Reviews (7)

HEAVY! THOUGHTFUL!
The landscape of an island of Ireland, the music, and the subject of this movie prompts introspection in one's religious behavior, what is meaningful in such behavior, what is not.

Add to that the question of conflict of personal BELIEF with OBEDIENCE to church dogma and you have the makings of a heavy story, which the actors and director delivered in an "excellent" manner, and I rated it a "4" as a result.

There is an emotional and intellectual hangover produced by getting involved with the film, so beware. It is NOT just ENTERTAINMENT. It should make you THINK about your FAITH and the practice of it.

Bill Schaefer

Great Original Film, But Flawed Editing and Reproduction.
This made-for-TV movie from 1973 was shown full-length on U.S. public broadcasting stations in the 1970s. It is a visually and intellectually impressive film. The story line is very faithful to the 1972 book "Catholics" by Brian Moore, with only a couple of scenes sequenced differently, and in my opinion, rather more effectively than in the book. Unfortunately, later VHS versions have been shortened, with about the first ten minutes of the original film deleted. This DVD version shares the same significant defect.

The first few minutes of the original film were essential in setting the context for the conflict portrayed between the traditionalist Irish monks led by their Father Abbot (Trevor Howard), and the modernist representative (Martin Sheen) of their order's Vatican Father General. During these missing first few minutes, we would have seen Sheen meeting with the Father General (Raf Vallone) in Rome, and discussing the "problem" of the return of Latin Mass celebration by the monks of Howard's abbey and the growing world-wide popularity of that celebration. The first scene made it clear that the time period portrayed is hypothetical and futuristic. In this fabulous Roman Catholic Church, additional modifications and liberalization of doctrine are supposed to have taken place beyond those that have been in effect since Vatican II. Within the film, there are mentions of a "Vatican IV" and other hypothetical conventions. Missing the original initial scene, many may believe that the film has grossly erred in, or deliberately distorted, current Roman Catholic beliefs. This was not the motive of the movie as originally filmed, and it is a tremendous loss to the integrity of the original story that the vital first scene of the movie has been edited away. However, this does explain the crediting of Raf Vallone as Father General at the start and end of the film, when in fact Raf Vallone/Father General never appears in the VHS or DVD versions. It would be well worthwhile to read the first chapter of the book before seeing a shortened home video release, if at all possible.

The DVD video quality is disappointing. The color is washed out, and in several scenes it is strangely yellow-tinted. It is definitely inferior to my ten-year-old VHS copy issued by USA Home Video. The sound is occasionally clipped, with words lost in several places. Not so my VHS copy. The original film title was "Catholics, A Fable" but the cryptic title of "The Conflict" has been used for the DVD. The DVD also contains an idiotic special feature in the form of an interactive quiz about the movie content. One may entertain one's self with such challenging questions as "What was on the sign carried by the man in the brown suit?" or "What color was the priest's car?" The quiz even has incorrect answers!

In spite of these problems, I state without reservation that this DVD is well worth owning. Since Vatican II there has existed a Roman Catholic traditionalist movement that today seems to have more Vatican-sanctioned success than would ever have been thought possible at the time this film was made. Some have tried to relate the events portrayed in this film to that movement. But by movie's end, this film actually depicts far more important issues of religious belief, and its loss. This is a film, like the book, that will be of interest to anyone, of whatever faith or none, for whom philosophy of religion is of interest.

The acting by Trevor Howard is absolutely flawless and authentic. It is art and it is masterful and it is heartfelt and it is beautiful. Almost equally so is that of Cyril Cusack, who plays the role of Father Manus, a monk. Sheen's role is important, but not nearly as much as Howard's, and not remotely as well-crafted.

This is as intelligent and entertaining a film today as it was when it was made 30 years ago. Let us hope someone in the near future will gather an old PBS copy of the complete film, digitally re-master it, and finally give us a proper and fitting version of this film. I know of no other film that deserves it so much.

Very Inacurate Statements - terrible Video Transfer
There are two things extremely wrong with this DVD. First and most important are statements made by Martin Sheen as a representative of Rome stating that during Mass, the miracle that the bread and wine become the body and blood of Christ does not happen. This is one of the basic tenants of Catholic belief and a representative from Rome would NEVER state that this miracle does not happen. No wonder the monks revolt!

The transfer to DVD is HORRIBLE! The color continually fluctuates, skin tones go from almost black and white to flech tones to green tints all in the same scenes. The picture is very grainy in some scenes. One of the worst transfers I have seen.

The original title of this film was "Catholics" and, while "Conflict" is a better indication of the content of the story, it should have been released under the original title.

All things considered, in spite of strong performances, this DVD is a mess and a definite affront to Catholics.

as good as the original book
"Catholics" is a faithful adaptation of Brian Moore's novella of the same name. Trevor Howard plays the abbot who is the crux of the plot; Martin Sheen (who is one of the rare people who is just as physically gorgeous today, in his fifties, as he was when this movie was made in 1973) plays the aggressive young inquisitor from Rome. This film is only superficially about the conflict between modern and traditional strains in the Church -- the real story is about the abbot, who after a lifetime in religion has lost his faith and is afraid to try to find it again. Howard, a superlative actor, could convey more with a twitch of an eyebrow than some present-day stars can with any amount of "Method" acting. His subtle portrayal of spiritual anguish blows all the other actors, Sheen included, right off the screen. His only serious competition comes from the scenery -- the film was shot on location on the Irish coast, one of the most heartbreakingly beautiful places on earth.

A nostalgic film for Baby Boomer Papists
If you're an early Baby Boomer born and raised a Roman Catholic, then you'll likely appreciate the 1973 film CATHOLICS. If you're of any other faith, or a Catholic born later than, say, 1960, then the movie may be of only academic interest. Indeed, if you're a young Catholic today, then the issues around which the plot pivots may not be comprehensible at all.

A youthful Martin Sheen plays a priest sent by Rome to an Irish monastery located on an isolated, windswept island. His mission, to demand that the monks cease and desist celebrating the Mass in Latin. The Vatican hierarchy is attempting to modernize the Mass worldwide, i.e. have it celebrated in the vernacular, as well as promote the new policy that the Transubstantiation of the bread and wine into the body and blood of Christ is symbolic, not real. Trouble is, the monastery's priests have been celebrating the Mass on the mainland in the traditional manner. More to the point, the ceremony has been televised, and is causing a pious, revivalist stir among the faithful. The pencil pushing prelates back in Rome are not pleased with this political incorrectness.

The marvelous actor Trevor Howard plays the crusty, wise, spiritually troubled, monastery abbot, who must find a way to obey the dictate of the enforcer sent down from the Big House, while avoiding a rebellion among the monks, who consider the emissary's message an abomination, and he himself disconcertingly trendy. (Faith and begorrah, he doesn't even wear the traditional, Roman clerical collar!)

Are you still with me on this, or have I lost you? If I haven't, God bless ya, darlin'. In any case, all of the acting performances are wonderful, especially Howard's. The character actors portraying the abbot's cowled flock were chosen with pure genius. And the wild Irish coastal scenery ... ah, 'tis St. Patrick's own, surely.

As I said up front, you had to be born a Papist prior to 1960, as I was, to understand what the fuss was all about. I well remember the horror with which my mother regarded the vernacular Mass. To this day, she'll seek out the Latin Mass in those rare places - sort of a doctrinal Underground - where it's still celebrated. Mom, this review is dedicated to you. ... Read more

Amazon.com

When it was first broadcast in 1975, there had never been a more lavishly produced science fiction TV series than Space: 1999, a British production whose budget for the first of its two seasons ran an astounding 3.25 million pounds. What keeps us fans enthralled after all these years has only partly to due with the first-rate production values, the plausibly constructed spaceship models, and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV sci-fi predecessors such as Star Trek, whose mood was more convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, turning our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors; it has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode, "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound" (included in this set), aliens traveling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena that the crew members encounter on their journey through the galaxy. In addition to "Breakaway" and "Earthbound," this set includes "Matter of Life and Death," "Black Sun," "Ring Around the Moon," and "Another Time, Another Place." --Jim Gay ... Read more

Reviews (61)

Possibly the worst written Anderson series
The four Gerry/Sylvia Anderson series with which I am familiar ("Thunderbirds", "Captain Scarlet", "UFO", and "Space 1999") all have much in common. At their best, they have high-spirited adventure, good character situations, campy humor, and gee-wiz sets, costumes, and gadgetry. At their worst, they have jaw dropping logical flaws, stock footage overused to the point of obvious inconsistency, and excruciatingly painful sci-babble.

"Space 1999" has some of the coolest sets and gadgetry, and it's hard not to fall in love with them. Despite critics to the contrary, I feel the acting is overall quite competent. However, the episodes tend to be so unflinchingly immersed in trademark Anderson sci-babble that at times I find them almost impossible to sit through. This is a classic and unforgivable example of a show trying to be more cerebral and failing miserably because it substitutes sheer, almost random BS for science and logic. By all means rent these discs, but don't bother to buy them.

WOW!
Where has this show been all my life? I just discovered it on DVD and I'm very excited about it! Great cast, excellent scripts, and striking FX! I will can't wait to see the other episodes of this series.

black sun on DVD
Black Sun is my all time favorite episode of Space 1999 and it looks wonderful on DVD. Space 1999 was a very unique Sci-Fi program and it remains largely misunderstood. One reviewer notes that only when facing certain death do the Alphans come alive, but that's the point: These are highly trained soldiers who must focus entirely on their duties in order to survive. They are trapped inside the Alpha base, which is described as both a barracks and a prison, and are always close to death.
Only under unusual circumstances can the Alphans let down their emotional guard. Black Sun is an unusual circumstance in which they are powerless to avoid destruction. Having exhausted all options, Bergman shares his inner thoughts and feelings with Koenig, who has tears in his eyes, and they make a final toast. It's a wonderful scene which demonstrates just why fans love this show so much.
Black Sun is a great episode of a great series.

YES!
THANKS A&E FOR PUTTING SPACE 1999 ON DVD!
THE FIRST EPISODE GETS THE WHOLE SHOW STARTED WITH THE MOON BLASTING OFF INTO SPACE AND I LOVED THE ZOMBIE LIKE ASTRONAUTS IN THIS EPISODE TOO! SET 1 ALSO HAS CHRISTOPHER LEE AND EPISODES LIKE 'BLACK SUN' WHICH SIMULATE WHAT IT'S LIKE TO BE ON QUALITY LSD. THINGS DRAG AT TIMES AND I WISH THE ZOMBIE LIKE ASTRONAUTS IN THE FIRST EPISODE ACTUALLY ATE THEIR VICTIMS, BUT OTHER THAN THAT I'M REAL HAPPY WITH THIS SET. GREAT SHOW!

really 'out there'
Critics have often not been kind to Space 1999. The program is often accused of having wooden actors because the performers are portraying military and scientific types in a tense situation that they deal with seriously. There's plenty of action, but again some critics fail to be impressed and write it off as just a display of special effects. The weirdness and mysteries presented in the show have often been viewed as bad story telling, and the Alphans have no mission other than to survive and that tends to be viewed as a lack of anything significant happening. Space 1999 is entertaining and exciting if seen as a hybrid of disaster movie and 2001. The moon is hurtling through space and things look grim for the people on it as they struggle for survival and encounter confusing 'far out' alien weirdness. They try to maintain their military and scientific bearing , but their true fear and confusion are visible below the surface and can be incredibly intense. These are great perfomances, the action is exciting, and the weirdness and mystery of it all is compelling. By season two, which I also enjoy, changes were made so that the program was more of a kid oriented adventure show and the Alphans had grown more used to their life on Alpha, but both the tense/trippy atmosphere of season one and the more jovial/comic book vibe of season two can make for entertaining viewing. ... Read more

Reviews (28)

A Heavenly Movie
I think I first saw this film when I was about 7 or 8 years old. Just about a month ago I saw the sequel on television and then I suddenly remembered this animated masterpiece. Welp, a few clicks and the order was on its way... (I couldn't find this title from EU at all)As soon as the package arrived I ripped it open and put the disk into the player. Time passed and as I was watching the end credits I was feeling very impressed and good.

So waddaya know, waddaya say? This movie is a true classic if you ask me. The Characters and their voices in particular are very good. Both Dom DeLuise and Burt Reynolds have done a great job and therefore it's very enjoyable to watch Charlie's story go further. I think the songs fit in pretty nicely too -ie. "Soon You'll Come Home" is good so are the others. What deserves a true thumb-up, however, is the animation - it's very good looking and surely 'feeds the eyes'. Oh.. that means.. something.. *grin*

Summary: This one is a must for persons who like animal-centered movies, and for the rest I would also highly recommend it. And naturally for all ages - I, myself, am an 18-year old (perfectly normal) guy who likes this movie at least as much as Terminator II. So if you haven't seen "All Dogs Go To Heaven" yet now it's time fix that little problem.

By the way, Don Bluth, thank you!

5 stars for the movie - not the disc
Okay, I don't need to repeat what has already been said. It's not a movie for little kids, but it's a wonderful piece of animated art that is a refreshing new way of telling a story - I mean you can tell from beginning to end that this is not a Disney movie (not that Disney isn't good, I just think they shouldn't dominate the world of animated art alone). I was 8 when I first saw it and now I still love with all my heart.
So I was really happy to finally get it on dvd.
However, the format is 4:3 - no Widescreen (!) and there is no Dolby Digital 5.1 track on that disc. Am I too spoiled by watching Disney DVDs or does MGM just don't care about the movies they put on dvd? It's the same with The Secret of Nimh.
They should be ashamed to decrease the viewing pleasure of their customers like that! 0 stars for MGM

A good but scarilous film
A world of warning I recomend unless you are an adolescent 10-12 or older you do not want to watch the this movie. This movie has gambling in it and thugs and some old violence seen in the ganster movies. It talks about Charley.

Charley was a naugty dog that carried only about himself. The movie begins with Charlie and his pal Itch a wenner dog breaking Charly out of prison. I was real young when I saw this the first time about 9 maybe it scared the crap out of me.

Anni Marry who unfortunately was not put in the sequel and the Christmas movie.

Killer and itch wer a hoot. Carface, his thugs and King Gator not to mention the nightmare sequence when Charlie goes down into hell. The party at the end when the river catches on fire kills me.

I hated this movie at first because it made dogs look bad but now I love it. I would rent int but because it so old Blockbuster does not have it avilable to rent anymore.

The King Gator was potrayed accurately as being savage. He scared me he was so big he was huge this alligator must have been about the size of a killer whale. About Mabe 30 feet and weighed probably about 30 tons probably. Another reason the alligator scared me was he came really close to eatting Charley.

Since it was rate G which I 100 percent disagee with I think I should have been either PG or PG -13 because of the scene befor this when Charlie and Any Marry ar in the markeet air Carface is on top of this big gun. He start shoot at charlie with I belivie it was a ray gun.

I just found out something really interest the King Gator is not a which doctor I thought he was awhich doctor becase he had a bone coming out of his nose. Withc doctors are belived to have supnatural abilities like to be able to steal souls and stuff like that.

The only thing that saves Charlies from die a painfull death inside the alligator stomach is his howl. The people who wrote the script for some reason which I have never figured out made the King Gator a music fantic.

He thinks Charlie howl is beautiful he takes him out of his mouth. In the chage with had been partly crushed by his huge teeth. Lets him loose and he refuse to eat Charlie instead the become friends.

This I fought was cease and one percent a cat and a dog possible like int Oddis and milo. But an alligator the most vicious of all the reptiles next to the crocodile impossible.

I also fought some parts where I human. Like when carfcae ties Charlie up to a big Chain drops him into the water ro kill him was inhuman. I also thought carface death at the end of the movie was in Human. Come on you do not have a dog get devouured by and alligator in a movie that hte book claims is appropriate for all ages rate G.

While wher eon it whats with these rating system people they need to be more pick those sickos only made Scare Movie R It was alot nastery than that.

If you like this see all dogs go to heaven 2. I recomend that you don't see All dog Christmas Charlie which never should have been made. For it messed up the whole Story line. Carface is not supposed to be alive he is supposed to be and he is supposed to be in Hell.

FINE MOVIE! But Barney is stll fat enough to kill them
I saw this movie,I saw most of it though.This movie was nice,but mean,also the additinoal dogs looked funny...very funny! Not funn,funny-looking-I saw ADGTH 2 was muuuuch better!!

Not for the younger children
I remember loving this as a kid because it had dogs in it, but I didn't really know what was going on. When I watched it later, I was horrified that this was made as a children's animated movie because of the violence and bad lessons taught in it. There is drinking, smoking, machine gun violence, murder, betrayal, stealing, and other lessons that should not be taught to little children. Mind you, I did not understand this until I was older, so it might be harmless and not as bad as I perceived it as an adult. The ending is actually touching, because Charlie, the main character, is an angel because he changes his selfish ways and saves Marie's life. Also, this DVD does not have a widescreen format, which is disappointing, because full screen cuts out some of the movie. The movie is dark, so I recommend it for children seven and up. ... Read more

Amazon.com

Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely dalmatians who meet cute in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney; she's flamboyantly nasty and lots of fun. But it's the dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of the live-action remake. --Bill Desowitz ... Read more

Reviews (15)

One of Disney's funnest films!
Pongo and Perdita are the proud parents of 15 dalmatian puppies. When an old friend of the family, Cruella De Ville, shows up offering to buy all the pups, the trouble begins. Soon it's a madcap, fun-filled race to find 99 missing puppies before they're turned into coats!

This is a classic Disney animated film. It contains several wonderful, memorable moments... such as Cruella's confrontation with Roger, and the courtship of Roger and Anita.

The animation is bar none. As far as stylized, caricaturized animation goes, this is one of the top five to watch for believable, fluid movement. The characters, mostly, are unique and unforgettagle.

The score is par for the course, though it has the same feel as the score for Jungle Book. (Dalmatians actually came out first...) The three actual songs in the film are quite hummable and entertaining, but this is definitely not what one may categorize as a musical.

For sheer entertainment, 101 Dalmatians is at its best during the suspense scenes, of which there are many. Quite an interesting (and somewhat scary...) movie.

Anyone who is picky about their animation will notice the re-use of many "cycles", which was pretty much a necessity when you're talking about drawing 99 puppies running through the snow.

In addition, there are a few points in the movie where the action wanes and the plot slows down a little too much. That's about the worst thing I can say about the story...

Overall impression: 101 Dalmatians is a must-have for your movie library. Though the video is currently out of production, it is still available on DVD. Animators and hopeful in particular will find a great reference piece in this film.

And Cruella DeVille is cool...

Sadly never included when reviewing Disney's best work...
I have recently rediscovered 101 Dalmations as my 18 month old son insists on watching it every single day. What has surprised me is that I have not even remotely grown tired of it and it grows in appeal with each watch.

Never really up there when people consider the best Disney animated features - Jungle Book, Snow White etc. usually take the acclaim - I think it is one of the finest and more subtle of the Disney movies.

The story is wonderful and well adapted for a wider audience. Cruella is evil personified and there are great comic moments - slapstick for the kids and cunning wordplay for the adults.

Some of the animation is not of the highest quality - check out some of the snow scenes and they don't quite ring true. But overall the movie has a endearing tone and feel.

One major criticism, as with nearly all Disney and Beuna Vista DVDs, is that there are no good extras. What is the point of this excellent new format if idiots in huge companies don't use it to its full potential?

Disney's 17th Animated Masterpiece!
To refresh the Disney Company from the finacial failure of Sleeping Beauty, they decided to use a more modern form of literature and make that into a film, from there came 101 Dalmatians.

This film is the story of Pongo, a sort of lonely dalmatian dog who lives with his human "pet" Roger in an old apartment in the city of London. Well, Pongo thinks it's time to find a mate, a mate for him, and a mate for his "pet". After searching for a while he meets Perdita, immediatly he knows he's found the perfect match, same with Anita, Perdita's "pet", the perfect match for the bachelor Dodger. After they get married, Pongo and Perdita have 15 puppies, and believe happiness has come for them. But Anita's old school mate, Cruella DeVil, has placed her eyes on the puppies, and won't stop until she gets her hands on them, or better, her two henchmen Jasper and Horace get hands on them and skin them, so that she can make furr coats out of them.

Personally, I did not enjoy this movie much. In my opinion it's pretty overrated, I mean the plot and story are simply boring and unimaginative, the animation style is horrible, and the backgrounds look plain cheap, they seem like a bunch of water-color/pencil drawings. The songs and soundtrack are pretty dull. It is funny how people consider the 70's and 80's as Disney's time of forgetable and cheap films, well really, the 60's is the worst decade in Disney history, to begin, this and "The Sword in the Stone" were released, I really don't know which of the two is cheaper, then "The Jungle Book" doesn't have the greatest animation, but it is more fun and entertaining than the previous two. To finish it up, in this decade Walt Disney died.

Still, 101 Dalmatians was released for the first time ever on Disney DVD as part of the Limited Issue collection. Like all other titles under this label, the lack of bonus features does not go unoticed, I don't own this DVD so I don't remember what is in it, but I know it is over prized for what it contains. 101 Dalmatians got an undeserved spot in the platinum edition collection, which will take this film to the ultimate treatment. So, neither the film or the DVD is really worth it, so I'd wait until a better release.

A disney masterpiece!
Set in London, a handsome bachelor with his pet Dalmatian Pongo seeks eyes on a beautiful Dalmatian with a beautiful owner. When the two pets and owners meet each other, love comes and marriage as well, the dogs now have 50 puppies. However the evil Cruella Diville wants to her hands on her employee's puppies but the puppies go off on many adventures.
An entertaining animated achivement with Xerox animation and graphics, good voice acting and the memorable "Cruella Diville" song make this a must see.

101 Thumbs Up!!!!
The animated version of this is tremendous. This is the first Disney movie that I have ever owned, and I still have it after 10 or more years. I'm 18 now, but I can't stop loving this movie. I think it is my favorite Disney movie, and one of the most enchanting, and enduring movies of all time. I just watched it the other day, and i still think it is brilliant. It's a movie for kids and adults alike to love and cherish forever. ... Read more

Reviews (6)

HISTORICALLY SIGNIFICANT
The famous film which was produced and directed by Howard Hughes and introduced a sensational new platinum blonde siren by the name of Jean Harlow. The simple plot has two brothers leave their studies at Oxford to join the British Royal Flying Corps at the outbreak of WWI. In its day, the film garned fantastic reviews for the aerial sequences which are first rate. The air shots were considered awesome, thrilling and immensely impressive to the audiences of 1930. The acting was merely sufficient; even in pantomime, it would be hard to accept Jean Harlow as an English girl or Lyon & Hall as Oxford students. It would take Harlow more acting experience in the movies before her comedic gifts would be realised and appreciated by the public and critics alike. Critics had field day exposing the inept "acting" of Harlow in her early pictures; however beginning with RED HEADED WOMAN (1932) the critics and public alike were beginning to sit up and stare with utter amazement and delight at her metamorphasis as an actress. In the priorly named picture, the titian haired (it was dyed for her role) Harlow knocked the critics socks off with her uninhibited playing and in her next picture she would be teamed with none other than Gable. RED DUST was a sensational blockbuster in 1932.

Hell's Angels in Bi-Planes
Hell's Angels is an amazing film. It is certainly the best WWI aviation film, although Wings runs it close, and it has flying sequences that are simply staggering, because they are so obviously real. There is a wonderful sequence depicting the attack on an enormous Zeppelin which shows how the giant airship actually operated and gives a sense of its size, slowness and vulnerability. Also worthy of note is a mass dogfight involving a captured German bomber, Baron Von Richthofen's Flying Circus and what seems like most of the Royal Flying Corps. At times the sky is filled with bi-planes performing thrilling manoeuvres, but the film does not fail to show the individuals in this fight and to point out the horrific human cost of the fighting. Hell's Angels is in fact surprisingly violent, showing men consumed in flames and screaming to their deaths. Actually it is remarkably frank in a number of ways. Jean Harlow gives a star-making performance which oozes sex. She never looked better especially when uttering her famous line 'Would you be shocked if I put on something more comfortable?' Here is a woman who knows what she wants and doesn't allow conventions to get in her way. What's more the film doesn't attempt to tone-down this characterization. She frankly admits she wants nothing to do with marriage and family values and it is this frankness which must have seemed so shocking to contemporary audiences. Hell's Angels is also not afraid to show flyers full of fear and questioning the point of the war. It's most sympathetic character is a coward who just wants to live. The story is thus rather unusual, especially for a war film, for it does not contain the heroics and the heroes so familiar from the genre, but rather shows the grim determination of scared men to get the job done.

It is possible to find a few criticisms of this film. The two leading men are only adequate as actors and lack the charisma of more familiar thirties leading men. Furthermore they are not particularly convincing as Englishmen for they make little attempt to disguise their American accents. Also the German characters are a little too stereotypical and at times slightly ludicrous, especially in one scene where they show their Teutonic willingness to die for the Fatherland by jumping from a Zeppelin.

The print used for this MCA Universal video is first class. It has been restored so that it includes some tinted night and early morning scenes and includes a wonderful early Technicolor party scene. The sound is better than is often the case with early talkies; there is very little background noise, although there are some snatches of dialogue which are a little indistinct. This is a high quality video and essential viewing for fans of WWI aviation films.

Better Than Anticipated
It has been my experience that early talkies (1928-1931), with exceptions, tended to be slow and laborious in pacing. By 1932, they greatly improved in timing. With this in mind, I expected Hell's Angels (released in 1930) to be very trying, but it turned out to be a superb film about men in war. The drama between the men (Ben Lyon and James Hall) and Jean Harlow was rather lame, but the rest of the film showed a sophistication rare to 1930 films. I highly recommend this film.

A Landmark Aviation Film
I happened to catch this film for the first time on the big screen on August 6th, at the classic Alex Theatre in Glendale, CA. What an experience! Yes, the dialogue was corny and somewhat dated, although, I feel that many reviewers tend to somewhat over-exaggerate this just a bit in their assessment of the film. The eight-minute two-color sequence is worth viewing in itself (especially seeing that this is the only existing color footage of the beautiful Jean Harlow) as an early example of the evolution of technicolor. The battle sequences had the audience on the edge of their seats, and the sultry Harlow had the audience in an uproar. All in All, this film is worth owning because of it's historical significance alone, and the non-aerial scenes are quite enjoyable and breath-taking. We must remember that films, like everything else, are products of the era in which they're made, and we must keep in mind that the political correctness which saturates today's films may seem "corny" as well, some fifty-sixty years from now.

The best flying movie ever made
Hell's Angles is the best flying movie ever made says almost anyone who has ever seen it. It, like Battle of Britain, has scenes that can never be filmed again.

Unfortunately, most of the non-flying scenes are as bad as the rest is great. However, the flying sequences must be seen to be believed. The two pilots who crashed their SPAD 13s head-on in mid air were paid $1000 extra each, according to Ceiling Zero, a book by the great stunt pilot Dick Grace, one of the stunt pilots who did the deed. Another stunt man was killed in the bomber crash, as was the driver of the ammo truck. I mention this to bring out the "real effects" nature of the picture. All pilots who flew in the sequences were WWI vets recruited by Hughes.

What really makes the picture is the amazing cloud-filled battle sequences filled with actual British Sopwith Camels, SE-5As, French Nieuports, and german Fokker D-VIIs. So what that they are painted wrong and that anyone can tell that they are filmed over California. This is, was, and shall ever remain the real thing. ... Read more

Description

After making Agatha Christie the bestselling author of her day, Hercule Poirot has proved equally popular on television, becoming the most-watched detective in the history of the PBS Mystery! series and capturing a new audience of mystery lovers on A&E. DAVID SUCHET plays the brilliant Belgian sleuth in these three stories that brim with period details and deliciously clever wit. Starring Hugh Fraser as Captain Hastings, Philip Jackson as Chief Inspector Japp and Pauline Moran as Miss Lemon.

The Case of the Missing Will — Poirot is the executor of a revised will that disappears when its author dies suddenly.

The Adventure of the Italian Nobleman — Hastings’ decision to buy an elegant Italian car coincides with a case involving an Italian count.

The Chocolate Box — A trip home to Belgium with Japp causes Poirot to reopen a case that he failed to solve 20 years earlier. ... Read more

Reviews (2)

God Bless Agatha Christie!
The Case of the Missing Will - This is a great episode! It's so complex it feels like it should be a 2-hour fare! All the relationships with characters made me watch it again DIRECTLY after seeing it the first time! - 4.5 stars

The Adventure of the Italian Nobleman - again more complex than many of the earlier cases, and it's nice to see the comic antics of Miss Lemon and Hastings in full-blast again! - 4.5 stars

The Chocolate Box - Very well done, and unique among all the episodes! Great flash backs, and great characterizations between Poirot and Japp! I loved how they explain the pin he's been wearing all through the series. One wonders if they thought ahead or if including it was an afterthought. I haven't read the original story of this one, so I'm interested to know if the pin was Agatha's idea, or the episode-writers'. - 4.5 stars

Box Set Overall score (Not an Average) - 5 stars

Three episodes of special interest
It is always a fascinating study to compare the shorter Poirot television versions with the stories on which they are based. So much circumstantial detail is added to most of them in order to stretch the scenarios to a full 51 minutes that one wonders if each episode should have been kept to 25 minutes and we would have two cases instead of one. But it is all done with such finesse that we cannot complain. Now that Acorn Media has made Collector's Set 8 available, we have yet three more chances to watch, read and compare.

But setting aside the originals, here are three excellent mysteries, each with a little something special. In "The Case of the Missing Will," we have a good deal of upper class British male anti-feminine feelings as a background to a murder designed to disinherit everyone mentioned in a will by stealing it and bringing up the possibility of a long-lost heir. The actual solution ties in nicely with the patriarchal theme set up early in the episode.

"The Adventure of the Italian Nobleman" finally brings in "an admirer" for the usually machine-efficient Miss Lemon and plays up Hastings' love for automobiles. Here too, an early incident--the purchasing of the car-- comes full cycle to a "gag" at the end to create a symmetry that would please Poirot himself. The running theme here is the rise of Mussolini and Italian criminal organizations that pre-date the Mafia (as we are told by the dialogue).

Possibly "The Chocolate Box" is the most special of the entire series of short episodes. Here we have flashbacks of Poirot when he was in the Bruxelles police force, trying to prove that a death by "natural causes" was indeed a murder. Naturally those involved are powerful people and Poirot's superior tries desperately to get him to stop looking into the case. Many years later, when Inspector Japp is called to Bruxelles to receive an award, Poirot finally gets to resolve things in a most surprising way. Here the background theme is religion and its tie-in with politics.

Only two more sets to go. And look for the DVD versions of "The Mysterious Affair at Styles" and "One, Two, Buckle My Shoe," also issued by Acorn Media. ... Read more

Reviews (11)

eddie is hilarious
i think eddie is one of the funniest comedians, but if youre easily offended stay away becasue he holds nothing back. i thought this was very funny i also really enjoyed his i got the hook up stand up dvd. i was in tears. if you only wanna buy one, i would recommend that one but if you want two then get this one too they are both very funny but the other one is just crazy!

Hit&Miss
Eddie's Family stole the show basically.Eddie got stuck on some words far to long for me&the Documentary dragged a bit but Eddie had some cool moments.the take on Sammy Davis Jr&Bill Cosby were funny.He didn't bring it this time on Michael Jackson like He has in the past.Hit&Miss overall but the Family element section of the Routine Hit home.

Not for the faint at heart
Hands-down, the funniest stand-up comedian I have ever seen. If you are sensitive to cuss words, don't see it. Other than that, its hilarious.

Terribly Troublesome
This movie, first and foremost, is somewhat funny. Its content, however, is very questionable and highly controversial. Eddie's frequent and bothersome use of the N-word is outrageous. In the beginning of this Documentary, he rationalizes this as follows: the more I use the N-word, the lesser power it has. To me, this is quite infantile. The more you say any word, the greater power it has. This is a fact. Advertisers, for example, are fully aware of this; and that's why they bombard us with their brand names every day through billboards, frequent TV-ads, etc.
The last, but not least, controversial and bothersome issue is failure to realize the futility of physical punishment of kids by their respective parents. Eddie somewhat, believe it or not, subtly encourages parents to be tough on their kids in punishing them severely. Punishment accomplishes nothing but encourages rebellion even more. It's a proven research. Eddie himself, as well, appraises his mom for beating him inhumanely when he was a kid; and he gives her and her punishment the credit for his success. This, however, is questionable since Eddie himself mentions he was just released from prison for double-homicide. Physical punishment doesn't work. Early childhood discipline through love-colored advise and admonition is the key to bring forth fruitful young people. I am not, someway or another, one of those parents who abuse this style of discipline and end up being friends to their children and not parents. Discipline is the key word to be noticed here. These are only some of the controversial issues the movie is packed with. It's recommendable to note, if you buy the DVD, the controversial nature these issues to avoid systematic brainwashing through entertainment. Best of luck to all.

An okay movie
This movie had it's moments.I wasn't sure about renting it because "I Got The Hook Up Comedy Jam" was horrible,but this sounded funny.It was A LOT better than "I Got The Hook Up",but it wasn't as funny as I thought it would be.He uses the same two cuss words every sentence.One is the "F" word,and the other is the "N" word.It is okay for a black comedian to say the "N" word in front of a predominantly black audience,but it gets old FAST.The best part is when he plays piano.When he first went on stage,I wondered "Why is there a piano there"?Even though this isn't as good as I thought it would be,it is much better than either Jamie Foxx DVD! ... Read more

Amazon.com

MGM is grouping episodes from the new Outer Limits anthology series by theme rather than chronology for DVD, and this first collection compiles six episodes that focus on matters of the heart (and other body parts). Alyssa Milano's nude scene in "Caught in the Act" will probably garner the most attention, but the disc's strongest hour is "The Human Operators," a thoughtful, award-winning take on man vs. machine that's adapted from a story by science fiction legends Harlan Ellison and A.E. van Vogt. This reworking of the 1963-1965 science fiction series is competent but lacks the palpable suspense of the original series. Also, there's no sense of new ground being broken with its stories; the original series took risks with its parables on war ("Soldier") and technology ("O.B.I.T."). The new Limits also tackles issues, but the end results pack a lesser punch. Hardcore sci-fi fans may take to this tempered-down version; all others will find it mildly diverting. --Paul Gaita ... Read more

Reviews (8)

Nice
I like the themed DVD series. I would have rathered by series but the themed ones are just as good. My only complaint is that MGM is really slow and need to get out the rest of these shows!!!

"The Outer Limits" - just a mystic dream
Hi there...I'm from Germany and I like the series very much, too.
I searched nearly the whole Internet to find episode guides and other information about the series. Today I have found out, that the copmplete series will NOT come out on DVD in our country.

Of course, the two Discs are not bad, but where's the rest ??

"The X-Files" is also out there, but why not "The Outer Limits" ?

However, I'll buy the Original Soundtrack - that's enough for the moment.

And let us hope that at least the two DVDs will also come out in our language.

Mike

Pushing the limits
The original OUTER LIMITS series aired in the early 1960s. It was often compared with its rival (and more popular) show, THE TWILIGHT ZONE. However, there was a distinctive difference between the two shows. TZ only sometimes had stories that belonged in the science fiction genre, while OL was STRICTLY 100% of the science fiction genre.

In the mid-1990s the show idea was renewed on SHOWTIME. Being on SHOWTIME meant that the writers did not have to worry about censors. So, what resulted was a science fiction show with a nice blend of eroticism. The current DVD is 4 of the top episodes from the seasons on cable.

3 of the 4 stories deal with the concept of artificial intelligence, which is a "biggie" at this juncture as we stand right on the threshold of making AI a reality. The fourth story is the most "pure" science fiction story as it takes place almost entirely in outer space.

From the eroticism side of the house, it is good to see that the nudity / sensuality is not contrived in the stories. Rather, it follows along naturally w/the storyline. For me that is the whole KEY to making eroticism "work."

The biggest names in the casting are Alyssa Milano, Natasha Henstridge and the voice of Malcom MacDowell. The sultry Milano does a nude scene which is likely enough to entice a great many people to purchase the DVD. Milano does a memorable job of going from the innocent girl-next-door to seductive vixen in World Record speed.

Although I have never been a huge fan of behind the scenes material on DVD, this does offer a decent package of the thoughts and perspectives of the creation of the storylines. It also gives us some insight from one of the makers of the original OL.

If you like science fiction movies and short stories, you will like this movie. If you like erotic movies, you will like this DVD. If you like science fiction movies AND erotic films, you will LOVE this one!

Good Episodes But...
video transfer quality was poor. Lots of video noise artifacts, making enjoyment of episodes a struggle. Very disappointed. What kind of "master" did MGM use, a copy of a copy?! 2/5

ahhhhh! just right
i usually like television on dvd to come out by the seasons, but i am glad ...no make that ecstatic that m.g.m decided to put these by themes. with six 45 minute stand alone episodes on each disk seperated by themes you can't go wrong......even if M.G.M follows its historical pattern of releasing a few dvds of a series and then following that up with a complete box set you won't regret buying these especially at this great price. ... Read more

Amazon.com

David Suchet and Hugh Fraser team up again as the great detective Hercule Poirot and trusty Captain Hastings for three engaging hour-long adventures. In The Cornish Mystery Poirot has an unusual visitor--a victim who says she's not dead yet but is slowly being poisoned. The Adventure of the Cheap Flat blends international intrigue with the gentle comic relief of a foolish American FBI agent, and Double Sin contains a novel twist: Poirot announces his retirement and Hastings is left to solve the case by himself. The cast has the easy rapport of old friends, and as always Philip Jackson as Chief Inspector Japp and Pauline Moran as the remarkable Miss Lemon are welcome companions. Special DVD features include selected cast filmographies and biographies for David Suchet and Agatha Christie. Brew some tea, check it for arsenic, and get ready for a thoroughly entertaining evening.--Ali Davis ... Read more

Reviews (5)

Great Shows, Mediocre Video Transfer
This rating is an average, taking about 5 stars for the quality of scripts and performances, and about 1 for the technical quality of these DVDs. I've been a fan of Suchet's Poirot from the get-go; and have just about worn out my tapes. For my wife and me, Poirot is video comfort food. That's why I'm buying the DVDs-to have wear-proof copies of these beloved shows.

Having said that, Acorn should not be proud that this is the best technical quality they can produce. Basically, these shows on DVD look no better than mediocre VHS; perhaps less than mediocre. The imagery is neither sharp nor crisp; dark scenes have a sort of permanent haze over them; they're almost in a monochrome, washed out with little color to the wonderful period scenery and sets.

I believe the shows were shot on film, which means negatives must exist. One has to wonder if the negs were lost or damaged, and these DVDs were made from secondary or tertiary sources. At any rate, I would love to know the story of how these video transfers came to be.

Whatever the reason, it's too bad that such a great series is being represented this way on DVD.

No Closed Captioning
I bought the previous Poirot set and was extremely disappointed that it did not have closed captioning. I love Poirot but if I had known that cc was missing I would have passed. I haven't purchased this one but no mention of closed captioning here either.

Poirot Series 2
This is classy, intelligent entertainment. I've watched the series many times and have returned to it like an old friend. Beats everything else on TV hands down.

Poirot Gets Better and Better!
The Cornish Mystery - Perhaps not the most complex mystery ever concieved, but the character interaction in this episode more than makes up for that! There are great bits about an Indian restaurant, a man in a scarlet kneeband, a yellow-haired hussie, and Japp once again losing a case to Poirot. The actors really shine in this one! Also the background music is great! - 4.5 stars

Double Sin - This one combines great character interaction as well as a great mystery. The solution is great, and even the background music is good! If this episode has any flaws it's that the Miss Lemon side-plot seems out-of-place, but that doesn't really detract from the episode at all - 4.5 stars

The Adventure of the Cheap Flat - Another great mystery with a tad of a plot stretch. There are some enjoyable side-characters in this one like an American FBI agent and a club-owner who never picks up his phone. Just as good as the first two, rounding out this set rather nicely! - 4.5 stars

Box Set Overall score (Not an Average) - 5 stars

Good fun and no gore
There were many one hour and somewhat less two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably.

But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate.

The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution. Hint: how long was the playing time of the average 78 rpm disc back then? The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League"). And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes. Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame. ... Read more

Reviews (5)

MYSTERY MAGNIFIQUE!
It's no mystery why this is the most-watched detective show in the history of the PBS "Mystery!" series -- Christie penned a brilliant Belgian dick who solves crimes only using his "little grey cells" and the aid of his affable associate Captain Hastings. And not one hair out of place on his perfectly coifed hairy lip! No mystery why fans can have sleuthing fetes: Acorn is releasing the entire canon. Mystery magnifique!

Some heavy revision to the source, but well done
"How Does Your Garden Grow?" is taken from _The Regatta Mystery and Other Stories_, while the others are taken from _Poirot Investigates_.

"The Adventure of the Western Star" - There's a legend about twin precious stones, the eyes of an idol in the Far East, having long been separated - the Star of the East and the Western Star - and of what is fated to happen when they meet again. The Western Star resides in the famous Yardley collection in England, while the Star of the East belongs to an actress about to film on the Yardley estate...

"How Does Your Garden Grow?" The old lady wrote to Poirot on a matter requiring such discretion that she would not commit it to a letter. Alas, she died before her commission ever reached him...

"The Kidnapped Prime Minister" - Viewed solely on its own merits, an interesting case. Viewed as an adaptation, however, it is flagrantly unfaithful to the source; the writers seem to have had a free hand in adjusting matters to make a more dramatic and puzzling story. The action now occurs between wars instead of during WWI, so the motive has altered and the kidnappers by necessity are a somewhat different group than in the original story. Written early in Christie's career, the victims and witnesses were just stage props leading up to one of Poirot's flashy conjuring tricks, with no depth or personality. While this worked in short story form, I can see the inherent difficulty in adapting it for the screen, so while I ordinarily deplore heavy revision, I concede the need for it here. Not to put too fine a point on it, the revision helped this story no end, and it's much more interesting on video than in its original form.

Poirot Does it Again!
How Does Your Garden Grow? - Good mystery, not too much depth, but at least Miss Lemon gets to leave the office! And it's always fun when Agatha Christe uses nursurey rhymes as plot devices. It creates sort of a surreal atmosphere. - 4 stars

The Adventure of the Western Star - More typical Poirot. It's easy to get used to how wonderful these are and start treating their greatness casually! My favorite part of this one is Hastings and his China-man! - 4 stars

The Kidnapped Prime Minister - Ireland gets some of the lime-light in this one as Russia did in the first. My favorite part of this one is when Miss Lemon is trying to remember the name of the castle! - 4 stars

Box Set Overall score (Not an Average) - 4 stars

Brilliant production values and truly gifted scripting.
Hercule Poirot is second only to Sherlock Holmes in the hearts of mystery fans everywhere and, along with Miss Marple, Agatha Christie's most famous and beloved private investigator whose "little grey cells" would figure out the guilty party in a style all his own. This third volume in the Acorn Media video set series showcasing the British television productions that brought Poirot vividly to life for millions of English and American viewers features three of Agatha Christie's best Poirot cases: The Kidnaped Prime Minister; The Adventure of the Western Star; and How Does Your Garden Grow? Flawless produced with meticulous attention to historical detail in set designs, clothing, automobiles, streets and building architecture, these stories present some of the finest actors that contemporary Britain has to offer and under brilliant production values and gifted script writing, lighting, and direction, present a very highly recommended addition to any personal and community library video entertainment collection.

More of the same and just as wonderful
There were many one hour and somewhat fewer two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably.

But now Acorn Media is reissuing them in complete versions, with the two-hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate.

I have already commented on the first two sets (see those webpages). This third entry contains "The Kidnapped Prime Minister," "The Adventure of the Western Star," and "How Does Your Garden Grow?" The first offers a plot (in both senses of the word) that has been copied in many a mystery since then, and the red herrings are quite good. The second reveals its r.h. half way through, and still holds some surprises. The last is a good old Christie murder story in which all the villainous characters turn out to be...well, see for yourself.

I keep asking myself if the reason that I keep watching these episodes over and over is the superb acting, the marvelous décor, the other way around or both in equal measure. I will guess at the last.(...) ... Read more

Reviews (5)

An Absence of Little Grey Cells
The BBC Poirot series is, overall, an excellent one, with many excellent adaptations from Agatha Christie's works. But when some diehard fans insist that even the clinkers are worth 5 stars, they cheapen the whole series, and do a disservice to the superior entries.

On the plus side, all three stories in Set 4 are lavishly produced with period attire and fully-elaborated sets, and thoughtful cinematography. On the minus side, nothing close to the same competence went into the plots.

"The Million Dollar Bond Robbery" recounts how bearer bonds disappear en route from London to New York aboard the Queen Mary. The story is so full of implausibilities and outright holes that one wants to weep. (Quasi plot spoilers ahead.)

For starters, the mise en scene is unconvincing. What bankers in their right mind would ship such a quantity of bonds (worth over $20 Million in today's money) in a mere briefcase left unattended by a solitary bank official in his stateroom? These people never heard of armored vaults or professional security guards?

Much is also made of the fact that only a few people have keys to the briefcase (thereby supposedly limiting the list of possible culprits), when in fact any thief would simply take the whole briefcase. Once you appreciate that the bonds could be stolen without benefit of one of the authorized keys, the whole storyline is revealed as a Rube Goldberg concoction of gross proportions, using a pathetically convoluted scheme entailing many risks, when a much simpler plan would have done the job much more easily and safely (for the thief).

Then there's the person who needs to be in two different places at once, and is able to shift from Place A to Place B and back again with truly impressive ease, like Captain Kirk beaming up. And if this person had to be in B as part of the grand plot, why the appearance in A? There was no need for it. Wait, the appearance in A did serve a purpose after all; it was so Poirot could notice the clue that solved the case. . .

"The Plymouth Express" concerns a jewelry theft and murder aboard a train. This, too, evidences extraordinarily shoddy plotting.

Again, the villain orchestrates an elaborate scheme when a much simpler one would suffice. This villain goes to tremendous lengths to mislead the police (and the audience) about whether the murder took place before or after a certain train stop. To what end? As the story unfolds, we eventually come to realize it is totally irrelevant when the murder occurred.

And, let's not forget, there is no need whatever to commit this particular theft and murder aboard a train, exposing the perpetrator to many potential witnesses, not to mention requiring eight hours on a train (out and back) - not the most clever of getaway plans. There was ample opportunity to rob and kill the victim back in London.

Worst of all, the solution to this case is pulled straight out of a hat. All we're told is that Poirot was able to identify the perpetrator by studying his secretary Miss Lemon's "files". That's it?

The third story, "Wasps' Nest", succeeds a little better than the other two, though it still leaves much to be desired as a whodunit. Here, at least, the murder plan is interesting and plausible. However, the motive for the murder is somewhat of a stretch, and the story development is also spun out of thin air. Poirot in effect makes a series of lucky guesses, based on no clue discernible to the audience. No little grey cells at work here, just one guess after another to move the story along.

Agatha Christie would not approve.

Not as Good as Some Poirot, but any Poirot is great!
Poirot is such a superior series that even it's mediocre episodes shine brightly. But when judging one episode against the others there must inevitably be some that don't measure up.

The Million Dollar Bond Robbery - This is actually the highlight of the trio and features much enjoyable footage with the Queen Mary. As well as a rather good solution. - 4 stars.

The Plymouth Express - This is very well done and draws more emotion out of you than most episodes, but is still lacking. The plot just seems too simplistic when set against other episodes. Still the footage of the murder is chilling and you really feel for the victim's living relatives by the end. - 3.5 stars

Wasp's Nest - It's always nice to see them try something different, but this episode just didn't click with me. I've seen them all many times and I just can't get used to this one, even though I like the "solution." - 3 stars

Box Set Overall score (Not an Average) - 4 stars

A coincidental juxtaposition and one extraoridinary episode
We are now well on our way to the first six sets of the collection in boxed sets of three VHSs each. Please see my reviews of the first three sets for general comments on these sets as a whole.

Collector's set 4 contains two similar and one quite unusual episode from the immensely popular British television series. Without wanting to reveal the solutions, I can only say there is a marked similarity in those of "The Million Dollar Bond Robbery" and "The Plymouth Express." The former is quite different in detail from the short story, which runs only 8 pages in my "Hercule Poirot's Casebook" and thereby pretty well represents the changes necessitated by inflating short mysteries into full hour episodes.

The second is a few pages longer and the television version is more faithful to the original. Although you do not have too much sympathy for the murder victim in this one, the shot of the body and Poirot's description of the deed itself is chilling. One of the better entries, to be sure.

"Wasps' Nest" is the most unusual of all the mysteries in this series. Again, I must not reveal too much, but we have a very nasty Poirot suffering from having no case at hand and berating himself for looking at a new situation concerning a friend in a most negative light. Of course, his suspicions are confirmed and he sets out not to solve a killing but to prevent one. But I must say no more. What is doubly fascinating is that the original story takes place only between Poirot and the person in question. So what you see in the final scene of the video is pretty much how the original story is handled. It is also one of the slower moving of the episodes.

Do not forget that the most excellent and are available on DVD.

Agatha Christie is the greatest mystery writer of all time.
If you enjoy mysteries, you will love this collection. The plots are interesting and complex. The characters have great depth. Hercule Piorot is charming, clever, and full of surprises. Hercule always knows more than he lets on which make his explanations seem fascinating. There is not a dull moment and the mysteries are very easy to get involved in. Agatha Christie has done it again with this classic collection of mysteries and I guarantee that the end will surprise you!

Sachet
Made for BBC 1, this series was the kind of thing the BBC did really well - expensive, well-mounted period drama, this time based on Agatha Christie's Belgian (not French) detective 'Poirot' (rhymes with 'Kitaro', before you ask). At the time he was the most obscure of Christie's heroes, and this series rectified that in style. David Suchet (who, like all British actors, has played the bad guy in a Hollywood film - this time 'Executive Decision) played the character to perfection - fussy, pedantic and always right, he was nonetheless charming and an enormous hit with women of a certain age. The 1920's art deco presentation, especially the title sequence, worked well, and the atmosphere of dapper sophistication was a welcome change from the more homey Miss Marple. Technically the series is still going, although it's restricted, 'Inspector Morse'-style, to one-off specials. ... Read more

Description

Documentary-style Comedy. Christopher Guest follows up his acclaimed ensemble comedies Best in Show and Waiting for Guffman with a docu-comedy about three folk groups from the 60s who reunite for a memorial concert in New York City following the death of a legendary folk manager. ... Read more

Reviews (147)

Guest just keeps on going, and going, and going....
Christopher Guest first came to prominence in 1984, as an assistant and star in Rob Reiner's hilarious "This is Spinal Tap".

Guest learned at the hands of the master, and the last 20 years of his career have been spent on mockumentary efforts ("Waiting for Guffman", "Best in Show", and, in 2002, "A Mighty Wind", where he decided to satirize the 60's folk music movement, something he and his fellow Spinal-Tappers had once done as a skit on Saturday Night Live). There are hallmarks in Guest's work. He utilizes a co-writer, the newly popular Eugene Levy (the best part of Steve Martin's recent "Bringing Down the House"), he has a regular cast of character actors that ad-lib their way through zany and satirical situations in all three films, and he conquers the art form of teasing fans and popular culture icons with gentle spoofing, double entendres, hidden meanings, and really great filmmaking.

Although I enjoyed the film in the theater, it really came into its own when I was able to watch the DVD where I could marvel at the details and depths of Guest and Levy's imagination, and the brilliance of their comedy. It's strewn throughout the film, but a lot is captured and hightlighed in the DVD's special features.

The premise of the film is simple:

Irving Steinbloom, aged icon of the 50's and 60's folk music scene, has died in New York. His son, who followed him in managing folk music acts, Jonathon (Bob Balaban)endeavors to create a "PBN" concert in his dad's memory, bringing together three of dad's oldest and most famous acts. We get to see the faded stars in their lives today, deciding to do the show, then practicing, traveling to the Big Apple and enduring some mild hoopla and memories. Finally, we see the big event.

It was easy to pick out the most outstanding performance of the film, it belonged to co-writer Levy (as Mitch), who completely convinces you, iron gray wig and all, that he is an unhinged, deer-in-the-headlights folk icon, with much of his early musical promise deadened by the cornucopia of meds he's taken over the last three decades, to try to capture some mental stability. To fully appreciate his performance, and the droll wit that drives Levy, see his ad-lib in the Special Features press conference, where Mitch does a completely credible and incredible speech, comparing Rap music to folk music. You gotta see it to believe it!

Strolling through the DVD also brought out the idiosyncrasies in the film and let me marvel at the comedic turns of the delightful Jennifer Coolidge (as Amber Cole, eastern European escapee and PR agent) and John Michael Higgins (as Terry Bohner. Leader of the "New Main Street Singers"). Both were completely over the top in "Best of Show", and even more laughable here. Both are amazing scene stealers, but you have to think back over the scene to realize it.

In the Special Features, you're really crushed to find deleted scenes that should have survived the film's editing (particularly Coolidge in a deadpan "piccolo" joke), memorable songs ("The Good Book", by the New Main Street Singers, is hilarious) and the unmatched wry and acerbic humor of commentators Guest and Levy. Guest, with amazing attention to detail, even filmed the concert portion of "A Mighty Wind" with TV cameras to be able to recreate the concert as it might have appeared on PBS or public access.

"AMW" is not for everyone. Those who won't want to probe for the humor or the double entendre or can't reminisce about the golden age and the innocence of folk music will probably think it dull, dull, dull. I've rated it four stars, because it pales in comparison to Guffman and Best in Show, but I must say, I really enjoyed the film.

Guest is a genius at understated, satirical comedy and at making gentle, loving jibes at pop culture stereotypes. Although "AMW" may be the lesser of his three films, it still proves that he is truly the king of film comedy. Can't wait for his next one!

A Mighty Wind.... A Mightier DVD!
Christopher Guest, Harry Shearer and Michael McKean came down to Sydney, Australia for a special screening of 'A Mighty Wind' with a Q&A session afterwards. I was lucky enough to attend and was even luckier to hear the plans they had for the DVD.

First off, if you're not familiar with Christopher Guest's movies you simply have to know one thing, they are all Improvised. No script just acting on the spot. All Guest's movies (Best In Show, Waiting for Guffman) are in the style of a documentary (Mockumentary) where the storyline is plotted out before hand and the scene is just given an outcome which the actors then have to Impro. This makes the movie fresh and funny plus its what differentiates itself from other films, giving it a unique element.

The movie itself centres around when folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he had shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving's loving son Jonathan (BOB BALABAN) has decided to put together a memorial concert featuring some of Steinbloom's best-loved musicians.

There's Mitch & Mickey (EUGENE LEVY and CATHERINE O'HARA), who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen (CHRISTOPHER GUEST, MICHAEL McKEAN and HARRY SHEARER), whose records were endlessly entertaining for anyone able to punch a hole in their center to play them; and The New Main Street Singers (featuring JOHN MICHAEL HIGGINS, JANE LYNCH and PARKER POSEY), the most meticulously color-coordinated "neuftet" ever to hit an amusement park near you.

Now, for one night only in New York City's Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous.

Christopher Guest stated that the DVD was set to release in 6 months, making it around Christmas time or early January (Depending if Warner Bros decides to push it forward or hold it back).

The DVD is set to have feature commentary by both Christopher Guest and Eugene Levy (Writers). Also the whole 'Ode to Irving' show at New York City's Town Hall will be played in its entirety for all those fans of Folk Music out there. There will also be around an hour of Deleted Scenes (Additional Commentary), Trailer and Production Notes.

This DVD is definitely worth the buy. It may not be packed with Special features but the film itself is whats worth the money. If you loved Reiner's spin on Rock music with Spinal Tap wait till you see (if you haven't) Guest's take on Folk Music. With over 80 hours of footage shot and around 8 months to edit it, it really shows how passionate Guest is about his films and what he feels is the Creme da la Crème to make into a 5 star movie.

A must see movie. A must buy DVD.

Funny + folk-music + Eugene Levy
Why only 4 stars and not 5? I cannot believe that in 2004 there are still companies that package DVDs in flimsy cardboard cases rather than plastic clamshell keepsakes. And this is a film you'll want to keep.

If you only know Eugene Levy from the American Pie films, you will be pleasantly surprised with A Mighty Wind. I had no idea Eugene Levy could sing so well, or was capable of a serio-comic performance. I usually love his bit roles in films, and this one was way better than I expected. Aside from Levy, this is another of director Christopher Guest's mockumentaries, albeit an extremely good-natured and lighthearted one centered around a PBS folk-music concert. Guest is one of the few filmmakers who can make the mockumentary format work (aside from Woody Allen), and he leads a brilliant cast into a largely improvised framework that contains laughter and sentimentality.

I'm not a folk-music fan at all, but I enjoyed the music in the film a lot. It's pleasant rather than annoying and preachy.

"You can't get to heaven on the wings of a gun"
I got a lot of enjoyment out of this movie, and basically agree with most of the other positive reviews on this site, but my main reason for posting this review is to highlight the hilarious "Children of the Sun" video which is one of the special features. This is a Folksmen tune that they released in 1968, from their "Saying Something" LP (where they broke their covenant with the fans by not hyphenating the album title.) This was when the true folk era was dying out and bands needed to make the transition to something just a little more psychedelic sounding. (Of course, this is all fictional...) But the video just had my whole family (teenage sons included) doubling over with laughter, with the primitive but "far out" video FX, the trippy-cheesy lyrics and the earnest delivery of the songs Transcendent Message. As a 7-year old kid in 1968, my consciousness was saturated with that stuff, as my parents were into Donovan, the Fifth Dimension, the soundtrack to "Hair" and all the other earnest performers out there singing similar Anthems of a New Generation. The whole disc is full of great amusing material, but "Children of the Sun" really did top it all off quite brilliantly.

Very subtle and very funny!
Compared to WAITING FOR GUFFMAN and BEST IN SHOW, the humor in this mockumentary is a bit subtler. It is funnier every time I watch it, as I catch more of the wry, understated humor with each viewing. The songs are catchy, too. You really care about what develops with the central characters played b