Reviews (10)

Wonderful to have this great series on DVD at last!
I was absolutely thrilled when I discovered due South was on DVD. I got season one as soon as I could (I'm saving up for 2 and 3!). I didnt have any problems with the discs and their packaging. I would like to have seen some bonus features and the pilot included but the DVDs are still great without them.

*NOT* complete! No pilot! Buy, but be warned.
Terrible. Awful. Horrible. LIARS! Everything in the first season EXCEPT *THE* single most important episode!! The Pilot?! What a bunch of @#$%^&*! Besides that, it's okay. The rest of the eps are there, & it *is* due South. Some special features would have been nice, but are hardly requisite.
The episides rate a 5, but lousing up but not including the premiere & especially after billing it as the complete 1st season rates a two. Let's hope they did better with season 2 & will do better with season 3!

Good show. Okay packaging.
I bought the DVD of vol. 1 as a gift for my husband because he was so crazy for the show during its production and reruns. Then I found out what a gem Due South really is.

It's great to follow the evolution of the characters from the beginning, though it would have been ideal to have the pilot included. Even so, the show is thoroughly enjoyable. The sly satire of a Canadian-produced show presenting Americans' view of Canadians is really very funny. And it's a showcase of all those fine actors (and musicians) you didn't realize are Canadian.

For anyone who has never seen Due South, know that it's really a "buddy" show, a mismatch of 2 personalities who are more complete together than apart. One is innocent and naive, the other worldly and jaded. Definitely makes for some funny stuff!

Alliance Atlantis didn't seem to take a lot of care with this release. In spite of the box being labeled the "complete first season," it excludes the pilot. Very odd. Also, some extras, i.e. commentary (from somebody - ANYbody), would have been appreciated. The packaging of the discs is lame, allowing them to come loose and rattle around the box during shipping.

In short, the show is GOOD. The packaging and extras are cheap.

Loved this series, but it's cheaper at Canada's Amazon store
These DVDs are overpriced in the states. I bought mine a lot cheaper at Amazon.ca, the Canadian Amazon store. They're listed for $80 CDN, which makes them about $65 in US dollars, INCLUDING the international shipping. And they got here just as quickly.
Curator, AfroAmericanHeritage dot com

Due South Season 1
Will NOT (would not) purchase without the Pilot episode! What were they thinking? Apparently they weren't. ... Read more

Reviews (148)

One of the best animated movies of all time
The story of the animated film is similar to that of the first book, but contains parts of the second book. Dozy Alice is so silly she follows trouble by chasing a talking rabbit down hs hole. At the bottom, she drinks an unknown substance which helps her get through a talking door into Wonderland. Here she meets the Dodo, TweedleDum and TweedleDee (who tell her the story of the Walrus and the Carpenter), the Talking flowers (watch out for the snobby Iris!), the Caterpillar and the Cheshire Cat. She even has un-birthday tea with the Mad Hatter and the March Hare. However, Alice gets caught up in a game of croquet with the Queen of Hearts, and later a trial. The whole thing becomes such a nightmare, Alice realises she's had a dream while she dozed off.

Firstly, I don't know why loads of people think this film is cheesy. I know Alice isn't for everyone, but when you look at the other films made based on Children's classics by Disney (eg- Jungle Book, Hunchback of Notre Dame), you'll see it's more faithful than those films to the original. However if you have read the books and haven't seen this film, some characters are missing (eg- Duchess, Mock Turtle, Knave of Hearts, White Knight). This may just think that Disney has ruined this classic forever. They haven't. It's the best adaption I've ever seen.

Although I actually have the PAL version, I suppose the movie is just the same over in North America. The best bits are the Walrus and the Carpenter, the garden of singing flowers and flamingo croquet. And the Mad Tea Party is still the funniest part of a Disney classic. So buy this movie. Wether it's a video tape or DVD.

(I also live near Carroll's birth place!)

Disney's 13th Animated Masterpiece!
Following the success of Cinderella, Alice in Wonderland is snother Disney gem, this colorful,classic animated feature tells the adventures of young Alice in a rather odd way since it doesn't really follow the book by Lewis Carroll, but still, makes a wonderful and entertaining film. Although it was not well-liked when it was first released, it is considered today another one of Disney's greatest masterpieces. The colorful characters will make you laugh from beginning to end. It is hard to say who is the wicked villain in this film, since they all play a role in making Alice's day in wonderland not very pleasent, starting from the Mad Hatter, the March Hare, the Chessire Cat and the Queen of Hearts, who just wants to see someone's head roll.

This new Masterpiece Edition DVD set brings Alice in Wonderland to a more deserved release than that previous Gold Collection, which brought very little bonus features. The masterpiece edition does bring many more bonuses, and one of my favorites is that "Virtual Wonderland Party", in which children can enjoy a little while in a fantastic tea pary. Really great! This DVD also has the greatest cover art, I love it. 5 stars!

Follow the white rabbit Neo - no sorry, I mean Alice
I just spent a couple of hours looking at this wonderful movie and the extra features. The aptly named Masterpiece Edition is worth every penny, and like The Matrix, should be included in any movie collection, whether you have a child to hide behind or not.

Beautifully adapted and animated from Lewis Carroll's highly imaginative, high-trippin' classic, the imagery and illustrated puns amaze and amuse, especially the little things like the rocking-horse fly, the bread-and-butter flies, the vultures, the pencil and hammer birds, the momeraths, and the bird in the tree (Queenie Leonard) yelling "Ser-pennnnnt !"

The animators drew each frame based on the portrayals by the actors voicing the parts, and the stand-outs are Kathryn Beaumont as Alice, Ed Wynn as the Mad Hatter, Verna Felton as the Queen of Hearts, Bill Thompson as the White Rabbit, and the very flexible and versatile J. Pat O'Malley as Tweedle Dum, Tweedle Dee, the Walrus AND the Carpenter, in one of the best scenes in the movie.

With fourteen songs, this is the most musical Disney around, but unfortunately, the songs are not very easy to sing along to, making me sound like William Hung every time I try to impress people with my thorough knowledge of the lyrics.

There are lots of interesting tidbits in the extras, such as the discarded Cheshire Cat song, and the fact that one of the songs was later re-worded for Peter Pan. There are other links between Alice in Wonderland and Peter Pan, but you'll have to watch the extras to find out just what, cause I'm not telling.

For those who don't want to watch the previews at the beginning of the DVD, just press "Menu" and get plugged directly into Wonderland.

Amanda Richards, July 18, 2004

Disney-ized
One of my fav children's books gets Disney-ized. I find that this version is simply AMAZING! Yes, there are LOTS of drugged out images (ie..the caterpillar is smoking an opium pipe, she eats mushrooms to get bigger or smaller etc) but its a magical story and its told VERY well by the Disney guys. Not to be missed, grab it before its out of print.

It stinks!
This movie is nothing like the original book, skip it and watch the Hallmark version instead. ... Read more

Amazon.com

Ice Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There Yet? answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in ladies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road Trip and Planes, Trains and Automobiles has its cute moments, but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they all learn about each others' good sides and hearts are suitably melted all around--until after the credits roll, then you'll probably forget about the whole thing.--Ted Fry ... Read more

Reviews (20)

A somewhat a clean, fun comedy -- more like 3 1/2 stars
I thought this was a funny movie to some degree. At least there isn't any bad language in it and for a change it's fun to see a new Lincoln Navigator get abused.
Sure, the plot isn't that special and the whole movie is a little flat to say the least, but I can say that the kids like the movie and have watched it already a few times over the last few days -- so it may become a babysitter standard -- we'll see.
I would give this movie more like 3 1/2 stars if even that many, but overall the 4 stars are more a rating from my kids and the neighborhood kids who really liked this flick.

Cringing throughout a comedy is not a good thing
There is quite a bit of perilous tightrope walking involved in mixing violent slapstick comedy and heartfelt pathos.Charlie Chaplin did it a lot and you can certainly point to the original "Home Alone" as being a successful mix.But in the former the target of the physical attacks was usually some guy twice the Little Tramp's size and in the latter it was the Wet Bandits.That is not the case with "Are We There Yet?"There are certainly some laughs to be had in this 2005 comedy, but for the most part I find myself cringing at what was happening on screen and the only reason director Brian Levant's film gets 3 stars is because there are a few success and rather important moments of pathos in this mess.

Nick Persons (Ice Cube) has an upper scale sports collectible store and a brand-new Lincoln Navigator, when he is smitten by the sight of Suzanne Kingston (Nia Long).The bad news is that she is a single mom with a pair of terror tots, Lindsy (Aleisha Allen) and Kevin (Philip Daniel Bolden), who have been taking care of all of mom's would-be boyfriends.They are waiting for their mom to reconcile with their dad.Nick wants nothing to do with children, but he and Suzanne become friends and when she has to go to Vancouver for work and her ex-husband bails on having the kids for New Year's, he ends up agreeing to transport the kids and the madness begins.

The core problem here is that these kids are viscous little monsters who physically assault innocent men.This is not cute little Kevin hurting the bad guys who are trying to rob his home, but two kids going after every guy who wants to date their mother.It is not funny it is mean.It is also dangerous, which gets us to another key problem with this movie in terms of how many times the attempted humor has to do with cars and trucks.In other words, situations that in the real world would get these kids killed are repeatedly done for laughs in this movie.Watching a couple of kids screaming while the car they are in is squeezed against the railing on the highway by a fully loaded semi-truck is not all that funny in the real world and we kept cringing through all of these types of scenes (there are several).Granted, it is not wise to confuse a movie with the real world, but there are moments when this film wants to talk to the reality that there are a large number of African-American children being raised without their fathers living in the house.More importantly, those are the best moments in the film.

This is because Nick is not a bad guy, which is the flip side to the core problem, and another reason to cringe every time they go after him.Nick thinks he does not like children and this particular pair of demons give him ample reason to reinforce that idea, but when these children need help, physical or psychological, he immediately goes to their help.The latter is the more important part, because you know full well that these children are going to get their comeuppance when they find out the truth about their father and the moments in which Nick talks to the kids, as opposed to screaming or sticking out his tongue at them, are the best moments in this film because they are the most real.

The fault for this film is to be found in the screenplay by Steven Gary Banks, Claudia Grazioso, J. David Stem and David N. Weiss (four writers is rarely a good sign), because the performances by Ice Cub and the two kids are fine given what was written (Long is reduced to a minor part in the story, which is why the resolution is problematic for me).Jay Mohr has a small part in this film as Marty, Nick's friend who keeps reminding him of how much he does not like kids, and Tracy Morgan does the voice of the Satchel Paige bobble-head doll that Nick has on the dashboard of his vehicle (who does Nick think will be watching DVDs in the backseat if he does not like children?).It was also great to see Nichelle Nichols in a bit part as Miss Mable.What would have been even better was a film that dealt more realistically with the basic idea, which is certainly an important one.

For certain ages probably
The kids behavior makes you think what a sad state of affairs parenting has become in this age of having to work, single parenting, etc.If you can get past the snotty behavior the children have and lack of respect they have for anything that doesn't benefit them well, good.The film tries to soften it by explaining their father has been absent and thus this excuses their actions, well I don't know.For me it was an uneasy way to view a movie.

Horrible Film
I first saw this film with my class on an after-school trip. I was reluctant to see it, because it would be a stupid film, and guess what? I was right. I can't believe Ice Cube wasted his time and money on such a mediocre movie. It's one of those movies showing the declining quality of the medium. I admit some of the jokes were funny, but the rest of the film just didn't make any sense. It does have a happy ending. In my opinion, Not happy enough to make up for a bad movie. If I could, I would shout "It Stinks!" a'la Jay Sherman, out loud in the theatre. Don't watch this. Instead try one of many of Pixar's finest.

Some People are just plain NUTS!!
Yes, this film has the typical formula when it comes to family films...disaster (divorced dad does not hold up to his end of the bargin) Feel sorry for factor (MOM needs someone to watch the kids while she works, and kids really want to see daddy) The other man (Ice Cube) The "villian" (truck driver who thinks he is doing the right thing...but really isn't. Spoiled rotten kids (if you think of it, they did it...and did it well) but hey, this is a cute, funny film...it is not HILARIOUS no, and yes, some of the jokes get carried away, but this is not a movie to be picked apart by any means...this is a movie that is suppose to be enjoyed!! A great rainy day movie that you can actually sit down with the family and have a great time with!!

Christopher Berry ... Read more

Description

Young, ambitious gunman Nobody (Terence Hill) sets his eye on his idol, gunslinger Jack Beauregard (Henry Fonda), who's intent on sailing off into retirement. ... Read more

Reviews (68)

A Sergio Leone Production..
For those who haven't seen this flick, it is a great movie in a semi-Leone style. Terence Hill and Fonda are most suitably cast in a story of an aging gunfighter who is planning to retire and a younger man who has idloized him his whole life.

For those looking to upgrade, the transfer on this new Image dvd release is FAR SUPERIOR to the older WHAM dvd release.

No extras at all but the main menu does feature several actual scenes from the film with Morricone's score playing in the background.No theatrical trailer.

It is said that Leone himself actually directed two or three scenes from the movie.Reason enough to buy.Give it a watch and see if you can identify the Leone directed scenes...

A classic that's often overlooked
I am reviewing the movie as opposed to the dvd itself. Afterall, it is the movie that we buy the dvd, not all the extras. Now, the movie is really a classic shot with all the campiness of the time. Henry Fonda plays an aging gunfighter looking to get out from under his reputation. Trinity plays an up and coming gunfighter wanting the attention but also has a dream of seeing Henry Fonda single handeling taking on the Wild Bunch, a hundred of the toughest riding outlaws the west has ever seen. The whole movie builds to this moment as Trinity's character leads Henry Fonda into his taking on the Wild Bunch. I consider this one of the great moments in any Western. So if you like your Westerns with drama and a sense of humor, this movie is well worth the money to view.

not exactly a normal movie
The plot is a little convoluted and unclear for the first part of this flick and by about half way I was beginning to wonder if it is one of those films that dumb folk claim to understand so they can appears smart. The quip about Sam Peckinpah (a beautiful name in Navajo) and reference to The Wild Bunch help keep the story interesting. Unlike what another reviewer was saying it actually does make perfect sense and by the end it all comes together nicely.

The cinematography, as in most all Leone flicks, is fantastic and Ennio Morricone's soundtrack is wonderful albeit a little odd. I'm used to hearing his soundtracks in a much more serious way but it is obvious he has put an almost childlike/childish slant on this one which is again... a little odd.

If this is a comedy why do parts of the score, combined with absolutely desolate cinematography, invoke some very sorrowful feelings? This film is almost unique in that it successfully brings comedy into a moral drama and, in the end, comes up with something that isn't contradictory and really lame. This is a surprisingly good movie.

Like finding buried treasure.
I remember catching this on TV late at night sometime back in the late seventies. I was mesmerized by the whole movie, at once a spoof of all the "quick-draw" westerns, a nod and a tribute to Henry Fonda, a wonderful vehicle for Terence Hill's special talents and comedic gifts, and a wonderfully overblown and melodramatic soundtrack that is nonetheless simply perfect.The small scene with the story about a bird told while playing pool is worth the price alone, and the interaction between Hill and Fonda is superb. I spent the next twenty years keeping an eye out for it. I finally caught it on TV again a few years back and taped it to VHS, but it was a low quality signal so it is not a very good tape. It was still more wondrous than the first time I caught it, and I am thrilled to be able to find it on DVD.

Wanna see my quick draw?Wanna see it again?
Director: Tonino Valerii, Sergio Leone
Format: Color
Studio: Jef Films Int.
Video Release Date: September 29, 1997

Cast:

Terence Hill ... Nobody
Henry Fonda ... Jack Beauregard
Jean Martin ... Sullivan
Piero Lulli ... Sheriff
Mario Brega ... Pedro
Marc Mazza ... Don John
Benito Stefanelli ... Porteley
Alexander Allerson
Rainer Peets ... Big Gun
Franco Angrisano ... Ferroviere
Tommy Polgár
Antonio Palombi
Hubert Mittendorf
Emil Feist
Carla Mancini ... Mother
Luigi Antonio Guerra ... Official
Angelo Novi
R.G. Armstrong ... Honest John
Leo Gordon ... Red
Steve Kanaly ... False barber
Geoffrey Lewis ... Leader of the Wild Bunch
Antoine Saint-John ... Scape
Neil Summers ... Squirrel
Karl Braun ... Jim

This is a spoof of all the 'quick draw' Westerns, and about time!
Jack Beauregard (Henry Fonda) is a notorious gunslinger--the stuff legends are made of--and the hero of Nobody (Terence Hill) who has idolized him all his life.Nobody has the dream of seeing Beauregard hold off the entire Wild Bunch, numbering 150 or so hard cases, single-handedly, so that his name will go down in history.His idol, however, is reluctant to fuifill his wish.

Of course, Nobody is no slouch with a shootin' iron, either, as he demonstrates.

This is a hilarious film, with a great many funny moments, and a surprise ending.I thought it was great, and I hope it entertains you also.

Joseph (Joe) Pierre
author of Handguns and Freedom...their care and maintenance
and other books



... Read more

Amazon.com

Exceptionally moving but not the least bit sentimental, Concert for George is a splendid tribute to the late George Harrison, whose contributions to the Beatles were so often hidden in the long shadows of John Lennon and Paul McCartney. A year to the day after Harrison's November 29, 2001 death, Eric Clapton assembled some musicians--people who had played with Harrison and known him intimately, including McCartney, Ringo Starr, and Tom Petty--to perform his music at London's Royal Albert Hall. They take on not just the predictable ("My Sweet Lord" and "Something," beautifully sung by Billy Preston and Sir Paul, respectively), but also lesser-known fare like "Old Brown Shoe" and "Beware of Darkness," all to superbly empathetic effect. But the tune most likely to make you misty-eyed is "While My Guitar Gently Weeps," which brings together three of the five musicians who played on the original recording: Ringo on drums, Clapton replicating his own classic solo, and McCartney playing piano and harmonizing with Clapton's lead vocal. Concert for George enjoyed a brief theatrical release, but even those who caught it on the big screen will delight in this two-disc DVD edition. Disc 1 features the complete concert (sans interview and rehearsal footage, but with a few additional songs and in the original running order), while disc 2 contains the theatrical version and some additional backstage and photo material. All in all, a beautiful piece of work. Wish you were here, George--but man, what a way to be missed. --Sam Graham ... Read more

Reviews (214)

A Splendid Musical Memorial.
On Nov 29th 2002, the Royal Albert Hall played host to "The Concert For George", in which all the proceeds went to some of George Harrisons favorite charities. Organized by his widow Olivia, son Dhani and Eric Clapton, this all-star celebration of the life and music of George Harrison, proves to be both somber and happy, as friends and musicians play touching covers of some of Georges biggest hits. Just like the "Concert For Banglsdesh", the show starts of with an indian music session, which features a full orchestra of eastern and western musicians, playing songs composed by his friend and mentor, Ravi Shankar. The real treat is watching his daughter Anoushka, play the sitar. She was the centerpiece of the entire performance. She was simply phenominal, proving that she is indeed, like her father, a master of the sitar. The rock n roll side of the show opened up with Jeff Lynne singing "I Want To Tell You", which set the tone for the rest of the show, in which the all-star cast played one Harrison tune after another with genuine feeling from the heart. Dhani Harrison played rhythm acoustic and electric guitar during the entire show, and is the splitting image of his father. The guest list reads like a who's who of music. Besides Clapton, You will see Jools Holland,Tom Petty,Billy Preston,Ringo Starr,Paul McCartney,Gary Brooker,Jim Capaldi and great session people like, Jim Keltner,Ray Cooper,Jim Horn,Tom Scott,Albert Lee,Klaus Voormann,Chris Stainton,Henry Spinetti and Andy Fairweather Low. Some of the highlights include, Billy Prestons take on "My Sweet Lord" and "Isn't It A Pity", Tom Petty doing "Handle With Care", Paul McCartney and Clapton on "Something" and "While My Guitar Gently Weeps". Overall, I must say that you can tell, that a lot of effort went into this production, as evident by the wonderful sound and picture quality as well as the handsome packaging that the DVD is housed in. Hearing Joe Brown end the show with an emotional "I'll See You In My Dreams", instead of an obligatory all-star encore jam, is what George Harrison was all about. He was a simple man, who loved melodies, valued his privacy over his celebrity and always lent a helping hand to those less fortunate. I highly recommend this DVD to one and all.

COULDN'T BE MUCH BETTER!
This should be the model for all concert DVD's. Disc two contains the theatrical version while disc one has the complete show from beginning to end. As much as I love "Back In The U.S," I wish they had packaged it in this manner. The audio and video are simply superb, couldn't have been better. The packaging is great, with the tri-fold containing the discs and booklet inside a sleeve. I can think of only one drawback to the DVD. It would have been nice to have included a biography of all the onstage performers from the concert. There are so many that I'm not familiar with. The show was taped in the 133 year old Royal Albert Hall in London on the first anniversary of George's death, November 29, 2002. The concert opens with Olivia lighting candles and then Eric Clapton walks out, speaks briefly, then introduces Ravi Shankar, who says a few words. Anoushka Shankar(Ravi's daughter and the half-sister of Norah Jones) plays an 8 minute piece on the sitar. I enjoy Indian music and she is as beautiful as she is talented. Then she and others accompany Jeff Lynne on "The Inner Light." I particularly enjoy this number. This is followed by a long piece written by Ravi, called "Arpan." He wrote this in tribute to George and both the Indian and Western orchestras play on it. Eric Clapton joins in late on the acoustic guitar. There are moments that I enjoy but overall, I didn't care for this number. I don't care for the next segment at all.I've never cared for Monty Python and their contribution to the show was boring and vulgar, as usual. BTW, although it isn't mentioned to the audience, Tom Hanks is part of their act. Next, the Pop music portion opens with ''I Want to Tell You.'' The instrumentation and vocals are great on this tune. A few highlights from this segment would be....."Here Comes The Sun"-Joe Brown"Horse To The Water''-Sam Brown(Joe's daughter)"Taxman"-Tom Petty & The Heartbreakers"Honey Don't"-Ringo"For You Blue"-Paul McCartney"Something"-It's great when the Clapper and Macca do a brief duet on this one."My Sweet Lord"-Billy Preston This track is simply awesome. Billy sings better than ever. As a Christian, I can't agree with the Hindu aspects of this tune, but I must admit the melody is beautiful."Wah Wah"-Everybody plays on this, but the primary vocal is done by Jeff Lynne, who does a great job."I'll See You In My Dreams"-Joe Brown is incredible on this old standard. It's very poignant as the confetti falls and the camera switches to a giant photo in the arena of a young George holding a guitar. Eric Clapton is great as the emcee, but I only wish that Paul and Ringo had played a bigger part in the show. It would also have been great if George Martin and Pattie could have been there and maybe said a few words. It's really eerie seeing George's son, Dhani onstage playing the guitar. He has a strong resemblance to his father. I recommend this excellent DVD to any Beatles or George fan. I guarantee, you will watch it again and again and........

Unreal
No question, this is the best of the best. The recording is exceptional, and just when you think it's over, Wah-Wah takes over. You will clap your hands to the beat of about 6 drummers including Ringo - a classic for you and your kids. Don't miss it.

Most requested DVD in Mott's Pub
This DVD concert never comes across as a sad Memorial concert for the late great George Harrison, more of a celebration of the life ,love, music ,and most of all faith of a wonderful human being.During George Harrison's tragically short life he touched many people. Obviously he was one of the lovable Moptops from Liverpool ,who's music and attitude changed the world as we know it. He also started the charity music culture with his concert for Bangla Desh in 1971. ( Would there have been a Live Aid etc with out the Charity concert held for the starving people of Bangla Desh if he had not been for George Harrison's groundbreaking concert a decade before?0 He almost single handedly made the world AWARE of whole new cultures from the Asia. Not forgetting his own solo career, at first the most successful Beatle to go solo, his first releases back in 1970 went to Number One all over the world with his magnificent triple album " All Things Must Pass",and the single taken from it " My Sweet Lord''.
George also formed Handmade movies which saved the masterpiece " The Life Of Brian " by Monty Python ( George actually has a walk on part as the Mayor if you look closely.) the world would definitely be a sadder place without that little Python masterpiece.
This double DVD package has the first DVD devoted to the whole concert in it's correct running order, so that all of us that were not able to be there on that magical night at the Albert Hall in London on November 29 2002 can get an inkling of what was going on . The second DVD gives you snippets of the concert intererspersed with interviews from Georges friends,rehearsals and backstage footage ,interesting and sometimes hilarious stuff. There is over 2 hours and twenty minutes of material on DVD Two , whilst the concert on Disc One lasts for nearly 2 1/2 hours.
There are too many musical highlights to mention them all. But before I list the group of friends that turned up to celebrate Georges life ,and what songs they decided to play, I shall try to point out a few.
The concert starts out with a specially composed piece by Ravi Shankar written for George 'Aspan',where what I can only call a blend of Asian Folk/Orchestra meets western influences the results are quite stunning, with Ravi's daughter playing the sitar as beautifully as she looks , and she is very beautiful, matching Eric Clapton when he joins her on acoustic guitar. The Monty Python team, get on stage for two songs, the wonderful irreverence of the songs would have had George rolling around the aisles in laughter, notice also Tom Hanks the movie star having the time of his life as a Mountie in the chorus line.Eric Clapton does a wonderful job as musical director as well as contributing some stunning guitar work ,especially in recreating his solo from" My Guitar Gently Weeps '' from the Beatles 'White Album'. Poor Ringo barely keeping his emotions under control whilst singing 'Photograph'. It is also the first time that Paul McCartney , Billy Preston and Ringo Starr have all performed on the same stage together since a certain legendary roof top concert over thirty years ago.Although the concert would not of been the same without Paul McCartney, he for once does not dominate proceedings leaving plenty of room for others to shine ,and shine they do. George Harrison' son Dhani himself a fine musician is often allowed center stage.Whilst George Harrison's old mucker Joe Brown brings the concert to an emotional climax. The set from Tom Petty and the Heartbreakers in the middle of the second section is simply stunning. Tom Petty was in George Harrison's other group the Traveling Wilburys with Bob Dylan, Jeff Lynne,and Roy Orbison.Look out for the guitar solo from Albert Lee during " Honey Don't" it raises the Albert Hall Roof a few inches higher.The singing of Sam Brown and Gary Brooker are as ever highlights of any concert.
This DVD delivers in every possible aspect,and would not disappoint anybody with even a passing interest in the life and times of George Harrison. There is also a double CD of this concert which is nice to have whilst driving the car , but you get so much more with the DVD.
By Mott the Dog. Edited by Ella Crew.

for George
Absolutely brilliant. Clapton, Lynne, Joe Brown, Petty, Ringo and all definately celebrated George's anniversary. Monty Python was rather cheeky but always is and we wouldn't want him any other way. ... Read more

Reviews (293)

art collides with television
Twin Peaks rates as one of the most singularly innovative additions to network telelvision. David Lynch's obsession with making the everyday middle-american world beautifully strange (the word "awe" with its horrific element intact is useful here) and Mark Frost 's (St Elsewhere) quirky writing meld seamlessly in this soap opera that exposes to much beneath its surface. The episodic nature of television often strains to create new episodes that maintain sturdy characters while repeatedly playing the same scenario over and over. In this case the characters are superficial, common and quirky. But rather than falling into the dull routine of love triangles and deceit (although TP has these in abundance) Lynch and Frost immediately disrupt quiet american life with a murder--a dead prom queen, Laura Palmer, floats up to Pete Marshall shattering his early morning fishing routine. The town is cast into chaos. FBI agent Dale Cooper, played perfectly by Kyle MacLachlan, enters the town wide-eyed and appreciative of its tranquil simplicity. Using holistic methods, Cooper unravels the black underbelly that provides the illusion of innocence. Playing between superficial soap opera moments and some of the most horrific and surreal moment ever shown on TV, Lynch and Frost use the weekly format to delve deeply into the dark forces and evils which exists within beauty. And the show is ultimately beautiful in its raw exploration that reveals fear is always obliterated by love--not justice or truth. The show's inteligence survived its first season by hiding behind the murder mysery of Laura Palmer. Lynch and Frost planned to leave this mystery unsolved indefinitely in order to explore all corners of Twin Peaks. Unfortunately, the network forced the team to rush towards a solution in the second season fearing that ratings were dropping because viewers needed closure (actually Twin Peaks was losing the soap opera element as they realized the world of Twin Peaks was more complex and real than most prime time viewers were prepared to patiently stomach). Without its central nexus and Lynch leaving to complete Wild at Heart, the show floundered until Lynch's return. However, the show snapped back into brilliance following Lynch's return. But it was too late. The show met the same fate of all brilliant American network shows that shined too brightly before its time--it was cancelled. The team put together a final TV movie that "ended" the show in the manner it began. Lynch followed it with a dreamlike prequel in the theaters called Fire Walk With Me (a creepy mantra pulled from Laura's phantom killer). All of this if assembled adds up to a work of visual art that was way ahead of its time and dismissed as quirky and silly--but its rough end was probably caused by people expecting to be entertained by quirkines, but kept safe from the show's more awesome yet brutal spectacles. Still the entire work (if one can find it all and watch it in order) stands as a challenge to network programming need for dumbed-down product. First time viewers and skeptical fans should bravely revisit this fragmented masterpiece.

The best presentation of Twin Peaks
I won't try to sell you on the series in this review. I just want to say that this is, flat out, the best that Twin Peaks has ever looked (unless of course you were David Lynch and had the original master copies.)

Before the series was released on DVD, we had two options: We could either watch the high quality VHS version of the first season, or we could watch the low quality VHS version of both seasons. The first season boxed set was pretty good--you even got to see the "previously on Twin Peaks" montage, but it only covered the first seven episodes of the show. The complete box set had quality issues as all of the episodes were crammed onto 6 tapes--gone were the "previously on Twin Peaks" montage and there were issues with the picture/sound quality. Boo!

But I have received the DVDs and just love them. The show looks outstanding. If you want to share Twin Peaks with someone this DVD set is the way to do it--just a spectacular looking picture with great sound and no picture issues. Overall, Artisan did a great job and I would highly recommend the set to anyone looking for a high quality copy of the first season.

The show that saved television for the nineties
Okay, after waiting the two extra weeks for the release, from what I understand it was due to high demand, I faithfully went out and bought the DVD set today(Dec 18th) and boy my import DVD of the pilot really looks shoddy now in comparison to the brilliant transfers of the original series and the DTS sound and the packaging of this box set is very sweet. It DOES look and sound better than when it origianlly aired 11 years ago and broke the ground for such shows as The X Files Northern Exposure and American Gothic. If you are a Twin Peaks fan do not deny yourself. Make it a Xmas present for yourself. The extras do leave a little to be desired, but it has been said the extras on subsequent releases (and the more the first season sells the sooner we get the second season which may be in two separate sets) the extras are going to be even phatter. I have only watched the first disc so far (eps 1 and 2)and the extras (on disc 4) and I was blown away. The deep textures and feel of the show is beautifully maintained and looks fantastic and Angelo's score really stands out revealing the genius he is in his own right. I would recommend buying the import DVD and there are many to be had on Ebay (mainly because it looks better than my 11 year old copy of the original airing or any previous VHS release) even if the sound quality is a bit distorted at times, just because we may never get the pilot on DVD. There are no deleted scenes but there are script notes in the chapter selections for each ep which describe with text altered dialogue and deleted scenes giving fans a real inside look at the development of the series. The commentary is intersting and I personally like that they added the "previously on Twin Peaks" intros to each show like when it aired on TV. The one bright spot of the extras is the "Twin Peaks Directory" that starts with Laura Palmer where fans can get lost in the different characters and their various relationships to each other including bios and filmographies and in some cases "Video Postcards" which are excerpts of interviews ranging from how they got involved with the show or glimpses of their home life etc. Like Richard Beymer's psychedelic trip down the Amazon and Al Strobel's poignant story of the accident(when he was 17) which cost him his arm. It is a true delight for fans. And the extra an "Introduction to David Lynch" gives an insightful journey through vatious interviews on what it's like to work with him and work on the show. I can't say enough about how good these shows look. I kept saying "This looks fantastic" and "There is no other show like this nor will there ever be again." It dared the television audience to use their minds and get lost in the characters and their intertwining relationships to the point where you didn't care who killed Laura Palmer because there was so much more to dive into besides the main arc of the series. Don't hesitate. Go buy it now, because I want the second season to come out ASAP. I would give five stars but I adamantly agree Artisan should have went the extra mile to get the pilot. And in closing, something I noticed. The Republic Pictures emblem is on this DVD set. Well, guess what? It's on the import DVD of the pilot as well, so what's the problem? I'm guessing it had something to do with the European release of the pilot with the alternate ending but who knows for sure I don't even thinks Artisan does. Dust off that recipe for cherry pie, put on some coffee and invite your friends over for a Twin Peaks party, especially those who haven't seen it before (costume optional).

Great set...where is season 2?
All Twin Peaks fans need to buy this set...Season 2 isn't available yet but maybe it will be if more copies of Season 1 are sold. This first set was really well done and actually has extras unlike a lot of other David Lynch discs. If you loved the series, you'll love this.

As others have stated, the pilot episode is available and the quality is very passable.

A slice of pie, coffee and murder
"Twin Peaks" didn't roar out of the gate when it first appeared. Lynch and Mark Frost quietly set up this twisted soap opera (which had an impact and influence on the style, look and texture of everything from "The X-Files" to "CSI"). My only complaint is that when I received this as a gift, my wife didn't know that the pilot episode wasn't included and that's where the murder occurs.

Here's what you do get--seven episodes in a nearly pristine high definition transfers of the original full screen series on four discs with extras on disc four. There's material from the fan website, a booklet (which should have had more material on the series), interviews, introductions by the Log Lady and audio commentary. I haven't accessed the latter two features yet and have only watched bits and pieces of each episode until I receive the 90 minute pilot episode.

The packaging is exceptional although it's in an accordian fold out case. Curiously (or not as Lynch isn't the most interested in doing audio commentaries from what I can tell), it looks as if Lynch doesn't do an audio commentary for the series. The set only gets four stars as it doesn't include the pilot and honestly this could have been put onto a two or three disc dual layered set without any loss of quality at a less expensive price. Still, all told it's always interesting to visit Twin Peaks. Aside from some damn fine coffee you're never quite sure what you'll get in Lynch and Frost's twisted tale of murder, money and dry humor. Get it before it goes away. ... Read more

Reviews (112)

12 Jurors + 12 Great Performances = 1 Superlative Movie!
How many times have you seen the "One juror holdout" theme played out in movies and (especially) on TV shows? Probably quite a few. But none done so well and so very convincingly as the 1957 classic, "12 Angry Men". Henry Fonda's arguments attempting to persuade his fellow jurors of the defendant's "possible", but by no means "certain" innocence plays out exceptionally well in this film. This is due in no small part to Fonda's fine portrayal, as well as each of his 11 cohorts. For me, in addition to Fonda, the standout "jurors" are Lee J. Cobb and Ed "Ya Know What I Mean?" Begley. I've always wondered where this was filmed. All we ever see here is the jury room....drab, old, hot, high ceiling, big (sticky) windows, et al! Perfect setting! Very realistic looking....right down to the rickety electric fan that Jack Warden just can't seem to get started! Buy this video; you'll have to love it!

Quibble about VHS version ......... If you own the VHS version of this film, perhaps you've noticed something odd about it (I certainly did). .....

It's being played at the wrong speed! It's running too FAST !
It's not all that annoying, except in a few places where the dialogue is definitely noticeably sped up. (Particularly when Lee J. Cobb or Ed Begley are speaking. Their deep voices seem higher pitched than they ought to be.)

To bear out the above minor complaint, we can check out the running-time statistics on each package. ..... VHS running time is only 92 minutes. But the film SHOULD run 95 minutes. (And I'm almost certain nothing has been cut out in the video print.)
So, for some reason, the video makers saw fit to compress the 95-minute movie into 92 minutes. Most curious.

I'm getting the DVD version soon, which Amazon claims has a 96-minute run time (1 minute LONGER than the whole film). ??
I'm hoping this is accurate, and the DVD has been slowed down to the proper speed. Having this great film in widescreen will be a major plus as well!!

I Never Tire of It!
I received this video last weekend and have since watched it three times, all the way through. I am not the least bit tired of it yet! I love movies that have all-star casts but no real "starring role"; 12 ANGRY MEN is just such a movie. It is fascinating to watch the interaction between twelve superlative actors confined in a small space (the jury room) for nearly the entire film. All of the actors -- including Henry Fonda, Lee J. Cobb, Ed Begley, and Martin Balsam -- are superb. However, my favorite characters are the ones played by Jack Klugman, George Voskovec, E.G. Marshall, and Edward Binns. Klugman's character, a young man from the slums, clearly has some repressed anger but is basically a vulnerable, soft-spoken person. Voskovec's character is an immigrant from (I assume) Eastern Europe, well-mannered and thoughtful, though he becomes angry when he sees others not taking their democratic duties seriously. E.G. Marshall's character is a bit aloof and very reasoned; but unlike a couple of the others (Cobb's and Begley's characters), he is no bigot. When at the end of the movie he realizes that his judgment was wrong, he does not hesitate to admit it. Binns plays a kindly, working-class man who gives Cobb's character a few lessons in respect. And of course, Henry Fonda comes across as sincere, thoughtful, and compassionate. The superlative cast and direction (by Sidney Lumet) make 12 ANGRY MEN a classic that can be watched again and again.

Addendum
Here are two subtleties in 12 ANGRY MEN which I don't know if anyone else has remarked on. At the end of the movie, as Henry Fonda leaves the empty jury room, he looks back at the table and an odd "laughing" or braying motif plays in the music. Is Fonda inwardly "laughing" at the eleven people whom he has "put one over" on? Then he steps out of the room with a rather sinister or secretive air, looking rather like - get this - like someone LEAVING THE SCENE OF A CRIME! I believe the movie is posing the question: "Who is the real criminal, here?" Maybe that's is a little farfetched, but I think there is a reason for everything is a work of art, especially in this very subtle and psychological film.

My second observation: in the opening moments of the film, we see a series of people walking by outside the jury room. First, a young man with a suitcase and the air of a stranger, then a scholarly looking fellow, then a jovial young man congratulating a bunch of people on the happy outcome of a case, and finally a guard trying to quiet the people down. I believe that these figures are meant as types or mirror-images of Henry Fonda, E.G. Marshall, Robert Webber, and Martin Balsam.

A Masterpiece
What can I possibly say about this masterpiece? It is surely one of the greatest movies, a work full of layers of meaning, of symbolism, of psychological and artistic subtleties. You can wach this movie an infinite number of times, because each time you discover something new. I would just like to bring up one often neglected point. For me, this movie shows the shift in acting styles after World War II - a shift towards more naturalistic approach close to "method" acting. Many of the younger members of the cast - such as Martin Balsam and Jack Klugman - seem to belong to this new school. Just watch such things as Klugman's slow reaction when it dawns on him that Cobb is yelling at him, or the foreman (Balsam) as he "gives up" and sulks in the corner. The movie is full of wonderful and telling details such as these. I also think that the style of this film bears some relation to Italian Neo-Realism of the 40's and 50's (eg. stark setting, realistic dialogue, and filming in "real time", including seemingly mundane actions). And has anybody noticed that this movie obeys the "unities" of classical Greek drama (of time, place, etc.)?

And to those cynics who think that this is a movie about a clever man who manages to convince eleven men that a guilty youth is innocent - think again. I have actually lain awake at night worrying that the young man probably is, after all, guilty! But for the purpose of the film it doesn't matter. This is not a whodunnit; it is about human character and human behavior, the law, how our backgrounds color our attitudes, and countless other themes. And of course it is a showcase for twelve SUPERB actors.

(But please, who wrote the text on the back of the video cover? "Eleven jurors are convinced that the defendant is guilty of murder. The twelfth has no doubt of his innocence." WHAT?!! Did this person even watch the movie?!)

A great movie about epistemology
It always pisses me off when people give The Matrix as a philosophical movie, when there are so many much more rich sources of artistic exploration. 12 Angry Men is one such example, a great movie about epistemology.

During an unseen trial, a young man of a negatively-seen ethnicity (which is never specified) is accused of the murder of his father. It is an "open and shut case", and all the jurors agree that he is guilty, except juror #8, played by Henry Fonda.

In 95 minutes, almost shot in real-time, we observe as the jurors' prejudices and emotions churn and crash in mighty waves, as each piece of evidence is examined and examined again, as every actor plays against the others. In the process, we witness an object-lesson in epistemology : what is doubt, what is evidence, how do we prove or disprove a proposition, and how people in groups act in group dynamics that sometimes are not conductive to the truth.

Politically speaking, 12 Angry Men is a testimony against juries and capital punishment, but that is not the point of the movie. It is a movie about how we judge events and how we filter the truth. And that's something that you won't get from any action movie. ... Read more

Amazon.com

The brilliant writer-director Mike Leigh (Topsy-Turvy, Secrets and Lies, Naked) has crafted an utterly compelling movie about one of the most controversial of topics. An irrepressibly hopeful housecleaner in 1950s London named Vera Drake (Imelda Staunton, Antonia and Jane, Shakespeare in Love) mothers everyone around her, from her own family to helpless shut-ins and lonely men living in tiny, isolated apartments. None of these people know that Vera also helps young women get rid of unwanted pregnancies, until the police appear and tear her world apart. Vera Drake isn't just an inspired character portrait; through simple and straightforward scenes, the movie weaves a quiet but mesmerizing portrait of how people--both wealthy and poor--cope with adversity. Though wrenching, Vera Drake has too much life to be depressing. Leigh is deservedly famous for his work with actors; every character brims with truth and Staunton's performance deserves every award it could possibly win. --Bret Fetzer ... Read more

Reviews (50)

** Subtly Beautiful **
The main actress (Imelda Staunton) who plays the charachter Vera Drake did a fine job in this movie.The movie does not hit you over the head with moral preaching about abortion ... it gives you very subtle emotions based on how those around Vera Drake respond to what she is doing when she is found out.There is no happy ending here.It is not a feel good movie, but just the same it is beautiful.I believe Imelda Staunton was nominated for an Oscar for this role.Hillary Swank (who I love) won the Best Actress Oscar this year for her role in Million Dollar Baby (another fabulous movie).I'd say between the two of them, its a tough call.

Incredible film
Genre: Drama, Foreign (English language)

Genre Grade: A

Final Grade: A

This was an amazing film about a nice little old lady doing something she believed was right. She was so innocent in her ways that she did not realize the gravity of what she was doing. Or perhaps she did but truly did not feel any remorse or wrongdoing in what she did. The acting from Imelda Staunton was superb (no wonder she was nominated for so many awards), and the story itself is extremely sad but holds a powerful message. It offers no strong conclusion, but leaves it up to the viewer to decide whether the fate of Vera Drake was fair or not.

I have my own views on abortion (which most of you know that I am strongly against it), but I can't help but appreciate the message this movie brings forth. It reminded me of The Cider House Rules in that its message gave some hint to how pro-choice people feel. It is important to me to understand controversial issues before making firm opinions on them, but even then I am never for sure, because I strongly believe that it is up to the individual to believe what they wish to believe. I am anti-abortion, but I don't think my views should be enforced on people who feel differently.

Sorry for the social commentary, I realize this is only supposed to be a movie review. Just pass it off as bad journalism.

Overwhelming
This is an important movie about the moral dilemma posed by abortion. Abortions, legal or illegal, have always been performed, and women from all social strata, have always found themselves in need of a helping hand, whether the law upheld that kind of help at particular times or not. The movie shows this by juxtaposing the women whom Vera Drake helps, who cannot pay for abortion, with those who can pay to have an abortion done by a doctor, or by showing that in some cases at least, abortion cannot be totally repudiated. We witness two such cases in the film as one woman becomes pregnant, we understand, after a man forces himself on her, or as another woman, who already has seven children, and whose husband just doesn't understand how consuming this is, cannot have an eighth. The film convincingly shows how women have to deal with their problems in secrecy, in back chambers, and continue to live life as usual and pretend that these things don't happen.

Vera Drake is a kind and generous woman, too kind and too generous, the movie shows, for the world surrounding her, the cruelty of which is encapsulated in the woman who procures "clients" for her, pocketing money from these women without Vera's knowledge, as well as doing Vera the favour of selling her various food products (such as sugar) of which, we understand, there was a shortage in those postwar years.

Imelda Staunton gives an overwhelming performance, exhibiting Vera's kindness, reliability, generosity, naivete, heartbreak, sense of shame, and, finally, despair, with great credibility. I agree with some of the other reviewers who state that the movie doesn't try to take sides. And yet I think that the police detective and the woman police constable's kindness to Vera suggest that they feel sympathy for her and even understand what she did and why she did it. I especially felt that as a woman, the female PC knows that this is a problem all women are in danger of encountering, and this could be a pointer towards interpretation of the movie. I don't know whether this is what the director intended to suggest, but I think that this is something that came across, the way I saw it at least. This is possibly one aspect of the strength of this film, that it allows for this interpretation.

All performances were riveting and convincing, the cinematography superb, the 50s austerity convincingly recreated. As some reviewers have already noted, the film is quite bleak and depressing. It is supposed to be, given the subject that it treats. It is a matter of the viewer coming prepared for a film which tackles a hard to swallow, painful, yet central,social issue. The series of abortions that Vera performs is emotionally draining, though not graphic, and the end is demoralizing. But all the more realistic and powerful in being so.

I highly recommend the film, provided the viewer knows what to expect. It's not meant to be a feel good movie, but a movie to make one think and debate. It may depress you to some extent, but I don't think it will leave you indifferent. Personally, I felt that the film is subtly but convincingly suggesting that there is no use trying to pretend that abortions don't happen / shouldn't happen,won't happen, and that the law and society do not / did not have the compassion necessary to deal with this problem faced by women. You may come to a different conclusion, but the point is that the film is strong enough to provoke discussion and possibly disagreement amongst its viewers.

Masterful
What a difficult pleasure "Vera Drake" is.It is a film that has great acting and writing, yet deals with a controversial subject that is no less hard to approach now than it was in 1950, when the story takes place.The word "abortion" isn't even mentioned until the film is near it's end, but the watcher knows precisely what is being dealt with long before that.

Imelda Staunton is truly powerful in the title role, a simple woman who only wants to help others.As soon as she appears on the screen, one is drawn into her life and family.We follow Vera as she does what she can to make life easier for those around her. We see the consequences of Vera's "assistance" in areas that the world she lived in hadn't figured out how to deal with yet. In the end, I left the film wondering why we still haven't come to grips with this issue 55 years after the events in this film took place.

this movie is so beautiful
I always thought that this movie was going to be bad and boring, but I was wrong, this one is brilliant, it's very special for it's content, Imelda makes a great performance, it's plot is very dramatic,it's so beautiful, if you are looking for good drama don't miss this one. ... Read more

Reviews (83)

I CAN SEE!! I CAN SEE!! or TURN THOSE MACHINES BACK ON!!
Trading Places. One of THE ALL TIME BEST films of the careers of Dan Ackroyd and Eddie Murphy. Finally coming to DVD. I thought Paramount was gonna torture us and never release it. What should be some extras that Paramount should put in? Well, The scene where Mr. Beeks gets the crop report and poisons the guard should be included. Actually, The Internet Movie Database has a great listing of the left out and alternate scenes. Look for Trading Places and check out the Trivia and Alt. Versions sections.

A fine cast backs up Dan and Eddie. Ralph Bellemy, Dan Ameche, Denholm Elliot (God Rest Their Souls), Jamie Lee Curtis (In her sexy Breakthrough Role), & Paul Gleason (His portrayal of Clarence Beeks could be how he got to be in The Breakfest Club). And great Cameos by Bo Diddley, Al Frankin & Tom Davis, and a rare small part by James Belushi (Possibly at Dan's Request). And who can forget the Landis trademarks like the still picture montages and of course "See You Next Wednesday".

I just know once I pop the DVD in my player, I'll be screaming at the end with Don Ameche, "TURN THOSE MACHINES BACK ON!! TURN THOSE MACHINES BACK ON!!"

Good Day Mr. Duke.

Social statement beyond the comedy
I first saw this film in the theatres in 1983, and I loved it! It is still one of my favorites, one that I can't help but watch whenever it comes on television. I wasn't until I was much older that I understood what a profound social message it gave out. Does someone's surroundings and circumstances influence the type of person they will become? Or is it in the genes whether they succeed or fail? We see the question answered in John Landis' "Trading Places". Yes, it's a comedy, one of the funniest of the 1980s. But it also makes you look at something deeper.

The plot focuses on two men: a privileged and successful (but uptight and snobbish) Philadelphia commodities broker, Louis Winthorpe (Dan Ackroyd) and a down and out street hustler, Billy Ray Valentine (Eddie Murphy). Through a twist of fate during the holiday season, these two cross paths and a bet between two elderly but crafty rich brothers, played wonderfully by Don Ameche and Ralph Bellamy (for the insane amount of ONE DOLLAR), will answer the questions posed above. How so? By taking away everything the rich commodities broker worked for (and inherited) with a brilliantly orchestrated scandal where he is publically humiliated and arrested in front of his peers -- and giving it all to the former street hustler, who blossoms under the guiding hand of the two rich brothers into a respected and efficient executive. Meanwhile, Louis continues to spiral downward into a world he had never known: jail, poverty, drugs, homelessness and crime -- but one that Billy Ray had been all too familiar with. But little do either men know, that both of their situations were going to be temporary because it was just an "experiment".

Jamie Lee Curtis, up until she had done "Trading Places", had played in so many slasher movies, she was crowned as queen of that genre. But in this movie she convincingly plays a sexy, good-hearted lady of the evening who befriends Louis and helps him get back on his feet. Eventually these two get together.

The ending is a hilarious tale of revenge and triumph, and if you have never seen this movie (don't see how anyone could've missed this), I urge you to check it out! Non-stop laughs are a guarantee! Excellent, all around.

movie
You ever wonder what the others live like? Well you'll see when a rich white man and a poor black man switch lives based on a one dollar bet. Classic movie!

Must have in your DVD collection
This is a classic. That is all there is to say.

A very very funny movie
Buy this movie it is so funny your stomach will hurt and your eyes will be blood shot. ... Read more

Amazon.com

One hopes that at the annual HBO characters Christmas party, Larry Sanders, Carrie Bradshaw, and Tony Soprano make a point to raise a toast to Martin Tupper, the hapless hero of Dream On.This groundbreaking 1990 sitcom from future Friends creators David Crane and Marta Kaufman ushered in a bold new era of original cable programming not bound by broadcast network content restrictions. Hence, the profanity and nudity (you didn't see that on Knott's Landing!), which distinguished the series and helped put HBO on the pop culture map. Brian Benben stars as Martin, a New York book editor still reeling from the breakup of his marriage. The show's gimmick is that baby boomer Martin, a member of the first television generation, flashes on vintage TV clips that express his innermost feelings and desires. When his wife, Judith (Wendie Malick), visits Martin in "The First Episode," he fantasizes reconciliation, but she wants him to sign the divorce papers so she can remarry. The scene is punctuated by clips (from an old Twilight Zone episode, perhaps?) in which boxer Lee Marvin is pummeled in the ring and knocked out. But the clips and the language and the sex would get old fast if we didn't like the characters. Benben has the Everyman charm of a young George Segal, and he wears his anxiety to hilarious effect. He is devoted to his young teenage son, and still loves Judith, who is marrying a paragon, never seen, but described at one point as a "Ghandi for our times." His dating relationships spectacularly crash and burn (cue clip of disabled aircraft). In one episode, he comes undone when he discovers his new lover was a porn star. At the office, he is at the mercy of his caustic secretary (Denny Dillon). Dream On is of more than prurient interest. This was one of those lightning-in-a-bottle series blessed with a fresh vision, a seamless ensemble, and smart writing. To finally have it on DVD is a Dream come true. --Donald Liebenson ... Read more

Reviews (2)

Why did it take so long to release this series?!!
Just buy this - buy it now. Somewhen in the early 90s this series appeared. Completely funny & totally original, this series of pure pure entertainment was the highlight of mine and a million friends week. I have crawled the internet and have never ever found a video, download or anything... until now, I live in anticipation of seeing this great series again.

The show was genius - Martin Tupper's (Brian Benben)thoughts were shown via clips of old b/w B movies. The supporting cast is excellent and they always had cameos from big stars like David Bowie.

How or why this series was forgotten until now is a mystery. Its a masterpiece, far superior to the dross that's around today.

It's About Time!!!
I'm very pleased to see that "Dream On" is finally making it to DVD! I used to love this show when I watched it first-run on HBO years ago. Brian Benben was PERFECT as the hapless Martin Tupper, divorced from his wife Judith and trying to raise his teenage son Jeremy while re-entering the dating scene in the 1990's. The show contained many clips of old black & white TV shows and movies where appropriate in the story, and they were hilarious! One of my favorite such moments was in the episode where Jeremy went to a makeout party and told both Martin and Judith he would be staying with the OTHER parent. They found out they had been duped when Judith phoned Martin and found out he had a woman with him. She chastised him for doing so because Jeremy was there, but Martin was quick to defend himself and inform Judith that Jeremy was with HER. She said, "No, he's..." and slowly a look of realization comes to both of their faces. Then, it immediately cuts to a B&W shot of two small boys saying to each other "We fell for it! Boy are we dumb!" Hilarious!

I hope that there are some special features present on this set, but even if there aren't it will still be worth owning. It's about time that this classic HBO Original Series gets the DVD treatment. Hats off to Universal! Now let's hope that another excellent but overlooked HBO Original, "Tales From the Crypt", gets the same treatment! Everyone please support this release so the rest of the seasons will be released as well! You will not be sorry! ... Read more

Reviews (225)

English Romance At Its Finest
Jane Austen is a fine writer, but her wordiness tends to drain the life from many of her characters. Thankfully, Emma Thompson recognized the limitations of the novel and adapted her screenplay accordingly, enhancing the humor of the original story and adding more drama to make the film more enchanting. A cast was then chosen, made up of very talented thespians, including Miss Thompson herself. Add to that splendid English landscapes, excellent directing, and superb cinematography, and what emerges is a modern masterpiece.

This is not a movie for action fans; it is far too cerebral and requires a serious attention span. For those who enjoy a good love story well told, this is it. The characters are three-dimensional and their dilemmas full of human drama, bound as they are by the morals and manners of the times. Three sisters and their mother are left virtually penniless by the stricture against females inheriting property then in place in English law. The half-brother to the Dashwood women receives it all, but his selfish wife talks him out of helping his stepmother and half-sisters. It is up to the two older girls---sensible Eleanor and passionate Marianne---to seek their fortunes in romance while lacking a dowry to help them.

Eleanor finds her soulmate in shy, retiring Edward Ferrars, brother of the selfish sister-in-law. Her budding romance is shelved when his sister makes it clear that Eleanor is "unsuitable" for Edward. The sisters and their mother then go to stay in a cottage owned by a kindly relative, Sir John, and his mother-in-law, the irrepressible Mrs. Jennings. The old woman is a confirmed gossip and matchmaker, bound to see one of the two sisters hitched up to Colonel Brandon, the most eligible bachelor in the area.

Brandon first sees Marianne singing a melancholy song and is incurably smitten. She in turn loses her heart to a dashing young man named Willoughby, who is her ideal of a Victorian-era gentleman, complete with a pocket book of sonnets. Brandon, who loves her more than his own happiness, steps aside and even encourages their relationship, despite his dislike for the handsome rogue.

Things take an unexpected turn for the worse for both sisters---Willoughby drops Marianne and flees to London with no explanation and Eleanor discovers that Edward is engaged to a shallow young woman named Lucy Steele. The ensuing twists and turns in the plot make this film both agonizing and entertaining to watch. Mercifully, everyone winds up happy at the end with the right person as a spouse.

The whole film is solidly done, but it is the acting that really shines. Thompson is perfect for the role of the calmer sister, while Winslett is brilliant as the mercurial Marianne. Grant is endearing as the gentle Edward; Rickman finally gets to display his considerable ability to act the part of a very good and unselfish man. The rest of the cast keeps pace with the leads, and Hugh Laurie is indescribably funny as the sarcastic Mr. Palmer. One very beautiful aspect of this movie, along with the tendency to get drawn into the story, is the haunting and evocative musical score.

All in all, this is a wonderful example of a film genre that is so often overlooked in today's world---period romance. More movies like this one desperately need to be produced. Buy this one today because it's a gem.

JANE AUSTEN'S TIMELESS CLASSIC COMES TO LIFE
This film is so beautifully realized, in its scope and execution, that I have nothing but praise for both screenwriter/actress - Emma Thompson and director Ang Lee. Based on the novel by Jane Austen, the film follows the exploits of Mary-Anne (Kate Winslet) and Eleanor (Thompson) Dashwood; two angelic sisters determined to find romance amidst the sublime grandeur of the English countryside. Also stars Hugh Grant and Alan Rickman.
Columbia's transfer is, on the whole, gorgeous. Colors are well represented and fine detail is rendered accurately. Contrast levels are subtle, as they should be and dark scenes are accurately represented with only a slight loss of fine detail to speak of. Unfortunately, there are several scenes that exhibit pixelization that breaks apart background information. There is also the inclusion of some minor edge enhancement that, while not terribly obtrusive, is nevertheless present. This special edition includes a wonderful featurette and Emma Thompson's witty acceptance speech at the Golden Globes - a real treat. FINAL WORD: There's no costume drama of the 90's more poignantly captured. A British legend becomes an American Movie Classic. Get this one!

A classic based on a classic
It seems that for a few years, Hollywood couldn't turn out Austen movies fast enough. This is the only English production of the bunch, and it is wonderful.

The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.

The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.

It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)

Great commentaries (contains spoilers)
When I first heard this film was being made and that Emma Thompson and Hugh Grant were going to be in it, I thought, "Yes! Hugh Grant as Willoughby and Emma Thompson as the unpleasant sister-in-law!" But no. However, the commentaries explain the casting and then it made more sense. By the way, Kate Winslet is perfect and Alan Rickman gets the girl.

Very Good Indeed!
This is a wonderful movie with a wonderful cast and beautiful script. I don't really know what else to say except that I absolutely adore this film. Alan Rickman is superb as Colonel Brandon, I fall in love with him over and over again each time I watch this movie. He's wonderful, as is Hugh Grant as Edward Ferrars. Both characters are so likeable and real, they fit perfectly with their characters and make each viewing as enjoyable as the last. Kate Winslet, as well, is one of my favorite actresses. She fits so well in period pieces like this one.

This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her. ... Read more

Reviews (35)

The one Tracy-Heburn movie where she gets the upper hand
This 1957 film directed by Walter Lang was the eighth of the nine Tracy-Hepburn films and their first in color. Based on the play by William Marchant (which had starred Shirley Booth on Broadway), Katharine Hepburn plays Bunny Watson, a reference librarian who works for a television network. Bunny becomes quite concerned when she learns that the new computer being installed by Spencer Tracy's Richard Sumner is supposed to put her and the rest of her staff out of work. Gig Young has his standard role as the nice guy who ends up losing the girl in the end, while Joan Blondell, Dina Merrill and Sue Randall make up the rest of Bunny's brainy staff.

In terms of pairing Tracy and Hepburn "Desk Set" is certainly unique because it is the only film where she gets the upper hand at the end and he gets the comeuppance. Tracy is really nothing more than a misunderstood villain; his new toy is suppose to help the girls in the reference library not replace them. But none of this really matters because in the end it is clear than the women are a lot smarter than the machine (although they do get the baseball trivia answer wrong). The one priceless scene in the film is a roof top lunch between Tracy and Hepburn. He just has a few simple questions for her that turn out to be brainteasers, and Hepburn's character disposes of each and every challenge with an ease grace and guileless naiveté that is quite charming, while Tracy sinks lower and lower as she beats him at every turn. The rest of the film is fairly pedestrian as we wait for the expected happy