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| 141. Doctor Who -The Dalek Invasion of Earth Director: Rex Tucker, Julia Smith, John Gorrie, Ron Jones (II), Alan Wareing, David Maloney, Richard Martin (IV), Peter Moffatt, Derek Martinus, Fiona Cumming, Joe Ahearne, Derrick Goodwin, Christopher Barry (III), Darrol Blake, Euros Lyn, Pennant Roberts, Michael Leeston-Smith, Rodney Bennett, Timothy Combe, Gerald Blake (II) | |
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| 142. Saturday Night Live: The Best of Adam Sandler Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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| 143. Doctor Who - The Talons of Weng-Chiang Director: Rex Tucker, Julia Smith, John Gorrie, Ron Jones (II), Alan Wareing, David Maloney, Richard Martin (IV), Peter Moffatt, Derek Martinus, Fiona Cumming, Joe Ahearne, Derrick Goodwin, Christopher Barry (III), Darrol Blake, Euros Lyn, Pennant Roberts, Michael Leeston-Smith, Rodney Bennett, Timothy Combe, Gerald Blake (II) | |
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Description Reviews (32)
Top notch sets, an excellent script, sterling performances from the actors and a dark, sinister atmosphere reminiscent of the old Hammer Horror movies keeps the viewer glued to the screen through all 6 breathtaking episodes. Even after 16 years the story is as captivating as ever. Tom Baker is wonderful as The Doctor and this story was highly influential in casting him as Sherlock Holmes in a BBC TV series several years later. Technical notes: The existing BBC recordings have been cleaned up for the DVD by the Dr Who Restoration Team who rebalanced the colour, removed scratches plus much more in order to give the fans the best possible viewing pleasure. A commentary track was recorded with original actors Louise Jameson, John Bennett and Chrisopher Benjamin, Director David Maloney and Producer Phillip Hinchcliffe. Also included is a BBC documentary, some clips from the childrens show "Blue Peter" including how to make a Dr Who puppet theater, an interview with Phillip Hinchcliffe, pop-up production notes and a photo gallery.
The "Dalek invasion of Earth" was the last adventure made in the first season production block, way back in 1964, albeit held over and broadcast as the second story in season two. The adventure is significant for many reasons, mainly because it featured the departure of one of the original Tardis crew, and also because it was the first "sequel" to feature in the show, featuring the return of the enormously popular Daleks, created by Terry Nation. Set almost 200 years in the future, the adventure mainly takes place in central London, allowing for much location filming around familiar sights, which adds to the realism of the story. It was the first real use of extensive location filming in the show's history and was well worth the effort to take the show out of the studio and bring a more epic quality to the production. The closing sequence featuring the Doctor (as played by William Hartnell) bidding farewell to his granddaughter Susan, played by Carole Ann Ford, may also be one of the entire series most poignant scenes. All six of the original black and white episodes have been painstakingly restored to almost their original broadcast quality, with many enhancements to some of the laughable special effects added as an option. Potentially, it's the other bonus material that may prove the most interesting to fans and casual viewers alike. The commentary from the surviving cast (Carole Ann Ford and William Russell) together with the producer and director is first class. The on-screen captions also go a long way to fleshing out the background to the production. Almost the entire guest cast appear in newly shot interviews airing their reminiscences, plus there are all sorts of behind the scenes programme's, trailers and other goodies gathered onto a 2nd disc. The same is true of the companion release, "The Talons of Weng-Chiang." Made twelve years later, in glorious colour, this six part series took another twist on the Earth invader theme by taking the Doctor, this time played by Tom Baker, and his companion Leela back into Victorian London to deal with a sinister alien menace. For many, this story is often regarded as one of the greatest (if not THE greatest) story of the Doctor Who canon. And I'm not going to disagree. The production values alone would be enough to set it apart, but the wonderful script, incredible design and superlative acting by the entire cast adds a special magic to the show that few other Who adventures have ever matched. Like the earlier Dalek story, it also marks the end of an era, since this was the last adventure produced by Philip Hinchcliffe. Quite honestly - the show was never the same again! Again, there are all sorts of goodies available on a 2nd disc to accompany the restored six-part adventure. A documentary on the history of Doctor Who televised at the conclusion of the serial is just one bonus worth having; the commentary from the cast and crew is another. It's great to hear Louise Jameson (Leela) making her DVD debut, and it's a real shame Tom Baker himself did not take part. Both stories are excellent additions to the growing Doctor Who library, clearly demonstrating the changing production values and story making not only of this particular show, but also British TV drama in general. I'd highly recommend them and look forward to the next two releases in 2004. ... Read more | |
| 144. The Twilight Zone: Vol. 2 Director: Ida Lupino, Alvin Ganzer, Richard Donner, Allen Reisner, John Rich, William F. Claxton, Ralph Nelson, Bernard Girard, David Greene, Don Medford, Jus Addiss, Walter Grauman, Ron Winston, Anton Leader, Paul Stewart, William Asher, Robert Stevens, Allen H. Miner, Perry Lafferty, Jacques Tourneur | |
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Description Reviews (17)
This DVD includes the following episodes: "Time Enough at Last", "The Monsters are Due on Maple Street", "Nightmare at 20,000 Feet", and "The Odyssey of Flight 33". "Nightmare at 20,000 Feet" is my favorite episode. William Shatner is a passenger on an airplane who sees an alien on the plane's wing every time he looks out the window. However, he's the only one who sees the alien - every time he yells to the stewardess or other people, the alien disappears. Everytime he sees the alien, he yells "there's a man on the wing! " It is such a great episode - it made William Shatner the star he is today! Also, be sure to look for Burgess Meredith in "Time Enough At Last" before he was known as "Mickey" from the Rocky movies. My only complaint is that there are not more episodes on this disk. I don't understand why CBS didn't release the episodes on a season-by-season basis.
This second volume is well written with wonderful acting by Burgess Meredith and William Shatner. Highly recommended!
Time Enough At Last- Loved it! One of my favorite episodes actually. I felt very sorry for the guy. (*****) Monsters are Due on Maple Street- Another great episode. Very surprising on who the monsters were. (****) Terror at 20,000 feet- Uh, didn't care too much for this one. I got a little bored watching it actually. A lot of people seem to like this one though. (**) The Odessy of Flight 33- another great and entertaining one. (***)
Henry Bemis (Burgess Meredith) has a healthy interest in reading; he is surrounded by people that underestimate its worth. He is conspired against by the bank president and even his wife. He works in a bank and spends his afternoons in the vault catching up on his reading. I will say no more as you and Mr. Bemis are about to enter the Twilight Zone. Burgess Meredith will be found in several of the Twilight Zone episodes and again as the narrator of the 1983 Twilight Zone movie. Episode 22 "The Monsters are Due on Maple Street" March 4, 1960 The typical neighbors, like Claude Atkins and Jack Weston, are out doing neighbor things like mowing their lawn. They stop to hear a weird sound and see a strange light. It is assumed to be a weird meteor. All of a sudden the power goes out and nothing works no phones, no cars, nothing. This is the last moment before the real monsters came out. Episode 123 "Nightmare at 20,000 Feet" October 11, 1963 Mr. Wilson (William Shatner) is a salesman that is recovering from a nervous breakdown he had in an airplane. He is on his way down in a propeller commuter plane. You know something is amiss with him as he realizes he is next to the emergency window, over the wing. Of course his psychiatrist, Dr. Martin, would not let him fly home unless he was well. In the middle of an electrical storm, he looks out the window and I will say no more as you are about to enter the darkest part of the Twilight Zone. This episode will be included in the 1983 movie with John Lithgow playing Mr. Wilson. Episode 54 "The Odyssey of Flight 33" February 24, 1961 An international Jet flight, Global 33, is heading for Idawiled airport. On the way they get a sensation of great speed and go through some unknown barrier. Captain Farver (John Anderson) looses all external electronic guidance. He goes down for a closer look. I will not say anything more as you have now entered the Twilight Zone. I wonder if we have a current remake, would Global 33 lose global positioning. ... Read more | |
| 145. My Life to Live Director: Jean-Luc Godard | |
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Amazon.com essential video Reviews (21)
As soon as the word "FIN" came up on the screen, complaints were flying at the screen. My fellow students lammented either about how the ending was "contrived" or "too rediculously sad." It is my very strongly held opinion that they missed the entire point of this film. This film was not about the ending. This film was not even about the "plot." This film is about the human connections that we make and the human connections that we fail to make. It is about conversation at its most banal and at its most liberating (sometimes seperated by mere words). It is about life, it is about morality, and it is about filmmaking. Although the silouette shots that compose the flawless opening credits sequence are beautiful, they are immidiately outdone by the cinematography of the first conversation of the film. This is a conversation with opposing motivations. The two people "engaged" in it (I use this term in the loosest sense) are not connecting with each other, and, indeed, only seem passively interested in each other. YOU DO NOT HAVE TO HEAR A SINGLE WORD OF THIS CONVERSATION TO UNDERSTAND IT. Granted, the words shared are spectacular, and their performance is even better (amazing considering the lines were given to the performers only a few short moments before the camera began rolling) - especially the moment in which a phrase is uttered several times just to explore its different potential meanings. But the words are utterly superfluous - the visual language is all that one needs to take in. Every shot is of the back of the performers' heads. We do not see their faces. They are expressionless. They are ciphers. Their conversation is tossed off, it does not even connect on a surface level. We not only never see their faces, but also never even see them in the same frame. It is disconnection and discontentment completely and utterly represented on purely visual terms. Needless to say, the amazing camerawork continues throughout the film to the point where it would be impossible to analyse it all (not to say that my previous comments were analyzation - you'd need to write at least a 10 page essay just to approximate what the first sequence illustrates effortlessly), so just watch the film yourself, take it in, and enjoy it. May I suggest that if you do not enjoy the film the first time (as my fellow students certainly did not), try to focus on other aspects of it. There are a tremendous number of layers to this film, and any one element of it demands a viewing of its own. If you still can't wring any enjoyment out of it, well, then, I'm terribly sorry. You're missing a wonderful experience.
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| 146. Never Been Kissed Director: Raja Gosnell | |
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| 147. Agatha Christie's Poirot Director: Ross Devenish, Edward Bennett, Richard Spence, Peter Barber-Fleming, Andrew Piddington, Ken Grieve, John Bruce (II), Brian Farnham, Renny Rye, Andrew Grieve, Stephen Whittaker | |
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Amazon.com The Murder of Roger Ackroyd opens with a retired Poirot cursing at vegetable marrows in his country garden.When his old friend is found stabbed in the neck, Poirot begins an investigation that reunites him with Chief Inspector Japp (Philip Jackson) and uncovers a chain of furtive phone calls and secret romances.Unfortunately, the restructuring necessary to adapt the story from text to film takes away some of the shock value of Christie's original ending, which caused quite a controversy when the book was first published in 1926. Lord Edgware Dies finds Poirot reopening his London office with the help of Miss Lemon (Pauline Moran) and Captain Hastings (Hugh Fraser). As they celebrate their reunion, Japp quips that there's "only one thing missing... the body." Right on cue, a corpse turns up just moments later. Most of the suspects are actors by profession, but Poirot's "little gray cells" are able to penetrate the murderer's disguise--though only after two more victims heighten the suspense. The acting is impeccable and the sets are as lavish as ever in both of these adaptations. The main characters' delight in being reunited is sure to be matched only by the delight of Agatha Christie fans who now have two more episodes to add to their collection. --Larisa Lomacky Moore Reviews (6)
This two DVD set includes "The Murder of Roger Ackroyd" and "Lord Edgeware Dies". The producers set these stories as taking place after previous episodes. This decision was probably made on account of how much older the actors look. While Poirot and Inspector Japp have aged gracefully, both Captain Hastings and Miss Lemon show their years. The Murder of Roger Ackroyd is one of Agatha Christie's most famous novels, but it translates poorly on the screen. It is impossible to go into details without giving away who the murderer is, but suffice it to say that the surprise of the novel is greatly diluted here. There is also a wistful sort of sadness that permeates the entire story, with none of the charm of the earlier episodes. There is also a feeling that the production was rushed, and that the actors feel uncomfortable in their roles. Thirteen at Dinner is a much better production. All the old favorite characters are re-united here and some of the charm/humor missing in the first story is present here. There is also a greater sense of locale. This episode feels more populated and the variety of locations along with the complexity of the story helps keeps this moving along at an entertaining clip. If you have the opportunity to purchase the two DVDs seperately, definately choose Thirteen at Dinner and forget about Murder of Roger Ackroyd.
The Murder of Roger Ackroyd - Not the best and most intriguing murder ever done, but seeing Japp and Poirot back in action was done, and the climax was just plain thrilling! - 4 stars Lord Edgware Dies - This is probably one of my three favorite Poirots ever! (The other two are "One, Two, Buckle My Shoe" and "Yellow Iris") The case is great, complex, intriguing, fascinating, and I love the drum beat music when someone's about to be killed! If this is the finale to the whole series, it's a great one! Brave! - 5 stars - I heard they're still making more though, so that's good news!
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| 148. Amazon Women on the Moon - Collector's Edition Director: Robert K. Weiss, Carl Gottlieb, Peter Horton, Joe Dante, John Landis | |
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After a slow start, the sketches that comprise "Amazon Women On The Moon", a.k.a. "Kentucky Fried Movie II", pick up speed and reach increasing levels of absurdity, up to a widow's wake which turns into a roast. Steve Guttenberg's experiences with the opposite sex and a seventeen-year old teenager's horrible condom buying experience are painful and extremely funny to watch. By the time Russ Meyer (yes, *that* Russ Meyer) appears as a video store clerk, you have learned to stop worrying about whether this is sub-standard entertainment or not, because the sketches get too funy to care. The whole movie culminates in Carrie Fisher's appearance in an "educational movie", playing a woman with a "social disease". The experience is marred, however, by the poor quality of the DVD transfer. The picture is blurry (this disc has obviously been transferred from video) and the sound is mono. Often enough, horrible compression artifacts appear in the picture, distorting the image beyond recognition. A shame really, since this movie really deserved a better transfer.
The scene "Blind Date" which stars Steve Guttenberg and Roseanna Arquette is worth the price of the DVD itself. It is absolutely hilarious. I would consider it my worst nightmare (at least in dating terms). Parts of the movie are ridiculous, but for the most part it is very enjoyable. The best way to watch this is to go into it with an open mind and don't expect it to be realistic.
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| 149. QB VII Director: Tom Gries | |
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Amazon.com Reviews (5)
On the negative side, there are some shots, especially at the beginning, that are so shaky they look like outtakes from EARTHQUAKE, the Arab characters are played by Caucasians in dark make-up (conjuring up unpleasant memories of Al Jolson in blackface (some aspects of Arabic culture might not be totally authentic, either)), and there is little sense of the writer's effort in creating an epic novel or of the knowledge he uncovered implicating the doctor in (...) experiments (a few minutes of him pounding away at the typewriter in the middle of the night or pouring through piles of documents would have gone a long way toward establishing credibility here). Nevertheless, there are some moments of great power, particularly those involving the doctor achieving recognition for his selfless post-war work, and the writer's painful return to his Jewish faith after the death of his father. Not classic TV, but well worth a few nights of your time.
Hopkins is excellent throughout as a man attempting to expiate a horrifying guilt through his work as a doctor to nomadic Arabs and poor Londoners. Unfortunately, one can't say the same about Ben Gazzara, who delivers a snide and often bullying performance dripping with excess testosterone. Leslie Caron is hamstrung by a cliched role as a dutiful wife; Lee Remick is simply wasted. Nice acting by opposing counsels Anthony Quayle and Robert Stephens (who, oddly, later played a sadistic SS commandant in "War and Remembrance"). QB VII admittedly labors under the restrictions of early Seventies television -- it's repeated use of the word "testicle" was likely quite daring at the time -- and that may well reduce the power of the story. But certainly the pedestrian script and direction don't help.
Gazzara has never been better or classier and this is one of Anthony Hopkins' best performances ever. This award-winning movie compares favorably with any other drama on a similar subject, including Marathon Man, Judgment at Nuremberg -- what have you. The movie is bold, disturbing, engrossing -- and pulls no punches regarding the nature of the experiments run in the camps. Not for the squeamish. I can't recommend this highly enough -- it was riveting television on first run, worthy of being a feature film, but it is richer for being a long-form TV mini-series. Very serious subject matter, and very moving at times -- the wives of the two men are well played, agonizing over their husbands' struggle in court, with Hopkins' wife standing by her husband to the end, and Lee Remick as Gazzara's wife is great as well. The climax is stunning. Treat yourself to a wonderful piece of television and use it to educate a new generation of young people as well!
This is a riveting thriller that has been long overdue on DVD. The only problem I have with the film is overlength. It will keep you watching and guessing till the end. ... Read more | |
| 150. The Adventures of Baron Munchausen Director: Terry Gilliam | |
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The visuals are spectacular and you can definitely see where the money went (I read that this was one of the most expensive films made at that time). Terry Gilliam has an incredible imagination and is able to translate his vision to the screen. I was convinced the Baron could fly holding a cannonball! The actors seemed to have a good time making it. John Neville uses the proper restraint in his roll to make his character believable while in unbelievable situations. Uma Thurman is incredibly beautiful as Venus. Robin Williams and Eric Idle have a lot of fun in their roles. Aside from the slow pace in parts, I also am disappointed in the lack of features on this DVD. Where's the onscreen commentary or the behind-the-scenes features? Terry Gilliam did such a great job on the TIME BANDITS and especially the Criterion Collection BRAZIL, I'm surprised that a film that he spent so much time and money into lacks these extras. Perhaps even Terry Gilliam doesn't like this film as much as his others?
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| 151. The Fisher King Director: Terry Gilliam | |
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Amazon.com essential video Reviews (52)
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| 152. Doctor Who - The Curse of Fenric (Episode 158) Director: Rex Tucker, Julia Smith, John Gorrie, Ron Jones (II), Alan Wareing, David Maloney, Richard Martin (IV), Peter Moffatt, Derek Martinus, Fiona Cumming, Joe Ahearne, Derrick Goodwin, Christopher Barry (III), Darrol Blake, Euros Lyn, Pennant Roberts, Michael Leeston-Smith, Rodney Bennett, Timothy Combe, Gerald Blake (II) | |
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| 153. Green Hornet - Vol. 1 Director: Leslie H. Martinson, James Komack, Larry Peerce, Norman Foster, George Waggner, Allen Reisner, William Beaudine, Murray Golden, Seymour Robbie, E. Darrell Hallenbeck, Robert L. Friend | |
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| 154. Home Alone 3 Director: Raja Gosnell | |
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However, I enjoyed it even more than the earlier ones. It moves at a fast pace. It is fresh. New kid. New villains. High tech Gadgets. What is common is that the villains have a tough time here too. If you have liked the previous two movies, there is no reason why you should not like this one.
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| 155. The Best of Bonanza, Vol. 1 Director: Chris Christenberry, Alvin Ganzer, Don McDougall, Lee H. Katzin, John Rich, William F. Claxton, Dick Moder, Gerald Mayer, James Neilson, Arthur H. Nadel, Charles F. Haas, Joseph Pevney, Jean Yarbrough, Leo Penn, Robert L. Friend, Robert Gordon, Irving J. Moore, William Upton (II), Lewis Allen, Nicholas Colasanto | |
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The various repeat airings on television since the series ended were edited by up to 10 minutes to allow for more commercial time. This DVD presents the episodes in their original form. And the picture quality is no doubt better than the quality of the then-new color TVs when the series originally aired. May this Volume 1 sell enough that Republic/Artisan continue to remaster the original prints from the series. There are many classic episodes that have never seen release on video, and were sadly edited in tv repeats... Springtime, The Hayburner, Hoss and the Leprechauns, The Wooing of Abigail Jones, etc. The original masters of the Bonanza series need to be restored and preserved on DVD.
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| 156. The Saint, Set 1 Director: Peter Yates, David Greene, John Krish, Robert Tronson, Pat Jackson, Jim O'Connolly, Anthony Bushell, Robert S. Baker, John Kruse, Roger Moore, James Hill, Michael Truman, Jeremy Summers, John Paddy Carstairs, Leslie Norman, Robert Lynn (II), John Ainsworth, David Eady, John Gilling, Ernest Morris | |
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