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| 161. Chushingura Director: Hiroshi Inagaki | |
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Description Reviews (25)
The photography is gorgeous with brilliant winter scenes backing up intense sword fights in which you aren't sure what happened until someone keels over dead. Political betrayal is revenged while honor ultimately prevails. You are immersed in the feudal Japanese world and yet reminded of much the same thing happening today. Definitely worth seeing and buying once you've seen it.
If you want to gain insight into the Japanese concept of loyalty and the price of honor above all else this is the one movie you should not miss. The color photgraphy and scene settings are well done and sound is excellent; the acting is also very good and does not lean heavily on over-emoting that is the sometimes "norm" for Japanese films. Sub-titles are a little light, but easy enough to see and this is one of the more accessible versions (many are not available to Western audiences as more recently they tend to be done for annual TV specfials. You won't need to know the history to follow the story - or get the point. It's a true story of a proud, old fashioned country Samurai who puts the Samurai Code and personal integrity above politics of reality. He's summoned to the Shogun's castle to do his duty - service to the emperor whole messengers are coming through the territory. A corrupt court official expects and demands a bribe to tell the Samurai what he must know of intricate protocol and is outraged when our hero refuses to bend. The official goads him into drawing his sword in the castle - a capital offense, leading to his forced harikiri - suicide. The remainder of the tale - most of it - is about how the 47 loyal retainers face disgrace and contempt, while biding their time until they can avenge their master. The film has everything: psychological drama, action, passion, greed and pathos - everything in fact that makes life worthwhile. Don't miss this one!
The first act, culminating in the seppuku of Lord Asano, details the conflict between the young lord and Kira, the Shogun's master of ceremonies, and is, in my opinion, the most interesting as it unfolds logically, tragically, and inevitably towards the spilling of blood in the Shogun's castle. Asano and Kira, at least in this stage of the film, are fully realized and three-dimensional characters, and their conflict can be understood on several levels: idealism versus pragmatism; rural versus urban; and, most centrally, a conflict between different conceptions of honor. Kira is slighted because Asano won't show him the deference he feels he deserves, and Asano cannot accept Kira's attempt to teach him a lesson without fatally wounding his pride. The characters feel real because the situation is developed so carefully, and we as viewers understand why the principal actors behave as they do. I think the movie bogs down a bit in the second act where the retainers of Asana plot their revenge on Kira. I also feel it is at this point that those unfamiliar with this story may find it difficult to follow the plot. Like the assassination of Thomas Becket in 12th century England, the story of the 47 loyal retainers has left the historian with not only a wealth of primary documents but also of contemporary analysis of exactly how the events were interpreted. Whereas Becket's murder resonated because of the changing perceptions of the limits of temporal power in medieval Europe, the 47 ronin reflect the changing nature of samurai honor following the pacification of Japan under the Tokugawa shogunate. Unfortunately, the movie does little to clarify the issues involved despite a three and half hour presentation. The historical Oishi, for instance, worked patiently behind the scenes for years to restore the clan's honor and holdings under the leadership of Asano's younger brother whereas Horibe represented the more radical view that the ronin owed personal allegiance only to their dead lord. In the movie, by contrast, Oishi makes reference to restoring the clan and questions Asano's judgment at the castle, but it is absolutely unclear in the context of the film whether this represents his true beliefs or is simply part of the feint to divert attention from the plot to kill Kira. It is, in fact, hard to ever discern exactly what Oishi is planning, even in hindsight. Horibe, as the leader of the other wing of the retainers, fairs worse, emerging only as Toshiro Mifune's drinking buddy (Mifune, though always enjoyable to watch, is largely wasted in a sub-plot that is completely superfluous to the story). I don't expect complete historical fidelity, but I do expect the events to develop coherently and to address the main issues of the story. I'm not saying that it is a complete mess, just that it is hard to follow at times, and it is not always clear what motivates the characters, and, as film usually does, some of the subtleties of the real events are lost. Thankfully, the exciting and famous battle in the snow largely redeems any momentary flagging of interest. My only quibble is that Kira has degenerated by this point into an absolute caricature of his previous self, becoming the embodiment of the man without honor. I suspect this is incorporated less from history and more from the popularizations of this story, e.g., the various kabuki stagings. Others have spoken of the beautiful visuals, so I won't belabor the point. Suffice it to say this alone is a good reason to watch this film. Others have also spoken of the slow pace. This is also true, and if you demand a tight focus in your movies, this one probably isn't for you. ... Read more | |
| 162. Ali: An American Hero Director: Leon Ichaso | |
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| 163. Mobile Fighter G Gundam - Round 12 Director: Yasuhiro Imagawa | |
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| 164. Mobile Fighter G Gundam - Round 11 Director: Yasuhiro Imagawa | |
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| 165. Mobile Fighter G Gundam - Round 10 Director: Yasuhiro Imagawa | |
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| 166. Mob War Director: J. Christian Ingvordsen | |
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| 167. Sleep Easy, Hutch Rimes Director: Matthew Irmas | |
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| 168. Mobile Fighter G Gundam - Round 10 Director: Yasuhiro Imagawa | |
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| 169. Mobile Fighter G Gundam - Round 9 Director: Yasuhiro Imagawa | |
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| 170. Airboss Director: J. Christian Ingvordsen | |
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| 171. Psychic Wars Director: Tetsuo Imazawa | |
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The story is about an ancient race of demons attempting to return to power after their destruction 5,000 years ago. A doctor who helps a dying elderly female patient inherits her powers as the new guardian against the resurrection of the demon race. He then seems to accidentally travel back in time 5,000 years to witness the demons slaughtering and feeding on humans. He vows to destroy the demon race and nearly succeeds. But some of the demons manage to travel to the future and are waiting for him when he returns to his own time. As I said, this story could have been made into a much stronger movie with better dialog and finishing those last few parts of sloppy animation (or replacing the cut scenes, if that was indeed the case here). I recommend renting this DVD before deciding to purchase it.
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| 172. A Soldier's Daughter Never Cries Director: James Ivory | |
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| 173. Mobile Fighter G Gundam - Round 8 Director: Yasuhiro Imagawa | |
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| 174. Black Rain Director: Shohei Imamura | |
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Description Reviews (11)
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| 175. Hangmen Director: J. Christian Ingvordsen | |
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Another reviewer mentioned that High Schoolers could make better movies... I agree and I'm not so sure a middle schooler couldn't. I found this one in the bargain bin at Walmart... it doesn't belong in the bargain bin, it belongs in the trash bin.
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| 176. Power, Passion and Murder Director: Paul Bogart, Leon Ichaso | |
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Tiffany Collinsville IL ... Read more | |
| 177. The Jesse Owens Story Director: Richard Irving | |
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| 178. Hitler's War Director: David Irving | |
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| 179. Mobile Fighter G Gundam - Round 9 Director: Yasuhiro Imagawa | |
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| 180. Firehouse Director: J. Christian Ingvordsen | |
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Reviews (4)
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