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| 101. Giant Robo - The Day the Earth Stood Still (Vol. 1) Director: Yasuhiro Imagawa | |
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| 102. Faerie Tale Theatre - Thumbelina Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (2)
Produced in 1983 (and released the following year), as part of Shelley Duvall's charming live-action "Faerie Tale Theatre", the narrative is told with good humour, imagination, and a great sense of fun. The magnificent cast adds much colour and warmth to the proceedings. In particular, Carrie Fisher, in the title role, delivers a captivating performance. She makes an extremely attractive heroine, not to mention one who's "more than just another pretty face". She's an absolute delight, adding her unique qualities to the role. Not only is she pint-sized in real life (although not quite as tiny as a thumb!), she has a lovely, deep voice that is quite at odds with her diminutive stature. When she sings, it is a beautiful and rewarding experience. Indeed, she sings with "an angel's voice". (This is also a highlight for any Carrie Fisher fan, as she began her career as a singer, and yet she only sings briefly in "Hannah and Her Sisters", 1986, and in the Walt Disney live-action comedy, "Sunday Drive", also released in 1986.) Carrie Fisher is supported by equally delightful character actors. The late Burgess Meredith is in top form as Mr Mole, the second would-be husband of Thumbelina. Likewise, William Katt makes a very positive impression as the Prince of the Flower Angels. This wonderful fairy tale is further enhanced by excellent production values, including great music, atmospheric sets, and good costumes and creatures like Mother Toad, her hapless son, Herman, the Fieldmouse, and the Swallow. The script faithfully follows the original story, although the gender of the Fieldmouse has been changed, making for a more convincing friendship with Mr Mole to exist, as well as creating a heartfelt guardianship of Thumbelina along strictly platonic lines. This well-written and perceptive tale ("I'm always the bride, but never the bridesmaid") makes for enchanting family entertainment. "Thumbelina" delivers a great message, too, but above all, it's storytelling at it's most memorable. I applaud executive producer Shelley Duvall, and all involved, for giving such a wonderful gift. It's up there with Jim Henson's equally engaging "Storyteller" anthology series, produced in the late 1980s, and the "The Doll", an Emmy Award winning episode of "Amazing Stories" (of the same era). For me, it's an extra special treat because Carrie Fisher became much more than just Princess Leia with this performance. Besides, she continues to melt me every time she smiles as the Ultimate Flower Angel! Let's hope that this "Faerie Tale Theatre" production, along with my other favourites like "Beauty and the Beast", are re-released soon. Preservation on DVD for future generations is highly recommended. ... Read more | |
| 103. Faerie Tale Theatre - Puss 'n Boots Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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| 104. The Brady Bunch in the White House Director: Neal Israel | |
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Gary Cole and Shelley Long are back, and that was the only reason I bought this movie. But the whole story about them in the white house is an unbelievably bad idea. The producers didn't even get the actress who played Alice to return, and her replacement isn't that great either.
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| 105. Faerie Tale Theatre - The Boy Who Left Home To Find Out About The Shivers Director: Gilbert Cates, James Frawley, Tony Bill, Roger Vadim, Peter Medak, Tim Burton, Emile Ardolino, Ivan Passer, Howard Storm, Graeme Clifford, Nicholas Meyer, Francis Ford Coppola, Jeremy Paul Kagan, Eric Idle, Mark Cullingham, Robert Iscove | |
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Description Reviews (4)
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| 106. A Room With A View Director: James Ivory | |
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Description Reviews (114)
Our protagonist is a young, passionate and repressed Miss Lucy Honeychurch (Helena Bonham Carter in possibly her best role ever) who exemplifies this unspoken inner-outer conflict. As she struggles between what is expected of her, to marry the effete and obnoxious Cecil Vyse (Daniel Day Lewis in a richly textured performance), and what she really wants, to be with the yearning, romantic George Emerson (a soft and unfocused Julian Sands) Miss Honeychurch must juggle class concerns and personal desires. As with any Merchant Ivory product, the all-round cast is vivid and intriguing. Maggie Smith never leaves a dull moment in any of her movies, a credo she maintains here as well as Lucy's nervous and confused escort -- for which she received a well deserved Oscar. As George's bewildered and sweet father, the marvellous Denholm Elliot steals every scene in which he appears. Lastly, Simon Callow as the ebullient, robust Reverend Beebe captures all that is good and true about humanity. A word for the DVD. The cinematography in this movie sparkles, and the DVD does complete justice to Ivory's camera skills -- the shots are so pure you will want to taste the dew resting atop the grass in the sumptuous English gardens. What a complete movie, full of life, love and hope! Highly recommended for your collections, you'll watch this more than once.
Even the humor in the movie is unusual. When the English chaplain in Florence, Mr Eager shows a chapel and mentions, "Remember that this was built by faith in the full fervor of medievalism", it prompts, Mr Emerson to say, "Faith indeed. It simply means that the workers were not paid well." The movie has understated humor that is refreshing compared to the usual slapstick. Scenes were the brother and sister are together are especially funny. A lot of people found the movie too slow. Well, this is not a cop movie, it requires one to think about what goes underneath each person. The movie is based on one of the special books that breaks down class distinctions, though it is subtle and dignified. I personally felt that this was the best movie of the year and easily bet "Platoon" in its class. A winner of three Academy Awards, "A Room with a View" is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters.
The stars of this film include Helena Bonham Carter as Lucy, the heroine, and Julian Sands as George Emerson, her free-spirited suitor, who shocks everyone by doing such risque things as running around without a jacket, or kissing someone (willing) in a field of poppies. The official suitor of Lucy is the stuffed-shirt Cecil Vyse, whose personality seems like it is jammed in a vise. There are great performances by Judi Dench (as a conventional free-spirit, one who likes to be freespirited but not at the expense of reputation), Rupert Graves, Simon Callow, Denhom Elliot, and an outstanding performance (as always, she just has to walk on the set and the film gets an extra star) by Maggie Smith, as the gossipy and fretting aunt and chaperone to Lucy, who eventually comes round to recognizing and rejoicing in the true love of Lucy and George. The sets are beautiful, the costumes all very much a part of the period, as are the small touches that make up the style of English society that Forster was trying to expose and celebrate in different ways both at the same time. The music is enchanting, with the glorious opera piece "O Mio Bambino Caro" sung by Kiri te Kanawa.
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| 107. Firestarter 2 - Rekindled Director: Robert Iscove | |
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Reviews (15)
I also managed to see the original movie again a couple of weeks ago (after first seeing it years and years ago). What was most noticable to me were the flashbacks to the past which were so different to what was in the original movie. Ok, I don't mean not using any of the original actors like Heather Locklear or Drew Barrymore (like they would do this kind of movie now anyway) but the way the parents died, for example, was completely different to the way it was portrayed in this movie. It was also sad how John Rainbird had developed his own personal little army which would eventually lead to a gigantic showdown btwn Charlie and the young "gifted" boys. I did however like the young guy who was helping Charlie through the majority of the movie. It's always nice to have someone you can trust who won't just run away when they learn the truth about you - as frightening as that can be. Too bad things didn't go as he or Charlie expected in the end. I think the girl who played Charlie did a pretty good job but it's a bit of a shame that they didn't use the bits from the first movie as the flashback sequences. However, seeing they inserted some extra footage in the flashback scenes that weren't in the original movie it's understandable that they would need to use other actors to play those roles. Of course the special effects - including sound - were much better in this movie. Not surprising since the first movie was done 18 years ago. See it on video if you're curious to see how Charlie turns out.
I think the problem that most of my fellow critics had was the fact that they read the book, did not like the first film because it did not faithfully adapt to the book. Who cares? The first film was fine and the second one lived up to it's predecessor. Malcom McDowl played a fine Rainbird as he did an excellent job just like George C. Scott did. The new Charlie (what you expected Drew Barrymore to reprise her role) does a good job as the now grown up Charlie trying to survive as she is still being hunted. Rainbird new plan of more experimented kids provides a deadly advisary for her and overall I would say this movie is worth seeing. However like I said I am little more liberal with the way I see movies but I honestly think that if one was to give this half a chance they would enjoy it. It is entertaining to watch to those who are willing to give it a chance.
Instead, view this a a completely seperate movie. It's also important to realize that this was a mini series, not a regular movie, so it's long. Yes, it differs in many aspects from the original, but if you can look past that, its a very good movie/mini series.
Yes, I was a huge Firestarter fan. I was a bit disappointed in the changes from the past during the flashback pieces... but the main story was still there. But this is the biggest reason I did not give them five stars... diverting from the real story. However, I did enjoy the entertainment value. The idea of more children with unique abilities was fun... I wish they had shown more of these children. A glimpse at Charlie's life as she was all grown up was interesting, as well as other characters from the Lot 6 experiment. The only thing I did not like was the ending... but this is the story of Charlie so it should have been expected. I'll leave it at that so I don't blow the ending for anybody. But it somewhat disappointed me. No, this wasn't as good as the original. Of course, Stephen King wrote it and didn't have a hand in this, so of course it is better. I wasn't expecting much and was prepared to turn it off it if didn't catch my attention well. But I was entertained and I watched it to the end. Overalll, I would say, "Job well done, Sci-Fi Channel." Would I recommend it? Maybe... if your expectations are high (don't expect a Terminator 2 type of sequel) then I would suggest skipping out on this one. But if you are into a night (this is a long movie) of cheap entertainment, pick this up! ... Read more | |
| 108. Hendrix Director: Leon Ichaso | |
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Reviews (23)
First and foremost the movie very hastily covers Hendrix's early years, most notably his childhood, which should have been focused on more. His cold relationship with his mother is hardly established, aside from a brief scene between the two. Another important part of Jimi's life, his tenure in the U.S. Army as a Paratrooper is very hastily done and is quite dissapointing. While it's entertaining to see Jimi outplay Little Richard and then get booted off the tour for doing so, it's incorrect, I wont bore you with facts, but it's something to keep in mind. Jimi's time as a studio musician is only mentioned by Jimi himself during one or two scenes, and that's about it. Now I can overlook those facts, but the thing that dissapoints me the most is how they handled The Experience. Bassist Noel Redding, while with some short and so-so scenes, is hardly paid any mind to, and even less for drummer Mitch Mitchell. They fail to truely give Hendrix's band mates credit, nor do they do justice to the charisma between the three. Hendrix's time after The Experience with The Band of Gyspys is served even less time, another important fact to Jimi's career brushed aside. Another flaw are the "musicians" themselves...they aren't even playing the instruments or making any attempt to make it look like they are for that matter. During several drum rolls Mitch Mitchell sits there and hits one cymbal, it looks quite ridiculous to say the least. Even Hendrix himself looks like he's just an amature who walked into a guitar shop, plucking the strings. Last, but not least, is the movie uses no actualy Hendrix recordings, calling upon studio musicians to try and mock Hendrix, as many reviewers have mentioned before, the National Anthem at Woodstock is almost painful to listen to. So why see this movie just once? To be honest, while I took issue with all of these negative facts, I still enjoyed it to a degree. Wood Harris, who plays Hendrix, does a fairly good job of capturing Jimi, though this is almost impossible to do. The dialogue between Hendrix and others is entertaining with some unrealistic yet memorable lines. I was glad that Hendrix's conflict between appealing to a mainstream white audience and appealing to his black roots was shown during a conversation with two Black Panther representatives. If you're a Hendrix fan, be prepared for this movie to have it's flaws, but don't dwell on them, see it at least once for the positive aspects, not the negatives. As for the three men who wrote this, if you plan to write a more in depth sequel of sorts, do it right this time. A movie about Jimi Hendrix needs time to establish his life, his career and his downfall, even if it meant a three hour film, I don't know of one Hendrix fan who wouldn't enjoy every minute of it. ... Read more | |
| 109. Edie & Pen Director: Matthew Irmas | |
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| 110. Tunnelvision Director: Bradley R. Swirnoff, Neal Israel | |
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Description Reviews (8)
However, the commentary on the Middle East is fun and probably gives a present-day viewer more to laugh about. What the contemporary audience might have seen as grim extrapolations on current 1970's affairs (but not likely), can now be openly praised for its insight (even though their predictions are still clearly farcical).
Mid-Seventies television was, let's face it, even schlockier than Fox is today. The writers and comedians behind Tunnelvision -- fresh from Second City Television (SCTV) and not yet honed through SNL -- knew TV was tasteless. But regrettably, their early effort at parody is often more cynicism than wit. We're supposed to laugh when a "Spy TV" victim kills himself, giggle every time a male news anchor tries to shack up with compliant "weather girl," roar with delight when a nearly naked Betty Thomas must pass gas to win a game show, and gasp at unexpected racial profanities. The political vision behind Tunnelvision is much funnier: The film takes sharp, well-executed jabs at Israel, Exxon, air pollution, phone companies, political mudslinging, and a sporty new national anthem punctuated by nuclear missiles. These "news" items are well worth seeing, and the DVD format lets the viewer skip the stuff in between. Ultimately, Tunnelvision's theme -- TV on trial -- is a well-crafted excuse to string together 70 minutes of SCTV skits and SNL-style fake commercials. Tunnelvision offers us a worthwhile glimpse at countless great comedians' humble beginnings, and it reminds us of an era that was coarser, more troubled, more cynical, and less hip than the fantasy depicted in "That 70s Show." DVD buyers please note: While it lets you skip to the good skits, the DVD format also exposes Tunnelvision's low-budget video and audio production quality.
I have always laughed hard at this movie because it is funny and in incredibly bad taste (but not as bad as the "Groove Tube"). Some of it seems rather dated now when you look at what we can get on cable, but for its day, it certainly took a few risks. There is even a bit of social commentary about inept people trying to catch an assasin. You can watch "The Groove Tube" or "Kentucky Fried Movie" or "Amazon Women on the Moon". But defintely watch Tunnelvision. There is a difference! (See the movie to find out what that means) ... Read more | |
| 111. Those Bedroom Eyes Director: Leon Ichaso | |
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| 112. Power, Passion and Murder Director: Paul Bogart, Leon Ichaso | |
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Tiffany Collinsville IL ... Read more | |
| 113. Mobile Fighter G Gundam - Round 12 Director: Yasuhiro Imagawa | |
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| 114. The Fourth Angel Director: John Irvin | |
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It sounds familar, and it is familiar. But the point is its casting for Jack is played by Oscar-winner Jeremy Irons, who is getting more and more character actor as seen in "Dungeons and Dragons" and "The Time Machine." In this film, thankfully, he avoids hammy acting, delivering pretty a decent one. The problem is, I think, that casting itself, however. I don't beleive in the idea of one-man army (especially when formerly he was a man in suit) who can eliminate the trained terrorists. If it is Arnold or Sly, well, that's another story, but the guy who can play the love of Lolita so convincingly cannot play such kind of part. More intersting is the supporting actors. Forrest Whitaker appears as FBI investigator while Jason Priestley is clad in suit, posing arrogantly like any gvernment agents are required to do on screen (which is incredibley shot in widescreen). But the most surprising part is the inclusion of Charlotte Rampling who is still gorgeous. It is always good to see her, and hear her say "Matey" to Irons' hero on yachet, but she is not required to do much. And the story is clumsily told (though it goes fairly smooth), and the awkward conclusion is saddled with most heavy-handed flashbacks that would question the intention of the film. There's little action that thefilm can boast of, and the shoot-out scenes (too brief) are not well conducted. Some good ideas are there, like showing a pretty daughter of a terrorist, but that doens't amount ot much because the film somehow forgets about it in the course of its 90 minutes running time. Regardless of the urgent matters about terrorism suggested here with its serious tone, this film fails to deliver, deliver whatever it wants to.
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| 115. Ohh Nooo!!! Mr. Bill Classics Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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Here's the rub: ***ALL*** scanning and skipping functions are disabled throughout the entire disc! Want to go to the next film? Don't press the skip button; it won't work. You have to go back to the tedious menu and arrow your way slowly to the episode you want. Want to back up or fast forward a little in the film you're watching? Sorry, but there's no way AT ALL to do that. This disc is a cruel joke and should be withdrawn. It cannot be recommended at all as issued, though I found it impossible to give poor Mr. Bill only one star....
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| 116. Freefall Director: John Irvin | |
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| 117. Mobile Fighter G Gundam - Round 2 Director: Yasuhiro Imagawa | |
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| 118. Ghost Story Director: John Irvin | |
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| 119. Hamburger Hill Director: John Irvin | |
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Amazon.com Reviews (78)
But the biggest difference in the selling of "Hamburger Hill" from "Battleground" is that the promotional text for "Hamburger Hill" tells us "The most realistic portrayal of the Vietnam War ever filmed. Because it is the only one that's true." And yet when the small print rolls at the end of the movie, we see that these characters in the squad are entirely fictitious and not to be confused with anyone who actually ever lived -- and died. This is not a minor point. We need to know what is fact and what is fiction. If we allow Hollywood "truth" to inform our decisions at the expense of real truth, then real truth is going to grab us by our tender parts someday, and we are going to be shocked to realize that we were off in some in-our-head fantasy that kept us from knowing the truth. There were real men, with real names and probably not so Hollywood-viable lives in that squad. Perhaps someone someday will tell us their real story. So, I do recommend this movie -- highly so. What is told here needs telling -- and thinking about. But please do not tell us it is the truth: keep the line between fact and fiction clear, or we will all suffer for it eventually.
Goodness! Combat is SO dirty and muddy. Isn't that just so squalid. Nice that no one gets sick and the guns work, isn't it? My, my! Th | |