Description

They're the clown princes of animation. They're the international ambassadors of cartoon comedy. They're the fabulously funny friends you grew up with! And now, 28 of the very best animated shorts starring the very wackiest Warner Bros. cartoon characters have been rounded up on DVD for the first time ever in The Looney Tunes Premiere Collection! Just barely contained in two special edition discs, each specially selected short has been brilliantly restored and re-mastered to its original anvil-dropping, laughter-inducing glory! Featuring some of the very earliest, ground-breaking on-screen appearances of many all-time Looney Tunes favorites, it's an unprecedented animation celebration for cartoon-lovers eager to re-live the heady, hilarious, golden age of Warner Bros. animation! Sparkling with one unforgettable, landmark cartoon classic after another, there's Bugs Bunny's monstrously merry encounter with the tennis-shoe clad creature of Hair-Raising Hare. Wile E. Coyote and Roadrunner racing to cartoon immortality in Fast and Furryous. Oscar?-winning animated gems, scenery-chewing Tazmanian Devils and much more! Plus, a dazzling array of totally Looney DVD bonus features! ... Read more

Reviews (36)

This is pointless...
Except for the fact that it is considerably cheaper then the Golden Collection, this Premiere Collection is completely pointless. Especially since there is a "buy both now!" option to buy this as well as the Golden Collection. Any person that is a fan of Looney Tunes enough to buy this Permiere Collection might as well spring the little extra money and get the AWESOME Golden Collection. But then again, if you only want HALF of a good thing, by all means get this one!

Skip this---go for the gold!!!
I can think of only one reason to buy the premiere collection, and that is if you are looking for a little something to entertain the kids with. If this was based on content alone I would give 5 stars, but I can't do that knowing there is something better out there. If you buy the Golden collection, you get everything included here along with 28 more classics and a boatload of extras. I highly recommend that set--it was my best purchase of 2003 as far as dvd goes.
Something else I would like to address; the reviewer "Kulana" who says cartoons are not for adults.He/she claims that you should get this and not the one with "all the bells and whistles" because they are for kids and not for people who want to be children their whole lives. Thats an ignorant thing to say, because so many people grew up with these shorts and they are forever an important part of our pop culture.
So in my opinion, if you are a true collector then buy the gold collection version. If you are just looking for good family entertainment, then the gold collection is a better investment that will be enjoyable for the whole family. If you dont like cartoons, don't buy this or the gold collection. And if you want the gold collection and don't have the money, save your money until you can get this version---you'll be glad you did! The better the Gold collection sells, the more likely we will get more and more sets in the future with even more of the classics.

a huge disappointment
You would think that something titled the Premiere collection would include at least one of the classics. I was very upset. As for the comment that these are for children, no they were not. They were originally designed for adults. Don't bother buying this.

The GOLDEN COLLECTION is a better family investment
The introductory DVD release of vintage Warner Bros. animated shorts is now available in two forms: the highly recommended 4-Disc GOLDEN COLLECTION, and the present alternate 2-Disc PREMIERE COLLECTION, a spare and stingy serving of twenty-eight cartoons with no frills.

The majority of the classic cartoons included on the PREMIERE COLLECTION are artistically valuable. The cartoons are uncut, unedited, uncompressed and beautifully restored to their full original Technicolor glory. All the films included, even the weakest, deserve preservation, restoration and DVD availability.

But although the basic material is excellent, the PREMIERE COLLECTION is a poor presentation which I cannot recommend. This is why I have rated it only three stars out of five. (My rating for the GOLDEN COLLECTION, found elsewhere on Amazon.com, is a solid five stars.)

The selection spans two decades (1940-59) and includes the initial films of the Road Runner ("Fast and Furry-ous"), Marvin the Martian, the Tasmanian Devil and the Academy Award-winning debut of "Speedy Gonzales". Key films of such popular characters as Seymour & Tweety, Pepé Le Pew, and Foghorn Leghorn are duly included, along with a few one-shots and curios.

Buyers expecting a cavalcade of favorites need to be aware that the PREMIERE COLLECTION features a mere handful of appearances of the true stars of the Looney Tunes galaxy. You will look here in vain for an adequate selection of classic Bugs Bunny, Daffy Duck and Porky Pig cartoons. Such masterpieces as "Duck Dodgers in the 24-1/2 Century", "Long-Haired Hare", "Rabbit of Seville", "Rabbit Fire", "Rabbit Seasoning", "The Scarlet Pumpernickel" and "Wabbit Twouble" are to be found only on the GOLDEN COLLECTION.

The so-called PREMIERE COLLECTION is simply a partial reprint of Discs Three and Four of the vastly preferable GOLDEN COLLECTION, with the many extras removed. The first two discs of the GOLDEN COLLECTION are not included with the PREMIERE COLLECTION.

The 4-Disc GOLDEN COLLECTION, with its fifty-six cartoons and hours of supplemental extras, which are both entertaining and educational (hint to parents), is worth more than its cost in dollars and is an infinitely better investment for families than this cheapjack alternate. The PREMIERE COLLECTION is kiddie fodder for the undiscerning bargain-store shopper and ought to please thoughtless families who want to add a touch of class to their video library. Obviously, small children will be unaware that they are being cheated but then they will be unable to appreciate the artistry and sophistocated humor of these films anyway. Otherwise, THE LOONEY TUNES PREMIERE COLLECTION is to be avoided by anyone concerned with popular art and culture. High sales of the superior GOLDEN COLLECTION will determine future releases, so fans and students of classic animation are strongly urged to buy that instead. Parents desiring that the heritage of Bugs Bunny and friends continue to be made available to their children and grandchildren might also keep this in mind when choosing between the lesser and the greater.

And, by the way:

CARTOONS ARE FOR
E-V-E-R-Y-O-N-E!

Doctor_Mabuse

A Few Good Laughs
While looking for the 4 disc Golden Collection, I stumbled across this premiere set.
The 2 disc collection as a whole I was disappointed in, there were many worthy shorts besides the one that were included on this "budget" set that would have made buying the Golden Collection even more attractive in my opinion.
There are a few good ones on this, such as Bunker Hill Bunny, Sam the Sheepdog vs Ralph Wolf (funny stuff!)
Marvin the Martian was not even the right voice :o(
Save your money and buy the Golden Collection for you die hard Looney Tunes fans like I am. ... Read more

Reviews (69)

Fun Fantasy Tied With History
The Rocketeer had a very special memory for me. It was the opening movie to first be shown at the newly refurbished El Capitan Theatre in Hollywood; CA. Disney bought the old theatre and spent about 10 million dollars refurbishing it. It is a beautiful theatre and contains the original fixtures and décor - newly repainted - and the most sophisticated digital and THX movie theatre systems around.

Now, that aside, the film was a fantasy filled adventure set in the not so distant past (30's - 40's) about a secret device invented by Mr. Howard Hughes himself which was stolen by some gangster with the intentions of steeling it Hitler himself. The special effects are great and the Rocket is very cool. Even the costumes were very unique.

The device is a jet pack that when worn with a special helmet made by the character played by Alan Arkin, will allow the person to fly through the air (and water) at great speeds. With the villainous Timothy Dalton playing a Nazi spy and world famous actor chasing him. Paul Servino plays a great Mafioso.

The film stars relatively new comers at the time Bill Campbell and Jennifer Connolly as the boyfriend-girlfriend who end up having the mafia, Nazi's and the FBI chasing them! It got a lot of heart and a lot of humor and it is a great family film. I really enjoyed this. No real extras on this DVD but maybe later. I think you'll enjoy this too.

A Wonderful Ride!
The Rocketeer is one of the most enjoyable action-adventure movies ever made. Everything about this film is wonderful. Director Joe Johnson perfectly captures the look and feel of Hollywood (or what Hollywood should look and feel like) during the 1930s. Great casting with Bill Campbell right on target at Cliff Secord, Jennifer Connelly as his best girl, Jenny Blake, Alan Arkin as Cliff's mentor and mechanic/inventor friend, and Timothy Dalton as the evil Nazi spy-movie star Neville Sinclair. Like Raiders of the Lost Ark, it is a homage to the film serials of the period, but with a lot more spit and polish. The special effects are great, the set decoration, costumes, makeup, all evoke the time and place perfectly. A wonderful script adapted from the graphic novel of the same name sets this movie apart from others in this genre. The dialogue is funny, fast and at sometimes furious. Campbell plays the All-American boy with a real gee whiz, almost Jimmy Stewart kind of charm. The plot about a secret plan by the Nazis to build rocket packs for an army of "Rocketeers" to take over the world is added and abetted by Dalton as the Errol Flynn-like movie star. When a prototype rocket pack accidentally ends up in the hands of Campbell and Arkin, the action, and their troubles, really start. This film is filled with dozens of wonderful characterizations. Some of the best are Paul Sorvino as gangster Eddie Valentine, Terry O'Quinn as Howard Hughes, and Tiny Ron as Lothar. The musical score by James Horner is outstanding. It's heroic, quiet and inspiring. Why this film didn't turn out to be the big blockbuster it should have been is beyond me. I love Raiders of the Lost Ark, but this film matches it in almost every category. One of my favorite modern films, I never tire of watching it. Perfect entertainment and perfect for all ages. The Rocketeer is a real winner.

Top Notch Movie... So-So DVD
I ordered "The Rocketeer" over a year ago and finally had chance to watch it this past weekend. I haven't seen it in several years, and I must say, it's even better than I remembered it! Billy Campbell is terrific and Jennifer Connely glows. Alan Arkin is a reliable sidekick... and Timothy Dalton positively shines as the villain of the piece! The movie has a Saturday matinee feel to it, but with top-notch production values. It also has a great sense of humor. It's one of the best movies that no one saw. Too bad. I was disappointed with the picture quality of my dvd. Is this common for this particular release, or did I get a lemon? Also would have like to have seen some additional extra features. I know I saw a featurette on creating the rocket-pack scenes somewhere many years ago. Regardless... This is one movie I'm really glad to have. I'll be watching and re-watching it for years to come.

An AWESOME MOVIE!
This is one of the most coolest, fun filled movies I have ever seen because of everything that it has to make it a great movie. Simply GREAT!!!!!!

Nice!
THIS MOVIE IS SO COOL AND IS A MUST SEE FOR ALL COMIC BOOK FANS! TRULY TRULY GREAT! ... Read more

Description

Buckle up and hang on tight -- the discovery of a parallel universe launches you into the adventure of a lifetime! Mario and Luigi, two wacky plumbers, undertake a daring quest to save a princess in "Dinohattan" -- a hidden world where the inhabitants evolved from dinosaurs! Mario (Bob Hoskins -- WHO FRAMED ROGER RABBIT) and Luigi (John Leguizamo -- REGARDING HENRY) face deadly challenges from a diaboloical lizard king (Dennis Hopper -- HOOSIERS) and must battle giant reptilian goombas, outwit misfit thugs, and undermine a sinister scheme to take over the world! Blast off for nonstop excitement with SUPER MARIO BROS., the live-action thrill ride that dazzled moviegoers everywhere! ... Read more

Reviews (94)

This, unfortunately, has to be my favorite movie
For all those people who are totally tearing the movie, you will probably grow up to be critics. It IS true that the movie will never be on any The Best of The Century's Movies list, but if you're looking for entertainment: Mario Bros. are your men. The movie is not made to be believable: two "brothers" get trapped in another dimension while trying to save Luigi's kind of girlfriend, who happens to be the princess of this strange world. The princess is trying to reverse the damage King Koopa did to her father (he turned him into a giant ball of fungus). In the end, the Mario Bros. save the day (did you expect a different ending?). Don't expect a recreation of the game; this movie is a far cry from any version of Super Mario. I have watched and rewatched this movie since I was little and I STILL have to say that it is my favorite. The plot line is a wee bit out there, yes; it's not like the game, that's true; all the aspiring critics out there will not get into it, unfortunately; but for all you normal people out there who don't care what the rest of the world thinks about reality and just want a nice, quiet night to yourself or with a loved one: check this out.

A completely misunderstood movie. Here's why it is good.
Most people tend to hate this film. I think, though, that they hate it because they're looking at it the wrong way. It's one of those movies that has a point, and if you miss that, you don't get any of it.

Their mistake is to watch this expecting a Mario movie. I know, it sounds like the right thing to expect, but hear me out. Fans of the game know what Mario is all about - powerups, angry mushrooms, winged turtles and flying blocks. If you watch this movie expecting that, you'll be disappointed, as you'll find NONE of it. But that's not to say it isn't worth watching.

Picture the scene: a couple of directors are asked to make a Mario movie by Nintendo, and they want it to be live action. That was the flavour at the time - take cartoon characters and make them real. Now, these directors know about Mario. They say "No way can that be done. Mario is all about being a cartoon. Jumping on little angry animals, everyone's a mushroom... It's a great game, and it'd make a good cartoon, but a live action version would just be moronic." "Oh, don't worry about that," says Nintendo, "just so long as you get the main elements in, do it how you want."

The directors go away, rubbing their chins, trying to think of a way to do that but still do justice to the games. And then they have a fascinating idea.

What if they don't do a Mario film, exactly. What if they do a sci-fi film, but fill it to the brim with Mario references, for the keen-eyed game fans?

That's what this movie is. If you watch it with that in mind, you will enjoy it. I've tested this theory out already on a friend who thought the film was a bit stupid when he saw it as a kid, but watched it yesterday with my little thesis in mind and he loved it.

What you get here is a quite serious (despite the light-hearted script) sci-fi flick about the nightmarish world ours may soon become: crowded, filthy, choked with pollution and overrun with a hate-filled populace who will fight you, yell at you, even try to shoot you if you pass too close. Run by a demonic well-dressed dictator politician (played to amazing effect by Dennis Hopper) who has let this world become the dark horror it is through neglect: there is no water any more, only sludge, and a slimy infestation of fungus has grown over everything, draped in great loops like one gigantic, chaotic spider web. Into this world come Mario and Luigi, similar to their game counterparts but more human, a pair of plumber brothers from Brooklyn who grew up together as orphans. They are trying to save a girl, who has been kidnapped and dragged here, and along the way they get wrapped up in something really horrifying: the president and his people are human, but human descended from dinosaurs instead of apes. He's found a way to revert his citizens back to their prehistoric roots, and with his army of lizard lackeys he's going to bridge the split between worlds (that formed when the meteorite that "killed" the dinosaurs hit) and take over our own.

And through all this we find references of the sort that Mario's biggest fans will drool over, so long as they are watching this in the way I suggest. These prove that the film has been put together not by someone ignorant of the games, but by someone very well versed in their lore. A large woman called Big Bertha, dressed all in red, is named in reference to a large red fish enemy from Mario 3. She wears mechanical boots named "Thwomp-Stompers", after the classic ice block enemies, and they are powered by capsules that look exactly like Bullet Bills, from Super Mario Bros 1. Shops are apparently owned by people with the same names as characters from the games (Hammer Bros and Bullet Bill), a protest singer is named after Toad, the happy little mushroom from the games, but his hair is shaved into the pattern on the shell of Lakitu, a fan favourite since day one. These references go on throughout the film and shape its world - the fungus, which turns out to be a conscious entity, helps the brothers in every way it can; they are saved on more than one occasion by mushrooms, in what has become a literal mushroom kingdom.

It's all in here if you keep your eyes peeled. Go in ready to watch not a Mario film, but a film that references Mario, and you will love it. It doesn't "change" anything from the games, because it is not any kind of filmed version of them, but it nods to them constantly.

Viewed in this light, it is a treat to watch, and a rare treat, because no other film has ever crammed in so many references to videogaming before. Simply put, a live action Mario film could never be made, and the directors asked to make one did a brilliant job at trying something new and original. Well worth the ten dollars for the DVD.

So Zany and Senseless It's Great, IMO of course
The story is absurd, despite it being inventive enough... It isn't a real movie version of the adventure, but more like a movie starring the characters, with constant bits of homage to the original series, such as a "Thwump" store, sniffits, the character's occasional and believable super-jump trademark, a dino named Yoshi, and last but by no means least, a GREAT scene with a Ba-Bomb (who was wearing Reebok shoes, which was funny!!).

Being the first movie ever based on a game (unless you count Clue), and also being inspired by a series that didn't call for the slightest bit of realism, this movie didn't have much call for reality. It's not sci-fi, but pure fantasy (meaning the plot's fiction isn't just the existance of the story's elements, but every plot sequence is based on how the world the movie takes place in is much unlike our own). Luckily, the screenplay, while sometimes quirky and silly, does call for some great moments, usually revolving around Koopa's idiot cousins Iggy and Spike (my favorite example - Spike:"Wrong again...how many times have we gotten it wrong?" Iggy:"YOU've gotten it wrong five times!" Spike:"Over five...OVER five...what percent is that?" Iggy:"I don't know, let me think......I don't know, but it's not good!" -- they couldn't figure out 100%!!).

Also going with the movie on a few other nice points are the performances of the main characters: Mario, Luigi, Koopa, Daisy, Iggy & Spike, which are nice and solid, despite that they don't really resemble the image of the characters themselves (especially Koopa). Hoskins does great in a more laid back role than say in 'Who Framed Roger Rabbit?', while John Legizamo starts off his more energetic personna that was used very well in his standup routine in the late 1990's, and he was enjoyable to the point in which whenever I see 'Moulin Rouge', I'm always like "YEAH!! LUIGI!!" (not to knock Moulin Rouge, a masterpeice in it's own, albeit weird). Samantha Mathis is another strong performance, as well as a beauty on screen as Daisy, the princess in distress, albeit she doesn't have many good moments to herself. And Dennis Hopper, whether you like him or not, is undeniably good in villainous roles like this...here he plays a meglomaniacal dictator of an entire civilization, but again, sadly he has fewer memorable moments than Mario and Luigi, which is a shame, as Koopa is one of the most popular villains of all time.

However, if you don't think the screenplay or casting were anygood, there are four things that this movie excells in, that are undeniable: superb special effects (from puppets to some amazing CGI for 1993), art design that's out of this world (from fungus to flashy lights to spikes on the clothes and walls of the buildings), intense action sequences, which are very high in pyrotechnics, flashing lights, and explosions, and a brilliant musical score, courtesy of Alan Silvestri (responsible for almost 80 movies so far, from the Father of the Bride movies to Roger Rabbit, to the Predetor's, to the Mummy Returns)! In my opinion, these three aspects warrent this movie a watching, as it's very high in production values!

I really can't understand why people hate this movie. It's not sophisticated, but it is intelligently enjoyable....Con Air is undeniably smart, although I certainly wouldn't call that movie sophisticated, would you? I think not! Yet still it's a great movie! Perfectly combining parody, B-movie aspects, and advanced sci-fi, this movie spells out perfect cult-classic, and I'm one of those who does like it! I won't even try to talk you into it if you hate it, but I just feel that this movie is good for its own reasons. If you're into zany, partially senseless, partial sci-fi type movies, this one just might be for you.

Great movie!
This is a GREAT movie! The special effects are excellent, the monster are awesome, the sets are great, the cast is great; production values incredible. Buy it!

A fun kids movie...
"Super Mario Bros." may have very little to do with the video game of the same name, but it is a lot of fun. Bob Hoskins and John Leguizamo play Mario and Luigi respectively. They're Brooklyn plumbers who stumble upon a parallel universe containing the evolved versions of dinosaurs. The leader of this new dimension is Koopa, played with charisma by Dennis Hopper. Koopa is in search of a meteorite piece that will merge the two dimensions and allow him to rule the Earth. This is an enjoyable film for the most part, though it has its disappointments, the biggest being that it's almost nothing like the game. But it contains quite a few laughs and good moments that should be a pleasure to kids. While this DVD contains no special features, it makes for a great collectible item. ... Read more

Description

Starring Uma Thurman (THE AVENGERS, PULP FICTION), Gerard Depardieu (THE CLOSET), and Tim Roth (ROB ROY), VATEL is based on the true story of an ordinary man, a decadent king, and the woman caught between them! In the west of France, Prince de Conde has a scheme to save his bankrupt province: he'll regain the favor of King Louis XIV with a weekend of spectacle and merriment. The plan's success rests with Vatel (Depardieu), the one man who can deliver sumptuous food, elaborate amusements, and all-out decadence fit for this king. But in the midst of it all, Vatel catches the eye of the beautiful Anne (Thurman) ... and places himself in direct competition with the King! Visually stunning and grandly entertaining, it's a motion picture you must see to believe! ... Read more

Reviews (28)

Spectacle
"Vatel", is a beautiful film to watch, with the staged entertainments providing the cinematography for a story that tries to keep up with the visual displays. Seventeenth Century France is the setting for this true story of Vatel, the master steward that is charged with entertaining the King during his visit to his employer's home. Gerard Depardieu plays Vatel and is supported by a wonderful cast including Uma Thurman, Tim Roth, Julian Glover, Timothy Spall, and Julian Sands. Roth's character is a bit reminiscent of the insouciant character he played in, "Rob Roy".

This costume period piece is one of the better that I have seen. The DVD includes a mini documentary specifically on the costuming that is well worth watching. I do wish they offered as much insight in to the entertainments that were created by Vatel. Even the food is remarkable with the detailed creation of flower arrangements and vases made entirely from candy that are indistinguishable from their living, or crystal counterparts.

The story goes beyond pure spectacle to include unrequited love, and the same displays that are so spectacular, also are portrayed as such egregious excess that the invention of the guillotine is very understandable. The pampering of the King is shown to a level that goes beyond absurd to almost obscene. The hundreds upon hundreds of people that are exploited for the most outrageous frivolity for the royal court's amusement foretell of the day the peasants will destroy the caricatures the King and his court are.

The causes of tragedy in this film are many; there is love, and also the realization of what it is people are used for as opposed to what they believe they create. There is an illusion of control and responsibility that once dispelled is devastating.

The story is not the strongest, but the beauty of the film makes it a very worthwhile event to watch.

A vivid rendering of royal extravagance
It's 1671, and the King of France, Louis XIV, is looking for a general to carry war to the insufferably insolent Dutch. One of his nobles, the Prince de Condé, wants the job, thinking such royal favor will relieve his chronic impoverishment. The Prince's strategy to entice the sovereign's attention is ... well, to throw a lavish party, of course. VATEL is Condé's master of the kitchen and entertainment planner for the big event, for which the King, his Queen, and a large coterie of sycophants will descend upon the Prince's country estate to be lavishly fed, housed, and amused for several days. The expense and bother of it all will be staggering.

Gérard Depardieu, Julian Sands and Julian Glover play the roles of VATEL, Louis XIV and Condé respectively. Additionally, Uma Thurman plays Anne de Montausier, the King's favorite "lady-in-waiting". ("Waiting for what?" would be an obtuse question.) And, Tim Roth has the role of the creepy Marquis de Lauzan, one of the monarch's carousing buddies.

The best elements of this outstanding film are the opulent costuming and production design. Indeed, the culmination to the King's entertainment is a sensational "live event" that is itself an eye-popping spectacle within a spectacle. Depardieu, relatively unknown to American audiences, gives a bravura performance as the over-worked, hard-pressed and self-sacrificing major domo struggling to make his boss look good on a shoestring budget. (His contribution to the alleviation of Condé's gout is particularly heart wrenching.) Roth, in a style he does so well, is exquisitely slimy as the villainous Marquis. Thurman is fetching as a young woman not yet too debased to not want something better out of her life.

In my opinion, VATEL should have won an Academy Award for art direction if nothing else. Visually, it's a truly sumptuous piece. The viewer will leave the screening disgusted at the extravagant excesses of past royalty, but certainly impressed with the flash of their presentation.

Not such a swell party
The biggest French box-office disaster in recent memory (it lost more money than Heaven's Gate, wiped out the massive profits of Asterix et Obelix Contre Cesar and nearly took Gaumont with it), this pretty much completes Roland Joffe's unbroken post-The Mission run of box-office and artistic failure. While not as bad as The Scarlet Letter, it's also not as much fun. Unfortunately, this is the kind of film Martha Stewart or Delia Smith might appreciate, but few others will.

It all starts off so well. So well that I was wondering why this has such a bad reputation, but it quickly becomes apparent that it really is just a film about a lavish three-day party seen from the point of view of the caterers. The fact that the party is thrown for the Sun King gives it plenty of visual opulence, but the lack of substance becomes more and more apparent as it drags on towards the third day - it's definitely one of those parties that goes on way too long and which you should have left much earlier while it was still in full swing. When one of the characters kills themselves because there aren't enough fish to go around and the script strains to turn it into an act of revolt against a world where nobility of the spirit counts less than accidents of birth, you know that someone's reading a little too much into it.

Gerard Depardieu looks alarmingly unhealthy throughout, Tim Roth gives a very bored reprise of his Rob Roy party piece and the wooden Uma Thurman is borderline disastrous/vaguely competent (the scene where she stops the wind by force of will is one of the most laughable pieces of face pulling in recent years). The supporting cast fare better - mostly Brits like Julian Glover, Timothy Spall, Richard Griffiths and Julian Sands. Shot in English, it is very odd to note that Depardieu is dubbed for the odd few words (but rarely full sentences) by another, very British sounding actor. Maybe he was too ill to make the ADR sessions.

It is lavish and you can see where the money was spent, you just can't see why.

(A version of this review appeared in Movie Collector magazine)

A fine spectacle, but paper-thin story
I have a soft spot for custom dramas. I enjoy all the lavish customs, the meticulously researched sets and the witty and elegant banter unachievable in non-celloid life.

With that said, I didn't like Vatel, which had all of the above qualities. This is due to a lack of remotely serviceable story.

Louis the 14th is visiting the estate of Prince de Conde, who hopes to wrangle an army commande from the king to pay off his heavy debts. His faithful steward, Vatel, is charged with ensuring that the King's visit will be memorable one. Vatel is a genius in all the arts of housekeeping and entertaining, a veritable 17th century Martha Stewart. Of course, when the House of Bourbon come a calling, the word "entertaining" acquire a whole new level of meaning. Throughout the movie we are treated to one dazzling set piece after another of Vatel's epic efforts.

Unfortunately, the highlights are overshadowed by very underwhelming story and characters. The central romance between Vatel and the lady-in-waiting generate less electricity than a AAA battery, and is implausible to boot. Bobbing along in the movie is a theme of a decent man standing up to a world of corruption. But with most of the filmmaker's effort focused on the lavish parties, it quickly gets lost amidst all the fireworks, ice-sculptures and food-preparation.

Of course, all that is pretty enjoyable to watch. Your eyes will have a feast, but it's mostly empty calories.

The dignity's triumph against the decay
A brave and overwhelming movie. Ronald Joffe (a true master director)(The mission) describes carefully the efforts and creative virtues of Vatel, a true artist in the sense of that Jean Renoir statement: The art is not a job; it's the way you make that job".
All the corrupt and decadent atmosphere that surrounds the Kingdom and the Court of Louis XIV are shown through a powerful script and very brief but also bitter dialogues, and an amazing employment of the visual and corporal languages.

The direction is first rate , the astonishing visual angles are supported by a descriptive style, breathtaking "travellings" , monumental images and a superb cast. Depardieu show us once more why he's a living legend and one of the top twenty actors in the world; the exquisite and exceptionally gifted and beautiful Uma Thurman gives probably the most powerful performance in her career and obviously Tim Roth, amazing as always.
Watch this film. You'll be widely rewarded.
You'll feel and experience that special rapture , a trademark of the masterpieces ... Read more

Reviews (13)

Definately one of my favorite American movies.
I think the first time I saw this movie, was an edited TV version. I usually don't watch TV because I'm annoyed by commercial interruptions. But, this film captured my interest because of how well it played out as flashbacks being put together to come to a conclusion about a murder. This is a suspenseful story with an unexpected conclusion.
Tynin, Louisiana 1944. A black non-commissioned officer was murdered. Shot to death on a roadside near a bridge, outside of a predominately black army base with only white officers. A black army officer lawyer (Howard Rollins, Jr.) comes from Washington D.C. to Louisiana to investigate the murder. No one has ever seen a black officer before and white officers only heard of the possibility that a black man could be an officer. As you can imagine, this black officer doesn't get much support from the white officers on the base.
This is a powerful film of perseverance, courage, determination, pride, and accomplishment against overwhelming odds. And the cast is fabulous. Howard Rollins, Jr. Adolph Caesar, David Alan Grier, Denzel Washington, Art Evans, David Harris, Larry Riley (as C.J. Memphis), Wings Hauser, and many other stars you know you've seen before. And it even includes Patti Labelle as Big Mary belting out some fabulous Southern Rockin' Blues.
This is my very favorite film that has Denzel Washington, although "Mississippi Masala" is a close second.

A Spellbinding Tale, Brilliantly Told
A phenomenal cast brings Charles Fuller's adaptation of his Pulitzer Prize-winning play to the big screen. Howard E. Rollins, Jr., is magnetic as the Army Captain sent to investigate the murder of a black Sergeant in Louisiana during World War II; his careful detective work uncovers the complex layers of racism (both externalized and internalized) that led up to the crime. Adolph Caesar gives a superb, Oscar-nominated performance as the (unsympathetic) victim whose story is told through a series of flashbacks. And Larry Riley, David Alan Grier, Robert Townsend, and the always-magnificent Denzel Washington register strongly in important supporting roles. Effective as both a mystery and a social commentary, this worthy nominee for the 1984 Best Picture Oscar is tightly directed by Norman Jewison.

The DVD presentation of this recent screen classic offers an excellent film-to-video transfer, featuring a sharp picture and crisp sound. The disc contains both the widescreen and fullscreen editions, and includes the original theatrical trailer. Also offered is a short but very moving 1999 documentary entitled "March to Freedom", which recounts several astonishing real-life stories of racism in the American armed forces during World War II. All-in-all, this is a highly recommended DVD that deserves a place in your home video library.

A must see
This is a must see movie. It features some of the best African-American actors and has a story line that everyone can relate to.

Excellent
I found this movie to be a beautifully done flick. I remember going to the movies with my family to go see it. I was only 6 years old when it came out, but I remembered it. It also came on TV quite a few times, so I watched it then too. I recommend this movie for everyone to see. It's very compelling.

A Soldiers Story
This is one of my favorite movies...It is about a black army officers death..It deals with racial tention and even racism within the black race..The investigation is headed up by a black high ranked officer which was very rare in those days and that causes problems too..U will see many stars Like Denzel Washington, the guy that plays Moesha's daddy, Howard E.Rollins from In the Heat of the Night, and even Patti LaBelle..This is an excellent film.. ... Read more

Amazon.com

The best way to enjoy this 1997 thriller is to forget the much better film that inspired it (1973's The Day of the Jackal) and get whatever kicks you can from this heavy-metal remake. It's not bad as hokey thrillers go, but all of the original film's suspenseful finesse has been traded in (not traded up) for bigger, bolder action and nonsensical plotting. It's as if Hollywood had forgotten to create excitement without resorting to overblown action and heavy hardware, but there's ample compensation in the casting of Bruce Willis and Richard Gere. Willis is the elusive assassin known only as the Jackal, whose latest target (he uses a cannon-sized gun that's anything but inconspicuous) may be the first lady of the United States. Gere plays a former IRA terrorist who is recruited by the deputy head of the FBI (Sidney Poitier) to trace the Jackal's maneuvers, and Diane Venora offers some gutsy support as a Russian-born agent who assists Gere on his mission. The movie has fun turning Willis into a master of disguise, and Gere adds much-needed gravity to counter the plot's escalating absurdity, but this is the kind of film that falls apart if you think about it too much. Still, that doesn't stop the Collector's Edition DVD from offering an impressive array of bonus features, including a director's commentary, a "making of The Jackal" documentary, deleted scenes, an alternative ending, cast interviews, and more. --Jeff Shannon ... Read more

Reviews (88)

This really ain't a bad movie...
Okay, here we go. Bruce Willis stars as some assassin called "The Jackal" who has to blow the first ladies' head right off. Then, the F.B.I. finds out about this whole operation from a Russian who was zapped by the K.G.B. so they have no other choice but to release an ex-I.R.A. sharp-shooter named Declan Mulqueen. What's that? You expected more?! Oh, no, no, no. That is the entire plot. And although it sounds like a crappy plot that has more or less been done about a million times, The Jackal is truly a great film. I consider it to be the 2nd greatest action film of 97 (The first being Face/Off of course). I really would have given the film 5 stars had it not been for the boring lovey-dovey scenes between Richard Gere and the two women in this flick who carry a gun. His old girlfriend (who is a great shot.) and Major Valentina Koslova (played and voiced with a pretty good Russian accent by Diane Verona). But I'd have to say that the best thing about this movie is the way-cool, too-good-to-be-true music score! Carter Burwell did the music for the movie (he also did the great score to "Fargo"). So, if you haven't seen this movie yet...go rent it! And if you're a real die-hard-action-movie-lover...go buy this movie right now!!! You won't be disappointed!!!

great performances all around make this great movie
Another remake, a great movie - Day of the Jackal with the brilliant Edward Fox - so I tended to cringe in anticipation, but surprisingly this film scores a bullseye because of solid performances from Richard Gere, Bruce Willis, Sidney Poitier, Mathilda May (Lifeforce) but most especially from Diana Devora (the 13th Warrior, FX).

Gere plays Declan Mulqueen, an IRA terrorist who is in prison. He and Mathilda May were former lovers and worked with Willis, but he betrayed them. Diana Devora is a Russian intelligence officer, Valentina Koslova. She is working with Carter Preston US intelligence officer (Sidney Poitier) in taking down Russian Mafia. Only the Mafia wants to strike back and send the Jackal - Willis - on a assassination to make a statement by killing the First Lady. Devora and Poitier get Gere out of English jail, on a temporary leave, to help track down Willis. Willis is a master of disguise, so only Gere stands a chance of tracking him down before he completes his mission.

It's fast paced, yet leisurely plots Willis preparations for the kill. Well done from start to finish. Not better than the original, but just as enjoyable. Excellent soundtrack as well.

A Movie That Should Be More Popular
I personally love this movie. This movie features Bruce Willis as the Jackal, an assassin hired to kill a high level U.S. Government official. The Jackal has many identities, costumes, and contacts to help him along the way. The FBI, obviously trying to stop the Jackal before he kills, turn to the one type of person most unlikely to help them.... a terrorist. Deklin Moqueen, played well by Richard Gere, is enlisted to stop the Jackal due to their past history together. There are some shocking twists and turns along the way before the end. The end result is a movie that is unnecessarily being torn apart by critics, but will always have a nice spot in my DVD collection.

Note: Jack Black makes an appearance in this movie. This is one of the first movies I remember seeing him in. I won't give away what happens to him, but it definitely left an imprint in my mind.

Edge of Your Seat Suspense
Bruce Willis really is believable as the legendary Assassin by the name of the Jackal. This movie takes you from Europe to the USA to Canada and back. There are so many scenes where you bristle with anxiety due to Willis' intense manner.

This may be the best Willis performance ever. The movie is violent, yet, it is to an extreme, not gorey violence but it reflects the violent nature of the legend. Richard Gere is cast well, a little less believable than Willis, yet he does a good job of being intense in tracking Carlos the Jackal. The issue here is what will Jackal do next? Can he be stoppped?

Jack Black plays a very believable role of a somewhat bystander who meets a very violent end. You may want to close your eyes for that one.

I recommend not drinking any caffiene before this movie because it creates an edge right from the beginning. What was telling to me was that every interaction that Willis has creates tension, whether or not he is violent, you feel he may be at any time.

This movie of course is not for everyone yet it is not an action thriller that is silly in nature with gratuitous violence. It seems more of a lesson of the violent nature of the worst criminals in the world.

Use Once & Destroy
Not too good, not too bad, "The Jackal" is one of those average action movies that brings nothing new but it`s a competent and mildly pleasant product nonetheless. The plot is derivative and predictable, the characters are bland, yet director Michael Caton-Jones chooses some decent actors (Bruce Willis, Richard Gere), a neat soundtrack (Massive Attack, Primal Scream, Moby) and some decent action sequences that manage to deliver a minimum level of entertainment value. As far as popcorn movies go, there`s certainly worse, so this is a fair choice to spend a couple of mind-numbing hours.
Watchable but forgettable. ... Read more

Reviews (62)

*Scratches head* Why did this do bad at the box office?
Actually I can probably answer my own question: because everyone went to see this movie expecting The Jerk and got Woddy Allen. This is not a bad thing, in fact this is (in my opinion) Steve Martin's finest achievement, a brilliantly written, witty, well-rounded romantic comedy that is definately a "cult-favorite". I hate most romantic comedies, detest them because they use stupid plots designed only to drive the characters together. This movie builds a world of comedy around Steve Martin's character, then gently and subtly introduces the romance in a very artistically delightful bit of filming, with a dreamy Enya soundtrack in the background (back when she was at her best). How can you not laugh when Steve Martin is on the freeway and, to his horror, hears it's the first day of spring and consequently "open season on the LA freeway", to which he immediately takes out his gun and starts firing blindly at the old granny in the car next to his, who fires back. Or all the great cameos like Rick Morrannis, Patrick Stewart, Chevy Chase, and even Terry Jones. If you're a fan of Steve Martin's more subtle wit instead of his goofy antics (read his book Pure Drivel for similar subtle humor), you will love this movie.

L.A. STORY is Steve Martin's masterpiece
It's always a delight to follow a movie comic who really knows what he's doing, because eventually you hit the jackpot. With Woody Allen, it was HANNAH AND HER SISTERS; with co-exec-producer/writer/star Steve Martin, it's L.A. STORY. Rarely does any movie, much less a comedy, keep me bolted upright in my seat in anticipation of what might happen next. But from its schizoid opening ballet to its sweetly happy ending, even when I wasn't laughing, I was enchanted.

Martin plays Harris K. Telemacher, a Los Angeles TV weatherman who's unsatisfied with his superficial lifestyle. He woos and beds some women whom most men would probably be thrilled to have (Marilu Henner, "Sex and the City's" Sarah Jessica Parker), but he is unsatisfied until he meets a British journalist (Martin's then-wife Victoria Tennant) whose very unpretentiousness is enough to knock him off his feet.

This is obviously Steve Martin's attempt to be another Woody Allen--there's the Annie Hall-like quirky romance, the use of jazz great Django Reinhardt on the soundtrack (he also uses Enya, which was my introduction to this beautiful vocalist), and he romanticizes L.A. the way Allen does The Big Apple. Funny thing is, it all works. Even if you're as anti-L.A. as Manhattanite Allen is, it's an L.A. crafted in Steve Martin's mind, anyway--and what an original landscape it is.

It even goes Allen one step better. One scene Allen filmed and then deleted from ANNIE HALL featured the rolling news marquee in Times Square telling him to return to Annie in L.A. I have no idea whether Martin ever heard about this or not, but in L.A. STORY, he gets romantic advice from a highway traffic sign. The concept sounds hopeless (as Allen obviously decided it was), but Telemacher is so disbelieving about the concept that its comedy comes across. After all, everything else offbeat happens in L.A.; why not this?

There are few comedies that meld so perfectly. One is tempted to credit its lush visuals and on-the-button pacing to director Mick Jackson, except that Jackson has done little before or since that is this striking (THE BODYGUARD was a big hit, but I can't say it stands out in my mind). It's obviously Martin's comic vision all the way, and it's pure delight.

Martin's physicality and wit are on grand display here. And though Victoria Tennant, like Jackson, has done little else in her career that's this good, Martin certainly makes us see just what he saw in her. When they finally come together, it feels deserved and not at all forced.

In an era where gastric wheezing and room-temperature mentalities substitute for wit, it's refreshing to see a comedy that actually creates its own special world. For me, L.A. STORY ranks right up there with Preston Sturges's screwball comedies--a one-of-a-kind take on the world's craziness and the love that helps us endure it.

L.A. STORY is rated PG-13 for sexual situations and strong language.

One of Martin's Worst...
Having recently been certified as a qualified Steve Martin Critic under the auspices of the ASPG (American Society for the Prevention of Gout), I feel that I must impart what knowledge I have about "L.A. Story" so that the world will be a better place.

"L.A. Story" bombed at the box office after word of mouth killed it. In looking at the overall effort, it's not difficult to see why. "L.A. Story" is, in effect, a vanity effort, something that was manufactured for film critics and industry insiders. After films like "The Jerk", "Dead Men Don't Wear Plaid", and "The Man with Two Brains", Martin probably felt that it was time to move on to films that would appeal to a more mature, demographically correct audience.

The only problem is, "L.A. Story" is an effort that over reaches. As celeberal humor, it's too predictable. The sight gags and dialogue exchanges really don't work as humor, because the story itself plods along in a rather formulaic and mechanical manner.

"L.A. Story" is a film that will appeal mainly to members of the International Steve Martin fan club or certain Hollywood mutual admiration societies. If you want to see a good Steve Martin Film, watch anything else but "L.A. Story".

Incidentally, as of this writing, used VHS copies of "L.A. Story' are selling for $1.10 on Amazon...

Pure Genius
I have to admit, I'm not too keen on Steve Martin's newest (especially family-fare) movies, but can put L.A.Story up there in my top 5 movies of all time. Martin is a comedic genius and I get very excited to see him on Saturday Night Live, or in a movie such as this where he is truly in his element. I have owned this DVD for a few years and have put many miles on it, but long for artisan to release an updated version. Perhaps it is not on the top of the list for the studio or Martin (especially since it stars his ex-wife), but true L.A.Story fans hear me out and respond if you remember this:

Throughout the film there are references to "Harry Zell" (a Hollywood player)- more than I can count on one hand, actually. If you are paying attention, you keep expecting to see a scene with Mr.Zell but alas, it ended up on the cutting floor. I can vividly remember the first time L.A.Story debuted on Showtime in 1993 or so and surprise! the debut was hosted by the talented and hilarious John Lithgow- one Mr.Harry Zell. He introduced the movie and with a tear in his eye, showed his scene at the end of the movie. I'd love the film to be completed with this scene inserted in the appropriate spot- or at least included as a deleted scene.

All in all the movie is just about perfect, and people should get the Cliff's Notes to "A Mid-Summer Nights Dream" if they can't understand it.

Literate Love
Let's get this right out in the open. This is a love story. It is nothing more, and it does not need to be. It's context is a combination of philosophical literature and Los Angeles references, which makes for a dynamic range of comedic styles; testicle humor to Shakespearean parody. The sound track adds some magic and lends a weight to a story that is nothing new to the movie business. Yet it is the combination of elements that makes this movie a favorite of mine. Cinematically, it is clean and surreal.

I have read reviews that have called this movie Martin's masterpiece, and in the genre of romantic comedy, I agree. It is my favorite romantic comedy, and know that as a general rule, I hate romantic comedies. And yes, I still say this is a five star movie, definitely on my top 100 list as a Steve Martin fan and critical reviewer.

If you are looking for the "wild and crazy guy", look to The Jerk or his old stand up albums. If you want an intelligent love story in a unique backdrop, get this movie. ... Read more

Description

After slaying the Arthurian legend in their now classic Holy Grail, the Pythons set their sights on the Greatest Story Ever Told. Blind faith, virgin birth, crucifixion-nothing is sacred in this epic send-up of ancient times, which draws on the cornball biblical blockbusters of the 1950s to lampoon celebrity culture in any era. Criterion has gathered the guilty parties-including John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin-for two commentary tracks as provocative and hilarious as the film itself. Available for the first time in a 16:9 enhanced transfer, Monty Python's Life of Brian can finally be viewed in all its - ahem - glory. ... Read more

Reviews (186)

Holy Hilarity!
Life of Brian is not as well known by the movie going public as Monty Python?s classic "Monty Python and the Holy Grail", but it is definitely is as, or maybe even funnier than Holy Grail. This is especially true for people who are familiar with the Biblical stories it pokes fun at. It is perfect satire, for nothing is sacred and everything is a joke.

The story revolves around Brian, a very unlucky resident of Judea who just happened to be born the same day the Christ child was born. Missing his chance at glory, Brian lives his life selling animal parts at the Coliseum, dominated by a violent mother who is very "friendly" to the Roman occupiers. The rest of Brian's environment is inhabited by a very wild bunch. The neo- or archo-Marxist group, the People's Front of Judea, battles the Romans daily by holding meeting after violent meeting, plotting against the legions and their arch rivals, the Judean People's Front. The Romans, on the other hand, are led by the Pontius Pilate, who, contrary to Biblical reports, has quite a lisp and an endearing sense of stupidity. When Brian rebels against his mother and joins up with the wild band of revolutionaries, his life is changed forever. Quite by accident, Brian is then thought to be the messiah, although he is quite reluctant in his leadership.

Satirically, this movie is absolutely ruthless. Everything is skewered, everything. The performances are all fantastic, especially that of John Cleese, who is just the man in this movie, playing about six separate characters. Joke after joke hits the viewer, which results in just non-stop humor. It's just a wonderful movie by the Python pioneers who really revolutionized comedy. The Criterion DVD edition is great, with tons of hilarious extras that are worth the price on their own. To the people that use this to either justify their atheism or believe it to be an attack on their religion, calm down. It's a comedy for God's sake, why do the opinions of some British comedians affect your outlook on life? Just laugh damn it!

Great extras on this Python DVD
THE LIFE OF BRIAN has remained one of my favorite Python flicks after the glow of the Holy Grail began to wear thin from overuse. If you're considering purchasing this movie, you've probably seen the movie already and are a Monty Python fan. If not, get ready for one of Python's most sacrilegious and hilarious movies of their collection! If you are easily offended, you might think twice. However, the satire here is equally distributed and is not aimed so much at religion itself but moreso at the amusing ways in which people can behave "under the influence" of zealotry.

I thoroughly enjoyed rewatching the movie, but it was a great surprise to find that this DVD comes packed with some great bonus materials. Several full-length, revealing interviews with the cast go into more Python history than just that surrounding this flick. And a rather large collection of scenes cut from the final release are also quite interesting.

The video and audio quality seem to be on par with most of the other DVD movies I've seen so far, despite the film's age.

All in all, a great addition to any Python collection.

Is nothing sacred? NO! And that's why this is a riot!
Irreverent, brilliant, ingenius... I'm getting all these words out of the way now before I forget them! Even though I'll probably use them a dozen times!

The funniest thing to come from England since The Stamp Act, Monty Python's Flying Circus could always be depended upon to provide the world with brilliantly twisted humor. The LIFE OF BRIAN is no less a comic masterpiece than anything else these boys have done. Ostensibly a parody of the life of Jesus, LIFE OF BRIAN is a hilarious attack on liberalism, conservatism, colonialism, individualism, communalism, organized religion, disorganized religion, fanaticism, feminism... take your pick of any of a hundred topics. It doesn't matter, it's still brilliant. And the script and direction holds it perfectly all together, even if there's a space ship chase sequence thrown in for the hell of it.

Once again, the members of MPFC each play several roles and every viewer has his or her favorites, so what the hell, I'll mention mine. Michael Palin, while playing a wonderfully foppy Pontius Pilate, is equally hilarious as a twitchy, hyperactive leper that Jesus had cured. Instead of being grateful, he complains that his rehabilitation has ruined his livelihood as a beggar. (Speaking of rehabilitation, Palin plays the part like a junkie in need of a fix.) John Cleese has several great moments, but his role as a Centurion turned sadistic Latin teacher is nothing short of genius. Everyone who has studied Latin will be beside themselves during this scene. And Terry Jones as Brian's mom still stuns me 25 years later. "My Brian is not the messiah! He's a very naughty, naughty boy."

Monty Python's LIFE OF BRIAN is irreverent, brilliant, and ingenius and this edition, complete with outtakes, behind-the-scenes footage, and interviews make this package worth the price. Whether you are an individual or not, "Monty Python's Life of Brian - Criterion Collection" will save your comic soul.

a review of a movie
A brilliant movie with a brilliant finale.

funny but wheres Bodge?
This is a very funny movie. It takes place int he Stone Age. About a guy named Brian and this is his life. Most of the humor is because his name is brian and people confuse him for somebody else. "I'm not so anso I'm Brian." Also there is a very funny moment when a man says his wife is called Continual Buttocks (a butocks is a bottom) or soemthing. Some of the humor is called toilet humor that I'm not a fan of. My friends and I only thought that Bodge would have looked great in this film with his beard and BRITISH accent!!! Where was he? He would have been perfect! ... Read more

Amazon.com

Disney's adaptation of the beloved fairy tale became a classic in itsown right, thanks to some memorable tunes (including "A Dream Is a WishYour Heart Makes," "Bibbidi-Bobbidi-Boo," and the title song) and some endearingly cute comic relief. We all know the story--the wicked stepmother and stepsisters simply won't have it, this uppity Cinderella thinking she's going to a ball designed to find the handsome prince an appropriate sweetheart, but perseverance, animal buddies, and a well-timed entrance by a fairy godmother make sure things turn out all right. There are a few striking sequences of pureanimation--for example, Cinderella is reflected in bubbles drifting through the air--and the design is rich and evocative throughout. It's a simple story padded here agreeably with comic business, particularly Cinderella's rodent pals (dressed up conspicuously like the dwarf sidekicks of another famous Disney heroine) and their misadventures with a wretched cat named Lucifer. There's also much harrumphing and exposition spouting by the King and the Grand Duke. It's a much simpler and more graceful work than the more frenetically paced animated films of today, which makes it simultaneously quaint and highly gratifying. --David Kronke ... Read more

Reviews (63)

I LOVE THIS MOVIE AND CAN'T WAIT FOR OCT 4, 2005!!!
Despite from what other reviews say, I am putting my 2 cents in here about this movie.
I loved this movie when I was young and I still love it and now since I have a 2 yr old child it makes it that much better for she LOVES the movie (have it on VHS)and it makes it more fun for a Mom and Daughter movie night together!!! For I wish it was Oct 4 so I can get it for her!It is a fairy tale movie not an educational movie (as someone's review complained that it's not educational or giving the right message but I think they claim Shrek does)for it's kind of like what every little girl wants which is to find her Prince to live happily ever after.
This is one of the best Classic Animations that Disney has done along with Snow White.

Also you expect for alittle girl wanting to have an ugly girl like one of the step sisters to marry the prince??? For girls love pretty Princesses not ugly ones.They are Fairy tales for children to watch.That's all and little girls are not watching it to find messgaes.For what is a 2yr old like my daughter who loves this movie gonna pick up from it besides seeing a pretty Princess living happily ever after??

Go watch Shrek Instead
I remember watching this as a child in the 70's and feeling a bit board...now as an adult I don't think the message is very healthy! Cinderella gives children the harmful impression that "it pays to be pretty."I don't think there are any positive messages in this film for young girls.I would recommend that you go out and rent Shrek instead.

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
I've just seen the images, and waouh! I an sooo looking forward October 4 I hope the original film has been restored I want to see the real Cinderella (the one Disney had drawn himself not the one who looks like a Japanese cartoon) and please the real songs.... quick quick quick I want it soooooooo much!
Nell

THE ULTIMATE FAIRY TALE NOW ON DVD!
This animated feature saved the Disney studio from almost cetain bankruptcy; there hadn't been a big hit since Snow White, and the studio was foundering, badly. Cinderella came along and put on the glass slipper and showed it to the world and the rest, as they say, is history. The songs from Cinderella have stayed with me all my life, and are a fixture I carry with me from many years ago when I saw this magical movie for the first time, my favorite being "So This is Love..." Cinderella contained a scene that Walt himself stated was his personal favorite of all from the wonderful features he created, and that is when Cinderella gets her dress from her Fairy Godmother. The dress, if you notice, is a color that literally defies description and really does seem to come from the magic wand of the FG; the entire scene is fantastic, the mice turned into beautiful, horses to pull the exquisite coach, created from a lowly pumpkin, that dances on it's vine over to the FG so she can transform it into the thing of splendor, the Fairy Coach. The stars and twinkles from the dress and the transformations are spectacular, and it is hard to imagine the meticulous detail the animators used to draw these fairy dust particles that add such enchantment to the scene. Cinderella's old horse becomes a buck-toothed coachman and is clearly delighted to be included in the excitement of the night. An actress/dancer named Ilene Woods was rotoscoped (a technique where the actors are filmed and then drawn over) for her part as Cinderella and it is her movements that became Cinderella's. The Wicked Stepmother is a great Disney Villain, voiced by Eleanor Audley, who later voiced Maleficent for Sleeping Beauty; her voice is fantastic, the perfect blend of sophistication and malevolence. When first seen in her vast bedroom, stroking the wretched cat Lucifer, she seems to be a real witch with her familiar, and her face remains in shadow for a time...The mice are wonderful little characters, the cutest, IMHO, is Gus-Gus, a tubby little guy Cinderella finds in a trap and rescues and gives him, as all her little mice friends have, tiny clothes including shoes. Lucifer the cat is dreadful, such a bad kitty you dislike him all the way, and Bruno, Cinderella's old hound dog saves the day and sends Lucifer to his just reward. Jacques, the lead mouse, is the real hero, and saves the day at a critical point toward the end. There is a wonderful scene of the King lamenting his son's lack of a suitable wife to the Grand Duke, another great and very amusing character, and yearns for grandchildren while looking at portraits of the Prince from childhood up until the present day, and as the Prince gets older, the portraits get bigger and bigger and the last one is so enormous it has to hang in a castle of truly magnificent and royal proportions.
This is the all-time classic fairy tale, originally written by Charles Perrault, who also wrote Sleeping Beauty, another of my favorite Disney classics in ever sense of the word. I have this on VHS, and have watched it too many times to count; and now I cannot even imagine how beautiful and rich the colors will be on DVD; I cannot wait to get my copy and look forward to many viewings of this wonder that saved the Disney stuido from disaster, for the unending benefit of all of us children, from infants to 100+ year olds. Enjoy!

Damn ESPN commercials!
I haven't seen this movie since I was like 5 or 6 years old. But I've been sick of it lately because of those ESPN commercials during March Madness where Cinderella drops the slipper and the guy chases after her when she drops it. Otherwise it's an ok movie. Nuff said! ... Read more

Reviews (51)

A Travel Brochure to Love
Norman Jewison created this warm and airy ode to love, and gave it both the beauty and fragrance of a flower cart on the cobbled streets of Italy. The scenery will take your breath away and the story make you smile in this light romantic comedy.

The always sweet and engaging Marisa Tomei is Faith, on the the verge of marriage when a phone call from her fiance's friend will stop her dead in her tracks, simply because his name is Damon Bradley. A game played when she was a child and a Gypsy fortune teller at a carnival in her teens told her the man she would love and marry would be named, Damon Bradley.

Bonnie Hunt shines as Faith's sister-in-law and best friend, who takes off to Venice with her in search of her destiny, written in the stars. When they discover he has left the hotel he called from, the search will go from Venice to Rome, and the lovely Italian coast, as Norman Jewisn gives us a gorgeous view of romantic Italy.

Robert Downey Jr. is at his most charming as Damon Bradley, who Faith meets by chance, or perhaps fate, and falls in love with. Faith will discover, however, that destiny has a few twists and turns in store for her, in this truly delightful violin concerto to love.

This film will work its magic on you if you enjoy a light romantic comedy with a 1950's feel, and will surely become one of your favorites if you are seeing it for the first time. Don't let destiny, or this film, pass you by.

Some enchanted evening....
That is what it is when you watch this movie. Marisa Tomei and Robert Downey, Jr. has such chemistry it's hard to believe they're not a couple in real life. Tomei plays Faith, an engaged woman chasing her destiny all the way to Italy. Unbeknownst to her, Downey IS her destiny. This movie really makes you believe in true love, destiny, and that one special someone. See it with someone you love.

And I personally love all of Downey's works--but I'm biased. To me, there is no better talent in this movie. And he is so good looking! I fell in love with him too!

Buy it, watch it, love it!!!
I love this movie. On a rainy day, with nothing to do, curl up on the couch and feel good. What a great movie to lose yourself in. If you believe that there is just one person for you, if you ever believed in destiny....this is the movie for you. Take it at face value, don't over analyze it. Just love it. Both Marisa Tomei and Robert Downey Jr. were never better.

What am I missing???
I don't really understand all the favorable reviews of this movie. Let me list the things I like:

Marisa Tomei's opening scene in the classroom
The beautiful scenery
The allusion made by her name--Faith

The rest of this movie was a huge disappointment to me. Especially as I was expecting something of the same calibur as Sleepless in Seattle, which lot's of people compare this to. First of all, a ridiculous plot. Who would fly half way around the world because of a NAME of someone you were supposed to marry?!? Secondly, Peter (aka, Damon 1) claims to be in love with Faith after knowing her less than 24 hours. And alleged feelings seem actually to be only sexual chemistry. Not much basis for a long term relationship between "soulmates." Yes, I know they had some common interests. So what? I have common interests with hundreds of people, some of which I might be attracted to--not really enough reason to declare lifelong devotion after only a few hours. The premise of this movie does exactly what Kate (Faith's sister-in-law) claims that movies do. They paint a picture of a false reality. I know all movies do so, but most movies don't claim NOT to. And if this is someone's idea of reality, pity to them. Wake up! Love is much deeper and more multi-faceted than this farce of "divine predestination." Of course, as a good Calvinist, I believe every event is predestined--both good AND bad. However, not every predestined relationship will be all asparkle with sentimentality and unbridled passion.

One of the best romantic comedies
This is one of the best romantic comedies! The age-old concept of star-crossed lovers is beautifully portrayed by the always charming and talented Robert Downey Jr. and the wonderful Marisa Tomei. It's a must see for all romantic comedy lovers. ... Read more

Reviews (20)

entertaining, but kind of silly
Joanne Woodward was splendid to watch in this amusingly dated film about multiple personalities.

I do realize it was made in the 1950's, but I'm sure hypnosis and the switching of personalites were a little more dramatic in the time of mashed potatoes and meatloaf.

I don't want to give away anything if you haven't seen the movie, but the little secret eve/jane was harboring all of those years, that made her personality split, was a letdown. I'm unfamiliar with the actual case, but I'd love to know if there was something more shocking going on there that was considered inaapropriate for moviegoers at the time. My other qualm was the accent... why didn't the real eve/jane have a southern accent? that made no sense to me.

Overall, the film was entertaining. It just wasn't very believable.

Breaks New Ground
The film is effective as an introduction into the realm of multiple personality disorder, but that's as far as it goes. Joanne Woodward is functional in the role, but I agree that it is in no way an Oscar performance. I have also witnessed multiple personality change under clinical conditions, and the person does not change in any dramatic fashion (like the lowering of the head). It's an imperceptible change at first. I read that Joanne Woodward studied film of Eve White's real life counterpart going through the change. She said there was no obvious physical punctuation whenever the other peronalities came out, and that she wanted to play it that way. According to the article, the studio wanted the lowering of the head, etc. so that the audience wouldn't become confused whenever a change occured. No faith in the public. David Wayne is superb in his role, and I feel he is underrated in the part. I've known people like his character, and he was right on the mark with his performance. His role is easy to get lost in the overall dramatic screenplay. It's a brave film that enters relative virgin territory. It held my interest.

Groundbreaking Hollywood handling of Schizophrenia
Joanne Woodward's stellar performance as a woman afflicted with multiple personality syndrome gives empathy and to victims of emotional disorders. Lee J. Cobb is equally brilliant as the man desperately seeking to help end Woodward's torment.

In nearly 50 years since production of this Classic, much advancement in Psychology and medicine in general has occured. The early days of Psychology, a field still barely explored in the 1950s, rendered countless "patients" as incurable and hopeless cases. More enlightened than the late 1800's "Nelly Blye" institutions, the mid 20th century methods still showed an element of cruelty that today could not be imagined.

"The Three Faces Of Eve", though fictional, relied in great part on evidence at hand regarding treatment methods of the mentally ill. Dated only due to the great strides made since then, this film remains a milestone in filmmaking, tackling a tabu subject in need of exposure. This is not a Saturday Night entertainer, but a serious and important film.*****

Joanne Woodward is incandescent in this complex role.
This compelling drama centers around superb performances by Joanne Woodward and Lee J. Cobb. The unusual nature of the story is introduced and explained by (a very young!) Alistair Cooke, and that setting prepares viewers for what is to come. Because this presentation is art, not news reporting, the film may not always be exactly true to the "real story." Fine art takes purposeful liberties with reality, and this film is certainly a fine example of cinema art. Engrossing, entertaining, and enlightening! Highly recommended.

Stunning performance by Joanne Woodward
If anyone else had played Eve/Eve/Jane, it would not have worked. Joanne Woodward proves herself worthy of the Oscar she won for this movie. She is an actress of the highest magnitude. I can't imagine anyone else coming close to pulling it off but Joanne. This movie is amazing. It will change your life and the way to see things. One of the greatest films ever made. ... Read more

Reviews (51)

Welcome to the Jungle
Robin Williams and Kirsten Dunst face bigger-than-life jungle dangers in the engaging family adventure "Jumanji". Young Alan Parrish finds a mysterious board game and is vanished to an imaginable jungle realm. 26 years later, two unsuspected children (Kirsten Dunst & Bradley Pierce) freed the now adult Alan (Robin Williams) and unleash the jungle world of Jumanji upon their quiet town. Based on the best-selling children's book, "Jumanji" is an exciting fast-paced fantasy adventure. Director Joe Johnston combines elements of adventure, fantasy and humor to create an enchanting family spectacle. The clever storyline and characters are certainly amusing. The film contains some great special effects and thrilling scenes but a few effects weren't quite polished. The cast also includes Bonnie Hunt, Bebe Neuwirth, Jonathan Hyde and David Alan Grier.

"Jumanji" Collector Edition is a vast improvement over the previous bare-bones edition. The film is presented in 1.85:1 anamorphic widescreen format. The DVD contains an impressive video transfer and a clear 5.1 Dolby Digital sound with dynamic surround effects. Among special features, this Collector Series DVD includes multiple behind-the-scenes and FX featurettes, audio commentary with FX supervisor Ken Ralston, theatrical trailers and some great animated menus. Overall, "Jumanji" Collector's Series DVD earns a "B+".

Greaat Movie
This is a great movie!
Its 1969. Alan Parish has troubles with his father. He finds a game named Jumanji at a construction site. He plays with his former friend Sarah Whiddle. They play, and until the game reads 5 or 8, in the jungle he must wait. The game isn't played until 26 years later by a young girl and boy that will be living in the Parish home. Peter, the young boy, rolls a 5, or 8, and he is unleashed. This wild movie is all in one day! It turns out they can not play until Sarah Whiddle joins. They find her and the whole town, including her try to believe it was the father that killed him. I hate to say it, but the ending is sad. Once they finish the game, it should all dissappear. R