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Peter Pan has a special place in the realm of classicanimated Disney films: it instills an element of childlike wonder. The 1953 version ofJames M. Barrie's story is colorfully told and keeps on the straight andnarrow of the book. Barrie's wondrous focus on child's play is the key to its longevity: kids who don't grow up, shadows that run away from theirowners, pirates, a fairy, and the magic ability to fly. In short, you can'thelp wishing the adventure would happen to you. Fueled by a few memorablesongs (the stunner being "You Can Fly") and the strong impression of thepixie fairy Tinkerbell and the goofy Captain Hook, Disney's version of this story neither supplants nor lessens the Broadway version with Mary Martinthat was produced for television the same decade. Unlike some classics,Peter Pan never ages along the way. --Doug Thomas ... Read more

Reviews (98)

Peter Pan
I'm still a fan of the Disney Classics but I have to say that Peter Pan isn't one of my favorites and for the same reason that a lot of people don't like this one and that is the scenes with the Indians (hence 4 stars unstead of 5).

PETER PAN is about the boy who could never grow up and after chasing his shadow in the bedroom of Wendy, John and Michael, he invites the 3 to fly with him to Neverland. It's a wonderful story of adventure, fun and flying. All children will enjoy this one.

Now again, my reason for taking a star off is obviously for the derogatory and stereotypical depiction of Native Americans in this movie. Regardless that this movie was made in 1953 still doens't make it right. As parents, it really should be the responsibilty of the parents to explain and to teach children the right way. I will say that every child should enjoy PETER PAN, but afterwards every parent should take the time to explain to the children that making fun of another culture is wrong.

Either way it goes, if you're looking for other great Disney classics look for BEAUTY AND THE BEAST SPECIAL EDITION, THE FOX AND THE HOUND, ROBIN HOOD, SLEEPING BEAUTY and CINDERELLA. Also check out some of the new Disney's like MONSTERS INC and TOY STORY and TOY STORY 2.

You'll (almost) believe you can fly
Of all Walt Disney's animated films, "Peter Pan" is my personal favorite. This classic tale of the little boy who never grew up has Disney stamped all over it. It also varies refreshingly from the versions that preceded it. In previous plays acted on the stage, Peter Pan was always played by a young woman, but in the Disney version he is all boy. He's brash, mischievous, more than a little cocksure of himself, able to fight and defeat a grown pirate captain, and on top of all this, he can fly. What else is needed for a children's hero? Tinker Bell is one of Disney's best inventions. On the stage she is a blob of light flitting here and there; only in animation could she be realized as a real pixie, vain, conceited, totally devoted to Peter and madly jealous of Wendy. The three children, Wendy, John and Michael, are very well done in the movie, and the opening family scenes are priceless. When Peter and Tinkerbell sneak through the children's window, and zoom back out again with the children in tow, we want to sprinkle on some pixie dust and fly right out there with them. Second star to the right, here we come. The scenes at Neverland are funny and original, and the pirates are a riot. One of Disney's most hilarious, and underrated, characters in all his films, is the crocodile, Hook's nemesis, who can't wait to get another chomp out of him. (Poor Hook is reduced to a bundle of shattered nerves every time he hears that tick-tock, tick-tock coming towards his ship.) The only negative in this film is the scene in the Indian village; the stereotypes that were accepted without question in the 1950s are almost embarrassing now. However, it can't and doesn't detract from the fun. The songs are okay, nut nothing special; it's the action and animation that make this movie. Of all Disney's animated films, "Peter Pan" was the one I used to wish was real when I was a child. Maybe there is a little of Peter Pan in all of us.

Poor adaptation of Barrie's play misses the point.
"The Disney version" of "Peter Pan" clearly demonstrates what is so wrong with "The Disney version" of too many classic stories. It turns Barrie's play into a simple adventure tale, in which the dramatic and (dare I say it?) psycho-sexual elements at the center of Barrie's fantasy are discarded wholesale.

There are defensible reasons for this, I suppose. Drama requires talking, but characters who stand around gabbing bring an animated film to a dead stop. I also suspect that Disney simply didn't understand the story in the first place. It wasn't until the Ashman/Menken era that Disney films finally developed any dramatic focus.

It's unfortunate, because "Peter Pan" starts off well enough. The late Sammy Fain's "Second Star from the Right," played over the title cards, has one of the most-ravishing melodies in the history of American popular music. (Look for the albums "Bibbidi Bobbidi Bach" and "Heigh-Ho! Mozart" for superb "classical" arrangements of Disney tunes.) The "You Can Fly" sequence is inspired (and can you name any other pop song with an accelerando passage?). But everything quickly bogs down thereafter, with Captain Hook's machinations providing the only fun.

There just aren't enough good things in the Disney "Peter Pan" to make up for its failure to treat the source material in an honest and serious fashion.

A great cartoon classic, one of Disney's best
This wonderful Disney production offers flights of fancy that appeal directly to children's fertile imaginations. The ability to fly, to be a devil-may-care youngster and never grow up, to engage in derring-do with pirates, never having to bother with school, and exploring fantasy worlds of islands, mermaids, Indians and mysterious caves is a powerful magnetic pull for young dreamers. The lush color lensing of this animated adventure is superb, and the characters and catchy tunes add to the pleasure of watching this film, for young and old alike.

Peter Pan, the title character, is a spry, charming lad who loves his carefree existence. He is, however, upstaged by his companion, the delightfully naughty Tinker Bell, a temperamental pixie who literally sees red when Wendy accompanies Peter Pan to Never Land. Captain Hook and his shadow, the crocodile, the sniveling Smee, the beautiful mermaids, and the stoic Tiger Lily are the characters who stand out in this movie. Wendy and her brothers, John and Michael are okay and basically come along for the ride. The sprightly song "You Can Fly!-You Can Fly!-You Can Fly!" is just one of the memorable tunes for which Peter Pan is fondly remembered.

A quick, enjoyable Disney viewing.
This movie animates one of the most imaginative plays ever written, albeit with a little 'Disneyfication.' It's by far my favorite; there is an enjoyably long spectrum of characters. Every time I watch this movie, it takes me back to those times I wish I was in Never-Never-Land.

P.S. The claim that this movie is an allegory to the JFK years is easily refutable, since this movie was made in 1953, while the play is over a century old. ... Read more

Reviews (34)

A TRIUMPHANT STORY OF A REAL LIFE SURVIVOR....
This is an incredible, highly energized film about the life of rock and roll diva, Tina Turner, and her stormy relationship with her controlling and physically abusive husband, Ike Turner. Award calibre performances are turned in by Angela Bassett, as Tina, and Laurence Fishburne, as Ike. They are both absolutely riveting.

Ms. Bassett plays Tina with all the earthy charm and sexual magnetism of the real life Tina Turner. Laurence Fishburne gives an amazingly effective performance as Ike, at once both repellent and charismatic. The movie focuses on their relationship, one which sowed the seeds for the Tina Turner we know today.

What started out as a match made in heaven, quickly soured as Tina naturally took the lead musically in their Ike and Tina Turner Revue. When it became clear that Tina was the one for which the fans were clamoring, Ike did not take lightly to being second banana, and their relationship became one of domestic discord and abuse, with Ike easing into the role of abusive husband with relative ease.

When Tina finally had had enough, she divorced Ike, taking nothing from the marriage except her children and her show business name, the name she earned. From there, she went on to rebuild her life and career, becoming the world reknowned rock and roll diva she is today. Ike, a substance abuser, ended up in prison for narcotics possession and fell into relative obscurity, little more than a footnote in rock and roll history.

This is a film well worth watching, with great performances and great music. Look for the live stage performance by the real life Tina Turner at the end of the film. That alone is worth the price of this video.

Intense and Extremely Well Performed
Celebrity bio-pics are very hit or miss, but once in a great while a really good one comes along--and WHAT'S LOVE GOT TO DO WITH IT is one of them. Based on the autobiography of Tina Turner, the film offers a glossy but intense portrait of her rapid rise to stardom under the sponsorship of husband-manager Ike Turner--a relationship that quickly turned dark and became increasingly abusive as Tina's fame began to outstrip Ike's own.

Although the film is a bit on the obvious side, it is well-crafted and the two leads offer powerhouse performances. Angela Bassett is simply astonishing as Tina Turner; where most other actresses might have simply imitated, Bassett accomplishes the impossible: she makes you believe that she is Tina Turner, capturing both Tina's famous on-stage performing style (the concert scenes are really exciting) and giving a completely believable interpretation of her off-stage personality as well. The script offers Laurence Fishburne little more than a one-dimensional role, but he plays it brilliantly from start to finish, and both are well supported by the overall cast.

There is certainly a great deal more to the lives of both Ike and Tina Turner than this film conveys--but what it does show it presents with considerable power and conviction, and by the time Tina finally hits back at Ike you'll be roaring for her to hit him again--and again--and again--and eager to see her finally triumph entirely on her own. Recommended.

ANGELA IS WONDERFUL !
Even though Dorothy Dandridge & Whoopi Goldberg have the most incredible performances by any actresses Angela's personification as Tina made me forget that she wasnt Tina. I was enchanted so much that even though Angela has no resemblance to Tina my mind couldnt tell otherwise. Angela is definitely my Queen. She has made such an impact and has widened the doors for the African American actresses. Even though the Academy failed to properly recognize her, we the fans would forever cherish her amazing performance as PROUD MARY. You go GIRL.

All that I can say is...
WOW! I have seen this movie hundred's of times and I never get sick of it. Angela Bassett does an excellent job potraying Tina Turner, from the costumes, the singing, to the emotions, it was all wonderful. Laurence Fishbourne is FANTASTIC as Ike Turner, he embodies the real Ike Turner's personality so well. It's a conspiricy that NEITHER Angela B. Or Laurence F. recieved an oscar for their roles in this movie because they both gave excellent performances. Vanessa Bellcalloway also gives a suprisingly good performance.
I dont feel the need to go into detail because I think most people know the movie is about Tina Turner's life and how Ike was horrible to her and abused her THIS MOVIE WILL MAKE YOU laugh at Ike's ignorant and at the same time wanna smack him for how mean he is. You will cheer for Tina, when she finally gets away from that man. BUY IT NOW!

Angela Bassett Deserved the Oscar, not Halle Berry
That is my sentiment. When Angela Bassett exploded on the silver screen as the irrepressible Tina Turner and was nominated for an Oscar....I was certain she would win. However, she didn't. Instead, Halle Berry earned the distinction of the being the first woman of African descent to win the Best Actress Award...and for a performance that doesn't come anywhere close to Bassett's. In fact, many Oscar winner's performances pale to Bassett's and people still remember Bassett's showstopper and didn't even remember whom she lost the award to.

Based on Tina Turner's autobiography, it "chronicled" Tina's rise to stardom as Ike Turner's partner. The relationship, already tumultous from the start, turned for the worst when Tina's fame pulled ahead of Ike's. Tina finally left the relationship and started from scratch, becoming the successful solo artist that she is today.

Ike is very much maligned in this movie, understandable since it is told from Tina's point of view. In any case, Laurence Fishburne delivered a tour-de-force performance that rivals Bassett's.

As for Bassett herself, I agree with reviewers that she did not imitated, or even looked much like Tina. To imitate someone only shows you are NOT that person. In any case, Bassett did an incredible job of endearing herself to the audience into believing that she IS Tina Turner. So successful was she that when the real Tina showed up in a concert clip at the end of the movie, it seems a bit of a comedown...because we have already attached to and identified with Angela; and invested a good portion of our emotions toward her.

Some reviewers seem to take umbrage with the fact that Tina's Black husband is the villain of the piece while benevolent White men "saved" Tina in the end.

Got news for you, despite what PC and feminism like to make you believe, heterosexual white men are not the only oppressors of the world. ... Read more

Reviews (4)

MYSTERT MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian [detective]who solves crimes only using
his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing fetes: Acorn is releasing the entire canon! Mystery magnifique!

STEP OUTSIDE THE BOX WITH POIROT
The supernatural provides an eerie undertone in this trio of episodes featuring Agatha Christie's most famous detective. Poirot's secretary Miss Lemon (Pauline Moran) experiments with the Ouija board and tarot cards; she even hypnotizes a murder victim's widow (with some success) in "The Underdog." And is an ancient Egyptian curse responsible for the four untimely deaths in "The Adventure of the Egyptian Tomb"? Poirot braves the untidy desert sand to find out. Finally, in "Yellow Iris," friends and family gather for dinner to commemorate the second anniversary of a woman's death; the atmosphere at the table is so charged one almost expects the victim to come back from the dead.
As always, the fastidious habits of Poirot (played to perfection by David Suchet) and the charming naiveté of his assistant Hastings (Hugh Fraser) add just the right touch of levity to these grim tales. For this, one must credit the scriptwriters as much as the actors--their addition of witty exchanges and subplots make Christie's stories even more delightful onscreen than on the printed page.

HERCULE POIROT HELPS YOU STEP OUSIDE THE BOX

Yellow Iris RULES!
Okay, so it's my favorite one-hour episode, forgive me!

The Adventure of the Egyptian Tomb - Great! Quite different from all preceeding episodes, and while a more complex solution would have been nice, the build-up makes the episode wonderfully multi-faceted! - 4.5 stars

The Under Dog - Well, this was the under dog of this set, but it's actually pretty good. Again, the solution was just a little too simple for my taste, but I did like the "Trapped behind the curtain" bit. - 3.5 stars

Yellow Iris - It's hard to say how much I like this! Probably only the third episode in which the music really hit home with me (the other two being the Cornish Mystery and Double Sin) and the whole recreation of the murder scene, and flash back, and the murder's Pshycological moment thing were intertwined incredibly well! BRAVO BRAVO BRAVO! - 5 stars

Box Set Overall score (Not an Average) - 5 stars

Three thumping good entries in the Poirot series
The seventh set of 3 mysteries is now available from Acorn Media and all three are very satisfactory indeed.

"The Adventure of the Egyptian Tomb" starts with a wonderful mixture of old newsreel footage and newly filmed studio shots of an Egyptian tomb being excavated and the entire premise bears more than a passing similarity to the Karloff film "The Mummy." As always, a little subplot is added to the original scenario that somehow ties in thematically (and now and then dramatically). The seeming curse on all those who attended the original opening of the tomb is killing them off but in very dissimilar ways. By putting his own life in the hazard--though not very deeply, as it turns out--Poirot forces the culprit to show his hand. As with all of the episodes in this series, the production values are high.

"The Underdog" concerns British businessmen who don't mind turning a profit even if it is with Nazi Germany. The scenes at the chemical plant are imposing, the red herrings well cooked up, and the acting up to standard for these productions. If the murder scene is a bit overly crowded (even for Christie), it does give us a chance to see the crime from several points of view and the cast manages to keep things on the serious side of what is nearly a French farce of people hidden behind doors and curtains. Even Miss Lemon's abilities as a hypnotist help Poirot to gather the clues in this one.

"Yellow Iris" has Poirot caught up in a coup d'etat in Argentina and actually arrested for espionage, all of which prevents him from solving a murder at a French restaurant owned by an Italian in Buenos Aires. While his demonstration of how the first murder was done leaves one a little incredulous (are intended murder victims all such good actors on the spur of the moment?), the psychological assumption of the killer is quite clever, making one think, "Yes, it would work!"

For some reason, the box shows Poirot as he appears in an episode slated for Set 8. A little Acornian production slip up? Still, three examples of top notch little-gray-celling. ... Read more

Reviews (55)

Can Scooby-Doo rebound?
Since I was a kid, I loved the 1970's "Scooby-Doo" animated series. Every entertaining episode had Fred, Daphne, Velma, and funny duo Shaggy and Scooby-Doo unmasking a villian. I loved that series.

As for the "Scooby-Doo" film, I was hugely dissapointed and mad. Where were the lovable characters I cherished? Aside from a enjoyable performance from Matthew Lillard as Shaggy, every cast member was either miscast or was a dead pan. Freddie Prinze, Jr. was terrible as Fred. Part of the reason he was cast was because his wife Sarah Michelle Gellar(Daphne) told the producers to cast him or she'll leave the role. The producers made a mistake. At least my family enjoyed it.

As for the computer animated Scooby-Doo, he was lukewarm at best. I just love the cartoon version dog who munched on scooby snacks.

Ok, so there's SCOOBY DOO 2: MONSTERS UNLEASHED. Hopefully something good will come out this blated and unexcusable sequel(and that's just made up). Wow, Seth Green is in this picture! I wait in line for the movie right now! (I was being sarcastic by the way.)

This time around, more Scooby and less Doo
When the first Scooby-Doo came out, it was pleasant enough, but the film was hobbled under both the usual gross-out "humor" needed to attract the twentysomething crowd and the constant legends that have plagued the original series (Fred and Daphne always make out when the gang splits up, Velma's a lesbian, Scoooby and Shaggy are potheads, etc.). In this new outing, the screenwriters eschew this nonsense for a plotline that delves into the Scooby mythos, creating a situation that is classic Scooby-Doo: Mystery, Inc.'s hometown of Coolsville is threatened by an evil masked madman who steals the costumes of the classic monsters that MI have exposed as fakes from a recent museum exhibit, and used them to create REAL versions of same.

All the original cast has returned, and everyone shines in stellar performances, bringing their characters to life. Sarah Michelle Gellar and Freddie Prinze Jr. make dynamic improvements in their roles as Daphne and Fred; Gellar brings a sweetness and kindliness to Daphne that she wasn't able to with Buffy, and Prinze gives Fred a sense of depth, humor and leadership.

(...)

Matthew Lillard returns with another explosive performance as Shaggy, channeling this character from somewhere deep within his psyche. Lillard has developed a reputation for intense performances (witness 13 Ghosts or SLC Punk), but with his portrayal of Shaggy, those performances are not so much eclipsed as erased. Eyes bugging, howling, screaming, limbs flailing, with the trademark cry of "[GHOST]!!!", at once terrified and RESIGNED TO the inevitable chase, Lillard nails Shaggy again and again throughout the film.

The CGI Scooby, voiced deftly by Neil Fanning, seems much improved, and this time it's a proper mix of cartoon and real canine that displays the lovability and goofiness of Scooby Doo. Much, much better.

The supporting cast includes a sympathetic Peter Boyle as former villain Old Man Wickles, and a devious Alicia Silverstone redeems her genre-film rep from the horror that was Batman And Robin as a two-faced TV reporter who seems to be out to deface the gang's track record. All in all, this second effort is well-made and worth the time spent. Four stars all round.

So Much Better Then The First!
As big of a fan as i was for the first one, i was excited to see this one. This one is so much better because it revisits some of the classic monsters from several of the shows. Such as the Pterodactyl Ghost, 10,000 Volt Ghost, Miner 49er, and the list goes on and on. If you were a fan of the first and even if you weren't give this one a try, it is definately one of the better sequels out there.

SCOOBY DOO 2
GREAT MOVIE. MY 4TH FAV. MOVIE. LOVED IT. MUCH BETTER TAN THE ORIGINAL. UNLIKE THE FIRST THIS KEYS TOGETHER THEMES FROM THEORIGINAL TV SHOW WHICH IS REALLY GOOD AND MAKES MUCH MORE ORIGINAL AND FUNNY. ITS ABOUT A MASKED FIGURE THAT BRINGS MOST OF THE MONSTERS THAT MYSTERY INC. HAS UNMASKED TO LIFE. ONCE THIS HAPPENS MYSTERY INC. IS BLAMED FOR ALL OF IT ANDF MUST FIND A WAY TO SAVE COOLSVILLE AND HAVE EVERYONE LIKING THEM AGAIN. YOU'LL LOVE IT.

scooby-doo 2:monsters unleashed-the best movie of all time!!
this movie is the best movie of all time.it's way better than the first one.sarah michelle gellar is the best actor in the film.freddie prinze jr.,matthew lillard,and linda cardellini were great as fred,shaggy,and velma.the people who made scooby(r&h)did a way better job than they did in the first.sarah m.gellar(s.m.g.)was the best actor though,she portrayed the role of daphne.alicia silverstone was faboulous,even though her character was the bad person,and she turned out to be a man in a mask.the film has a very good plot.all the monsters from the past come back because of shaggy & scooby-doo.so they have to make everything better again in coolsville.daphne,fred,& velma help them out a lot.this movie is the best i've ever seen.whenever this movie came out in theaters,the first few weekends it was out it was # 1 at the box office.but then that dang "hellboy" movie came out and knocked it down to # 2.at the end of may,scooby-doo 2 was down at #10,the lowest you can go.the movie did very well though.i saw it the day it came out.whenever it comes out to buy(september 14,2004)i'll buy it.this movie is fantastic.it should win an award.i am scooby's #1 fan & s.m.g.'s # 1 fan.well,GOODBYE!!!!!!!!!!! ... Read more

Reviews (970)

Best movie ever by far
This film breaks the ceiling of amazon.com's five star limit. Regardless of your religion, loyalties, or personal beliefs, to remain unmoved by this film means you're Satan himself.

The film revolves around the last 12 hours of Jesus Christ's life on Earth. As a viewer who's actually read the New Testament before laying judgement on the film's accuracy, I'd say there was extremely little deviation from the original Gospels. The film is an overwhelmingly emotional roller coaster ride beginning at Jesus' mock trial under Pontius Pilate to His crucifixion and resurrection. The fact that the entire script was spoken in Aramaic and Latin lends credit to director Mel Gibson's seriousness in portraying the events as accurately as possible.

The film was violent and bloody, but no more than the average reel spewing forth from Hollywood nowadays, none of which receive so much as a blink for their levels of gratuitous violence. But then again, none of those films promote Christianity. Hmm....

The film was no more anti-Semetic than "Schindler's List" was anti-German or "Seven Years in Tibet" was anti-Chinese. This film simply portrayed events as we know them historically. The Jewish high priests happened to be one group of people who wanted Jesus dead. The Romans and Pharisees were the true villians of the movie, nor was Jesus spared betrayal by even his own Apostles. The movie does, on the other hand, show two Jewish high priests defending Jesus' innocence at his trial, and it shows Simon being mocked by a Roman guard for being Jewish. These two events I do not recall reading in the New Testament, lending creedence to Mel Gibson's effort to make the film NOT anti-Semetic. The high priests condemned Jesus to death, but it was the Roman guards who took true sadistic pleasure in His suffering.

The violence and bloodshed served a purpose. It was to show what Jesus went through, the amount of pain He suffered, for mankind. Reading it in a few Biblical passages is one thing, viewing it on the big screen for two hours straight puts a different perspective on it. The entire movie intertwined scenes of Christ's suffering with scenes of Him earlier in time giving sermons on love and forgiveness. This served to cement the fact that Jesus did not just practice what He preached. The most emotional scene was probably when Jesus was being nailed to the cross, the whole time praying for God to forgive His persecutors.

I've seen the film three times since it premiered five days ago, and I plan to see it many more times before it comes out on DVD. To warn you, the film makes you feel about an inch tall, but it is a much needed reminder of just what sacrifices were made by Him on our behalf. The closing scene was my favorite, and I hope you watch to see what it is. Amen and Hallelujah!

Deeply moving cinema with epic feel
Assuming you know the story (and one hopes most of us do) I felt you had to be neither religiously inclined, or interested in historical theology to take a lot away with you after seeing this picture. Heavily criticized for it's brutal depiction of the last 12 hours of the life of Christ, and maligned by some for encouraging anti semetism, I found it powerful and very moving, if disturbing. It is a testament to Mel Gibson's vision, and perseverance that NO major Hollywood studio picked up this picture, which was self funded by Mr Gibson at a cost of around $30 million. The fact that the dialogue is chiefly aramaic (the movie is subtitled throughout) could also be seen as enough to discourage a lot of viewers, but there is no doubt that this is powerful film making at it's best. Perhaps "enjoy" is the wrong word to use in how I felt after the movie which is violent and unforgiving in showing Christ's persecution and eventual execution on the cross, but it is compelling, absorbing and emotionally charged. The success of the picture (I feel) lies in the what has been the chief subject of critisicm, the blow by blow punishment and torture the viewer cannot help but share with the main character. However, perhaps this is the strength of the movie, and I believe Gibson's aim, in showing what has always been hinted at, or happened "off screen" in other films of the genre. Put simply, it is saying that knowing or saying that Christ suffered and died for our sins is not enough, this is how, and why, open, graphic and painful. Not a movie I would recommend for the squeamish or sensitive, and certainly NOT for children (of any age). James Caveziel is believable and strong in the lead role, and more than ably supported by a cast of almost unknowns. Top marks all round, a film that will live in the memory long after you have seen it. Go see it for yourself, you may found out a lot you didn't know

Praise God! For He is Risen!
I have been a Christian since I was 7 yrs old, however I like many strayed from Gods chosen path. When I saw this movie I was not only moved to tears but found my life changing in the most wonderful of ways! I prayed for forgiveness of my sins again because all of what Jesus endured, he endured for us. He didn't have to, ya know? And I now have the blessed assurance that I will go to Heaven! Amen! This movie is very graphic but the graphics are uterly necessary if we are to grasp the truth of what Christ endured for all of us. I hope that you will see this film and that Christ's journey will have a profound impact in your life as well! God Bless!

As accurate as possible...
Mel Gibson did a stellar job portraying the final days of Jesus Christ's last days. Some may protest that it was overly violent; however, Gibson did not put in as much as what really happened. I doubt the American (or European) market is ready to see how truly brutal Christ's death really was. Yes, it was violent, but did you want to see the candy coated version of his death? I think not. Props to Mel for his sensitivity to the matter. I believe it could have been more graphic, but Mr. Gibson wouldn't have wanted his entire audience vomiting in the aisles. A+

This movie is awesome!
This movie was the best movie ever made, im a 16 year old catholic and i dont go much to church but i felt everything that jesus went through deep inside of me. Some people might not like the movie but thats their problem, God knows what evil spirit was toying with their mind. This movie was very well directed and left me speechless in the theatre. Mel Gibson is an awesome actor and he has now proven to be an awesome director also! Much love to all my peeps in the Bx baby~peace ... Read more

Reviews (333)

JUST THE BOX ART WILL MAKE YOU LAUGH!
Christopher Guest is Corky St. Clair, small town Blaine ("The Stool capitol of the world"), Missouri's resident community theater director. With plans of getting back to Broadway, he has created a musical extravaganza "Red, White and Blaine" to celebrate the town's 150th anniversary.

This sly, often hilarious, mock documentary features Guest's resident troupe of improvisational actors -- Eugene Levy (co-writer), Catherine O'Hara, Parker Posey, Fred Willard and Bob Balaban as the stage-struck locals who pin their amateur hopes on being discovered when Corky hints that legendary talent scout Mort Guffman will be in the audience.

If you appreciated "Best In Show," than check out its predecessor. Over 80 hours of film were shot in Super 16mm and edited down to a brisk 84 minutes. The widescreen print is especially sharp and the sound is clear. Co-writers and stars Guest and Levy share a loose and funny commentary and there's at least 30 minutes of whimsical and surprisingly poignant deleted scenes with optional commentary. Recommended.

"Is it karma? - Maybe."
This is what director 'Corky St Claire' has the NERVE to say, congratulating himself on the progress of his self-penned show, 'Red, White and Blaine'. This 'mockumentary' is THE FUNNIEST MOVIE I'VE EVER SEEN! It has it's own 'groove', and once you get onto the Guffman wave-length, you soon become an addict! Christopher Guest delivers his finest performance ever as small town Blaine's resident 'creative type', a tubby, autocratic drama teacher with 'off-off Broadway' experience. The fictional town of Blaine is so 'small town' that the fact that Corky is obviously gay never enters their thoughts; he's 'creative' (and 'from New York'!) The supporting cast, however, are in danger of stealing the movie from under his feet! Parker Posey is pathetically delightful as 'Libby Mae', a Dairy Queen employee who dreams of hitting Broadway so she can "meet Italian guys". Also praisworthy are the characters of "Ron" and "Sheila", a married couple of zero-talents who "Corky" dubbs 'The Lunts of Blaine'. Yet the real prize has to go to Eugene Levy as "Dr Pearl", the local dentist who lands a starring role in 'Red, White and Blaine'. "Dr Pearl" fancies himself as a comedian ("At family functions, I love breaking people up.") and Levy SOMEHOW manages to be hilariously funny playing a character who TRIES to be funny - and ISN'T! Anyone who has ever been involved with local theatre on any level whatsoever will ADORE this movie! Not only does it take a playful stab at Middle America, it ALSO pokes fun at the documentary genre itself (those tense close-ups, those hand-held cameras!) The cleverest, most intelligent comedy in years - 'Waiting for Guffman' has become a cult movie, and quite rightly!

After years, and years of clinical research.
I have determined that this is funniest movie of all time. If you don't agree with me, or even worse, if you don't
"get it", you are part of the problem, and deserve everything
you have coming to you.

"I find I have no feeling in my buttocks."
Hey Amazon censor - "buttocks" is not a bad word. Lighten up :-)

"Waiting For Guffman" is another Christopher Guest-and-ensemble-cast mockumentary, this time involving community theater in Blaine, Missouri, "the stool capital of the world."

There was no real script, but the actors did have certain plot-points to work around, and they pull off a very funny movie.

The musical in the movie, entitled "Red, White, and Blaine" is to be performed on the 150th anniversary of the founding of the town of Blaine, which involved cross-country wagoneers who at night believed they had reached the Pacific ocean, but when the sun rose they discovered they did not quite make it, subsequent quality stool manufacturing, and alien abduction.

There is the crop-circle scientist who explains that although the diameter and circumference change slightly, the radius is always the same, as is the weather - "when you step into that circle it is always 67 degrees with a 40 percent chance of rain - always".

There is the alien abductee (perhaps my favorite part) played by Paul Dooley. He had the misfortune to be probed by many aliens (though not all at once) which leads to his buttocks being numb on Sundays.

Cast regular Eugene Levy plays a Jewish dentist, and Fred Willard and Catherine O'Hara are husband and wife travel agents who have never been outside Blaine. Bob Balaban plays the straight-laced local music teacher who is somewhat put upon trying to get Christopher Guest (Corky, the show's director) to hold proper rehearsals. Parker Posey is the local Dairy Queen employee with dreams of stardom and a father in prison.

The group goes through the audition process for their role in the musical, then rehearsals, and finally the performance, during which they anticipate the arrival of an influential NY drama critic, Mort Guffman - hence the title.

There are a lot of funny little moments, such as Corky wearing those big pants and doing his little dance, or Levy singing "I Dream of Jeanie With the Light Brown Hair", or rehearsing his "how high a ridge I could not tell" line, or Willard talking about his reduction surgery and trying to show it to Eugene Levy who retorts in a Johnny Carson voice..."Medicin man not go near...'Dances With Stumpy'.

Much of the show music was written by Guest, Michael McKean, and Harry Shearer from "Spinal Tap" fame.

The DVD had deleted scenes with optional commentary, a text-based behind the scenes, a commentary by Guest and Levy, subtitles and a trailer.

"I'll tell you why I can't put up with you people. Because you're (...) people. That's what you are. You're just (...) people, and I'm goin' home and I gonna - I'm gonna bite my pillow, is what I'm gonna do!"

What time is it?
Haven't you been paying attention? It's Midnight at the Oasis!
I originally wrote that this film is too deadpan and straight for my liking, especially coupled with a commentary that I still find rather boring. However, I think this is the best thing about these movies and Guest's personality in general. Most movies like this play down to their audience, continually winking at them and patting them on the back for getting all the jokes. Waiting for Guffman is so off the wall that it can play to any audience but a certain kind of people will get all the jokes and non-jokes (a term that I use for dialogue and scenes that don't have explicit jokes in them but have a humorous bent: take the scene with David Cross, for example).
Anything with Fred Willard is classic. Eugene Levy saying he was not the class clown, but sat near the class clown and studied him. And of course, "what do your keen and perceptive eyes see?"
Bestin Show is probably the funniest (not counting This is Spinal Tap), while A Mighty Wind is probably the most touching, feels the most complete and polished. Waiting for Guffman is so subdued though, which is why it's great. There's still a lot of laugh-out-loud (especially if you're a first time viewer, or the first time in a while) moments, and the ending is one of the best comedy endings of all time.
I love the little moments here, (Catherine O'Hara's little speech about "less is more" acting, Fred Willard telling Dr. Pearl "this is my wife Sheila, you may remember her from previous bills") there's just something so pure about these movies that makes them rewatchable. It's a pretty good movie, but keep in mind it's pretty rough and in my opinion the "worst" of the mockumentaries.
On the DVD side of things, I couldn't help but think the commentary was, well, boring. There was a lot of dead time. Guest seemed so bored during the recording, then again he could've just been kidding. We learn of the movie's incredibly small budget and cramped shooting schedule, however. And the deleted scenes are a treat, my favorite probably being the "Nothing Ever Happens in Blaine" song. Aside from that, there's little else, though. But the disc is pretty good (and cheap), so it's a no-brainer purchase. Get it. ... Read more

Description

Marvelous mustachioed Hercule Poirot stamps out evil with savoir faire to spare in this British television production that became a hit on both the PBS Mystery! series and A&E. Based on the fiction of Agatha Christie and starring David Suchet as the definitive Poirot, the series features great ensemble acting, witty scripts, and gorgeous period sets and costumes. The dapper, diminutive Poirot and his lanky assistant Captain Hastings (Hugh Fraser) sort out cases in and around 1930s London.

Dead Man's Mirror—At a fine furniture auction, Poirot loses in the bidding for an art deco mirror but wins a new client willing to part with the mirror for Poirot’s services.
Jewel Robbery at the Grand Metropolitan—Poirot tries to take a holiday but is soon required to save the day when a priceless necklace disappears.
The Adventure of the Clapham Cook—Finding a missing cook proves tougher, and more suited to his superior skills, than Poirot expects.

DVD SPECIAL FEATURES INCLUDE biographies of Agatha Christie and David Suchet, cast filmographies, and Agatha Christie materials. ... Read more

Reviews (1)

3 strong entries in the almost complete POIROT series
Having sung the praises of Sets 1-8 of the Acorn Media releases of , I can find little to add about the general excellence of this series, which offers up the shorter episodes on VHS and the longer ones on VHS and DVD formats. With 3 of the projected 12 sets to go for the shorter entries, Set 9 offers up a trio of fairly strong tales.

"Dead Man's Mirror" concerns a ruthless millionaire who outbids Poirot on a mirror at an auction and then dangles the item as bait for the detective to investigate a case of fraud. There is much ado about inheritances, a second (unsigned) will, possible murderers, dinner gongs, and shots behind locked doors. And if the ending is far fetched, who cares? This one needs total concentration.

"Jewel Robbery at the Grand Metropolitan" is lighthearted and contains a wonderful spoof on the mystery plays popular in Christie's own time. You will enjoy not only the usual good characterizations by the supporting cast but also the very imaginative camera shots inside a chest of drawers.

"The Case of the Clapham Cook" hangs on a hoax that is a bit overly complicated, since the perpetrator could have accomplished his aims in a far less roundabout way; but then there would have been no plot. The use of disguises, fine in the original stories, often does not work on video, because it is too easy to spot the face behind the beard.

All in all, superior viewing for an evening. ... Read more

Reviews (3)

The English Abroad
The "Poirot" Box Set #11 contains "The Third Floor Flat," "Problem at Sea," and "Triangle at Rhodes." The first episode is set largely within Hercule Poirot's apartment building, Whitehaven Mansions; the other two take place very far from home, in Egypt and in Rhodes, Greece. I didn't care for "The Third Floor Flat"; its ending was far too predictable. "Triangle at Rhodes" is much more intriguing, a story about a "love triangle" that is not quite what it appears to be. The location shots and the décor in this episode are absolutely gorgeous. Like the previous reviewer, I did notice parallels between this story and that of "Evil Under the Sun," an excellent "Poirot" novel that I would recommend to anyone who enjoyed "Triangle at Rhodes." In "Problem at Sea," Poirot and Hastings investigate a murder aboard a cruise ship bound for Alexandria. The episode features interesting characters and an uncanny denouement. Though "The Third Floor Flat" is only average, the two "abroad" episodes are well worth the price of the whole box set.

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian dick who solves crimes only using
his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing
fetes: Acorn is releasing the entire canon! Mystery magnifique!

11 down, 1 to go
Only one to go! This is Set 11 of the Acorn Media "Poirot" 12 box series that will include all the shorter Poirot episodes we enjoyed so much on PBS way back when and later (in much mutilated form) on A&E. Starring the "definitive" Hercule Poirot, David Suchet, this series includes (I believe) all or most of the Poirot short stories penned by Agatha Christie, three to a VHS box, while the longer tales are available on VHS and DVD with running times of about 110 minutes.

The three episodes in Set 11 are pretty good. "The Third Floor Flat" brings a murder very close to Poirot's very own flat, just below it in fact. The solution is not very satisfactory and comes a little too early; but the setting more than makes up for it all.

"Triangle in Rhodes" (1937) bears a strong resemblance to "Evil Under the Sun" (1941), and the solution to the former is more credible. Hastings is absent from this episode and the scenery is gorgeous. Be sure to see "Evil" with Ustinov as Poirot and Diana Rigg as the victim for comparison purposes.

Hastings (Hugh Fraser) is back in "Problem at Sea," in which some of the characters are more interesting as believable humans than in most of the Poirot tales. You might guess not only the guilty party but even the modus operandi early on; and while Poirot's forcing a confession from the murderer is a little overdone, this is (correct me if I'm wrong) the only Poirot story in which he is strongly criticized for being "cruel."

A very good set, despite small story faults. ... Read more

Reviews (15)

Bulls-eye!
The best noir ever made for the small silver screen, this classy series exudes as much pizzazz today as in its heyday! The dark streets glisten with rain and neon, the nightclubs steam with sultry jazz and smokey-voiced women, and stalwart men stalk the unlit alleyways, shadowy docks, and hitman hideouts of the urban jungle. The storyline of each half-hour-slotted epidode is tight and to the point, but time is still taken to explore the relationahip between Gunn and his glib, glamourous girlfriend Edie, his matron-with-moxie chum Mother, and the dogged, job-bound Lt. Jacoby. The series has a timeless ambience. It oozes with hot, on-the-surface sexuality without being brazenly explicit, and the violence is palpably throbbing without being gratuitous or gorey. As terrific television, it's right on target!

16 slices of late '50s "cool"
Unfortunately in the 23-24 minute length of each episode there isn't all that much time for plot or character development, so for better or worse, we get right down to the nitty gritty. But for a taste of 1950s "Cool", being the TRUE "cool", it doesn't get much tastier than this. Bet you can't watch just ONE! Peter Gunn (Craig Stevens) is a sharp P.I. in a sharp suit who hangs out in a jazz club called "Mothers". His singer/girlfriend, Edie (Lola Albright) has got to be one of the most gorgeous 50s babes outshining even "Hawaiian Eye" cutie Connie Stevens and "77 Sunset Strip" bombshell Jacqueline Beer. And not a word of sass, just cool... so refreshing! Gunn's way-out beatnik buddy, Wilbur, is a welcome addition in selected episodes. The rain-soaked streets at night, the menacing docks area, the 1950s cars, great character actors like Whit Bissell, Jack Weston, Gavin McLeod, Frankie Darro, etc. show up, also guest musicians Shelley Mann, Shorty Rogers and others in on-camera appearances PLUS that Mancini score!! Today's teens, with their laughably misguided concept of "cool," should look in, take note, and shut up! They couldn't be this smooth if they tried. Some episodes are better than others, but all of the shows have great moments. The picture quality varies a little as well, but overall, considering the vintage of this stuff, it's pretty good. I have no complaints and highly recommend both Vol.1 and Vol.2

peter gunn sucks
Peter Gunn sucks,and "mother" is a rotten singer.However,Lola Albright is lovely and the music score by Henry Mancini is wonderful.

The bar was set low, and I don't mean in Mother's
I recalled some details of this show, but no particulars. Bought it because I thought it might be a gem, like "Have Gun, Will Travel," which holds up spectacularly well.

But Gunn? The scripts are by folks with attention deficit disorder. The characters are above average in large part, but there's virtually no attempt to consider a vague plot.

There's a ridiculous trivia quiz in which you view scenes from the episodes a second time -- geez, they were ridiculous enough the first time -- and then you're given a memory quiz, such as, "Who offered Peter Gunn a chair?" in this scene. Who cares? Trivia should be questions such as, "Were producers looking for a TV version of Cary Grant when they cast Stevens and told him to talk with clipped, Grant diction?" At least we might have learned something.

And rights could be an issue, but if not, why not include some of this fine music on a few tracks?

Oh. Gunn gets beat up more than Mannix. In real life, he would have had Parkinson's Syndrome at 45 from all the brain battering. Maybe if he'd look behind himself once in a while.

The epitome of cool
If the world wants to know what cool is watch Peter Gunn.
I was very lucky to watch it on TV as a tot.
The music soundtrack is maximum cool,too.
Craig Stevens plays it smooth.
He is the hero you know in your gut will be there for you when no one else will.
TV shows are not made like this anymore. ... Read more

Amazon.com

In the 1870s,pregnant Rebecca (Kelly Preston) and her husband are on their way across the West when they stop at a trading post.Her husband's naivete (and his prized Henry rifle) soon leads to his death at the hands of a ruthless buffalo hunter, and the proprietor of the trading post (Dan Haggerty) is killed as well.Cheyenne warrior chief Hawk (Pato Hoffman) is wounded in thefight with the buffalo hunter, and Rebecca helps nurse him back to health again, opting to stay at the trading post rather than go along with Hawk.Hawk returns to his tribe, but comes back to the post when Rebecca's baby is due (undoubtedly having figured out the date and put it in his Palm Pilot).Together they form a strange sort of love-hate affair and learn to get around their cultural differences, at the cost of Hawk's affiliation with his own people.There are problems with the script and direction of this movie; for instance, the baby sort of disappears for a prolonged period, and Rebecca seems to get over her husband's death within days.Still, there is the spectacular Colorado (?) scenery and considerable attention to period detail in clothing, weapons, etc.Pato Hoffman is excellent as the Cheyenne Hawk; why isn't this actor better known?--Jerry Renshaw ... Read more

Reviews (17)

It is a very good movie, very entertaining.
Pato is wonderful in this movie. For once we actually had a true Native American Man interperting the role of a native american warrior. The only problem is that the costuming and make-up was alittle much. I agree with other reviews--Why is Pato's name left off top billing. He was the only reason I kept watching he captivated my attention. Please let's give credit where it is due. Starring Pato Hoffmann as Hawk. I believe Pato is a treasure. I am devoted fan of Pato Hoffmann.

cheyenne warrior
Like the other reviewers, I believe Pato Hoffman deserved top billing. His interaction with Kelly Preston created great chemistry. I believed they should have devoted more time in the movie toward the development of their relationship. Pato Hoffman's character development was great. He played a native american who displyed humor, kindness, great character as well as someone the viewer could relate to. I was disappointed that the people writing the script chose to take the "safe" way out & have Kelly Preston leave Hawk at the end. I think it should have ended with them staying together - unless they decide to do a sequel. In that case, they could have Hawk going to see her & renewing the relationship.

Why are there not more A.Native films on DVD?
This film is so exciting and the DVD is full of interesting details about the making of the film, where and how it is made and the details about the disputes over the script were fascinating-I would be giving it away if I told you what they were. Pato Hoffman was perfect as the vibrant cheyenne warrior chief Hawk, where has he been all my life ? Where is he acting now, as I cannot get Naturally Native and The Sentinel on DVD ? I have now bought Geronimo and Wild Bull to see him in action but it would be great to get more recent details of where he can be found as his fan website seems out of action.
This film is great value and has the sexiest actor I have seen in a long time.

Cheyenne Warrior - great movie
Just a quick note to say that I thought this was a wonderful movie. It was entertaining and believable at the same time. I admit I had to break out the tissues at the end.

I also really enjoyed the producers/directors' commentary on the DVD. Usually I find them boring, but this one held my attention and I found myself wanting to ask questions about some of their comments.

I have since either rented or purchased all of Pato Hoffmann's other works that I have been able to find.

Just an old-fashioned love story...
Cheyenne Warrior is a beautiful love story with humour and heart-stopping moments. Pato Hoffman is simply gorgeous and Kelly Preston, whilst struggling with some daft dialogue at times, can still manage to portray emotion in the right places most of the time. ( Note I put Mr Hoffman first - he deserves it!)
A feel-good film that I put on the TV on a grey, rainy day whilst snuggling down into a comfy sofa with a large glass of wine to alternately cry or sigh into! Knowing the ultimate, desperate fate that awaits the Cheyenne of this era there must surely be material there for a subsequent film on Hawk? Especially in this time of renewed interest in the injustices perpetrated against those people?
Buy this film and watch it when you're on your own and don't have to succumb to pressure to agree it's corny ... it's just an old-fashioned love story - enjoy!! ... Read more

Description

Teen sensation Lindsay Lohan stars as Lexy Gold, budding journalist and fashion queen of Millington Preparatory School in Manhattan. Together with her best pal Jennifer (Brenda Song), Lexy's always on the lookout for the latest scoop and the latest style. When one of her teachers mysteriously disappears, Lexy goes from school advice columnist to determined investigative reporter. And with a little help from her friends Jennifer and Gabe, and her street-smart editor Jack, Lexy vows to get to the bottom of the mystery. Before they know it, they find themselves hot on the trail of a story bigger than they could have ever imagined! ... Read more

Reviews (21)

High scores for this one...
A fun, lighthearted story of a teenage reporter wanna-be who finds herself--and her classmates--in the middle of a murder mystery. It's a fun movie to watch with your kids, not overly sugary. The story is well-written and Lindsay Lohan is really a pleasure to watch! As a parent of a pre-teen, I highly recommend it!

cool movie
i saw this movie on cable before when i was a young kid. and it was like the coolest movie ive ever seen.

cool movie
i saw this movie on cable before when i was a young kid. and it was like the coolest movie ive ever seen.

cool movie
i saw this movie on cable before when i was a young kid. and it was like the coolest movie ive ever seen.

cool movie
i saw this movie on cable before when i was a young kid. and it was like the coolest movie ive ever seen. ... Read more

Description

Brilliant Belgian detective Hercule Poirot cracks the toughest cases with brainpower alone, endearing him to thinkers everywhere and making Agatha Christie the bestselling author of her day. As portrayed by DAVID SUCHET in this British television production, Poirot became the most-watched detective in the history of the PBS Mystery! series and a hit all over again on A&E. In these three stories, Poirot outsmarts both the criminals and the other crime-solvers in and around elegant upper-crust 1930s London.
Murder in the Mews—On Guy Fawkes Night, Poirot is called in on a case he suspects is murder made to look like suicide.
The Adventure of Johnnie Wavery—A country squire hires Poirot to investigate threats against his young son.
Four and Twenty Blackbirds—Poirot’s keen powers of observation and culinary know-how help him solve a murder case. ... Read more

Reviews (2)

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series --- Christie penned a brilliant Belgian [detective] who solves crimes only using his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans shouldn't host sleuthing
fetes: Acorn is releasing the entire canon! Mystery magnifique!

Great productions, two weak plots
The excitement mounts (and shelf space decreases for collectors) as the 10th entry in the Hercule Poirot series appears! has, of course, all the superb production values of the other sets (both the short episodes on VHS and the longer ones on VHS and DVD) with the nearly perfect incarnation of Poirot in actor David Suchet. However even the most rabid fan must admit that two of the three plots are not top drawer.

"Murder in the Mews" is the strongest entry with its twist on "the murder set up to look like a suicide" element. Toss into the salad the caddish Major (James Faulkner), the pompous politician (David Yelland) engaged to the victim, and the best friend (Juliette Mole), and you have all the ingredients for a solid whodunit with a good red herring.

"The Adventure of Johnnie Waverly" telegraphs its solution too early in the proceedings for any interest to build up except for the question of How rather than Who. Also the precautions taken to prevent the crime are too unrealistic for credibility.

"Four and Twenty Blackbirds" again uses a bearded character, which in series such as this one too often means someone in disguise. I am not revealing too much, since Poirot knows this halfway through, but the criminal in this case was simply too careless and there are "too many clues." A nude artist's model with a sense of humor, however, does not hurt.

But mind you, these are still fun to watch as Suchet penguinwalks circles around Chief Inspector Japp (Philip Jackson). ... Read more

Reviews (39)

Has made-for-television feel but still makes an impact
Based on Richard Rashke's account of the only successful organised Jewish uprising against Nazis from within death-camp barbed wire, "Escape from Sobibor" is an admirable effort adapted for film. Despite its often melodramatic made-for-TV overtones (something cliche'd and rather inappropriate for such a weighty and sombering event in human history), the film captures the painful struggles, defiance against the ugliest of tyranny, and ultimate triumph of the Jewish prisoners over their oppressors. Unlike "Schindler's List," which unfortunately represented its Jewish characters in a one-dimensional and consistently passive light, this film presents us with strong, well-developed characters, from numerous backgrounds and levels of experience, who are justifiably angry and rebellious against the Nazis. The characters are well-acted, with all the passion, heart, spirit, and SOUL it undoubtedly must take to play such demanding and emotionally draining role! s. I recommend this movie fully; it will touch viewers with the spirit of sorrow amid triumph, and vice versa. END

The film of historic accurancy.
"Escape from Sobibor" is a grim turn inspirational film about the prisoners who, after careful planning, managed to escape from Sobibor. 300 died during the escape whereas the other 300 managed to live during and after the escape. The actors, especially Alan Arkin, Rutger Hauer, and Hartmut Becker, gave memorable & magnificant performances. Becker was telling & excellent in portraying one of the chief SS men in charge of the camp, sargeant Wagner. The actresses, especially Joanna Pacula, also played with upmost effectiveness & familiarity with the history behind Sobibor.

The film is historically as accurate as it can be, with scenes so telling of the torture of the prisoners hated due to dangerous & distorted ideologies. The picture, not as masterful as "Schindler's List", is well done nevertheless with artistry & sophistication. The acting measures up to the acting in "Schindler's List."

My only hope is that this video recording is not abridged, for the complete film is two hours & thirty minutes. If the video has the complete version of the film, my recommendation exists very strongly. If the abridged version exist, hesitations should occupy your mind.

Ask questions.

Excellent made-for-TV WW2 true story
This is the best made-for-tv movie (broadcast network) that depicts true events I have ever seen. Rutger Hauer and Alan Arkin are excellent as a Russian POW and a Jewish concentration camp prisoner who lead an uprising in a German concentration camp. It left me feeling "at least SOMEONE in a concentration camp stuck it to the Nazis." It also made me wish more had been able to. It's surprisingly graphic for a made-for-tv movie (I think it was on CBS); it shows naked women lined up to enter the showers (gas chambers). Just a word of warning to parents.

Surprisingly good movie
I have bought this one a year ago and didn't watch it till now. It was a big surprise as I didn't expect souch a touching movie to come out. HIGHLY RECOMENDED

Amazing Portrayal of History
I have visited Nazi death camps in Poland. I found the information presented there to be dry and dull. But when I first saw Escape from Sobibor at a relatives house, I was intrigued, because I could actually see the information through the amazing acting of Alan Arkin. I was impressed how they were able to create a gripping story that appeals to all senses, yet still be able to follow the truth so closely. The emotions I felt while watching this movie was unbelievable, whereas the death camps I was bored and uninterested because I couldn't visualize the information. This movie is great for anyone, whether you are a history buff, like gory scenes, or anything. I would definitely reccomend this movie to anyone who asked me about it. ... Read more

Amazon.com

Like its fellow HBO series Sex and the City, this half-hour comedy broke some TV rules and went from critics' darling to an award-winning series in three years. Curb Your Enthusiasm is the brainchild of star-creator Larry David who co-created Seinfeld and was the basis for the easily rattled George Costanza (who was played by Jason Alexander). Like George, David has a tendency to speak too much, blow things out of proportion, and, most often, fail in the end (and often liking it that way). David's new show is also like its predecessor: it's about "nothing" except following the day-to-day ramblings of a sometime writer and comic (this time in L.A.). Eternal questions stemming from universal daily dilemmas are honed to perfect comedic absurdity. A notable exception is the show is only scripted by plot; much of the action is improvised. The first season starts with a one-hour mockumentary following David's return to stand-up for the first time in years; the other 10 episodes follow a more traditional sit-com setup. David plays "himself" (as does his friend, Richard Lewis) although his manager and wife are played by comedians Jeff Garlin and Cheryl Hines. Although this first season is a comedic gem, one can't take more than an episode or two at a time--it's acidic, biting comedy. The episodes are often built like a house of cards, which the irritable David will surely collapse by the end. Like another caustic TV character, Dabney Colman's Buffalo Bill (1983-84), Larry David is not for everybody.

The second season is more of the same, and for fans, that's a good thing. The closest thing to an arc is David's season-long pitch to the networks for a new show starring former Seinfeld stars Jason Alexander and Julia-Louis Dreyfus. Each network is lampooned, especially HBO, which David has a bad history with in this alternate world. Sure to repel those with soft funny bones, Curb's acerbic comedy allows jokes where David is accidentally framed--if ever so briefly--as a child molester, wife abuser, or murderer. But for those who do love his shtick, there are big laughs, especially when we bump into characters as unbridled as David, like a fellow writer who is quite protective over his dad's invention, the Cobb salad. Many comic actors pop up, some as "themselves" (Richard Lewis, Rob Reiner) and others as characters (Rita Wilson, Ed Asner) along with the delights of co-stars Cheryl Hines as David's wife and his affable manger, Jeff Garlin. There are several touchstone bits: what a thong brief can do to a relationship, a run-in with pro wrestler, Larry's first baptism, and one very collectible doll. To pick one episode to capture this second season--and its grandstanding nature--it would be "Shaq," in which the NBA star is accidentally tripped, changing David's usual bad luck with gut-busting results. --Doug Thomas ... Read more

Reviews (4)

My favorite SET of Poirots So Far!!
I have all the DVD sets of Poirot - except for #6 which I am fixing to order! I LOVED this DVD the best so far!! Number #5 was so intertaining - and I highly recommend it.

It's great to have "Poirot" on video!
I so enjoyed the "Poirot" series when it was shown on PBS during the 1990's. David Suchet is for me the definitive Hercule Poirot, while Hugh Fraser and Philip Jackson are exactly how I always picture the characters of Captain Hastings and Chief Inspector Japp to be. This "Poirot" Box Set #5 contains three outstanding one-hour episodes. "The Tragedy at Marsdon Manor" is a haunting tale of the supernatural. Young and beautiful Susan Maltravers, mistress of Marsdon Manor, is being tormented by visions of a girl who killed herself years ago on the Manor grounds. I wouldn't like to reveal any more of the plot that, but I would like to mention that in the episode the camera work is a remarkable feature and the denouement is terrifying. "The Double Clue" is a clever story about a theft that occurs during an elegant garden party. Even his romantic feelings for a Russian countess cannot distract Poirot from his first duty, to track down the thief. "The Mystery of the Spanish Chest" is my personal favorite of the three episodes, an OTHELLO-like tale of jealous lovers. In addition to fine acting from each cast member and delightful period sets and costumes, each episode features a musical score that perfectly evokes the mood of the story. Anyone who loves the "Poirot" series will thoroughly enjoy this box set. Check out the other sets and the many full-length (103 minute) "Poirot" features, as well.

Still top notch entertainment
Thanks to Acorn Media, we may very well soon have all the Hercule Poirot episodes available for easy watching, the shorter ones on tape and the longer on DVD. With the arrival of Set 5, we have cases 13-15 from the classic BBC series that was once shown on PBS and currently in shamefully abbreviated forms on a commercial channel.

I have already posted my general comments about this series on the webpages for the first four sets, so let me cut to the chase.

"The Tragedy of Marsdon Manor" begins comically enough with a would-be mystery writer of an inn owner summoning Poirot to solve a baffling case that happens to be fictional. Naturally a real death takes place under what seems to be supernatural circumstances; and the production does indeed create a wonderfully English country manor spooky-ness that makes this worth watching. Never mind that the solution involves all sorts of twists that verge on the incredible; but to invert the aphorism in "Sleuth," this is Inspector Fiction, not Inspector Fact.

"The Double Clue" is exceptional in that it shows Poirot emotionally involved with a suspect, a fascinating (at least to him) Russian countess who might or might not be involved in a series of jewel thefts. Japp is honestly in fear of losing his job unless the thefts are stopped, while Miss Lemon and Hastings do their own sleuthing as Poirot spends time with the countess. "The Mystery of the Spanish Chest" has a plot within the plot, so to speak, rather far-fetched. However, the presence of actor John McEnery and the opening surreally filmed dueling sequence more than make up for any storyline inconsistencies.

Again, it is always instructive to compare these dramatizations with the originals; but the former stand up very nicely on their own.

More gorgeous Poirot adventures
The neat-freak Belgian Hercule Poirot returns, along with the faithful Captain Hastings, blunt Scotland Yard Inspector Japp, and hyper-efficient Miss Lemon.

"The Double Clue" is a bit of a tearjerker--jewels vanish, Japp's job is on the line, and Poirot is beginning to fall for one of the suspects, neglecting his job. Hastings and Miss Lemon attempt to salvage the investigation, but without Poirot they are going to have trouble. The end is sad, and this is the first of the Poirot shows to indicate that Miss Lemon might have more than professional feelings for her employer.

"The Mystery of the Spanish Chest" is a strange story about love, deceit, jealousy, honor, and lots of swords. A man is found stabbed in a "Spanish Chest"--and even Poirot is being checked out. This includes the excellent scene where Poirot, along with a friend, end up dancing the Charleston (with very bad grace)

"The Tragedy of Marsden Manor" is a particular favorite, with an elderly man dying unexpectedly and leaving a beautiful young widow who is being attacked by a ghost. The actress playing Lady Marsden is downright chilling at times, such as when she is staring up at the trees, and this story includes a man asking Poirot to proofread his mystery novel. ... Read more