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| 81. Best Friends Director: Norman Jewison | |
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Description Reviews (6)
Well, for the most part. Yes, the two do have a natural chemistry, and the premise of the movie is decent enough. But as the movie progresses -- and as their characters' love affair begins to disintigrate -- the laughs get fewer and farther between and you might find yourself wanting to see what's on TV. However, if you fight through the lulls that dominate the middle-third of "Best Friends," you'll be rewarded with perhaps the best part of the movie -- the end. Ron Silver is great as a Stephen Spielburg-ish director, and seeing Burt and Goldie make up is worth watching the grueling break-up.
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| 82. The Thomas Crown Affair Director: Norman Jewison | |
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Reviews (46)
Actually, the remake was only loosely based on the original. The original is about a rich guy who knocks off a bank, and the remake about a rich guy who steals art. This film is well crafted and though the story is far fetched (as in the remake) it's entertaining. Norman Jewison does a terrific job of directing. His visual interpretations, camera angles and dramatic effects are timeless. He overuses the split screen concept a bit, but we need to remember that in 1968 this was fairly new technology and he was probably enamoured with the novelty of it. Think of how much `morphing' was being used when it was first developed. Probably the best scene involved the chess match between Thomas (Steve McQueen) and Vicki (Faye Dunaway). It was far more erotic than all the scenes where Rene Russo was running around naked in the remake. The acting was excellent, with Dunaway taking top honors as the stop-at-nothing insurance investigator who literally gets her man. Steve McQueen played the rich macho ego maniac to perfection. His only minus was his phony victory laugh, which was overacted and overused. Paul Burke stayed appropriately but effectively on the sidelines as the police detective. In comparing the two films, I'd have to say it's about even. The remake had a more inventive and interesting story, replacing the bank robbery with an art heist, but it was also more ridiculous in the final disposition of the stolen painting. The original had better direction and use of the camera, while the remake was much better in use of costumes, props and sets in recreating the opulent lifestyle. Clearly the remake benefited from 30 years of technological improvement in sound and film quality. The remake was more self indulgent, especially in the sexual area. The McQueen interpretation of Crown was more realistic than Brosnan's conflicted and emotional distraught version. Each reflected their respective times, but McQueen's character was a better representation of the timeless arrogance of the ultra rich. I have to give Rene Russo a slight edge as the investigator. She gave the character more complexity and range. Paul Burke was far superior to Denis Leary as the cop. The ending of the original was definitely superior, though each ending was really true to the characters' personalities as portrayed. I gave this film an 8/10. If you like classic films, and you enjoyed the remake, you will probably enjoy this one as well.
What about the NEW version? I have been a huge fan of the original Thomas Crown Affair since I first saw it while in the military in 1969..... and bought the 1999 "re-make" because I heard so many good things about it. I must say that honestly there are good points in BOTH films. I never quite bought the fact that the original wealthy "Crown" got his "kicks" robbing a bank.... so stealing the "Monet" made much more sense to me. I also thought the story was a bit more interesting in the new version and I was more satisfied by the challenge Bronsnan's character found in Russo's bluntness. Overall, however this 1969 "Crown" is the version I prefer. It contains an absolutely beautiful music score by Michel LeGrand (which is superior to the loud, lackluster and frangmented score that Bill Conti created for the new version). The title track here is "Windmills of Your Mind" is an awesome song, but also amazing is "Her Eyes, His Eyes" created for the infamous chess playing sequence. I also prefer the sensuous and sexy elegance of the fire between McQueen and Dunaway to the overtly sweaty lust that Brosnan and Russo desparately share together... this film is more subtile and suggests sexuality.. which seems more fascinating than just the plain nakedness in the new version. Although I do prefer this film to the remake, both versions are well made and interesting in their own right, and should be enjoyed for what they are and what makes them so entertaining.
Beyond McQueen's powerful performance, Faye Dunaway blows Rene Russo's remake performance out of the water. Dunaway is smart, sexy, and knows how to handle herself. While it's a bit slow in some parts, this movie is a psychological piece that focuses primarily upon the "cat and mouse" interplay between McQueen and Dunaway. This is a "battle of wits" movie-not a pure action flick, as the remake might have you believe. The ending is also extremely well done. Rather than end on a typical Hollywood note, the final scenes of this film will leave you perplexed and wanting more of this film. With one of the longest screen kisses I've ever seen and the famous "chess" sequence, this film is a classic that definitely belongs in your video library. ... Read more | |
| 83. Fat Man and Little Boy Director: Roland Joffé | |
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Reviews (16)
Fat Man and Little Boy uses history as the foundation of its story, which is really to illustrate the great moral dilemma the scientists and military personnel involved in the Manhattan Project were faced with as they realized the potential (both positive and negative) of "The Gadget" they were building. The story is not so much on "how" the bomb was built, but on the repercussions of the bomb. In this, it does quite well, trying its best to be balanced. In the end, however, the producers miss the balancing act and come across fairly strongly "anti-nuke". They do present both sides throughout, despite the stand they take at the end. A well-acted movie, Newman and Schultz do a good job and the film is entertaining. History as a backdrop for a moral argument, rather than history for history's sake.
An intriguing rendition of the trials and tribulations of creating the first atomic bomb. This is not the first or maybe the best and it surely will not be the last interpretation. However there is some fine acting and well designed story. This has held my attention more than once. Every part, in fact every line contributed to making you forget that you are watching a movie ant that this is real. This is the story of how the need for the bomb came about and the building of a camp and the collection of men needed to accomplish the job. We see technical difficulties as well as emotional.
A more accurate movie is "Day One", at least as far as the plot goes, but even that fails to grasp the Manhattan Project's scope. The best film on it, which unfortunately no longer exists, was "The Beginning or the End" which was made in 1946 (Brian Donlevy played Groves). The main people on the project served as technical advisors for that one. Unfortunately, that was never put on video and probably rotted away in some warehouse.
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| 84. Fantasia (60th Anniversary Special Edition) Director: T. Hee, Norman Ferguson, Wilfred Jackson, Ben Sharpsteen, Ford Beebe, Jim Handley, Paul Satterfield, Hamilton Luske, James Algar, Samuel Armstrong, Bill Roberts | |
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Amazon.com essential video Reviews (158)
The first disk is the original FANTASIA, which Disney describes as restored. This is not strictly true. First and foremost, the restoration of visual elements is sloppy at best, with the film plagued by streaks and blips, and at least one sequence ("Dance of the Hours") appears to be slightly cropped. That aside, portions of the Deems Taylor narration have been completely lost, and these have been rerecorded by Tim Matheson--and Matheson's voice is not a good match for Taylor and the sychronization is poorly done. Lastly, one selection ("Pastoral") has been censored: a brief image, which would be considered racist by today's standards, has been deleted from the sequence. Even so, it is still FANTASIA, and it overcomes all of these liabilities. The animation, which was created by hand and photographed through a number of laborious processes, shows Disney Studios at the height of its powers. Every one is certain to have their favorites among the selections (mine are "Dance of the Hours" and "Night on Bald Mountain"), but every selection is brilliantly conceived and executed, and although the content varies from sequence to sequence the overall style of the film hangs together in a most remarkable way. FANTASIA was, is, and will no doubt will forever remain a touchstone in animation art. Unfortunately, the same cannot be said of the second disk, FANTASIA 2000. This particular film is extremely uneven, the sequences lack the same cohesive style that held the original FANTASIA together, and the entire film is beset by a series of often obnoxious "celebrity" introductions that give the film the feel of a made-for-TV variety show. Still, some of the visual ideas are very impressive, and while they are too few to offset the portions of the film that do not work, they still make FANTASIA 2000 mildly entertaining. Both the FANTASIA and FANTASIA 2000 disks include documentaries and commentary tracks on each film. The third disk, called "The Fantasia Legacy," is a bonus packed with interviews, archieval footage, and sketches that show how each sequence in both films was developed and then filmed. Some of this material is redundant, for it is included on the documentaries on the first two disks, but most of it is unique to this disk alone. Disney originally saw FANTASIA as a film that could be re-released with a mix of old and new selections every few years, and the most interesting material on the "Legacy" disk is a restored "Clair de Lune" (made for and then cut from the original FANTASIA) and various storyboard ideas for future sequences. The only way one can obtain the "Legacy" disk is to purchase this three disk package--and therein lies the rub. The original FANTASIA is brilliant, and even in its so-so state it is worthy of a place in any DVD library. FANTASIA 2000, however, is trivial, occasionally interesting but not greatly memorable and not a piece that one would normally go out of the way to purchase. And the price for the three disk package is quite steep. If you are a Disney fan who must have every scrap of material available, I would recommend the investment this package requires. But if your primary interest is the original FANTASIA, you are much better off simply purchasing a DVD of that film alone--the other two disks are simply not worth the expense. Purchasers should alos remember that the original FANTASIA does not often appeal to very young children, and if the purchase is being made for a child you are likely to be disappointed in their response. Final thought: the original FANTASIA is brilliant, FANTASIA 2000 is so-so, and the bonus disk is for hardcore fans. This pricey package is recommended to the latter only.
1. Toccata & Fugue - Rousing music, good choice for opening. But I'm not a big fan of abstract animation. 2. Nutcraker Suite - Although most people like the Sorcorer's Apprentice best, I like this one the best. The music is so catchy! This peice's fantasy characters make me feel like a little kid again. 3. The Sorcorer's Apprentice - Ummm . . . Its O.K. Its good to own since its hisotric in Micky Mouse history. 4. Rite of Spring - This segment rocked! Why doesn't anyone like it? If featured breakthrough technology for the '40s! And the dinosaurs were so accurately drawn according to science at that time! 5. Intermission & Sound Track - Was this stuff necisary? 6. Pastoral Symphony - Great music, mythological characters. I guess it depends on your conscience for wether or not to like this one. 7. Dance of the Hours - LOL! This piece was great! I never knew Fantasia had the "Camp Granada" song! And the hippos and croc are so cool! 8. Night on Bald Mountain - Disney went overboard on this one. It's pretty demonic. It's up to you one wether to watch that one or not. I know he wanted the biggest battle of good vs. but this was too much. 9. Ava Maria - Kinda hokey and religous. It's alright. but the multi-plain camera was put to good use.
Other than that, Fantasia is a masterpiece. While it didn't really help Disney out much financially, the animation that accompanies the music is flawless. You really admire the artists that worked on each short. While it took hundreds to work on one piece at a time, now it'd only take a couple of guys on a computer with the latest animation software a few days. It's funny that most of this looks better than a lot of recent Disney films. The colors, smoothness of the animation, and how it blends with the music is just breath taking. The picture is as good as you're going to get for a movie this old. There's very little grain and dust on the print, and you'll hardly notice it with all the beauty on-screen. The audio is crisp and clear, so go nuts turning it up. The special features are ok. The commentary is made up of interviews and clips from Walt and others. When some people speak on it, there's a little bit of static, which doesn't matter since it's taken from an early source. It's not going to interfere with hearing anything they say, but I just thought I'd mention it. It's still a very interesting commentary track. I listen to it from time to time and always learn something new. The documentary is pretty cool too, though a lot of it I've already heard from other Disney specials and such. If you want the real goods as far as extras go, get the Fantasia Anthology edition. The third disc on that sucker is amazing. So if you're really expecting the "uncut" version, you'll be disappointed. I doubt it'll ever be released unless somehow Leonard Maltin can get that put out too. I mean, if he can get the Donald Nazi short put out in the newest wave of Disney Treasures, he's gotta have SOME chance of giving us the original Fantasia. Pick this up before it's out of print for another 10 years. It's a film to pass down the generations.
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| 85. Volcano Director: Mick Jackson | |
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Amazon.com Reviews (60)
Obviously this is a small volcano, considering that if it was a Mount St. Helens thing with pyroclastic flows and lava all over, then yeah, LA wouldn't stand much of a chance, but its fun to think how a major city like LA would face a little volcano deciding to pop up in the middle of the city.
Really dumb....the only thing good about this movie is laughing at it the entire way for its sheer stupidity
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| 86. City of Joy Director: Roland Joffé | |
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Description Reviews (20)
I don't think the movie came close to showing the culture of Kolkata's poor. It was very much a westernized gloss and it definitely pulled punches. Consider just one important cultural element: Indian has many great musicians who have produced centuries of beautiful music. But this film sticks us with an entirely western score. I am in love with this region and had to read the book and see the film. But if you want to see a film about this part of the world, see anything by Satyajit Ray, Mrinal Sen or Shyam Benegal. In particular, Satyajit Ray - Apu Trilogy or Two Daughters. Although more modern and middle class, Aguntuk (The Stranger) is also a much better film.
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| 87. Saturday Night Live - The Best of Molly Shannon Director: Gary Weis, Bill D'Elia, Dave Wilson, Walter Williams (IV), James Signorelli, Tim Robbins, Beth McCarthy-Miller, Christopher Guest, Mike Judge, Robert Altman, Adam McKay, Eric Idle, Andy Warhol, Robert Marianetti, Claude Kerven, David Wachtenheim, Paul Miller, Albert Brooks, Paul Thomas Anderson, Robert Smigel | |
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Reviews (5)
Yeah, she's a funny lady, but she pales in comparison to such "SNL" comediennes as Gilda Radner, Jane Curtain, and even Chery Oteri, who is very goofy. Molly Shannon's "Best Of" collection is fine, I suppose, but I didn't laugh that much -- and not nearly as often as I did with Will Ferrell's "Best Of" DVD. Here she plays her most famous (and mostly original) characters: Salley O'Malley, Mary Katherine Gallagher, Courtney Love and Anna Nicole Smith (in a disgusting but funny segment with Ben Affleck), among others. But they're never exactly laugh-out-loud funny; I smiled a few times. I enjoyed some of the gags. But I was only really laughing when Will Ferrell was interacting with Molly. Whether or not they are good films is definitely arguable, but there's a reason that Will Ferrell has been cast in virtually every mainstream Molly Shannon film. They go together. She cameos in his movies, he cameos and/or stars in hers. Remember "Superstar"? Remember "A Night at the Roxbury"? Maybe they're not good, but at least Lorne Michaels was smart enough to realize that the two have some sort of chemistry. I noticed that Molly Shannon likes to move around a lot. I watched the Conan O'Brian interview with her (included on the DVD), and she absolutely could not sit still at all, just like her "Joyologist" character, who, in the DVD's outtakes, flipped over her chair from moving around so much. She's good as Courtney Love, and Molly Shannon is undoubtedly a good comedic actress, but to say that she deserves her own collection of best moments at this point in time is a bit presumptuous, especially considering the fact that classic "SNL" actors have yet to appear in any sort of "Best Of" DVD collections. (Or am I just not finding them on Amazon and in the stores?) Besides, most of the compiles sketches aren't even that great -- or is it just that Molly Shannon herself isn't that great? I hope it's the former. If you're a fan of Molly Shannon and/or "Saturday Night Live," I would definitely pick up this DVD. I bought it for fourteen dollars, and I've got to say that I'll probably return to it once and a while for some good grins. But not nearly as often as I am already returning to "The Best of Will Ferrell," which still stands as the best "Saturday Night Live" DVD I own at the current time (only three, but I'm getting there). "Saturday Night Live: The Best of Molly Shannon" runs 76 minutes. It contains outtakes, a deleted dress rehearsal scene, a picture gallery, two TV interviews with Conan, and so on. It is not rated, but contains some language and sexual content/partial nudity. The feature's guest stars include, among others: Val Kilmer, Matthew Broderick, Gabriel Byrne, Tina Turner, Alex Baldwin, et al. It is now available on video and DVD.
Included are: "Mary Katherine Gallagher"- Mary auditions for the school variety show and sings "Sometimes When We Touch" and does a Meredith Baxter Birney tv movie monologue. (with Gabriel Byrne) "Helen Madden, Licensed Joyologist"- "I love it! I love it!" Helen appears on "Pretty Living", hosted by Ana Gasteyer. (with Matthew Broderick) "The Courtney Love Show"- Courtney's got a talk show, and she interviews Julie Andrews (played by Christine Baranski) "Elizabeth Taylor"- Elizabeth picks the winning lottery numbers on Weekend Update ("Gladiator!") "Jeanne Darcy"- the very unspontaneous and over rehearsed comedienne makes an inappropriate appearance at a nursing home. "Monica Lewinsky"- Monica addresses court, with Hillary watching. "Sally O'Malley"- Sally auditions to be a Rockette! "I'm 50 years old! And I like to kick! Stretch! And kick!" (with Danny DeVito). "Veronica & Co."- The European supermodel has a talk show whose set is located in the middle of a fashion show runway (with Val Kilmer). "Delicious Dish On NPR"- Molly & Ana Gasteyer as the very low-key hosts of a radio cooking show. This is the famous "Schweaty Balls" episode (with Alec Baldwin). "Leg Up!"- Molly as Ann Miller, and Cheri Oteri as Debbie Reynolds. (with Phil Hartman as a very cranky Frank Sinatra) "MTV FANatic"- Molly as Anna Nicole Smith (with Ben Affleck as an obsessed fan who looks to Anna Nicole for a mother figure). "Mary Katherine Gallagher"- Mary meets the real Tina Turner by hiding in her dressing room. (with Alec Baldwin) "Rae Murphy"- an awkward blind date at an airport bar goes horribly wrong (with Will Ferrel and Chris Kattan). "Dress Rehearsal Sketch"- that was cut from the final broadcast features Molly as an odd, accent loving girl who brings home date Bill Paxton to meet her parents (with Ana Gasteyer and Horatio Sanz). Also features a photo gallery of Molly in different costumes, outtakes: Molly as Xena, Princess Warrior (with Brendan Frasier), as Helen Madden (with Ben Stiller), NPR's Delicious Dish (with Alec Baldwin), 70's Ladies In Bar (with Calista Flockhart), Dog Show! (with Will Ferrell- it's just a teeny blooper clip), and Jeanne Darcy on Weekend Update. Two more goodies: two appearances on Conan O'Brien. On the first one she discusses how Courtney Love didn't seem pleased to be parodied and how Gary Coleman once trapped her in his hotel bathroom and tried to put the moves on her; the other appearance is with Will Ferrell and she talks about dating and a new sketch she was working on called "Hot Cocoa Girls." Great collection! I would have given it five stars had it included some "Goth Talk" and "Dog Show" sketches on it. My absolute favorite Mary Katherine Gallagher sketch isn't here either (Gwenyth Paltrow was the host that week)- but it'd be nearly impossible to include everyone's favorites. I'd say that Molly Shannon definitely deserves a second "Best Of" DVD!
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| 88. Saludos Amigos (Disney Gold Classic Collection) Director: Jack Kinney, Bill Roberts, Hamilton Luske, Wilfred Jackson, Norman Ferguson | |
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Amazon.com Reviews (22)
"Saludos Amigos" is comprised of 4 shorts, "Lake Titicaca", "Pedro", "El Gaucho Goofy", and "Aquarela De Brasil". Many classic Disney characters are included, including the slapstick Goofy and Donald Duck. New characters are introduced, which include Jose Carioca, the samba dancing friend of Donald. There is also an array of bonus features, including an original theatrical trailer from 1943, and a documentary on the making of the film, which displays many of the films' crew members at work. Overall, I think this is a very charming feature film.
The DVD, as all the other Gold Collection titles does not bring much in bonus features, but since this isn't one of Disney's most majestic titles, it will do. This edition only brings an original trailer and a documentary featurette, not much, but enough.
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| 89. Beavis and Butt-Head Do America Director: Yvette Kaplan, Mike Judge | |
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Reviews (60)
"Beavis and Butt-Head Do America' could almost be called wholesome family entertainment in this post- "South Park" world. Indeed, the...fire references that were considered over the top in 1996 when this movie first came out seem almost quaint compared to movies like "South Park: Bigger, Louder & Uncut" which pushed the envelope much further. The only problem I see are the scarcity of bonus materials on the DVD edition. All you're getting is the movie and little extra. Buy it anyway, the movie's good enough by itself.
Two stupid teens, Beavis [Mike Judge] and Butt-head [Mike Judge] had discovered their tv is stolen. then Butt-head go search for their TV. Then they go stealing the school's TV and then they get caught from the Principal [Mike Judge]. Then the 2 teens visit a guy [B. Willis] and do his wife [???]. This movie is very funny. I would reccomend it to many people.
For those of you who don't know, Beavis & Butt-Head are two very stupid yet very funny teenagers who are completely perverted and who are obsessed with heavy metal bands such as AC/DC and Metallica. Their crazy antics affect their life at home, at school, at stores, and basically everywhere. If you don't think they are funny from just this description, buy this movie and your attitude will change COMPLETELY! Beavis & Butt-Head Do America is basically Beavis & Butt-Head on a roadtrip across America. After their T.V. is stolen, they are somehow thrown into an international conspiracy dealing with two criminal masterminds and a virus that is inside a computer-chip-like object. While they are being thrown into all this, they are prooclaimed the most dangerous men in America. And while the FBI is after them, they are blissfully unaware of what is going on. I don't want to give away what actually happens in the movie, but I will say that their journey takes them from their home town of Highland to Las Vegas, the Hoover Dam, a church, the Old Faithful geiser, the middle of a desert, and Washington D.C.. All in all, this movie is one of my favorite comedy movies of all time. This movie deserves a place right next to South Park: Bigger, Longer & Uncut in your personal VHS/DVD library. If you like comedy like South Park and The Simpsons, then you will definately like Beavis & Butt-Head and ultimately...Beavis & Butt-Head Do America.
I was hoping that maybe Mike Judge would do an Audio commentary? I could imagine quite clearly the opening credits rolling, and Mike saying that persons name, and then Beavis and Butthead saying somthign like "shes a s**t" and "I scored with her" and all the other classic things that Beavis and Butthead would say. Plus there is apperently delted scenes that are not on this DVD. This movie is great. But the DVD should have more features then just a couple of trailers. ... Read more | |
| 90. Masterpiece Theatre - Painted Lady (1997) Director: Julian Jarrold | |
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Description Maggie Sheridan (Mirren), once one of the most famous blues voices of her generation, lost decades of her life to drinking and hard-living. After a failed suicide attempt, she was taken in by Sir Charles Stafford (Iain Cuthbertson, Antonia and Jane) and his son Sebastian (Iain Glen, Tomb Raider). She has lived quietly on their Irish estate for ten years. But one summer evening, her peaceful life is shattered when Sir Charles is brutally murdered, and a valuable sixteenth century painting is stolen. The painting is one of several disturbing pictures sent to Sir Charles marking the major events in his life. Maggie is convinced that the stolen painting holds the key to Sir Charles' death and decides to track it down. Meanwhile, Sebastian uncovers a terrible secret, with horrific consequences. | |
| 91. The Crying Game (Collector's Edition) Director: Neil Jordan | |
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| 92. Three O'Clock High Director: Phil Joanou | |
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Reviews (37)
If you're looking for the zaniness of Ferris Bueller, this is right up your alley. Jerry Mitchell has to fight a school bully at three o'clock. He tries to pay off a huge jock to protect him, which ends up being film history's largest domino demonstration. He tries to get detention, but just ends up turning on his English teacher. Throw in a bratty little sister, a new age girlfriend, the 'perfect girl' and a nerd sidekick, and you got yourself an hour and a half of decent entertainment. Hey we all had those butterflies in our stomach when we knew we had a fight set for after school, it's all apart of growing up. It just sucked when it happened first thing in the morning, so you had to dwell on it all day. So there's a little Jerry in all of us. Of course those were the 80's. For those too young to remember, teenagers would settle their differences with their fists, not guns. Hard to believe but it's true. Notice how at the end of the movie, the whole school looks like the Roman Collusium or a scene out of Mad Max. Outrageous.
GO WATCH IT AS SOON AS POSSIBLE!
I've watched this movie countless times as I've introduced it to my friends who hadn't saw it or even heard of it before I turned them on to it. Everyone I've shown the movie to has liked it. Many of the other reviews do a good job of describing who's in it and what the story is about. It's a movie I think a lot of people can relate to with their own experiences of high school. It'll become one of those movies that you watch while you're not so sober too! Enjoy.
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| 93. High Spirits Director: Neil Jordan | |
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Amazon.com Reviews (18)
This movie has two BIG things going for it. Number one is the cast, all of whom just shine. Big names of Guttenberg, Hannah, Neeson, D'angelo and most notably O'toole can almost guarantee a good time. Peter O'toole, as always, is especially endearing. The other thing this movie has is pure charm. Its a good old fashioned almost disneyesque kind of film. Its a love story with enough fun in it to keep everybody entertained. Its MAIN charm comes from the setting. A quaint old "haunted" Irish castle where the servants have a beautiful old fashioned brogue. I found myself wishing I was there on several ocassions. Some will say it is insipid and has no social value. This is true. Its just good old fashioned movie fun. Sit back, kick off your shoes and enjoy. :)
Be sure to purchas the MGM DVD and not the poor quality Video Treasures VHS
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| 94. The Scarlet Letter Director: Roland Joffé | |
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Reviews (68)
We still love you Demi!
The story is about Hester Prynne (Demi Moore), a young wife who travels to the new world to prepare for her husband's arrival. She ends up in a conservative community, who are rather shocked with her modern ways of dealing with certain things. When Hester's husband travels to the new world, he is believed to be murdered by the Indians. She falls in love with the Reverend Dimmsdale (Oldman), whose feelings match hers. Out of their love, a child is conceived. However, since her husband hasn't been proven dead, the child is seen by the community as being born out of wedlock. The conservative and very religious communion demands Hester to name the father of the child, which she denies. She's locked up in prison and has her baby there, while Dimmsdale is torn over whether to step forward as the baby's father. Hester then is freed but ordered to walk around town wearing a Scarlet Letter 'A', which is meant to belittle her whereever she goes. Shortly after the child is born, her husband (Robert Duvall) suddenly reappears, and tries to incite the indians (whom he befriended) to act against the community. Single-handedly, he manages to offset the fragile peace that was between the two peoples. Moore doesn't do too bad of a job as Hester, Duvall is good as the husband, but Oldman still manages to steal the show. All in all, even though I don't enjoy romances, the movie managed to keep me amused.
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