Reviews (43)

Timeless comedy
I don't know how many times I've seen this movie since I was a child. And it is still one of my all time favorites. I hope Paramount is making a DVD in the near future, cause my old VHS tape is pretty worn out and won't do it any longer. Although John Wayne is mostly famous for his western movies, he's best in Non-westerns. His exprssion when Martinelli asks him how he likes to kiss is priceless. I LOVE IT!! Howard Hawks was an excellent director and never in the 160 minutes the movie is boring. The action scenes are exciting, the comedy scenes are funny. Don't touch it when you love Stallone or Van Damme, but it is a must when you love Good Old Hollywood!!

How times have changed!
I ran across this movie by accident on late nite TV -- and I loved it! Hatari is East Africa 40 years ago. There's no plot to speak of. John Wayne heads a team that chases down and catches animals to sell to zoos. They carry guns -- but they don't shoot anything; they smoke and drink to excess and eat lots of fatty foods (crab cakes fried in antelope fat!); they drive old beat-up jeeps and land rovers and they don't wear seatbelts -- and when they roll a jeep they pick everybody up and dust them off instead of calling a doctor (or a lawyer); the men are dumb and tough and lovable and honest and the women are smart and competent and sexy and honest -- and they don't have to prove anything to anybody.

There's no way you could make this movie now. These guys lasso real animals -- giraffes and rhinos and zebras -- and wrestle them to the ground and put them in cages. The animals were probably not amused. But Hatari was politically correct in its day. Wayne's team includes a German, a Frenchman, an American Indian, a Spaniard, and an Italian femme fatale and they all get along pretty well. The Africans in the movie are called boys and there's not a hint that they might prefer to be called something else, like Mr. or Sir.

The scenery is marvelous, the photography fabulous, the music cute, the comedy stupid, the love scenes corny, and the animal capture scenes are fascinating. So this is how zoos get their animals....

Hatari is an idealized Africa of Bwanas and boys. Today, I suppose we're safer, happier, healthier, etc., but living in the shadow of Kilimanjaro and chasing animals around sure looks like a lot of fun.

A Duke classic!
Take John Wayne off his horse and put him on the front of a pickup truck, and it's off to the races in this classic film about a group of professional big game hunters in Africa. Wonderful combination of action, comedy and the cast of characters reacting to each other as the storyline develops. The Duke is the undisputed leader of this group of international stars, who are plainly shown to be doing the capture scenes themselves. That adds so much to the film by not using stunt doubles. This is evident in the last capture scene of the rhino as Wayne is plainly shown trying to untangle ropes and move the trapped beast. He stands just mere inches from the horn of the rhino when the beast begins bucking and snorting! Think about this also. Wayne was on the front of the truck doing the capture scenes. That truck could have easily turned over, and the Duke would have been dead 17 years before his time. Raw courage and devotion to his trade! A must see movie for the entire family!

John Wayne Classic
I saw this movie as a kid. I now own it for reasons of it being a good quality dvd and also its significance of it being shot in my home town of Arusha, Tanzania (specially the last scenes).

The comedy is good, though a long movie to watch in one sitting.

The authentic animal chase scenes by John Wayne and team make it worth while including buttons comedy.

Rhinos and Other Horny Beasts in Africa
There's not much this movie doesn't have. Action? Got it. Romance? Yep. Comedy? Check. Wild animals? Naturally. Punching, gunplay, explosions, and rocket blasts? Yes, yes, yes, and yes. Hyena bathing and slapstick elephant chases? But of course. Shape-shifting space aliens? Okay, it doesn't have that, but it has everything else and a cast that works well together and isn't overscripted.

The story follows a season in the lives of a team of big game hunters (a catch-and-release group that works for zoos and circuses). A couple outsiders come in and the group dynamic changes; the young girl of the group is suddenly all grown up and a love triangle (later a quadrangle) forms and resolves itself; the group's leader has to choose between letting go of the past or missing the relationship of a lifetime; and then there's the horrible rhino curse that must be broken. In lesser hands, it would all be a "very special episode" of Little House on the Savanna, but Howard Hawks masterfully directs his cast and winds up with some incredible footage of the African plains and its wildlife as well. Add in an excellent score by Henry Mancini, and you are really drawn into the action; the whimsical "Baby Elephant Walk" provides a nice break from the tension - you know nothing bad can happen once the calliope starts up, so just sit back and enjoy the fun.

John Wayne keeps his swagger and drawl mostly in check, but Buttons' physical comedy is a little overeager. Still, the remaining 98% of the film is on target in tone and balance. The scenes between lovelorn Martinelli and Buttons feel genuine, the animal herding and capture scenes feel dangerous, the rhino goring and dislocated shoulder repair feel painful, and your arteries begin to clog at the mention of codfish cakes deep-fried in antelope fat.

This is a great movie to lose yourself in. Just make sure you have a full two-and-a-half hours to spend; once you begin you won't want the action, romance, and comedy to stop for even a minute. ... Read more

Reviews (23)

Better Than The Movie!
There is something compelling about the movie version To Hell And Back which I first viewed as a boy in the 1950s. Perhaps it was the fact that the star was the hero himself "replaying" some of his own wartime experiences. Over the years, the movie has appeared repeatedly on television, and almost routinely on the History Channel. I've watched it many times. The movie, however, pales by comparison to Murphy's actual Medal of Honor citation. Now that I finally have read his book, the citation itself seems to offer only a fraction of the story behind his guts,determination, and eventually the horrible memories he endured until his untimely death in a plane crash. It makes me shutter to think of myself as a combat veteran from Vietnam compared to what men like Audie Murphy had to endure for the duration of their tours in World War II. But, it also makes me realize that war for frontline troops has changed little from one generation to the next. This ought to be REQUIRED READING for everyone who send others to war!

Surprisingly Good Hollywood Take On Murphy's War
The single biggest reason to watch this movie is that the star himself was in fact the single most decorated war hero of World War Two, and he is convincing here playing himself with dignity, sincerity, and humility, which, of course, Audie Murphy always had in spades. The movie was adopted from his best-selling autobiography, which my Mom let me read after blackening out all of the four letter slang (as she called it). Perhaps it shows that he was my childhood hero, and I still have a personalized autographed photo somewhere reading "Thanks, Barry, for being my fan" that a friend's mom got for three or four of us ten year olds at the time this movie was released in the mid 1950s. It was the first movie I saw ten times. And I wasn't alone; Murphy was a national icon.

The movie truly is a classic; tightly directed, poignant, honest, accurate, and showing gripping combat without being gory or maudlin. It sometimes decends into travelogue movie-theater type newsreel moments, but these are thankfully rare and forgiveable. On the other hand, this is an interesting and absolutely true story of a common and uneducated boy from rural Texas who wanted more than anything to be a soldier and serve his country, and his subsequent deeds and patriotism above and beyond the call of duty inspired a whole generation of us who wanted to imitate his call to country. Unfortunately we walked into another time and the miasma of Vietnam. But that's another story for another time. Escape back to a time when the moral choices were clearer, and a real live hero was available to act his way memorably through an accurate recounting of his extraordinary if abbreviated military career. He may be gone too soon, the victim of a plane crash in the early 1970s, but his lifetime admirers remain. Enjoy!

Very good
Hey its a good movie....but one thing that the movie compresses to the extreme is his act that won him the Medal of Honor. Its EXTREMELY downplayed in the movie. In reality he held off a German advance from 3 directions for over an HOUR....an hour!!! Then just seconds after he jumped off the tank it blew up.

Just wanted to set the record straight on that....

A Real American
My father enlisted in the Army in 1949 at the age of 18 while inspired by the actions of Audie Murphy. He went to Korea and fought bravely for the USA. I enlisted in the Army in 1992 at the age of 17 for the same reason. This movie not only makes you think but also inspires.

I'm embarassed
I have to say that after I saw this movie, I was a little embarassed that I had never heard of Audie Murphy before, especially since I'm 37 years old. This guy epitomizes the term "war hero" and his story needs to be retold. I'd love to see this remade so that more generations of people would know about him. The current version was great, especially because Audie plays himself. A must watch, especially for anyone who doesn't know anything about him. ... Read more

Reviews (8)

A fun film, with great chemistry between Hudson and Prentiss
My wife loves this film and is a great fan of Rock Hudson. I have long admired Paula Prentiss, so I bought the film on VHS video for my wife three years ago. After watching it twice with my wife since, now that it is available on DVD, I soon plan to add it to our DVD library, as well. It is always great, fluffy and lightweight fun. It seems to improve with each and every viewing and just grows on you. The chemistry between Rock Hudson and Paula Prentiss is perfect and she is certainly very easy on the eyes. The supporting cast is also excellent. I can heartily recommend it to anyone looking for a pleasant and entertaining film.

That's a joke, son....
The line, above, taken from the movie, reminds me that often I need to have things explained to me. Let me explain.
I am pretty sure, but not certain, that I saw this movie in high school, when it was released in 1964. At that time, it was simply (and simple) fun. The second time I watched, was MANY years later, out of nostalgia.
However, a strange thing happened as I grew older, continuing to watch it now and again. I became aware of, and appreciative of, how much of the humor in the dialog played against the supposed differences between the way men and women use words, and all that implies. I guess it's not very flattering, but I sometimes think that everything I know about women, I learned from this movie.
Some of the obvious strengths of the movie -- goofy physical comedy, Henry Mancini's droll music, and a fine supporting cast, including the pristine 'Lake Wakapoogee' -- brought me back to this movie a third time. Over time, however, I have come to appreciate the gentle, good-natured fun it pokes at men and women. Did the people involved with this movie intend it to be fun AND thought-provoking? I won't hazard a guess; I'll just be grateful for the joke, and the explanation.
Even if you do not think much of this review, watch the movie anyway, and if you are a curious kind of person that likes to think about things, watch it a second time, twenty years later! (That's a joke son....)

Will someone please give Nancy...
...her medication. I think she may need to up her Zoloft prescription. Try not typing in all capitals Nancy, it makes you look even more unintelligent than you probably are. Of course, on reflection, that may not be possible.

Highly recommended film by the way.

A TALL FISH TALE
A sort of throwback to the screwball comedies of the 1930's. It reminds one of the pairings of Cary Grant and Kate Hepburn such as Bringing Up Baby or The Philadelphia Story. By that as it may, I have watched this film several times over the years and I am repeatedly impressed with the level of comic intensity throughout the narrative. The plot line is simple enough: a fairly solid looking man has great success built on a secret. Rock Hudson has written a well-regarded book on fishing. The secret is Hudson has never been fishing in his life. Along comes Paula Prentiss who corners Hudson into participating in a fishing tournament at her outdoors resort. Of course, in the end Hudson wins the tournament and is exposed for the fraud he is. In spite of being proved to be a fake, Hudson comes out on top and falls for Prentiss as well.

As a story none of this is believable but that is never the point. What we have is a story in which silliness is the point. How we get from beginning to end is where the art is. There is no serious message here which is why this film is as light and appealing now as it was forty years ago. It is also startlingly clean as sex comedies go. There is no foul language and the most "flesh" one sees is a smidgen of panty from an unzipped dress.

We tend to think ourselves as a bit superior about these old movies in that we know Hudson was gay in real life. "Ha Ha Ha. People back then really believed that Hudson would have fallen for Prentiss. .Ha Ha Ha" Well stuff it. Hudson was an actor who wanted to make us laugh. It would be a real tragedy if all we do is laugh at him.

Best Fishes From Rock Hudson
This is a forgotten comic gem from master director Howard Hawks (RIO BRAVO). MAN'S FAVORITE SPORT is a throwback to his early screwball comedies featuring Cary Grant and Kate Hepburn (i.e. BRINGING UP BABY) and even pays homage to '...BABY' recreating a scene from the film. In "...BABY", Kate Hepburn's dress is torn at the back, exposing her undergarments, during a posh dinner party. Cary Grant must walk her out by walking behind her and holding her very close in unison with her every step. Rock Hudson does the same thing with actress Maria Perschy in '...Sport' when her dress is torn and exposing her back undergarments during a fishing lodge dinner party. Rodger Willoughby (Hudson) works at a sporting goods store selling fishing equipment and giving expert fishing advice to patrons and even has "written" books on the subject. However, he has never been fishing and really knows nothing of the sport. He is then entered into a fishing contest at a a resort by the store's publicity director Abagail (Paula Prentiss). When the truth is revealed to her by Rodger, he is entered anyway and must learn the sport along the way and try not to be exposed as a fraud. Naturally, by sheer luck and hilarious comedic circumstances he is able "catch" some fish and win the contest. Hudson, fresh from his bedroom farces with Doris Day is excellent as his character is the victim of all kinds of predicaments brought on by Abagail (Prentiss), who in turn is so annoyingly adorable. Great performances all around with some great support characters, namely Norman Alden (BACK TO THE FUTURE, ED WOOD) as John Screaming Eagle, the so-called lake resort 'Indian' guide, and John McGiver as William Cadwalader as Hudson's boss at the department store. Overall, a film with a funny script,some great sight gags when Hudson is fishing (i.e. the bear on the moped), great cast of supporting characters, great outdoor scenery, and the subject of fishing is a always a plus for any movie. ... Read more

Reviews (4)

Good, old, HBO horror series
They really should bring this series back. To those of you who have been living under a rock for the last 16 years, this is basically a very good, revamped-gory version of the twilight zone. Some great short horror stories!
Side note: I still have the old Crypt keeper dolls (still in their boxes) in my closet. I bought them at Spencer's gifts ages ago, maybe someday they will be worth something.

"Mirror, mirror on the wall. Who's the FEAREST of them all?"
Welcome to my review, horror freaks! So glad you could join me and read about the 6 eerie episodes of HBO's "Tales from the Crypt," the very ones that helped the series rise from its tomb back in 1989. It's been 9 long years since the show went off the air, and until now, I've been waiting for the Crypt Keeper's putrid puns and awful alliterations to be forever preserved on DVD format. And why not? The show lasted a full 7 seasons and featured many of the biggest actors and directors in Hollywood. Each tale carefully incorporates the grisly black humor William M. Gaines EC comic books, which were almost banned in the 1950's. Did I say 'almost?' Anyway, as other HBO programs like "Dream On," "Deadwood," and "Carnivale" were packaged and displayed on Best Buy shelves, I wondered if "Tales" would ever be among them. Well, the time has finally arrived, creeps! As stated by John Kassir himself, Warner Brothers wisely chose to create these discs so we ourselves can scare the next generation of kiddies to come. Even better is the fact that the second disc of this Season 1 set will contain a sickening array of never-before-seen extras. I don't want to give the surprises away, but I will briefly tell you the stories you are about to see. Enter, if you dare!
"Dig that Cat...He's Real Gone" stars Joe Pantoliano as Ulric, a homeless alcoholic who becomes a rich and famous sideshow performer after a mad doctor (Gustav Vintas) surgically implants a cat's gland into Ulric's brain. This procedure allows him to die and return to life nine times. Morbid hilarity ensues as a carnival barker (Robert Wuhl) presents Ulric the Undying to astounded audiences who watch him get electrocuted, hanged, drowned in a tank, and shot with an arrow (among other things).
In "The Man Who was Death," Bill Sadler (who eventually starred in the 1995 Tales from the Crypt film "Demon Knight") plays Niles Talbot, a state executioner who loses his job after spending 12 years pulling the switch. This resulted because the government unexpectantly repealed the death penalty. However, not wanting to abandon his favorite occupation, Niles drifts to the other side of the law by killing criminals who were acquitted by the courts.
The frightening and festive "And All Through the House" stars Mary Ellen Trainor as a devious housewife named Elizabeth, who brutally bludgeons her husband with a poker to collect on an insurance policy. Just when she is ready to eliminate the corpse, a homicidal maniac donning a Santa Claus costume (Larry Drake) terrorizes her with an axe. Even worse, Elizabeth can't call the police for fear of being convicted of first degree murder and losing custody of her daughter.
Vanity and greed play a central role in "Only Sin Deep," a tale about a street prostitute named Sylvia Vane (Lea Thompson). After killing a pimp and stealing his gold jewellry, she willingly sells her beauty to a strange pawnbroker (Britt Leach) in exchange for $10,000 cash. At first, Sylvia wins over the affections of a suave playboy millionaire. But immediately afterward, as a result of some black magic performed by the pawnbroker, she gets increasingly distraught as her face quickly ages. Desperate to buy back her looks, she shoots her rich lover dead, but is then forced to avoid prison by staying ugly for life.
Prepare for a honeymoon hell in "Lover Come Hack To Me." Here, a cunning bachelor named Charles (Stephen Shellen) marries a naive Peggy (Amanda Plummer) for her inheritance money. On a rainy night, after accidentally getting stuck in an abandoned mansion, the two go up to the bedroom and make perfect love for the very first time. Originally, Charles was going to kill Peggy and stage the crime to look like a burglary. But he soon discovers that her family history is cursed, and that much darker skeletons lie in the bride's closet.
Last but not least is one of my favorite episodes, "Collection Completed." M. Emmet Walsh plays Jonas, a grouchy tool salesman who finally gets to retire after 47 years on the job. His slightly odd wife Anita (Audra Lindley) has developed a fondness for pets...alot of pets. In fact, she keeps a zoo-full of cats, dogs, and birds in the house. On top of that, she talks to squirrels and runs an aquarium in the bathtub. Obviously, such an attachment to animals is enough to drive Jonas up the wall! Inevitably, he gets sick and tired of not having enough attention, and he gleefully takes up taxidermy as a hobby. But those poor animals weren't the only living creatures that ended up getting stuffed.

Tales from the Crypt
I have written HBO countless e-mails over the years begging for this dvd set. I never received one e-mail response from HBO. Oh, well. I really did not expect one.
This is one of the best horror shows, period. Some of the top horror/adventure writers and directors wrote and directed these episodes. I believe this series ran for seven seasons. This can be intense stuff, not for children because of the nudity, sex, graphic violence, superb gore effects, language, and more. Some of these stories are truly the stuff of nightmares. They will haunt you.
If you have never seen Tales from the Crypt you are in for a treat, if you are a fan of horror. Go to your local book store and pick-up a trade paperback of the old EC comics these stories are based upon to get a feel for the translation from comic book to television show. Wait until you meet the Cryptkeeper, who introduces each episode, for a meeting of the surreal and insane and just plain weird. And, you will see some big name stars come to fantastic demises. Just wait, you'll see.
Now, where are Tales from the Darkside and Friday the 13th the series. These are two more violent horror series from the pre-politically correct present day.

Great Series Finds It's Footing In A TV/DVD Obsessed World
Yes, It has finally happened: Warner Bros./HBO Productions has announced that a 2-Disc, First Season set of "Tales from the Crypt" will be released on July 12th. The first season consisted of six episodes that fit quite nicely on this set's first disc. They are: "The Man Who Was Death", Dig That cat...He's Real Gone", "All Through The House", "Only Sin Deep", "Lover Come Hack To Me", and "Collection Completed". The second disc will hold bonus features that are rumored to include 2 Featurettes: One on "Tales From Comic Books To Television" and the other on "The First Season's History." Plus a new introduction by "The CryptKeeper"(John Kassir). Now this has not been confirmed, so it's pretty much a rumor but these are the possibilities. So far, there is no cover art or any other materials but stay tuned to tvshowsondvd.com for more news info which should be coming soon! Tales From The Crypt: Season One, July 12th! ... Read more

Reviews (63)

Treasure Island Will Never Be the Same Again!
"Muppet Treasure Island" tells the story of the classic novel, with a Jim Henson twist. Kermit is the dashing Captain Smollett, Miss Piggy as the ravashing Benjamina Gunn, Fozzie is the dimwitted Squire Trelawney, Dr. Bunsen Honeydew as the intelligent Dr. Livesay, Gonzo, Rizzo, and Beeker as themselves, and several other memorable Muppets. Tim Curry steps in to play the most dreaded pirate ever to sail the Seven Seas, Long John Silver. And Kevin Bishop makes his first appearance on the Silver Screen as the brave, young Jim Hawkins. The Hispaniola and Treasure Island together are now the equivalent to "A Cruise to the Bahamas For Rats"-- compliments of Rizzo the Rat and Rat Tours Limited, the Sweedish Chef makes a rather odd-looking cook on the island, and Statler and Waldorf are the "mermaid" figureheads of the Hispaniola. With brillant songs and musical numbers in addition, this is one movie your family will want to watch again and again!

Lots of pirate fun, and muppet fun too!
Except, perhaps, for the new movie Treasure Planet, I'd have to say that, despite the fact that this movie stars our favorite Frog and Pig, it's one of the best retellings of the classic swashbuckling adventure by Robert Louis Stevenson.

Jim Hawkins lives at an inn, where he also works for his keep as the bus boy, along with his compatriots Rizzo and Gonzo. Billy Bones is a frequent patron of the inn, and constantly tells the story of Captain Flynt's buried treasure. Most dismiss the tale as a result of too much rum...until Blind Pew, a doddering bat, delivers the Black Spot; the pirate's death sentence. Billy frantically bequeaths a treasure map to Jim. Jim flees the attacking pirates with his friends, and enlists Squire Trelawney (Fozzie), an interested son of the shipbuilder, to charter a ship. The rest is classic history: Jim meets cook Long John Silver - - the man with the one leg that Billy warned Jim of - - and the ship sails to the lost island in search of treasure.

The characters are excellently-cast; even those that aren't Muppets. Tim Curry makes an excellent Long John. It's always interesting to see how Jim and Long John befriend each other on the ship, and Curry and Bishop pull it off convincingly.

All the while the movie plot is going, the Muppets perform just as usual for their audience, while not ruining the premise of the film, which probably wasn't easy to do. ("He died?" asks Rizzo over Billy Bones. "And this is supposed to be a KIDS' movie!")

They sing lots of catchy songs on board the ship and the island, and Kermit the Frog engages Long John Silver in an amphibian/pirate sword duel before the movie is through. It's sure to entertain all audiences, young and old.

Here's my one beef with the film: Towards the end, a person (Okay, it was Long John Silver) uses the H-word. Perhaps a permissible word for some, but not for others. This was a stupid move, putting even one not-so-nice word in a kids movie, and one which, fortunately, we were able to bleep out of our video copy. Just to give parents a heads-up about the movie. Other things that would frighten young kids would include a band of singing skulls in the very beginning, and hanging skeletons guarding the treasure site.

Funny movie, but not for younger kids
My 4, 5, and 7 year olds love this movie. It's really funny (even from an adult persective)

However, because of the pirate violence, some of the songs (Cabin Fever and the one played on the island scared my younger kids), and ect, this movie is probably best served for older kids.

Tim Curry for president!
I love the muppet movies. They are fun for adults. Frankly, many of the lines would sail right over kids heads! Like the "me, I couldda been a contender" No kid will get the Brando joke! Add in Tim Curry who I would watch read the phone book, you have one super movie.

My only complaint!! WHY did they not replease this in WIDE screen. It would have been so much better.

For 5 stars for Curry 1 or cheap a** Disney for not giving us letter box!

Muppets are At It Again!
The muppets are back, and this time they are sailing on the sea and fighting pirates! As every other muppet movie, this is a great family film, with lots of laughs, and a few catchy singing numbers. Tim Curry also appears in this movie as Long John Silver. If you're a muppet fan, you should definitely check this one out! ... Read more

Amazon.com

It's hard to imagine a finer Don Quixote than Peter O'Toole, who's spent most of his career with a slightly mad, dreaming look in his marvelous eyes. O'Toole's suitability for the role is tested by the Broadway treatment of Man of La Mancha, the film version of the hit stage musical. Everybody knows "The Impossible Dream," that indomitable hymn to, well, quixotic questing, and it is indeed the best of the Spanish-inflected songs. Despite the location shooting in Italy, Love Story director Arthur Hiller can't elude the stagey concept (in which Cervantes, imprisoned by the Inquisition, acts out the tale of Don Quixote for his fellow prisoners). James Coco, as Sancho Panza, is overshadowed by the film's irresistible Dulcinea:Sophia Loren, at her mature peak. (Her singing, alas, is not as ripe as her beautiful self.) If you love Cervantes for his earthy ironies, this movie will seem a curious slice of inspirational shtick. --Robert Horton ... Read more

Reviews (54)

Coulda been Better. Coulda been worse
Though I am a huge fan of both the Original Cast CD and the stage version, I will disregard them for the sake of giving this movie a fair and accurate review. This movie has a lot of poor choices and bad ideas, but it's also got a lot of good ones that make it worth while. Let's start with the bad and get that out of the way: #1 The dubbing of Peter O'Toole and Sohia Loren is poorly done. The singers (I am not sue of their names) are weak and not suited for the roles. #2 Don Quixote's make up. Poor Peter O'toole has a rubber headpiece that leaves him looking rather suprised through the movie. #3 For somereason entire songs and some resprises are completely missing from this movie. #4 The supporting cast. For the most part the supporting cast is rather unimpressive. Not that they're all that bad, just a bit disappointing. #5 The begginging drags on a bit and makes you want to fast forward a bit to get to the prison. Now for the good. #1 Peter O'Toole's Cervantes is so brilliantly acted you'll find yourself moved by his speeches. #2 Sophia Loren. A beautiful Woman and a fine actress. The scenes between her and Sancho are so sincere they'll make you laugh out loud. #3 James Coco. Too many Sancho's are rather annoying, but not this one. he's funny, cute, and you can tell how much he cares for his friend #4 This is a beautifully shot film with wonderful angles and just the right lighting to set the mood for each scene. #5 Though I do not know his name, the singing voice of Don Quioxte hits the final note of The Impossible Dream brilliantly. It's amazing. All in all this film is worth watching if you're a fan of the show. Don't exect the stage version though, this is nothing like it but give it a chance and you might really enjoy it. Don't let reviews about how it's nothing like the book scare you away. It's true, it's a loose adaptation, but it's a good one

An excellent film...one that should get more recognition!
This film is very beautiful, and has imporessed me with the song "Impossible dream". The film is well written, and I enjoyed Sophia Loren in it. It has very good restoration on the dvd. Thank you!

Full of Meaning
The acting and singing is not always that great in this film (though the songs are fun), but I love this musical. The whole plot and point of the movie is inspiring to me. To me the movie expresses that: We should see the world as it should be - filled with honesty, loyalty to doing right, care for others, and honor to God - and then to make it our quest in life to seek these things and make the world a better place. I know that others may not see the movie the same as I - but I recommend this movie, it is an inspiration to me.

DARE TO DREAM THE IMPOSSIBLE DREAM!
Peter O'Toole and Sophia Loren dared to dream the impossible dream with this musical film version of "Man of La Mancha". Don Quixote set to music must have seemed like a good idea to director, Arthur Hiller at the time, but on screen it's about as painfully shocking as seeing your own mother drunk! Quixote(O'Toole) is a crazy nobleman who is an embarrassment to his respectable family. Together, with faithful sidekick Sancho Panza, he duels windmills and defends his "lady" (Sophia Loren), who is actually a [prostitute]. The songs, including "Impossible Dream" had their merits on Broadway. But on screen - and sung by actors to whom the concept of singing is clearly as foreign as the subject matter of this film - we get a cackling of melodies that is genuinely painful on the ears. All this would be forgiveable if the production values didn't herald the coming of a lavish film that, sadly, vaporizes the moment any of the principles open their mouths. But such a waste of money and talent is malicious!
TRANSFER: Presumably because this film didn't get that much play time in theaters, the DVD picture exhibits striking image quality. Colors are rich, bold and vibrant. Black levels are solid. Fine details are fully realized. There are NO age related artifacts. Digital anomalies; edge enhancement, pixelization, shimmering of fine details, are rarely present for a smooth visual presentation. The audio is 5.1, made all the more strident and shrill by the deplorable lack of musical talent belting out some truly horrific tunes.
EXTRAS: A Photo montage - as if reliving the film experience wasn't scary enough!
BOTTOM LINE: The transfer is stunning but the film is a disaster. Like "One From The Heart", "Man of La Mancha" is a misguided attempt to capture the magic of musicals of old. It fails miserably on all levels of entertainment and isn't recommended for anyone who isn't tone deaf!

Stage comes to life for the rest of us
Seems that Miguel de Cervantes (Peter O'Toole) was caught performing a politically unhealthy play during the time of the Spanish inquisition. So he gets tossed in a dungeon to await trial. There he is put on trial by the others also awaiting their trial. They threaten to burn his manuscript. He explains his story by putting on a play that involves the people listening. It is the story of Alonso Quijana who in a fever becomes a great knight (Don Quixote de la Mancha); he seeks adventure and the "impossible dream."

It is the nature of plays that when preformed one tries to get the best stage actors. In film they strive for the best know movie actors. This movie has accomplished the feat. Each actor brings the character that he/she is playing alive and just as in the movie when they transit from telling the story to being the story, we go from watching the movie to being the story. The music will stay with you long after the movie has finished. ... Read more

Reviews (177)

Original "Annie" Movie One of My All Time Faves
"Annie" one of the all time classic movies of the '80's. They don't make movies like this anymore. "Annie" is a musical movie with a story behind it.

Annie, played by Aileen Quinn, is a red-headed orphan who dreams of life outside of the orphanage. Away from orphanage's head-caretaker. Miss Hannagin, played by Carol Burnett. Through some clever nugging Annie is chosen to stay with "Daddy" Warbucks, Played by Albert Fenny, for a week. Things take off from there.

Rounding out the great cast are Ann Reinking, Tim Curry, Bernadette Petters and Geoffery Holder

"Annie," is not just a bunch of song and dance numbers thrown together to make a musical. Sure song and dance is there, brilantly I might add, but as a second element in the movie.

If you have not yet seen the original "Annie" movie; you are in for a treat. I for one, can not see anyone else in these landmark roles.

If, you are old enough to remember the original "Annie" movie. Here is your chance to own a classic. Recommended!

Schmaltzy but super
Easily the best version of Annie out there (and yes, I saw the play with Martha Raye as Miss Hannigan). This 1982 gem was the last hurrah for the genre of the big-budget feature movie musical. How can you help but smile at the thought of fifty orphans simultaneously breaking out into dance numbers?

Ten-year-old Aileen Quinn sings her heart out to the catchy tunes and will have you singing too, despite yourself. Albert Finney is a walking caricature as billionaire capitalist Daddy Warbucks, who learns that there is more to life than money. Anne Reinking puts in a good showing as his assistant, and you'll recognize others such as Bernadette Peters. But Carol Burnett steals the show as the drunken orphanage proprieter who hates little girls but goes ga-ga over any male, from the local cop to Mr. Bundles the Laundry Man. (This is rated PG rather than G for a reason!)

Very young kids may be frightened by a chase sequence in which the bad guys try to kidnap Annie, but there's plenty here to entertain both children and adults. As a child, I watched it a hundred times without catching allusions to the New Deal, the Bolsheviks, and bathtub gin.

Do not let your kids grow up acquainted only with Disney's dull 1999 TV-remake of Annie! The 1982 movie is twice as exuberant, larger than life, and makes for much better entertainment.

CECILE WILL PICK OUT ALL YOUR CLOTHES!!!!!!!
I saw the stage show of Annie, with my friend ******* as Grace, and she was fantastic. It bought a tear to my eye when she sang I THINK IM GOING TO LIKE IT HERE. This version however, needed my friend in it! All the cast were terrible, except for Ms Hannigan...who pulled a stunning performance.
That red head girl...well, lets just say that it sounds like a rat crawled down her throat and died.

I Still Love It!
I have done reviews for the new "special edition" DVD of "Annie" and also the Disney remake from 1999. Both of these were only worthy of 1 star but the actual film from 1982 really deserves 5 stars in my opinion. "Annie" was my favorite movie when I was a kid. It was always a special treat when my Dad would allow me to stay up late to watch it. At one point I had actually memorized the entire film line for line. For a little girl it's a fun movie with great songs. Now that I am older I can watch the film with new appreciation and really wonder why it didn't get better reviews when it came out. I may have figured out why that is though. I believe it had to do with the comparison between the movie and stage musical. The people who loved the live show seem to be partial to that where as most people who have only seen the movie, like me, think it's great. I believe the movie stands on it's own when not being compared to anything and had that comparison not been an issue it probably would have received proper reviews. I understand how people can be partial though. I definitely am when it comes to this film because it's what I know. Still, I can't see how certain aspects could go unnoticed. As I was older I was really able to appreciate Carol Burnett's performance as Miss Hannigan. I can't imagine anyone making this character come more alive. She's detestable while being entertaining at the same time. Disney really missed the mark on this character when they remade to movie. Another element I can really appreciate as an adult is the relationship between Annie and Daddy Warbucks and how it developed naturally throughout the movie. He starts out incredibly hard hearted, but through the charm of a dirty, almost homely, little orphan he sees there is more to life than just money and power. She truly wins him over. Because of all these things I still love watching this movie through the eyes of my inner child. It can cause me to get a little misty eyed, but maybe it's because I am a sentimental sap. There is just so much to enjoy from beginning to end. I am especially glad I was able to get a copy of this DVD edition before it went out of print because believe me, widescreen is really necessary with this movie. All my life I only saw it full screen and watching it on this DVD I was able to see all kind of little things I missed. It's worth trading in the extras for.

Gotta love Annie...
My childhood favorite movie. I actually wore out several VHS's as a kid because I watched it over & over. I still really enjoy it & now I'm able to watch this with my daughter & see how much she enjoys it. Wide Screen would've been nice but I think for the little ones Full Screen is better so I'm not going to complain about that much. The features are great & Annie is darling. Music is awesome & I think any little girl would fall in love with this movie. ... Read more

Reviews (134)

One of the Best Science Fiction Movies of the 80s!
One of the Best Science Fiction Movies of the 80s! This elaborately conceived science-fiction film is generally overshadowed by it's predecessor 2001. But unlike that film, you did not have to read the novel beforehand to understand its story line. Written, Produced, Cinematographed, and Directed (total creative control) by Peter Hyams, this superb science fiction classic was easily 20 years ahead of its time, and therefore unappreciated by many except the cinema and science fiction purists. Including a mesmerizing original sound score by David Shire, and academy award winning visual effects by futurist Syd Mead, this movie is so rich in theme and detail, you will be compelled to watch it over and over again! Billed, of course, as the sequel to 2001, this film managed to accomplish what that one did not. It created an absorbing, COHERENT, and spell binding FEAST for the senses. Watching this movie in 5 channel Dolby Surround is practically a religious experience, a theme touched on in the movie. If you are one of the many who missed this cinematic experience, treat yourself to a movie that is sure to become part of your private library. You'll be amazed while you're watching it, that you are watching a film made in the 80s! One of the best science fiction films ever made! Excellent!

One of the Very Best Science-Fiction Movies!
This elaborately conceived science-fiction film is generally overshadowed by it's predecessor 2001. But unlike that film, you did not have to read the novel beforehand to understand its story line. Written, Cinematographed, Produced, and Directed (total creative control) by Peter Hyams, this superb science fiction classic was easily 20 years ahead of its time, and therefore, unappreciated by many except the cinema and science fiction purists. Including a mesmerizing original music score by David Shire, and academy award winning visual effects by futurist Syd Mead, this movie is so rich in theme and detail, you will be compelled to watch it over and over again! Billed, of course, as the sequel to 2001, this film managed to accomplish what that one did not. It created an absorbing, COHERENT, and spell binding FEAST for the senses. Watching this movie in 5 channel Dolby Surround is practically a religious experience, a theme touched on in the movie. If you are one of the many who missed this cinematic experience, treat yourself to a movie that is sure to become part of your private library. You'll be amazed while you're watching it that you are watching a film made in the 80s! One of the best science fiction films ever made! ... Excellent!

2010
this is the first and only stanley kubrik film sequel.some other dude did it .basicly,another space crew is sent up to space to find out what went wrong with the space mission from 2001:a space odyssey.its a bit intellectual for children.it is very slowly paced also.the director,again,is NOT stanley kubrik,but this IS a sequel to his movie.it is essentialy the empire strikes back to 2001s star wars type start.i mean the original was the first sci-fi movie to set the standard in movie films.those who enjoy a journey into your mind will like this.a lot of the same problems from the first one are rediscovered so it is inevitable that a lot of the same things end up happening.this movie is a lot better than it gets credit for.

More comprehensible than the first...
While the first movie was o.k., it is not a good movie to watch on Saturday night with a few friends. It was meant to be watched, pondered, and repeated until you realize that the ending is impossible to understand.

While this movie may not be as scientific, it's still not totally unbelievable. You can enjoy it fairly easily, and it's overall just a fun movie, with good acting and plot.

An excellent film...
In the outset of 2010: The Year We Make Contact, the Soviet Union is preparing to send its spaceship, the Alexei Leonov, to Jupiter in order to investigate the phenomenon responsible for the dereliction of the American spaceship, the Discovery. Because the Soviets are not familiar with the HAL9000 computer that runs the Discovery, they approach American scientist Dr. Floyd (who oversaw plans for sending the Discovery in 2001: A Space Odyssey) and ask if he would like to tag along. Dr. Floyd and two other Americans, an engineer and a computer scientist, are permitted to board the Leonov. Their purpose: To learn what happened to the crew of the Discovery and why its computer system, Hal, malfunctioned.

The backdrop of 2010 features increasing confrontation between the United States and the Soviet Union and, unlike the book, becomes, in part, the basis for the climactic ending. As so many commentators of the film have noted, the backdrop belongs to a faded Cold War era, but we can hardly blame producer Stanley Kubrick for not knowing, in 1984, that in eight years there would be neither Soviet Union nor Cold War. Had Kubrick, like the book 2010: Odyessy Two, not higlighted a U.S.-Soviet confrontation, the movie might not have been the interesting and enjoyable expidition into alternative Cold War futurology that it is. A great cast and excellent special effects make for a wonderful viewing experience.

That said, the movie's political message that "we have to get along" remains, and the imperative to explore and utilize all worlds "together" and "in peace" remains as powerful today as it was in 1984, even though we have yet to acheive the magnificent accomplishments in space exploration in this film. ... Read more

Reviews (84)

Perhaps the funniest sports comedy of all time
This is simply a hilarious movie about a hockey team fighting for its very survival in Charlestown, West Virginia. The style of hockey portrayed in the movie is Don Cherry-style "Old Time Hockey" - Sweethearts who don't like violence in sports should check out another video.
Although Paul Newman stars, it is the no-name actors (minor league hockey players in real life) who play the Hanson brothers who steal the show.
Life eventually imitated art: A couple of years after this movie came out, the Boston Bruins went into the stands to beat up fans in New York's Madison Square Garden, and, a few years later, the Montreal Canadians and Philadelphia Flyers had a huge brawl before the game even started - just like in this movie.

One of the funniest films ever!
Like USED CARS, this movie is bawdy, rude, over the top, politically incorrect, profane, gratuitous, and loving every minute of it! Newman plays the captain of a bush-league hockey team that's going down the tubes. For most of the players, it's either hockey or an assembly-line job, so Newman decides to bring in the fans with violence. He succeeds, thanks to some brilliant manipulation and a trio of hockey-playing idiot savants (mostly idiot) named the Hanson Brothers. This is one of the funniest movies I've ever seen. The first scene where the Hanson's get off the bench (heck, EVERY scene with the Hansons) is a classic and will make you laugh until you need surgery! The DVD isn't much better than the VHS, unfortunately, as far as picture quality or features go. There are some alternate language tracks (if you're a big fan of Newman in French), but no director's commentary, etc. SEE THIS MOVIE! Every performance is hilarious and perfectly-cast. George Roy Hill (who also directed Newman in the classics BUTCH CASSIDY and THE STING) seems to just bring out Newman's best no matter what the genre. Also Strother Martin (of COOL HAND LUKE, "failure to communicate") fame, is in this and is totally hilarious!

HAT TRICK.
Many were amazed that SLAP SHOT was written by a woman when it was released in 1977. More amazing was that Nancy Dowd's original screenplay was robbed of an Oscar nomination in 1977. Dowd got the feel of the game and the players as perfect as the paint on the blue lines (her brother Ned Dowd plays the infamous Oggie Ogelthorpe in a nano-second cameo that has reverbs throughout the film). George Roy Hill works his A-list players, Newman, Strother Martin and the now heralded Hanson Brothers, into sports (not just sports films) legends. SLAP SHOT is a winner.

Baldwin needs to be a little more observant!
Um, did you perhaps fail to notice that this is an R rated movie? That usually means that there is a fair amount of coarse language, expletives, violence, nudity, etc. Just what made you think that this was a movie for children? Anyway, it's a great movie and being a *huge* Paul Newman fan, I really enjoyed seeing him in this very amusing comedy role.

Baldwin you are clueless
As a hockey player and hockey coach I can tell you one thing, you are not a hockey dad. This movie is definately one of the most hilarious sports movies ever. Don't even bother with any other hockey movie, except maybe Youngblood, because those other movies, especially Mighty Ducks (puke) is not hockey, flying V my behind (did we forget about offsides?).
The Hanson brothers were everyone's heroes. While we all wished to be Gretzky or Orr, we all wanted to be the Hansons. They are some of the best caricatures of hockey players in the 1970s. Hockey was a brutal, lawless game that while some had skating skills, most had fighting skills. It was fun growing up in the 70's and early 80's playing hockey as a kid. While playing high school and college was not quite like this movie, go see a junior game or a USHL game and this is what you'll see, albeit a bit more toned down.
Mighty Ducks - please. Give me Reg Dunlop, Killer Carlson and the Hansons - which being from Minnesota gives me pleasure seeing some hometown skaters. Enjoy the movie, enjoy the hits and the humor. ... Read more

Amazon.com

The Hot Spot is best known to lecherous film buffs for Jennifer Connelly's topless scene, but this sultry southern noir deserves more than prurient interest. It's arguably Dennis Hopper's best directorial effort (OK, so that's not saying much), and Charles Williams's source novel Hell Hath No Fury finds Hopper in a comfortable B-movie milieu, riffing on Double Indemnity with an overripe tale of sex, greed, and blackmail in an unnamed Texan town. Fresh from the final season of Miami Vice, Don Johnson stars as a shifty drifter, conning his way into a salesman job on a used-car lot, where the boss's insatiable wife (Virginia Madsen) offers him sexual favors and a lovely secretary's (Connelly) innocence is threatened by a percolating scandal. Nobody's really innocent, of course, and Hopper spices this languid web of secrets with enough trashy misbehavior to qualify The Hot Spot as a bona fide guilty pleasure. --Jeff Shannon ... Read more

Reviews (33)

A 'Slice of Americana' Film Brilliantly Directed by Hopper!
If a list of top 100 most unappreciated films was ever composed, this movie would make the top ten easily. Siskel & Ebert raved about this movie, and if you give it a try, you'll see why! Well written, expertly cast and almost flawlessly directed by Dennis Hopper, this movie brings small town America to life like few others in recent memory. A steamy tale indeed, put the kiddies to bed before starting this one. Don Johnson and Virginia Madsen are perfect in their parts, and I defy any male to watch this movie and NOT fall in love with the character (Gloria Harper) played by stunning Jennifer Connelly. I could write a 1000 words alone on how good each actor was in their part, main actors AND "small-part" actors, and perhaps that was the genius of this movie; chemistry among the characters that WORKED! Combine that with a plausible and well written story line, set in a uniquely small town America setting, and just plain solid movie making compliments of director Dennis Hopper, and you have "The Hot Spot", a movie that any movie connoisseur can't watch just once! Excellent!

My favourite film..!
Well, my first review and my favourite film to boot. Having read the book by Charles Williams- a gift from a friend who is big into literature and the classics, therefore I felt it might be good - I thoroughly enjoyed conjouring up the images of dusty hot Texas whilst trying to keep cool with the steamy sultry shenanigans between the two diverse female leads and Harry Madox, the main character. Watching the movie for the first time a year or so later, it struck me how rarely when one reads a book does the film match up to the imagined filmscape. In this instance it exceeded my expectations like no other film had done or has done since. With the wonderful music, evoking the atmoshpere in spades and the masterful performance by Don Johnson - hitherto remebered by most for his role in Miami vice and its lack of real depth - the movie comes alive to me as a romantic representation of what I imagine a small Texan town and its bizarre characters may be like. Jennifer Connely is indeed one of the most beatiful women on screen, a shame that many seem to have just focused on her nudity as a reason to watch (or fast forward) the movie, I guess it must tell you a thing or two about them..

You will either love or hate this movie for many reasons. I make no apologies for liking this and if you want a slick, stylish movie with great music, a hot steamy atmosphere and the opportunity to watch Don Johnson perform in the movie of his career (if only for posterity) then you will do worse than spend a couple of hours watching this.

"I found my level and I'm living it."
Drifter Harry Maddux (Don Johnson) arrives in town and takes a job as a salesman at a used car lot. The boss, Mr. Hawshaw, isn't sure quite what to make of Harry. Harry aggressively tells another salesman: "in this life, you've got to take what you want," but he privately admits that his past is "a series of jams over floozies." Hawshaw has a nubile, seductive young wife, Dolly (Virginia Madsen), who quickly targets Harry as her next prey. Harry lacks the willpower to resist her rather obvious charms, but at the same time, he is also attracted to Gloria (Jennifer Connelly), Hawshaw's young female employee.

"The Hot Spot" --a Neo Noir film--is directed by Dennis Hopper, and it's an excellent entry in the genre--complete with a sleazy blackmailer, crimes, and a wicked femme fatale. I am not a Don Johnson fan, but he did a credible job in this film. He was suitably sweaty and stressed at the appropriate moments. But the film really belonged to Virginia Madsen. She drives a vintage, pink Cadillac, and her tackily decorated mansion resembles a bordello--complete with a stuffed Polar bear. Madsen writhes, coils and slithers her way from scene to scene, and she holds Maddux in a state of horrified fascination--what a performance. There are several scenes with strippers swinging around poles, etc, and one topless scene with Connelly. Obviously not for the kiddies--displacedhuman

The Hot Spot is scorching HOT
I am a big Jennifer Connelly fan so this film is very close it my heart and I recomend it because not only do we get to see Jennifer topless on a beach but the film is pretty good.

Don Johnson does an admiral job in the film and I was impressed with the director Dennis Hopper a very nice film that wasn't expected to do anything when it was released in 1991.

A worthy addition to your DVD collection or the guilty pleasure that is my collection

Oh, Jennifer!!!!
It's true Jennifer's topless scene is very nice for us guys
but,that is not all this movie offers.The acting in this film is
good all way round. (At least in my eyes) Hopper is exellent at
bringing the southern heat to the screen and telling an offbeat
story that's fun to watch and that's what it's all about! I think
this movie is an overlooked gem and i watch it at least once a year!

Oh, Yeah!.... Did i mention Jennifer Connelly??? ... Read more

Description

One deputy (Dean Martin) is a drunk, one (Walter Brennan) is a cripple and another (Ricky Nelson) is an eager, tinhorn kid. But Sheriff John Wayne knows he can count on 'em when the bullets fly. A landmark salute to heroism, directed by Howard Hawks. ... Read more

Reviews (70)

What a bunch of characters
Characters make the movie. Boring character can ruin a good story and interersting characters can make a dull movie fly. Rio Bravo enjoys both a good story, and good characters, with a bunch of fine performances thrown in.

John Wayne gives his usual fine western performance as the Sherif Chance, but it is the people around him that make this movie great. Walter Bermnan as Stumpy does a great job, A very young Angie Dickerson is frankly hotter than she ever was yet she also remains a strong character who stands up for herself and plays off Wayne well. Ricky Nelson is believeable as a young man with more sense than any that has come before him. All of them round the movie well.

Dean Martin as Dude however steals the show. In my opinion this is the movie that makes him a serious player. Dude is clearly the most interesting character of the lot, his own battles with Chance, Stumpy, Burdette and most of all himself makes the movie much more than other westerns. It is clearly superior to El Dorado which takes some doing, and superior to Rio Lobo which doesn't.

Other than his early pairings with Maureen O'Hara I would recommend this picture as the best example of John Wayne in a pure western.

Hawks and the Duke come up with their own "High Noon"
Director Howard Hawks made 1959's "Rio Bravo" because he refused to believe the citizens of a Western town would refuse to help their sheriff protect the town as happened in 1952's "High Noon." So when John Wayne's character of Sheriff John T. Chance needs help in Tucson, Arizona to keep the brother of the local bad guy in jail, he is able to whip up support in the form of his former deputy Dude (Dean Martin), just coming off a two-year bender, Stumpy (Walter Brennan), an ornery old cripple, and Colorado Ryan (Ricky Nelson), a young gunslinger. To add a touch of elegance to the proceedings is Feathers (Angie Dickinson), who knows how to wield a razor and provides the Duke with a little bit of romance. Even though the bad guys capture Dude so they can exchange him for the jailed man, Chance and his comrades are able to save the day, with a little help from some dynamite.

"Rio Bravo" is a significant western in movie history for two reasons. First, this classic film marks the end of the psychological westerns such as "High Noon" and "Shane" which had dominated the 1950s. The point of "Rio Bravo" was to provide entertainment and that it certainly does. Second, it added elements of humor to John Wayne's on-screen persona for the first time. For the rest of his career, most movies with the Duke will find his character having a humorous side (e.g., "McClintlock"). As you can well imagine, there is some singing to be done in "Rio Bravo." Martin does the title tune, sings "My Rifle, My Pony, and Me" with Nelson, who in turn gets to sing Cindy with Brennan. Wayne does not do any singing. In 1967 Hawks and Wayne essentially remade "Rio Bravo" with their film "Eldorado," with Robert Mitchum, Arthur Hunnicutt and James Caan providing the support. While I consider it an enjoyable film, in does suffer in comparison to the original.

Bravo, Rio Bravo
One of the best westerns made at the time. Others have been made more recently that use modern technical skill, but for the time and place, Rio Bravo was the epitome of the western genre and still holds up today. Period!

A Western for everybody.
It seems like I meet a lot of people who don't like John Wayne, and just about as many who don't care for Westerns.

Well, whether you love John Wayne and Westerns, or are lukewarm on both counts, this movie might appeal to you anyway.

A lot of it has to do with Howard Hawks' direction. This classic came from the same guy who gave us "Bringing Up Baby," "The Big Sleep," and "His Girl Friday."

That means quick, witty dialogue, fun characters, and an overall stylishness in the proceedings (the cinematography is alarmingly crisp and colorful).

A cowboy, a crooner and a rockin' teen idol-- these three, Wayne, Dean Martin (in one of his earliest roles after leaving Jerry Lewis), and Ricky Nelson, come together in a way that feels symbolic. To fight off the imminent danger-- and in this film one senses it is hopelessly imminent-- the good guys need to stick close. Dean Martin plays the underdog, a drunk, with just the right touch-- humorous like so many Vegas shows, but with a bit of sadness too. Ricky Nelson looks a little uncomfortable in the saddle, and his lines are a little shaky, but the contrast of his usual persona with this fast-shooting kid makes him fun to watch.

Angie Dickinson is more beautiful than ever in this film and has very good chemistry with John Wayne.

Of course, what really adds the frosting to the cake is the incomparable Walter Brennan, just about the grumpiest old buzzard you'll ever lay eyes on. The spontaneity of Hawks' direction makes him even funnier, and I think Brennan alone moves "Rio Bravo" a notch higher than the successful remake-of-sorts "El Dorado."

I happen to like John Wayne, and a lot of Westerns in general, but I prefer The Duke's persona in this setting rather than those of John Ford. At any rate, it doesn't matter if your favorite film is "The Searchers" or "High Society" (that's mine, actually), "Rio Bravo" is sure to win you over.

Ole Stumpy, The Fellow I Left Behind!
This is, without a doubt, one of John Wayne's best.....the character development just builds and builds throughout the movie until a thrilling climax.
The all-time show stopper in this movie has to be Stumpy (Walter Brennan)...every scene in which he is involved, the scene is essentially stolen from the other players (re-watch and you will see). He is at his best when whining about being stuck in the jail yet always is cowed eventually into doing exactly what Chance (Wayne) wants him to do....except at the end of the movie when he unexpectedly shows up and helps the good guys (hence, the title of this review)!

This is just a fun and feel-good movie pitting good vs. evil and along the way throws in a little humor for relief. This is the first of the trilogy by this director and is the best of the three...but El Dorado is not far behind and Rio Lobo is not anywhere near as bad as it has been depicted. I have all three and when I am needing a John Wayne fix, I can't go wrong with one of these. ... Read more

Reviews (40)

A courageous effort by John Huston
It took a lot of guts to adapt "Moby Dick" to film and instead of maligning John Huston's effort, critics should have hailed his courage. This is a fine, intelligent film with a lean screenplay by Huston and Ray Bradbury. While I would have loved to have seen Laurence Olivier play Ahab, I think Gregory Peck turns in an adequate performance. Much of the action is shot at various outdoor locations and the special effects were impressive for the time. The great Orson Welles appears in the small but important role of Father Marple. The themes of friendship, revenge, and the role of conscience are all examined in "Moby Dick". Great literature often tanks when translated to the big screen. While "Moby Dick" is not among the greatest films of all time, it is a solid, admirable adaptation of Melville's masterpiece. I highly recommend it.

Epic film of American Masterpiece....a wicked great film
The collaboration of Director Houston, script writer Ray Bradbury and Gregory Peck heading a superb cast, make this production of Melville's masterpiece marvelous. It's said that John Houston "drove"...with flattery, fear and abject insult... now justly reputed master of American fantasy/allegory, Ray Bradbury like Ahab himself to create the script that makes MOBY DICK exciting adventure...without diluting its dark, Apocalyptic symbolism and portents. MOBY DICK is regarded by many as THE GREAT AMERICAN NOVEL. No one will disagree its demands and reward are comparable to...for example...Dostoyevsky or Conrad's work. AHAB is one of the great figures of world literature; perhaps,the most powerful ANTI-HERO yet written. Gregory Peck is...in my estimate...uniquely succesful in his cinamatic incarnation of this "godly, ungodly man." The symbolic depths that Moby Dick essays are manifest. Bradbury's pierces "cardboard masks" of the human conditon, ultimately tested, with sure insight and genius comparable to Melville. John Houston's control of his material is equally deft. Pacing is swift. From the moment Royal Dano delivers his "warning"...as Prophet Elijah...the Pequod's foreshadowed doom is pursued with recklessness that hypnotically enthralls the viewer as Ahab intended to beguile his crew. Against Peck's Ahab is Leo Genn's Mr. Starbuck. Genn plays this stalwart Quaker as tragic antagonist but ironic disciple whose fatal conversion to Ahab's defiance/obsession("I'd strke the sun if it insulted me!") seals the fate of his comrades. Richard Basehart plays guileless Ishamel without hint of the cynicism he brings to his most famour role as Ivan in THE BROTHERS KARAMAZOV. Comparison with the recent HALLMARK Patrick Stewart hinges on what you surmise MOBY DICK to be about, therefore, expect from a film. Patrick Stewart is magnificent as Ahab. But, in my mind's eye, GREGORY PECK IS AHAB. Moby Dick is about...like Apocalypse Now!...courage confronting radical evil tragically becoming that which it beholds. This is Ray Bradbury's craft above all else. His script focuses on the mankind's combat with Evil. Houston has filmed Melville's ultimate metaphor for such an impossibly malign force of Nature: THE GREAT WHITE WHALE. Ray Bradbury has written many parables about such battles (Fahrenheit 451; Tales "Quicker than the Eye"; Something Wicked This Way Comes) and Herman Melville seems soul-mate blood brother. John Houston's MOBY DICK, and Gregory Peck's Ahab epitomize the grandeur of what Melville called his "wicked book." In my estimate, this is the definitive rendering, the epic film of the American masterpiece. It is a wicked, great film......

Boring!!!!!!!!
This movie is very boring and is not very good. While watching this shameless movie, I fell asleep. It is about Ahab and his obsession with a white whale (Moby Dick). If you are looking for action this is not for you. It gets somewhat suspenseful in the last half-hour. However, I do not recommend it to anyone!!

Very exciting classic!
Moby Dick is a very exciting classical tale, retold in a movie starring Gregory Peck and Richard Basehart. The director also seems very experienced, and his talent really shows in the fight scenes between Moby Dick and the crew in boats. The story tells of a young sailor shipping aboard the Pequod, a whaling ship captained by Ahab. Captain Ahab is obsessed with killing the white whale that took off his leg in a previous encounter. He offers any crew member a spanish doubloon, if they spot the whale first. The entire story is suspenseful, ending in a mind blowing climax. The digital transfer used for this is surprisingly good for a 1958 movie. TCM (Turner Classic Movies) has also broadcast a very pristine version, which I taped off of, and it well rivals the quality of the Moby Dick DVD. The best purchase would be the DVD or the television Turner rendition of this riveting classic.

Movie=5 Stars / DVD= 4 Stars
John Huston's film of MOBY DICK is perhaps a rare exception. It's a great film in its own right, apart from the great novel upon which it is based. The case can easily be made that this film does not 'do justice' to the book, if only for the reason that it does not cover every aspect of Melville's original. But this film proves that a slavish literary imitation is not necessary for a great film.

The director fought with the studio over the color process used in MOBY DICK: it's intentional. He and the cinematographer were trying to capture a visual style that would be evocative of a certain style of painting and that would contribute to the mood of the story. Huston also fought with Ray Bradbury over the screenplay. The great science fiction author was literally reduced to tears by the gruff director, and he wrote a book about the experience. There was also some conflict over the casting of Gregory Peck as Ahab. Some say Orson Welles or Leo Genn (Starbuck) would have been a better choice. This may well be, but it should be admitted that Peck rises to the occasion when it's called for. The great scene with the Spanish doubloon and the great scene with Starbuck on the bridge, where Ahab explains his obsession. Few other actors are likely to have surpassed these moments.

MOBY DICK (1956) was not filmed in widescreen. This DVD presents the film in the original aspect ratio. It looks very good and and nothing appears to have been done to tamper with the look of the film in terms of color. This is how is should look.

Anyone interested in background on this film should read THE HUSTONS by Lawrence Grobel. The harrowing production is detailed, with plenty of attention given to the above-mentioned conflicts and also to the shooting of the INCREDIBLE final sequence.

Some extras would have been welcome, but this DVD is more than worth owning by any fan of Melville, Huston or American film. ... Read more

Description

Sam Spade is caught in a frantic search for the jeweled falcon of Malta and his partner's killer.His pursuit leads him to a group of desperate individuals who also want the bird. ... Read more

Reviews (101)

One of the few movies that's as good as the book
John Huston's directorial debut nails every single possible angle for a great movie: a great hero in Humphrey Bogart's Sam Spade, here making a major transition from the gangster roles that made him famous; a great set of villains, from Sydney Greenstreet's ponderous Gutman to Peter Lorre's effeminate Joel Cairo to Elisha Cook's almost cartoonish gunman Wilmer; a great femme fatale in Mary Astor's Brigid O'Shaunessy; a great hunt, in the quest for the fabled Maltese Falcon. Shot scene for scene out of the novel (with some notable cuts of extraneous material, such as a long story Sam tells Brigid while they're waiting, and Gutman's daughter!), "The Maltese Falcon" is utterly clean, economical film-making with no fat whatsoever (except for Gutman, of course). The movie creates a tense atmosphere from its opening shots, with ironic humor simply acting as counterpoint throughout. The final scenes of revelation, where Sam explains to Brigid his personal code of honor, are as emotionally devastating today as they were fifty years ago. The last shots of the movie, as Brigid descends in the elevator quickly to her fate, while Sam takes the stairs, suggests each character is heading to their own private hell, even if at different speeds. A brilliant movie!

The Stuff That Dreams Are Made Of On DVD
Seldom has any novel been so successfully interpreted on screen: in approaching Dashiell Hammett's seminal private-eye novel, director John Huston not only stayed meticulously true to the plot, he also lifted great chunks on the novel's dialogue directly into the script--and then styled the pace, cinematography, and performances to reflect Hammett's stripped-for-action tone. And the result, to borrow a phrase from the film, is "the stuff that dreams are made of." THE MALTESE FALCON is a iconographic landmark in twentieth century cinema.

The story is well known. Private eyes Sam Spade and Miles Archer are employed by an attractive but decidedly questionable Brigid O'Shaughnessy to track down a man named Thursby--but within hours of taking the case both Miles Archer and Thursby are shot dead, and Spade finds himself embroiled in a search for a legendary lost treasure: the figure of a falcon, encrusted with jewels.

The cast is remarkable. Humphrey Bogart made a name for himself first on the stage and then in films with a series of memorable gangster roles, and was fresh from his great success in HIGH SIERRA; Sam Spade, which offered a new twist on his already established persona, was an inspired bit of casting. Mary Astor had been a great star in silent film, but the late twenties and early thirties found her dogged by scandal; perhaps deliberately playing on those memories, she brought a remarkable mixture of toughness, tarnish, and absolute believability to the role of the very, very dangerous Brigid. And the chemistry between Bogart and Astor is a remarkable thing, a simmering sexuality that more glossy casting could have never achieved.

The supporting cast is equally fine. Although a great star in Europe and the star of a number of 1930s films, Peter Lorre was still something of an unknown quanity in American film; Sidney Greenstreet was a minor stage actor with no screen experience; Elisha Cook was a well-liked but neglected character actor. But THE MALTESE FALCON would fix all three firmly in the public mind, and to some extent all three would continue to play variations of their FALCON roles for the rest of their lives.

FALCON is particularly noted as one of several films that craftily circumvented the notorious "Production Code" by effectively implying but never directly stating the various sexual relations between the characters. Spade has clearly had an affair with Archer's wife, Iva; Archer is clearly a man on the sexual make, and leaps at the chance to tail Brigid. Lorre's lines effectively expose Brigid as man-hungry, and the script and situations do everything but flatly state that Lorre's character is homosexual. Perhaps most startling is the implied sexual relationship between Sidney Greenstreet and the hoodlum Elisha Cook, and the concluding implication that Lorre may well replace Cook in Greenstreet's affections. Just as the plotlines swirl and twist, so do the layers of innuendo and the tangles of sexual uncertainty--all of it adding to the film's feel of uneasy decadence and grittiness.

The DVD bonuses are enjoyable but slight--two film trailers and a documentary that uses trailers to show how Warner Bros. marketed Bogart during the 1930s and 1940s. But even if it came without any bonuses the DVD would still be greatly welcomed: although it has not been restored in a computer-corrected sense, this is the finest print I have ever seen of the film, far superior to anything available on VHS. A great film, a true essential, and strongly, strongly recommended.

A Bogart classic

Director: John Huston
Format: Black & White
Studio: Warn