating Kaufman onstage...but I thought there were a few problems...one is that no one knew Kaufman that well, and therefore it is almost impossible to create a bio pic for someone you can't actually identify with. Therefore we are saddled with forties bio cliches" I Want to Be The greatest of all times" and the fantastic"I want To Play Carnegie Hall", and the obligatory "guy finds cyst on his neck".

Second of All, Kaufman just comes off like a jerk half the time.

Third of All, when the film ends, we are no further along about Kaufman than When the film started.

But as I think about it, here an hour and a half after seeing the movie, I wonder if the wanting more, the frustration, the unanswered questions is not the ultimate Kaufman prank. And the pranks are the major gist of the film. Much of the film is about an audience not knowing how to take it all...and they are brilliant pranks...just when you think you have it figured out, Kaufman's illusionary reality takes over.

So have we been had? Is this film pretending to be a meaningful bio, and is the ultimate prank? Did we watch
this just to be part of a giant illusion, to be caught up in the routines, to cringe at the innapropriate gags, to wonder why all the members of Taxi are playing themselves twenty years later and DiVito is playing someone else?, and then walk away feeling we have seen a genius or a madman or both...
and feel like we have been involved in some giant Kaufmanesque experience...

All in all, I think this is a worthwhile experience...

or maybe Kaufman is alive, and paid me to write this.

4-0 out of 5 stars The People vs. Andy Kaufman
MAN ON THE MOON had the obvious strike against it. That is, to this day, most of the population still does not (and will never) understand Andy Kaufman. The film is lauded by his friends, peers and die hard fans (which were far and few), but the jury is still out on most of the general public who remembers the bizarre comedian (his different personas/characters) and his obsession with the wrestling entertainment industry. Jim Carrey gives the performance of a lifetime to which some called it too good (or eerily too close to home) and passed over by the Academy of Motion Picture Arts and Sciences with a nomination. Andy Kaufman was a performance artist to a degree and director Milos Forman delves in good detail into his art, life,performances, and death but the audience is still not given the information on what made Andy Kaufman tick which is what he would have wanted in the first place. Jim Carrey is empathetic to playing Kaufam perhaps because he too is sometimes misunderstood and maligned (yet approachable) by the public. The film reveals little of the mystery of what is going on inside Kaufman's head, but it depicts what facts are known to perfection which what makes the film worth watching and enhanced by an overlooked performance by Carrey and some good support performances from Courtney Love, Danny Devito and Paul Giamatti. ... Read more


118. King of New York (Special Edition)
Director: Abel Ferrara
list price: $19.98
our price: $17.98
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Asin: B0001FGBUW
Catlog: DVD
Sales Rank: 4989
Average Customer Review: 4.06 out of 5 stars
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Reviews (53)

5-0 out of 5 stars The best gangster film you've probably never seen
Ranking up there with Scarface and even Goodfellas, King of New York is one of the best gangster films ever made, thanks largely in part to the magnetic and explosive performance by Christopher Walken. Walken is Frank White, a ruthless kingpin freshly released from prison who vows to use his connections and money for charitable means. On his trail however, are three cops (David Caruso, Wesley Snipes, and Victor Argo) who, by any means necessary, vow to bring Frank down. Profane, action packed, and filled with unforgettable performances (Walken, Caruso, and Laurence Fishburne are incredible), Abel Ferrara's King of New York is hypnotic from it's first frame to final shot, and the action scenes are pulled off better than most major budget pictures. This new Special Edition from Lion's Gate/Artisan includes a nice amount of extras to tide fans of the film over, and the commentary by director Ferrara must be heard to be believed.

3-0 out of 5 stars THE KING IS DEAD...LONG LIVE THE KING
Frank White (Christopher Walken) is a crime boss just released from prison. He rejoins his henchmen, headed up by Jimmy Jump (Laurence Fishburne). No sooner does White step out of prison, that the killing games begin. White is out to finance a local inner city hospital that is on the verge of being closed for lack of funding. He is determined to do this by using the ill gotten gains of drug trafficking, his and that of other drug lords. Since the others apparently will not relinguish the money voluntarily, force is used, quite a bit of it as a matter of fact, to get their money and/or drugs.

Officers Dennis Gilley (David Caruso) and Thomas Flanigan (Wesley Snipes) are part of a team of cops that are looking to stop White. They are outraged that he is on the street and that they are seemingly unable to stop him by fair means. They decide to resort to foul means and end up all the worse for their efforts. Throughout the film, the line is sometimes blurred between the good guys and the bad guys. There is no happy ending here, and justice may or may not be deemed to have been served, depending upon the viewer's own subjective viewpoint.

The performances are good overall, and in particular, Fishburne's manic character, Jimmy Jump, is a good foil for Walker's coolly detached character, Frank White. This is not really a character driven movie, however, but rather a plot driven one. There is a lot of action, a lot of shootings and carnage, and some car chase scenes that will keep the viewer on edge. The violence, when it occurs, is bloody and protracted. Moreover, in addition to being bimbos and sex toys, the women also pack high powered heat and shoot with the best of them. Despite some plot holes, the film entertains, though just how entertaining the viewer will find this film will depend on the viewer's tolerance for violence.

The DVD itself is pretty much no frills, offering pretty standard features, such as widescreen, a theatrical trailer, scene access, and a music video. There is no commentary. The picture, though dark, is clear, as is the sound.

4-0 out of 5 stars "King Of New York" DVD Review
Just like "Scarface" and "New Jack City" before it, "King Of New York" is a gritty gangster flick that takes real-life issues and mixes them with charismatic characters and stylized action that is so over-the-top that it could only work in a cinematic world. Walken's Frank White is the ultimate anti-hero, a murderous drug kingpin who uses his money for good purposes. No matter how good intentioned his motives are, the police are sick of his whole operation and are ready to go to war. The first half of the film has a rough but realistic edge to it while the second half spins into a bullet-riddled, blood-soaked, Hollywood action movie. The movie does have its faults. Fishburne's violent sidekick, while providing some entertaining moments, does occassionally come off looking like a dated and ignorant sterotype of Black youth in the late 80's. Not that it ever kept this movie from acheiving a type of urban cult following that is rivaled only by "Scarface". This movie was one of the first to showcase such young unknowns as David Caruso, Wesley Snipes, and Steve Buscemi and while it can't exactly be credited for launching their careers, it can at least boast their talented performances. But everyone in this film pales in comparison to Walken. He steals the show here. Speaking of steal-showing, this special edition DVD features an audio commentary with director Abel Ferrara that has to be heard to believed. I can safely say that I've never heard a director's commentary like it. A documentary on Ferrara should have been as entertaining but due to the fact that it has no interviews with the director himself, it doesn't quite live up to my expectations. There are a few colorful stories here and there but nothing like what you get on the commentary.

5-0 out of 5 stars Nice new DVD package
I own the new special edition 2-disc set that includes 2 versions of the film- standard frame and widescreen, and contains the director's audio commentary track voice-over the video portion the film.
The director is a very very sick dude, folks, who hates the police and makes films which accuse the police of being responsible for everything thats bad in this world- both Bad Lieutenant and this film contain the cop haters theme to the max.

What makes this director a nihlistic sick mother is his attitude and language in his commentary (which quite frankly I enjoy!)- during the film his voice-over commentary reveals a sick mind- every woman who appears on the screen is singled out by the director and called a "piece of ..." while other such ditties do not pass unnoticed. This director has a serious mental abberation, a problem which he uses film to work out- hes basically working out his emotional problems by directing very sick films. While I enjoy his choice of language in the commentary and his absolute honesty, I cant help thinking what a sick mother this director is in real life.

5-0 out of 5 stars The most darkest charecter, Frank White
This is one of Chris Walkens best movie, rated and nomminated for 4 oscars, King of New York is a classic gangstar movie based on 1930s crime caper lifestyle and the hunger of ruling the crime world, Frank who recently is released from the pen, he too has eyes set on dominating the crime world and goes into deep trouble and gang bangs to get to where he is, a grand kingpin.
This movie may be cliche but the storyline is like no other and the acting is what makes this movie great, sure it may be low budget but its a one of a kind and frankly, this is the movie the started all dark crime gangstar movies like Goodfellas and The Untouchables, it deserves props. 10/10. ... Read more


119. Rules of Engagement
Director: William Friedkin
list price: $14.99
our price: $13.49
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Asin: B00003CXGV
Catlog: DVD
Sales Rank: 13067
Average Customer Review: 3.46 out of 5 stars
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Reviews (127)

4-0 out of 5 stars Worth Your Contemplation
This movie will make you think. What exactly are "rules of engagement" in battle? Can rules even apply to conflict?

Tommy Lee Jones and Samuel L. Jackson are both excellent as veteran Marine soldiers fighting the battle of their reputations. Incidents occur in Yemen that unfortunately result in civilian deaths. So who takes the blame? Soldiers. This film brings to light the willingness of civilian judgement against someone volunteering to fight for his country. I don't think a bunch of desk jockies should have that right considering they have never faced a loaded gun and a moment to make the decision of their lives. This film will make you think about your own judgement and about the information you receive.

William Friedkin directs this film with an easy hand, allowing the actors to carry the movie rather than a bunch of guts and glory. Although it was released in 2000 the events are very much related to today. Consider the court marshalls currently taking place against our soldiers in Iraq. Who is to say what rules exist for a young man or woman prepared to die. We know scapegoats exist if only politicians would take their share of the blame. Is it even possible to have rules when some people are immune to following them? Soldiers aren't playing a game that can be replayed for fairness, if they were none of them would ever die would they?

3-0 out of 5 stars Stellar Performances Spark Thought-Provoking Drama
"Rules of Engagement" is a terse and tough drama that opens in the Vietnamese war and moves to the Yemen of today in a story that could easily have been ripped from today's news stories. Samuel L. Jackson is accused of ordering his Marine troops to open fire on a group of men, women and children who were allegedly peacefully protesting at the American Embassy, and murdering eighty-three of them. He enlists his Vietnam buddy, Tommy Lee Jones, to come out of retirement to defend him and save his career and reputation. The story moves along at a rapid pace, sparked by outstanding performances by Jones and Jackson. The many close-ups of their endlessly subtle reactions create a powerful effect and draw you into the drama. The story itself is thought-provoking and challenging in that it asks the viewer to draw his or her own conclusions regarding right and wrong in the Middle East. Blair Underwood is on deck to deliver an excellent two scene tour-de-force; he is well on his way to becoming one of our finest younger actors. Ben Kingsley and, especially, a notably de-glamorized Anne Archer, also provide high points. Director William Friedkin keeps things moving right along with his hand on the pulse of the story throughout. Well worth the time.

3-0 out of 5 stars Engaging
The framework in which this story is centered around is quite compelling: an American embassy in a 3rd world country is being besieged by an angry and volatile anti-American mob. A security detail from a Marine Expeditionary Force (MEF) is called in to defuse the situation. From that point onward, utter chaos breaks out.

In this day & age the scene of the mob is sure to be quite gripping to any American viewer. This is especially the case given the fact that we've had several embassies overseas bombed in the past 10-20 years. Ever since 9/11 it has been exceedingly difficult to have a whole lot of sympathy for anti-American mobs, regardless of where they are.

While the film examines nicely some of the ethical intricacies of combat, the major flaw is that there is a rather large hole in the plot that even the least clever moviegoers will be able to point out. As the rest of the movie is pretty good, the best thing to do is to try and overlook this unfortunate inconsistency.

Another facet that strikes close to home is the cover-up attempts of the State Department. Not only is this plausible, but it is downright realistic. Few people with morals work for the State Department and the history of the department is filled with cloak-and-daggar silliness.

In all, this is an entertaining movie that compels one to think. It would have been a great movie, if not for the hole in the plot. It is a story that reminds us that the rules that govern war according to the Geneva Convention were written by lawyers who sat in the comfort of debate tables and not battle-hardened soldiers on the front-lines who get shot at on a daily basis.

1-0 out of 5 stars Disgraceful!
This is a piece of disgraceful American jingoism, implying that all Arabs are evil, and that only the US can save the world. And the inference is that it's a true story - IT'S NOT! It's Stars and Stripes fiction of the most racist kind. And to cap it all, it's a huge waste of talented actors. It's the responsibilty of reasonable people to make sure that the young and naive never see this tripe. They could end up believing it's true.

4-0 out of 5 stars William Friedkin is a Man of Honor
Within the sanguine moral abyss of combat, lies the grey zone. William Friedkin peels back the souls of men like a savage karmic banana, embedded with the shrapnel of moral ambiguity, the kind that fuels the war machine. And caught in the middle are the Marines, elegantly exemplified by the firebrand conviction of Samuel L. Jackson and the decency incarnate Americana personified by Tommy Lee Jones. Under the hands of maestro William Friedkin, "Rules of Engagement" proves that only honor survives amongst the ashes of men. ... Read more


120. Nights of Cabiria - Criterion Collection
Director: Federico Fellini
list price: $39.95
our price: $35.96
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Asin: B00000IOKV
Catlog: DVD
Sales Rank: 4827
Average Customer Review: 4.88 out of 5 stars
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Description

Giulietta Masina won Best Actress at Cannes as the title character of one of Fellini's most haunting films. Oscar® winner for Best Foreign Language Film, Nights of Cabiria (Le Notti di Cabiria) is the tragic story of a naive prostitute searching for true love in the seediest sections of Rome. Criterion proudly presents the restored director's cut in a breathtaking new transfer. ... Read more

Reviews (48)

5-0 out of 5 stars Ah, Fellini, Masina!
A prostitute whose life is a veritable study in the resilience of the human spirit is the subject of "Nights of Cabiria," directed by Federico Fellini. Giulietta Masina stars as Cabiria, a gentle soul at heart who manages to maintain a positive outlook even in the face of adversity. Experiences that would leave those of lesser mettle jaded she is seemingly able to ward off and emerge from intact, with a guarded optimism that nevertheless leaves her open to whatever ills life may have in store for her next. But it is just that optimism and her sense of joy in the simple things that makes her so endearing. She is proud, for example, of the fact that she owns her own house, hovel though it may be. Though not one to be easily duped, she is vulnerable to sincere persistence, which has in the past rendered her victim to those who would take advantage of her, which is succinctly established in the opening scene of the film. Fellini's film is a study of how good may succumb to evil, and yet still triumph in the end (though open to subjective interpretation). It's something of an examination of endurance; how many times can one be knocked down before finally being unable to stand back up again. At the same time, however, it's an example of how purity can prevail against even the utmost cruelty. There is a humanity manifested in Cabiria that somehow gives absolution, not only to her lifestyle, but to those who would willingly do her harm. And it is in that very same absolution that we find a message of hope and redemption. As Cabiria, the diminutive Masina gives a performance that is nothing less than superlative, filled with nuance and expression. She has a face and a manner that convey an unbelievable depth of emotion, and Fellini captures every bit of it with his camera to perfection. It sometimes seems that she is a sprite merely masquerading as a woman; she has a light, almost ethereal presence, though at the same time she exhibits an earthy quality that gives her character such complexity, which removes any semblance of stereotype one may assign to her character as a "lady of the evening." It is a heartfelt, memorable portrayal that quite simply should have earned her an Oscar for Best Actress. Turning in a noteworthy performance, also, is Francois Perier, as Oscar D'Onofrio, the stranger who comes into Cabiria's life with an offer that ultimately seems too good to be true. The supporting cast includes Amedeo Nazzari (Alberto Lazzari), Aldo Silvani (The Hypnotist), Franca Marzi (Wanda), Dorian Gray (Jessy), Mario Passante (Cripple in the "Miracle" sequence), Pina Gualandri (Matilda), Leo Cattozzo (Man with the sack) and Polidor (The Monk). "Nights of Cabiria" is a film of extraordinary depth that is beautiful as well in it's humanity; Fellini has created images, both visually and emotionally, that are stunning and indelibly realized. Highlighted by the performance of Giulietta Masina, this is a film that begs to be embraced, one that will stay with you long after the last shadow has passed from the screen into darkness. In Cabiria, Fellini somehow touches something eternal, for there is a lasting sense of innate goodness about her that simply cannot be forgotten. For seekers after wisdom and truth, this is definitely a film that must not be missed.

4-0 out of 5 stars a pretty nice film
This review is for the Criterion Collection DVD edition of the film.

The film's original title is "Le Notti di Cabiria" and was later remade as the film Sweet Charity with Shirley MacClaine.

This film is the story of a prostitute trying unsucessfully to find true love. This edition includes a famous "man with a sack" scene that was cut from from the film and is shown for the first time on home video. The film has good acting and some scenes with great humor.

the special features on the DVD include the original trailer, an audio interview with producer Dino DeLaurentiis, a video interview with Fellini's assistant, Dominique Delouche (conducted at his apartment in Paris) A scene from the film "The White Sheik" which was later released by Criterion, and a demo of the restoration.

The restoration is very impressive and shows how they were able to take a film that had faded severly and make it look almost brand new. The demonstration alone, is worth renting the DVD. If you like Fellini's movies, Buy it.

3-0 out of 5 stars Another classic that has left me COLD-but I warm easily
"La Notti Di Cabriria" is a fine showcase for the goofball charm of Giulietta Masina. I have no doubt that it has reduced many a mighty soul to tears and trembling. The story is tight and conveyed with authority and conviction. I am certain that this is a "good" movie that most people enjoy thoroughly. I'm going to back and watch it again, but as it stands, it just didn't move me like I expected it to. I can't very well give it a higher rating until it impacts me emotionally.

Still, I recognize that the film has an exceedingly dirty feel to it. Everything from Cabriria's occupation to the filthy beggars crying out for Grace from Maria --reek with a pestilence that cannot be washed off. The film is ugly--and Cabriria is presented like a little beacon of light to guide the viewer through the stinking pit of civilization. Masina does a fine job conveying the sufferings and triumphs of her character. I'm just not a big fan of these types of stories--I watched it because it is a Fellini film and I am trying to work my way through all his work. I will watch this again after I've made more of a dent in his output. I'll probably see it in an entirely different way and perhaps may even like it more.

Ultimately, if you love rooting for the little gal, this film is for you. She is very much like Chaplin's "little tramp" and you will enjoy observing her gritty determination to climb every mountain with a song in her heart. Watch it when you are not cynical, open to sweetness, and not afraid of the tyranny of the sun.

5-0 out of 5 stars Collector's Gem
Quality counts with the folks at The Criterion Collection, not just technically but in content too. This is one of Fellini's most fully realized films and the nostalgia and unflinching gaze that pervades all his best work is present in every frame. Everyone mentions Giulietta Masina's performance and there's a reason for that. She is brilliant. One of the most heart wrenching performances ever put on film. The DVD includes the "Man with the Sack" sequence that producer Dino de Laurentiis (more recently the production powerhouse behind the Hannibal Lecter franchise) excised from the original release. One can understand why a producer would want to trim it out - but its inclusion here makes the film seem larger somehow and Criterion should be applauded for putting it back in. This DVD is a vital part of your Fellini DVD Collection should you be assembling one. And you are, aren't you?

5-0 out of 5 stars poignant
I had never seen anything by Fellini when I picked up this movie. Not expecting much, I was astounded by the amazing performance of Cabiria by Masina. Masina gives the Cabiria character tenderness, vulnerability and comedy. I have never before or since seen an actress with the expressions of Masina, she was truly something special and a delight to watch. The transformation of the Cabiria character from beginning to end is fascinating to watch. The movie leaves the viewer with a lot to think about in regards to humanity, grace and kindness. ... Read more


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