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| 1. Star Trek The Next Generation - The Complete Seasons 1-7 | |
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| 2. Star Trek Enterprise - The Complete Second Season Director: Michael Grossman, Terry Windell, James Whitmore Jr., David Straiton, James L. Conway, Rob Hedden, Patrick R. Norris, Robert Duncan McNeill, LeVar Burton, Michael Dorn, Roxann Dawson, James A. Contner, Jim Charleston, David Barrett (VI), Marvin V. Rush, Michael Vejar, Les Landau, Allan Kroeker, David Livingston, Winrich Kolbe | |
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Reviews (13)
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| 3. Quantum Leap - The Complete Third Season | |
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Reviews (39)
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| 4. Star Trek Deep Space Nine - The Complete Seasons 1-7 | |
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| 5. Pride and Prejudice (Special Edition) Director: Simon Langton | |
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Reviews (596)
There are no annoying "Hollywood stars" in it like in Ang Lee's Sense and Sensibility, yet the acting is incredible. Although I enjoyed Sense and Sensibility (on the second viewing because the first time I watched it I fell asleep), it doesn't hold a candle to Pride and Prejudice. This adaption lets your imagination steep in the imagery, language, and essence of the film so you never get "pulled out" of a scence. If you're unsure as whether or not to buy this gem, just do what I did and rent it for the weekend. You'll soon discover that your movie collection will be lacking without this rendition of Pride and Prejudice.
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| 6. Northern Exposure - The Complete First Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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Amazon.com In season 1, we meet Dr. Joel Fleischman (Rob Morrow), an urban New York yuppie who consents to four years of rural servitude after Alaska pays his medical-school tuition. Joel's fish-out-of-water adventures drive the show, but it's the quirky ensemble of characters--Chris, the DJ/philosopher (John Corbett), Holling, the bartender (John Cullum), Maurice, the town patriarch (Barry Corbin), Ed, the filmmaker (Darren E. Burrows), and Maggie, the bush pilot (Janine Turner), among others-that keeps the series consistently entertaining. The town develops its own offbeat personality as well, a Mayberry-meets-Twin-Peaksblend of Native mysticism, Aurora Borealis-induced dreams, unlikely tales of long-lost family members, and rumors of a Bigfoot-like creature known simply as "Adam." Northern Exposure provides a utopian escape--a place where life is interesting but never dangerous, everyone's insightful, the mystical becomes real, and nobody's burdened with a mundane 9-to-6 desk job. Cicely is a delightful place to visit, even if it's only for an hour at a time. A mid-season replacement, season 1 consists of just eight episodes on two DVDs. Each episode includes 5-10 minutes of outtakes and deleted scenes. --Shane Burnett Reviews (167)
Deleted Scenes (and special limited edition "Parka" packaging!)
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| 7. Star Wars - Episode II, Attack of the Clones (Widescreen Edition) Director: George Lucas | |
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Reviews (1926)
First, I would open the movie where the main character of the movie -The Jedi- freefalls some 10,000 stories in a sprawling metropolis, all the while narrowly missing multitudes of careening hovercrafts which literally filled the sky, only to finally land safely inside one of them just in the nick of time, nanoseconds before he was about to slam into the ground. Secondly, I would include the most bland, personality-less, emotionally-uninspiring actors and actresses I could find. Also, I would incorporate pseudo-Greek cultural and archeological elements throughout the movie (which had no relevancy to the sci-fi theme of the movie) so as to confuse the viewer as to what planet...or planets the movie was taking place in...or what universe and epoch(s) for that matter. I'd include several pseudo-romantic scenes where there wasn't an iota of emotion or chemistry between the two love birds and whose forced, stimulated 'romantic scenes' seemed to serve no purpose, either. I would then attempt to completely destroy...annhilate the original Star Wars's sacred notion of the force -as being stimulated and channeled by spirituality and mind over matter- and any drama associated with it as well. MY notion would be that the measure of one's force can be determined by analyzing mitochondrial DNA samples to tally the number of antibodies present in the protoplasm. Next, I would blow away the concept of the original Star Wars's wimpy 2-jedi battle scenes with an epic magnitude-12 mega battle scene which consisted of 10,000 jedis and 100,000 jedi foes engaged in flipping-through the-air somersault kung fu moves that render the likes of "Crouching Tiger, Hidden Dragon" and all '70s special-effects-laden Chinese kung fu flics obsolete. You thought that Luke Skywalker jumping 10 feet out of a carbon freeze container was cool? Could Luke Skywalker stay airborne for 10 seconds all the while throwing barrages of backroundhouse kicks and punches? Screw that punchless Luke Skywalker single-blade lightsaber. Behold, I introduce the double-edged light saber which all jedis are equipped with. FULLY FUNCTIONAL AND OPERATIONAL. Only an elite and intelligent class of human being can be a jedi? Not anymore. Any living, crawling, oozing intelligence-devoid parasite, wingless bat or orc -of any gender-can be a jedi. Finally, I would end the movie with Kung Fu/Force-Master Yoda defeating the Master Evil Jedi with triple and quintuple cartwheel backroundhouse kicks and punches, while airborne, and lightning-fast Tae Kwan Do slaps and curled finger combinations that would put Jackie Chan to shame. The very last scene of the movie would end with the Evil Jedi Master becoming so angry, because of his defeat, that his head grew to the size of a large balloon, then exploded with the force of 20 grenades. Maybe I'd include that scene only in the UNCUT version. The result: The sci-fi sequel to "Big Trouble in Little China" -Big Trouble in Little Greece: Attack Of The Kung Fu Robots...or as some people may prefer to call it -Star Wars II: Attack Of The Clones.
Best Parts: That's it. Everything else in these films is an utter joke. I could go on for many paragraphs, but I'll spare you. You gotta realize that there was a reason George didn't direct Empire or Jedi. He's an awful director. He has no ear for dialogue. The newer digital film process looks really awful. Only good ol' George could manage to waste the talents of Christopher Lee, Sam Jackson, Ewan McGregor, and Natalie Portman. And I think Hayden Christensen is the only other actor who possesses Keanu Reeves' atrocious wooden technique. His Anakin doesn't possess darkness, just stupidity. I hope Lucas gets a tumor in that fat double chin of his. If you don't like it, sue me. He's destroyed the meaning of my childhood favorites, so the hell with him. Do you really think the next film is going to make up for it? Only if it's about four hours long and is directed by someone else.
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| 8. Star Wars - Episode I, The Phantom Menace (Widescreen Edition) Director: George Lucas | |
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Description "The Beginning" Exclusive Deleted Scenes and Documentary Multi-Angle Animatics Featurettes Web Documentaries Exclusive Production Photo Gallery "Duel of the Fates" Music Video Posters and Print Campaign Trailers and TV Spots "Star Wars: Starfighter-The Making of a Game" from LucasArts Exclusive DVD-ROM Content Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 9. Northern Exposure - The Complete Second Season Director: Peter O'Fallon, Victor Lobl, David Carson, Michael Vittes, Jack Bender, Mark Horowitz, Michael Katleman, Tom Moore (II), Steven Robman, Stuart Margolin, Bill D'Elia, Oz Scott, Adam Arkin, Lorraine Senna, Dan Lerner, Frank Prinzi, Lee Shallat Chemel, Robert C. Thompson, Dean Parisot, John David Coles | |
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| 10. The Bourne Identity (Widescreen Extended Edition) Director: Doug Liman | |
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Reviews (431)
Since I hate it when reviewers give too much away, I will only say that Matt Damon stars as Jason Bourne (or is he?), a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. The scene itself is very exciting and draws you into it's web. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. What follows gets very complicated and keeps you on the edge of your seat as other summer extravaganzas seem to fail to. Like its summer "cousins", the movie has action scenes, guns, explosions, an awesome car chase (that relies more on execution than on how many cars can explode), a potential love interest, and many of the usual suspects, BUT it entertains and I did not feel like checking my watch every 5 minutes. Is it Oscar material? Heck no, but within its own genre its one of the year's best. Matt Damon, who I never quite appreciate, would seem to be miscast to play this type of character, but he is actually quite perfect is he tones it down and makes Jason Bourne almost seem like an everyman who slowly discovers that he has skills he never knew he had. The casting department should be proud of itself as it cast Franka Potente (from "Run Lola Run") as the main female protagonist. The actress is not your cookie cutter beauty nor has the marquee appeal that I am sure the producers would have liked to have a "name" for the role; but someone realized that her acting chops and international background would give the movie some grounding as her character is supposed to be a European gypsy woman who I could not see being played by say Julia Roberts. The director does a great job in both action and character driven scenes and manages to bring excitement to a gray winter European exteriors and drab interior settings. With the exception of the first fight sequence (which is makes Damon look like he has superhero powers) and later what would seem to be a physically impossible shoot out, everything feels real and the violence is not stylized. The story is incredibly well paced and even the smaller roles are well cast. The only exception is Julia Stiles, who I hope was only a victim of some scenes winding up on the cutting room floor, as she's a talented actress who brings not a thing to this movie. In a nutshell, this movie is about international intrigue and one man's refusal to be a pawn in some sinister, global chess game. Many things feel improbable but never less than engrossing. Also, the basic premise is not played for laughs (which I enjoyed as I am sick of tongue in cheek homages that use humor as a cop out) and the plot (once fully exposed) for once does not involve a "brilliant" psychopath with either a desire to take over the world or get even for ______ (fill in the blank with your favorite cliché). This movie solidly earns its 4 stars as a nice version of what I'd like to see in summer extravaganzas.
A man is dragged from the sea. He has two bullet wounds and a "chip" embedded into his body. These are removed; the man recovers from this ordeal. He does not, however, remember anything, His name, where he is from from and his entire identity has been lost. He takes the chip and goes in search of himself. In a bank in Zurich he finds his identity- Jason Bourne and several other passports and lots of money. Enough information for Jason Bourne to change his identity whenever he needs to. But what does this mean? It appears to mean that many people are after Jason Bourne, that he has information that many people want or they want this information to die!! Around every corner is danger and there is no one that he can trust. He meets up with two CIA analysts who appear to be trustworthy, but are they really? He travels all over Europe and changes identities at every turn. He meets very interesting people at every turn. His life is full of risk and danger. Jason Bourne is an important person with so much hidden information that he doesn't remember. But as time goes on, the people he meets share some of what he is missing, and he is beginning to put the pieces together. He begins a love affair, and he thinks this is what he has been looking for. Why can't he be happy as a single man leaving the "spy" profession and finding his true love? The movie stars Matt Damon as Jason Bourne, and he does a credible job. The action filming is wonderfully done. The car chases and the flights on foot and in trains are very real and I felt I was amongst them. I was part of the action!! Franke Potente plays Jason Bourne's love interest. Chris Cooper is the enemy and as always is a star- a cruel man who completes his job. The scenery is fantastic and brilliant. What I did miss in this movie that was not transposed from the book, is the storyline of Carlos, The Jackal. This is an important part of the book, and is not in the movie at all. Jason Bourne and Carlos have much admiratiion for each other even though they are sworn enemies. This is a significant loss, and the movie does not have the drama, background and richness of the book. This is, however, a movie to be enjoyed- I understand the sequel, "The Bourne Supremacy" is out this week. A Must See. prisrob
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| 11. The Wiz Director: Sidney Lumet | |
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Amazon.com The Wiz is probably the grandest take on L. Frank Baum's classictale The Wizard of Oz.Theproduction team created sets with a sense of urban magic and spectacle: a New York subway station literally comes to life, and the massive plaza between the World Trade Center towers is transformed into the Emerald City, featuring nearly 400 dancers with three costume changes. Like all good musicals, the Quincy Jones arrangements are highly hummable long after viewing (especially the funky "Ease On Down the Road" and the inspirational "Brand New Day"). In an era before MTV, the camera stays nearly stationary as Ross and Lena Horne vocally soar through their numbers. Their stage-like performances successfully make the leap to film, making The Wiz a testament to their singing talents and star presence. The then-thirtysomething Ross raised some eyebrows playing the traditionally teenaged Dorothy, but she and her supporting cast (including Richard Pryor as the Wiz) carry the tunes with an infectious verve that will appeal to folks of all ages. --Shannon Gee Reviews (120)
I often scratch my head at why Sidney Lumet directed this, but knowing that he is one of the top five directors ever who understands New York City, it now makes perfect sense. The location shots are amazing, especially with the massive Albert Whitlock visuals. And as hard as it may be to watch Diana Ross play a 24 year old single woman, she achieves it with simple gestures and that pure, honey voice. It's a huge treat to watch this movie and I look forward to repeat viewings.
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| 12. William Shakespeare's Romeo & Juliet (Special Edition) Director: Baz Luhrmann | |
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For a Shakespeare purist (as I am myself), the problem is not the modernization of the setting and the use of the language in that setting (I personally love it), but it's the absolutle murder of the language by the majority of the cast that makes my skin crawl. This movie, in terms of the execution of the script, does a disservice in getting kids hooked on the poetry of Shakespeare's writing. However, I will admit that visually it's great. The setting is apt. Mercutio is amazing. But, teachers, I would think twice about showing this version to your class.
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| 13. Cinderella (Disney Special Platinum Edition) Director: Hamilton Luske, Wilfred Jackson, Clyde Geronimi | |
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Amazon.com Reviews (63)
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| 14. A Hard Day's Night Director: Richard Lester | |
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